I'm on the run
And not for fun
The police are chasing
My heart is racing
When my life is at stake
My morality I'll break

The police release the hounds
I can hear their deadly sounds
They want to maim me
I want to stay me
I decide to fight the charging canines
Because I just snorted a ******* line
My judgement loses length
To my influx of strength
I break the dogs' legs
Until they beg
That's not enough
Sorry Scruff
The steel gun I fire
A furry cop retired

The police attack me
For defending myself
They refuse to see
The danger to my health
They chose to use crazy canines
So I feel the fault isn't mine
That doesn't change their decision
For me to die slowly in prison
I am in the teeth of the government
Much to my human wonderment
This is the way I'll spend the rest of my life
For the decisions I made at the end of a knife

The irony is cops **** dogs all the time
Yet they obstruct their vision of the line
Where it ceases to be man versus society
And becomes man versus nature
When a man is in peril
He must turn feral
But in a country that blindly idolizes aggression
The police don't acknowledge this discretion
They dig their teeth into our skin
While draining us financially
The only way we'll ever win
Is if things change substantially
Sadism fervently fuels the flames of conflict
With an exasperated public sick of being kicked
Cruelty is what they witness
To lose their mental fitness
How can they protect their babies
When the police have rabies?
The police relationship with the effected public will never shift
When there's a Cereberus between them maintaining the rift

A coarse, yellow coat with dark spot aplenty
Lean as a greyhound with limb long and lengthy,
Faster than hare from a cold standing start
Impossibly glimpsed in tall grasses that part.
Crystaline jewels in two huge hazel eyes
With the svelt of a feline’s cold killing surprise,
Explosively quick with an elegant gait
And a murderous jaw full of canines that wait
For a fleeing gazelle or a springbok at speed
Then a launch that would emulate bullet, when freed.
Incredibly smooth with a fast loping stride
That would tax any racehorse an envious ride,
Snapping manouvers to left and to right
That mirror a quarry’s evasions of flight.
A blur in a frantic explosion of dust
Then the life blood erupts, splashing red as the rust.

Heaving great flanks after thrill of the chase
Wide open muzzle and gore on the face,
Guarding the game till the kittens locate
Then the spoils of the chase will make portions dictate.*


Marshalg
Serengetti Plain
Central Africa
30 November 2012

I feel like the white lion
stuck in a cage for the rest of my days
feet set to tread a path barred and dusty
from all of those who trod before it.

The only excitement, the jangles of
keys from the keeper who runs to
throw carcass of rabbit, turkeys
through my bars for me
to render sustenance, incomplete.

I fear the white lion
hear my lonely roar and wonder
at such talons, canines now stolen
and feet dismembered, claws ripped
from their shackles, top-of-the-food-chain
fear desecrated.

And a genetic time-bomb too
ticks under my skin and theirs
as I sit and I listen to the lies
your children now share.

My line also ends, a mere stutter
in the sand, as the tides flow steady
and the last lion lingers.

And I am, too, held high like a beacon,
a warning, a message spanning
centuries, look, children, look!
See the mistakes of your ancestors.

See how her coat shines so very bright
that it reflects all seven colours
of the light? See how lonely and low
the last of a manipulated, mistaken,
misconstrued species can go?

She was drawn from her mother
mixed with her father, no she doesn't need him
and the others, why yes, all left
are her kin!

How wonderful, how quaint, you
know only ten now remain?
None in the wild of course, where
their life cannot sustain,
better here locked under our
constraints where we have
so much wonder, so much recreation
and education to gain.

And true, from this bleak place
they can never migrate
but look at her, no where else to go
this man-made mistake.

Don’t worry about the pacing,
the maddened, gleaming eye
the freedom they miss
out there? They would die!
And they know no other way
than this.

I know she looks sad, but
that’s just your feelings projecting,
they’re just animals, my darling,
you’re innocent, shouting in consternation
save her in the name of conservation!

But we are all white lions
all now endangered, our steps
are no freer, our lives all
subject to external changes and we
cannot move but for the cage
they have constructed, their
lives are impacted but our
wonder is not deducted.

I feel like the white lion
this ambassador of our greatness
this one mistake, so very clever,
engineered to engage us, these lives that
were wrought solely to entertain us.

I feel it, their future entwined in mine
and in humans across the ages.

Meaning of life designed, its sibilant message
dangerous, a dumb animal wandering
a set path, disregarded, destructive, aimless.

did it work?
I give a useless tug on my skin, done to reassure me
instead it reaffirms to me:

I am, again, inconsolable.

is the mask I wear today sealed on tight? too tight?
does it hurt to pretend so much?

does it seem clear to anyone else that there are loose ends I've yet to tend to? backdoors I've overlooked?
transparencies?    can they see through me?

I bare my teeth. canines, canines from the days of carnivores.
am I that carnivore? in my genes I am.

and in practice?

inconsolable, uncontrollable
barely a threat in her form.

this question comes to me under many guises:
an old man asking me: are you that of practice or are you that of genes?
a professor lecturing: are you that of cultivated identity or that of inherited form?

my concerned friends crying:
who are you?
is your mask anything like you?

and then i wake.
it's a terror turned nightly chorus.
recurring nightmares, doctors offer.

i admit i know the content of my dreams to be unfounded:
in life there are no physical masks that do the jobs my terrors depict.
no veil to hide the contours of each flawed personality, no mask to others, just me, weeping-in-the-bathroom, never-myself me

and those attempted favours to be like one another
i'll be like you so you'll like me
i'll like you because i'm like you

so the body charges on in this society like a mirror
cross your left leg when she crosses her right, fold your arms when she's folded hers, raise your hand to say hello, raise your hand to say goodbye

a kiss on the right cheek, a kiss on the left, one more on the left
this is how you show love and a greeting all at once

fold your arms over each other, this is sympathy, this is greeting, do you take comfort in this too?

so you learn to speak with your arms, and you learn to speak with your legs, and you learn to speak with your face, and you learn to speak with your head.

soon your eyes are apprentices of acquaintances, learning to borrow looks like library books, take on others' stories like they've read them end to end.

so in the middle of this process you learn to effectively say:
i see you, i hear you, i perceive you.

and in these attempted favours, at the end of your night terrors, is the parrot that they want to see. the parrot that you argue, can't really be me.

repetition, that's a good technique, a form of
reiteration, emphasis, as you like to
move in the river of synonymousness -
i mean, plenty to choose from -
well it's a better technique than rhyming,
it's like Kaiser Karl Lagerfeld said
about Coco Chanel's legacy after she died
in 1971: 'people tend to forget, that,
once upon a time, Chanel was old hat.
it was only Parisian doctors' wives who
still wore it. nobody wanted it - it was hopeless.'
(oh i can be couture no problem,
the other side of me that's into galleries -
even though that never brought me much
luck with the ladies, Beelzebub ******* on my
face and i started to squeeze out maggots
ensuring my face was forever crater riddled
moon - yes, excess white blood cells).
that's the same with poetry, it can't be
love me doo d'ah mushy mushy candy-floss
longing crap - mate, i'm a bus ****** and
this bus is coming but it's already 20 minutes late...
and it's ******* cats, dogs, frogs... Norwegian
acid rain, my anorak is peeling like a snake
shedding its skin and you're rewriting the early
Beatles unleashed on the American public:
shaved, hair trimmed into mushroom bops
all that Rene Magritte **** 'love, love me do!'
forget it, it's not going to happen, rhyming is the last
resort, i prefer the chance rhyme, it sometimes
happens, and it's too cute when it happens randomly
rather than with premeditation;
you can also throw out all the other premeditation
of techniques that poetry is known for...
what's the point? and back concerning rhyming,
you really want your poetry to be discussed by
schoolchildren and an english teacher in between
grammar lessons
                                  rhyming schemes and all?
that's how it goes:
         her name was Dazie          (a)
         she was never lazy             (a)
         i wrote her a sonnet           (b)
         reclining on a car bonnet  (b)
                                                               that's how they
do anatomy on poetry, the forensic team will
be with you shortly, the only reason i can think of
and know of as to why people are abhorred by
poetry (it's a natural repellent, spray it on weeds
             and insects, a natural insecticide,
****, spray it everywhere) is, because people on
the academic level have scrutinised it, analysed it
to the extent that it's not even there, it gets you thinking:
so who the hell was paying attention to the mammoth
novels of Tolstoy? oh right... no one!
the forensics, the post-mortem of poetry,
it has literally been mummified - the brain came out
as porridge ****** out through the nose.
are you familiar with Tenacious D's one note song?
that's what rhyming is to me, ever hear it?
it's the -ing twang
                            it's the -ing echo echo echo echo echo...
halfwit variations, you're hitting the same note,
great if you're penetrating a girl and she's giving
you an Opera of Vowels... otherwise it ends up
in a schoolroom, with an english teacher
and the rhyming scheme of a sonnet is?
                          ABAB CDCD EFEF GG
or?
                                                              abracadabra.
personally though Tenacious D's song kiełbasa,
etymology:
                    kieł       (canine, in polish)
   -basa (i'm guessing: the base of)             -
it's a sausage                                based on canines,
kieł (insert a           w    for the         ł.. tongue tied, eh?)
is a reference to a canine, a sharp tooth anyway,
and with -basa             i just intuitively thought of how
a hebrew would write it (i.e. hiding vowels)
and therefore juggled in an      e                  for -base.
they do, even though hebrew has Aleph (א) it hides
the vowels: S VRYTHNG RDS LK S - or i might
just be bullshitting you.

Heartbeats fast
whispers and plans
a mother's heart conflicted
as she wrings her hands
through the courage,
streaming tears
        she will let him go
despite her fears
Outside, canines barking harsh
men's cruel shouts
she must say her goodbyes
as the shots ring out
So many kisses
on his sweet, sleepy face
         little man deep in slumber,
in angelic grace
yes, he cried for a minute
as the morphine kicked in
and she rocked him and rocked him
his little frame, so thin
Now as his father takes him
she crumples to the wall
"By the will of God may I see
him again" she whispers
for he is her all
Outside the freeze
puffs breath into clouds
the quiet imperative for
             this next move:
Father gently slips son
into the rough-hewn jute,
No rotten potatoes today, no
this is far more important
No one will look for a tot
in a potato sack, he hopes
He looks around and slips
through the hole in the wire
These moments are critical
the need for speed is dire
A quick trip to the village
           in the black cloak of night
looking over shoulder
Finally the house…it's just there,
the next meadow over
the secret knock is sounded
and the door opened in silence
warm arms greeting, helping
carry the goods inside
Will this be a respite
from all the endless violence?
            Laid gingerly on the bed,
the sack is eased off gently
no potatoes inside
just a small sleeping boy
his parents only pride
Father strokes his hair,
Lays his palms on his head
to bless this bundle of sweetness
in his new environment
"I will come for you, my son"
tucks thin blanket around
and the deed is done
and now, in the cold lonely
smoldering air
of the burning dark
now in the kiss of hopeful protection
yes, now it's time to part

Back to his wife in the ghetto's
cold, sickened  space
to try to convince her
to bust out of that twisted place
You are my warrior, you
and all the others
Your spirit beats on
in my
     naked heart's
            thunder

I'm telling lies to terrorize tame territory,
and so they'll strip me down, string me up, and bleed me dry of glory.
Mourning from the morning after, hanging from a ceiling rafter.
Two rows of platinum canines, call me a gangsta-veloci-rapper.

Truly emancipated, drinking whiskey from Lincoln's skull.
Proclamation of my bank roll grants more ***** than animal control.
Flicking cigarettes at MC's who think they're superior,
into their passenger window to burn holes in their interior.

I run all night, jiggle my handle after flushing.
All the plump gals seem to love me, I've got their cellulite a'blushing.
I don't like *****, but I'll sip on something Russian,
if you ship her in the mail first class from your Middle-Euro cousin.

Well, so they tell us-
the political gladiators and
heavy weights. That in permanent
servitude we must remain.

They create a void in our stomachs,
which they momentarily fill with
what they carted away from us.
Just for their self will and whims
for another leap year's tenure to
be entrenched.

They widen the capacity for evil
of the canines they have intentionally
starved.
For a bone's morsel, the canines
viciously their draconian orders
execute.
Just for their masters' sit-tight
bid to be guaranteed.

Restrained with the servile chains
of their desperate overlords, they bark
ravenously at the oppressed,
who have come to liberate themselves
at polling units.
Each time the unworthy is by the
ballot box overthrown, the ravenous
canines at the hands of feeble
patriots gnaw.

A pound of flesh they take
from the down-trodden kingmakers,
to usurp the power they have
in good governance vested.

The umpire with filthy lucre gratified,
raises the hand of the fraudulently
triumphant political Brahmin,
who for another leap year's tenure
subjugates his dalits with utter
deprivation; ASUU strikes, poor infrastructure,
incessant power cuts, poor health delivery,
persistent insecurity, unemployment
and the cancerous bad governance.

With fat cheeks and stiff neck
that is well sunken into a robust torso,
he regularly raises the sides of an
African attire of elitist renown,
set once more to amass more spoils
of political office for a privileged
family dynasty.

you wedge your pointer finger between your canines-
in an attempt to appear sublime- or nervous- or seductive
either way it doesn't succeed.

your tooth, teeth
speck of blood, bleed
emerging as you pierce your calloused
yellow patch of skin
(layers & layers of the girls you've touched before)
but you crave one more-
for in every sleepless night
there's a quote to be fill- a new slit to drill-
you're a man.

i can sense it-
throbbing and shaking beneath your olive exterior
how you long to drag
your now bloodied, prior prettied
finger up an off white thigh-
to disregard the things obliged-
to forge the paradigm
from faulty tools,
splintered and battered in a worn down knapsack
duct taped to a hunching back,
you're a man.

thoughts of droning monotone
quiet your hungry bones
(i can hear them)
rattling as you ****
your head and lift that heavy glance up to me.

i can see you,
flopping and thrusting and sweating, which
after years of curiosity has handed me
nothing,
but sweaty sheets and burning ***.
i lay beneath you, silent
i'm a woman.

avert your eyes ( i am tempted to plead)
from the onset of premature varicose veins
(i am pale, glasslike, arched & stained)
allow me to suffocate the already immune-
girls born into the world with ******* brandings
stamped onto their lightly acne ridden foreheads.
(SMALL, MEDIUM, LARGE)
trim your ribs, shave off the cellulite-
turning a blind eye to accessible insight..
a salad for lunch, make it dinner too.
finger down your throat, orange acid hurling,
stick like dancers twirling,
they bring tears to your eyes,

if only {you} possessed the grace-
but there are pounds to erase.
i'm a woman.

thirteen years of advertisements stapled to your eyes
standing barefoot    in a bath tub   with chunks of blood
running down    shaking legs    
kicking off a now crimson pair of old underwear-
stuck  &  tangled on trembling feet

[ silence your voice and push up your *******
  til they're touching your neck.
  get a nose job
  get a *******
  you're a woman  ]

Out of the dark forest I stumbled
onto the pebbles of a moonlit lake
my languid eyes bumbled
swallowing down philter mistakes

a pale goddess in the flesh
how my stupefied eyes stared
at the beauty of her nakedness
something in me flared

flared and turned and burned
my flesh no longer mine
stag in form standing taciturn
she calls out for my canines

I run and try to yell
nothing escapes my lungs
pattering of legs hungry to quell
come to rip flesh with teeth and tongues

stumbling and tripping over
stones, limbs, roots and mud
left to a new life a stag rover
I hear the ******* and the studs

faster and faster I try to move
from this typhoon wave of carnivorous hounds
but curse these feeble hooves
the claws and teeth came crashing around

flesh stabbed with a thousand teeth
a pack of mouths tear and pull
a stag corpse I bequeath  
to the hunger of my own wolves

I.
There will be a day, you say,
where the world stops and all that ever was
and all there ever will be would cease.

                                                                     Trust.

There will be a time, he says,
when I will no longer love like how
you built the moon for me, balancing
upon a staircase of wooden boxes.

                                                                    Trust.

You don’t care. You let him weave
with string, then with your soul,
your heart the ball of yarn at the end.

                                                                   Trust in him.

You are a lover. You are a fool.

II.
Light. Soft light and harsh light and lantern lights
and fairy lights and neon lights and flashlights.

Light, like that which comes on in his eyes
when you tell him you want Honey Stars, and
you two spend the night picking at those overhead.
He tells you that when you drop stars into the
Pacific, they become sweet, like honey.

All you wanted was cereal, but you are a fool
one that picks at stars that have long since died,
one that can’t tell a corpse from a sparkle.

You don’t get any stars in the end, except for the
ones in his eyes.

A fool.

III.
This is where you grew poppies,
expecting to harvest the seeds and
crush,
thinking that maybe,
just maybe,
the dust will help you sleep, like the
sand of the Golden man.
You teeter on the edge that separates
wanting and needing,
You walk on a slowly fraying tightrope.

Tight,
        like your heart.
Rope,
          like how you rope
souls into believing you,
how you rope in friends
and demand their faith.

This is where you rearranged
his little soldier boys, where the
ceramic crashed against the wood
and refused to break.

Not like you, then.

This is where you kissed him,
over
       and
             over, because
air is useless without oxygen
and oxygen is useless to a pair of collapsed lungs.

IV.
You hate him. You hate his strength,
how he bangs the table and it snaps in two.

You hate his laughter, scratching against the walls
in tune with your sobbing.

You hate how you have to scan his eyes before you sit,
have to look before you make the metaphorical leap.

You hate how you let him force open your legs,
hate his pride at being in control, and his guilt
for the purple and blue spots on your skin,
like garish children’s make-up,
a clown at the party of life.

You hate how he holds onto your sides till
you hear the crack, and how you tell the doctors
you fell, because you did.

You are still falling, every time he looks at you,
Honey Stars in his eyes.

You don’t hate him. You love him,
that’s why you come back to be destroyed.

You hate yourself.
That’s also why you come back, to be destroyed.

You can’t repair hurt like that
but you try anyway, because the best part of building
is when you knock down.

V.
It is painful, but pain is a symptom of life.
You let him hurt you, let him crush your
bones and self-esteem, because no one
taught you how to love and if it means giving,

then you must be doing it right.

VI.
Wake, from the best sleep you’ve had,
wake from a nightmare, to a nightmare.
He is gazing out of the window, with
suspenders to hold up his pants
and his courage.
Your canines sink into your thumb, as
he turns to you and he says, “Hera,
I love you, but–”

The memory ends there.

Hera was the wife of Zeus,
goddess of women and marriage.
Your parents made a mistake,
more than once.

VII.
You are alone.
Quiet was never your thing, silence the most
deafening noise in the world.

This is your hand, a hand that once
rested against his neck, a hand that
felt his blood pulsing in his veins.

This is your hand and it is green
not from gardening but with envy.

These are your shoulders, shoulders that once
carried backpacks stuffed with Honey Stars
and sour things like love.

These are your shoulders, and even Atlas
cannot carry the weight on them.

This is your heart, and it is red.
This is your soul, and it is aluminium,
his words like sandpaper, polishing
until your soul tears and can be collected,
filtered and cross-examined under a microscope.
It will be reactive with the acid of his absence,
but only for a while.

This is your neck, and the rope feels rough
compared to your memories of his hands.

As a ginger, I'm inclined to say fox. I've always had an affinity for those cunning, red canines.

But if it's just for a day then perhaps something a bit more adventurous. I suppose I would choose to be a cheetah.

Fastest land animal in the world, agile, and speckled.

Nobody messes with a cheetah. Not because they’re so hulking or intimidating— just more fascinating than terrifying.

We travelled to South Africa once, my family and I. As a tribe we chased wild creatures down with cameras in jeeps in a raucous yet hushed thrill.  

The cheetah was one of the few animals that eluded us. Perhaps having never seen one up close is partially what draws me to them.  

Mysterious, as well as evasive, with an "I don't give a ****" attitude.

They only eat every so often because catching food is such a feat. When they do hunt however, it's one of the most spectacular things in the natural world.

It's why places that sell tv's show footage of cheetahs running in slow motion over and over on a dizzying loop; demonstrating how clear the pixels are in the plasmas. It's mesmerizing.

Their feet move too fast and fly over the dirt, honed in on whatever poor gazelle or kudu they're after. If you're a cheetah that is your body, your thin bones, your rapid heart and beating paws that make you move in such a blur.

To be a cheetah for a day is feeling and knowing the difference between machine and muscle. Humans have found ways to fly, and people regularly move faster than a top speed of 75mph.

But how sublime it would be!
To be solely and purely responsible for that unparalleled speed just for one day.

The Great Debate started,
Parliament was the open forest,
electors were divided into two groups—
Sir Fox's, and
The Lion's,

The first group wanted to overthrow the Lion
from the sovereign head of the forest,
It was a tough job to confront Lion directly,
So, Sir Fox, appointed a Monkey as the Chief campaigner,
and that monkey appointed other monkeys in the business,
Scaring them with a story of vanishing trees, and living on
the land increases the mortality rate if Lion Party continues.

Monkey, the chief campaigner exclaimed,

“We are not living in the rule of law but in the rule of Lion,
All are equal, but the continuous target of a particular community,
Like a beautiful deer, by another community in majority
should be banned, Deers bring historic and aesthetic
significance to the forest
And need to be treated as the same,”
Deers bellowed gleefully hearing this.

Cows felt hurt,
their exclusion from Monkey’s speech
proved to be a setback to the Fox’s Party,
Cows were the most targeted community
by the Carnivores, everyone in the forest knew,
Potential voters were lost to Lion’s Party.

Polarising speeches of Chief continued,
It brought Rhinoceros to its side,
Seeing rhino in political rallies,
Hippopotamus chipped in,
To counter the increasing weight
Political advisor of Lion, i.e, Tiger,
persuaded Elephant to become an official
member of their party.

Hate speeches increased in numbers
Giraffe, the bearer and upholder of law,
Overlooked everything,
the long neck looked tilted towards
an ideology.

Rumours became truth,
truth became rumour
Monkey was good in it,
And an army of monkeys were excellent.

Parrots, Pigeons, Peacock,
****, Cuckoo, Cat,
Loved the importance they got,
Disseminated the Fox loving songs.
The listeners felt threatened,
They had an enemy living between them
and they were considering them friends,
They thanked the Parrot, Pigeon, Peacock
for pointing them out.

Now, biped hated quadruped,
Quadruped hated reptiles,
Reptiles did the same to amphibians,
And in this way the whole animal kingdom
danced in chaos,

The fiery speeches of Sir Fox helped
in creating illusion,
The slogan of the Man as a common enemy
was changed to, Feline as a common enemy,
Felines joined Sir Fox’s Party,
And Canines ran to Lion’s Party,
Obvious was difficult to observe
Obscure was easy to see.

**to be continued

mom says we should buy an axe.
she shapes her gum into a moon,
craters and canines and molars,
like a fake suicide on national tv,
the passing of the torch,
the running of the bulls,
the macy’s day parade.
ashtrays don’t lie, but ashes do,
they’ve got their canines and molars
and tongues tuned to calamity,
slick as sunsets as they chop away.
and this fortnight is something you can read,
go ahead, turn the pages,
one to fourteen and you’re caught unaware,
what the **** were you doing,
counting casualties, coming closer to the yellow sky,
it’s petroleum sliding down your throat now.
the human body is 70% *******
and you may meet your quota but you’ll never meet your end,
racing through the stucco in the room your girlfriend rents,
the ridiculous ambivalence seeping through your pores,
staining the sheets you haven’t washed since february,
turning off the tv you were never watching anyway,
letting bulls run and torches light
like that little corner of your eye that twitches when you touch,
like that interrogation manual you can’t read anymore,
the door shuts in your face and your books crush your bones.
and you and mom buy the axe and leave it by the fridge with the broom,
and the more you scratch the rustier the blood.

Sometimes I wish I could leave.
Disappear from everything, and everyone.
Get away from the people who were once so close.
We're not even really family anymore.
Just individuals who live in the same house.
Not really sure the terms for that, but I've narrowed it down to:
Family now acquaintances.
We used to be so close, so we'll assembled.
Like a puzzle fit perfectly together.
Now all we do is fight.
Something broke our perfect creation.
We fight over the simple things, over sad things, over complicated things, & even over things that are supposed to make us happy.
We fight.

She yells, He yells, I yell.
She cries, He cries, I cry.
I'm sure my neighbors think we're crazy. Or maybe that everyone inside my house are violent abusive people. Though, they probably could care less. Which I'm okay with.
The fighting wouldn't be so bad if it didn't happen all the time.
Those are the moments disappearing becomes more of a reality than merely a dream.
I wish it was as easy as blinking.
Disappearing would be so natural, so calm & undisturbed. Like the way I find tranquility in sleeping.
It seems to be the only time I can get away from what is so bad in the world, in my house, in my mind.

Disappearing.
Otherwise known as the act of leaving without a single trace of evidence left behind.
No way to track a living soul.
All signs of existence washed away.
No one knows where you are, or what you're up too.
Maybe you'll finally cross through their minds, maybe you won't.
No more fighting. No more crying. No more pain. No more hurt.
Complete solitude.
Nothing can compare.
As She gazes into my eyes, Hers began to sob.
She says "I promise. This is the last time".
Her promises mean nothing more than the overuse of I love you.
She says it as if she's never spoken these seven words before.
Yet, she wonders why my mind cries out for help knowing no one can hear it's screams.
She wonders why I became so distant so quickly. As if, being three inches apart physically and mentally is too much space.
Her laughs depress me. My frown fears Her smile.
I can't help but know I'm being selfish. As if, I'm ruining everyone's happy ending.
Once Upon A Nightmare.
"Two months." She says. "Only two months". Another argument breaks out.
She can't wait to get out of this hell-hole.
As though, multiple three-headed canines guard the gates, which are meant to be forever shut.
Tearing people apart, and eating them inside out from the moment they step foot indoors.

Disappearing.
It would be easier than having to start all over, than having to sit through another argument. Knowing I'm only going to be found guilty.
It's easier than being here.
Enclosed in this world, inside my house, trapped in my mind.
If I could fade into the dimension between life and death, overriding all rules of time, and space.
It would be blissful. No more arguments. No more pain. No more tears.
My happiness, an eternal feeling I'd never shake.
"Two months is not long enough." I say.
There is is still much left to do, people to meet, and goals I have yet to accomplish.
Two months is not nearly enough time.
She says "Two months is all the time you have."
And with that, another argument breaks out.
Disappearing.
The act of leaving without a single trace of evidence left behind.

Day 1: You're always shaking, you're like the grass under the whirring blades of a lawnmower. I laugh at that. You're so funny when you can't breathe. You're so funny with your scars, hidden beneath sleeves like white soldier grave stones, underneath a blanket of shaking grass, tall grass, dead grass, laughing grass, long forgotten names. Like, like, firing squad death row under sheets of blood- no- fallen brick walls. Civilians, awaiting rescue. You tug at your shirt awkwardly, I am staring.

Day 6: What are you asking me now? What? Them? No, they don't hate you. The stars with molars, canines, and needles out their sides don't at least. You're asking me about the fish? Scales, fins, aquatic? The star fish with self-esteem issues doesn't mind you. He's just selfish. The narcissistic parrot fish loves you as much as her own reflection. The high strung cat fish is kinda infatuated. He's something else. The shark? She thinks you're ****, but don't tell her I said that. You won't? You never do. I like that about you.

Day 23: You been okay? You haven't been asking much about me lately. Me? Funny you should ask. I'm not sick. Not now. Haven't tried to bash my skull in in a week, it's progress. You? Oh ****, that's too bad. I wish you'd stop opening up your forearms. I wish you'd just stop popping pills like after Chinese food dinner mints, bursting them in your stomach to spread like fog, milky white to drown out whatever your drawing from your wrists.

Day 72: You're drunk again? Jesus, what will it take for me to leave you? You've already bitten the hand that feeds too many times you sloppy wolf puppy you. I mean, sure I waved it in front of your face but don't you know your own teeth? *******, quit throwing up and get back to work, paint me a pretty picture pathetic *****. Put down the knife or broken glass or razor or whatever the ****, I don't want to do that anymore it stopped being interesting after like, the fifth time. Yeah I know I said I cared! I know I said I wouldn't stop caring, wouldn't leave you! But have you ******* seen yourself? Go ahead kid, count those scars, make some more, whatever you do in that basement of yours. I can't stand you! I can't stand your stupid brain, you're always crying what's up with that? How old are you now? Right. My point exactly. Jesus Christ, shut up for once.

Day 95: No wait- ****- sorry. I didn't realize. Hey, you know what sweetheart? Let's shake hands. Your end of the deal? I won't be the reason you **** yourself, you stop making your arms look like bulldog wrinkle jowls, or like, sliced bread, cracked sidewalk, blistered vein soup, running like drippy little kid noses, whatever- just make it stop. I won't tell you all the ways you fall short in 3 words or less. Deal? Deal.

Day 103: Just kid- keep breathing. I won't do it for you. See ya', have fun ******* yourself up and over.

the night was already crazy-wild by the time
we arrived at Jarred's pool.
he had a big house but we never went in

4 teens, teen dream, a dream team;
but I knew deep down just what it was
we snuck out for.

a "transform-optional" rite, this hollow night.
but I still had doubts...
as Jarred offered me an aluminum can of something and I nervously said, "no thank you",
the moon had proudly jut out

he had a big house but we never went in.

I hadn't noticed, without the moonlight, just how
sharp Jarred's teeth and fingernails were.
canines, ivory & sporadic. looking at me

I hadn't noticed how reptilian our 2 friends were
The fangs and dislocating jaws, tendrils & scales.
Man-o-war for a head, giant earthworm for an arm
She looked scarier than he.

Those 2 went at each other in a murderous way
A blood sport of sorts. Confusing to me.
She spread her jaws wide - a parachute with teeth
And bit down hard between his legs.

Blood everywhere. Blood spattered on her face
She looked ****** god-awful by then.
The meat of his dead body then re-animated
And assimilated with hers. Anabiosis + Differentiate

Jarred, a werewolf or something like it, approached me.

He had a big house but we never went in.

we chatted poolside for a while
he'd go harmoniously from monster to human, human to monster.
Boiling cancerous growths under his fur
Grew angry eyes that glared at me.
clawhand on the back of my neck,
he went in for a kiss (or a bite)
with a puckered face and bared teeth.

This is it.
I finally felt a grossness so profound that I,
without thinking, jumped in the pool
to splish-splash, cool, to escape, whatever

I opened my eyes and just floated there for a bit.
hanging in the stillness
trying to forget those alien freaks
staring up at the moon
from the bottom of a pool.

i miss the dogfight
of our teeth squaring off
in a shiny mirror.

you could call our canines
moon kernels or portents,
but the sentiment

is sharper. the poem
tautology to a bracelet
of crescent dents.

self-portrait: light
shadow, shadow, light.
a plane reflecting

other planes, an edge
biting an edge, biting
an edge, bitten.

the bracelet tautology
to a skyline sans sky,
one wedge of evening

held in your periphery.
i press my fingers
into a warm glass throat.

It's dark and cold here, frozen hand is creeping up my spine
My lips are trembling as I recognize your scent and smell
Of all the numb cadavers you left long untouched
Piercing canines reflecting an end of my joy and pride
And my fear of your claws getting near my crippled body, making more cuts

And it hurts, it hurts so much
But I won't scream tonight
I'll cover myself with blood that's flowing from my wounds
Making an art piece worth the gallery
Of my own collapsing skeleton that's falling to pieces
So you can take it
Make me your trophy

Cut off my limbs and make me believe
That I'm an animal, a stupid omnivore who refuses to eat a soul
Strip me out of my skin, I can't stand it anymore and make sheets out of it
And eat me alive, chew my brain and break my heart in a habit
In routine that's going in circles, 'cause you can't think of anything else to make me suffer

Spitting my parts out, what a terrible taste of flesh that was once yours
What a disappointment am I
No good for mouth nor father's pride
So why do you keep on me an eye?

Hoping I'll be like you, so you
Don't have to paint kitchen with my blood
And keep my eyes under your pillow
Or stitch with my hair another cut
Making teeth and gut necklaces for those who follow
Your cannibalistic rules, making their kids hollow

If only you had the decency to bury my bones in a piece of silky cloth
Instead of putting me back together like a jigsaw puzzle
So you can make fun of me and say comments that make me weaker
In an unfortunate attempt to make me a hunter

But I won't be like you, I won't
Eat another living being's soul or flesh
I won't cut their veins open to swim in their liquids
Because I'm not a cannibal

Fearless
PART 1
Chapter 1
It was cold. Freezing. The first day of the winter chill had started here in Washington. There was a semi-secluded high school deep in the woods, holding some two thousand high school students.
Professor Thompson, a younger teacher, was yelling again, "If I see another one of you punks rolling in here halfway through class, I swear I'm going to fail each and every one of you!" Alexei grinned, his eyes closed, mouthing out the exact same phrase in unison with the teacher. His "pack" snickered behind him, nine boys and girls all dressed in dark clothes with varying levels of oddity. They were a small part of the senior class at Liberty High, and had the reputation as dangerous, rebellious punks. They embraced the title, knowing how true it was. They were Lycans. Shape shifters. Werewolves. They all meant the same thing. When they were young, around fifteen, they would have had their first shift. They would turn into Dire Wolves, about twice as large as your normal gray wolf.  During their first transformation, they would be guided to an alpha who would help them transition to the new life, teaching them how to shift at will and how to survive. In this case, Alexei was the alpha and this was his territory.
Alexei stood at exactly six feet tall, was light skinned and was built like an animal, lean and muscular. His straight hair was jet black and ended in a flurry of blood red tips that lay hidden under a heavy black jacket and a hood lined with white fur. Alexei generally kept his eyes closed unless he was angry or upset, using his enhanced hearing and smell to navigate. "Hunter, eyes forward!" Alexei turned his head slightly to the left, where Hunter sat, or rather slept. Alexei heard his pack mate wake up in a daze and groan, "What? I'm still in class? Man this *****." His green hair bounced in front of his eyes, tickling his nose and making him sneeze.
Alexei grinned, flashing his long canines and the rest of the Pack laughed quietly amongst themselves. "Alexei... would you mind keeping your cronies under control, please?" He opened his eyes slightly, their golden glow piercing the darkness of the hood like slivers of fire. The pack immediately went silent.
"Why of course, professor. We wouldn't want to disturb the lecture now would we?" His powerful voice dripped acidic sarcasm, laced with a deadly seriousness. "Right guys?" The question hung dead I'm the air for a few heartbeats.
When no response came, he turned his head sharply, his piercing eyes fully open. "Right?!" His voice boomed throughout the room like thunder and a collection of nervous, 'yes sir, yes alpha' rang out quietly. He closed his eyes again and said, "All yours, professor."
Just bear with it guys, its the last class of the day.
He heard another person's voice flutter into his thoughts. but, alpha, it was Leiks, one of the betas. its snowing... we want to go out.
He growled slightly, And you think I don't? You know how this works, Leiks.
He heard her whimper slightly in submission, backing out of his thoughts. She fidgeted in her seat in the back row, looking out the window at the puffy white flakes cascading down around the school. Her blonde hair ended in purple curls that bounced around her chest. She was shorter, around five foot four inches tall, and was one of the three betas in Alexei's pack. The other two were the twins, Ruby and Sapphire, whose hair was black and ended in red and blue respectively. They rarely spoke to others out loud, keeping their thoughts to themselves. The other four were all deltas or omegas.
Alexei caught a hint of something in the air, it smelled like a sweet musk mixed with crisp apples. The smell sent a tingle up and down his spine for a few moments before settling. He growled softly in his throat, grinning.
Smell something, alpha?, it was Leiks.
Yeah... maybe...
He grinned and felt warm all over, however more impatient to get outside.
Professor Thompson continued with his lecture on mythology, talking about the classic horror creatures like vampires and werewolves. He focused awfully ******* the latter, going on and on about lycanthropy and the horrible nature of werewolves.
Alexei bared his fangs in a silent growl, gripping the edge of his desk hard enough to make it creak in dismay. What does he know.... he hasn't been through it.... he hasn't seen his friends die in front of him… An image flashed before his eyes of a bloodied white wolf lying before him, whimpering helplessly as its crimson blood steamed against the snow. His anger lasted only a second before a hand tenderly gripped his shoulder. His eyes flashed open and he gasped slightly. He snapped his gaze over his shoulder at the pack, their eyes wide and locked on him, emanating dread. The hand belonged to Flora, the youngest member of the pack at 17. Her eyes were full of innocent fear as she looked at her enraged alpha. He nodded and she let go of his shoulder. Alexei turned and shut his eyes again, his good mood soured for now. He took a deep breath and sighed, wishing for that scent again. Five more minutes...
Those five minutes drug on like a glacier, the professor's words trailing off into the distance as he switched topics. Can he go any slower?
Don't jinx us, alpha, sir. came Flora's response.
You don't have to call me sir, Flora. We're a family.
The wolves stayed silent for the rest of the class, listening halfheartedly to the professor. "As you all know, this is the last day of school until January. I hope you all have some plans, some family to go see."
He paused for a moment and then: "Never. Ever. Forget. There is a grain of truth in every myth." The professor was looking directly at Alexei, who cringed slightly. He could feel the teacher's eyes boring into his soul. The bell finally rang, and Alexei was the first one out, quickly followed by the scrambling pack. They wound through hallways and double doors until they felt the tingle of cold touch their skin. They trailed along behind their leader and burst out the doors, welcoming the frigid air and the soft snowfall they had waited all year for. They hooted and howled giddily, their faces covered in goofy grins and awestruck eyes as they pushed past Alexei and dove into the snow with the other students. Alexei stood there, looking for what he had smelled earlier, for him it was more important than the snow. He scanned the horizon, eyes open wide and searching relentlessly. After a moment, he saw his target, leaning against a tree on the far end of the schoolyard, her fiery hair waving gracefully in the wind. "Jenna."
She winked at him and gestured to her right, where an open forest lay uninhabited. He nodded slightly and made his way down the steps, his heart pounding harder and harder in his chest.
I'll be back soon... Leiks you're in charge.
You okay, alpha, sir? Flora always worried for her alpha.
Yeah, I just need a walk is all.
But... Leiks put a hand on Flora's shoulder and shook her head.
Alexei walked to the edge of the schoolyard and saw that Jenna was already in the woods. Glancing back at the pack, he grinned like a Cheshire cat and chased after her.
They wound through the trees, picking up speed and tossing their heavy jackets away.
Come catch me, big boy. she taunted.
I intend to.
He watched her every graceful move, following relentlessly until he had her. He wrapped his arms around her in a tackle and they rolled, laughing all the while until they came to a halt. Alexei was on top of Jenna, straddling her legs and breathing heavily with her. She closed her eyes and grinned wide, her chest heaving. The air was freezing cold but they couldn't feel it as he leaned in and kissed her deeply, entwining his fingers into her hair. She kissed back, biting his lip in the way she knew would make him weak. She felt his muscles quiver and she took the opportunity to push him onto his back and claim dominance over him by straddling him. She smelled amazing, the musk of her animal side mixed with her perfume drove Alexei crazy.
He slid his hand under her shirt and felt the curves of her slender body press against him as she gasped. She pulled away from the kiss, a grin on her face, "Not yet, ***. There's time for that later."
"I've missed you, kitten."
She growled softly, "you best stop that while you're ahead, sweetheart." She grinned wider and kneaded her claws into his chest. Alexei called her 'kitten' because of her fondness towards cats, specifically kittens.
"Are the others here too?" He pushed her up off of him and stood up himself, closing his eyes in the process. The others were Jenna's friends who had left with her a year ago.
"Mmmhmm. They got here shortly before I did. They're already at the hideout."
Alexei nodded, "We'll be there shortly. Do you want to come with us for the time being?" They began walking back to the schoolyard, grabbing their jackets on the way.
She giggled, "I suppose I should, so they can get used to having two alphas around." Her eyes twinkled as she said it.
Alexei grinned, "I thought it wasn't for another year! Congratulations!"
"They pushed it up since I've been moving up so fast." Jenna had gone to a Lycan Academy farther north, in Canada. There, wolves would be trained to become better leaders or soldiers, depending on their rank. Jenna had shown great promise immediately and was put into higher groups and classes.
The schoolyard soon came into view, and Alexei's pack was still playing in the snow, throwing snowballs and just rolling around in the stuff among the other high schoolers. He whistled a little tune and each of the pack members looked directly at him, going wide eyed when they saw Jenna. They rushed over as fast as they could and tackled her with hugs. "You're back!"
Jenna struggled to get up as a dog pile ensued. Alexei's wild laugh mixed with the cacophony of greetings as Jenna squirmed out. Flora stood behind Alexei, this new person's presence terrifying to her. As the pack got untangled from each other, Jenna walked up to Alexei and Flora, who hid behind him like a cowering pup. Jenna looked at her, "Hey. I'm Jenna, me and Alexei are old friends."
Flora whimpered quietly but peeked out enough so she could get a good look at Jenna. Alexei turned to the pack, saying, "We're going back to the hideout. There's some old friends waiting there for us."

Chapter 2
The pack carried on as usual, sauntering on down the sidewalk leading further into the woods with Jenna, Alexei and Flora following close behind.
"How old is she?" Asked Jenna.
"I'm seventeen. This is my first year as-..." she trailed off, still unsure of herself.
"As a Lycan?" Flora nodded softly.
"You know about us?" Asked Flora, bewildered.
Jenna giggled a little, letting flora get a good look at her canines, which extended down to her lower teeth. "I'm one of you."
Flora looked at her, confused. "But you don't smell like them. You smell different."
Jenna glanced at Alexei, who was still strolling alongside them with his eyes closed as usual. "You can tell her, Kitten."
Jenna punched him in the shoulder with a loud thud that would have left any normal person cringing, but Alexei just shrugged it off. He's definitely a lot stronger than I remember.
She turned to Flora, "I'm an alpha. Like Alexei. Each alpha has a different scent."
Flora gazed at her with newfound wonder and fear. Jenna saw this and said, "Don't worry, Flora. I only bite my prey. You're not prey, are you?"
Flora grinned a little, "Of course not."
They had reached a little clearing with ten trees aligned in a perfect circle around a massive evergreen that towered roughly sixty feet tall, casting a massive shadow underneath it. The pack had named it the Forever Tree, with its many years to come. At the base of the ten trees were empty backpacks covered in snow, each one a different style and color. The pack gathered under the Forever Tree and looked at Alexei with a certain desire clear on their faces.
Alexei grinned and said, "Go wild, guys."
"Finally!" The pack began to transform, fur popping out of their skin in a wave of softness, their faces elongating into muzzles and their fangs revealing themselves in their entirety. Their majestic tails struggled to get free from the jackets and pants that surrounded the wolves. They shook the clothes from their bodies, piling them up in individual piles before taking them to the backpacks under the trees. Each one expertly placed their clothes into the bag and then sat patiently next to their trees as the two alphas and Flora watched. Once each wolf was finished, Alexei whistled sharply and they grabbed their bags by the carry handle and formed a line in front of him. Alexei had modified each bag to fit as a harness around the wolves, making the transport that much easier. He helped each one of his pack mates with their bag and they in turn took shelter under the Forever tree. Once everyone was there, Alexei waved them off and they took off into the woods.
"Flora, grab your bag so it doesn't get lost out here."
"Yes, alpha, sir." She ran to grab her bag from the last tree. Alexei and Jenna casually followed, "You don't have to call me sir, Flora. Remember? We're a family."
They followed the paw prints in the snow up a winding path which led to an old cabin, seemingly forgotten out here. The smell of wolf musk was heavy in the air as they approached. The cabin rested on the top of a tall hill, with a winding staircase leading up to the wraparound porch and the two story cabin itself. All the wolves were waiting, already mingled in with each other on the porch. Jenna's pack was roughly five wolves, mostly female. As all wolves find out eventually, whatever modifications they do to their human body, such as tattoos or hair dyes, crosses over to their wolf body. Some used this trick as a way to make themselves unique, or to show a pack allegiance. Alexei's pack were unique in their markings, each one having their hair dyed and having a wolf paw surrounded by a crescent moon. Jenna's pack was similar, though theirs was a long fang piercing a heart.
As they got closer, Jenna's wolves began to bark happily, welcoming their alphas. Jenna's betas were waiting at the base of the stairs, three grey females named Ginger, Lexi, and Anna.
Alex! We're so happy to see you! called Anna, one of Alexei's oldest friends.
"I've missed you guys too, you didn't have to wait down here for us, you know. Go on and say hi to the others." He scratched each of them behind the ears and they ran up the stairs happily. "Flora, you can wolf out now, I'll take care of your stuff."
She looked gratefully at her alpha and shifted into her wolf form, a sleek white, unmarked unlike the others. She ran up the stairs as Alexei gathered her clothes into the bag. Jenna took his hand once he'd finished and they walked up the stairs together, joining the wolves on the porch.
Alexei unlocked the front door and let the wolves into the spacious interior, with a mix of dog beds and couches in the main living area surrounding a large television. The kitchen had been recently stocked by Alexei, the freezer full of uncooked meats of all kinds. Alexei's wolves all gripped the release clip on their harnesses with their teeth and let their bags fall to their side, lining them against the wall near the door. Jenna watched this unfold as her own pack dragged in their own heavy bags from outside, bulky and awkward to carry in wolf form.
"I see you've been busy, Alex."
"I have extras in the storage room upstairs, if you guys are interested."
Her wolves whimpered pleadingly in response, the last one pulling the door closed behind her with a leather strap hanging from the handle.
Alexei turned to Leiks, who was halfway up the stairs already. "You know where they are right?" The black wolf nodded, her necklaces clinking slightly as she padded up the stairs. Everyone began settling down onto the couches and beds and Leiks came back down with five bags for Jenna's wolves.
The snow had begun to fall harder and there was a fresh blanket covering the tracks leading to the cabin. They were watching Balto, one of their favorite movies, when Alexei snapped his head towards the door, eyes open and glowing. He paused the movie and the wolves' attention was now on him as he looked out the window. He swore under his breath and cl

your teeth were sharp
and mine were filed down
i let you gnaw away at me
although i would have let you go for the throat
tearing away from my flesh
my precious artery gushing like my broken heart
if only i had been delicious
maybe you'd still be lapping up my blood
nibbling on whatever's left of me
but apparently i wasnt satifactory
so you left behind my mangled remains
i was your *****
until i wasnt
i was your mutt
until i wasnt
until i was your meal
still stuck in your teeth

Between the din of dusk and dawn
Runs Sleepy Pillow Lane,
Where gators guard the Gates of Thorn
And cryptid creatures reign.

They glide across the midnight sky
Like grime in sanguine sewers;
White canines long and talons drawn
Spike rodents on a skewer.

Gray giants glare from full-moon eyes,
A ghastly ghoulish spell;
Sweet sleepers swell the wells of Nile
While centaurs swing the bell.

Horned vipers writhe into your fears
Like scythes through strangled weeds;
And severed heads of angel hair
From shouldered stumps relieved.

A putrid pile of newly-deads
Awaits the devil's scorn;
And legless maggots gorge in beds
From which the fly is born.

Hungry hyenas howl in packs
While circling carrions crow;
And chunks of flesh are torn from backs
Cracking bones bare below.

Scavengers feast on man and beast,
No rotting limb is spared;
From hanging tongues to napping feet
Blood splatters everywhere.

Brimstone and thunder fill the air
With hail presaging doom;
Ten toothless witches shriek and cheer
As zombies creep from tombs.

Masked mummies stalk with stakes and stones
In search of sleeping heads;
They crave the skulls and living bones
Of bodies slumped in bed.

Through R.E.M. you toss and turn
And roll on restless wheels;
Alas Red Rooster blows his horn
To end your grim ordeal....

~ P
(January, 2013)

you grabbed my hand like it was
your only saving grace,
and you held me in your arms
as if i was the only thing
keeping you afloat.
the carnival lights shone
brightly above,
and the cloud-masked sunset
waved goodbye on the horizon,
bidding us adieu,
farewell until next time.
waves lapped at our feet
as we lapped at each other
and the wind in our hair
must have mixed up our atoms;
that summer night when we became
a beautiful cacophony of half-broken hearts,
tearing each other’s flesh with our
desperate and greedy hands
and popping pink and purple blood vessels
between our canines and incisors.
sleeping in my bed
could never compare to the comfort
and safety i indulge in when cradled
in your arms,
and the sweetest of songs dulls in
comparison to the rhythm of your
breathing.

I hope you're having fun
At the bar
Without me.

I'm glad it makes you think of me
And you know I would love it
And you want to take me along
Next Time.

I imagine the pool table
and the men and women around it
Velvety green or black
(probably a bit worn)

I imagine the music
so loud you have to repeat yourself
Just as you do in your head sometimes
(probably not your favorite)

I imagine you missing me
and telling a friend you wish I was there
Velvety green or black
Just as you do in your head sometimes
(probably just imaginings)
Because I doubt you give a ****.

I will not come along Next Time.




-LP

And there she was
A rough scab on a smooth perfect knee
With a chalky cigarette between bony fingers
Chipped red painted nails
Matching crimson accenting glossy white walls
She knew she was dreaming
Because of the ****** sun in the middle of the room
Chapped lips crack with scarlet, staining teeth
Surgical gloves reaching out from her beating heart
Held in by pale marked skin
Needles pricking gums, calling upon beads of ruby
Incisors and canines fall out one by one
Heavy tongue tastes gory wine
Indifference and apathy sistering one another
Stitches hold right-handed fingers in permanent crosses
Though an opal ring falls through
The shattering crystal lights the room ablaze
Intangible flames lick the ceiling as it rises and the floor sinks
An ever-expanding room flashing over and over in endless continuity
Like a repeating reel of film catching on fire
And then she was gone

One day as leep by a captivating woke essence in your handscaught in your arms woke getting up after nearly having died ...you gave me your breathing air and calm your back to life, releasing the fear more gregarious, after opening my senses almost incinerated i learned that the stars trembled me to reach it

I started a new life to sharing with you,
sometimes i feel that in your hands sap this life to revive my acuity,
what to unfold my body, she quadrupled making me shiver by quakes your tenderness.

But today on the eighth day of the universe,
divided my feet walking to you for every step of light sonica,
road on it being over your carnal finesse frosted still light beams for aboriginal embracing love with your gutted threat to the end dump body, being today only light story emerged from any pythagorean indigo.

Eight feet by my raving not walk on forgetful slip hugs and achieve that without it on my feet, making you a path of kisses on a piecemeal moan  covering your pleasures in quiet regia union, sealing and my memories to mummifying the most sensitive areas disown make me when you suffer from almost feel much pleasure.

Your feet chafe my eighth willing body as your hands it to me, this is your feet eight  feet, and your finger eleven flute my way to you open your columns wet and trembling, born in the tropics decorative colors flashing your eyes when mine yours take on your innocence as a mother's dismissal, genesis as a maternal layoffs in the grotto shaggy times makes me roof for to paint with my kisses and my mouth full of oils,  full streaking manias those desires that are further under your skin, deep lining up to associate to me ...!

My seven feet is the semi - obese and language lenticular spider mine, unleavened filling the food, its highest sing syllabic, make your paint  blue and moan molecules liquid call themselves, with its concavity make the bio - live surgery last transplanted hallucinate ... vibratory column of my responsibility on your body, cutting all fear, every element of your flesh lying addict to me hanging on my conscience all descontrol physionomy, losing my light steps sonica falling into the abyss of your distances fragrances, falling in ovation interapeutica licking your body my breath, like a sixth sense.

I meditate burning between your legs, dying as i was born of a woman wild servant, fawn as an almost died for a hunter, i prefer my conscience advance day and night to your legs to die of living where one day saw in the recesses; the greatest pleasures with ambitions to break all your secrets, all your defenses to break your falling on my tyranny, allegory huge walk along the invisible to other united take that helped me your surplus usages, enter you and your being, feeling peace penetrate you, not feeling loving preact, or not to have you in the distance but hugging everytime you Drodida to moisten your words to me,  stuttering of desire.

My six feet organizing penetrates you feast on enraged cowbells,wishes with malice and early pregnat, alcamphor extreme longevity and erectile espermiosicotic, with smoothness and irradiating polish your rattling,
spitting cushion on my bones,
like a sapphire on until your clothes,
and as a inseparable attachment unit dispensable.

My bringing night of Saint John in your prayers for imaginary pain coexist
in between taking you doing it my trees by spoil collude copulate,
taking you stormy ray to the phenomenon with the masses elephantine hitting you on your shoulders, your ******* armpits challenge your beasts i want my grind with canines and incisors to create a new universe of shed your joy to laugh about our loving.

The five feet; rub your skin like a shower delicate pituitary
******* kilometers of rivers into criminal triads morbid on your face ...
as well as the sand masturbates the waves,
on the sand and wave nail with my eyes my spells dominating you,
rolling you thousand times to my love trades.

You shall be called Drodida; worship the everlasting orbit of my sight,
when i go for your absence mount your toxin grotesque gasp;
the stalk watered voluminousity  your mouth singing your sweating my
groaning  telling my cries thinking with my worst vanity,
the turn on rotation vanitatory what you just do me with your stalks and not my serous waters in my effervescent mouth in your ******* astral, arrested in any language your thinking lubrication retained me and your touching, what i always touch in you.

The five feet as a tightening necromantic porosity your skin that change shape your temples and declaims pretending aridity lovers bad; lords nomades covered them your area leafy tagled branches covered to neat legends of penalties appealed fables o mytofagic eaters; brotherhoods of the worst disease of not having small Mt. in high with it my staff rooted in resisting demolition and other eroding sorrow, reverie spoil it captive in your infinite journey of ecstasy explosional femic.

The four feet light make a gentle sonica, dry your language lenticular stalk ciliary zone, enter your supra entails, the cave unexplored wider,enter with both arms with herbs pulsating symmetrical cottoned sleeping in your walls and grotto forms  desensitized, insense redeem the pain of window pastoral bishop uniting both peni-***** areas full of gems balsamic, percusionatives full of eyes.

The three feet,
running is my hand movements on your ******* imprisoned,
they are my two hands scratched by scratching the delivery of your birth.
touch my hands that know not touch, when he was born without willing,
but my biohands touch your skin attached to transfer and progressive evil of love for the shores of cry to the center or your body centers clung to my hands over your thoughts rampant, wanting to stay in the fact to see you perisphery merge at twilight of our our sunken eyes friction and wet kisses dormitation delightful of travel and destructive of wickedness;
fulgurative but doubt of living or dying your enjoyment perpetuate.

The second feet,
you are you loving me on my feet vertically like a weak tower,
ash as rain that spread my fire for you.
i take my hands and i took a walk in the seas of ******* bellowing.
you took the scrub the eternal holy and spinal vocabulary of your mouth muted outrage both enjoy your subumbilicales areas.

The first is my feet Drodidaged,
it full landed liquid bathing you, your eyes full of ***** petals and replete, as bastions fallen with their helmets  gnawed your moans, that resound in memory of trees expectant that divert all about us practice,
only your tilt knee …will exalt   the  time for my happiness excessive.

My feet first,
it is my son music turret  ram rope breaking your every arbour grotto, asleep by the dream Drodida you commanded you do to me,
to rock for you and cutting wheel kissing my return to continue all apocalyptic dreams and your most ****** on my ways about it forever astral.
Plane  it me  come the way to sleep with me,
come see how i am able to teach Drodida
ways of sleeping next to me !!


Jose luis  / 0ctober 2003 -  Copyright 15 – all rigths reserved

From a platform, he was pushed
down onto the ground.

There he landed with a great cry, a lonesome sound,
where the beasts took him with teeth;

molars and canines in the form of sticks and swords for sheaths,
beat him till his lungs gave in, until they no longer heaved for a breath.

Collapsed sacks of skin in a broken body
on a broken roof
somewhere without a name,
just a news channel hook
and gambit,
theme tune and a corpse laying bare on a video screen,
shield your eyes, place a blanket over the body and boy.

1)

don't forget to keep breathing
cradle-rock your heart
soothe your ribs
don't forget to breathe

2)

the cold is natural
bundle up now
you can always shed
your skin
when the sky turns

3)

don't linger
in the places you once Were
keep moving else
your blood settle

4)

late night parking decks
hotel rooftops
yourSelf a whisper
honeysuckle blooms through
concrete wounds

5)

don't think about waking
ripping out of your body
clawing through the coffin and up
and up

your gravesite is spotless still

6)

dream
cool rich earth
lilies and lavender
whisper rustle of leaves
dream

7)

dream
heavy water
lake mud and rock ****
desperate silence
dream

8)

dream
hunger
Hunger
H u n g e r
dream

9)

dream
slow opening
granite doors and damp moss
spaces between absent heartbeats
wake

10)

the hollow is natural
the brain craves familiarity
the phantom mirrors the physical
the hunger will fade
for a time

11)

when eating cherries
don't forget to imagine a tongue

12)

remorse with me
may the living one day
bestow our graves with offerings
we starve in silence

13)

hollowing may beget holiness
but it doesn't denote such
divinity must be earned
few buildings have managed

14)

you can almost smell his skin
stomach rising and falling
best not to dwell
his life is no longer yours

15)

phantom petal flesh
teeth and thrush
rosethorn oleander s e e p ing black
curses and
sinking
  forest rot
    deep
       soil


16)

do not follow
when the wind asks your counsel
when the moon thorn buds
when the night screams bruiseblueblack
do not seek the woods alone

17)

don't dwell
it's natural to feel exposed
keeping space beside you
will only make missing them worse

18)

let the ceiling fall
it is beyond your power
stars make fairy lights
through the frame of branches
as it should be

19)

Death is a story keeper
an archivist
a library of everything
from the first atoms
to the last sparks

20)

don't worry
the house hasn't moved
since you last saw it
though the tree seems closer

21)

press yourself into
the size of a fist
wrap clockwise around
his heart
cherish the fleeting creature

22)

there is always
my s p a c e
left in the bed
when I come home to
haunt

23)

there is
My space
left in the house
when I come Home to
Haunt!!!a

Zombie

24)

missed exit
streetlights smeared by rain
vacant hotels
liminality made nostalgia

25)

tracing paper kisses
early spring thaw
did I melt away too

26)

isn't is strange
your shadow doubles
film printed over film
light runs through you
heat waves off pavement

27)

time will slip off you
don't cling to it
you'd have better luck
holding the sun
time is beyond you now

28)

the hunger doesn’t fade
it twists itself into sickness
an unfillable void

29)

let your heart fill
with paint and
dust
like the nail holes in plaster
last remains smoothed over

30)

there is no place
for you here
why do you insist on
lingering

31)

this house is a heart
you
are a phantom gunshot

32)

do you remember
a sharp pain where your lungs should be
the pressure of blood stagnant

33)

molars, incisors, canines
rigid and Real against
the memory of your tongue
a sharpness drawing blood
staining the sidewalk beneath your false feet

34)

your body is
wet rot and beetles
a collection of rooms
teeth and stomach and hollowing all disarticulated
a knife in a box

35)


sunlight breaking dust layers
the curtains wave lazily
someone has tracked mud through the halls
a splintered attic door hangs off
its hinges
the air tastes green

36)

when you finally become hollowed
the space between houses
the space between ribs
the space between teeth
the light that pours out
you will be made holy
in your Own image

37)

thick ozone at the back of your throat
rainless thunder rolls
the old piano shuffles untouched
a discordant funeral keen
the air ignites

38)

elevator doors close
open
close
stale cigarettes and cleaning chemicals
fluorescent buzzing
vacant sobs in an airy tomb
of concrete

39)

parking decks remain
a kind of home base
for those of us lacking liminality
every one is the same
and as such becomes intimately familiar
no matter how far it means you are
from home

40)

how many eyes are you supposed to have
what about teeth
count them in the mirror
again
again
Again

41)

beauty is in the eye
gnashing teeth
silent weeping
love lies not in the heart
nor head
but in the stomach

42)

skin peels back
muscles made of embroidery thread
birch bones bleeding
indigo
flesh transmuted

43)

you move through the world
as it moves through you
silently creeping
swirls of smoke and fog
filling up to your sternum

44)

wander
for a time
everything will be unfamiliar
on your journey and
return
to a stranger’s home

45)

dust to dust
and ashes to ashes
your headstone crumbles
your bones are meal
the world in which you haunt
will one day be far removed from
your own

46)

study the web
the winding and stretching of gossamer
collapsed in on itself
clustered with dew

47)

study the shell
the crests and smooths hard as bone
fragile against your fingers
an inner matrix of holes

48)

study the nest
the braiding weaves of branch and thread
fractured to one side
feathers slip asunder

49)

study the desk
the crags and slopes of precarious inkstaining
spilling frozen towards the floor
fine filtering of dust

50)

remember
what Precisely is a
Haunted
house

51)

Congratulations on Completing Part I of Your Introduction Handbook
Please Continue onto Part II

52)

fallow hearts sewn full of seed
bones with the crack and bend of trees
pressed petal flesh bruiseblack at the knees
when building a new body don't forget what it needs

53)

liminality is a current
riptide in some places
burble in others
watch for waterfalls
death doesn’t mean you're a strong swimmer

54)

builders write messages
on the innermost workings
of their buildings
behind the plaster disintegrating and
the wallpaper peeling
a belly button
a birthmark

55)

when the moon calls your name
listen
when the raven screeches warning
heed
when the voices of a house offer deals
Run

56)

kitten-footed fog
follow it through
the tall thin trees
until you see lights
then follow it
home

57)

tell me about humanity
does it hurt you
is it heavy to bear
or is it just breathing
one foot in front of the other
a faded photograph

58)

rivers slip blue
through the land like veins
cornflower and cobalt
cold tissue paper flesh

59)

missed connection
you left flowers
three graves down
I was in white
under the maple tree

60)

missed connection
you look so lovely
in blue
I'm right here
just turn around

61)

missed connection
every sunday
you walk
bakery library home florist cemetery
you talk to yourself
I always answer

62)

missed connection
you talk in your sleep
do you sense I'm there
deep in your bones
do you know you'll never
be alone again

63)

missed connection
I smashed a plate
and spent all night playing
in your wires
can you feel me now
in the light bulbs humming

64)

missed connection
you haven't spoken since
it's so silent I could be heard
I'm sleeping in the walls
singing for you

65)

missed connection
you were up all night
researching the supernatural
I'm right here
just see me

66)

missed connection
sunday you started talking
to me
we took a new walk
library shopping district cemetery home
notes and candles and blacksalt
a rubbing of my gravestone

67)

missed connection
nothing we tried worked
you still can't see me
you can just hear
my humming in the power sockets
my singing in the walls

68)

missed connection
I wrote you a letter
with leaves under your staircase
you swept them without noticing
singing one of my songs

69)

missed connection
you found a picture of me
framed it
sometimes you leave letters
my name on the front
hidden in the table drawer

70)

missed connection
I tried writing on glass panes
whispering in your ears
you tried spirit boards
seances and divination
I'll never stop
as long as you live

71)

missed connection
you stopped leaving letters
sunday walks abandoned
for living friends
I shorted out the tv
you don't come home much
anymore

72)

missed connection
you started driving
to nowhere
I tucked myself
between
the back seats
you locked eyes with me
through oncoming headlights

73

missed connection
I broke every mirror
ran screaming through the wires
the curtains are catching fire
can you still feel me
do you still know I'm here

74)

missed connection
you look so lovely
in black
just turn around
please turn around
I'm right here
always

Poured into the tight pants,
the grey ones with the zipper
that's afraid of heights, and
guess what? They're really
wrinkled or very wrinkled
or **** wrinkled--but they're
the tight grey ones, assumed
the thighs and calves would
handle the ironing.
Ten minutes late,
usually more. The clock
in the car, the red beat-up
'02 Cavalier, is not behind
or ahead an hour, no it's
set to some vague time
because lateness has
replaced time so why
even worry. Blood pressure, etc.
Spray on the cologne kept
in the car. Could look
up ingredients in cologne
to describe the smell
but that would take
away a little something.
So say: it smells really good
or very good or **** good--
and move on.
Walk inside, unbathed and
sun burnt--well not completely
unbathed. Washed the hair
because it's a puffy, erratic
downer otherwise.
It's all about appearance,
the bosslady said when
she made the hire.
Slipped a little.
Big woop.
Cold called the Southside
Veterinary Clinic.
They'll allow a visit.
Pack it all in the bag,
the mouse pads,
the koozies, the actual
thing to be sold:
SHEENY PUPPY, some
really heavy or very heavy
or **** heavy duty
coat treatment for canines.
The first one is on me, is said
as the package is handed over.
The vet wouldn't buy. Not then.
Probably not ever.
Ate an eighty-calorie bag of cookies.
Drank some coffee.
Stopped at the gas station, the
Conoco on 15th and Kelly,
and couldn't decide between
the fun size or the party size.
This is called the spectrum of grief.
Bought a pack of cigarettes.
Smoked three really quick
or very quick or **** quick,
like Mom might show up any
second and then tossed the pack
and the lighter.
Done with those. Forever.
This time. Or that time.
There was $20.89 in the
checking account and
a fresh girlfriend reminding
that today is one month.
Dinner. Dinner and wine.
$20.89.
You can sell only if you believe in the product.
Be really blunt or very blunt or **** blunt.
Stress is an art.
Create FUD (Fear, uncertainty and doubt).
It’s all about the presentation.
She's fresh and funny and so
self-conscious when she eats
spaghetti. Can't get
by with spaghetti
for the one-month.
No. No. No.
Be on fire and inspiring.
If you don’t know the answer, ask a question.
Answer inquiries concisely and loudly.
Humor is ****.
You can always be better. You can never be worse.
Call Mom, donate plasma or take the Xbox back.
Is this one forever?
Does forever mean dinner and wine
are necessary?
Or does forever mean that
the spectacle is frivolous?
In the cabinet at work
someone left blueberry bagels.
There's a microwave and a tub
of margarine that only
recently expired.

You've got fangs like a dog but you're ******* for blood.

i can clearly hear how english mutates...
a book review by a channel... better than food...
the book he's reviewing is goETHE's captain faust:
and the non-avengers...
but no...

i don't hear: stick an umlaut anywhere you please...
i, "for some reason"... do not hear
a: Θ... a göethe... or a goëthe (ladin alphabet -
the germans know about this)...
there is this... goe-ether association...
it's sometimes a riddle of goë, göe...
or quiet simply...
the remains of the ancient latin grapheme (œ)?

educated people make this distinction -
and they'll catch "you" out on it...
since... they represent the Hyacinth Bucket brigade...
gynocentrism doing a snail-trail:
one step forward... two steps back...
it's beside what the linguist "says":
a bucket is a bucket a ***** is a *****...
otherwise? glorifying such a harsh reality
of a surname like: bucket... but not beckett?
no... "samuel"? well then...
it's not a bucket if it's somehow
translated via chernobyll as: bouquet...
is it?! is it?
because even in french: they self-cannibalise...
i.e. they "eat" some letters...
they write one language: but speak another...
what isn't bucket what is nonetheless
bouquet? well... isn't it: bouque-?
it's not even that... boo-k for the ones that
still hear... and can write grafitti schlang...
in some variation of a german...

becuase educated people can get away
with treating GOETHE...
as?  '/ˈɡɜːrtə, ˈɡeɪtə'...
or in simple-me-and-you being bilingual...
fiddling around we arrive at:
Göerte... which is "said"...
but this "lunatic asylum" exception has
to be written: with a clarity of a *******
Greek THETA... a fin! the end!
which always makes lying easier...
when you can: say (a)... but... but...
imply (b)... like some "metaphor"...
some forever useful tool of nuance...
some "spectacle"...
it's easier to lie when... you say (a)
but are "implying" (b)...
then you can blame it on...
not allow the literacy of the masses:
quite as much... you require... exceptions
to the rule... to **** out the lesser educated
"people"...

don't get me started...
born? Ostrowiec Świętokrzyski...
perhaps i should have never left...
3 years in Edinburgh...
over a month in St. Petersburg...
somewhere in Paris, Stochholm, Venice...
Athens... Belgrade from a distance...
Amsterdam... two weeks in Kenya...
and a nonchalant attitude surrounding
London... a strong distaste for Warsaw...
a myth of Cracow...

and no, i haven't been everywhere...
but... after a while... does it really matter
where you go, if you're bringing
expectations with you?
expectations and postcards?
clichés? clichés expectations and postcards?
and... a whole lot of strangers
you haven't met?
tourism and: feeding the ghost town
mentality... perhaps a ghost town would be
something to behold... instead of this...
atypical metropolitan casualness of avoiding
each other... busier busier: and no more
busy than once pronounced dead...
but wait for it: you're at least given a "scene"...

but no... i know one language that
makes pedantic orthographical observations...
but i also know a language that...
write one way... speaks another...
whichever way, best, to suit it...

and you "know" it would only be Fa-Ber'g -
no... borrow the j- from je suis...
if that last E was not an acute É...
but an grave È (grave... or? gráve...
grrrr'av... not a hey hey grave...
GRA-Vity)...

hence? my point exactly..
if the diacritical markers are respected
in fwench... with an acute É and a grave È...
why do "we" need... I(i) and J(j)?
why not... I(ı) and J(ȷ)?

besides... ever imagine writing an autobiography
like a Knausgård... defender of the runes
for a sentence in volume 1...
major google-maps ****** *** volume 2...
i write that with a "glee"...
i mean... you can be immediately be put off
writing an autobiography...
just to avoid the mediocre descriptive elements
of using something more complicated
than a hammer...
for an otherwise... less than a hammer's worth
of banality: evaluation of modern banality /
procrastination...
no one we have been given these complicated
tools... and to the best of our abilities we
best procrastinate, using them...
i hardly think a hammer would be used
to... pretend to play the drums...
but yes: Knausgård... the defender of runes...
irony... but the mr. google-earth guy to turn to...

yes... and before i discovered a past...
there were the runes... and there was
forever this latin morph of the barbarians
"thieving"... but there was also the glagolitic script...
apparently! and before that there was the greek!
and... somehow... i did arrive at having
to master some vague understanding of
mother cyrillic!

- but prior to... did you know what
slavs love cabbage? all the pakistani point this
out: slav love cabbage!
today? i watched the film Layer Cake
and made some cabbage soup...
Layer Cake being? the pre-to-a-bond-film
taster for the actor Daniel Craig...
it was hardly a Guy ******* Ritchie film...
woz itz? but... a decent actor advert...
with "hindsight"...
if i watched the film then...
or as i whatched the now...
and all the known actors jumped the train...
well... cabbage soup... base?
a decent polish / jewish chicken broth...
most of the chicken goes into a ***...
except the *******: you make a *******
roulade with that...
and proper potato bakes...
potato bakes like Heston Blumethal
boils a soft egg...
tatties in cold water... until they start boiling...
then you hunch over them...
boil them for a decent fiver...
turn off the heat...
again... hunch over them...
like an inquistive condor waitig for
the water to stop bubbling...
asking the question: are we all ready...
for the oven? yes, my toy soldiers,
are we, ready?

apparently they taste like christmas
tatties in waistcoats!
my my... what a lovely affair!
cabbage soup? you really need a complete
lack of imagination and a work-around
using root veg...
the european way...
but what is preferred is ensuring
you make a cabbage soup like...
a slav treats a cabbage like a frenchman treats
an onion: you suffocate it...
an hour minimum...
until the crass ******* boils out...
and you're left with...
a sweetness... and softness...
bay leaf all-spice (english spice) included...
some kiełbasa (etymology?
root... kieł- derived from the plural?
kły... canines... suffix -basa?
baza - base... canine-base...
something that requires an understanding
that elevates the dog, "debases" the man...
no quran reader will understand this:
for lack of a better word: shaming food...

where would pakistani cuisine be...
without the pantheon of hindu spices?!
i'll eat like a dog and in so doing:
live a tier above a king...
i still find it highly unimaginative...
to call one fruit "forbidden"
and one meat: "impure"...
whatever Gabriel spoke to Muhammad...
never really explained crab meat...
crab meat crab meat...
the Maldive muslims eat crab meat...
what's crab meat again:
when it concentrates a comparison
with ol' porky porky? scavenger of the seas...
what's with the muslim beef on pork?
and god was critical...
of his perfected animal worthy of
consumption... looks pretty silly from
Beijing... so Beijing is ensuring that Muslims
"look silly"... well... "live"... silly...
so god was so... this that and the other...
then he lent his "all knowing wisdom" and said...
no... this one animal... which you can...
butcher and make use of...
all that's missing is the oink and the hoofs!
or whatever it was: i can't eat the oink,
the grunt remain's the bacon's owner...
and perhaps the "hoofs"...
but such a pristine animal...
tapeworms come... much larger in size...
from aquatic flesh... so...
tic-toc... tic-toc... pull a sly porky on me or...
Gabriel my ***...

the Pwophet sez!
much easier these days: to, "get away" with "it"...
camel jockeys turned oil barons...
yachts... whizzed-up-*******-white-****-****...
and never... the odd-ball from
that long extended lineage of the family
living with a cuddles *****, soft toys...
east of Beirut...
that pencil girth's woe explosion in the sky...
"built" by people...
who employ slave Bangladeshis for
a sunday's worth of sabbath cricket in the desert...
i thought that deserts were only good
for waiting for qurans and dinosaur blood
and myopia and... the odd dehydration
hallucinations?!

i'll eat some sushi to sober up before
i accompany my mother: circa 60 getting
a hip replacement surgery done on her...
i'll sober up: but first things first:
spew...

mind you... below you will find some
ancients inscriptions...
i had to wonder: if the precursor text
of the anglo-sphere people...
the germans and "celts" of the british isles...
the welsh... the scandinavians...
was bound to runes...
before the latin men came...
what did "we", the slavs, use?

before the greeks allowed us entry into
the realm of mediating the otherwise:
quasi-fathomable?
cyrillic is what came: AFTER...
but there was a prior...
i'm no longer interested in the prior...
no more than i am interested in greek...
i once slurred russian cyrillic
for not having any diacritical markers...
i knew they had them...
but that they were... crude...
for lack of a better word...

how does that theory sound?
the: ex Africae omnis est Africanus...
sorry... what?!
giving my scrutiny of phonetic encoding...
am i closer to speak...
or thinking, and if not thinking,
then, reading?!
by the looks of it...
i devolved from encoding in
chinese... perhaps not so much:
sanskrit... but i most certainly suffered
moving across Siberia: obviously: not "i"...

mind you: i've looked at "it" and thought...
me, reproduce? add a stranger to the equation
of my family? i'm just happy to end
the libeage... thank god i don't have
some inheritence complex abounding...
no expectation, no "legacy" akin
to a surname like Rhodes (circa NY)...
i was born with one ****** surname,
which changed... i'll die with another ******
surname: that never made it to a status
of Eshlert... nonetheless! i'll leave...
like a ******* Einstein of an acronym:
E = MC... good for me! bravo ty! bravo ja!

beside the egyptian hieroglyphs...
i'm yet to read something...
from... Congo... perhaps i'm just too ignorant...
or the -igger shade was just too much
that it... grabbed my attention and
i forgot that the victim olympics didn't
happen every 4 years...
but every... whimsical time-span of...
a quarter of the length of a fortnite...

whatever: all out of africa implies...
i'm writing in a devolved chinese...
frozen bits across the siberian fickle desert...
next stopover? Novosibirsk!
no need for pyramids in Novosibirsk...
no "awe" to be found...
when you're toe-dead numb from
frost bite.... is there?!

my letters are a sieve... they allow meaning
through like hands praying to cusp water!
it's, the, reality...
you have ****-wit socialists on one side...
and then... this hyper-inflated
darwinism is all historism on the other...
middle ground, people!
"democracy"! i stand stand both the marxism...
or the darwinism... but arguments failed...
or? we can have the extreme of both ends
of the argument! enough of reading
Pasternak will teach you...
hey... shhh shhh... the collective can
congregate any minute now...
they don't need that many intelligent people
to rally them...
what your, "your" side needs, though?
if enough brass people: stupid enough
to entertain, to lulluby...
em... that's now much to "go on"... is it?
the intelligent with pour gasoline
on a fire...
the entertainers will simply pour
cold milk into a saucepan that contains
milk you're warming to...
melt some butter some honey and an egg yolk
to self-remedy: devoid of big pharma influences...
a witches' brew for a cold and soar throat...

side note: do i "worry" about not having children?
if i lived on the Faroe islands,
Greeland, Iceland, Norway -
i most probably would probably mind...
small town mentality: enlarged...
then again: my family, "my" and "family"
is not exactly accomodating...
why am i not spending time with my grandparents?
at least one side... the "patriarchal" side
drops off: accomodating the madonna anyways...
a sister (my mother) and a brother (my uncle)
are waging a war...
this... "eastender" soap opera is...
i don't have the finances to grativate away
from it...
enter children? and they'd be more ******
up than i already am with my libido
and no outlet... i've stopped seeing prostitutes:
no because i felt "bad":
that one time we only pretended to be
leeching / kissing oysters just because
i forgot to trim my ***** hair:
like some western feminist argument
about the exploitation of romanian women "matters"...
when... the labourer drones of men
of building sites... coming in to work...
hangover... might perhaps... stop...
fuelling the english lush economy...
i didn't want to have children because:
family-wise? things, "things" are messy...
and there's no magic carpet to get me out
of here... not when the last surviving remnant
of a past... i.e. my grandmother,
talks to my dementia riddled grandfather
with the words...
and he stresses them: you no good...
skurwysyn!
elaborate? sure! z-kurwy-syn...
from-a-*****-son..
my grandfather's mother...
well... let's put it in facts...
my grandfather is an illegitimate (
oh **** me, i spelled that right, drunk)
son... his mamma then married...
the father of this illegitimate child...
was a polyglot... spoke 7 languages...
emigrated to the U.S. of A...
remarried, fostered some shards of glass...
and sent his last postcard...
from Niagara Falls... before jumping
into the kamikazee sun...
oh my family is perfect...
then this mother of his...
had two children with a man...
who would beat my grandfather...
which is why he became a "pioneer"
coal-miner aged 15 or 14 or 16...
then this one kid ended up being
fostered... then this "watermelon" of a kid
(nickname) came out...
from a love affair... and when the "*****" died...
his quasi-foster father lived with him...
and in this custard: he...
the father semi-god-know's what...
abused the old man for putting up with
him as a love-child: in wedlock...
and... well thank god there was
no epitaph to begin an end with...

me and children? i am gracious,
i am kind... i don't want them to inherit this
history... which is worse than
a history of germany... at least those *******
had the nazis... which is worthwhile
in terms of exploiting them via video games
as those: evilz badz guyz!

i always think: the sooner i'm dead -
the more chances i have
to either dream... or breathe...
currently i quasi the former and accept
the reality of the latter...
but me and children? my, own, brood?
em... for some capitalistic driven darwinism
pressure ploy of narrative?
taxes and retirement plans for
the western: placebo: aged?
grand'm'ah and gwand'p'ah not fit under
the same roof... set them on the butcher's
path toward the "shop" of wrinkle
and: pristine effortless economic
endeavor... the pig's the lot...
economic meat and... about as barren as a dinner
plate scooped up for examination
once a pauper sat before it to supper...
ingenious! if only, if only we were all born
into a Charlie ******* Dickens' lot of life!
then, only then, we could, we could
perhaps, perhaps: write about it!

i have seen how people have lived their lives...
how... they had wish to write about it...
which always involved a lot of other people -
movie scripts written by directors
and not... actual manuscripts of scripters...
they would write... but then:
started to gag from **** at the mere of thought
of being: brutal, honest, honing...

people either write an honest autobiography,
they ghost it: have someone write a biography,
they write an autobiography that's
designated as: tabloid...
but most importantly... they forget...
a "Moscow"...
when i was in Moscow... i felt like i was
in London for the very first time...
a last time...

i did mention that i didn't envy the russian
diacritical approach...
the odd: miss and "there"...
but no... i didn't envy them...
to me there was no russian orthography...
there is an orthography: which you mind
above any metaphysical discussion...
when, and only when... aesthetics comes
into play...
i.e. rz = ż and ó = u and ch (cerp i ha) = h (samo ha)
this is how orthography is born...
sorry... i'm too "busy" dealing with
orthographic ******* to even mind
your "metaphysics" or a death of (it): interim...

as i stood at the feet of the tower of babel...
i started to su doku the pieces that
pleased my eyes... and the pieces...
left in leftover arabic squiggles of
the remnants of the 20th century...
and the new emergence of environmental
beijing free-of-syndromes to spawn
the 21st... or...
the child of a one-child-state-policy
without a Beijing... only a gradual evaluation
of... concerns for...
not giving birth to yet another ****-wit
of the world's counter to: another
****** of a gullible persuasion...
given that law is blind...
he must have been born: deaf!

- you didn't see me coming;
i didn't even see you leave... -

since the greek letters i tend to most "forget"
are:
- gamma lower-case (γ) because
of the upper-case upsilon (Υ)
- lower-case zeta (ζ) becaue
of the lower-case "11" (ξ)
- eta, lower-case (η) is no real grief
with lower-case EPSILON (ε)
until... you enter the cyrillic
"debate" of е and э...
- lower-case NU (ν) and lower-case
UPSILON (υ)
- Ξ (Θ, Φ) i.e.: XI, PSI, CHI, PHI...
return: that first 'un' is an ale'ks...
alex... but it's not an X in the way that
CHI expresses itself in CHurCH...
lay-teΞ...
- then again... greek orthography begins
in SIGMA... those... quasi-germans...
those remnants of the northern / teutonic
crusade... those Pruσσianς...
or... Prußianς...
the greek F and the greek "F"...
key into a keyhole: Φ...
key turning in a keyhole: Θ...
the iota of four uses... Θ, Φ, Ξ... Ψ...

but that's only the greek... i will not touch
on the glagolitic... until, barely skimming
the draft months earlier...
until i come with my own diacritical markers
and show you: how i was wrong...
yes... the russians do use these markers...
but they, mostly... do not "accent" them...

because i'm no Ezra Pound i didn't have
to imagine going as far back
as the Taoist ideogram...
because i remained bound to the anchor
of europe and...
i really didn't find anything of worth
in africa encoding: silence into their
verbiage with anything:
beside the odd spell of hieroglyphs...
so? i am not an Idaho man...
or whatever mid-western miss-western
******* the genius came from...

i don't have an ideogram:
i have a synonym... the sound is exactly
the same... but Charon 'ave their eyes!
mind you...
ądam and ęwa are off limits...
as is: ł... then again: given that i write in english...
em... "yes, and no"...

but here's my rubric... a rubric implies:
i will not narrate this crap:

don't get me started on the russian variations
of Y... i once said... because the greeks had
names for their letters... and the romans didn't...
well... in western slavic: Y "why, I" has a name:
e'GREK... iGrek... e and i are interchanged
between the western slavs and the islanders...
but the russians?
let me Shakespeare that for you:
pre-scriptum - don't ask me...
how oh how a german umlaut infiltrated
the alphabet: i blame catherine the great...
you have...

е (ye)
ё (yo)
й (-y-) - which acts like a "ȷUDAS"
ы (ý) - alt. to? ıGREK
ю (yu)
я (ya)

all that's missing is a: иы variation?!
let me check my pentagram of vowels...
e, o... u, a... oh right... IO-T'AH-T'AH-T'AH...
sinking the ******* POTEMPKIN!

it's for the best: i'm entrenched in two languages...
which makes me "schizophrenic" /
bilingual... ergo? i have to write in at least:
four... pepper in some latin etc.....
and modern slang? i need that...
and some german... and perhaps a dash
of Gaelic... and some scandi-navigational
pseudo-romancing the rosetta stone...

the rest is quiet "simple"...
a french-atypical acute... because there's no gr'ah-v'eh!
grave ole...
and a dot... like the dot used for no real purpose
in english...

i.e. ь involves the acute...
while the ъ involes the "horde" symbol...
either the dot above the Z in ż or the caron
above the R: ř...
alternative interpretations invoke
even more: 'hide and seek" mechanisms
of the russian Y...
  объект: interJEct with an obJEct...
thus? there just seem to be gradations
of hiding a why (y) with its added vowel...
and its mutant й... crescent mongol moon...
and all the rest of "it"...
since when you "borrow": yew borrow...
you get something along the lines
of: e.g.:

ć.        ць: c.f. surnames ending with -CKI
ń.       нь
ó.      "u" or? Loonin...
ś.        cь
ź.        зь
dz.     ž (dzik - boar - the wild adjective is a tautology)    
ż.      ř       rz   (зъ) or? ж...
ł.       woad... łagodny (he - gentle)
                        łagodna (she - gentle)
š.      sz.      ш             (sh)
č.      cz.      ч               (ch... you're not foreign
to graphemes... mr. Æ ms. Œ...
you simply haven't seen it applied
to consonants... only vowels!)
щ     šč     (szczypta - pinch -
a germanic, saxon "ch" is a cz...
or a caron above the C...
ch' ch'.... akin to the caron above the S...
sh' sh'... so far away from "god": YHWH...
yet so close, so, close!)
ha ha... a "dangling bit"...
and i thought the russians weren't
good at hiding "things"... from ш to щ
you have hidden: a caron a "c"...
a ****'s CHeap... in a dangling "left-over"...
of an otherwise caron S... heap of SH SH ****...

in terms of the cerp and ha and samo ha?
the greek χ (chi) comes into play...
but not like a cheeze...
more like a vowel-catcher breath...
eerie as ****... a HA HA with...
cHA cHA! i.e. like the surds you allow
hindu words access to: gnostic -
'nostic... or... knife... i.e. 'nife...

it's no surprise for me, now...
out of all the black caribbean kids,
the indian and pakistani,
the africans... i was one of the first
to: come out swinging from under
the iron curtain:
distrust levels? high... near almighty...
not enough "japanese" in me
to squander a late debt from
Hiroshima or some other etc.

in some remote original draft...

as ever, i drink, and am a nobody, but then i find myself inclined to look upon the god of gods: whatever remains of worth for the phonetic encoding... whether latin, greek, rune, cyrillic, or ⰒⰑⰃⰀⰐ ⰒⰉⰔⰏ (another googlewhack)... the glagolitic phonetic encoding... sure, first they'll ban the runes in sweden, before realißing that... there's another alphabet... the glagolith...
                  Ⱉ = Ω, given Ѡ = ω...
         this alphabet has been suppressed, long enough!
to be honest? i've never seen a more beautiful letter,
anywhere, other than in the glatolith...
     Ⰿ = M = ᛗ...
                      maybe that's why i like my given names
so much...
                            ⰏⰀⰕⰅⰖⰞ
                 i too! i too have a past!
             i don't need to peer into pseudo-arab ***
the quran religiosity of hieroglyphs
of the northern africans, camel jockeys!
                             there's, oh there's so much
more at stake than the runes...
                what of the Kiev Rus vikings?
this, this is their language:
                ⰕⰑ          "ⰏⰑⰆⰅ"          (może = maybe)    
(to = this)
                                                   (ⰜⰀ = trzeba, trza /
                                                            tsa)­
            ⰕⰔⰑ (tsa)           ⰃⰀ (ga)     ⰂⰀⰓⰉ (vari)
               (gadać = converse... gavari)

    Ⰴ (d)                ⰆⰫⰕ (żyt = fathoming life)

                             ⰆⰫⰕ (worthwile noting:
this is out lot of, a, life)...

      ⰛⰫⰛⰍⰀ (szyszka = cone, of the ᚦᛁᚱ /
                                     ⰡⰑⰄⰟⰀ - fir /
                              jodła tree)

see, i can't solve crossword puzzles...
      i don't know where i would begin,
fathoming this sort of "plaything" thesaurus...
i can play a solitaire mahjong,
i can solve you a su doku puzzle
without wanting to compensate myself
by competing...
                  
   but i do know...
                    what conjured the atom,
the letter?
  what conjured the atom, the letter,
and subsequently, the alphabet?
        noun...
                  the cipher conceptualißation
of making a name, smaller,
so small, in fact...
that letter emerged, and names were
no longer indicative...
of a meaning...
  so much so, that units were
formed, fathomed...
and when merely giving names
to these units, akin to the greeks,
alpha...
        which had to become a-lpha...
and beta had to become b-eta...
          well... only thanks to the latin men...
they became songs...
sing-alongs...
   very much thanks for the H vowel
catcher of the hebrew god...
ah... said the castrato...
  b'eeh sang the castrato...
           em...
  obviously the devil managed to keep
some of the letters...
z'ed...
                 it's still bewildering...
how the latin men "reinterpreted"
the northern runes...
   as the greek men "reinterpreted"
the north eastern glagolitic script...
and to think! to think!
    Ⱃ = R = ρ = rho...
         but what happened, "elsewhere"?
ᚱ = R... but... but... where's the trill?
R, as a letter, looks like it's about
to hide a leg... and start rolling...
ripping apart all other onomatopeias
associated with the rattle of a rattlesnake,
or the sound it could make,
to associate itself with the sound
of water boiling... where did that "go"?
with the french hark "innovation",
and the english tongue...
being bitten and left numb by
a tarantula?!
                      
  point being... i never imagined myself
much of an archeologist...
i always found:
  if you state your "necessary" freedom
to speak?
you're a tongue inside one cranium,
at a particular time, in a universal space...
but, like kierkegaard,
you care more about a freedom to think?
i'm "here", i'm "there", i'm "i'm"
like heidegger might state...
                  using this very modern
language that's english...
          but then sliding back into...
an obscure region of history...
      in two places at once...
        at a universal moment in time,
in a particular space...
                   talking exhausts me,
whenever i start speaking for more than
ten minutes,
there is a cotton mouth infestation,
my tongue turns into a serpent about
to shed a layer of its skin,
and, if i'm lucky,
i will not swollow the tongue...

                    and why wouldn't the runes
be more protected, but currently under
siege -
             both the latin text and the greek
text (respectively),
had the ambition of performing an
x-ray on the runes and the glagolitic texts,
treating them as pseudo-hieroglyphics...

but they found similarities,
   which made this foreign phonetic
encoding systems relateable...

ᚠ = F
                ᚢ = U         (copernican "up-side-down")
ᚨ = A (strange sort of arithmetic, / \
                                              )
               ­ ᚱ = R (d'uh)
   ᚺ = H...
           ᛁ = I
               ᛋ = s
                ᛏ = t (what's with the "bending knee",
so much for the supposed: "arrow"),
               ᛒ = B...
           ᛖ = Σ = E...
                   ᛗ = M...
                   ᛚ = L...
                  ᛟ = o - crude version of circle...

so? the latin men had an easier way to
fathom the runes, and ingest them
into the x-ray vision of post-latin...
   the greeks with the glagolitic script?
much harder...

         Ⱂ = Π = P = ρ (rho)
                 Ⰰ = A = ᛉ = Z...
             Ⱇ = φ = ᚦ = θ...
                             Ѡ = ω...
                Ⱑ = A...
                          Ⱔ = ε....
                                            Ⱚ = θ...

but i agree... you couldn't get "our"
peoples to where we are now,
with these pseudo-hieroglyphics...
   after all: Ⰿ (M) is a beautiful letter...
in glagolitic terms...
          but... it's too complicated for us,
at this moment in time...
it might have had all the necessary
practicality in its necessary time...
that it was allocated to...
but... given people these days
are looking at X-|ɔ\
                              / \ /_ / ?
                            how ******* hard must
it have been, when,
the phonetic encoding,
was as hard as it, to now, us,
it seems?!
                   so... whatever is happening
in sweden, right now?
       i'm not bemaoning it,
   i have a tattoo... it reads: Sienkiewicz...
the swedish deluge of 1626–29... a.d.,
          **** it, ban the runes...
i've "just" discovered the gagolitic phonetic
encoding, the sort of **** that
st. cyril and methodius had to work with,
and it wasn't as easy as translating /
incorporating the runes...

                     oh sure, i'm waiting...
                 first they ban the runes...
   then they'll have to learn something akin
to the glagolitic script...
             returning back to their x-ray
latin lettering...
                       i still can't believe that
james joyce got away with writing finnegans
wake... without ever employing a single
diacritical marker...
spewing out... what became the modern
english grafitti spreschen...
   e.g.: lolz...
                              und: L8ER...
it's like: the worst of the worst of what
already is the worst in the form
of the h'american demands for acronyms.          

after watching an old couple walk
past me into the supermarket:
    or unlike the men climbing
           the matterhorn:
   which from postcards seems so
much more majestic in its formidable
shape than the goliath everest
    (from postcards) -
                 5 miles, a dark forest,
  and i can show you where english
druids chant: satanus in excelsior!
   and i thought i spoke bad english:
it's: in excelsis satanus...
       i would have approached them,
but then i was alone,
      and there was one idiot shouting
and about a crowd of twenty disciples:
you could hear the murmur
   adhering to the chant from a distance
of about 300 metres...
                    i only had beer on me,
no goat blood, no woad pigment...
                crash a party when they
were having a party in complete
darkness?
                     it's a good thing there was
a song change on my headphones
               and for a minute i picked it up...
wait a minute: i thought i owned
these woods, walking at night?
               ragnarök blood of Hvalba:
unfortunately the norse founded
kiev,
           so if they founded kiev,
                they must have past where
i made mark as: the land immune to
                                       the black death...
if i were an academic with a stipend,
   i'd write another boorish book on the matter
to attract moths...
          but the old couple, hand in hand,
shrinking but not exactly disappearing...
     in me the inherent conceptualisation
of a twin, like a limb missing,
  but with all my limbs intact...
              yet still a twin gleaming in my mind,
as the story i was told in my childhood
no echoes like a behemoth ghouling:
    they said to me:
   did you know that in this world there exists
a person that looks exactly like you?
         what? so i started looking,
      not leonardo, not brad,
                    can't compete -
            if i really am the stronger twin
                 who sent my twin to the plough
and the hearth... am i not to suddenly
    lick ash?
                  but the old couple:
   what a rarity to see, dwarfs,
                                  of former majestic
forms... elsewhere the single mother with
a baby in a buggy at 10 minutes to 11 during
the week, bewildered by reading
frozen foods labels...
           oh... about the supermarket...
grr... mein gott!
                    Surabhis! Surabhis everywhere!
the joy of walking into a supermarket
last, aisles as spacious as any king's
    lonely castle...
        but in the hours 12 in the afternoon
till about 5 in the afternoon?
        traffic jams!
                   zombified shoppers, women,
of course, children to boot...
                           how many times i might
have bumped into them...
      gaze lost, hazy eyed...
                 sometimes i had to walk down one
aisle, emerge from another, just to pass
  a woman standing fiddling with her
hair...
           the new meeting place, apparently,
but that's beside the point,
   the more i listen to radio,
  the more i learned that i'm far from
a music snob...
            take for example:
       free deejays's song
                            el amor es un party...
what? cuba not pretty any more?
              but there's a worthwhile observation
in there:
        only rich men have the chance
        to play a woman's game of "the chase"...
        only rich men get to "chase" women...
        the poor schmucks?
                          ****! have to live with them.  
****... i need to find that
    one exchange in ingmar bergman's
film wild strawberries:
            when the old man wakes from
a dream-memory in which he is
the ****** of a **** scene...
        where a woman is teasing a man
to the point, until he transcendes
                   a teasing woman,
                       and finds a Jezebel...
so upon waking...
                the "children" are picking
flowers in the rain...
                          and there's talk of
abortion...
       at this point it's gone beyond
castration...
                      the conversation invokes
the death-mask of man,
    or man as tomb, and woman as
the robber -
                         apparently once impregnated
man cannot ask for his ***** back,
and in some twisted way:
           and as much as i'd like to "cheat"
having found the screenplay online,
   i have the misfortune of owning the ****
movie...
        and how i like returning
to silent cinema, black & white, foreign,
with subtitles...
                     at this point,
because didn't place the subtitles: on top
of the screen, but at the bottom...
   well, **** me: am i looking for
Cindarella, because focusing back
on those faces means i seem them without
lips and merely eyes and noses,
   and perhaps a chance to spot
   a wriggling, morphed into an insect
st. peter's, if not van gogh's ear!
              or the lost "art" of handwriting...
Cinderella? my focus is so low from
      the action, that i might as well be
  watching, either a ballet, or a *******
riverdance!
             dr. isak borg (a)
marianne borg (b)
        dr. evald borg (d)

such a weird and heart-numbing thinking
went into writing this...
i have a history, a past:
regardless of having children and with
their existence: some sort of guarantee
for a future...
that i have a past, a history,
and it exists... outside of its current
written format,
that i can escape with or without having
children: that i would have probably
later ***** mentally...
having ingested all this third party
quasi-history propaganda
for the only history that's being
salvaged: the insect prone libido
of a status quo... well then...
let my "failure" be the patent for all future
success.