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There are beetles on my skin
Attacking my bark
With pincers sharp
-trying to get in

And as they cover me
Head to toe in a blanket of living death
They tickle in bitter giggles
At my senses, set ablaze
By their exo-skeletal steps

I do not build a scream
For the sound would die out in between
The sheet of beetles
And my trodden lips

Instead I lie still
Commanding them with my negligence
Fusing with their fear-mongering
They take my shape; I don’t take theirs
I am the alpha insect
The form of their nature
And now I stand
In beetled armor
A figure against the sun
My shadow raining over the undergrowth
Reigning over the under.

In this symbiosis we travel
Across valley and valley
Coleoptera-covered Rand McNally
Covering the earth, showing
The dominance of man
The man the man
He who holds the plan
In the palm of his life-colored hand

I am he
The guardian of land and sea
Infected with a voice-in-hand
Who writes eternity
Whose pen is the land filled with ink of the sea

And with beetles of lead
I harmonize
That between myself
And quaking skies
As the world shakes in its roots
During a spacequake
That bends our atoms like dried glue

But then I am not alone
And as I rest on grass of gold
The heroes step forth, dressed in animals
In a dark, ****** harmony
That is the nature of our home, our Terra
The brute beauty in black void
Swimming through time like a turtle
On which the souls of man rest
On golden grass
Our spherical nest

And our evils are justified
By the good of our pursuit of beauty
Though selfish maybe
Though hellish for he
That swims on land
But drowns as he walks the sea

We are multitudes.

We are Gaia, we are the mother tree
The ****** bliss of humanity
Dark and light, both are we.
Vernarth and his companions delighted in the company of the biosphere since he was in the Eclectic Spiritual Portal, and in this dimension only he could be. Later, they communicated only through his donkeys, when they wanted to send them messages or share with him, they mounted one of these equids and they could pass into this atmosphere of ultraviolet light that separated them. More than an egregious Pythagorean calculation, he already stood out in his eon of matter-spiritual energy Vernacentricus, as a quantum station of the geodesy of the Megaron that has already begun to be built. At this precious moment the secular and demiurge satellites of him arrive, they came with the foundation of the points to refer to definitively raise the Ultramundis Vernacentricus. From the Vóreios or boreal the apocalypse of San Juan will be intertestamental with the canons of Zefian that transmigrated from the powers from the transversal valleys of the Horcondising, essentially following the sensory track of the Nothofagus Obliqua to attract the iterated populations of the forest.
The patriarchs and the orthodox mountain range appeared in the cords of the fungi called Ambrosiella ceratocystidaceae, to provide the Ambrosia Mercurial, as a nutritional addition to the main pilasters of the temple, with great influence of fungal fungi. Everything was beginning to demarcate from the eruv of the Zefian arrow that was named Tetarto Vélos, or fourth arrow that was already beginning with its culminating operation with the borer beetles, demarcating the urev of the Vóreios throughout the region and on the oaks of Patmos, that began to be located from the Meli Witran Mapu Mapuche winds, beginning with Pikún-kürüf Northwind with the first two arrows of the Taxotas, and Sur Waiwén, of the Pezhetairoi, of the quantum of transmigration of the Horcondising-Panhellenic sub-mythology. Then the Puelche drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the eastern vertical, to culminate with the Lafkén-kürüf all attached to the axis that supports them from this great bilocation. The boreal is demarcated, so that the Necromancer Ezpatkul with his Augrum and gold teeth, twisted the tendency of the beetles to move the main columns of the frontispiece, being colossal in reality with twice the diameter of the central ones. Then the conclusive and posterior ones of the rectangular quadrant of the Beit Hamikdash were bilocated, to bilocate the Bern Olive Trees from Gethsemane so that they finally joined the Meltemi, and towards the aeolian winds of Tramontane Eolionimia falling on the Tekhelet of Paul of Tarsus, dropping relevant heights of some cranes with gravitating silt on their extremities, and with garbeas that were secondarily colonized on the banks of the desert areas of the rocky Hamada. As was previously proverbial, three birds climbed reflecting the crown of the kings in Bethlehem, Arriving at the sacred native city, and beginning the choirs of Nativity and passion for the hiss in tenuity on the twelve Giant Camels, where they paid special attention to rebuild another temple with a sigh greater than a Sheba Dean. The canon of Policleto was renewed with Zefian who agreed with San Juan, for this kanon that will be the relevant line of topographic surveying. Thus the basal measurements of the golden number will begin with the acroteria concerted summer seats of prosperity next to the Metopes. Ezpatkul would bring with his magic the red blood cells of Betelgeuse along Leiak with all the Templar three-dimensional morphology, naming this singular parapsychology of Pope Urban II who proclaimed the First Crusade at the Council of Clermont, in France, on November 27, 1095, to delineate the paradigm in the anatomy of Gaugamela bled into Vernarth's breastplate, as the archaic and first crusade that would inspire Christian supremacy, which was already anticipated before the Christian era to come. It will be visible gestures of the trajectory of the arrows of the Zefian Torah that were deposited with their hallelujahs from the ***** of Crete. The sulfur yellow and red blood cells marked the radiosity of the Eclectic Portal that opened to give Vernarth material egress, so he would take his tools and go with his donkey's escorts for the chromatic that will be sulfur yellow and red blood cells, both dependent on the complementation with the Cinnabar, and in the raised bodies of Court V of the Helleniká Necropolis in Kímolos.

Under vileness or absence of light among darkness or apocryphal light of Evil, in contrast to the robust equanimity of light and shadow partisan of Saint John the Apostle, for the hegemonic good of his incorruptible vision. The naturalness made the world apologetic with the immune defenses of the polish textures, they invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times of Polykleitos, starting from the base to the feet as the base of the plinth or frieze until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David would recite the measures of the psalms, or beads in degrees with hoped-for dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolt when hitting the faint glow of the canon rays. Making himself the sustenance in the stone and the mound, towards the Vernarth counterpose when the Himathion was tried, he appeared disguised and in composing. After this initial task, they approached the fire and scalding water to **** herbs, which pretended to be the formula of the backhoe extracted from the palimpsest of the generals of Alexander the Great, when they distributed their illegitimate Ark with royal titles; they were Perdiccas, Antipater, Crátero, Eumenes de Cardia, and others like the satraps who came to be enunciated as kings; Antigonus, Ptolemy, and Seleucus. Residing only the most substantial military colleague of them in this parapsychological saga Vernarth; and his brother Etréstles de Kalavrita who seconded and predestined him in his monolithic, and in the constituent sovereignty of Polis, for the purpose of reigning and raising his Kopis and Xifos intertwined in aldehyde manumissions and in the alcoholic carbonyl residues emanated from the Backhoe ferment and Nepenthe, depositing LSD in substantial amounts to align itself with Seleucus, and materially present itself in the sphere of Patmos as two representatives of both empires, one ancient Christian and the other Panhellenic, placing Seleucus in that totalitarianism over that of Alexander the Great, now extinct. On the last day after working and being satisfied with the construction work of the frontispiece, and its major columns, Vernarth joins them after temporarily leaving the eclectic portal, they sit by the fire to review the plans of the subsequent construction process del Megaron, along with his seven donkeys, mentioning Borker's necromancy. Since the omens of Wontehlimar, the linemen before Borker became reigning, for the static balustrade that will surround the Megaron, where all the Ibics rings were enlisted chorally by the patronage of the Hellenic Orthodox legacy of Alexander the Great after he was rescued by Wonthelimar from Babylon, and finally take you to your physical and spiritual shelter. The eruv of the Nótos was demarcated, surpassing the limits of the rings of stefánes Íbix, or Hoops of ibix, like nano kvantikoí daktýlioi, Nano-Quantum Ring auguring sensitize the dermis and its carpal phalanges. From the intertestamental, such as in Vóreios, passages from the Old Testament are explored here that says…: “The temple that was the only legitimate sanctuary of the Israelite people contained within it the Ark of the Covenant, a golden altar, and candlesticks of the same metal. , a table with sacred loaves and other utensils used to carry out the worship of the god Yahveh. It was located on the esplanade of Mount Moriá, in the city of Jerusalem, possibly where the Dome of the Rock and the Al-Aqsa Mosque are located. From this dome the larnax of the Great Macedonian, a prioris, the schismatics of ancient Christianity, and orthodox Judaic will be derived, separating from each other, after the fall of the second temple. Of this class and previously this was detonated due to the undivided troops of the Babylonian king Nebuchadnezzar II, who destroyed it in 586 BC, also taking captives a large part of the inhabitants of the Kingdom of Judah, to Mesopotamia, giving rise to the exile and captivity of the Hebrews in Babylon. A reflective Borker of this premonition, he takes the Ibics Rings and selects one of them to join them with the first Zefian Arrow, as nano Kvantikoí Daktýlioi, quantum Nano-ring, to ensue in future similar events, avoiding invasions that cause looting and destruction. of the temple to be built on Patmos.

Nano-scales for Borker's nanotechnological conception, and estimates of threats of invasions and climatic changes, in one billion (109) and one billionth (10-9). In a meter there are one billion nanometers or, in other words, a nanometer is one-billionth of a meter. For those who will have to configure the dimensions of the Mandragoron "Temple of Vernarth" with carbon atoms, the support will be made in chemical units for the re-conception of nature, and its two- or three-dimensional networks. The nanotubes with 60 carbons, distributed in 20 hexagons and 12 pentagons, according to the geometric patterns of the cellular scale, in the conformation of the Hexagonal Primogeniture, being in this way concealed by the Ibics Rings, for each linear meter and cubic, traced by a nanometer which is one-billionth of a meter. Here, the borer beetles will catch the fungi ambrosiella ceratocystidaceae and will displace the virals that move geometrically from the beams of the Icosahedron.

The ranks of Falangists moved triangularly in multiple directions, to reach the Austral del Nótos de Borker, thus they would form the magic vectors of the polyhedron internally, triangulating at the top of the ram that carries an illustrious triangular phalanx, opening up the areas with its prop. vulnerable, to consolidate the buttress of the façade; the Áullos Kósmos, and pay homage to the apse that was filled with rejoicing. Sones of the philosopher Plato, made them regular or perfect in convex polyhedra, such that on all their faces were regular and equal polygons were made, and in all solid angles also equal. From this boulevard, the theology of Vernarth and Alexander the Great, fully professor and Platonic guide, will follow, making nomenclatures of nanostructures that affirm the volume and structure of the central sections of the radier, and their foundation bases shielded by the icosahedron in the nanotechnological scale, having physical material cells, for adaptation of structural changes and their environment.

The volume will be adapted microscopically, to analyze small particles with the return of the fourth arrow or Tetra Sagita of Zefian, absorbing nutrients and discarding the environmental threats based on carbon dioxide, to make a limiting membrane beauty, which moderates the nanoparticles that borer beetles were developing. The solidity of the partitions and walls will have the exact proportion of the nanomaterials, to adapt to the general area of the Mandragoron Nótos, which will ooze the surpluses due to the porosities, towards a volume highly resistant to invasions of limestone nanomaterials, and boulders that are made from the flow of the buttress of the apse that rises towards Aorion. The interior and exterior faces will be supplements of prayers of Prochoro, in didactics that will shield with the Antiphons Benedictus, and the hive of Plato's Icosahedron, becoming a consular material organism, and solid in interstices or leftovers from the feces of the Borers, until pasting and to reach the volume of the polyhedron, and its twenty faces pointing towards the physiognomy of the boulevard, tracing the general volume of the Mandragoron, and intercommunicating the quantum support and its theological harmony.

Says Borker: “if the organic cells operate with homage and with greater multicellular fields, here are the nanoparticles, in greater fields of fiatto, and in the slides that will recirculate in favor of the throat of the Mandragoron, and in the carbon nanotubes, essential elements of the biosphere and in useful layers of life that retrace the rest. There will be 20 linear meters in the area that lavishes the width and height, the projection of this scale of nanotechnology, will make the three-dimensional shape and a large voluminous serial in the Austral Nótos ”Vernarth's purging dimension, made him materialize at times and laugh out loud because he knew that everyone who was with him loved him! and from this fraction of faith, the Angel Raphael diagnoses them bread with archangelic essence; herb with great healing powers, especially in the dimension of the eclectic portal that allowed Vernarth to concern himself with material living beings.

Definitely, the second step of consolidation of the Megaron was established in the linear that the seven donkeys eagerly left, as masons and cabinetmakers who worked together with the Hexagonal Primogeniture. From this moment everything begins to have an inter-dimensional aspect, from the Invisible Eclectic Portal to the majestic geodesy and orography of this temple, which incorporated everyone for a charitable epiphany together with everyone in the Profitis Ilias, which was already crowned as the cusp Spiritual World of the Vernarthian Eclectic.
Áullos Kósmos
The cats get the Cradle
the beetles get the bread
and the cherry-cheeked children,
the children
all are dead

The world is growing smaller
the Sun is getting hotter
it is all a fault of ours
a fault of ours so faulty
falling gently, screaming, kicking
to the ground
so we give

The cats the Cradle
the beetles get the Bread
and the cherry-cheeked children,
the children
all are dead

Men are exploding
children are smoking–
smoking needles
eating beetles
black and pink
Beatles
The Beatles all are dead
not the legend, just the passion
so instead we give

The cats the Cradle
and the beetles to the bread
and the cherry-cheeked children
the children
all are dead

because the world
turned upside-down
all together, upside down

sons in shoe-heels
lipstick jungles
deep violet secrets
girls in pants
panting
running from understanding caring
claiming you are open-minded
too open-minded to mind
the option
of a closed mind
so instead,
**** the trees for

the cat’s cradle
feed the beetles to the bread
since all the cherry-cheeked children
and their childhood:
all dead.
Jonny Angel Aug 2014
Even the beetles
know
how to roll dung
uphill
to make a living.
I can't believe
those lazy mofos
hanging out
to collect our spoils,
with us toiling daily,
spilling more dough,
into the coffers
for easy handouts.
They're lazier
than ****-beetles.
I am all about social responsibility & taking care of the needy....but a welfare state, not!
1128

These are the Nights that Beetles love—
From Eminence remote
Drives ponderous perpendicular
His figure intimate
The terror of the Children
The merriment of men
Depositing his Thunder
He hoists abroad again—
A Bomb upon the Ceiling
Is an improving thing—
It keeps the nerves progressive
Conjecture flourishing—
Too dear the Summer evening
Without discreet alarm—
Supplied by Entomology
With its remaining charm—
Setenance Aug 2014
feathered shadows
ripple like the water
in the wind
on which they're cast

miniscule
molten metal
droplet beetles
dive beneath
the shimmering water

bathed in
metamorphic waves
of bending light

inobservably tiny legs
quickening
in a graceful fury

sliding through the world
like slow-motion lightning

or a brilliant spark
unnoticeably extricated
from its source
The Beetles
I will now write a love poem and will include
heart, souls, roses and a box of chocolate with nuts inside
but a song by the Beetles keeps getting in the way
“Will you love me as before when I'm sixty-four?”
It was in Tokyo when heard the song I was visiting a girlfriend
who was a stewardess on a liner, the song said it all.
A few days later I met a cook smelling of ***** and underarm
sweat, he told me my girlfriend had a lover on the ship
a steward, I confronted the man we had a fight and I was thrown
ashore. She had stolen my heart, but I had the song;
so I will not write this love story after all,
perhaps tell you a story of Frieda, who collected monkey poo,
kept them in glass bottles and inhaled the scent
but she produced wonderful paintings.
there are a few, those who should tidy,

those who pump and clear, those who

investigate.

water beetles float their legs, paddle

the river, dimpling surface. hang on

the bridge , warming back and watch.

water men wear high visibility, while

the beetle shines black.

lately we have cut the paths

and planted bluebells.

sbm.
Winter is cold-hearted,
  Spring is yea and nay,
Autumn is a weathercock
  Blown every way:
Summer days for me
  When every leaf is on its tree;

When Robin's not a beggar,
  And Jenny Wren's a bride,
And larks hang singing, singing, singing,
  Over the wheat-fields wide,
  And anchored lilies ride,
And the pendulum spider
  Swings from side to side,

And blue-black beetles transact business,
  And gnats fly in a host,
And furry caterpillars hasten
  That no time be lost,
And moths grow fat and thrive,
And ladybirds arrive.

Before green apples blush,
  Before green nuts embrown,
Why, one day in the country
  Is worth a month in town;
  Is worth a day and a year
Of the dusty, musty, lag-last fashion
  That days drone elsewhere.
mosquitoism Mar 2014
When I think of happiness
I think of a vintage VW beetle.
Yellow.
Not to drive
but put somewhere I can see
and feel good about at times.
Yet, I was happy once
And I thought it was heaven
I was on the side where the grass was greener.
It was greener indeed.


@mosquitoism
Johnny Zhivago Jun 2013
mr moonlight
mr nowhere
maxwell edison
mr jones

dr robert
sgt pepper
mr kite, bb king
edgar allen poe

walter raleigh
mat busby
the hendersons
and maggie mae

mr mustard
captain marvel
rita lucy jojo
vera chuck and dave

mother nature
polethene pam
mr heath doris day
and buffalo bill

loretta martin
**** sadie
hey jude eggman
my michelle

rigby            and pilchard
or elenor      and semolina
took father  mckenzie
too see a dancing horse

henry       his name was
rocky       raccoon was there
prudence rode elephant
to the i me mine waltz
---
There gonna crucify me
the way things go
christ it aint easy
the next day dont know

you know the walrus was paul man
johns bird can sing
george was a genie
ringo wore a ring

but paul is dead now
george stole his soul
john is alive though
ringos in a hole

her royal highness the tax man
commit the perfect crime
she asked for more
with a belly full of wine
Norman Crane Aug 2020
A thousand beetles scurry up a hill,
Above, a hundred foreign beetles wish them ill,
Their rifle sights through slits in concrete bunkers weave,
A spiderweb of fire.

Now grieve each carapace, dry and still,
As you aspire to one day k*ll
or die defending your concrete tomb upon the hill,
For your, as every, generation seeks,
Glory to the strong! Death to the weak!
Josiah Israel Jul 2017
Deep in a magic forest, with big old magic trees
And all the magic creatures that live inside of these

There is a magic island, upon a magic lake
And on the island stands a stool, the like no man could make

And on the stool from dawn to dusk, resides a little man
Who spends his days in deeper thought, than any mortal can…

How does he think so many thoughts, well you must realize,
That though the man is small, his head is twice the normal size.

And as for food, well first of all he quite likes eating bugs
Beetles spiders, grass hoppers, slimy snails and salty slugs!

Inside his beard he keeps a hive, so honey he can eat,
And sips the dew from roses, which he grows atop his feet…

And when the night time brings the cold, the old man doesn't care
He simply covers up, with all his long and tangled hair!

Regardless of his oddities, the man is still renowned,
For being quite the wisest man, who never can be found.
This poem was told to me by a young Fairy on the road to a Wishing Well near my house.
Mateuš Conrad Feb 2020
why did i ever go out on a friday night?
drinks with "friends" and hitting the essex
club "scene" -
well - no much of a scene -
there was never the music you'd want to listen
to: come friday or saturday -
even mid-week when all the rock kids
were "hanging out" -
what would be chances of being your own d.j. -
catching something really new...
POIZON - church is poizon -
cool mom - something between a crossbreed
of cage the elephants and nirvana on blew -
3rd view - moi -
but i used to: and i remember that gehenna of
a sobering walk - alone after a night out -
like some furious son of sam -
when youth still had the adrenaline with it
and a sense of anger ******* around with
disillusionment -

those were the friday nights: bon jovi highlights
and long hair and milking a somewhat androgynous
look - sometimes the mascara would come out...
those were the days of having milk skin
and a proper shave -
the long hair and the waistcoast and cravat: semi-,

the lonesome story before i met my beard:
fwyday mordaithceirch -
i actually have a name for it...
i forgot what's already the designated
whittle pecker mr. pritchard of the down down:
below...

oh, oh so what...
rough friday nights in my youth -
on the clubbing "scene" -
and always that moral hangover when it came
to drinking with others -
ever since i started drinking by myself:
i forgot the mirror and that bucket
of warm water beside my bed to put my hand
in before going to sleep...
once or twice the company was worth the drink -
but most of the time you only kept
such company: because you were drinking -
drinking was never an afterthought -

now... i like drinking alone -
at least i can keep fact-checking the company
and the odd vocab peacock taking to the catwalk
of a ruminating free-fall tongue waggle
and rummage - the needle in the haystack
adventure - or... the ******* bucket
of deshelled oysters...

there have been some awful friday nights -
but: seeing how i started to give my beard
a welsh name borrowed from a willem dafoe
novel - and how it simply became pointless
to wake the dead with the angry tantrums
of youth: and how i seem to have
forgotten where my 20s "went" -
somehow rooted in: da-sein and how
i "wasted" 2 years on one book by kant -
2 years on one book by heidegger -
and: how i didn't have the time to "catch-up"
on the greek classics -

oh these island dwelling people -
i try to imagine them not being a seafaring:
and their messiah / superiority complex -
with their breakfast that could hardly
be digested come the hour of noon -
or no messiah / superiority complex -
the traffic: indeed - works like clockword...
from left to right...
sidenote: what of fahrenheit and
the feet and inches - stones and pounds?
ounces?
the metric of: baseline 0 here,
baseline 00 over there...

no... Michele Campanella piano solo take
on wagner's das rheingelt: entry of the gods into
valhalla - it's hardly anemic -
it's... the last leaf of autumn falling -
because the crescendo has already happened...
a befitting closure...

the superior island folk and their...
hyphens and germanic loan words -
how almost all names in chemistry are still
in their germanic: intact form of: no hyphen:
broken leg or broken arm...

woodwinds... perhaps... the violins providing
the humming of birds:
chirp chirp: no chirping -
and of course the horn - but the horns never
as prominent as those drank from...

something has happened today -
but i am... left without having any english
sensibility / egalitarianism -
somehow i always equate egalitarianism with
the english - the islanders -
a firework went off in the background -
mr. sloth awoke mrs. slouch after 3 years
for a firecracker celebration...

because who would want to be ruled
over by unelected: chocolatiers...
esp. after their trial run in the Congo -
but i have certainly had worse friday nights...

it can't exactly get much worse than...
say... listening to the siegfried idyll...
multitasking: drinking a cider, smoking a cigarette,
balancing act of folded leg sat on
perched on a windowsill solving a no. 11,289
sudoku from the 27th jan. 2020...
otherwise prior to:
imagine my disbelief at the pleasure -

with numbers to somehow escape thinking in words:
no grand arithmetic linear gymnastics -
of the end result -
certainly no logical statements -
just a whirlwind of numbers complimenting
these few words...
and what a fine friday night it has become:

the pizza was made - god save me from the perfume
of yeast... or checking on the rising dough
from time to time -
the leftover yeast gave me the opportunity
to bake an imitation sourdough crust pretty-as-a-picture
loaf that: would make any mushroom blush
and shy away from unfolding into an umbrella pose...
or a Y... curling outward-inward into an upsilon Υ...

because how could i forget the pleasure of
sifting through numbers?
by the time i attempted puzzle no. 11,290
i had to write a "map"

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
2)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
3)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x

come to think of it... where's a subscript?
if i'm going to use 1, 2, 3...
to tier the allocation of squares...
tennis and sudoku...
tennis: a game of 7 rectangles -
and how many judges and ball boys / girls?
sudoku - a puzzle of 10 squares - perhaps...
if i'll use tiers 1, 2, 3: a1, b2, c3...
what if... sudoku invoked letters rather than
numbers?

much later... oh believe me...
this is the antithesis of knausgård
writing about using googlemaps...
        
           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

it's still a schematic - the narrative is yet
to begin... otherwise...
there's nothing smart about this...
i have tired eyes sometimes:
i succumb and have to allow myself
to no acid-bath these eyes in words...

esp. since i speak so rarely -
imagine... in england and i spear
the bare minimum of english -
i can: i have to: i will - when being prompted -
but i can't remember the last time
i had an honest: informal exchange
of letters... lapped up by the glutton
tongue... i looked and looked
and with my silence i can attest:
there's a speech-impediment -
a stutter that's not born from nervousness...
but... an allusion to a "stoic" through
my lack of conversation...

at least on paper i can exfoliate -
enough cider and enoug whiskey and i'm all
sparrow McDermott!
ugh... the devolved scots and the likewise
welsh... devolved nations...
only this aspect of Brexit is... well...
imagine the "evolved" status of post-Yugoslavia...
Kosovo...
this is the only aspect of an otherwise:
fair enough that's... well...
if you lived for 3 years among the scots...
you'd get to appreciate them...
this is the only aspect of this whole affair
i will ever appreciate...
i would pour blood and **** into
the Welsh continuing their...
preservation of the iaith...
forever and the more - i would love to see
scotland start to dig trenches and
forget trainspotting gaelic -
parading like ponces and humpty dumpteys
with "harkccents"... glasgewian bull-runnings...
cousins aye and wee -

a thing of beauty: a thing of union...
but this... they were bullied in brussels...
they came back and started to bully the scots...
if you have lived -
the betas of cardiff - but they tongue: remains!
look far back and wales would encompass
cornwall -
ignorant i of a 26 year "servitude" on these isles...
quiz me on outside of London:
no point...
perhaps i too would wish for the lost
theta in Dublin - towing: to t'ink...
as any sanskrit H-surd does matter...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

but if i will replace... the side tiers of numbers...
the numbers in the puzzle will have to become
letters - greek... probably iota, epsilon and upper-case
gamma...

the bullied have returned from the palance
of the chocalatiers and: back to their old ways
of bullying the rest of these island folk...
because: it's infantile for me imagine
a resurrection of the crown (poland)
and the grand duchy of lithuania -
the commonwealth -
but somehow the united kingdom is not
fated to become the next yugoslavia -

i can confirm - up in edinburgh i was
confirmed by having the hat of Knox having
scalped me -
never is always metaphor: vaguely -
as in literally - in these quasi-paragraphs...
so it's not... infantile to even "think" that
the british empire can be revived?
zee window-licker spezials of
cross-breed h'americana postcards sent?
i nibble to attempt a joke...

oh i can bulldozer this whole narrative...
turn into a berserker -
i've saved enough money to deal
with the label loser...
all it will take is me having drunk enough -
sightseeing the slums of london's east end
and then hitting the brothel:
like an iron-head... to the pillow
and the ***** of a *******...

because i have had worse friday nights...
terrible company...
if i were not a michel de montaigne or a knausgård:
me me me, me me, me me me me,
write enough of that and:
to meme to grafitti... or to...
why are there no diacritical markers in
the english language worthy of recognition?
why would i...
rhoi fy **** y Cymraeg enw?
give my beard a welsh name?
and why is that not a cedilla C but a ******* K?
why not... Çumraeg?

on foreign shores i have made it adamant that...
this sense of foreigness does not
peppermint my presence with hopes to:
add to - an integration -
just borrow what the local have made: left-overs...
and work with that...

(insert snigger) - the neu-vikings of
northumberland...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

this really does have a linear narrative...
here goes...
3(c1), 9(c3), 1(c1), 2(c3), 2(c1), 2(a1), 9(a3), 8(c3),
4(c3), 8(c2), 8(a2), 5(b2), 7(c2), 3(b2), 3(b3), 8(b3),
7(c1), 5(c1), 7(b3), 5(c3), 1(c3), 6(c3), 1(c2), 3(c2),
9(c2), 9(b2), 6(b1), 6(b2), 6(b3), 2(b3), 2(b2), 1(b2),
1(b1), 9(b1), 9(a1), 8(b1), 8(a1), 5(b1), 7(b1), 7(a1)...

and then a "gamble" in the narrative...
the (7a2 and the 5a2 - interchange)....
it's a pleasure - not a chore -
5  9  4
2  8  7
3  6  1
8  1  9
6  4  3
7  5  2 - this line... what if it was 5  7  2?
1  2  5
4  7  6
9  3  8
if i want to solve this puzzle - i will solve it
and not read a tabloid article /
whatever the hell has become of youtube...
my diamond jukebox...

otherwise the "narrative" continued from
7a2 and the 5a2 interchange:
7(3a), 4(a3), 4(a2), 6(a1), 4(a1), 5(a1), 5(a3),
1(a3), 1(a1), 3(a1), 3(a2), 6(a2)... end result?

           a             b             c
      5   9   4   6   8   1   2   3   7  
1)   2   8   7   3   5   9   6   1   4
      3   6   1   2   7   4   5   8   9
      8   1   9   5   4   3   7   6   2
2)   6   4   3   7   1   2   9   5   8
      7   5   2   9   6   8   3   4   1
      1   2   5   8   3   7   4   9   6
3)   4   7   6   1   9   5   8   2   3
      9   3   8   4   2   6   1   7   5

because i can imagine this not being:
the most difficult Finnish sudoku...
i can almost imagine this puzzle
to be in greek...
where: 1ι, 2ζ, 3ε, 4χ, 5Σ, 6δ, 7Γ, 8β, 9ρ...

in the background all i hear is:
corvus corax' la i mbealtaine...
the greek version of the japanese puzzle...

           a             b             c
      Σ   9   χ   6   8   ι   ζ   ε   7  
1)   ζ   8   7   ε   Σ   9   6   ι   χ
      ε   6   ι   ζ   7   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   7   6   ζ
2)   6   χ   ε   7   ι   ζ   9   Σ   8
      7   Σ   ζ   9   6   8   ε   χ   ι
      ι   ζ   Σ   8   ε   7   χ   9   6
3)   χ   7   6   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   6   ι   7   Σ

half-way... i just wanted to "selfie" what
will become of this... i no longer write: i paint...

            a             b             c
      Σ   9   χ   δ   8   ι   ζ   ε   Γ  
1)   ζ   8   Γ   ε   Σ   9   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   9   Σ   8
      Γ   Σ   ζ   9   δ   8   ε   χ   ι
      ι   ζ   Σ   8   ε   Γ   χ   9   δ
3)   χ   Γ   δ   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   δ   ι   Γ   Σ

going... going... gone...

            a             b             c
      Σ   ρ   χ   δ   β   ι   ζ   ε   Γ  
1)   ζ   β   Γ   ε   Σ   ρ   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   β   ρ
      β   ι   ρ   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   ρ   Σ   β
      Γ   Σ   ζ   ρ   δ   β   ε   χ   ι
      ι   ζ   Σ   β   ε   Γ   χ   ρ   δ
3)   χ   Γ   δ   ι   ρ   Σ   β   ζ   ε
      ρ   ε   β   χ   ζ   δ   ι   Γ   Σ

i don't mind a people being right...
but the overt-gloating...
without having to work around the sort
of paranoia associated with:
how the russians are not allowed to glutton
themselves on gloating -
because they are always made
to feel suspcious - the russians can't gloat
like most of the anglo- speaking world...
always suspect: russophobia evil genuises...
tip-toeing goliaths - less the blundering
fudge-packers of "global ****"...
and i kissed a boy and i liked it...
my genitals started shrinking
and my *** started to exfoliate with:
welcome all! welcome all hard and on!
and that tongue in my mouth always helps...
but imagine my surprise when
i started to navigate my hands
but the reply came:
timbuktu and mt. kilimanjaro will not be found
attached to this sort of torso...
wrong dog, wrong tree...

some things really do require numbers...
i once had a mathematics teacher in high school
bemoan the origin of modern numbers
and how we once: upon a time used these letters...
but did our arithmetic with visual aids
akin to the abacus... because...
you'd have to "read braille" when counting...
to differentiate the already: lettered numbers
and the letters being letters -
and all arithmetic functions
were "spoken of" but never depicted...
i.e. there was no VII + III = X...
there was no XV - XI = IV...
eh?! arithmetic was cat-intuitive...
not spoken of - done by either the visual
aid of fingers when haggling
in a market place -
or by the abacus aid in a bureucratic office!

i said this was the most perfect friday night...
what did i have to offer?
no clickbait title - some gems of wording
in between?
the patient reader - as ever - most rewarded -

but... oh my god... the sensation of
changing the bed sheets...
it's friday night and you're... changing your bed sheets...
and they are more crisp and clean
than any political event that the journalist leeches
are milking -
and you do it with a saving private ryan precision -
you will sleep in this bed: well into
11am of a today to come...
believe me: that you will...

- in that i am still walking among the germanic people -
if the germans will sing a: bretonisher marsch...
then the two peoples are alligned by
their sentiment for the crow as their godhead:
alles menschen totem...
what could possibly make me feel welcome?
french grammar is polish grammar...
matin de printemps - poranek wiosny -
spring morning in reverse in germanic...
how many more examples would i ever wish
to give?

there was a moment in my life where...
i realised my faults... i should have read
the Pickwick Papers... anything by C. Dickens to be sure...
instead came Stendhal, Voltaire, Balzac...
because if you said to me...
BBC radio 4... the archers...
and... thomas hardy: madding crowd?
you'd accuse me of being ignorant of:
London is a bustling cosmopolitan in-waiting
from the busy-body industrial proto-Beijing
it was of 100 years ago?    
the French had cosmopolitan intellectualism
100 years prior to the english...
100 years later and it's still not much...
is anyone about to cite me william hazlitt?!

the trouble with the english is that they hold dear
to that one old 19th century idea -
this waiting for: awaiting a revival of darwinism...
the "blatantly" obvious needs a resurgence!
because a michael faraday must most surely
be forgotten!
how many times will this already painful reality
need to be emphasised once more:
intellectually - via a darwinism?
no one stresses the copernican "upside-down"...
or what is copernican "west" up in space?
how does acknowledging the sphere
of the earth - ease you reading a flat map -
moving from point A to point B?

earlier this week - for once in my life i was
ashamed of what i wrote -
so i wrote for scribli per se: scribbles for
scribbles themselves -
the darwinian germanic folk who say:
alles von afrika...
how the hebrews debased themselves
in both aushwitz and breaking their bones
on the emoji hieroglyphs -
alles von afrika: ja... so sicher... so wahr!

ask any slavic person among the germanic
peoples...
where from? wir (ar) sind lesen und schreiben
"afrika": i.e. Indu...
if the african challenged the hebrews
with... "the best they had": egyptian emojis...
why would i not stress my birth
with pseudo cedilla Ş / इ... ☦ -
this indo-european is not... at home with
these african-germanoids...
pseudos and quasi -
these chocolate frenzied busy-buddies!

from the caucasian and further still from
that whittle sub-corinthian quote: continent...
somehow, "somehow" this part of this story
is read: south to north... always a grand
marker missing when the people went
east, squinted... learned skeleton existence,
atoms... and the frenzy of letters:
owls and ******* **** flinging beetles
back in the north eastern tip of
africa: in that egyptian haemorrhage of "idea"...

i assure myself... perhaps the form came from
africa... but sure as **** the tongue only arrived
in the lap of the Dalai Lama...
as did the "thinking" and the music
across prior to the Mongol's curiosity
over the tundra of Siberia...
something had to be placed on a loan...
and coming back to the cradle and the crux
had to happen like so...
not this current: ergo: so...
quickened and: what news from Damascus?!

first impressions count...
i made my bed... it's newly washed...
as crisp as falling onto a bed a prawn crackers...
without the crumbs' itch...
like listening to some german:
juggernaut... this will do... i can fall asleep
with this: grab hören zu der winderhall...
mehr flöte - weniger violinekratzen!
schlechtdeutsche? alle deutsche ist gut deutsche...
erwarten etwas isländisch zu sein
gesprochen insel von insel: auf diese inseln?!

to make a crisp bed of freshly washed sheets...
to sleep in them alone...
given the grammar is not that far removed...
are the french even remotely translated
as a germanic "sort of" people?
"they" or "we" share the same grammar...
and there are celtic freedoms that would
never be allowed to exfoliate under
strict anglo-ßaß obligations...

oh sure! great people! steam engine: choo-choo!
newton et al...
shakespeare: when they taught us shakespeare
they should have taught us bernard shaw...
when they forced jane eyre down our throats
we should have been reading
the pickwick papers...
the music will remain german -
because as much as vaughan williams...
holst and händel were "were" english...
esp. latter with his umlaut that spread over
toward i-and-j...

why wouldn't you **** at the pillar of the empire:
a past most assured - dust, books and moths...
like hell will i come to correct my ways
to state the: pish-poor Elgar... this poo'em too...
himmel... sky...
leerenhimmel - empty sky -
nein sonne während der tag:
das englischnebel: bedeckthimmel...
nein mond während der nacht...
nur so...

i of the lesser men of this world duly bow
my presence before the altar of the higher men
of these isles...
and hope and pray that their wisdom
will not bestow upon them any major calamity...
with not irony or ridicule i wish upon
these peoples... the right sort of oars
to turn this rooted island
into the people's imagined langboot...

there are only one british people a people
who will pursue to gloat having been
conquered by the romans...
being raided by the vikings...
integrating the anglo-ßaß...
a second viking coming via the Normans...
the push-over remains of the celts...
that somehow translated itself into
the: empire...
ideal: to compensate...
the islamic fervor for the... resurrected
caliphate...
jokes about the dritte ***** and the vierte *****...
that's pretty much the precursor jokes
surrounding: ein zweite ***** -
auf welche die sonne nimmer setzt -
ever wonder how that translates with the increased
cases of insomnia?!

again: bad german is better than
no german.
TinyATuin Feb 2016
Drowning in the sea of red
cartridges stuck inside her head
singing to the pigeon man
about all the stars again
how they crunch under her toes
there she goes

She dines by the candlelight
golden beetles lined with blight
in her velvet dressing room
withered flowers in full bloom

Drowning in the sea of red
cartridges stuck inside her head
singing to the pigeon man
about the dawn once again
how the curtain rises low
on last show

Cigarettes in the first row
burning slow
Rustling of the stolen feathers
burning slow
City shining through the smoke
*burning slow
Steampunk (sort of) song written for my brother
K Balachandran Apr 2014
Her serene face, lovely sleepy moon,
framed by long tresses of dark curly clouds
on which he traces pelagic  memories
remains focused on his, for a while,
then,
her eyes, lovely restless beetles, sweetly
buzz around his eager lips, swollen with desire.

Closer she comes, he loves that coquettish look
on her face, how cheeky, the moves she make
as if she is game for the tryst, right now
whatever it takes from her part. it's clear.
How love makes a simple maiden, daring!

Dark beetles bring him memories of pollen,
mingled scents that cover her body head to toe,
now her lips are on his, exploring gently its contours
when teeth and swirling tongue too join in,
the cravings of unbridled horses of amour
they both come to be aware, when eyes involuntarily close.

When the red eyed embers of love turn to flames,
love boils in their cauldron, they rediscover passion,
as if they are green horns, once again in the enchanted woods
in this land of cupid, where the love rules are hurriedly rewritten.
cait-cait Sep 2018
you’re a sick, sick person
my little,
                old
love.

with eyes like ferocious , angry
beetles, you
chew into me and cut out
tiny,
        stinging
                       holes.

if only you knew i wasn’t invincible,
if only you knew
                              you were toxic.

the cement is wet when you bash my head
open,
and
the cement is still wet when it
rains.
my mom said "who cares what they think. theyll never understand it, and you dont have to say this part out loud, but things are different now."
zebra Aug 2017
a black bat
hangs upside down
digesting a fly
his face almost human
a flying Frankenstein

he excretes
puddles of guano
like miniature buttered popcorn
a dark and wavy goulash
gods gift
to beetles and worms

dizzied overheated men look on
to an uproarious variety hour
of song and a high heeled kicks
inspiring
a tempest of throbbing
whisky drenched
folded ***** and cash

trouser trout fish,    
undulant
sexed up
tape worms for love
pulse the night
egging on bunny **** pom poms
devout finger puppets of Eros
for
shimmering ****** lipstick twilled vibratos

sequined tassel spinning areolas
and lavish come **** me dance girls
bring down the house in flames
making hearts apostate
clamoring
and melt men like steaming everglades

the bat
hangs from the chandelier
licks his black lips
and looks on to panorama of hieroglyphics
hearing music
a thunderous nonsense  

witnessing visions
of
flies, tasty white winged moths
and the thrill of screams
while biting the head off of another bat
in a claret stained red velvet cabaret
Matthew Harlovic Jun 2016
I don’t know*
your pain,
I don’t know
how you feel.
I can only infer it
from your behavior
and the time it takes
for you to heal.

© Matthew Harlovic
Inspired by Wittgenstein's thought experiment called "Beetle in a Box".
Dondaycee Aug 2018
I want to give love like I’m leading the Queen,
I want to feel hugs; photosynthesis, aura green,
I have to hideaway to three K’s,
Kyi is a kid that shuffles when he discovers key,
He is me; youth be re- I’ll let; tea… (*sip),

I’m so I’m so gene; us,
I only show frustration when we as a species let perceptions get in between us,
As if what we expressed daily was heterogeneous,
No need for mean mugs,
Mugshots when fetus,
Jesus is needless if we see our reflection as phoenix,
I’m not saying his teachings were meaningless but they mean less if it is hindering your freeness,
That type of convenience is something we need less,

My intentions are not to provoke but invoke our potential,
I’m not Pro in anything although I’m in everything,
I voke to our attention what I believe is essential,
Call it an expression of the ego, because it’s preferential,
If defined by actions, the ego is detrimental,
If defined by conscious; choice, that’s voluntary over involuntary,
Enjoy, we would; the state of being aware of thoughts that were brought by patterns that are the most influential,

I don’t want to be a resident in a place with a president,
Take offense, you may,
If I can’t speak a wave; transmute the word thought into the word say,
I give away my name because my expression’s never hesitant,
If that was the case, I wouldn’t be relevant,
Arrogance; my ego will second this,

To live and die in the A, because that A word is two cops before,
A kid claiming **** life at core,
Interpretation; fearless to explore,
But a perception created a door,
Honoring the fathers of four, his body hit the floor,
Questions arising; were the intentions backed by this illusion of war?
Discrimination? Advanced payments? The separation between the rich and poor?
Or, was this an obligation to bigotry, a resistance to change because the fear brings about the unknown?
“What if they evened the score?”
The question I’m asking is who’s suffering more,
Those that ascend because of freedom, or those who are reacting because they closed a door?

Tore, I am, because I can not condition this heart,
I can not serve all if all are torn apart,
We sung together as one, divided we fall,
The Beetles said come; coincided free fall,

United default, America was pre thought,
The idea would’ve worked if we brought, our understanding to one before we fought,
Liberty; she walked,
The people; we watched,
Identity; we lost,
A “VICTORY”; we thought,
History distort because his story, we taught,
Now distraught; resorting to love, because it’s the only thing that remained in gene as default…
Akemi Mar 2016
We dug up the soil today
Thousands of insects rushed out
Centipedes, beetles, spiders
A crumpled grub writhed in the sun
Too weak to do much else
I’ve always hated agriculture
Fingers tearing plant roots
Sap soaking flesh
A neighbour walked past and said ‘looking good’
And it was the saddest thing I’ve heard all year
2:59pm, March 29th 2016

a mouth
fill it with dirt
fill it fill it fill it
don't let it breathe
by god don't let it breathe
it'll swallow the world
it'll swallow us all
Polar Jun 2018
He
He speaks the language of flowers
Quietly toiling in his garden
Digging, raking and smoothing soil,
Gently coaxing nature to match his vision.
He knows the bees, spiders, beetles, worms and earwigs
Regarding them as friends.
He follows seasons, moon and stars
As others do people
Enthralled at the changes they bring.
He listens as the birds sing
Watching with joy as
Fledgling take wing.
"Oh yes, I went over to Edmonstoun the other day and saw Johnny, mooning around as usual! He will never make his way."
Letter of George Keats, 18--


Night falls; the great jars glow against the dark,
Dark green, dusk red, and, like a coiling snake,
Writhing eternally in smoky gyres,
Great ropes of gorgeous vapor twist and turn
Within them. So the Eastern fisherman
Saw the swart genie rise when the lead seal,
Scribbled with charms, was lifted from the jar;
And -- well, how went the tale? Like this, like this? . . .

No herbage broke the barren flats of land,
No winds dared loiter within smiling trees,
Nor were there any brooks on either hand,
Only the dry, bright sand,
Naked and golden, lay before the seas.

One boat toiled noiselessly along the deep,
The thirsty ripples dying silently
Upon its track. Far out the brown nets sweep,
And night begins to creep
Across the intolerable mirror of the sea.

Twice the nets rise, a-trail with sea-plants brown,
Distorted shells, and rocks green-mossed with slime,
Nought else. The fisher, sick at heart, kneels down;
"Prayer may appease God's frown,"
He thinks, then, kneeling, casts for the third time.

And lo! an earthen jar, bound round with brass,
Lies tangled in the cordage of his net.
About the bright waves gleam like shattered glass,
And where the sea's rim was
The sun dips, flat and red, about to set.

The prow grates on the beach. The fisherman
Stoops, tearing at the cords that bind the seal.
Shall pearls roll out, lustrous and white and wan?
Lapis? carnelian?
Unheard-of stones that make the sick mind reel

With wonder of their beauty? Rubies, then?
Green emeralds, glittering like the eyes of beasts?
Poisonous opals, good to madden men?
Gold bezants, ten and ten?
Hard, regal diamonds, like kingly feasts?

He tugged; the seal gave way. A little smoke
Curled like a feather in the darkening sky.
A blinding gush of fire burst, flamed, and broke.
A voice like a wind spoke.
Armored with light, and turbaned terribly,

A genie tramped the round earth underfoot;
His head sought out the stars, his cupped right hand
Made half the sky one darkness. He was mute.
The sun, a ripened fruit,
Drooped lower. Scarlet eddied o'er the sand.

The genie spoke: "O miserable one!
Thy prize awaits thee; come, and hug it close!
A noble crown thy draggled nets have won
For this that thou hast done.
Blessed are fools! A gift remains for those!"

His hand sought out his sword, and lightnings flared
Across the sky in one great bloom of fire.
Poised like a toppling mountain, it hung bared;
Suns that were jewels glared
Along its hilt. The air burnt like a pyre.

Once more the genie spoke: "Something I owe
To thee, thou fool, thou fool. Come, canst thou sing?
Yea? Sing then; if thy song be brave, then go
Free and released -- or no!
Find first some task, some overmastering thing
I cannot do, and find it speedily,
For if thou dost not thou shalt surely die!"

The sword whirled back. The fisherman uprose,
And if at first his voice was weak with fear
And his limbs trembled, it was but a doze,
And at the high song's close
He stood up straight. His voice rang loud and clear.


The Song.

Last night the quays were lighted;
Cressets of smoking pine
Glared o'er the roaring mariners
That drink the yellow wine.

Their song rolled to the rafters,
It struck the high stars pale,
Such worth was in their discourse,
Such wonder in their tale.

Blue borage filled the clinking cups,
The murky night grew wan,
Till one rose, crowned with laurel-leaves,
That was an outland man.

"Come, let us drink to war!" said he,
"The torch of the sacked town!
The swan's-bath and the wolf-ships,
And Harald of renown!

"Yea, while the milk was on his lips,
Before the day was born,
He took the Almayne Kaiser's head
To be his drinking-horn!

"Yea, while the down was on his chin,
Or yet his beard was grown,
He broke the gates of Micklegarth,
And stole the lion-throne!

"Drink to Harald, king of the world,
Lord of the tongue and the troth!
To the bellowing horns of Ostfriesland,
And the trumpets of the Goth!"

Their shouts rolled to the rafters,
The drink-horns crashed and rang,
And all their talk was a clangor of war,
As swords together sang!

But dimly, through the deep night,
Where stars like flowers shone,
A passionate shape came gliding --
I saw one thing alone.

I only saw my young love
Shining against the dark,
The whiteness of her raiment,
The head that bent to hark.

I only saw my young love,
Like flowers in the sun --
Her hands like waxen petals,
Where yawning poppies run.

I only felt there, chrysmal,
Against my cheek her breath,
Though all the winds were baying,
And the sky bright with Death.

Red sparks whirled up the chimney,
A hungry flaught of flame,
And a lean man from Greece arose;
Thrasyllos was his name.

"I praise all noble wines!" he cried,
"Green robes of tissue fine,
Peacocks and apes and ivory,
And Homer's sea-loud line,

"Statues and rings and carven gems,
And the wise crawling sea;
But most of all the crowns of kings,
The rule they wield thereby!

"Power, fired power, blank and bright!
A fit hilt for the hand!
The one good sword for a freeman,
While yet the cold stars stand!"

Their shouts rolled to the rafters,
The air was thick with wine.
I only knew her deep eyes,
And felt her hand in mine.

Softly as quiet water,
One finger touched my cheek;
Her face like gracious moonlight --
I might not move nor speak.

I only saw that beauty,
I only felt that form
There, in the silken darkness --
God wot my heart was warm!

Their shouts rolled to the rafters,
Another chief began;
His slit lips showed him for a ***;
He was an evil man.

"Sing to the joys of women!" he yelled,
"The hot delicious tents,
The soft couch, and the white limbs;
The air a steam of scents!"

His eyes gleamed, and he wet his lips,
The rafters shook with cheers,
As he sang of woman, who is man's slave
For all unhonored years.

"Whether the wanton laughs amain,
With one white shoulder bare,
Or in a sacked room you unbind
Some crouching maiden's hair;

"This is the only good for man,
Like spices of the South --
To see the glimmering body laid
As pasture to his mouth!

"To leave no lees within the cup,
To see and take and rend;
To lap a girl's limbs up like wine,
And laugh, knowing the end!"

Only, like low, still breathing,
I heard one voice, one word;
And hot speech poured upon my lips,
As my hands held a sword.

"Fools, thrice fools of lust!" I cried,
"Your eyes are blind to see
Eternal beauty, moving far,
More glorious than horns of war!
But though my eyes were one blind scar,
That sight is shown to me!

"You nuzzle at the ivory side,
You clasp the golden head;
Fools, fools, who chatter and sing,
You have taken the sign of a terrible thing,
You have drunk down God with your beeswing,
And broken the saints for bread!

"For God moves darkly,
In silence and in storm;
But in the body of woman
He shows one burning form.

"For God moves blindly,
In darkness and in dread;
But in the body of woman
He raises up the dead.

"Gracile and straight as birches,
Swift as the questing birds,
They fill true-lovers' drink-horns up,
Who speak not, having no words.

"Love is not delicate toying,
A slim and shimmering mesh;
It is two souls wrenched into one,
Two bodies made one flesh.

"Lust is a sprightly servant,
Gallant where wines are poured;
Love is a bitter master,
Love is an iron lord.

"Satin ease of the body,
Fattened sloth of the hands,
These and their like he will not send,
Only immortal fires to rend --
And the world's end is your journey's end,
And your stream chokes in the sands.

"Pleached calms shall not await you,
Peace you shall never find;
Nought but the living moorland
Scourged naked by the wind.

"Nought but the living moorland,
And your love's hand in yours;
The strength more sure than surety,
The mercy that endures.

"Then, though they give you to be burned,
And slay you like a stoat,
You have found the world's heart in the turn of a cheek,
Heaven in the lift of a throat.

"Although they break you on the wheel,
That stood so straight in the sun,
Behind you the trumpets split the sky,
Where the lost and furious fight goes by --
And God, our God, will have victory
When the red day is done!"

Their mirth rolled to the rafters,
They bellowed lechery;
Light as a drifting feather
My love slipped from my knee.

Within, the lights were yellow
In drowsy rooms and warm;
Without, the stabbing lightning
Shattered across the storm.

Within, the great logs crackled,
The drink-horns emptied soon;
Without, the black cloaks of the clouds
Strangled the waning moon.

My love crossed o'er the threshold --
God! but the night was murk!
I set myself against the cold,
And left them to their work.

Their shouts rolled to the rafters;
A bitterer way was mine,
And I left them in the tavern,
Drinking the yellow wine!

The last faint echoes rang along the plains,
Died, and were gone. The genie spoke: "Thy song
Serves well enough -- but yet thy task remains;
Many and rending pains
Shall torture him who dares delay too long!"

His brown face hardened to a leaden mask.
A bitter brine crusted the fisher's cheek --
"Almighty God, one thing alone I ask,
Show me a task, a task!"
The hard cup of the sky shone, gemmed and bleak.

"O love, whom I have sought by devious ways;
O hidden beauty, naked as a star;
You whose bright hair has burned across my days,
Making them lamps of praise;
O dawn-wind, breathing of Arabia!

"You have I served. Now fire has parched the vine,
And Death is on the singers and the song.
No longer are there lips to cling to mine,
And the heart wearies of wine,
And I am sick, for my desire is long.

"O love, soft-moving, delicate and tender!
In her gold house the pipe calls querulously,
They cloud with thin green silks her body slender,
They talk to her and tend her;
Come, piteous, gentle love, and set me free!"

He ceased -- and, slowly rising o'er the deep,
A faint song chimed, grew clearer, till at last
A golden horn of light began to creep
Where the dumb ripples sweep,
Making the sea one splendor where it passed.

A golden boat! The bright oars rested soon,
And the prow met the sand. The purple veils
Misting the cabin fell. Fair as the moon
When the morning comes too soon,
And all the air is silver in the dales,

A gold-robed princess stepped upon the beach.
The fisher knelt and kissed her garment's hem,
And then her lips, and strove at last for speech.
The waters lapped the reach.
"Here thy strength breaks, thy might is nought to stem!"

He cried at last. Speech shook him like a flame:
"Yea, though thou plucked the stars from out the sky,
Each lovely one would be a withered shame --
Each thou couldst find or name --
To this fire-hearted beauty!" Wearily

The genie heard. A slow smile came like dawn
Over his face. "Thy task is done!" he said.
A whirlwind roared, smoke shattered, he was gone;
And, like a sudden horn,
The moon shone clear, no longer smoked and red.

They passed into the boat. The gold oars beat
Loudly, then fainter, fainter, till at last
Only the quiet waters barely moved
Along the whispering sand -- till all the vast
Expanse of sea began to shake with heat,
And morning brought soft airs, by sailors loved.

And after? . . . Well . . .
The shop-bell clangs! Who comes?
Quinine -- I pour the little bitter grains
Out upon blue, glazed squares of paper. So.
And all the dusk I shall sit here alone,
With many powers in my hands -- ah, see
How the blurred labels run on the old jars!
***** -- and a cruel and sleepy scent,
The harsh taste of white poppies; India --
The writhing woods a-crawl with monstrous life,
Save where the deodars are set like spears,
And a calm pool is mirrored ebony;
***** -- brown and warm and slender-breasted
She rises, shaking off the cool black water,
And twisting up her hair, that ripples down,
A torrent of black water, to her feet;
How the drops sparkle in the moonlight! Once
I made a rhyme about it, singing softly:

Over Damascus every star
Keeps his unchanging course and cold,
The dark weighs like an iron bar,
The intense and pallid night is old,
Dim the moon's scimitar.

Still the lamps blaze within those halls,
Where poppies heap the marble vats
For girls to tread; the thick air palls;
And shadows hang like evil bats
About the scented walls.

The girls are many, and they sing;
Their white feet fall like flakes of snow,
Making a ceaseless murmuring --
Whispers of love, dead long ago,
And dear, forgotten Spring.

One alone sings not. Tiredly
She sees the white blooms crushed, and smells
The heavy scent. They chatter: "See!
White Zira thinks of nothing else
But the morn's jollity --

"Then Haroun takes her!" But she dreams,
Unhearing, of a certain field
Of poppies, cut by many streams,
Like lines across a round Turk shield,
Where now the hot sun gleams.

The field whereon they walked that day,
And splendor filled her body up,
And his; and then the trampled clay,
And slow smoke climbing the sky's cup
From where the village lay.

And after -- much ache of the wrists,
Where the cords irked her -- till she came,
The price of many amethysts,
Hither. And now the ultimate shame
Blew trumpet in the lists.

And so she trod the poppies there,
Remembering other poppies, too,
And did not seem to see or care.
Without, the first gray drops of dew
Sweetened the trembling air.

She trod the poppies. Hours passed
Until she slept at length -- and Time
Dragged his slow sickle. When at last
She woke, the moon shone, bright as rime,
And night's tide rolled on fast.

She moaned once, knowing everything;
Then, bitterer than death, she found
The soft handmaidens, in a ring,
Come to anoint her, all around,
That she might please the king.

***** -- and the odor dies away,
Leaving the air yet heavy -- cassia -- myrrh --
Bitter and splendid. See, the poisons come,
Trooping in squat green vials, blazoned red
With grinning skulls: strychnine, a pallid dust
Of tiny grains, like bones ground fine; and next
The muddy green of arsenic, all livid,
Likest the face of one long dead -- they creep
Along the dusty shelf like deadly beetles,
Whose fangs are carved with runnels, that the blood
May run down easily to the blind mouth
That snaps and gapes; and high above them there,
My master's pride, a cobwebbed, yellow ***
Of honey from Mount Hybla. Do the bees
Still moan among the low sweet purple clover,
Endlessly many? Still in deep-hushed woods,
When the incredible silver of the moon
Comes like a living wind through sleep-bowed branches,
Still steal dark shapes from the enchanted glens,
Which yet are purple with high dreams, and still
Fronting that quiet and eternal shield
Which is much more than Peace, does there still stand
One sharp black shadow -- and the short, smooth horns
Are clear against that disk?
O great Diana!
I, I have praised thee, yet I do not know
What moves my mind so strangely, save that once
I lay all night upon a thymy hill,
And watched the slow clouds pass like heaped-up foam
Across blue marble, till at last no speck
Blotted the clear expanse, and the full moon
Rose in much light, and all night long I saw
Her ordered progress, till, in midmost heaven,
There came a terrible silence, and the mice
Crept to their holes, the crickets did not chirp,
All the small night-sounds stopped -- and clear pure light
Rippled like silk over the universe,
Most cold and bleak; and yet my heart beat fast,
Waiting until the stillness broke. I know not
For what I waited -- something very great --
I dared not look up to the sky for fear
A brittle crackling should clash suddenly
Against the quiet, and a black line creep
Across the sky, and widen like a mouth,
Until the broken heavens streamed apart,
Like torn lost banners, and the immortal fires,
Roaring like lions, asked their meat from God.
I lay there, a black blot upon a shield
Of quivering, watery whiteness. The hush held
Until I staggered up and cried aloud,
And then it seemed that something far too great
For knowledge, and illimitable as God,
Rent th
Mary-Eliz May 2017
I spent months
setting them up

those emotional "dominoes"

black rectangles on end
balanced just so
white spots spelling out

ego
    emotions
                soul

just a sharp stroke
of a tongue
on one corner
and
they fall...
   and fall...
      and fall...

they lay
      scattered
                  and
                     chaotic

on their backs
          like beetles
unable to turn

their undersides exposed
                             and vulnerable

how many times
            can they be realigned

how many times
              before the spots erode

how many times
               before it's empty inside

like dead beetles'
                       dry, brittle shells?
An older poem I came across.
Alan McClure Nov 2010
Hunting has a noble heritage, for sure
Bringing us together, it forged a species
Keen-eyed, communicative, feared by the fierce

               So who am I to begrudge you your sport?
I, too, love wide open skies, tramping over bog and fen,
I even quite like dogs!

I imagine nature might reveal herself to you
In signs jealously guarded from the armchair carnivore.
I can almost reconcile your harsh percussion
With the croak of the raven, the sloshing tide
And the chewing and mooing of cattle.

But the pheasant!  For the love of God, the pheasant?
It can hardly be a battle of wits!
I've seen him as he sits, a big, red bullseye
On fences and *****,
Startled by every day he survives.

How stirring can it be,
Picking off the ones the cars and lorries never got?

When you carry him home,
Better off dead,
Hang him in your garage for a week
Feeling like Henry VIII,
Cut him down, slit him open and find the crop
Stuffed not with heather shoots and beetles
But with half a pound of store-bought grain
(Generously laced with antibiotics) -
I hope the realisation creeps up
That you may as well have asserted yourself
In the hen coop,
Blasting away at befuddled poultry
And saving yourself a walk.
Profitis Ilias

Zefian brought the Toxota and Pezhetairoi arrows; they were sovereign moldy points of the Bronze tips of the Taxota Archers and the Falangists. That in turn from the high sky formed a great pinwheel when the great dimension shone from the flat equinoctial sky, bumping the chins of Kaitelka, the dealer of the Parthenon lost, which rang the great bronze pine, and kilometers in length forming the makro koelum of Patmos; with vertices of the Pythagorean canon of Polykleitos. A large horizontal "V" was seen from Aorion's falling acrotera, projected in a bronze mega bolt coming from Betelgeuse's armpit, and forming a sidereal Vee, launched by the hunter Aorion from his constellation. This would be architectural form and Pythagorean canon-mathematical for purposes proportional to the Mandragoron. They fell from the four arrows that Zefian launched, from Crete that approached the contravening of Apollo, and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points. Thus they began with two first sagites that are placed in the arc string, each one belonging north-south trajectories and the other two that were again violated with the eastern arc, to shoot the east-west arrows with southern magnetism limits. Three bolts are deposited in the canon of Polykleitos, and in the reticulum of the Pleiades that Aurion pursued.

The first two were Taxotas:

- North: Vóreios (Zefian Boreal)
- South: Nótos (Austral de Borker)

The last two were from Pezhetairoi:

- West: Dyticá (Sunset of Leiak)
- East: Aftó (Equinoctial of Kaitelka)

A - Zefian Vóreios

In the intertestamental of these egregious Pythagorean calculations, they stood out in the Vernacentricus, or extra automatism of foundation of the points to refer geodesics for the lifting of the Ultramundis Vernacentricus. From the Vóreios the Zefian canons are inter-testamented, which uses Horcondising forces, following the northern one of the Nothofagus Obliqua, essentially in the fungi of their trunks that paraded along the paths of the iterated populations of the Ezpatkul Forest; who was a servant who had remained from the last diaspora of the horcondising transmigrant by Joshua de Piedra, patriarch of the Orthodox mountains, and from the cordons of the Ambrosiella Ceratocystidaceae fungi, with a large proportion of the Ambrosia Mercurial, and of great influence from the fungal fungi, provided from the Legacy of Vernarth in Zefian to demarcate the northern boreal or Vóreios for the purpose that this Ezpatku, with its prominent Augrun or Gold teeth turned all the borer beetles demarcating the Vee of the Vóreios throughout the Horcondising region, bilocusing it in the borers of the Encinas de Patmos, with such frenzy... !, that from there they would extract the force of the Mapuche north winds from the Meli Witran Mapu, starting with the Pikún-kürüf North wind, first two arrows of the Taxotas, and South Waiwén, of the Pezhetairoi, of the quantum of transmigration of the sub-mythology of the Horcondising – Panhellenic. Then the Puelche that drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the East vertical, to culminate with the Lafkén-kürüf.

Zefian had enough time to mediate the ratio of Polykleitos to Ezpatkul. This Kanon or Canon will be of great relevance for the topography and survey of the temple, knowing that we must emphasize the perfection of the basal measurements, and the acrotera that will be suspended in the sensorial iconography of its forms, and in the star Betelgeuse giant with red blood cells, for the morphology of their own three-dimensional bodies, towards a comparatively human paradigm of Gaugamela anatomy bled in his pectoral, from here the Templar base of Megaron or Mandragoron began. Its size will be colossal but more ergonomic; it will be to redirect visuals of the Orion Belt, from where the fourth and last Zefian arrow was already on its way, to join the other three remaining from the Cretan *****, for the entire front of the façade Principal. The chromaticity will be sulfur yellow and red blood cells, both dependent on complementation with Cinnabar, and on the raised bodies of Court V of the Helleniká Necropolis in Kímolos. Under vileness or absence of light among the darkness, or of the apocryphal light of Evil, in contrast to the robust equanimity of light, and partisan shadow of Saint John the Apostle, for the hegemonic good and the incorruptible vision of him.

The naturalness made the world apologetic, and the immune defenses of the polish textures, invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times, starting from the base of the feet as the base of the plinth or frieze, until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David will declaim the measures of the psalms, counts in degrees, and sighing dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolts as the faint glow of the canon rays struck. The stone of the mound was made of the sustentacular, and Vernarth's counterpose when the Himathion was tried, appearing disguised and in composing. In this way the movement and position of the muscles and of the figure in general of the human temple are portrayed, when pressing the third arrow of Zefian it adorned the consecutive cardinal points; in this position of the myriad, and their forces widened the line of sight of the Vernacentricus, dispersing the oblique line in forty-five degrees that would join with its right counterpart, in the middle of the radius that joined the central point destined where the fourth arrow would fall.

Zefian falling from the Belt of Aorion, destined to embed itself at the intersection of the next full moon. The volume of naturalism resembled the directive of Polykleitos, but it was far from his figurative geometric conception, being conceptualized by an intertestamental tendency of sub-mythology, and the Duoverse, which in turn was condescending of morphology by reestablishing a prehistoric figurative, which tended to be reflected in the similarity of an anachronistic contrast of the original morphism of the aesthetic universe, being retransformed into a sub-mythological Duoverso.
Vernacentricu
as i drew the curtains
felt a crawl on my hand
that fell on the bed as i ******.

then saw the other of the pair.

i shoved the duo out of the bed
hoping they won't land so far
as to not find again one another.

past my initial reaction
i felt ashamed of the stupid act
and remorse,

for having wasted the time
it took them to be close.
Ayesha Aug 2021
There, she lies on the altar
Almost held the sun she—
almost in her hands
Opened up, a rose-bud chaste
petal by petal by blood, with
a sting, oh, so sweet and sweet, as
sunset reborn a bee; she was
gold and silver and black at once.

Almost held the sun she—
and no wax wings used
Oh, Icarus, loved you did a wild sky,
— yourself a light-licked doom  
as your father cried,
Your father cried for you.
A veil, as purity, as tear-coated eyes, she wore
as wings of wasps
as beetles she giggled—

Icarus, flew that you,
—and with tongue-tied elation too
Icarus,
she rambled on for hours long.
A letter she held in spring kissed of hands
—I will wed you to the sun,
her father had sworn.
The sun—and oh a sun he was,
child of the sea, some sword in honey
dipped; now her awaiting.
And blushed she did herself a dawn,
a fall's first bronze, a flicker's
childish song—

The altar, on the altar.
Almost held the sun she—
Swallowed a mayhem for the father's sin.
Icarus, tell me of the plummet.
Tell me of the greens you saw,
of blues, of whites,
of the whirling world—

Men tread around around her
their leather-hard soles all ready
to crush lost skulls an empty moor.

Twirling,
the dust, like may have, her hair
before the wedding day
Strands and strands, gently styled—
Of rays of stars, blurry through clouds,
of boughs, of wings of swans.

Spears, swords,
rubbed and rubbed to mirrors,
to lakes' lifeless serenity.
Armours, and ships laden with life, with
sails, the fluttering doves;
As the winds dance once more—
as harbours vacated, as waves torn apart for the horde, as move they on— on too the sun— as
She still lies.

Icarus, Icarus, was it the ocean
that cupped its palms, or did the soil cave in
as down into the dark's slick throat you slid?
Surely, was soft
the sea's well-loved mouth,
Surely soft or true

She lies on the altar
a trinket glossy
on a hoof, a ****** in the bell,
how does one say—
the valley of lilies, she grew it inside.
Spilled out on the stones, they are fed
to the flies.
Almost held the sun she—
Icarus, must you know

You did not sleep a wretched silence
within the womb of war.
No crescent blades you drank
down a leaking throat—
She lies on the altar,
Vanquished for moon
— for metal upon bone
for blood, for blood, for blood.

A father’s green promise—
Seasoned to rust before the king
a wilt, a quiet; a plucking, a rustle, a quiet once more as the shore is cleaned—
a speck of brown among
a thousand more
beneath the feet of the sky.

Icarus, on the altar she lies—
as insects swarm about
a ripened land far, far away—
Icarus, Icarus,
on the altar
Credits (half-heartedly given):
Typed (very clumsily) by little brother, or as he likes to call himself, DevilPlays, because I had to study, but it doesn’t really matter ‘cause it took me 30 minutes to fix his spelling mistakes anyway. Well, credits anyway ‘cause he insisted so.

02/08/2021
Iphigenia, daughter of Agamelon. Need I say more?
Some days I wake up with my neck slick
beads of sweat soak the pillowcase,
my hair as though I've been bobbing for apples.

Perhaps I should be.

I'm starving, I think,
for the kind of knowledge which is dubbed
forbidden or shrouded,
hidden.
Written in redwoods,
eyes like nebulae
and sandstone futures.

If I could read the Andes like braille, what revelations would
erupt?

I'm yearning to greet the haunts and beetles once my clock
runs out.
But I lie
awake
and am greeted by
no one.  
I'm frozen, now,
with molasses
feet
like running from the Golem in a January dream.
My fingertips leave damp, checked cotton, reaching out with an earnest desperation, and
I'm left sticky, swatting at vapors.
When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale ***,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.

When I was a gusty man and a half
And the black beast of the beetles' pews
(Sighed the old ram rod, dying of *******),
Not a boy and a bit in the wick-
Dipping moon and drunk as a new dropped calf,
I whistled all night in the twisted flues,
Midwives grew in the midnight ditches,
And the sizzling sheets of the town cried, Quick!-
Whenever I dove in a breast high shoal,
Wherever I ramped in the clover quilts,
Whatsoever I did in the coal-
Black night, I left my quivering prints.

When I was a man you could call a man
And the black cross of the holy house,
(Sighed the old ram rod, dying of welcome),
Brandy and ripe in my bright, bass prime,
No springtailed tom in the red hot town
With every simmering woman his mouse
But a hillocky bull in the swelter
Of summer come in his great good time
To the sultry, biding herds, I said,
Oh, time enough when the blood runs cold,
And I lie down but to sleep in bed,
For my sulking, skulking, coal black soul!

When I was half the man I was
And serve me right as the preachers warn,
(Sighed the old ram rod, dying of downfall),
No flailing calf or cat in a flame
Or hickory bull in milky grass
But a black sheep with a crumpled horn,
At last the soul from its foul mousehole
Slunk pouting out when the limp time came;
And I gave my soul a blind, slashed eye,
Gristle and rind, and a roarers' life,
And I shoved it into the coal black sky
To find a woman's soul for a wife.

Now I am a man no more no more
And a black reward for a roaring life,
(Sighed the old ram rod, dying of strangers),
Tidy and cursed in my dove cooed room
I lie down thin and hear the good bells jaw--
For, oh, my soul found a sunday wife
In the coal black sky and she bore angels!
Harpies around me out of her womb!
Chastity prays for me, piety sings,
Innocence sweetens my last black breath,
Modesty hides my thighs in her wings,
And all the deadly virtues plague my death!
"I'm gonna take the moral high ground
just so I can look down at them;
'cause, after all, that seems to be
what moral high ground is all about."
No offense to the Dung Beetles, of course.
There were grass-hoppers once, in these fields of green.

Leaf-hoppers too and a myriad other tiny wing'ed ones.

Now bees fidget fretfully along the hedgerows.

Lady-bugs, now only the twelve-spot greenhouse slaves.

Monsanto's beetles badgering them as they fiddle.

These ditches that once housed frogs and musk-rat, ferocious diving beetles,

The sky absent the wheeling martins, the boisterous larks.

Gone the pests, I rue the dearth,

bring me back my mud, my earth.

Never was I annoyed by them, always an ally that buggy thing,

Who yet knows how the June bugs sing?
Once a dream did weave a shade,
O’er my Angel-guarded bed.
That an Emmet lost it’s way
Where on grass methought I lay.

Troubled wildered and forlorn
Dark benighted travel-worn,
Over many a tangled spray,
All heart-broke I heard her say.

O my children! do they cry,
Do they hear their father sigh.
Now they look abroad to see,
Now return and weep for me.

Pitying I dropp’d a tear;
But I saw a glow-worm near:
Who replied. What wailing wight
Calls the watchman of the night.

I am set to light the ground,
While the beetle goes his round:
Follow now the beetles hum,
Little wanderer hie thee home.
When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale ***,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.

When I was a gusty man and a half
And the black beast of the beetles' pews
(Sighed the old ram rod, dying of *******),
Not a boy and a bit in the wick-
Dipping moon and drunk as a new dropped calf,
I whistled all night in the twisted flues,
Midwives grew in the midnight ditches,
And the sizzling sheets of the town cried, Quick!-
Whenever I dove in a breast high shoal,
Wherever I ramped in the clover quilts,
Whatsoever I did in the coal-
Black night, I left my quivering prints.

When I was a man you could call a man
And the black cross of the holy house,
(Sighed the old ram rod, dying of welcome),
Brandy and ripe in my bright, bass prime,
No springtailed tom in the red hot town
With every simmering woman his mouse
But a hillocky bull in the swelter
Of summer come in his great good time
To the sultry, biding herds, I said,
Oh, time enough when the blood runs cold,
And I lie down but to sleep in bed,
For my sulking, skulking, coal black soul!

When I was half the man I was
And serve me right as the preachers warn,
(Sighed the old ram rod, dying of downfall),
No flailing calf or cat in a flame
Or hickory bull in milky grass
But a black sheep with a crumpled horn,
At last the soul from its foul mousehole
Slunk pouting out when the limp time came;
And I gave my soul a blind, slashed eye,
Gristle and rind, and a roarers' life,
And I shoved it into the coal black sky
To find a woman's soul for a wife.

Now I am a man no more no more
And a black reward for a roaring life,
(Sighed the old ram rod, dying of strangers),
Tidy and cursed in my dove cooed room
I lie down thin and hear the good bells jaw--
For, oh, my soul found a sunday wife
In the coal black sky and she bore angels!
Harpies around me out of her womb!
Chastity prays for me, piety sings,
Innocence sweetens my last black breath,
Modesty hides my thighs in her wings,
And all the deadly virtues plague my death!
Cullen Donohue Jan 2020
So, I’m no good at online dating / That is to say I do this to myself / After a couple days of messaging, a woman asks me to write her a poem / I see this as a good thing / We have a 97% match according to the algorithm / And she says she likes the beetles / And I say I don’t like typos / I tell her I will write her a poem / And I won’t give that poem to you because it was for her / I will tell you, it began with dung beetles / I waxed poetic about how they carry **** around for three things: / love / food / and a home. / Of course I don’t know that dung beetles experience romantic love / Or I don't know that / But I do know they stare at the stars / They are the only other animal on this planet we’ve found that does that / I wonder if they — too — get lost in fireflies / There is a place in Tennessee I haven’t  been to yet / but my brother lives close by / and the fireflies there, they synchronize their lights while mating / I compare this to the planets lining up / How people assign such power and luck to small dots in the sky / How people assign luck to the dots on a lady bug’s back / How people assign luck to lady bugs / How lady bugs got their name and are perceived as a religious symbol / So are dung beetles / I’m sorry — they preferred the term scarabs / They used to push the sun across the sky / We used to give such power to such small things / And all they are doing is searching for is: / love / food / and a home. / The poem I send her is filled with Beatles references, too / Because I wanted her to know I actually knew what she was saying / Because all we need is love / Because all I really want to do is hold her hand / Because I'd just seen a face I can't forget / She doesn’t like the joke / Or the poem / Or me / Or I assume / because she never messages back / I still hope she finds those three things / Love / Food / and Home.
Mary Ann Osgood Jul 2010
simple reminders:
beach towels,
mustaches,
grilled vegetables
beetles,
time.

— The End —