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Solent in Expiationem Animarum

Saint John the Apostle says: “Zefián, the computer of the Duoverse of the Verthian world, indicates the order of his creation of the world, according to the transcendental plant living matter, in the interstices of time itself that exists within sidereal time. Noting that matter and time, is governed by all mythological beings in a compartment with monotheism, will be defined by atavistic laws, which are the deity of the intense hiding place of procreation, endowing great contextual residences, for habitat and a world in which larger non-residential scales, which go from passerby between the lines of time, and cosmological phenomena, which in the Duoverse face vicissitudes of the stars and their physicality added to the arcs of memory and emotions. Thus the main task of how the structure of experience surpasses consciousness, to novelize the orthogonal movements of the Universe, but in a Vernarthian world with great explorations of matter, which are quantified and volatilized in the field of its ethereal existence. The laws will be governed by your Zefian computer, describing codes that will verify the fulfillment of pivots in the reactions of the universe, but with refractions when reasoning about the consummate phenomenon. Starting from here in the experienced biology that will overcome the laws of physics, since its value is above the limits that allow the bold line of gravity that bounces in the lines of time, and its distances promoting more discretion when resisting threats. of a possible tiring case, a product of some relative dominance not included in all worlds with each other, in some case that does not rescue us from loss of links of some omitted sidereal reminiscence, attracting us to a universe governed by hemicycles of merely material particles, and not existential biological ones. The dimensions emerge from the beginning of the same universe, but more delayed from the interval and the second limit of the space that rests, to inaugurate the one that comes. Being the orbit of translation twice rotating towards the sun, but nth times rotating on itself, to go out to another stellar dimension not present. Its geometry will be from the intendancy of the resumption of Cinnabar in Tsambika and Helleniká, to later cancel each other out, making their integration in Patmos, on the coast of Skalá, with curvatures that validate the nullity of successive expirations of material lives, between spiritual expirations alive.


Duoverso is born and will be reborn, every time the years are subject to the loss of everything quantifiable and not, under the light that will be lit on all the darkness, Zefián being, in paronymy in which they lack to appropriate the support and merit of to have it absorbed in the tabernacle of Vas Auric, in the privilege of nothingness itself and nobody, adding itself in what is preserved of the physical support of itself. For just sidereal speed, in which it will have to travel on its same axis of rotating time on itself, in paradoxical of the One-dimensional Beams, these coexisting with the same low and high universes, reconverted into angelic vital luminances, creating orbits and optics in the visions of Christian temporality. By empowering them to enable them in the overexcited that derive disorders of intermittency of memory and physics of time, to reinsert themselves in the sequence that inhabits the residual of the speed of the Beam, as a Theo-Philosophical entity, of cellular multiplicity or cells of seasonality. of retrograde times, for the independence of temporality, under the regime of the past made up of an unbelievable yesterday. Overcoming the conserved immediacy of conviction in the One-dimensional Beams (Kafersesuh), it is observed denser when every mortal admits to being due to integrating and later brooding, dissecting organic matter into inorganic matter, suspended in the richness of a world of Faith and Prayer, of the most anti-gregarious desert and lost in the world, but supported by hollow walls, which do not exist in Vernarthian emotional matter.

The movements being physical, they take us on conjectured layers to discern their magnitude, emphasizing the rigor of their measurement on us, instead, the ambivalence of Zefian, delivers in both chromatic the Dark and White Duoverse, under the reference of the behavioral alternations of the Diospyros, source of the arboreal, for the procreation granted in the hands of Leiak. Relying on this equational exercise, with less time to design for its genealogy, but rather on its apocalypse, reinstalled in abolished primary unknown spaces, to have it once again in the light of consciousness, recognized as an inert matter of the past, but living off the immanent eternity of nebulae that personalize the earring of the Caltrop, taking temporality, but not snatching any hand to tear it from his own.

Vernarth says: “In the rhetoric of the Universe-Duoverse theorem, it is worth noting the past with entity, present and future also, connected to the time of Verthian inspiration, Holderlin-Heidegger, on issues of physical habitability, as a complement to the entity, which anticipates the present/future in the vicinity of death in the past and future, but tangentially in lively whims of existentialism-mortality, for a way of being rented out at death, as a way of being, dwelling in death itself and in the act of embodiment having existed, but with its own mandate after having been rented. The Vernarthian World appears in this current, prolonging existence from non-existence, granting complementarity of more past existence, before an unlived death. Ontologically, This theory stems from the One-Dimensional Beams of Kafersesuh, in Ein Karem. Essentially Christian, as the matrix of existence between Ein Karem (Nativity of the Messiah) and Gethsemane, as an interconnection of materiality in metaphysical reflections, a product of the immaterial of life not lived, as an urgent sacrilegious death, and of the anticipated dimension of the life process- death-life of Christian Messianism.

Vernarth says: "with the slaves in my disparate hands, one picked up what the other was carrying. With my right hand, I took the Duoverso, and with the other my porter; I held my reins on the maxims of Elpenor, before falling to the cliff. One naughty day but with the worst pain in my chest, I went to see him in his room, and I structured him as an immortal, at the time of forming the world, "knowing not even being part of an identity" favoring him to be part of me. combustion and ignition due to the friction of the Universe on the Duoverse. Such was that fearlessness and affordability that it decorated me with unexpected tears of belonging by imprisoning me with superfluous boastfulness. But his courage will be mine, and he will have to anticipate being in the middle of grace, as in Gaugamela wounding my two hearts, one deleterious and the other not..., verbatim saying:

Says the Carrier: “I have to agree to your mandate my lord Vernarth, I have arranged my emetic knights to take him to the empyrean, more remote at nightfall. I know that my own death will also take him, for we are double lives loving death, which falls on a night given to the seventh Falangist soldier. In the midst of souls already disheartened by the misfortune of life, in the figure of eternal death that refuses to receive us discouraged "

Vernarth says: "I do not know if I am or will be brave, because I have forgotten to die, rather I do not know what it is ?, but in the midst of the horses and the hosts of the block, from the anvil of Gaugamela that I have not felt it again..., which is death after feeling my hands and legs severed, but not felt when appropriating some amputee. I know that among the Hypaspists we used umpteenth arrows to mobilize their war apparatus 665, but from the wasteland jump we gathered the delirium of the Falangist command in the Seleucid 666 row, rather detached from every man, in a substantial way in favor of the Alexandrian life, "Of course he was already in the hands of eternity, which hurts more than the tip of an arrow, even being unfaithful to his mortality"

and not in the Universe chained to its fractality, rather of its present-present of the new universe for those who make it negative of itself, towards a clone and neatness, granting it recklessness, who continues to sweep its entity, its dimension, its space, the distances, the matter to receive it in their being. Vernarth, besieges the discursive thinking, under the tides of the tenements and the fears of late emotionality, changing to all the best heroics of the follow and all the experiences of harassing flat lights of the target, in the necropolis that speak resurrected, not being chimera in the best leisure districts live, but immortal of a district..., with steps to constitutive slogans of "succumbed cities, but..., with eternity", connoting after all abolished transference, in eternity present between two beings of mortal rank, the Carrier and Vernarth, Vernarth and Heidegger, but here the last one bringing him the closest radiogram between expiration and eternity, with significant death (End and chaos) and eternity (creation), in the limbo-purgation ratio, as the source of the potion. His total contention and affinity in Heidegger's dialectic, passing through a moment that marks his reincarnation, in the rambling of finite eternity, moving away from Vernarthian ontological and metaphysical reasoning. It was attached magnetic in the Universe, feverish kiss in ambitions of the temporal Being, as substantial of perpetual objectivity towards the unworthy survivor of the Vernarthian theories. So far no similarity is compared to whoever wants it or not, it is part of any estimate or spreadsheet of a complex Duoverse, Within the emerging frontis of progeny, there are ranks derived towards the first to form compound swaths of shelters in the Camels Gigas, who from Jerusalem escorted them with their plantar consciences to Ein Karem, then returning to Gethsemane, to finish in the port of Jaffa. Originally arranged by the children of Israel and the strongholds; Vernarth, Saint John the Apostle, Eurydice, Raeder, and Petrobus with animality, Etréstles, and Kanti, to finally mention King David, who goes to his catafalque before leaving for Jaffa, to return winds to Patmos. Of this primogeniture, the legatee is Vernarth, being presented as co-first-born by giving his portion to Saint John the Apostle, for trust assets of the benefit of a third party for both, and granting the patriarchal and reimbursement to each of his inheritances, being of expeditious aim the liberation of the world that lodged them not authentically in the mediocrity of ascendant ancestors. This prerogative will be decisive to define the dimension of the Duoverse and the One-dimensional Beams as consanguinity, simultaneous nascent and mortal worldview, to radiate them in the beams that support the universe, and from this same, they are transferred to the vision of child-man, child-cherub., for the purpose of defining the Universe-Duoverse physically composed of four areas of its consistency. Time, Being, Divinity and the Four Wings of the Cherubim, as a concept of biodiversity in Lepidoptera, Bumblebees, Bees, Wasps, and Fireflies as tetra-winged animal entities, originating the warnings and impositions in cardinals and poles of their primogeniture, rising from chaos, up to now as mandatory Duoverso, constituting the alpha world, rising of the Animalia and the intermediate visions of the heights that guide the material essences of the imperishable spiritual elemental and structural physics. Being ineffable matter, in the stars that prostrate itself, before each pause of advent and of creations that ****** other creative flashes, in pursuit of a gnoseological doctrine, as a slavish instant, ending in another for the study of the meaning of conceiving in the diligently part of a new world, on the borders of the unknown and of repelled nothingness, suspecting itself in the living artery of nihilistic nothingness, without leaning towards nonexistence that endorses it, or perhaps from a twin Duoverso univitelino in the chaos of unfertilized nature..., rather empowered to the first heir by the law of the Messiah district. Allow yourself, in this way, in the face of this premise and history, to continue and be part of an establishing whole, looking for God in a new world and universe as well..., but shaking before the nothingness that sustains it, as a basic knowledge of value and of immobile Faith. The hypothesis Prosapy-Centric, defines blood lineage unifying the Duoverso as follows:

a)Eternal Existentialism:

He talks about how compassionate creation is and its factotum, that it will be better that way. At the entrance to the Vernarth mouth, within its buccal cubic meters, the Zig Zag Universe, the promoter that caused the Duoverse, broke out. Here your thoughts of eternity are born; not from your brain and discernment, psyche or mind. It exists in a present that will be distributed without end or beginning, in the holistic of the anticipated existence of the being itself, so that everything holistically arises from the mouth of Vernarth, becoming the light of his luminance-ejector thought, being in some way the Zigzag universe that emerges from the outgoing access of its mouth and that manifests itself in some change of quantum physics in a state of hyper-connectivity and always present. The Zig Zag, coexists in eclectic variability of angles, creating regularities in its time and displacement. For the sake of results and translational parallelism as a promoter of the Duoverse, based on the holistic that brings together the effect of the word-fact, but eminently aimed at the morphology of extra language of intellect, rather in the kinetics of the language of human zigzag and physical-material, typical in various line segments of lightning and space storms, resembling his lost and bleeding soul in full battle at the site of Arbela. The other meaning is his salvation from the Council of Patmos, being already Installed in the Eclectic and invisible portal of the Evangelist of Saint John, levitating in his sacred basaltic cavern in Katapausis, in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 / page 114. Editorial Palibrio- USA). They would find themselves in communion with the archaean clan, which would resemble its proper ectoplasm; thus each one forming a unique part in the masonry dictated to redirect them towards their messianic labors at this stage of the ascension. Vernarth; is aware that he will have to enter the cave, after having ceased his work on standby for three months. He continues to fester in myriad wars and parapsychological regressions, he will remain in a daze to dedicate himself to the beautiful landscapes open towards a horizon..., a neighbor to Palaeolithic and astronomical painting. In the flashes of mathematical prayer, you will capture the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the island of Patmos. The saint appears only on certain days looking at him from afar to encourage him in his progress..., Portal Eclectic and invisible is the facet of the face of light, after the invisible that manages to be appreciated with the principle of transferring its connectivity of the immaterial with the material, but done in the finished quality of "Merciful", deriving everything in what supports the splendor of the facts and their objective analysis, by no means the same, because the Zigzag universe, originates theory or thoughts from the perspective of external language and integrally unites it through the optimal results, always imponderable and categorical to follow them and attract them to eternal spiritual good. Being exhaustive of the fact of action, although it is subdivided into executability..., it will continue to be timeless, therefore eternal, in the hands of a universe of thick eternity and stationary death.

The final communion of Zig Zag with the Duoverse, will make this key momentum to replace the Universe of the former Vernarthian world, for inflections of the continuous present, more in the distance of the limits that have to originate than by a simple gesturing stupidity of disbelief, abounding more than a universe that is created in eternity, and that will never again resurface as a physical dimension. The successive potentiality of this theory of holism subtracts actions and not facts, since it always culminates in the limit of infinity, always beginning and never-ending, to then restart in a present that is reintegrated into the access of the oropharyngeal and non-cerebral embouchure, since it has of limiting itself in its shock and subsequent confusion of language-emotion and feeling, to change all eternal emotion, always going hand in hand with the unequivocal and assertive light,

b) Being Universal multi-evocation:

Over Rhodes the auroras could be seen retreating, to attract the new luminances crossing between the atmospheres of the ancient worlds, with stars that were ordered among others, descending at great speed from the Universe, fascinating all Greece, coming from celestial bodies that brought from great Relative distances and proximity between the Duoverso and its satellite widening, allowing to grant subsistence, and routes to the nascent species of the Vernarthian sub-mythology. The Sabbath energy Light is overbreathed repair; here Saint John the Apostle influences through the conduit of the Cinnabar towards the Light of the Mashiach, with the intemperance of life on drops of crystallized water as gifts of Taphoric Light, with synoptic signs of transformation of all the green grass growing like a beard on the slopes of the Willows, where Saint John the Apostle goes back to prayer prayers; so such in repetitive sentences and prayers towards the Universe, which were falling as it was on Mount Tabor in the Transfiguration. All this in the fervor of the willow chins that fell from the galaxies, with their cascades one after another in orderly colophons of fervor making the sky a great source of Moshaic and Elijah voices. (Moses and Elijah) to Christianize the holy oils of the radiant glory of the Universe that was complemented by the Heliac Ortho that was appreciated in different coefficients according to this new position of the parameter of Greece, observed from the Constellation of Pisces, being symbolized as piece as SOS, since Eratosthenes tells us about the fish that saved Derceto (Goddess of Assyrian mythology), after falling into a large lagoon. Seeing therefore in the sky as Fum Al Samakah, Arabic for “snout of the fish” (or Fomalhaut star from the Greek translation). Pisces being bright and of the great dimension to mold it as a whole iris, which was rooted from the formal pelagic accent, towards a spectral affinity of the Duoverse, like leaves of Willow temperatures, on the reflection of the Multi-evocation. For antithetical referendum of the Pleiades between light-years that diminish behind the stars of the magnetic field and its exo-planet. It is necessary to consider that in the wisdom of God, there would be his ordering conscience, on each constellation, and then detach itself before each other that guards each one in centuries of light-years, and in each one of the children as light-years of millions, but of numerical present time quantum; that is to say, all translation on average over ups and downs of spatiality and in remote ages, to zero or from null numerals in the integrality of millions of non-existent light-years, but accumulated and equidistant between the Universal Being and Multi-evocation. An example of cartographic observation shows us Greece at Latitude 39.074208 and Longitude 21.824312, influencing the Duoverse as a complement to the rise of Greece with the latitude of the Heliac Ortho, being Sirius eleven days after the Ekadashi and eleven days before the other at 10 °, Maximizing the light herbalism of the unconscious, to systematize the rise of the Universe imbuing Greece. Refulgent and small electromagnetic systems, led by the Divinity, are freeing themselves of all the units that bind in the minimal Units that can expand with the apostolic energy, rather than a trans-human receiver, in blocks of circulation of waves, related to a Defined spatiality, divine and with its own energy of opening of small worlds of provision of light, and radiation emitted by the deleterious convex of invisible essences in properties that are released from overflowing stagnations of creation, and from the skylights that are more distant than the wavelengths than from a breath of Demiourgy in the chemistry of all multidimensional hyper-existential between frequencies of energy widely displaceable by lines of how many..., in static energy of rest. Ultra colors intensify on the coasts of Rhodes, as a sulfur photoelectric effect of Cinnabar, formalizing mechanics in those sedimentary particles, which undulate in anticipation of the precise amalgamation of both universes, evolving towards the matrix of origin of physical and non-biological state and period, but of eternal divine inspiration, from the mouths of Vernarth, as a resurrected Being electro vigorous, dwelling spacious and sinuosities of curvature and psychic spiraling, The Vernarthian nature will call this phenomenon the Son, since it is the similarity of the halo in the Taphoric Light and in its effect of the baptismal of this Christian Universe called Duoverse, in accordance with the presence of Saint John the Apostle light, among the attending raptor niveous. strangers, arrival-departure and between the nebula of pendency in the nimbus gaseous clouds of fields that mutually heard each other recognizing each other..., leaving only Saint John the Apostle in the perfection of the sky as a universal and Duoversal shadow, first of all being of light being baptized, crucified and risen-ascended, in the metaphysical transfer of his body, as a universal body, as a quantum point between the earth and the sky, between the universe and the Duoverse as a complement of gaseous and spiritual atmospheric earth. Ministering in the judicious and prophetic occlusion, being a juridical part among the myriad bundles of Constellar Pisces that supported the transfigured and converted prophets, before a brand new universe, "Duoverso", witness to the amazement at the proximity of the multi-evoked Universal Being.

c) Reflection space (Light-matter)

The Duoverse having been pulled from its entrails from Vernarth's mouth, and objectual free fall is noticed after disengaging from the quantum Universe, rather than an elusive cacophony that unfolds separated from their bodies in all dimensions, except Vernarthian time, Alluding to the stoning him so that he ignores himself in agony and returns to look for him to revive him as Space-Light, in the presence of matter reflected from himself, which will unfold throughout the Hellenic Panagias, from Kímolos to Tsambika, to make the curves the direct passage that once again bends time towards a fragmented dimensionality. Barefoot was the apostle with Vernarth in the three quarters of the axioms and algorithms, where the conceptuality would overcome the low calculation of what was already ministered by them. Creating space for lapses in dreams of the Stairs, with steps of Topaz, in this particular case of Saint John the Apostle, "seeing open skies and angels of God go up and down on the son of man." Here some sidereal Solar gleams are illuminated that have nights for a sunny day, Vernarth resting on the side of the Monastery with a stone on its head and dozing to dream like Etréstles in the Hexagonal Baptistery of the Shepherds in Ein Karem, but of the compact sweetness of the famous luminous Cinnabar ascending vertically where the Yahvic Being, who was presented to him as the Abrahamic patriarchate nexus. Endowing him with celestial dreams about stones that inherit west and east towards the north noon, in space of hallucinations of Jacob's subconscious, for the satisfaction of the luminous pictorial ligament. Thus, a timid but decisive reflex pointer of space and reflection is detected, which includes fragments of spectrum and tonalities of a machine unconscious, to raise the Duoverse in a depressive day of the scathing moment.

d) Physical energy (molecular entropy)

From the bases of Theoskepasti, the physical system emerged in two sums after the movements of the pendular censers that exceed the elliptical of the Cinnabar and the potential of the ejectable force field, for ductility of its forces that emanated from the triad with the archpriest, helping him Etréstles and Kanti, who would take them to the Hellenika Necropolis. They make of their golden bodies the ephemeral speed mechanized in the originality of the homily system, to break in the guardian friction of the gravitational axial of the body of Light of the cinnabar, which received the sulfur kinetics of the defective organic matter that was wrapped in a bizarre alloy of sulfur light, and in all the forces gathered, not rubbing with the cinnabar obelisk, already invaded by the energy that made it superficial, between the shell of the Panagia Theoskepasti covering and the strange normality that made them physical-organic. No scrubbing would continue the movement of the fleeting angle of the anvil of Hephaestus, but the static on the surface, lay unchanged before the forces of the back and forth of the molecules that sank late, shooting from the pendular area of his bowl and then starting with full power for new angles that will take advantage of the mechanics of the forge and the friction clean and **** before the joint, and the resistance of the reactivation of the second period of the movement, to forward them to Tsambika in the response signal. Quantifying later between the inferiority and the intangible shock reaction in the light radiosities of the cinnabar re imparted towards Rhodes, forming resistance, but with immanent entropy, with a high degree of fineness, in such a way that once the conservation rays are fired, the response to Rhodes will come from Kímolos with the particles and combustions of sulfurous gas and mercury, generating entropy of two quantum and physical times between the Dodecanese and Cyclades, knowing that the inert matter is inactivated alive, thus envisioning the contingent presence of iron in the geology of both islands, with more than eighty percent, and of gravitating oxygen for the Vas Auric and its materialization, as a ****** impression reducing its physical dimension and enlarging its water content in pelagic beings of the Aegean. This would suggest the homogeneity of both island territories, appease the conception of substitutions that frolic from north to south, to break their normal balance, depleting what is island land towards oceanic land. In this way they will be mixed entropically for a new generation of fertile life that balances in chaos, already in the hands of Saint John the Apostle and Vernarth, in the main nave of the Monastery that seemed to oscillate atomized and vanished, but then atomically restructured, slyly dividing the canons of traditional entropy, and making it disproportionate to the biodiversity ordering of the sterile and the fertile, reordering itself as a mutable force excluding the reality of act-effect, invested in the integrity of life-death-life, as a molecular target in a double physical dimensional unit, making the prospective universe by splitting from any other format, to become another and another physical dimension. Universe-Duoverse, they shake like two spheres, almost joining each other, but separating into heterogeneous classics, as a panegyric, under the invocation of Conviction and Faith. The universes self-recomposed and redistribute themselves before our eyes, but before the consistent devotion of this homily, it makes them astonishing and phenomenal (everything that happens is recomposed - if the tree fractures, but then it straightens re-fractured, before our eyes being recomposed). Thus the chaos of the Universe is resolved, appropriating a new sequence of continuous creation, starting from the same creative property, but of molecular entropy, almost in adverse defect, but of constriction of the yielded body, to be incorporated into the Cinnabar beam of light. dynamic, generating ignition at the ends of each part of the structure obelisk, in order to release and stimulate on the absorbent..., of the Hexagonal Birthright in Tsambika,

e) One-Dimensional Beams

From the hexagon, everything is dimensioned on the peaks that can be seen in the starry nights from the curved kilometers of Bethlehem. Everything goes on top of the desert mountains and valleys, above the vagaries of climatic heights, and landslides of an entire believing community and its followers. In twelve advancing camels, of which the first six are exclusive to the Birthright, and then the seventh Giga camel is from King David of Bethlehem.

The beams are the architectural support portion of the physical-ethereal God and of his ethereal-physical word, supposedly of advent in grazing of the hardwoods, and the secret anomalies of a new Aramaic message, anticipating the vigor of insects and birds that were grouped together. in the journey that goes back and forth. The Beams are stars of heaven sustained by the Cherubim and the Archangels, through the paths of conversion and the support of the Christian time; haughty and implacable hegemony for the propaedeutic of phylogeny, but more on the very chemistry of creation carrying its winged Lepidoptera tetra, pheromones, and the obfuscation of an elemental nascent child in his own evangelical philosophy from an inter-sword dimensionality, and of the gloom of a manger shouted Kafersesuh, before compendiums of two pyramidal landmarks of inflection of his word in created animals, in the affinities of the world and the Animalia, personalizing shepherds carriers of pollinations, totalizing the generational of the language that is concealed so far, as well as the turns in the musks, and their legitimacies from the Baptistery of the Shepherds in Ein Karem, parabolizing their nomenclature and Polygonia of a child made man, already coexisting! but representing himself as a lifeless man in the fullness of a child of a distinguished canon. and his legitimacies of the Baptistery of the Shepherds in Ein Karem, already coexist! but representing himself as a lifeless man in the fullness of a child of a distinguished canon, that followed him towards the superlative moment of the bending near him, twisting and changing squeezable pressure in the cords that forged his path, towards the cornices and trusses of the upper celestial vault, where the shed of doubts was next to the Cherubs. Giving mechanics to the prism that arched the beams in the horizontal lines, taking them towards the amplitude of other lines, which remained solid before the variation, suspecting mutating to one of sudden two-dimensionality. The sections of the timber framework, which looked fatigued before the primary classification, which showed the attitude of the little Messiah, taking out effulgence from its beams, and rolling on other pillars, postponing the vectors of the tangential, contributing bits in rhomboid specialties, that blurred the cylinders of amplitude and field of vision of all those who remained in their nativity. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance of Christic ambivalence, as a forerunner of martyrdom. on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha? This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom, pigeonholed him towards a pre-existing Hellenistic aspect in characteristics of patronage as a representative figure of a male, and a lady of Ptolemaic Egypt in great iconic religiosity, coexisting as a priestess of a female order in the Greek protocols with him. Becoming inseparable in the preeminence of mother and son, as unilateral gender, and of substantial element for the social and political order that reigned in the ancient era. Laying here the unilateral gender indispensable for the social and political order, which is substantiated at the dawn of the empires of all the time, and the patriarchal society? Symbolically Joshua in this cogitabundant providence, adds the feminine value in the society in the Kafersesuh's outlet of the Judah manger, dispensing mainly to women, A great Zohar light, gathered all towards a whole in those errors that Joshua felt in advance, as reversible entropy, giving back his wise existence to prepare them for the day of his sacrifice. Pre Existing in catharsis and substance of divinity connected with the phylogenetic species, classifying up to an Aramaic pontificate of pheromones settled in the lithospheric site of Gethsemane, in a biological sense and in close coincidence in lapse wading, or the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in characters of the vibrational timbre of the Beams, and its atavistic pedestal, readapting in evolutionary ellipticals of winged tetra species. Allowing to change the ancestral linguistic accouterments in processes of redesigning the divine genetic historical tree and increasing anomalies in the human earthly culture, and not human anthropomorphic in a reviving profanity of fruitive frequency amplitudes, for those who resort to it, monopolizing and synchronous in diachronicity of their specimens. The lights of Joshua's gazes are the Light of Christian Life and Time, in the entity of Joshua born and bloodless from the nature of Child-Man, but of mortal design in the same compulsion to see the luminescence of life in the manger Kafersesuh and only incorporeal unity. Being in exemption from Ego with its structure of living child and dead man, he rushes rebellious and ostentatious in the architecture of the One-dimensional Beams, yielding the glimpse of the aforementioned progenitor "Eye versus Eye", seeing himself like this..., son hovering in the arteries of a Universal-Duoversal life, from a single dimension of cyclical one-dimensional length, encompassing conjecture and biological, the symbolic-allegorical conception of extreme co-divinity, as an exclusive precept of the delicate infinity of the Being of a Messiah, with paraphrases or glosses of Aramaic exegetical affinity, tracing from a linguistic period. Here are the contortions of the Olive Tree Berna, transfigured into everlasting orality and refractory syllable, to incubate eternal rabbinic gifts of perpetual reluctance, beyond the reach of the ego-annihilating will and of apathetic, inert ultra-affections and of miraculous phenomena.

f) Hexagonal Birthright

Civilization has an arched inflection in its regency at the head of the favorable family caste in the blessing, whose hiding place will have to be entrusted to a clan, having to make inquiries that formerly only related to consanguineal minorities from the same family trunk, thus protecting the pantries and accessories in warfare to consolidate the economy, and invigorate its commercial coffers. The land would be and would be an essential partition insignia for the legitimate transmission of epochs and inter-seasons, which received them from its descendants for representation of geomorphological heraldry, given in its regional condition. In the noise of the seventh seal, heaven was silent for half an hour and the seven angels stood before God, and they gave seven trumpets, the other is to appear in front of the altar with a golden censer, to compile it in other prayers in all the saints, on the golden altar that was in front of and in front of the throne - And from the hand of the angel the smoke from the incense with the prayers of the saints - And the angel took the censer, and filled it with the fire of the altar, and threw it to the earth; and there was thunder, and voices, and lightning, and an earthquake - And the seven angels who had the seven trumpets got ready to blow them - The first angel sounded the trumpet, and there was hail and fire mixed with blood, which were thrown upon the earth ; and a third of the trees were burned up, and all the green grass was burned up - The second angel sounded the trumpet, and like a great mountain burning with fire it was hurled into the sea; and a third of the sea was turned to blood - And a third of the living creatures that were in the sea died, and a third of the ships were destroyed - The third angel sounded the trumpet, and a great star fell from heaven, burning like a torch, and it fell on a third of the rivers, and on the springs of the waters - And the name of the star is Wormwood. And the third part of the waters became wormwood, and many men died because of those waters because they became bitter - The fourth angel sounded the trumpet, and the third part of the sun, and the third part of the moon, and the third part of the stars were smitten, so that a third of them would be dark, and there would be no light in the third part of the day, and also at night - And I looked, and I heard an angel fly through the midst of heaven, saying with a loud voice: !!

"Being in six instants at the Golden Gate of Jerusalem with Saint John the Apostle, they reordered the majority for a protected subordination in the minor family descended from the eldest son, for the purpose of sustaining them to reach the possession of their theological morphology, in this door, being the only one that will remain closed…, until the second coming of the Messiah. The scheme of the camelids in their osteometry tells us that their heads before Advent! Distorted their calypso lights on the surface of their skeletons, locking the jaws of other camelids, thus bypassing the Apostle's strap, which through the foramen of the supraorbital, thickened the strides that pretended immobile before the opening of the Golden Door. Of course, they were prisoners of their self-denial for the length of their footsteps to the rhythm of the sensitive skulls, In the fourth camel Raeder, he cleared the margins that allowed them to increase their attempts to withdraw them from the golden doors, but the dislocation of the orbits of their ocher eyes, denoted their holes in the condylar fossa, distancing the vicinity of the Tehillim advocated by King David in the Seventh Seal of a stuck Giga Camel. The metric form innovates them of ubiquity, for omnipresence in the camels before the gates, and after the gates, thus leaving the site of the eighth gate, deserting the camels behind the gates and arcades pointing to the old cemetery. of the prophecies that Elijah holds, and in procuring generational stoning of inter camelids, which would be channeled into twelve plus another dozen, but behind all, appearing to be six, later joining King David, who would provide the parallelism of the Seventh Seal. This caravan was numbered from one to six, saving the vertices of the Golden Gate that joined modestly at the odd vertices, under the odd cross of the same vertex, which made the equilateral coherent according to the three angles where Vernarth and Etréstles went, and then joined other pairs of vertices in a crucified chain in the flat and secondary complementarily of the seventh angel, but with epilogue character of the Seventh Seal. Thus it would be numbered according to the Gigas Camels, the Golden Gate, governing them for a family of six family angles and a seventh seal, for the performance of the family sustenance of primogeniture in the reinsertion of Saint John the Apostle, since he was banished by Emperor Domitian. Making themselves succulent of the gold of the Seventh Seal, on the collective unconscious of the first-born, for the good of the sub-genitor son. Here the indication goes for the purpose of populating the consecration of granting greater goods to those who second and could lead forces of abandonment and secular sedentary, for the need to welcome sacrifices of goodness and preferences of lay annoyance and earthly secular strengthening. The kinetics would move the six numbered over the vertices of the Sun in three bevels, joining the pairs in vertices covered in the circumscribed mesh of vehemence, which is impacted with the solid Golden Gate of Jerusalem, depositing the concentric radii of the polarized magnet on the struts of the camel of the central ram, for the affinity of the contraption of a trajectory for all Judah, in six predestined latitudes to Ein Karem, in the Hexagonal Baptistery of the Shepherds".

With symmetrical scrupulousness at a certain time, the rounded bisector of the psychic lines of the peritoneum fold of the solitary flanks of the Camels Gigas, towards a vocal peritoneum set six times more than a seventh, was estimated, in the apothem of the two-dimensional figure of the Febo hexagon angel, with less centrality, for the foundation of the Apostle and Vernarth, regulating them by points and sides, on the perpendicular bezels, prostrating towards a more orthodox and straight line, mutinying with radials phases on the bisector..., giving a quotient of odd numbers, which cut the first round of anointing, among all those that were retained in the daydreams of catching them for involuntary deaths. From Gaugamela's stratagem, three thousand muscular Hetairoi descended, towards the implantation of heart nuclei in the camelids, on the Susa Gate and the oblique break marching towards the war site, creating a fissure between camels, and the sphinx of Alexander the Great breaking into the Left-wing of the Golden Gate. This was the casuistry of Vernarth's psychic advance impetus, who once was at the precise moment of stalking, hypnotizing the gap of the Achaemenides, but unaware of that mechanical moment, persists in going after the Giant Camels. He guided them with his right hand to both sides, equipped with heart irons that exorbitated the whispering of his pectoral canals, interrupting the dawn of the Cinnabar, with the antigen readjusting the hinges of the door before falling untimely. Vernarth, with his sinister, calls upon the Hindu family who tried to open the breach of Alexander with his Macedonian baggage, thus preventing him from lying in the reliquary in contrition towards Vernarth himself. The infamous moment must have passed through the swords of some who resisted when fleeing from the held Golden Gate, giving up the rear of Vernarth with the camels recovered and saved from the abandonment of their afflicted hearts, resigning themselves with empty hands and with an outpouring of victory, but with two units confronted in his Portal of Imagination.

g) Reflection temporality

In cavern series, the lava was converted into cations of hydronium, in underground pits that glowed in Tsambika's temporality when the homily was officiated. Some pieces and calcareous boulders rotated random by the humid and dark narrowness of the subterranean reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. The speculative rock icons expired of the symptoms, with albuminous cliffs of the genetics of the Theoskepasti chapel, Etréstles carried under his arm the expiration contract of the Universe, to deliver it with his signature, for the dimensional transfer will. Everything flourished with attractive mineralization systematizations, under an astral posology, In the cognitive, Kanti memorized his wanderings in Crete, imagining his physical body united with his mind on the paths of the shoulder of his ancestry, with batches of clockwork that went and passed through his physiognomic, bathing with the piece wind, but also with the hard shoulder that came straight towards him, showing him new encephalic pathways, which surrendered in epistemological globes, but levitating in excess of the hard shoulder and the unknowns, for states of temporality that became mentalized in pursuit of a supra desire..., disease or typologies long-standing who used the supposed ontological formalization, gave functioning the property of body with the memory of advanced towards a new Duoversality. The officialization of Ars Choralis, is solemnized for processes of emotional property; In this way the cave of Being and its Temporality is made haughty, self-isolating for intra-cave investigations, as corollaries and agility in those who yearned for identity, being able to attach themselves to deities in dozens of epicenes, which would be from tens to ten, thus being seventy tens and a half, which would be seventy-five of the seven tens, and of the unconscious of the syntagm that Etréstles carried away, separating the syntactic of the Vas Auric hypothesis, so that they coexist..., although the pestilential decays before the rolled-up syntactic of Kanti's head. Untreated and conscious-unconscious to his instinct, resorting and harassing the procedural bars, of the Ergo Sum parameter. The temporality of reflection, In momentum ac Diadem, it shone from the third trumpets of the Seventh Seal to the potential of the twilight corrodes and their regions that made the shoulder of the shoulder the awareness of temporality reflected in required dismayed collectivities, to transcribe exhortations to the behavioral pattern of the temporality of love Faust. Little remains immobile, little drive when two masses of consciousness withdraw to the storehouses of the Universe, already advantageous of their exhaustion, but inheriting them in precipitous emotions towards the pre-consciousness factors in the heights of the mountains of Crete and Kímolos.

Kanti the steed says: “Deus Nostri Pontificatus Annis et ad eum, God is my pontificate and my way to Him…, Adonis in the relative absence of credit, before Ephebos with absolute deafness, surprising me here in the Diospyros and neuro archetype flight. I ride farther than my physical-emotional, contributing in the micro-fusions of the tubules, in quantum, and interacting with the fineness of the minuscule substance, within themselves. Almost injuring the storms that vibrate in the mine of a risk prop of a steed, in pursuit of a trance that only ends up being the architect and augur of knowledge..., of when and where it agonizes more than once, but within the limit of the Duoverse crushed at his own peril, continually evaluating himself to transfer a genetic force into my hooves of solid steel, but ornamental and of Reflected Temporality.


h) Expansion and Aramaic Taxonomy

Organic taxonomy, as a pre-ordering order, classifies the harmlessness of language before the invasion of Alexander the Great. Although there were implosions of the Greek language, its transboundary taxonomy would be shifted towards Judea. Pre cited is its variant pharyngolaryngeal tracheo, in this assertiveness and occasionality, it predisposes emphasis on orthographic rather than phonetic incidents, citing Galilea as a precursor of the Aramaic and taxonomic thesis of Gethsemane, prior to its expansive conventionalism of enrapturing her in her differentiation, and in the expansive hotbeds necessary to channel the basic axons of commerce, between antiquity under the prerogative of supplied ethics and pre-classified inputs, such as food and geographic furnishings of economic arts, as well as, the syntax of words that could have curvature and geometry in the forms or linear designs of the time. Any letter could be interpreted as a physiognomic form or as tools of manifest imperialism, coexisting execrable or blessed as languages or keys of immunological communication, with symbolisms of languages spoken in rituals of systematization, and of obfuscation of a metaphysical Messiah, always an angel, for when this is the case. In other words, the water speaks to him in dialects and adults with an oriental language, appearing cryptic in the appointments that are related to the language of the great Extra Universal heritage.
Vernarth's Aramaic is an ***** composed of valuation graduation and generational expansion, opening evolutions combined with the matrix of “Ethereal Spatiality”, towards a channel or rib with a common end in what is done on the margin of Faith. and it is predestined on the basis of object and substance, as a regulatory organism, for groupings of species within the biological language or not, as well as in the fissure of a Cladia of lichen fungi, forming the optics of expression as spelling and not as a utilitarian concept. Amplifying what a camel is; this is how it is importunate, being its **** consensus with the "S" backward in a perfect camelid, the "T" also being a perfect Cobra approaching the three S's of the Syriac Aramaic alphabet. The “Y with L fused” of the Aramaic alphabet with a large elephant, and finally the “H” as a pelican simile, like the pelagornithids or Pelagornithidae, fossilized in the emotional collective of rock tribes, progressing from elephants, camels or pelicans in the search for a literate language and consonant shapes that are attributed to their jaws and pharyngolaryngeal substrates..., observing long vowels, as in the language of an organic universal alphabet. The matrix is timeless, branching out of the mechanics of natural and phenomenal selections, if it is metaphysical or is contributing Demiourgy on the infinity of the encodings or depending on the size of its geo-referencing, it will contribute energy exchanges with predictive purposes of information of orders, and adaptations of the calcified scientific space, Vernarth, dives into the ponds or Naídes of the Aegean and survives, just when the networked volcanoes were swallowing all the seas in the world. It braced being only part of the laps of the sea, tattooing with its gaze the chthonic nymphs, before envious and backsword ogres with gills, which multiplied more than any myth-poetic. Its power of convergence is inhibited by the poetic myths of primordiality and of cosmology as a natural branch in nautical miles traveled by its arms, without knowing who crossed them, survivor, in its advance, and treasuring the arm plunges on and under the scalded clay objects, perhaps as implantation of the muddy and hyper-flood lexicon, empowering itself in its translation from Syria to Patmos, and from linear B Mycenaean to Syriac Aramaic languages,


i)Sub - Verthian Mythology (Camera Obscura)

Adhered to the ancient parallels of the cult, the mythology of Horcondising lashes out. Stale and axiomatic source of pragmatic and rational earth that emanates from this constrained fusion of the Universe in the metamorphosis of Duoverso-Horcondising. Social and genealogical plates date more than seven hundred years from Lombardy and northern Venice in Italy, Spain, and France. The mission of the Horcondising is the transhumant myth, and Chaos of the ancestral family cenacle, in view of a family rule, succeeding in continuous litanies that consecrate rites beyond genetic archaeological death. The consolation of souls will revive and will be under the edict of the Sub-mythology in repose landing in successive parapsychological regressions, which will speak of deaths suffered at the edge of their test tube lives, Under the mythology, there is the sub-fable, prone to boundaries where the statement innovates the entire structure of hermeneutics, as a written notification and complacent verb, for lords of the grass and granaries of granaries, narrating myth-stories in messes of revived verbality. Thus in Rhodes and Patmos, Andronicus of  Rhodes will guard the doorway of his hobbies again, so that these disciplines are conducive to sponsorships of words under reasons of a nature concerning Saint John the Apostle risen in flesh and spirit, in contrast to the conclusions of the reason to leave breathless the destiny that the just cheer and disapproval of diction of not certain science, under ships that cover the commendable salvation in exegetical storms that go from a liberated shelter, as well as in what differs from the et Grammatica institutione arithmetica in that each one writes what it understands, and adds what humanistically makes existence in a biblical alphanumeric dimension, from the imaginary in some of its leaders such as Zefián, Borker, Leiak, Kaitelka, in Hyperdisis and the Zig Zag Universes. Making the mythical an ensemble with deities that rule the infinite, achieving more secular religiosities than in a radius of religion, founded by characters that are already pagan mythology. This is the raison d'être of the sub-mythology, which springs from one already narrated and rationalized, but in the contradiction of what underlies under the very observance that unites itself, forging itself creditor of very new myths within others, with characters that have never been or have been parasitizing on another source of cognition. Thus becoming extensive and prolonged in its passage liers sumptuousness of other arcane myths, within the same ones that inhabit the mythological lie, without blemish from veracity belonging to the living-lie in pursuit of a dead-truth. Even if it is in this way or hermeneutic method, continue to beat and go to meet the Castellar Imaginary del Horcondising and the Camera Obscura, which always live and revive in the sub-imagination, but from a mythical truth in a regime of multitudinous voice. and myth-poetics.

From the sooty Camera Obscura the spindle was obtained over the diameters of each edge, Vernarth of the same chaos, converged from the square but not the spherical world, from this sooty box together with his master Zefián, who polished and shot vines of light over the projection of the same box, and of the quantum ark on the acropolis of Leiak, simulating entelechy in its projection with the ultraviolet light of light similar to the earth, but not square, rather appearing to be a square sphere. After repeated intervals, Vernarth opened the slits of his hands, also hollowed, here other globules appeared but not spheroids, rather quadrilaterals at the end of the third phase in the last three series that showed the complete reflection of a tiny world, that just clamored for amnesty as a matter that had been beginning to form with another factor on a large scale, from this fractality that would appear as Vernarthian sub-mythology. Camera Obscura, in a combination with twelve atomic masses, stands out starting in the irradiation of sexagesimal nomenclature; imagining fractionality between sixty microseconds to sixty in the hexagonal polygon of the Primogeniture and the Baptistery of Ein Karem. Being used in the elevations of the stars and the Heliac Ortho of dawn, which would find the black box that was nailed in its twelve apostolate angles. The whole times were divided into more exact numbers that surrounded him in his Camera Obscura doing trigonometry with other rectangles of three equilateral, making multiples of twelve on the line of the hypotenuse of sixty, dividing by the hexagonal, which is the angular line of the six sides of progression of the Duoverse becoming a spheroid square, for an analogy of Hexagonal Birthright with the multiple of twelve for the sake of the Giant Camels, leading them to the obfuscation of the Horcondising fused with the Duoverse, by means of Pi (π), in the diameter equidistant between the Universe and the Duoverse disintegrated in two by the concentric radius of both geometric units. In the same way, Vernarth multiplied the existence of his new sexagesimal world in nths by sixty followed by infinite numbers of zeros, canceling the radical time of the masses of anodyne particles. The corondels or watermarks, overflowed with all the irregularities of the system, showing the decimal after the comma.


j)Verthian Apostolic Conception - Kashmar

Vernarth, was in Sardinia in the megalithic complexes Nuraga when he conceived his apostolate as a messenger, biologically entrenched in the taxonomic stasis, with a merely profane and urban framework. Whose classification he would transmit to his relatives after long periods in Macedonia, sailing and doing his falconry and philosophical avant-garde chores with Aristotle, in a laxity that invited him after long rejoices to record and sculpting messages with the doves of his village. Near Pella, in the central region of Macedonia, where his general Alexander the Great resided, south of the Axio River, his abode was nomadic and was on a hill near the lakes and mountains surrounded by Greco-Barbarian inhabitants, tracing the Chalkidian league., after the Peloponnesian War. He was in great campaigns in the former Pella, His will as an artist is precisely to be an apostolate of a thought that would intersect with the Yahwist gift to an apostolate of the Apostle Matías, whose connection would provide his transliteration of the post-mortuary link of the Jesus of Nazareth, replacing Judas Iscariot, due to his apostasy. Vernarth, distressed by this episode, became Commander of Alexander the Great, lying already primitive in his ranks of Hetairoi, transcending over the scourge of Judas Iscariot, to face in the arena of Pella. In a reverie near the Thermaic Gulf, he genuflected under the sacrosanct trees near some illustrious Kashmar Cypresses, channeling his furious and tramontane spiritual into the gulf, to take him out of a banal summer in the transition of an immolated soul, and make him walk for thirty days barefoot, without sweet potatoes in his hands to ego stone him, only naming him slavish stubble of the crops in the deleterious nesting places of the Ravens of Kashmar, bidding him so that his blood is ****** by the heels of the rooted trees of Thor forest, usurping his "Gift of Iahvé ”In dishonor of its Hebraic appellation, for the onomatopoeic of its rhetoric, resulting from the feckless roar of black lineage, which will emanate from the mouth of the Aulos, whistling inside the Cobra. In the aforementioned link, the group of twelve was recomposed, being in the gulf and in the incidences of the re-indoctrination of the twelve apostolates, he is with his prayer and atonement in the mystical character for the community worshiping the Kashmar; which roots hardened towards the silent immolation portent as Judas entered the black night, for excessive twists of the bifurcations, intertwining with the Beams of the Thermaic cliff, like a lynx observing the height and its prominence in that of Judas dwindling over the stained areas of hell..., thus its remains were scattered by the synod of bustard birds in the sprayed sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of sooty petrified poplar from Hecate boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their factotum after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the Holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the Dodona, in uniformity towards a murmur in the leaves from oak in the spell of man towards an oracle, to consummate it with the mendicant count of the Ziziphus Spina-Christi; hawthorn of the crown of Jesus but with implants of Kashmar, on the crown of Judas already immolated.

Vernarth walked alone through the inlet of Skala, on Patmos, when he had to undertake a trip to Judah, even so, he also walked bi-location in the inlet of Sardinia, after being in the megalithic complex Nugarhe, Vernarth, Etréstles, and Walekiria, they approach matching Tuscany. Once they were instantiated in Sardinia, a coastal sailboat transported them in the middle of a stormy day, it was a great happy day to arrive in La Spezia. Here they parked at night following the Liturgy, standing out those that coincided with Lent of Holy Week, where one day they were seen talking with Petrarca and Laura de Noves. The olive trees keep pietism with the phantasmagoria of the Kashmar, who made the double murmur of the spell of the Duoversal man. Always in Tuscany, the tracks below the garden have been occupied, which has a distant view of the roofs and towers of Florence. The monumental fountain set on a steep hill on a side flank of the garden terrace has a seated god flanked by lions in relief of stucco from a niche decorated with pebble mosaics and padded masonry. " Here at the Verbena of a long feast day, all together with Vernarth get drunk with Corinth Wine, which they brought and did not stop swinging to the rhythm of the music that made them foresee multi-existence beyond limitless sensibilities, turning their role closer to from the instigated destiny to Patmos in the hands of the original Duoverso with translation, rotation and Duoversal Theurgic orbit, for the spell-dogmatic invoking ultra-sensory powers of angels and gods, in order to signify with his country land near Pella,

k)Fractality and Spirit-Cinnabar Dynamics

In the black camera obscura, certainly connected blues made other dark holographic areas that were enlarged super connected to the optical perspective, conceiving of the infinity of a luminescence that was fractalized, the black-blue pre-existing towards the Z pattern = Exp (Z / OB ^ 4), what is the equivalent to the set of the Bernese Olive Tree Rapa, on the border of its Lipogenesis, which would appear in the chromatic version and final maturity of the olive tree, for the fractal exponential of Z =; where all the points of the complex plane Z = (OB, iy) are iterated in the corresponding function Olives Berna in a set of IY, and in all the iterations where an arbitrary constant (Cx, iCy) is added Cinnabar in lines of orthogonal sets X and Y, in such a way that the choice of the constant "seed" will determine the unique shape of the profile and the color of the fractal, once the chromatic pattern has been defined. In the paradigms shown in this continuation, a constant has been chosen, as it will only produce divergence and will have been qualified with the escape velocity algorithm, to contract exact self-similarity stratagems in this, which is the most restrictive type of car. -similarity; requiring the fractal to appear identical at different scales.

The holistic spórtula of the Cinnabar in some pecuniary exercises, are impelled for a tacit and absent society, in Every night beginning at dawn, everyone retreats and the Cinnabar appears like a kaleidoscope apostolizing in glorious joy, where the Aramaic synergy between the Garden of Olives and Gethsemane, is concatenated with the entirety of the Phylogenetic species with the homily in Tsambika and Theoskepasti, such as the new relationship of the link between species that were improper and endemic to the region near the stable in Bethlehem de Kafersesuh, to be inter-inseminated in the banks of the slopes of Gethsemane, in such a way, that the linguistics would begin to be absorbed in Joshua, and it would go for a closer shortcut towards the classification of the traditional and omnipotent variants, which migrated through the Olives to renew and preserve the Aramaic or Aramaic languages, from a shared origin now, for the omnipotent salvific languages that were to be addressed in Gethsemane. Once starting the splendor in the city of the eight gates, and from such interference, involve the Lepidoptera taxon, inseminating the populations of organisms related to lexicons to shed life and language,

l)Vas Auric – Cinnabar (Φ)

The pecuniary prerogative of spórtula, makes the Vas Auric and the Mandylion its residence, tending towards an algebraic sense of the two diametral in a cross by the perpendicular, towards the tension of the shortest segment by the long, tracing a circumference of radius and a half. Homologating in the interposed eclipse of the golden or golden number, for the divine proportion in consequence of irrational fractioning numbers. Shortening the passage of the algebraic numbers with the infinite decimal towards the Cinnabar with seven arches in parentheses reflecting in the partition of the apse in both temples of the homily, making the period of antiquity, files registered in mega center of the quantum memory of Cinnabar, before disrupting the genesis of the Duoverso.

The First Treatise of the Vas Auric fell into the hands of Vernarth, one day of heavy plutonium sheets en masse of the golden number. The vertical avalanche was segmented when the dichotomy of another line that collided with the segments was not altered, or rather omitted by certain temporary blindness of the Duoverso world that it just boasted. Compositions of number Z are made, and subdivision in its cinematographic optics, divided into two slow shots of a small element that became part of the controversy of Vas Auric as a medallion and Auric as Mystic Gold, with distribution laws.

"Zeus wakes up shaky, full of headache saturated in Pro-headache Herbs
Jophiel is speaking this time in the Kabbalistic Torah language...
with its golden commoner and super zone of Organikon Sorousliston Papadikon….
secular music that supplies Zeus with protein albumin,
to make him more human... Zeus accepts Jophiel placing him in his discernment
over the house of Jophiel; divine island to throw cartomancy...
bring the second ray to the Sahasrara on his crown,
pacified love that is the suspicious and risky loser of everything...
risk in the head, especially when condemnation is born!

And the floristics, over the stolon of the veins, moves synchronously with the prolongations, speeds, and acceleration of the emancipated leaves of the first order of the upper crown, up to the lower ones, thickening the golden spirals of a certain type of inflorescence, confining the umbilical zones of Vernarth, and the plantar area of its feet between three and more than a hundred steps that come from certain metamorphoses, creating peduncular areas, acting as a support for Vernarth and its Elder areas, brought from the Bumodos stream, after a string therapy, creating psychic supports to endorse globalized neuralgic. Understanding that the line of his neuralgia oscillates the greater analog of the Messiah in the cross pierced by the Hastae Praetorian, in the most remote of the elliptical of pain, reduplicated by accumulated energy, almost like mystical suffocation. On the part of the growth of the tangent in growth and of the evolution of the reflection, where the attenuation of the opposite effect is unleashed, allowing convalescence zones in signs of propeller blades around the Vas Auric, crossing vertical and horizontal beams of lights, in search of Light Angled and refractory solar, for the palfrey of the Kanti Steed, abstracted from excessive rain, which uncrossed the tempos of the aura of the organic and aerial underground, towards the duplicity of curves of the multi-cloned numbers and angered by their industrious dynamics of skewed movement, towards the effective solar..., tending to the effects of successive trends of the vaporous numeral of Vas Áurico Cinnabar.

m) Psychic Trisomy

The species and somatic acquired deposits of DNA spirals, given their characteristics, will make transformations in more than one cellular taxon for a homologous pair. Here Kaitelka the whale down from Sub-Mythology, will circle in the Baltic Sea, compromising neuralgia in it as a superfluous essence due to its trisomy, making a comparison with psychic trisomies that Vernarth suffered at least four times a month, from the first and eleventh day, after his parapsychological regressions when he sailed over abysses and anesthetized zones on glacial plankton in the North Sea. Kaitelka individualized her cellular regressions, becoming a prehistoric cetacean and when she lagged beyond or before her creation, she transferred psychic trisomies due to her twenty-one chromosome. Kaitelka's karyotype was directed towards the crease of her eyes, due to an infection in the area of her basal inter fins, which disturbed her heart rate in a short interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a tempered state and gifted as a Super Goddess. Kaitelka in nativity in the transversal valleys sailed in the air atmospheres of Hyperdisis, and she was always seen in the company of Leiak; the omnipresent and vague spirit of the watery ductile dancer, living on the liquefied element with his astringent slimy chin..., seeing him with his grotesque back-breaking swampy lines between knuckles, and hedges of tricks collected before the first station, in one of the first of the three Remaining nights before reaching Joshua de Piedra del Horcondising volcano, that upset her heart rate in a brief interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a moderate state and gifted as a Super Goddess. About seven hundred meters high she becomes Kaitelka Down godmother, adding the psychic chromosome twenty-two that contracts in the connection with Vernarth, in the extravagant massifs when in the autumn afternoons they collect Ceratocystis fagacearum Fungi, and irradiating them with insects such as the borers. When   Kaitelka recovers its chromosome by detraction in the natural selection of Trisomy, express is spilling on the dry and gelatinous Laurus leaves of all its dead cells, which are promptly seeped from the retracted membranes in frank adhesion, causing regeneration of the disease. After wanderings and ringed symptoms of lesson in the atmosphere of the ecstatic Horcondising, the wooly will be magnanimous and challenged from the chromosome spilled in the emulsion, is contained in the alpha proteins in the transverted Vernarth genome, as a warned whole and abundantly diploid, before reaching the lethal processes of reciprocal adversity, both as a zoo-anthropoid or a triple zoo-anthropoid-botanical effect. Pre-Existing Kaitelka Down with forty-two chromosomes (22 pairs) and the Lepidoptera Agrodiaetus (134 pairs), in its haploid, that is, half remains vitalizing between two species of the sub-mythological world, and in its psychic cellular compound, and later implant it in germ cells for the effect of Venarthian ambivalent psychic transmission and vice versa. By discard, there are four fewer chromosomes than the hommo sapiens and 222 less than the Lepidoptera Agrodiaetus, for a meta sense of flourishing with the power of Poseidon, brother of Zeus, Meta sense and discernment, encephalic they will be cogitated by conscious where their sensory cognitive is interrupted, towards an unconscious through the photons of hypocaloric temperature, to define in the prehistoric psychological memory of their psychic, more than random brain, coexisting of habeas corpus content and remote brain energy, before the magistracy and power of Poseidon that confines him. Graduated from southern impassable seclusion, their memory is isolated in their E-Cloud. Namely; stored in electromagnetic and electrophysiological stimuli, incontinent and weighted in the square miles of floating Poseidon outbursts, in the category of super cetacean down, with only four meager chromosomes from the remnants of the human procedural genome. The trisomy field, On the fourth of August of the year of the Lord, 1617, when Klauss Rittke was cleaning the main stained glass window of the Cathedral of Avignon, he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and listen to their conversation more clearly, until the Friar Andrés Panguiette, babbling, demanded of Raymond Bragasse indulgence or one or the other. (Compendium of Marielle Quentinnais). Relating in its narrative evolution, about some Albigenses of this work set in Avignon, time of the Antipopes, crossing with the psychic waves that have just been mentioned, and of prophecies of who precisely Guillaume Bélibaste was born into a Cathar family. Having noted that 1321 in 296 years apart from Marielle Quentinnais, it takes place in Carcassonne on the same day as Bélibaste was executed, given his licentious life breaking Cathar dogmas, incriminating himself with civilians from the region, marrying women in exile, etc., was condemned by the Holy Inquisition, where many were purged for the sole fact of holding biblical books in their abode. Among the flames of his bonfire the prophecy of the laurel will be homologated, whose shadow will fall on the centuries to come. Note the coincidence 3, 700 years ago, where the first signs of life were appreciated on our planet and in the Hylates Forest in Cyprus (700, 000 thousand souls) in the imprint that unifies the Christian scrolls, blowing gold dust on Walekiria's hair..., and being liberated, as a tantric body of physicality. No one spoke, not even the 700, 000 thousand souls who also claimed to be liberated (Vernarth, page 313 - paragraph 2). And finally the seventh portion of the sea, with Poseidon. Here the Psychic numeral of Vernarth and Kaitelka coincide, who appears with the laurel of Guillaume de Bélibaste after almost seven hundred years, facing the unification of the prophecy of the Laurel, whose shadow will hover over the centuries to come. Templars, perfect bone Hommes and Cathars meet, in this historical feat, through the secret path safe from traitors and conspirators thanks to the most surprising allies. Bélibaste's fast-paced story will allow us to get closer to the most unknown ceremonies and rituals of his confession, showing us his revelations in the flames and turning green in the Laurel of 1321 in sync with 2021. Given the little and nothing that exists of the revealing enthronement and the psychic environment, it should be noted that historical facts fly like pollen, with the waves in their same vibrations of the aeolian autogyro. This entails physical vibrational material, which is in every corner of existentialism, without beginning or end, only rewinding through the infinite axon of karma and samskara, for physical-ecological convulsed means and intermediates, in revealing semblances of the primitive psychic field before us, like the Aspís Koilé, as a shield or as an omnidirectional parabolic antenna, bringing us events after events that strangely interchange phases, and intertwined efforts over time in quantum physics and subsequent biophysical changes in the genome chain, especially in its Psychic Trisomy.

to be continued...
DUOVERSE
Robert Ronnow Aug 2015
You can feel it spinning
                                         fast
the Chinese, Japanese, American and European junk
orbiting at several thousand miles per hour could
                                                           ­                             punch
a hole in your armor, future. Thanksgiving passes, then Christmas.
A nuclear detonation, we absorb that fact. The scientist in us
delays sadness by recording observations. What is is,
sorrow's for tomorrow.

By reducing probabilities to near zero I hope to avoid sorrow.
In yr suburb.
In history when there were many fewer people we still found reason
to cross space, explore, trade and war. Now
                                                             ­                 overpopulation
may not be the problem but food and water shortages
get our attention.
                              I have Korf's fears.
And hear what I want to hear.

Some hear singing, some hear speeches or complaining.
Martin Luther King sang his complaints, dreamed of a brotherly nation
which came to pass, spinning fast, past Thanksgivings, past jailings
into reconnaissance, small wars, drones, renaissance, inventions.
At the border,
                         where the Juaristas fought Maximilian:
Benito Juarez (1806-1872) Zapotec Amerindian who served five terms as president of Mexico. He was the first Mexican leader who did not have a military background and also the first full-blooded indigenous person to lead a country in the western hemisphere in over 300 years. For resisting French occupation, overthrowing the Empire, and restoring the Republic, Juarez is regarded as Mexicoxs greatest and most beloved leader. 

Each soldier chooses what war at what border, or just
                                                            ­                                   shows up
spinning with the planet.
The neighborhood and surrounding nature is orderly.
But always there is implied force, violence holding it together,
                                                       ­                                                       chaos
is contained
kept out of the playground, government buildings, childrenxs games
but lies within
the force maintaining order, a spinning tumor, a gyroscope of
                                                              ­                                                inertia.
The force of the spinning, the speed of the force bring one to one's
      death
seasons, weather, earth.
                                         While the emperor's being beheaded
enduring seeds are discovered and invented, cross-fertilized and bred.
Corn, yams, potatoes, sunflowers, rice.
                                                           ­       Food is life and a good study,
useful discipline
                           daily meditation.
                                                     ­   The fighting man protects the farmer
and the farmer feeds the fighting man.
They elect the governor
                                        who serves the people. Peace out.

Peace and war are transitory manifestations of spinning
electrons, planets.
                               The sun's a nuclear detonation, essential
to spring and planting. Food is life. Seeds endure
if man goes to his daily discipline. If woman is man.
Birth and death
                           together are orderly, the border can be known,
voluntarily. How we live together, by prayer or force,
is our story.

Knowledge
from laboratory to starry corridor keeps us very
                                                            ­                         versed.
Did Juaristas consider the rights of animals not to be eaten?
Not during that spinning.
                                              And perform the history that surrounds us.
All that can be done
is written in the spinning:
"The people of the land, the Indian farmers of North America - like their counterparts in Mesoamerica, the Andean region, and the Amazon - have continuously cultivated maize, beans, squash and other crops for more than five thousand years. One of the salient features of their traditional farming systems is the high degree of biodiversity. These traditional farming systems have emerged over centuries of cultural and biological evolution, and they represent the accumulated experience of indigenous farmers interacting with the environment without access to external inputs, capital or scientific knowledge. In Latin America alone, more than 2.5 million hectares under traditional agriculture in the form of raised fields, polycultures, agroforestry systems and the like document indigenous farmers' successful adaptations to difficult environments."
--Wikipedia,  "Benito Juarez"
-- Altieri , Miguel A., Foreword to Enduring Seeds: Native American Agriculture and Wild Plant Conservation, by Gary Paul Nabhan, The University of Arizona Press, 1989

www.ronnowpoetry.com
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
mia ransom Jan 2010
This little man that I know with money in his sockets and routine in his pockets has self proclaimed that he is a tight ***. When I envision a *** such as this, I imagine a bundle -- of securely aggregated, perfectly sharpened number two pencils. The businessman just shy of adulthood and too tired to remember –even the beginning of his of disclosure, denied his struggle to acclimate a multifarious lifestyle, appropriately suggested in the form of a triangle, and a circle, both of which embody polar opposing adaptations of humanistic routine.

The two shapes: The circle, denies the break in motion by imposing a constant cycle of diligent compression, there is no room for pause only steady flow and relentless drive. This influence of life impression slows down the heart, body, and soul while speeding up time. This particular commitment accommodates the dry colorless beings that embrace and accept boxed imprisonment.

Traditionally, the triangle denotes rhythmic patterns that elevate and drop to a point in which imposes a healthy reflective pause: progression, reflection, balance. As stated, as a provincial approach, a regular triangle flat on its base, peaking at the top represents a healthy, solid life routine. In contrast, the triangle can be flipped upside-down introducing an entirely new dynamic, composed of flat-lined monotony, tapered off to a regressed realm of destruction, regret and disorder. Despite the uniqueness of the standard triangle model to the man in question, it is important to compare the negative reflection, for it applies to the entirety of this investigation.

We used to be lovers, he and I. We shared my giant pillow-top that I bought on the black market for a meager two-hundred fifty. -- A mere steal at that rate.


We occasionally exchanged ideas, mainly about ethical concerns related to globalization and the environment.

I attempted to give him a cooking lesson once, but that failed, indefinitely. The bust was not my doing, but simply, a great disinterest on his part; or better yet an inability of not being better than me at something.

Everything has gotten so crowded.
judy smith Apr 2017
So you know you’re looking at two very different styles of dress, here. But precisely what decades? When did that waistline move back down? What details are the defining touches of their era? How long were women actually walking around with bustles on their backsides?

Lydia Edwards’s How to Read a Dress is a detailed, practical, and totally beautiful guide to the history of this particular form of clothing from the 16th to the 20th centuries. It tracks the small changes that pile up over time, gradually ******* until your great-grandmother’s closet looks wildly different than your own. As always, fashion makes for a compelling angle on history—paging through you can see the shifting fortunes of women in the Western world as reflected in the way they got dressed every morning.

Of course, it’ll also ensure that the next lackadaisically costumed period piece you watch gives you agita, but all knowledge has a price.

I spoke to Edwards about how exactly we go about resurrecting the history of an item that’s was typically worn until it fell apart and then recycled for scraps; our conversation has been lightly trimmed and edited for clarity.

The title of the book is How to Read a Dress. What do you mean by “reading” a dress?

Basically what I mean is, when you are looking at a dress in an exhibition or a TV show, reading it in terms of working out where the inspirations or where certain design choices come from. Being able to look at it and recognize key elements. Being able to look at the bodice and say, Oh, the shape of that is 1850s, and the design relates to this part of history, and the patterning comes from here. It’s looking at the dress as an object from the top down and being able to recognize different elements—different historical elements, different design elements, different artistic elements. “Read” is probably the best word to use for that kind of approach, if that makes sense.

It must send you around the bend a little bit, watching costume adaptations where they’re a bit slapdash. The one I think of is the Keira Knightley Pride and Prejudice, which I actually really enjoy, but I know that one’s supposed to have all over the place costuming-wise.

Yeah, it does. I mean, I love the BBC Pride and Prejudice one, because they kept very specifically to a particular era. But I can see what they did with the Keira Knightley one—they were trying to keep it 1790s, when the book was written, as opposed to when it was published. But they’ve got a lot of kind of modern influences in there and they’ve got a lot of influences from 30, 40 years previously, which is interesting to an audience and gives an audience I suppose more frames of reference, more areas to think about and look at. So I can see why they did that. But it does make it more difficult if you’re trying to accurately decode a garment. It’s harder when you’ve got lots of different eras going on there, but it makes it beautiful and interesting for an audience.

The guide spans the 16th to the 20th century. Why start with the 16th century?

Well, partly because it’s where my own interest starts, in terms of my research and the areas I’ve looked at. But more importantly in terms of audience interest, we get a lot of TV shows, a lot of films in recent years—things like The Tudors—that type of era seems to be something that people are interested in. That time is very colorful and very interesting to people.

And also because in terms of thinking about the dress as garment, obviously people wore dresses in medieval times, but in terms of it being something that specifically women wore, distinct from men’s clothes, I really think we start to see that more in the 15th, 16th century onwards.

Where do you go to get the historical information to put together a book like this? What do you use as your source material? Because obviously the thing about clothing is that it has to stand up to a lot of wear and tear and a lot of it doesn’t survive.

This is the other thing about the 16th century stuff—there’s so little surviving. That’s why that chapter was a lot shorter and also that’s why I used a lot of artworks rather than surviving garments, just because they don’t exist in their entirety.

But wherever possible, you go to the garments themselves in museum collections. And then if that’s proving to be difficult, you go to artworks or images, but always bearing in mind the artist will have had their own agenda, so they won’t necessarily be accurate of what people were actually wearing. So then you have to go and look up written source material from the time—say, diaries. I like using letters that people have written to each other over the centuries, describing dress and what they were wearing on a daily basis. Novels can be good, as well.

Also the scholarship that has come before, the secondary sources, works by people like Janet Arnold, Aileen Ribeiro. Really well researched scholarly books where people have used primary sources themselves and put their own interpretation on it can be really, really helpful. Although you take some of it with a pinch of salt, and you put your own interpretation on there, as well.

But always to the dress itself wherever possible.

What are some of the challenges you face, or the constraints on our ability to learn about the history of fashion?

Well, the very practical issue of trying to see garments—some of them I did see here in Australia, but a lot of them were in the States, in Canada, in New Zealand, so it’s hard to physically get there to see them. And often, even when you can get to the museum, garments are out on loan to other exhibitions or other museums. That’s a practical consideration.

But also, especially when I’m talking about using artworks and things, which can be really helpful when you’re researching, but as I’ve said they do come from a place where there’s more interpretations and more agendas. So if someone’s done a portrait and there’s a beautiful 1880s dress in it, that could have been down to the whims of the person who was wearing it, or the artist could have changed significantly the color or style to suit his own taste. Then you have to do extra research on top of that, to make sure that what you are seeing is representative.

It’s a fascinating area. There’s a lot of challenges, but for me, that’s what makes it really exciting as well. But it’s really that question of being able to trust sources and knowing what to use and what not to use in order to make things clear for the audience.

Obviously many of these dresses were very expensive and took a lot of labor and it wasn’t fast fashion—people didn’t just give it away or toss it when it fell out of season. A lot of times, you did was you remade it. When you’re looking at a dress that’s been remade, how do you extract the information that you need as a historian out of it?

I love it when something like that comes up. I’ve got a couple of examples in the book.

Well, it can be quite challenging, because often when you’re first looking at a piece it’s not obvious that it’s been remade. But if you’re lucky enough to look inside it and actually hold it and turn it round different angles, there’ll be things like the placement of a seam, or you’ll see that the waist has been moved up or down according to the fashion. And that’s often obvious when you’re looking inside. You can see the way the skirt’s been attached. Often you can tell if a skirt’s been taken off and then reattached using different pleats, different gatherings; that can give you a hint that it’s then been remade to fit in with a different fashionable ideal.

One of the key ways is fabric. You can often see, especially in early 19th century dresses when they’ve been made of these beautiful 18th century silks and brocades. That’s nice because it’s the first obvious clue that something’s been remade or that an old dress has been completely taken apart and it’s just the fabric that’s been used. I find it particularly interesting when the waist has been moved or the seams have been taken off or re-sewn in a different shape or something like that. It can be subtle but once your knowledge base grows, that’s one of the most fascinating areas that you can look at.

You page through the book and you watch these trends unfold and there are occasional sea changes will happen fairly quickly, like when the Regency style arises. But how much change year-to-year would a woman have seen? How long would it take, just as a woman getting dressed in the morning, to see styles just radically alter? Would you even notice?

Well, this is the thing—I think it’s very easy, when we’re looking back, to imagine that in 1810 you’d be wearing this dress and then all the frills and the frouf would have started to come in the late 1810s and the 1820s, and suddenly you would have had a whole new wardrobe. But obviously, unless you were the very wealthiest women and you had access to dressmakers who had the absolute newest patterns and newest fabrics then no, you wouldn’t have seen a massive change. You wouldn’t have afforded to be able to have the newest things as they came in. You would have maybe remade dresses to make them maybe slightly more in line with a fashion plate that you might have seen, but you wouldn’t have had access to new information and new fashion plates as soon as they came. To be realistic, there would have been very little change on a day to day level.

But I think also, for us now—it’s hard to see it without hindsight, but we feel like we’re fairly fluid in wearing the same kind of styles, but obviously when we look back in 20 years, we’ll look at pictures of us and see greater changes than we’re now aware. Because it happens on a slow pace and it happens on such a subconscious level in some ways.

But actually, yeah, it’s to do with economics, it’s to do with availability. People living in towns where they couldn’t easily get to cities—if you were living in a country town a hundred miles away from London, there’s no way that you would have the resources to see the most recent fashion plates, the most recent ideas that were developing in high society. So it was a very slow process in reality.

If you have a lot of money you can change out your wardrobe quicker and wear the latest styles. And so the wealthiest people, their clothes were what in a lot of case stood the best chance of surviving and being in modern collections. So how do we know what working women would have worn or what middle class women would have worn?

Yeah, this is hard. I do have some more middle class examples, because we’re lucky in that we do have quite a few that have survived, especially in smaller museums and historical collections, where people have had clothes sitting in their attics for years and have donated them, just from normal families over the years.

But, working women, that’s much more difficult. We’re lucky from the 19th century because we have photographic evidence. But really a lot of it will come down to written descriptions, mainly letters, diaries, not necessarily that the people themselves would have kept, but there’s examples of people that worked in cotton mills, for instance, and people that ran the mills and their families and wives and friends who had written accounts of what the women there were wearing. Also newspaper accounts, particularly of people who would go and do charity work and help the poor. They often wrote quite detailed descriptions of the people that they were helping.

But in terms of actual garments, yeah, it’s very difficult. Certainly 18th century and before, it’s really, really hard to get hold of anything that gives you a really good idea of what they wore. But in the 18th century—it’s quite interesting, because then we get examples of separate pieces of clothing worn by the upper classes, like a skirt with a jacket, which was actually a lower middle class style initially and then it became appropriated by the upper classes. And then it became much fancier and trimmed and made in silks and things. So then, we can see the inspiration of the working classes on the upper classes. That’s another way of looking at it, although of course that’s much more problematic.

It’s interesting how in several cases you can see broader historical context, or other stories happening through clothes. Like you point out that the rise of the one-piece dresses is due to the rise of mantua makers, who were women who were less formally trained who were suddenly making clothing. Are there any other interesting stories like that, that you noticed and thought were really fascinating?

There’s a dress in the book that a woman made for her wedding. I think she was living on her own, or she was living with a servant and her mother or something. She made the dress and then turned up to her wedding and traveled quite a long way to get there, and when she arrived, the groom and all the guests weren’t there. There was nobody. So she went away and came back again a week later, and everyone was there. And the reason that no one was there before was that a river had flooded in the direction that they were all coming from. She had obviously no way of finding out about this until after the fact, and we have this beautiful dress that she spent ages making and had obviously gone to a lot of effort to try and work out what the latest styles were, to incorporate it into her wedding dress.

Things like that, I find really interesting, because they talk so much about human and social history as well as fashion history, and the garment is the main way we have of keeping these stories alive and remembering them and looking into the kind of life and world these people lived, who made these garments.

Over the centuries, how does technology affect fashion? Obviously, we think of the industrial revolution as really speeding up the pace of fashion. But are there other moments in the history of fashion where technology shapes what women end up wearing?

One example is where I talk about the Balenciaga dress from the early 1950s—with a bubble hem and a hat and she would have worn these beautiful pump shoes with it—with the introduction of the zipper. Which just made such a huge difference, because it suddenly meant you’d have ease and speed of dressing. It meant that you didn’t have to worry about more complicated ways of fastening a garment. I think the zipper made a massive change and also in terms of dressmaking at home, it was a really quick and simple way that people had of being able to create quite fashionable styles on a budget and with ease and speed at home.

Also, of course, once women’s dress started to become simpler and they did away with the corset and underwear became a lot less complicated, that made dressing a lot easier, that made the introduction of the bias cut and things that sit very closely to the natural body much more widely used and much more fashionable.

I would say the introduction of machine-made lace as well, particularly from the late 19th, early 20th century onwards where it was so fashionable on summer dresses and wedding dresses. It just meant that you could so much more easily add this decadent touch to a garment, because lace would have been so much more expensive before then and so time-consuming to make. I think that made a huge difference in ordinary women being able to attain a kind of luxury in their everyday dress.

That actually makes me think of something else I wanted to ask you, which is you point out in your intro the way we casually use this word “vintage.” I think about that with lace. Lace is described as being a “vintage” touch but it’s very much this question of when, where, who, why—it’s a funny term when you think about it, the way we use it so casually to describe so much.

Oh, yes. It’s crazy. I used to work in a wedding dress shop and I used to make historically inspired wedding dresses and things. And brides used to come in and say, “Oh, I want something vintage.” But they didn’t really know what they meant. Usually what they meant is they wanted something with a bit of lace on it, or with some sort of pearls or beading. I think it’s really inspired by whatever is trending at the time. So, you know, Downton Abbey became vintage. I think ‘50s has always been kind of synonymous with the word vintage. But what it means is huge,
Mike Essig Nov 2015
These are adaptations in Ezra Pound's tradition, not exact translations. - mce

I

The moon is gone,
the Pleiades vanished,
my youth deserts me.
In night's darkest heart,
time streams on
and yet I sleep alone.

II

On feather beds,
we spent our desire,
dancing within
each other
until no holy place
remained untouched.

III

The Muses instructed me;
My honor is their craft.

IV

We shall enjoy
each other, Love;
let stillness and sorrow
stalk those
who disapprove.

V

No warning!
A torrent strikes
the stout oak
as love strikes
my heart.

VI

Stars hide their faces
when the moon's splendor
smiles and shines
upon the earth.

VII

Taking the lyre
into my hands,
my fingers
invited it
to speak
a lover's voice.

VII

You
have set
my heart
alight.

IX

I thirst
and
I burn.
Surbhi Dadhich Nov 2018
Frozen in daylight
Molten in glaciers
Loving is living
Beyond wildest adaptations
Flabbergasted in the fray
Of messy, mixed emotions
Face deep in downfall
Of kins' precautions..
"Alexander son of Philip, and the Greeks except the Lacedaemonians--"

We can very well imagine
that they were utterly indifferent in Sparta
to this inscription. "Except the Lacedaemonians",
but naturally. The Spartans were not
to be led and ordered about
as precious servants. Besides
a panhellenic campaign without
a Spartan king as a leader
would not have appeared very important.
O, of course "except the Lacedaemonians."

This too is a stand. Understandable.

Thus, except the Lacedaemonians at Granicus;
and then at Issus; and in the final
battle, where the formidable army was swept away
that the Persians had massed at Arbela:
which had set out from Arbela for victory, and was swept away.

And out of the remarkable panhellenic campaign,
victorious, brilliant,
celebrated, glorious
as no other had ever been glorified,
the incomparable: we emerged;
a great new Greek world.

We; the Alexandrians, the Antiocheans,
the Seleucians, and the numerous
rest of the Greeks of Egypt and Syria,
and of Media, and Persia, and the many others.
With our extensive territories,
with the varied action of thoughtful adaptations.
And the Common Greek Language
we carried to the heart of Bactria, to the Indians.

As if we were to talk of Lacedaemonians now!
RazanSidErani May 2017
the millennials like to dream,
we like to believe in anything.
love, life and food cycles lasts forever
at least in photographs it does.
the age of superhero movie adaptations
and the golden age of TV.
where an epic episode cost ten million
times have changed
but we never stop dreaming
its a daydream nation out there
by RazanSidErani
Dishes Jun 2015
Some days my heart shines like its sure the sun is its closest rival and oldest teacher,
Other days my brain convinces it that it might as well just call in sick for the day to avoid the echoing pains of nights prior,
On most days though my heart is in a constant argument with my brain,
Maybe not an argument but more of a negotiation, my brain lets my heart wander on a longer leash and play its music a little louder, but once the storm clouds roll in my heart has no choice but to be locked away for the sake of my mental foundations integrity.
Somewhere in the compounds of my body there is a soul that cant get a word in on the dialougues of my heart and brain,
Then again he has no scientific bearing in the world so he holds no worthwile input?
But what if my brain and heart are tool my sould has yet to figure out? Or vice versa? Maybe souls are adaptations and sentience is is just us learning to use those adaptations to our advantage?
Souls cant be just tools or improvements though, they are too cemented and too complex,
Too  raw, unobservable, undescribable, and undeniable.
I just wish there was a way to get all 3 on the same page.
Nothings the same lately and its like my world flipped upside down, and this is me falling out of reality into infinity and watching everything Ive wanted or known pass me bye like lines on a road.
The other day I took some acid and found myself laughing at the fact that we discover medicines and we have politics and science and that we have this curiosity to explore and this hellbent obsession with expansion and growth.
I realized at that moment that there is a simple and absolutely gorgeous futility to everything humans do,
We might cure cancer,
The sun will still blow up eventually,
We may find world peace,
But overpopulation might bite us for that one,
The point is nothing we do can stop the end times, that doesnt mean stop what youre doing and lose all motivation, it just means at the end of the day, were in the can regardless, dont sweat the small stuff and make your moments gleam.
Insanity has beaten me at poker every night this week, I think he can see my hands better than I can.
Mateuš Conrad Jan 2017
i could conceive the western concept of the rehab,
but then for 3 weeks i was in poland
i didn't touch the bottle for that period of time...
i don't see how an addict with a bunch
of addicts can be cured by anything other than
stigma... i'm actually happy addicted to
addiction: i entered my reading-mode...
   that said, most people can't digest a Kraszewski
book... **** me, we read Bradbury in snippets
just to tow in an essay for A-level english...
       philip augustus, or the chess player concerning
the Angevin family... great stuff...
   i didn't choose the book, my grandfather did,
he owned half the Kraszewski collection and read
nothing of it, he had to find a ******* "bored"
enough to read one of the books,
   and as i once said: i've seen the movie adaptations
of the Sienkiewicz trilogy...
         the cossack uprising, the swedish deluge...
and i said to myself: i can't and i won't...
thanks you jerzy hoffman, and yes: thank you
peter jackson...
              the infinite supply of elven arrows
and Legolas shooting orcs at point-blank range did
it for me...
                thankfully i can write something
as obscure as this, and know, for certain, that
there's a back-alley of the human populace out there
that might be searching for something like this...
   but that's what i found entertaining,
i actually had the opposite of wanting to compliment
the film adaptation of sienkiewicz, with an actual
sienkiewicz book... mind you: Kraszewski covers
the same period... and it's all the same time frame...
   should i write a proof that i read the **** thing?
maybe... but the main idea is that:
a metropolis cannot provide the right environment
for a book... or completing a book...
books are read in the countryside, in small towns,
in palaces... in hunting lodges...
          and i dare say: reading a book, getting into
full swing of the narrative is best done in daylight hours...
and i'll come back to the daylight hours,
  as a drinker and writer i chose the night...
  you know how long it took me to restore my
biological clock, and regain the nocturnal realm after
spending 3 weeks with a clear schizophrenia
of sleeping in the night and wriggling about during
the day? 2 weeks! i restored the biological pendulum,
but i have to admit: i feel ****...
    but i guess it's a worthy sacrifice...
i'm planning to go back to my country of origin
during late spring to read some more books...
i couldn't have read don quixote, the brothers karamazov,
bertrand russell's history of western philosophy
    yada yada yada... or kierkegaard's either / or,
or finished off kant's critique without my place of birth...
  and isn't it like a badge of honour?
                some will tell you to speak out an eastern
mantra... om... and the shattering of chandelier...
the western mantra is also a type of hypnosis,
you have to find a rhythm with a book...
  the mantra is the narrative of a book, and the silence
that incubates you has shark-teeth should anyone approach...
   but urban living makes this spot harder to find
than a begger or the ******... you can read books
in large cities... before you head home you're
bombarded with the psychology of exploiting your
literacy, in adverts, in orientating signs...
        with them being so authoritarian, it's hard
to find time for a liberal attitude to books...
            esp. what books are, best described by people
who'd probably like to throw them like molotov
cocktails in protest marches: thick as bricks those
gargantuan apostles of the void are...
       and so we are: sitting in times of hyperinflation
of literature... if that isn't the case, let me know by
Tuesday next week, i'll brood the assumption myself
until then...
      that's 2 weeks it took me to return to my writing mode...
to get back to the nocturnal realm
where everything is doubly black & white...
                 the point is: i want to write at a time when
the surrounding world sleeps...
     last time i remember, i didn't get a message in my dreams,
i'd love to see letters in my dreams, fortunately
i can't... i haven't seen these artefacts in dreams,
      but it's hard to blame memory as not strained enough
to do so... the unconscious and memory don't really
interact that well... it's a paradox that they even do
and that dreams have some sort of existence involved in
the architecture of our psyche...
                        last night i dreamt of lego batman because:
d'uh his endearing sarcasm... and godzilla!
   boo ya!         and this large city being eaten up
by a tornado, and other things phantasmogorical....
well pandemonium here, pandemonium there...
    don't get any ideas about the nature of dreams and
oedial repression... please! unaffordable housing prices
these days can only mean i'd really earn a mortgage
if my ***-drive went to the dogs, of the profession.
    so 3 weeks of a sober life and enough time to read
books... and my return into a writing life, a nocturnal
life, and drinking...
   mind you, in between there was that masters final
with ronnie o'sullivan (at least romford is famous for
something) vs. joe perry... in the last frame, when they
had 30 odd points each, and they were plucking at the
last remaining red ball for the snooker?
       snooker is a metaphor for the savannah...
you either watch snooker, or a david attenborough naturalist
show... there's the herd of buffalo (the red *****)...
           and the cue ball the hunting predator...
well... it's all a bit abstract, there are just ***** on a green
table... but still... at least in snooker you can bug
the "pawn" (red) ***** without having to *** them,
in chess you destroy completely... the pawns go...
there's no time to keep them for a no-man's land pause...
and i just turned 30... which goes to show:
                  if the game of football was perfect,
i mean perfect like tennis is with hawk-eye and
    6 judges vertical, 4 judges horizontal...
                  then football wouldn't be so passionate,
so religious... the reason it is so religious is because
judging it is so ****** imperfect...
     there's a reason why football can't be perfected in a way
as rugby can, where the referee can pause the game
and ask for a replay... the unfairness principle!
it has to be unfair in order for people to feel even more
impassioned by it! that's why in that film
when Alec Baldwin says something along the lines:
god comes first (while his hand holds out
the index and *******), and football comes second
(the index finger disappears)...
      football can never be a sport that has perfect
refereering... which makes me surprised as to why
it can grace the Olympic games...
                   football (in english, not that theme park
of jumping torpedoes) - yes the football known as:
ballet with hairy legs...
                   it has to remain unfair and subsequently
quasi-religious because it generates the most money,
but apart from that, it has gained a quasi-religious
status because it reflects a sort of life we acknowledge:
the referee made a bad decision, god did this... blah blah...
  and we get passion, religious passion that's
best represented by football hooligans...
                        but whereas other sports perfect their
techniques of refereeing a game, football hasn't done
the least possible, because it requires the whole debate
of: life's unfair!
    if it wasn't for unfair refeering, the game would not
be alive, as it is alive, to stage a confrontation
with: apache west ham, and sioux millwall...
       it's the best way to ensure tribalism...
         make the refereeing unfair, don't improve it...
blame it on the man in the sky, or the ponce in new zealander...  
mind you....
   the last football match i went to was at Stamford Bridge,
Chelsea lost to Newcastle United...
             i just just there like a stoic twant...
           i couldn't imitate the screams and the chants...
   i was just mesmerised at how it's so different from
watching a football match without the television acting
like a microscope... i am sure i was looking elsewhere
when someone scored a goal...
                 i probably went to the toilet when i
missed another goal...
                        and i'll reiterate...
   it can't be a gentlemanly sport, the rules can't be fair,
that's why they call it the sport of the rabble,
they have to contain the illusion of being unfair...
       because it's a "rabble" sport...
the referee has to make bad decisions,
otherwise there would be a "what if" dimension...
ask any Pole about the 1974 semi-finals with Germany
and ask them about the weather that day...
  then ask about the Polish wingers... and how fast they
were... and how the pitch was so slosh, and ice-puppy
fudge that the slow germans won it...
                     because the Poles always say:
we could have beaten the Nedetherlands in the final...
        again: football, if it is to be stated as the secular
alternative to religion, has to have an inherent unfairness in it...
all the other sports will perfect their judgement,
football will not move an inch... just like a religion -
perhaps that's also because we live in times of
cold-consumerism,
       a quick comparison is:
   the reactions of antonio conte vs.
                       ivan lendl -
   the former looks like a raving lunatic when something
good, or bad happens...
   the second? is he watching tennis, or playing poker?
onlylovepoetry Jun 2019
it is done differently - more is not necessary - more of this -
is too much;
the kissing is an exploration - to a polar destination of
virtual whiteness -
to discover more than this.  the kissing is not an end in and of itself - but a fjord unexplored leading to what? yes there are many different kinds of kisses - adaptations to a changing terrain - but the face, the face, the face (not just the lips),
the head entire -
is the first battle in a world war where the
opponents strengths and weakness are
literally uncovered and shape the nature of the war of the worlds
yet to come.

more than kissing, it is a speech and an interrogation;
an ******* revelation
of fine lines and small scars, a writing of a history, a history that existed  unbeknownst to the explorer and thus interesting and dangerous - a history composed in a different time and place and almost in a vacuum - for kissing is impactful - outlines of footsteps on never before trodden lanes - but who prepared these paths in advance of my arrival, and was my arrival forecast or just imagined?

first time kissing oft portrayed as excited glee - but this is a grievous error - a wild display of wasted resources - it is not to meant to be pesky single shots of damp I was here where next? it is a drawing, nay, a sculpting of map to be reproduced in limited quantity for only the map rooms of the greatest museums.

each individual kiss is more than an act, but a marker
connecting the previous
to the future next -
exactly a map drawn by an explorer - meant to be shared with others who love history, discovery and women creatures.

be wary of unmarked crevasses and pools where
no one has measured the depth -
novice sailors without proper charts upon unfamiliar faces -
too oft drown or are somehow sail as lost forever.

but the notion of being the first, even if you are not the first,
is so intoxicating
for the brainstorming it provokes - the envisioning of
more than kissing but of unlocking
a new nature, creating a creation born in the intersection of two waters - where fresh waters joint the brine of the ocean -
and there are untold different kinds of waters and no two terrains though similar - are ever exactly the same.

here does my entry in my log - my journal - end - though the notation of than
is comparative and therefore unending.
Jewel Tiara Jun 2015
you were the one that taught me that people never change

no matter how many years you give them and how often the setting changes and how many new people they've met

people never change.

you broke my heart and you kept on doing it and I realized

I will never change

I'll keep loving you.

I will never change.
6/10/15 10:11pm
Stu Harley Feb 2015
the one drop rule
invisible blackness
black versus white
different categories of race
created by man for evil purposes
such as caucasoid negroid and mongoloid
this is a bunch of hooey
these words are just terms for
marginalising whole groups of people
by some smarty pant with a so-called degree
in anthropology and sociology
who gives people the right to classify other racial groups
I pondered it - anyway just blue smoke and mirror stuff
created by some racist people organizations and institutions
by creating racial and class division plus religion creating wars
thus
God created man - singular form
thus
God created man from the earth (black mud)
and no accident that we are made from one blood
oh yeah - Adam's blood
mankind is just a very large extended family - based on DNA
Europeans are not 100% white
they became white because of environmental adaptations
and they are no better that the rest of God's creations on earth
skin color does not make one racial group superior than another
this is just a head and mind game for social and political advantages
however everyone is a Heinz 57 mixture
White People are mixed with so much stuff - too
oh yeah baby and who is your daddy now
race mixing has been around
throughout the history of mankind and still
it will continue to mix races in the future
just remember this
the neanderthal mated on a regular basis with the homosapien
no race is 100% pure of anything
according to one drop rule - White are neanderthals too
this one drop rule is a silly and hidden taboo that is just plain ludicrous
God is a good God
God is neither Black nor White but He is a Being of Existence of every dimension
God is the all of everything - seen and unseen
God exist in every creation
God is a part of you and me
the will of God lives in every place
God is justice and equality
God don't speech hate and racism
God is love and peace toward all mankind
God does not make men slaves
God gives man the right to be free
God wants man to be inherit the earth and be good stewards
Well ain't God good no matter how you look at it
yes He is good - all the time my brother
yes god is good and everlasting
amen amen amen
While in the midst of playing solitaire
(with losing outcome foreordained
after a couple moves), I became gripped
with combinations predicated on thirteen
ranks each of four French suits subsumed:
Clubs (♣), Diamonds (◊), Hearts (♥) And Spades (♠).

I  totalled a sum of fifty two variations.

If one of four possible draws for king available,
(which could be either Clubs, Diamonds, Hearts,
and Spades), that would automatically determine
every subsequent card diminishing in rank
topped off with an Ace.

Please feel welcome to challenge my presumption
within a dark alley late at night.

The above calculation logical since a standard deck
(not surprisingly) comprises 52 cards
(4 suits of 13).

Each suit (Clubs ♣, Diamonds ◊, Hearts ♥, Or Spades ♠)
contains an Ace, 2, 3, 4, 5, 6, 7, 8, 9, 10,
Jack, Queen, And King.

There are no duplicates.

No Google search yielded results
asper this nagging question, but unexpectedly
whet an immediate appetite describing
the history of plain old vanilla playing cards.

Said legacy encompassing the four suits
i.e. collectively represent four elements
(wind, fire, water, and earth),
the seasons, and cardinal directions.

They represent struggle of opposing forces
for victory in life. Each suit on a deck of cards
represents four major pillars of economy
during middle ages: Heart represented
Church, Spades represented  military,
clubs represented agriculture, and
Diamonds represented merchant class.

King of hearts is the only king minus a mustache.

Face cards (Jacks, Queens, And Kings) so called
"face cards" because the cards
have pictures of their names.

One-eyed Royals (the Jack of spades
and Jack of Hearts often called "one-eyed Jacks"),
and King of Diamonds drawn in profile;
therefore, these cards
commonly referred to as "one-eyed".

The King of Spades ♠ ranks
as one of three immovable Fixed Cards
in the Cards of Life and resides
in the Crown Line of both Master Scripts
(Spirit and Life).

Said card, in situ, the most powerful card
in the deck.

A Jack or Knave is a playing card,
which in traditional French and English decks,
pictures a man in traditional or historic
aristocratic dress generally associated
with Europe of the 16th or 17th century.

The usual rank of a Jack, within its suit,
plays as if it were an 11
(that is, between the 10 and the Queen).

Charming, resourceful, personable and easy-going
best defines Jack of Spades.

Blessed with a creative mind,
this one-eyed Jack of the deck manifests
jais nais sais quois salient scrutiny
jest via virtue of lightness of his being.

The four card suits that we know today —
Hearts, Diamonds, Spades, and Clubs
(rooted in French design) circa 15th century,
but the idea of card suits is much older.

The written history of card playing
began during 10th-century Asia,
from either China or India,
as a gambling game.

That idea found its way to ancient Muslim world
before 14th century.

The oldest known deck of Muslim playing cards,
like the playing cards of today,
had four suits: Coins, Cups, Swords, and Polo Sticks.

These decks of cards then showed up
in southern Europe, but because polo sticks
were unfamiliar to Europeans, that suit
eventually changed to Scepters, Batons,
or Cudgels (a type of club).
In France, Parisian cardmakers
settled on Spades, Hearts, Clubs, and Diamonds
as the four suits.  
    
The first adaptations of German card suits
constituted Leaves, Hearts, and Hawk Bells
(Acorns rounded out German suit).

Considering cards strictly made
for French upper class, tis little surprise
cardmakers chose expensive
Diamonds over common Acorns.

The French advanced card making utilizing
flat, single-color silhouettes for suits.

These images created with simple stencils,
made manufacture easy, quick, and inexpensive.

Innovative new, cheaper cards
flooded the market in the 15th century,
became popular in England,
and then traveled to America.    

Contrary to contemporary belief four suits
meant to represent four seasons inaccurate.

Equally questionable 52 cards linkedin
to 52 weeks of the year.

Many numerological and religious
explanations asper composition  
analogous to deck of cards postulated,
but these explanations purportedly created
ex post facto, perhaps to give deck-holders
a solid argument, that role deck of cards
maintained existed other than for gambling.
Mateuš Conrad Oct 2015
it’s not that i hate film literary film adaptations, but only one adaptation made me want to read the book: stendhal’s the scarlet and the black (starring ewan mcgregor and rachel weisz).*

i don’t in a respective romanic auditorium
with toga donning senators
walking to egyptian flutes from the cleopatra’s entourage
gleaming old fames as to prove the pyramids
and sphinxes were above in the hierarchy of awe
to the iodine and hod on papyrus,
to give these localities the respectable aura of re-,
i take to hammock’s kenotic and burial’s untrue:
the former feeds the northern feel of autumnal london
suburbia and the latter the southern quarter,
but never mind that, it’s already minded and eerie.
i watched the screenplay adaptation of empire of the sun today,
i have to say, i was jerking up the thought
of salty rain rather than acid rain on the environmental
perfusion surprise - so i ****** a jamaican fake on the hopscotch bonnet
mascaraed on the eyes, or the romantic tears of cutting an opinion,
but honesty... honesty! three scenes made me push my
manhood away from the stench of molten iron of the army:
the was the protagonist sang the song of the kamikaze
just after they downed a shot of koji and started singing
just after doing the flap-your-hands-in-the-air-like-you-just-don’t-care
salutations of encouraged nihilism.
it’s the editing part of the film, how the boy’s voice overpowers
everything else and becomes “monotone” against all other sounds,
the dignity of the boy’s enviousness and admiration
for the kamikaze... even in captivity! by god, what a scene!
the other scene that haunted me to near tear
was when the prisoners entered the cemetery of hoarded
valuables by the japanese upon invasion of shanghai
and taking from notables the jewellery chandeliers and cars
(pianos too): after seeing the prisoners familial in captivity
exchanging cabbage heads for cigarettes
proving what the world would be like without the existence of money...
i thought of the familial “humbling” of the people in captivity,
and the sheer haunt of the same prisoners returning
to a world they so dearly lost - in that each to his own
piano and mercedes benz, that neo-tribalism of earn earn spend
frivolity and self-interest that democracy prescribes
allocating us each a tomb of fancies (and sometimes the odd *****).
but the most striking thing became apparent - in these
japanese prisoner of war camps... the prisoners didn’t wear uniforms...
i can understand if those in power adorn uniforms,
but the oddity of the prisoners not having uniforms is quite
positively giggly sinister... given the fact that the other sinisterness
is when there’s a prison camp and those in power
wear uniforms and those imprisoned are also tailored for.
i see a major libra of power in all this,
for if the prisoners are not tailored for denoting their collectivisation
as in status of prisoners... then there’s a certain freedom in all of it,
like on the grander scale, in society, where the politicians,
the overseers only wear suits and the communities differentiate
themselves with hawaiian floral tattoos on t-shirts and tourist slogan ones too:
it’s almost as if the ultimate leniency of power was being exercised
not having to wear prisoner uniforms in the japanese pow camps,
unlike the pinstripe ones of auschwitz - as some collectivisation
of guilt within ideological framework rather than the opposite:
wrong place at the wrong time.
the last tear i got? well the music on the credits reel pulverised
by the images of a son re-recognising his mother by touchy touchy.
conclusively? better on your mother’s *** and able to cook too
than on the cooking *** of a wife and with two left hands preferring
the hot topic of takeaway or restaurants - hunter gatherer died -
me belly full of berry - how is it that **** sapiens is also called
**** perderus awhile the tortoises saturated achilles with peace and thought
and no chance of martian glory telling him of zeno’s paradox?
Cat May 2014
My roots aren't here
They never were
I planted some crops
But they were imported
An ideal situation this land may be
To the adaptable, changing and innovative breeds
It is habitable to the natives and hybrids that are able to flourish
But me, my roots come from a different tree
They belong somewhere else
They always have
I can survive in new elements
But only with proper care and chemicals
The artificial adaptations eventually take their wear
And usually from the inside out
Without the natural nourishment I whither
So as thankful as I am for a land that harvested growth
It is essential to my survival that I find my proper home
AW Sep 2015
Though first, I evolved according to plan
Little enabled me outlive this predator
With few permanent armor plates, strong
Muscles capable of crushing
Anything, bones extremely tough,
These serious injuries go beyond
My cold-bloodedness.
I like my environment, have developed
Behaviors to control it, to save energy
That can be put to other use
An evolved entirety of reason
Is why I can go for over a year
In extreme shutdown
My own tissue will feed
On anything it can overpower
Extraordinarily adaptable
During difficult times,
I will scavenge for everything,
Digest nothing left behind
My social interactions are complicated
I primarily lead a solitary life, don’t recognize
Vocalization, postures, signals, touch
My brain more complex than that of any other
A powerful sense of perception
The ability to learn, to avoid situations
That modify me structurally
Adaptations have allowed me to thrive
But surviving human encroachment
May be my biggest challenge
Through habitat enhancement
I may be able to ensure these
Sophisticated survival skills
For years to come
This is a found poem carved out of an article titled "Crocodile Secrets of Survival".
Vernarth says: "ideal of our consciences, we will open the channels in Kímolos, before our subtle bodies, in which they will be opened to us, and how we parabolize, before this pretense of Saint John the Apostle, in the head of mediumship to reach the longitude wave to Hellenika. The interactive vibrational ones will go with the expression of deep reasoning, to pontificate the Mandylion with the Vas Auric, for the effect of the iconification of the idiomatic monologues, for such edges of  Saint Jude Thaddeus and Veronica, and for such an event facing alien forces before the Messiah, that they are like a coherent gadget before the intermittence variants. Channeling to the Cyclades, they will go from east to west wading the waters of the Aegean and Mediterranean, through the channel of the Universe-Duoverse, for inter-consciousness between the Hexagonal Primogeniture in Tsambika, and the triad of Etréstles, Kanti and the Archpriest in Hellenika , with high degrees of awareness of light and the conclaves between both homilies synchronous. Of great drowsiness before the Anemoi winds, they will go through near the voyages of the Trojan chthonic ships, and before the ominous chthonic divinities, for such deities in the Mediterranean substrate, identifying themselves more obviously with Anatolia, which from prehistory has continued to the site of Troy, in a cheesy plan to unite loyalists of Agamemnon, to defeat Hector, between farmland and agricultural revolutions and Akkadian worlds BC, in peripheral outposts, to influence the central regions of Greece and its maritime trade. Hydros influences, for the cycles of the solstice and nature, with those of life and survival after death that is at the center of the concerns that are not translated. In Crete, the supposed cult of great Gods was transformed during the II millennium BC. C. as new actors appear: various animals, plants, etcetera. Given consciousness, the light will be channeled, in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the retro channels of the Cyclades, which go from Rhodes and Kímolos, for the discernment. Sometimes it is more gratifying to listen to what you want to hear and not to the real message, the egoic mind that does not come from serials of daunted egos ..., prays with signs of technological shamanism, intervening artificial intelligences, from egomaniacal administered consciences, being strident and iconoclastic for worlds of appearances and illusions. I Vernarth with our own Khaire…, in my mind I go towards the vessels that navigate the andurriales of the elusive identity, trapping it in the totemic animal stratum, in its tracking psychology, but seer of its present ego. Today I will use my Leonatus cap, to separate the anger from the large shadow that clouds my sadness, and from my own victimhood of reduced meekness, which spews violence, blaming it for a ruthless sort of depressive shame and exclusive of everyone's own fear for everything . I will blindfold my eyes against illnesses that will heal in three days, to straighten the ecstasy that grows thicker towards the guillotine, staying on Golgotha without Golgotha, I will create the framework of cinnabar for the pain of the skull, which trembles in my hands, until the Dream becomes vaporous with anger and harmless destruction before your egos, which throb rozagant towards the host entity and the scarified madness. Awakening my nuanced, subtle and anthropomorphic subconscious dreams, with sorrows that hurt my worst self-destructive amorousities before the new memorial, on the veil of Theoskepasti, with his science sheltering itself when yielding over the defeated springs and inaugurating new miraculous courses where I will surrender, full of sorry and more distant from the veil that does not act as a viewer.

Duo time, Duo space, in one I get excited, in the other I retro project, in unreal worlds of epistemic and channeled images ignoring them, in free astrolabe when decrypting my Duoverse, between the Tsambika templets, with the decoded and mutated annelids in trisomy , in ancient trees of plain doors of the Bern Olive Trees. We look at what gratifies and weaves together what weaves the positioning of the approaching stars of the universe, like leaves in psalms, worthy of all-powerful serials, in redoubled humors on the encompassing intraterrestrial chthonic tridents, in tricks of intuition, before skewing my sword Xifos, as an original replica of a night's dream in Tel Gomel, full of alerts that make me laugh chew it in the middle of my mouth on the jerky and the strains of the bear, towards the counterweight of the message of light and lag of the high astral as a bear less. Bustard and angelic breath in withdrawal and in dissolution ... unfinished planet ..., now if I see you channeled and incarnate! Diva emotion, here I analyze my audacity and courage towards being fed up with my omniscient prosopon, such an omniscient telepathic. My soul lies, and my emotion also, because in this way I will treasure the courage of panic, by surrounding myself with the fears of carrying the universe that is resting on the underside of my back at a cost "
Harassment of psychological channeling, against the horns and sights of a peaceful energy confrontation, will make them in Rhodes and Kimolos channel with the stark human finitude of life and finite and non-eternal existence, ad portal with their Aspis Koilé. Unconscious they will continue halfway with their bouquets of flowers for Walekiria, without ever really taking the time to tell her, what time of eternity will make them more crowded for her and her reliquary poem, from deflagration in flame, to insidious break of commitment of fear by telling him that if they revive, they will be others, but if Hetairoi extra Hellenic towards the light of the incarnate vermilion ..., and in a state of loop as "Being of Light". Oh phantom phenomenon that does not scare me ..., rather it disenchants, clinging to my skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me ... As conjecture and presence of Greca life ..., having to promote the matter and atmosphere involved where the valuations, should be tempered in the pressure regulators and the contribution of biodiversity, of the species for the insular life and its chemical balance in the Aegean. The theorem will state in the image of Vas Auric, as sounds of homeostasis, in classrooms, properties of the intervened annelids are consistent, capable of keeping them in a certain internal and stable condition, compensating for the changes in the noise of the intervened patios, towards an environment through the regulated exchange of matter and energy with the outside towards your (metabolism), trying a form of dynamic balance with the sparkling properties of Cinnabar. As a self-regulating biosphere in the conditions of the planet to make its environment of physicality (especially temperature and atmospheric chemistry) more noble with the species that make up life in the compass of two islands unmanned by beings from Gaia, rather as an entropy in magnitude physics for a thermodynamic system in equilibrium, inhabited by intra-dynamic beings that nobly associate, for adaptations of worlds that are not born. It segregates them towards a departure, measuring them in numbers with Gold in their population, from high numbers in states of zero, compatible with the laws of external physicality, for the purposes of watchful guardians, if Gaia's engine is turned on, before this psychic and spiritual combustion?

The laws of this system of closed circuits and channeling will tend to maximize entropy, expiring inhibitory reactions, for the traces of oxygen and nitrogen from the worms, making an express signal of the levitant carbon dioxide, to carry it from Tsambika, in a sigh of two converged energies of Leviathan and Saint John the Apostle, for the clouds in mole of carbonate dioxide, battling over the surviving necromancers and their conditions of activity and reproduction, maintaining these habitable conditions for many and many, in classes that did not enjoy of the life-death-life cycle. Greece, as it will now look like a turbo generator and appropriate laws underlining the extensive fibers concerned, a mole of molecules, in said of equality, of said hypothesis of Vernarth as sub-mythology, rather resting on the growing ivy  to its setbacks, and strangling the signs of satiety of life with properties of open skylights, and properties in tune, with the severe penalties that hurt, even the tolling of the bells and their pain as the millennia pass! Fear, insecurity and frustration will not fit because in the cavity with them, they will cut the abenuz Diospyros, with its stamens usually in sixteen plus its hypogines or inserts at the base of the corolla; like those of female flowers, being greenish or being converted into staminodia. Diospyros with ovaries generally tetralocular, or with eight locules due to false divisions, will make us channel inseminating demigods, under the staff of sub-mythology with Zephian of Horcondising, before the vibrational migrations begin in Hellenika. Just as in this pact with silence and meditation and burning toxic flames, under vulnerable high frequency insolation ..., waking up in Gaia like a sleeping fairy, and invested with extra light shaman, with degrees of synergy and with the simple science of blizzard ... , with low puffs of air of bread and cinnabar burning in the first hosts of hummus, as the homily began.
Diospyros
Maria Hale May 2012
Mouths are not used for communication.
Rather they add to all frustrations,
Allowing lies, guile, and machinations.

If man had a trunk to trumpet a warning,
‘Twould be better served than a tongue used for spurning.

A narrow proboscis for nutrients to ****,
More useful than lips that spew only muck.

The double-speak game is one that must stop,
Before all good words are spun into rot.

Mouths are ridiculous adaptations,
That enable ridiculously false orations,
Telling us all we need is communication.

-M. Hale
6.10.11
Lily Feb 2020
Toddlers can put green crayons in the freezer without
Anybody questioning them and I
Have a problem with that.
I have a problem with the fact that toddlers can put
Green crayons in the freezer and tell their parents that they are
Preserving
The Earth and that they’ve been learning about
Animal adaptations and conjunctions in school
And that they
Love
Their friends.
I have a problem with the fact that a
Toddler’s idea of
Beauty
Is a butterfly landing on their finger during
Recess, a snowflake on their tongue, the
Grogginess of  staying up past 8:30,
****** snacks, Dora the Explorer,
The satisfaction of scraping the
First chunk out of a tub of butter, the
Giddiness and fear at your first sleepover,
The one where you had to timidly shake your
Friend awake in the middle of the night because you could
Not for the
Life of you find the bathroom.
I’m not ashamed to admit that
I haven’t said I love you in a time that
Lingers like the smell of burning.
It’s always love you or love ya and I’ve
Forgotten what it feels like for those words to
Caress my lips, to guide my heart
Out of its cage into the
Stale air.
I want to be considering beauty like a
Toddler.  I want to be watching Dora and
Learning about conjunctions, but instead I’m
Crying because I can’t fit into my jeans right and I
Don’t know how to do makeup.  I want to say
I love you and let it
Ring in the air like
Frozen music
But I can’t
Because you’re
States away and instead I brush my hair
So many times for people who don’t even like me that
There’s no personality left.
I have a problem with the fact that you
Moved on so quickly and left me with the
Loves me not flower petal and that
Dora the Explorer is not on Netflix
Anymore and the price of Happy Meals goes
Up everyday like the age of my
Heart  
And that
Toddlers can put green crayons in the freezer without
Anybody questioning them and say that
They
Are preserving the Earth.
This is an imitation of Bob Hicok's poem "Whither Thou Goest" that I did in my poetry class.  As always, please leave your thoughts! :) <3
Mateuš Conrad Mar 2020
no other - a windowsill and an open window -
sitting on a folded leg and slouched
like a crow - i would be begging for it to rain -
no other music can capture rain -
safety net of all that sporadic improv. -
                      other other music - except jazz...
whether it be rain nibbling on the countryside
or the full-on cosmopolitan havoc of grey,
dust, grease, cement and rats and glass...
                 never mind: because i never thought
i'd say this...
                of the moderns... closely ruling out
wojciech kilar - for no particular reason other than
he's probably more known -
christopher young - since his hellraiser stint...
what's new - the revamped pet cemetary?
well... if christopher young was primo...
      soon to follow him... graham... plowman...
work on h. p. lovecraft adaptations...
                     horror as a genre...
                                the music wins me over...
however spectacular the visuals are...
                               if the music isn't bone grinding -
unsettling the nerves -
well... that's like pop music when it's raining...
i guess: oh i guess jazz can capture more feelz
when it comes: when it's raining...
when it's lazily sun-dazzling with the impression
of an "underneath" sizzling sensation -
or melting butter - or for that matter melting chocolate...
or adding splashes of cornflour made in water
to a sauce and watching it thicken...
this recipe i will remember by heart...
i will have to at someone point...
but this dhal was quite sublime...

   scrap book recipe...
          a man in a kitchen...
               and in hell... the devil's mastery...
almost like a chemistry experiment...

       half and half: masoor and mung dal... lentils...
kabuli chana (chickpeas)...
    a bay leaf...
              3 cloves...
  a tsp of cumin coriander turmeric
                     chilly powder and another of kashmiri
   chilly powder
                chopped tomatoes
  coconut milk...
            onion ginger garlic
                spinach
      gochugaru flakes coriander for garnish...
veg and chicken stock...
                          ghee...
butternut squash...
                    cayenne pepper (1 tsp)...
    i was looking for a pinch of asafoetida...
i knew it was in the kitchen...
    alas... also know as a substitute for those
vegan cults that don't include eating onions
and garlic... or perhaps just onions...
    cinnamon stick? no...
but three decent pinches of a homemade
garam masala...
  and yes...

   https://ministryofcurry.com/moms-garam-masala/
is the only spice blend...
   the russians can have their nukes...
the americans can have their nukes...
i have an arsenal of the following spices and...
i'm feeling... like i just had a manicure done...
the only garam masala:
asafetida, bay leaves, black peppercorns,
black cardamom, cardamom, cumin seeds,
(sorry, no black cumin seeds),
      cinnamon, cloves, cordiander seeds,
dried chillies, fennel seeds, fenugreek seeds,
(mace? no mace)...
         nutmeg, poppy seeds, star anise...
turmeric...
          again: no stone flower...
well... that's almost covered it...
                it's not the recipe asks for black
mustard seeds... those i do have...

                   cult recipe and it says: who needs...
meat?! even i'm convinced...
god i do love a good steak tartar...
    anything ****** and oozing wriggly bits
of life - as tender and gelatin grizzly as a...
even the names: bleu... ooh... saignant...
  haha... medium: demi-anglais... what else?

the butchers rolling in their graves
when someone orders a steak: fini-bien...
                          or some other frankenstein of the kitchen...

coleman hawkins - the high and mighty hawk...
some guys were putting up a fence
for me and my neighbour - it only took 15 years
but who's counting - they were told to
cut out all the bushes and foliage in my garden...
so that they could get a straight line
and so the fence would be put up...
unlucky for my rosemary bush...

r.i.p. my rosemary bush...
        today i started to salvage the poor thing...
the newer shoots i placed in water for
a drink and hopefully 2 weeks from today
i might think about planting them back in
the ground... for the rest of the bush?
i had to freeze the rosemary...
all afternoon my fingers were scented with rosemary...
which is fine... when you're working
with a raw piece of lamb...
but i'm no walking and breathing and aching
lamb of god about to be hanging
on the cross...
                even through the soap...
an afternoon of my hands being heavily scented
with rosemary...

vivaldi can have spring and the other three
faces of "god"...
holst can have his mars and the other circle of hell...
but thank the high-flying-****
that jazz can capture a rainy day better
than that song: i'm only happy when it rains
by garbage...
            
  guess i'm not letting go...
         an active rebellion against classical music...
one jazz record after another and i can gravitate
to...ward... the entire e.p. being played...
none of that new wave harakiri diat l.p. scene -
much appreciated... but i always need to move
beyond the half-an-hour mark...

         then again: i can't see how jazz could
compensate for snow - snow on the exit format -
jazz doesn't - then again...
no, categorically...
                           if there's only a sly insert of drum...
no horns - the piano and some guitar -
  
   otherwise you can't go wrong with
joshua redman - back east...
         a modern classic - notably with zarafah...

speed-conversations - none clinging
to a cameo of a date...
                 fickle minded - always changing
the course of events that... nonetheless remain
intact on binding themselves to a blind will -
        
music and all these interpretations are my own -
too bad to see and have to work with
a cipher - what's behind this image -
what's behind that image -
at least music stands stark and shivering naked...
less chances to abide by some propaganda...

unless of course mathematics is to be given
the crown - i hardly think: one shouldn't really
think about music -
                one can never really fathom
the constraints and the escapees from these
constraints... these constant revisionary scribbling
over and skimming the orthodox:
brick-on-brick intricacies of: immoveable objects
being: nonetheless moved...

- i too am waiting for my libido to die off -
anytime soon... like right now...
no harem therefore "jazz hands" and the algebra
of "magic fingers"...
idle man and all that *** that could have been...
until that magnetism is steered off a cliff
of: not another tomorrow -
                    at least no ***** or *** doll upon
the horizon -
            no point getting intimate or personal...
only a few days back i found a weakness in
this exoskeleton -
standing in a shower... pouring running water
onto the back of my head...
i almost knelt and said my prayers from
the exhaustion of succumbing to this multiple-******
of nuance...
       right on the spot where
a higher evolution of a more, protruding occipital
bone: as i've heard it once before: being noted...
i'm waiting for my libido to **** itself off...
in the meantime no harem...
imagine my luck when it comes to
the wisdom served up by men like king solomon...
even by then:
this most exhausted man had
to settle for a swan's dignity in monogamy
with the queen of Sheba...

                 but it's hard to translate wisdom
when you have all the basic forebodings
already at your disposal... the harem will discover
***-toys and you will be...
the limp **** in the whole affair...

                 such hard-on feats of fear when it comes
to... two cakes too many
when all you've been asking for is, merely a slice...
jazz... i can't find
a clint eastwood in alcatraz...
or steve mcqueen in sagan...
               or witold pilecki in auschwitz...      
but i can find myself in jazz...
hummingbird or some, other, champagne flute
and that bothersome fly...
nothing against flies: everything against
mosquitos... i would **** those buggers with
the same joy of donning wool having
just sheered a sheep or two...

jazz and: the wriggling fish...
jazz and all the fish out of water...
i'd call them constipated ***** and lobsters
but... jazz and the wriggling fish...
jazz and smoking a cigarette to appreciate
the deaf centre point of night's culminations...
living close by to central london...
"walking in" and not feeling like
anybody important: or a tourist...

       if i wasn't a billy joel: i would most certainly
not want to be a bob dylan -
hard to be living the obscure with a cross
made up of iconography...

the applauded and the: billy joels' piano man meets
neil young's old man...
they shake hands and subsequently depart
where the crossroads begin, and end...

believe me when: i'm the last to be believed...
usher in a dozen penguins attired
to be... fizzy kosher dosh...
in all their napkins and bowtie-neck strangle 'em
into a hush of a bamboozle...

such the life the music the mathematics
of living in shackles - wriggly ol' ****** with
those improv. would-be-turns and...

how many words will it take for it to be clear...
i have nothing but rejoice at clinging
to my obscurity... primo amigo:
alea iacta est: too bad for me...
or too bad for my shadow...
                       faking being a gemini
in the horoscopes of fate and superstition...
shadow: mime out of the confines...

      these is my second chance at retaining
the crown of obscurity? is it?! is it?!

   to have to burden oneself with love...
akin to... well... if i were about to spoon her...
but no... i wanted to catch the 8 hour kipper....
but every time i would fall
to sleep... i'd fall asleep with a tarantula bite...
numb all over to one side...
because i was oh too willing to fall asleep
when clinging to her...
like a bracket fungus to trunk and core...
one side of me complete in numb...
which had a rubric of recitations
should all else not be true...

but *****! that slap in the face...
                             come to think of it...
i'd like something to eat...
less **** with... that could pinch me...
i'm starting to think that
being ganged up by a group of hyennas
is not such a bad way to go...
perhaps being mistaken for a tuna
when a shark attack is being
noted...
            hard to imagine
sharks or bears or lions as having
sadistic undercurrents to their day-in-day-out
beats...
  even sharks nibble but never gorge
and feast on... this cranium solid first and only
hope when it comes to god
not making mistakes when gambling...
the ******* roulette or a black jacks' "choice"
of cards...

i can't exactly "think" this out to appease
a gravitating en masse...
                       pour me another shot and
debackle! all in the faith and hope
of un-thinking thinking...
trying out this suction tenticle of the void...
replacing descartes' res cogitans with
res vanus... what is due: is due...

no more wisdom from me aged 34
as me aged 73... there's only rain and jazz...
i'm buying time...
concerning whether it would be even
remotely likely to appreciate jazz
when it's snowing... unlikely...
very much hell-bent unlikely...

      - who would have thought that peering
into an aquarium would have to,
become more entertaining that zombie-clad
watching a t.v....
what ever happened to the watching
a klepsydra... or the tick-toe-tightening
of seconds into minutes into hours...
dying from the skeleton diet of time
whenever catching-up: unaware with
the clock in the confines of:
old people not really...
no, not really, listening to coleman hawkins'
much of anything...

                     because this doesn't tease
the affections of the young...
like a trainspotting revamp might....
because there's, clearly no new dracula...
and there's no new: new....
                     i wait patiently like a salamander....
no easy picking no low hanging fruit...
no fatty boy'oh to matter...
         no leeching off the three-quarters
of                               the better part of the engineering
cohort that were behind
the manhattan bridge... or Malbork Castle...
and hands on hands: do touch...
the event horizon of a dead star...
                    in that: pulling fabric...
basic genesis... talking fire "misanthrope": "god"...
bushes outgrowing fungus when
it came to 1970s ***** flicks:
notably in fwench and italian...
                   prune the perm hair...
                             keep that afro on a leash!

these days ***** is half of the cure's nostalgia
and more...
onomatopoeia and...
    refining the contorts with painting...
and keeping the act on a hush...
               the lazy hands speaking
dozen **** cracks being discovered but
none being experienced...
bone the hand...
it's called a ****** just because
of oysters... it's called a ******
because of the clams and of the irises...
and because the tongue:
god... ever time i wanted it to exfoliate...
it's forever that timid tulip!

         what came of a ****** became a hand
and the cusp... and what would never
become a San Francisco needle hinge epidemic...

was anyone praying that
one direction would become the next rolling stones...
cougar: meow...
that **** jagger was going to be
the "reincarnated" harry styles?

           knock-knock... who's there?
a premonition... i.e. touch-wood...
base: i will require the wood to be touched
by bone - notably a crunch of the knuckle in how
the fist is formed / fathomed...

        otherwise known as the lap-lapping-dance-off
with a tongue wriggling in imitation
closure of a worm...
or a fighter for a boxing champ. contender...
belt-up... knot and noose down....
the new news is no: good skit...
i **** myself to fickle my shadow
whenever i see a hoopla or a trance inducing
recoil of the swinging dancing spare
of a: rope that's not leftover for
the dangling first come first served...

daydreaming zeppelins...
the day the elevated english man will fall...
and bring down the bowler hat with him...
touch the philosopher's stone and turn
that attache of good taste into an umbrella...
the same day i stop daydreaming
about zepplins...
will see me think of the anglo-saxon
as whittle brother... the younger Swabian...
and all part of the infuriated minor
Germany that found inkling to behave
like the nomad Yids...
and move... and move... and...
never the sort of people to conceive of a ship...
without also being receptive of carrying
an anchor!

then again...
                   monkey man albino and...
forever the one to follow the white rabbit back home.
Cece Nov 2013
No one
is who they were
yesterday.

Minuscule adaptations form
with each sunrise
and go unnoticed
until you look back at an old photograph,
or think about something that happened
with an old friend who is now a stranger
that you know nothing about.

You are your own doppelganger.

The girl sitting in the theatre
playing obnoxious games
with her loud, aspiring individualistic friends
seems like a stranger to me.

It is impossible
to pinpoint the moment
when things started to change
and I lost sight of that girl,
and who she wanted to be.

At the least,
I wonder
when everything
started to shift.
What caused the imbalance?

Now I sit alone
in classes I don't care to pursue
with no sense of aspiration
towards anything.

I remember all of the laughter
and the sleepovers, gossiping about
everything.

I remember random details
and insignificant everyday stories
that could take up hours
upon hours
of reiterating.

When a friendship terminates
what are you supposed to do
with all of your old shared secrets?
Where are you supposed to put those memories?

The girl I am right now
doesn't talk to those people anymore
and I can hardly remember
what it felt like
to be in her shoes,

and all I really have
is knowing things
about the people
that they used to be.





*CVT
Nathan Squiers Sep 2014
"Let me make one thing clear, hombre," The Suited Man spoke in a low, purposeful voice as he rolled a cigarette, wetting the corners with a serpentine tongue a moment before passing it over his upper lip, "I have watched--with great joy, I might add--the nature of death." Then, pursing the cylinder between his teeth and offering a wicked grin, he punctuated his upcoming point with an audible flick of his lighter. Exhaling a pungent cloud in my face, he rapped his left ring finger across the length. "Everything is aware of its mortality; everything. The rich, the poor, the holy and the sinners; the birds, the ***** bees, all those saved whales and every single one of the hugged trees. Every squirming, writhing, wiggling, wicked little creeper and crawler that has ever existed and may ever hope to exist... all of them. Even the ******* atoms in the air! All things know that they're doomed--it's why even the single-celled beings have all those defense mechanisms; all those..." he smirked, flicking an ash, "adaptations, yes?--and yet, from the massive to the miniscule, none of them face their mortality with near the greed nor the total lack of grace as your kind. You've known since you were a wee lad that you'd die, hombre, so why resent it now; why fight for more time? Another hour; another day--hell, I could hand you a written guarantee that you'd have another decade to do whatever you wanted..." he shook his head and pulled the cigarette from his mouth to flick the growing ash and admire the ghostly trail that ascended to the mist-swirling ceiling fan. As the contemplative moment passed, he returned the cigarette to his mouth and leaned closer to me, bringing his cold, black eyes so close to my own that my vision knew nothing more. "What would that decade mean to you? For me it is nothing--those like me do not worry much about trivial human fictions such as time and... well, all of this"--he waved about the room with his index finger--"So I hope you'll forgive my skepticism; understand that it's just my ignorance to your pervasively infantile beliefs." He rattled three of his bony fingers on his jutted chin, "Tell me why I should sympathize with your plight over all others who have pleaded with me before you. Explain, if you'd be so bold, why I should adopt your urgency as my own."

It took me some time to find my voice. Between the smell of his herb--something that, in all my years of debauchery and romances, I'd never encountered--and the fierceness of his presence, there was a sort of little death that had wormed its way into my thoughts. I fought to sit up, but did not have the strength. I struggled to clear my throat, but could not command my lungs to work as I wanted. I worked to wet my own lips, cursing the dryness of my dated mouth. Finally, I gave up; succumbing to the reality that my body was useless for the soul occupying it. There was nothing left of me but my wits, and it was my wits that I needed now more than anything.

I shut my eyes against his overwhelming stare.

I held my breath against his foreboding aroma.

And I let the soul say what it needed to say:

"Let me make one thing perfectly clear, good sir," the voice I heard barely sounded like my own, "I have watched--with utter disdain, I'll admit--the passing of life. I believe you when you say that everything knows it will die, and I also believe that almost everything deserves to die. Not because almost everything is wicked or evil, nor because I feel some contempt or hatred towards almost everything. As I lay here I'm certain there are many eager to see me go, and I not only respect their right to feel that way," my lungs abandoned my speech's momentum and I paused to take a rasped inhale, "but I agree that I deserve the mortality that's haunting me."

"Do you understand you've already wasted more of my time than I typically allow?" The Suited Man asked, aiming his pointer and middle fingers--and the smoking cigarette pinched between them--in my direction.

I nodded, finding strength enough to hold up my hand; silently begging for a moment longer. "Please, I won't be much longer... and once I'm finished, I'll accept whatever fate you decide with dignity."

The Suited Man chortled at that, "And silence, I hope."

"Yes," I sighed, "and that." With my company motioning for me to continue, I succumbed to the voice of the soul: "You deal in death, so you must have seen enough to know that, while those like you care little for time, it is what defines all those who perish. What, if not those minutes, those hours, those days, years, and decades, are we to value? You deal in death, so I can't ask you to understand why we fight to live. To you, a book is not worth reading because it has an end, and that end represents a lack of substance; but that book, like each and every soul, has a story to tell. And the only thing greater than the limited time each and every soul has is the stories we leave behind."

The Suited Main rolled his black eyes and flicked another looming tendril of ash, "You bore me with your rant, hombre, and my smoke, like you, is running out of life. Get to the point or accept mine." He took in a rattled breath to fuel a dark and hollow voice, "Why should I let you live?"

"Stories are the most important thing for anything that fears death, good sir," I fought my growing aches to move my hand to the stack of papers at my left; the stack perched blissfully beside my old, dusty typewriter. Patting the pages--taking a certain satisfaction in the nostalgic feel of the stock I'd long since grown loyal with--I cocked by quaking skull towards the desk and its contents. "And while I await the day you'll finally escort me from my desk, there's a story that I've yet to finish."

The Suited Man narrowed his black gaze at me--the two orbs shimmering like obsidian beneath his timeless lids--before the glow of his pupils shifted to the desk for a long, tortured moment. Without looking away from the stack I still rested my hand upon, he returned the dwindling cigarette to his lips and inhaled before letting out a long stream of smoke.

Though I didn't see him stand, he was on his feet then. I took in his height with the same terrified awe that I'd received the rest of him--his sudden appearance in my late husband's chair across the room; his impeccable awareness, or my unwavering understanding of his purposes; everything that made him who and what he was--and allowed him to continue his long, tortured moment in gazing at the desk that had, just as much as the hours and days and years, come to define my life.

Then he was gone; him, his smoke, and the terror he radiated.

Letting out a labored breath, I struggled to turn towards my desk, trying to recall where I'd left off in my manuscript. As I settled in, I caught sight of a clean page secured in the feed of the typewriter with the only evidence that I hadn't been alone:

"YOU HAVE YOUR DECADE, HOMBRE. SPEND IT WELL, AND SAVE ME A COPY OF YOUR STORY."
Not really a poem in the traditional sense, but the overall theme was more poetic so I figured all you lovely HP folks would appreciate a little more ;-)

Hope y'all enjoy ^_^
Jade Apr 2020
Spinal column
a stairwell of books,
rungs of untouched vertebrae
avoided by the bibliophile herself

[myself].

Brain is wired differently
than the rest of them.

At first,
I thought it was a matter of being
****-retentive.
A veteran perfectionist
who strives to imagine every detail
as intricately and accurately
as the author must have intended.

Character's faces morph into
sloppy, patchwork collages,
features copied and pasted from
beautiful strangers and
celebrities who played
in the movie adaptations.

Their appearances are both
cliche
and
incomprehensible.

I am told a character is pale,
but can only manage to visualize a complexion
the colour of notebook paper,
penetrating blue eyes mere apparitions
against a wintry terrain--
her ears
nose
lips
misplaced beneath the tundra.

I lay the book atop my collarbone,
its cover pitched into a make-shift tent.

(Cautiously).

Almost as if I am
afraid to disturb
the seriffed constellations
that flicker above my heart.

I stare up at the ceiling
(vacant, as am I),
my eyebrows scrunched
into nooses of concentration,
several minutes passing before
her cheeks gradually begin to thaw,
warming over in an ombre
of pinks and olives.

And I rejoice!

Strike down the tent,
pupils hungry for prose.

But there is always
another character.

In Valley of the Dolls,
a handsome man,
whose hairline I cannot
properly envision

(this makes him less handsome).

This time,
when I lay my book down,
I do not proceed with caution,
the corners of its pages
dog-earing against my body.

Google:

men's hairstyles, 1940's

(I need to commit to memory
three different styles
so the three different males
I am working with
are not trite clones of each other).

I can only manage three pages
at a time
before having to take a break.

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is an exponential task,
as I pause to formulate
images befitting
Jaqueline Susanne's vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

on the first
(second...
third...
I don't know...)

try.

Turns out
this is more than just
being ****-retentive.

This is Obsessive-Compulsive Disorder.

I yearn for times of old
junior high
when I could finish a novel
in a day--
ramona and beezus
butterfly lion
the silver donkey.

But even then,
the obsessions were there,
one substituted for another:

the ceaseless gushing
of the soap pump
and dizzying rotation
of the faucet taps.

Could barely hold literature
between my palms
without aggravating
the rosettes of eczema
that had sprout
along my hands,
scoured clean and raw.

Eventually,
I outgrew these harrowing baptisms.

Am still waiting to outgrow
the laborious nature of my readings.

My only antidote poetry,
for it heals me in
every way
fiction could not
[cannot].

The poems do not trouble me,
do not burden me
with overwhelming arrangements
of ink and letters.

Instead,
I confront the English language
line by line,
sedated by the simple
fragmentation
of each stanza.

Because even when fragmented,
these stanzas offer up to me
the written word
like it is ambrosia
when I am starving
for intellect
but cannot feast.

I am spoon-fed words
until I am full--
am reminded that
I am not the stupid girl
I believe I am,
courtesy of my
obsessive, compulsive short circuits.

I do not relate to the cohesion of prose,
cannot deny the brilliant likeness
that exists between the reader
and her enjambment--
both fractured mosaics of metaphor.

I am
as broken
as these verses.

But

it is only as
I shatter
that I am freed.
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Lucky Queue Dec 2015
They gave me the wrong address when I was sent to boarding school this year.
Maybe it was the receptionist’s scaly hands that shook a little when she wrote it out, or the skies pouring out their sorrows onto my head.
Nevertheless, I’ve definitely been at the wrong school.
The boy at the end of the hall is always playing with fire and smells of ash, dark cedar and benzene, but he’s never burnt himself once.
There’s a set of twins, upstairs in another dormitory, who always flood the bathrooms, and all their clothes smell vaguely of salt and mildew and pebbles, and I think I can almost see the ocean in their watery blue-green eyes.
On the rare occasion that I find myself wandering near the lake, I can’t help but feel watched, not from above or behind as would seem natural, but from below and ahead
All the first year students I know swear on their lives that the walls and stairs move to trick us, or bring us to our destination faster depending on one’s luck.
My rhetoric professor’s eyes droop and film over during lectures and he scarcely moves millimeter from his statuesque place at the podium; yet he never fails to catch the slightest indiscretion or misplaced gesture from a student.
Meanwhile, the choral director’s ears are said to be as pointed as her canines, and her hair to be of the deepest black and violet.
I’ve growing suspicions about the gardens in the back of the kitchen, all tangled over and wreathed in what seems to be an ancient species of briar, though I’ve never seen a rose bloom, nor the gardener cease from his endless pruning.
Sometimes, I’ll catch a glimpse of insect-and-birdlike creatures flitting around the windows, and the moths around here seem rather foreign, though I’m assured the difference in flora and clime requires differences in adaptations.
The older students oversee the halls with the kind of aloof confidence built from familiarity and practice, and laugh easily about missing articles of clothing or assignments, as though a mischievous spirit or creature had nicked it. They, too, seem to disappear around twelve o’clock, not to be seen again until tea time.
There’s a section of the library which seems to positively seethe with darkness and cold, and only the bravest and boldest dare ask for entry.
And oddly enough, after a rather jostling ride by rowboat to the gates at the beginning of the year, the headmaster greeted us all by name and only drew a blank once, at mine.
12.27.15
work in progress, completely exhausted, original draft is half gone due to reboot
Interestingly enough, a city filed with intoxicating dress, yes, I like the chucks and baggy pants, no I do not wear it myself, but I appreciate the look, with the Giants hat, let me write you a vignette, techies tools talking bout tacky office gossip and girls they will never ****, bahaha and iPods ipods iPods fueling a sweet melody for the ride in boxcar boxcar. Yas yad yas

People going to and from work , quieter, contemplative, examining their tax returns, the hat pulled down straight

people, ticking, tocking, the images of content, staring up with amusement, the people talk of beer, of business, in seriousness, the pamphlets, the trends, counters, crawlers, beggars, in solitude, all of them

have


lovers, insecurities, mal adaptations, taking the drug that says that the life is alright, and thats alright

the little town looks so real to them, they, use the crosswalk, they, stop at the red stop sign, they, don't make eye contact, because their purpose is

to purpose, their purpose is their power lunch, a power lunch, of a sandwich, what of a sanwhich?  and what does that have to do with the urban life?  

the power meal, designed with purpose, for purpose, in chairs that are made for rain, in intersections made for walking, in red lights made for stopping

and aliens must be amused, by the order, the roots must be...facinating
W D Haven Nov 2014
Our eyes are different
our minds so similar
Hearts struck from cliffs
of porous stone
how can you change
what you are after?
At breakneck speed
it is roll or run

My guise is significant
Adaptations adequate
In founding, proscribed
By a burrowing throne
Allocated empathy
Out of arbitrary agony
The suns of our comforts
Can boil your bones

Remember the wild call.
The earth between your toes
How nature allows us
There's no wrong way without a road
Internalize those symmetries
That form a greater whole
We are each what God sought
When he swore and broke the mould
betterdays Jun 2016
little ***** and rings
of metal move
as he talks

three studs,
on his eyebrow
wander like a slugish
overfull caterpillar

the bullring ring in his nose,
condenses with each breath
of the frigid  winter morn

and his earlobes swing and dangle
with blocks and spheres
of a dark wood like substance

I ask him, does that hurt,
he deigns not to answer.....

We get on with the matter
at hand, his idea for a thesis;
with regard to dramatic reflection
in Shakespearean adaptations

He speaks of Othello, Richard III
and Romeo and Juliet....
the use of water, sunglasses and mirrors

I ask if he believes there is 70000+ words
in his exploration of reflection....
all the time watching the metal caterpillar
try to escape the forest of his eyebrow....

He sighs, and the bullring mists over
the ears lobes waggle and waft around.
He states not really sure......but he likes the idea
I send him off to look for other plays
Shakespearean or not that he could include
in this work.....and to come back in a month
with a precis and chapter plan....

He leaves, shoulders slumped, muttering
and I think....I may have added  one more peircing
to his intellectual life
Cain Jan 2013
A tempest is brewing
Beneath our soles.
Coerced many massive mountains
but sundering them not;                                      consuming them.

With eons unequaled,
With few fathoms measurable
yet measuring the unfathomable.

Unrealistic fables,
As a dragon in a cavern,
Perhaps infernal heathens...                                     ludicrous claims, yet

No soothsayer's transmutations,
No reviser's adaptations,
Nor squabbling between politicians
could surmount to the tensions amassing beneath us.

Are we at pinnacle of the world?
Only if one's ego is at True North,
Merely the surface, unfurled forth.

But as molten iron dwindles slowly outward into hardened crust
As does man's manifested quest for greed and lust

So if a monolithic magma pool ever decides to ******
Hopefully it will gather a rather miraculous gust (it must!)

Distrusting the wicked, while sparing the just
As quickly as water turns ephemeral steel to rust.
Robert Ronnow Aug 2015
I am feeling the shock of fast change. How to cope with it is of course the question. Listen to Beethoven through the neighbor's window? Look up from the page? Appreciate doves even though they are so numerous? I seem to have limitless choices although this cannot be true. Could I have become a computer specialist? Sure! How to remain still in the ever-maddening mandala. To remain still on the outer edge of the wheel is to ride laughingly and pluck at the gold key. I force myself down into the craw of the black vortex New York until I feel the strong oscillations gather rhythm and expel me or accept me.

What do I find within the black electric walls of this unique vortex? I find there is more space between people than I'd ever dared to hope. That my efforts are unnecessary and hopeless. I cancel my subscriptions and stop eating. I embrace wild roots and run through streets with arm around my girl.

                         --------------------------------------

What is important.
That question.
I part my lips in the middle
      and blow
eat corn chips, dipsy doodles
make love, eat grapes.
                                       In their mere chronology
events have no relation. How was making love
different from eating grapes. Differentiation

is essential to bring order from chaos. The chaos
is the accelerated change created by our own species
whose consummations have a quantum effect
      on the environment.
                                          But the chaos
existed long before, and long after us
in both more serene and violent forms.
Again a duality, but here's why.
                                                       For
each duality may then be said to be in a dual
relationship with another duality, forming
cubes.
             These cubes are difficult to join
with other cubes, unless first they are
somewhat melted.
                                 We were traveling among
these cubes, maneuvering
through a static array of equidistant points
but finding it impossible to avoid striking them.

So why the difficulty adapting. Because no species
before us had to adapt to its own effects upon
environment? No, every species must

but our adaptations (of the world) are so successful
(such fabrications!) One green, one brown

                        Two dead leaves
                              sleep-touching
             ­                       Then a breeze!

                         --------------------------------------

                        L­oveliness and loneliness
                              these periodic
                                    auras
                                  
surrender to greater force, power, strength
        whatever it is called, the clog of heels
                 upstairs to the door, turning of
                          the key, the taking out of the
                                   garbage down below, car
                                            starting, placed in
                                                              ­   gear, cat
                                                             ­             meowing

anyway, for myself, personally, speaking only
        for myself, because although the Parks
                 Department rakes the leaves as it
                          did last autumn, to keep them
                                   from clogging the sewer system,
                                            I am in a heightened
                                                      ­           state of vibration
                                                       ­                   Quivering

like a long steel pipe banged hard against an
        iron beam. The hard hat feels it in
                 his hand (on the gears) but
                          great buildings are built that
                                   nature destroys in time
                                            with a little wind
                                                            ­     water, fire

air, you glide down through the limpid air
        toward the ninety-seven story abandoned structure
                 remnant of an earlier civilization
                          abandoned but not yet entirely
                                   swept away in slow waves
                                            of change.
www.ronnowpoetry.com
Zefian; Butler of the greater demon, he would be forced to make the main stained glass window of the Castello del Horcondising, he will continue to put himself on the posts in each hermit tree to recruit from the horsemen lordships of the autumnal massif, towards an eternal wailing of birches in harmony. Pay attention to the words and challenges of presence in the Vernarthian Sub Mythology in Horcondising. Everything will be for the creative principle of a new world, where the materiality that will be useless on the surface, is of value and prosperity ubiquitously in any space where the human race degrades to eternity levels of consciousness.

Biological goal, codes of life, material works beyond a life that reconciles organic life and ethereal life. The evolutionary codes of life go further from the super existence, creating transformations that alternate life in spiritual memory, based on multidimensional spiritual intelligence. The consequence and serial of future ideas or captures of fruitive life,  which will be continued in storage links of gospels of remembrance, to preserve our bio-evolutionary trajectory codes. Super microscopic particles will be decomplexed by Zefián, more withdrawn from the demonicity that is rooted in our faith codes, procreating from there to our filtering mechanics of the dogma of existence, to be applied as perfectible memorization tools, allelomorphic from Tsambika to Horcondising. Creating codes of life and experiences between the creation of God and the creation of the superficial world, in such a way that between both canons, the emergent and fleeting guideline of experience contained in the threshold of death is issued. To go further away from the light itself that does not invade us with diseases correlative to the decomposition and corruptibility of the human born and steely spirit, heading towards an ethereal biological goal. .

Says Leiak: “As the spirit of the Vernarth forest in Horcondising, I have been a multi-parasitic organism in the barks of hyper-spaced oaks, beyond all vanity of large volumes of knowledge and extensions of knowledge. My possible genomes change, each time I blink for a longer time, than the short time I have when resources mutate in such a silent time, which I have been able to measure mathematically. The adaptations of nature to threatening changes also endorse the soul of plants, endowing them with the property of resurrection. The comparative sequences make the evolution of the divine being go beyond the biodegradable sequence, to the point of biological balance of constituting a new life, in the plane of selectivity proper to the particles that carry and attract towards the receptacle of a new life, under the code of a transition from one to one that is reborn in another. Each microscopic element functions as a totalitarian entity in Vernarth submythology, harmoniously linking the chaos and concretion of the world of Genesis with the world of the polytheistic worldview.

Says Borker: “My vaporous voice of the curse, guide that heralds a new one that is leading in Tsambika. Everything bad tends to resurrect in the arms of goodness, where it provides nourishment for those who need to incubate new chains of organic and inorganic adaptability, evangelized and not evangelized, because the light that carries them from the top of the oaks that I pass through the mornings, they always greet me, to proceed like Borker, son of nothing and father of nobody. Here I will be to lead together with Vernarth, the emancipation of the stagnant eco-systemic chains that are stranded in the mud of the administrative power of the supposed super intelligence, which relativizes everything and intervenes. Not knowing that the great super reason by itself recreates itself, making new chaos or riddles, overcome by itself”
Zefián says: “Originally, thousands of cells have been condemned to encompass the density of matter and life on the planet of the experiments called Earth. What is between heaven and earth is in the sub mythology of both poles. Eurydice was in the Orphic world given her romanticism with Orpheus Himself, now she is in our tracóntero, in the mask where she leads the forces between heaven and earth. Right here the Horcondising, which fills us with high associative density. Our populations have to live in the temples of evolutionary austerity and meekness, after events of three-dimensional changes, ours here in Horcondiing has already been mentioned, which is the same as now in Tsambika, for all the parishioners decomposing, but biologically mutating to reborn in a useful life reborn from the seed of sweet death "
  
The Vernarthian sub mythology is the one that perfectly communes with the genesis of the first light and sound, amplifying each other, adapting nobly with the amplitude of momentum exerted, to settle in plans of management of history in thick episodes that have not written by mortal hands in real or fictitious transition which we also conform. Each character that intervenes in the Verthian world ..., here something or someone has complementarity with all the heroes and titans that have existed in our collective memories, making them the anti-heroes or titans that still do not know each other.

Ingratia mol de petal says: “even after being purified, everything must be re-purified; we all owe it to thanks to the constant variability of the notes of the cosmos and its generation. The auras of action surpassed those that add up by thousands of years. I am a liquidator of cancer circles of carcinoma and sainete nodules”

Spermazoid fable is presented to everyone: “Serous plasma runs through the grasslands, before the supra-human count in Horcondising. We are all invisible liquid, that speaks crawling and feeding back its wounds, that do not fit with words that speak further of the rigor of well-being. As a heretical pro, he advanced in the roughness of all the ravines and abandoned reliefs, but when he advanced I do not retreat! I am more vile than time, because time passes and retraces the protozoan memory, moving me away to memories that live and are avant-garde of a mortal, but I have nothing everything. When I have these roughness, I am time and its atomic mass dimension stops time, and attached me to its extermination and nihilistic empty concavity”

Orfilia and Aranhis say while dancing: “a sylph and a naiad appear dressed in white, auguring the feminine aspect of the majesty of the elements. They dance through all the co-rugosities of Verthian sub-mythology, with the support of annulling the hieratic intervention of the spermatozoid fable, for this purpose of relativizing the chromatics of the mythological beings that made a dialogue wheel, peripatetic, even being actors having only audience of those who do not know each other. They dance and dance through all the estuaries and stands of the aristocratic families, who went more than three thousand meters to be judged by themselves, to be redistributed to the chilling of the simile *** bei Hinnom, which is at the top of Horcondising, where all the hallucinating timid flashes of all the re-born flowers of the spring of love whistle fiercely contained in the rosy tones of the Trisolate "

Trisolate: “I am and will be the great conductivity of great energy. Symbolism with a premise today to not think and know words with symbolism of speaking oak barks, where this oak says in itself (I say, later you say), the pronoun must be mutated to the sixth plane, where now we will say or that has never been heard. Only by naming the one that is no longer in the associative language of linguistic clans subject to the sixth pronoun of oaks that live and will live with the code of the language that we have never heard, but starting today if, as a point of reference already bet in the ears of the tree and not the deixis protozoan man! "
  
Vernarth says: “When I try to sleep at night resting my head on the understory of oaks, I sleep painlessly because of the vertebrae that urge to rearrange me, because the roots of his ego on the sixth plane make me consciously independent of the references of my fantasies, It will not be long before my wing comes around the metaphysical corner. Here at the Castello del Horcondising the blocks are not square, they are baldons of the memory of the natural ego, which takes the tram through which my shoes came without clothes that condition it or allow it to express itself tetraplegically handicapped, rather more validated by being trapped by the ghostly essence of oak that is never born or dies, but knowing that it has no Ego”
Vernarthian Sub Mythology
David Barr Mar 2014
Shake hands with the soul of my flickering shadow as it flitters around the confinement of paths which are visually observed by their myriad of sounds.
I can smell tragedy as it pervades the atmosphere, in the same manner as the keys of a grand piano echo their confident assertions with the resonating comfort of finality.
Can we have dinner together, and discuss those compensatory adaptations which are necessary to bridge the gap over crumbling cliff-top roads as they meander below our spirit with unnerving anticipation?
Let us continue to guide each other beyond superficial perceptions.
After all, we are allies.
Hinata Jul 2015
We truly weren't born with a destiny. We just exist to live, breed and then die. It's a sad truth but it is the law of the world. However, humans such as you and I are created so different from other species. We wonder why. Why do we exist? Why do we feel? Why do we do whatever we do? Psychology, religion and science all try to answer this question yet you still wonder. We all face this. We're naturally curious creatures. We develop different mind sets and different adaptations to certain situations that are dependent on our environment. We have close minded people and open minded people. We have people who are always in the clouds and down to earth people. Different ideologies and different reactions. So why are we here? We seem to destroy the earth like locusts to crops. We seem to help it as well. Violence is nature's natural cure for the elimination of the population of species. We commit these when we poach animals and breed them to be a certain way and sell them. We also commit these when we harm environments to suit our human needs for grandeur and comfort. We even commit these acts of violence when we **** someone, hurt them or far worse. The weak will die while the strong lives yet the weak can also become strong. We see survivors from life threatening diseases. We even have humans save others. We want comfort, security, and to live. We cause silly things to happen. we destroy ourselves and others around us. We want to be noticed and to be seen. We want others love. We want to be free and see what life offers. So why are we here? The answer is the most simple of all. We simply are here to exist and live.

— The End —