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Alexandria Hope Apr 2015
Two years old, he totters towards his mutti's skirts
She turns away, for the decanter, and locks him in his room
Oh! He wails, pounding his little fists against the floor,
But she finds him asleep on the rug, clutching an old poppet to his breast
She lifts him to his crib and kisses his sodden cheek, checking her abuse at the door
Her smile is smug, folded away into her adulteration of love.

Five years old and he asks after his sire,
Tracing the beading of her mourning dress, as she kneels with him
As if he were a snake and she was stricken,
she drops him squat on the cold floorboards. Pulls herself within,
Then reaches to him,
Whispering condemnation and condolence
He backs away, burning his hand on the fire grate, the love in his eyes as dim.

When he is seven, the boy takes up a twisted love for architecture, swears he'll become a sailor, far from home
Her eyes are a cooling, somber grey-blue, they alight then smolder with a hiss
The boy's eyes are green, flush with life and innocence
They're his .
as my mother let her sorrows rule me
Roman Pavel Feb 2015
What can I tell you of regret?
That you don’t already know
Maybe how it feels to owe a debt
Or leave your imprints in the snow

Where does the widow lay her head?
In the coldest winter night
Knowing her husbands dead
With no farewell before his fight

Or what about the little boy?
Who bought an ice cream cone.
Then in the window saw a toy
And dropped the ice cream scone

Where does a father turn?
When his children, now are lost
Who escaped from his hand too stern
Their paths never again crossed

How does the drunken fool feel?
In the misplaced mornings of remorse
While forgotten moments painfully reveal
Where the drinking began at its source

What tales does the old man tell?
Of love and fortune barely missed
As forlorn figures of memories dwell
The stories of pain persist

When can the general rest?
After sending his troops to war
Not knowing the informant confessed
His people were slaughtered as they arrived ashore

How does the historian write?
Telling legends of folks of lore
As religious pressure brings fright
Which facts does he choose to ignore?

Who is the leader that might have stood?
And rally the nation to a virtuous goal
Perhaps guided them towards a common good
But, in the chaos lost his voice and soul

For you see, I was a train conductor back in eastern Germany
During the war I served as a cadet
Escorted millions on their doomed journey
And that’s what I know of regret
Stringing together different life examples of Regret, if you pay close attention it ties in together for one story. The last Stanza Answers the narrators first question
MdAsadullah Dec 2014
A widow in her fifties she was.
Lived in petty hut made out of straws.
Had no relatives dwelt all alone.
Only neighbours were her own.

Loved much her neighbour's child.
Cute little girl, dulcet and mild.
Twas little girl's birthday that day.
Widow was very glad and gay.

Birthday party was held that night.
She waited if someone would invite.
One by one invitees were coming.
With guests house was humming.

Lonely Widow waited in togs bright.
Gazed at house adorned with lights.
Poor woman! her wait had no end.
looking at house hours she spend.

When guests started coming out;
Wait was over and there was no doubt.
She stood and took a breath deep;
And walked towards her bed to sleep.
Chris T Dec 2014
There's a mouse in my room,
she's silver and white,
mom's chased it with a broom
and the fella's put on a fight.

From the kitchen KABOOM
did shout one cold Christmas night,
dad was the bringer of doom,
he and his shotgun's great might.

Turns out our little mouse
slept in our house

with her husband and kid
but hungry they came unhid

by father's twitchy right eye
so they met his gun and goodbye,

our mouse friend is forever now
a lonely Christmas night widow.
Not done, this was supposed to be a children's story but turned out a bit gruesome. This is like the draft I suppose. Dr Seuss and S.Silverstein inspired.
Ezra Nov 2014
"Veuve Clicquot" is French for
"The Widow Clicquot".*

They say that Madame Clicquot would dance in the vineyard,
They say she would run and jump and crush grapes
Under her pale, white, aristocratic feet,
Then one day she came back home,
Pale feet stained red,
Ivory robe stained red
And she saw her husband,
Red face drained white.

They say Monsieur Clicquot became an alcoholic,
And she came back and saw him hanging from a vine.
He let it grow in the farmhouse for two years,
It climbed, it climbed,
He climbed at tied a noose,
Made a sickly green, thorny loop.

The Veuve Clicquot gave up red wine,
Moved South,
Remarried,
Started growing champagne--
You can't tie a noose with champagne vines.
11-26-14
Edward Coles Oct 2014
The world is fast and reckless
like a stampede of beasts and
teenage ***.

It constantly reminds me
of my once mobile life,
before atrophy set like plaster
in my bones.

Everyone used to walk
to where they needed to be,
not because the roads were congested,
but because it was so.
It seems that excuse is just not good enough
anymore.

At times I think:
neither am I.

I still walk the streets
and browse the shop-fronts.
It takes me a little longer these days
to read the signs and labels,
the easy mating calls of the merchants
standing under bigger names
and brighter lights.

Nobody courts anymore.
Hands are held far too easily
and intimacy seems to have become
yet another commodity.

I remember my sweetheart
and the years we lived in absences,
sleeping with a lie
in a life of compromise.
Our eyes stared past the darkness of the room,
beyond to something, somewhere,
far from where we found our lives to be.

I remember her well
amongst the ruins of my years.
How desperate were the days
before we met,
exchanging platitudes for company
in our first loveless marriages.

How bitter I was,
bound within ever decreasing circles
of routine and passionless chains.
I exquisitely recall the day
I finally broke from them.

You and I
met over letters,
our eyes scanning and reciting
each other's loneliness
and fear of never finding a place.
The saliva of the stamp
brought us to a closeness
unbounded by geography.

These days,
nobody understands the thrill of a postbox
and the welcome mat
has become nothing more
than a place to wipe the **** from your shoes,
as the day nurse comes to visit,
kicking pizza leaflets
to the edges of the hallway.

There was excitement in the morning,
sleep thinned to prepare
for that slap of paper
and rattle of metal.

Presently my life feels little more
than an emptied school
in the endless weeks of summer;
a sugar paper lantern
left to bleach in the sun.

I lie in wait,
for the times you appear - a phantasm
in my day. A moment reserved
with the assumption you will be sitting there,
ageing with irrefutable brilliance,
in the chair you stubbornly frequented
ever since our retirement.

I’ll take the hit that comes with it.
I’ll accept the come-down
when I enter the room
and you are not there,
if it permits me a moment of belonging.

The air is cancerous
with the noises of the streets.
We used to stop and listen
to the busker by the bridge,
always pleading upon bended knee
for someone to validate his melody
and make his callouses worthwhile.

Now, I live on in near-silence.
It has been weeks since I spoke to someone
who did not rush me through my sentences.
I am trying to learn the patterns of today,
a way to bow my sad head
and pay up for my goods
in the blink of an eye,
in a way to defy that I am old and slow.

I avoid home mostly
and instead, I walk through
the same route each day,
hoping for a friend
or else never to be noticed.
Hunger will eventually deliver me,
confused at our door.

I turn the television on quickly
to **** the silence that forms
in the spaces you would have spoken in.

On the rare occasions
that I talk to someone,
my eyes blur with inexplicable tears,
a kind of tension grips me,
as if I have missed the last step on the stairs.

I swallow panic
like all of those pills that never work,
instead fogging my mind,
distorting all anchors
to a meaningful life.

The television shouts at me
across the room, patronising like
the cold-callers and politicians.
Everything seems to be an advert
and the news is getting uglier.
Sometimes I turn on the radio,
to give my eyes a rest,
but music isn’t music anymore.

We  never wasted our moments on kids,
but I have grown soft in old age,
and perhaps I would like
to have the comfort of your features
blurred with mine, bestowed upon
our trial-and-error attempt at a legacy.

The money will dry up.
I have started smoking again.
Though I still smoke on the doorstep,
because I know you never liked the smell.
These are just the thoughts of an old man,
some doctored flicker show
Where I can cut out all of the ugliness,
and leave just us.
This is a revised edition of an earlier piece:
http://hellopoetry.com/poem/402353/the-thoughts-of-an-old-man/

The words are mostly the same, but I cut out some of the waffle and tidied it up a little bit. Or made it worse. I guess you never know!

c
Riley Renee Oct 2014
A heart full of wine
and liquor-spotted lips.
A backless dress
and an inch to breathe.

Inch of garment, inch of air
suffocating underneath starlit blue
I, an abstract decoration, in your cabin of lies.
Touched me when you felt it, as if I was the skin
of a bear draped over a bookshelf,
murdered and witnessed first-
hand. Red.

Do it ‘cause you love me

The pillow, a shade of red,
you placed beneath my hair, curling it between fingers.
Pouted whispers across my neck
Do it ‘cause you love me
Slyness and sadness gleaming in your left eye.

A birthmark on your bicep, the hue of mulch surrounding flowers
holding flowers in place
Roots with a fixed circumference
Petals with a uniform height

Silk of a widow’s nightgown never did compare
to the softness of your skin on my skin,       hands,       lips,      body  whole
oh, dear, oh dear an entire body blanketing mine.
Your stance, superior, and I, an invalid, counting cars and
tracing with my eyes the plaid of boxers.
A predator recovering from a pounce.

Purple veins pierced through skin,
a sunrise just below layers of naked,
parallel lines racing through wrists, legs, a forehead
differing shades of her own hair envelope her fingers,
delicate and stronger, two limbs of power.
Her body breaks; rubble in a storm.

The town’s on fire, my love. Lightning
struck dust on the south building.
God is real, living within your color.

I wanted your temper (I’m sorry) tempest to
flood me with heat, scalding my ribs
and charing all flesh.
Patiently waiting for renewal,
and you didn’t.

Lavender veins,
my hair was the darkest black,
and I faded into shadows
following you.

A dumb little girl who took her ******* off whenever you said she could.
Tammy Cusick Oct 2014
Contempress,
Red mouthed darkness,
You weave your webs and spit out death,
Serum of poison lies in between your chest,
I cannot reach in for that coffin lies my rest.
I spread your ashes across my skin,
Black out my eyes and begin to fall,
Across my eyelids I feel you crawl,
In my head,
Inside my brain,
The serum of you,
A sweet taste of pain.
A widow of you,
The shadows across the weave,
Pull out your infecting vangs,
Leave all to grieve.
A widow of you beautiful and divine.
You, yourself, are on an hour glass of time.
Oh crimson red!
Her hourglass of dread!
You cannot pray upon the living dead,
The soulless walkers in which you crawl right inside.
With you red widow,
You divide,
Heaven or Hell where will you reside?
Vain in you I abide!
When will this web go?
Time is the enemy,
Young or Old,
Beauty is forever,
Externally resting in our soul.
Colleen Brown Aug 2014
This might not be a poem: more so a realization at most. The complaints I have throughout the day are anything but morose. Walk an hour in another man's shoes, and suddenly life has so much more I could lose. Where could I be in that first step?

I could be standing in the flip flops of a beautiful friend , taking care of four children as a new widow.

I could be in sneakers as the man  selling newspapers in the desert heat day after day.

I could be in a different shoe every day, as a comedian loved by all, who could make everyone laugh, but himself.

I could be in heels in a doctors office, facing the reality of only a few months left.

But I'm not. My shoes are worn, but my heart is not. My days might be long, but my bed is warm. The jobs I work help keep our bills paid and our food plentiful.

I was going to complain today: but when I realized how beautiful today was, I had nothing to say.

Where could you be, in that first step?
David Leger Jul 2014
Time will sweep the seas aside
And dry the wistlful shore,
But I'll stay here for you my dear,
And count the graves of war.
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