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"wormy" poems
Bare-handed, I hand the combs. The man in white smiles, bare-handed, Our cheesecloth gauntlets neat and sweet, The throats of our wrists brave lilies. He and I Have a thousand clean cells between us, Eight combs of yellow cups, And the hive itself a teacup, White with pink flowers on it, With excessive love I enameled it Thinking 'Sweetness, sweetness.' Brood cells gray as the fossils of shells Terrify me, they seem so old. What am I buying, wormy mahogany? Is there any queen at all in it? If there is, she is old, Her wings torn shawls, her long body Rubbed of its plush ---- Poor and bare and unqueenly and even shameful. I stand in a column Of winged, unmiraculous women, Honey-drudgers. I am no drudge Though for years I have eaten dust And dried plates with my dense hair. And seen my strangeness evaporate, Blue dew from dangerous skin. Will they hate me, These women who only scurry, Whose news is the open cherry, the open clover? It is almost over. I am in control. Here is my honey-machine, It will work without thinking, Opening, in spring, like an industrious ****** To scour the creaming crests As the moon, for its ivory powders, scours the sea. A third person is watching. He has nothing to do with the bee-seller or with me. Now he is gone In eight great bounds, a great scapegoat. Here is his slipper, here is another, And here the square of white linen He wore instead of a hat. He was sweet, The sweat of his efforts a rain Tugging the world to fruit. The bees found him out, Molding onto his lips like lies, Complicating his features. They thought death was worth it, but I Have a self to recover, a queen. Is she dead, is she sleeping? Where has she been, With her lion-red body, her wings of glass? Now she is flying More terrible than she ever was, red Scar in the sky, red comet Over the engine that killed her ---- The mausoleum, the wax house.
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Stings
Bare-handed, I hand the combs. The man in white smiles, bare-handed, Our cheesecloth gauntlets neat and sweet, The throats of our wrists brave lilies. He and I Have a thousand clean cells between us, Eight combs of yellow cups, And the hive itself a teacup, White with pink flowers on it, With excessive love I enameled it Thinking 'Sweetness, sweetness.' Brood cells gray as the fossils of shells Terrify me, they seem so old. What am I buying, wormy mahogany? Is there any queen at all in it? If there is, she is old, Her wings torn shawls, her long body Rubbed of its plush ---- Poor and bare and unqueenly and even shameful. I stand in a column Of winged, unmiraculous women, Honey-drudgers. I am no drudge Though for years I have eaten dust And dried plates with my dense hair. And seen my strangeness evaporate, Blue dew from dangerous skin. Will they hate me, These women who only scurry, Whose news is the open cherry, the open clover? It is almost over. I am in control. Here is my honey-machine, It will work without thinking, Opening, in spring, like an industrious ****** To scour the creaming crests As the moon, for its ivory powders, scours the sea. A third person is watching. He has nothing to do with the bee-seller or with me. Now he is gone In eight great bounds, a great scapegoat. Here is his slipper, here is another, And here the square of white linen He wore instead of a hat. He was sweet, The sweat of his efforts a rain Tugging the world to fruit. The bees found him out, Molding onto his lips like lies, Complicating his features. They thought death was worth it, but I Have a self to recover, a queen. Is she dead, is she sleeping? Where has she been, With her lion-red body, her wings of glass? Now she is flying More terrible than she ever was, red Scar in the sky, red comet Over the engine that killed her ---- The mausoleum, the wax house.
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60
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry To you, my aunt, who would explore The literary Chankley Bore, The paths are hard, for you are not A literary Hottentot But just a kind and cultured dame Who knows not Eliot (to her shame). Fie on you, aunt, that you should see No genius in David G., No elemental form and sound In T.S.E. and Ezra Pound. Fie on you, aunt! I'll show you how To elevate your middle brow, And how to scale and see the sights From modernist Parnassian heights. First buy a hat, no Paris model But one the Swiss wear when they yodel, A bowler thing with one or two Feathers to conceal the view; And then in sandals walk the street (All modern painters use their feet For painting, on their canvas strips, Their wives or mothers, minus hips). Perhaps it would be best if you Created something very new, A ***** novel done in Erse Or written backwards in Welsh verse, Or paintings on the backs of vests, Or Sanskrit psalms on lepers' chests. But if this proved imposs-i-ble Perhaps it would be just as well, For you could then write what you please, And modern verse is done with ease. Do not forget that 'limpet' rhymes With 'strumpet' in these troubled times, And commas are the worst of crimes; Few understand the works of Cummings, And few James Joyce's mental slummings, And few young Auden's coded chatter; But then it is the few that matter. Never be lucid, never state, If you would be regarded great, The simplest thought or sentiment, (For thought, we know, is decadent); Never omit such vital words As belly, genitals and -----, For these are things that play a part (And what a part) in all good art. Remember this: each rose is wormy, And every lovely woman's germy; Remember this: that love depends On how the Gallic letter bends; Remember, too, that life is hell And even heaven has a smell Of putrefying angels who Make deadly whoopee in the blue. These things remembered, what can stop A poet going to the top? A final word: before you start The convulsions of your art, Remove your brains, take out your heart; Minus these curses, you can be A genius like David G. Take courage, aunt, and send your stuff To Geoffrey Grigson with my luff, And may I yet live to admire How well your poems light the fire.
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6.5k
A Letter To My Aunt
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry To you, my aunt, who would explore The literary Chankley Bore, The paths are hard, for you are not A literary Hottentot But just a kind and cultured dame Who knows not Eliot (to her shame). Fie on you, aunt, that you should see No genius in David G., No elemental form and sound In T.S.E. and Ezra Pound. Fie on you, aunt! I'll show you how To elevate your middle brow, And how to scale and see the sights From modernist Parnassian heights. First buy a hat, no Paris model But one the Swiss wear when they yodel, A bowler thing with one or two Feathers to conceal the view; And then in sandals walk the street (All modern painters use their feet For painting, on their canvas strips, Their wives or mothers, minus hips). Perhaps it would be best if you Created something very new, A ***** novel done in Erse Or written backwards in Welsh verse, Or paintings on the backs of vests, Or Sanskrit psalms on lepers' chests. But if this proved imposs-i-ble Perhaps it would be just as well, For you could then write what you please, And modern verse is done with ease. Do not forget that 'limpet' rhymes With 'strumpet' in these troubled times, And commas are the worst of crimes; Few understand the works of Cummings, And few James Joyce's mental slummings, And few young Auden's coded chatter; But then it is the few that matter. Never be lucid, never state, If you would be regarded great, The simplest thought or sentiment, (For thought, we know, is decadent); Never omit such vital words As belly, genitals and -----, For these are things that play a part (And what a part) in all good art. Remember this: each rose is wormy, And every lovely woman's germy; Remember this: that love depends On how the Gallic letter bends; Remember, too, that life is hell And even heaven has a smell Of putrefying angels who Make deadly whoopee in the blue. These things remembered, what can stop A poet going to the top? A final word: before you start The convulsions of your art, Remove your brains, take out your heart; Minus these curses, you can be A genius like David G. Take courage, aunt, and send your stuff To Geoffrey Grigson with my luff, And may I yet live to admire How well your poems light the fire.
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67
Especially when the October wind With frosty fingers punishes my hair, Caught by the crabbing sun I walk on fire And cast a shadow crab upon the land, By the sea's side, hearing the noise of birds, Hearing the raven cough in winter sticks, My busy heart who shudders as she talks Sheds the syllabic blood and drains her words. Shut, too, in a tower of words, I mark On the horizon walking like the trees The wordy shapes of women, and the rows Of the star-gestured children in the park. Some let me make you of the vowelled beeches, Some of the oaken voices, from the roots Of many a thorny shire tell you notes, Some let me make you of the water's speeches. Behind a post of ferns the wagging clock Tells me the hour's word, the neural meaning Flies on the shafted disk, declaims the morning And tells the windy weather in the **** Some let me make you of the meadow's signs; The signal grass that tells me all I know Breaks with the wormy winter through the eye. Some let me tell you of the raven's sins. Especially when the October wind (Some let me make you of autumnal spells, The spider-tongued, and the loud hill of Wales) With fists of turnips punishes the land, Some let me make of you the heartless words. The heart is drained that, spelling in the scurry Of chemic blood, warned of the coming fury. By the sea's side hear the dark-vowelled birds.
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Especially When The October Wind
How beastly the bourgeois is especially the male of the species-- Presentable, eminently presentable-- shall I make you a present of him? Isn't he handsome? Isn't he healthy? Isn't he a fine specimen? Doesn't he look the fresh clean Englishman, outside? Isn't it God's own image? tramping his thirty miles a day after partridges, or a little rubber ball? wouldn't you like to be like that, well off, and quite the thing Oh, but wait! Let him meet a new emotion, let him be faced with another man's need, let him come home to a bit of moral difficulty, let life face him with a new demand on his understanding and then watch him go soggy, like a wet meringue. Watch him turn into a mess, either a fool or a bully. Just watch the display of him, confronted with a new demand on his intelligence, a new life-demand. How beastly the bourgeois is especially the male of the species-- Nicely groomed, like a mushroom standing there so sleek and ***** and eyeable-- and like a fungus, living on the remains of a bygone life ******* his life out of the dead leaves of greater life than his own. And even so, he's stale, he's been there too long. Touch him, and you'll find he's all gone inside just like an old mushroom, all wormy inside, and hollow under a smooth skin and an upright appearance. Full of seething, wormy, hollow feelings rather nasty-- How beastly the bourgeois is! Standing in their thousands, these appearances, in damp England what a pity they can't all be kicked over like sickening toadstools, and left to melt back, swiftly into the soil of England.
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How Beastly The Bourgeois Is
How beastly the bourgeois is especially the male of the species-- Presentable, eminently presentable-- shall I make you a present of him? Isn't he handsome? Isn't he healthy? Isn't he a fine specimen? Doesn't he look the fresh clean Englishman, outside? Isn't it God's own image? tramping his thirty miles a day after partridges, or a little rubber ball? wouldn't you like to be like that, well off, and quite the thing Oh, but wait! Let him meet a new emotion, let him be faced with another man's need, let him come home to a bit of moral difficulty, let life face him with a new demand on his understanding and then watch him go soggy, like a wet meringue. Watch him turn into a mess, either a fool or a bully. Just watch the display of him, confronted with a new demand on his intelligence, a new life-demand. How beastly the bourgeois is especially the male of the species-- Nicely groomed, like a mushroom standing there so sleek and ***** and eyeable-- and like a fungus, living on the remains of a bygone life ******* his life out of the dead leaves of greater life than his own. And even so, he's stale, he's been there too long. Touch him, and you'll find he's all gone inside just like an old mushroom, all wormy inside, and hollow under a smooth skin and an upright appearance. Full of seething, wormy, hollow feelings rather nasty-- How beastly the bourgeois is! Standing in their thousands, these appearances, in damp England what a pity they can't all be kicked over like sickening toadstools, and left to melt back, swiftly into the soil of England.
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39
If I ever see you again I'll spat insults and hope they Spray on your aviators like the bugs that squashed against my windshield the last time I drove away from you If fate destroys me and I am in the same pub one night as your wormy self I'll tell you how you're the most arrogant, vapid, shallow, womanizing, ******* male mascot I've ever had the disgust to know I'll slap you hard across the face Oh and not like Scarlett O'Hara, you demon darling No crushing kiss will follow and I'll mean vengence vile will seep through my mouth instead of the sweet saliva I let you taste long ago If I ever hear your voice or see your mocking manequin among my tele again With disgraceful force I will lift that 50 lb set and propel that ******* screen across the state The way your black static apology shattered the brightness that used to reside within me If I hear of you one more dispicable time I'll grow bombs maticulously within my empty core and time them so perfectly that all of your dysfunctional doormat confidants will explode the second they come near me and their manipulative cells will burst and be burried among the soil of ***** words you whispered in my ears **** if I ever see you again I'll shatter every martini glass around me and down a fifth of fireball and breath venomous fire and burn you, you beastly boy And I'll pretend beauty amongst you and walk away, a tall glass of water That could diffuse that angry licking fire that is swallowing you up When I see you again I won't acknowledge your existence and I'll be dressed to the nines and I won't do a ******* thing about it Because you aren't worth a sentence within this stanza But I know I am.
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Feb 7, 2013
Feb 7, 2013 at 11:03 PM UTC
Revenge.
If I ever see you again I'll spat insults and hope they Spray on your aviators like the bugs that squashed against my windshield the last time I drove away from you If fate destroys me and I am in the same pub one night as your wormy self I'll tell you how you're the most arrogant, vapid, shallow, womanizing, ******* male mascot I've ever had the disgust to know I'll slap you hard across the face Oh and not like Scarlett O'Hara, you demon darling No crushing kiss will follow and I'll mean vengence vile will seep through my mouth instead of the sweet saliva I let you taste long ago If I ever hear your voice or see your mocking manequin among my tele again With disgraceful force I will lift that 50 lb set and propel that ******* screen across the state The way your black static apology shattered the brightness that used to reside within me If I hear of you one more dispicable time I'll grow bombs maticulously within my empty core and time them so perfectly that all of your dysfunctional doormat confidants will explode the second they come near me and their manipulative cells will burst and be burried among the soil of ***** words you whispered in my ears **** if I ever see you again I'll shatter every martini glass around me and down a fifth of fireball and breath venomous fire and burn you, you beastly boy And I'll pretend beauty amongst you and walk away, a tall glass of water That could diffuse that angry licking fire that is swallowing you up When I see you again I won't acknowledge your existence and I'll be dressed to the nines and I won't do a ******* thing about it Because you aren't worth a sentence within this stanza But I know I am.
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63
The caterpillar was raised by worms. The worms loved the caterpillar, But the worms didn't know much About the caterpillar's nature. They tried to understand, And they tried to help as best they could, But when the caterpillar got really hungry, All they could understand was that They had never been so hungry, And they were happy, And if the caterpillar wasn't careful, He would become corpulent and fat. So in their kind, ignorant, wormy way, The wonderful worm family Discouraged the caterpillar from eating too much, And being too hungry. The caterpillar was confused, But he loved his worm family So he tried his best to eat less and Not get too hungry. But the less the caterpillar ate, The more hungry he got, Until he was so starving, He didn't even feel like himself. He felt sad and sluggish and purposeless. Then, in the middle of the night, The caterpillar snuck up to he favourite leafy tree, To just get a small midnight snack. Before he knew it though, he had eaten An entire branch of leaves. And the caterpillar was still hungry. He couldn't get enough. He ate all through the night, and into the next day. When his worm family awoke, They saw the caterpillar up in the tree Eating away. They tried their best to get the caterpillar to stop, But it was too late. Soon with tears in their eyes, The worms saw they're dear brother Become sluggish and Tired. Until finally The caterpillar wrapped himself up in a whitened Casket, and hang motionless in a leafy Grave. The worm family mourned the loss of their beloved caterpillar brother, And once again warned the other children about the dangers Of being too hungry. A few days later, One of the wormy sisters went to visit her brother's grave. But when she arrived she saw the most miraculous thing! A butterfly was emerging from her brother's tomb. The caterpillar-butterfly Was not angry at the worms for trying to stop him from becoming a butterfly, They didn't know he would be able to Be a butterfly after all, And they were just trying to keep the caterpillar from harm. After the family had a beautiful reunion, The butterfly flew away to somewhere He could be hungry, and beautiful. And Somewhere he could fly.
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Jun 2, 2013
Jun 2, 2013 at 10:43 PM UTC
The Legend of the Caterpillar
The caterpillar was raised by worms. The worms loved the caterpillar, But the worms didn't know much About the caterpillar's nature. They tried to understand, And they tried to help as best they could, But when the caterpillar got really hungry, All they could understand was that They had never been so hungry, And they were happy, And if the caterpillar wasn't careful, He would become corpulent and fat. So in their kind, ignorant, wormy way, The wonderful worm family Discouraged the caterpillar from eating too much, And being too hungry. The caterpillar was confused, But he loved his worm family So he tried his best to eat less and Not get too hungry. But the less the caterpillar ate, The more hungry he got, Until he was so starving, He didn't even feel like himself. He felt sad and sluggish and purposeless. Then, in the middle of the night, The caterpillar snuck up to he favourite leafy tree, To just get a small midnight snack. Before he knew it though, he had eaten An entire branch of leaves. And the caterpillar was still hungry. He couldn't get enough. He ate all through the night, and into the next day. When his worm family awoke, They saw the caterpillar up in the tree Eating away. They tried their best to get the caterpillar to stop, But it was too late. Soon with tears in their eyes, The worms saw they're dear brother Become sluggish and Tired. Until finally The caterpillar wrapped himself up in a whitened Casket, and hang motionless in a leafy Grave. The worm family mourned the loss of their beloved caterpillar brother, And once again warned the other children about the dangers Of being too hungry. A few days later, One of the wormy sisters went to visit her brother's grave. But when she arrived she saw the most miraculous thing! A butterfly was emerging from her brother's tomb. The caterpillar-butterfly Was not angry at the worms for trying to stop him from becoming a butterfly, They didn't know he would be able to Be a butterfly after all, And they were just trying to keep the caterpillar from harm. After the family had a beautiful reunion, The butterfly flew away to somewhere He could be hungry, and beautiful. And Somewhere he could fly.
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62
raise the glass high high high and press hard high, a blue and cherry ring round rosy thigh, snapped red sting of infected eye and tooth strung on string. broken wing crunches, candid cries let tears fly in desperate persecution. red sticky red and beautiful flesh-fly's food becomes a diamond wing, flying in swirling skies of glitter. The world looks better through a kaleidoscope. claw the eyes out out out and spit stress out, a crooked view on nose and cheeks and pout deep blue rows on distended snout as swollen skin grows. drunken woes crunch and broken knuckles shout in hasty intemperance. blue puffy blue and beautiful deep stout bruises becomes a diamond glow spinning in burst vein's woes of glitter. The world looks better through a kaleidoscope. dump the body down down down and pat dirt down, a stealthy sin of spite and muddy frown, **** green sight of a ***** crown hidden in the night. swirls of light break thoughts up to run around in crude decomposition. green sickly green and beautiful dirt-drowned flesh becomes diamond sprites, dancing in wormy gowns of glitter. The world looks better through a kaleidoscope.
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May 9, 2011
May 9, 2011 at 12:42 PM UTC
Kaleidoscope
*I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiiis big. And I said, “Hermy!? What’s up with you, man!?” And he said, “Duh, I just ate a bug.”* my first memories of you are from when we lived together when we were young. we would be power rangers and pokemon and a number of other things. that was the summer your sister broke her leg on the trampoline - scaring us from climbing on top. we were afraid of sharks in the pool. clear water to the bottom, but we were scared of the monsters we couldn't see. no matter how many times we looked, we couldn't shake the idea that something was out to get us. wanted to hurt us. *I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiiiis big. And I said, “Hermy!? What’s up with you, man!?” And he said, "Duh, I just ate a cat.”* you moved away that year. you left for florida and took your sister with you. you were gone for years. in that time, she came to visit me. she told me you were fine. i heard from your mother that you were struggling in school - her straight A student, crumbling before her eyes. i didn't know what happened. *I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiiiiis big. And I said, “Hermy!? What’s up with you, man!?” And he said, “Duh, I just ate a dog.”* you graduated top of your class. you left your house for reasons i didn't find out about until months later. you moved back here, back into that old house, pretending to be the innocent boy you were. the boy that hated to smoke **** the boy that drank his summer away and regretted it. you were the boy that let his girl get away. *I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiiiiiis big. And I said, “Hermy!? What’s up with you, man!?” And he said, “Duh, I just ate a car.”* but we both know that wasn't who you are. not deep down, anyway. that boy that cried to me on my couch gave me half-truths and spun stories until i didn't know which way was up. i told you that i was ****** up now. i told you exactly what i did, and you told me you'd done the same. but what i didn't know, was that one of my worst nightmares, is what you'd become for someone else. *I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiiiiiiis big. And I said, "Hermy!? What’s up with you, man!?” And he said, “Duh, I just ate a whale!”* when everyone found out the truth, you fled the country. when everyone found out the truth, you left us all behind to deal with your messes. when everyone found out the truth, i was the only one left seeing sharks spin circles in my swimming pool, swim circles in my heart. *I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiis big. And I said, “Hermy!? What’s up with you, man!?” And he said, "Duh, I just burped!”*
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Sep 6, 2012
Sep 6, 2012 at 2:21 AM UTC
i hope it's nice in canada.
*I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiiis big. And I said, “Hermy!? What’s up with you, man!?” And he said, “Duh, I just ate a bug.”* my first memories of you are from when we lived together when we were young. we would be power rangers and pokemon and a number of other things. that was the summer your sister broke her leg on the trampoline - scaring us from climbing on top. we were afraid of sharks in the pool. clear water to the bottom, but we were scared of the monsters we couldn't see. no matter how many times we looked, we couldn't shake the idea that something was out to get us. wanted to hurt us. *I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiiiis big. And I said, “Hermy!? What’s up with you, man!?” And he said, "Duh, I just ate a cat.”* you moved away that year. you left for florida and took your sister with you. you were gone for years. in that time, she came to visit me. she told me you were fine. i heard from your mother that you were struggling in school - her straight A student, crumbling before her eyes. i didn't know what happened. *I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiiiiis big. And I said, “Hermy!? What’s up with you, man!?” And he said, “Duh, I just ate a dog.”* you graduated top of your class. you left your house for reasons i didn't find out about until months later. you moved back here, back into that old house, pretending to be the innocent boy you were. the boy that hated to smoke **** the boy that drank his summer away and regretted it. you were the boy that let his girl get away. *I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiiiiiis big. And I said, “Hermy!? What’s up with you, man!?” And he said, “Duh, I just ate a car.”* but we both know that wasn't who you are. not deep down, anyway. that boy that cried to me on my couch gave me half-truths and spun stories until i didn't know which way was up. i told you that i was ****** up now. i told you exactly what i did, and you told me you'd done the same. but what i didn't know, was that one of my worst nightmares, is what you'd become for someone else. *I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiiiiiiis big. And I said, "Hermy!? What’s up with you, man!?” And he said, “Duh, I just ate a whale!”* when everyone found out the truth, you fled the country. when everyone found out the truth, you left us all behind to deal with your messes. when everyone found out the truth, i was the only one left seeing sharks spin circles in my swimming pool, swim circles in my heart. *I was sitting on my fence post, Chewing some bubble gum. Playing with my yo-yo. When along came Hermy the Wormy, And he was thiiis big. And I said, “Hermy!? What’s up with you, man!?” And he said, "Duh, I just burped!”*
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107
today we visit graveyards turning over the wormy soil to uncover the exquisite corpse though we were told to let the dead bury the dead on this day we unbury the dearly departed relishing transcendent embraces and cool cervezas with jolly amigos and la familia who have gone on before we wrap ourselves in graveblankets to complete warm circles of love embracing our beloved companeros; gleaning netherworld heavenly rest wisdom, sharing the laughter of trite earthly concerns we’ll roll speckled tortillas on smooth tombstone mesas to feast on Mariachi tacos brimming with spicy queso, chased with another cool sip waltzing with the holy bones to the candle lit reveries of this evenings flowing melodies Mercedes Sosa & Joan Baez Gracias a la Vida Dia De Muertos Diego Rivera Oakland 11/1/13 jbm
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Nov 1, 2013
Nov 1, 2013 at 2:22 AM UTC
Dia de Muertos
Harsh unyielding sunset, buries me against the page. I won't be lazing on a couch, left to rot and waste away. Wormy plush Berber carpet soft against the afternoon. Debts are pile high and the company picnic is this June. The pages are vellum paper covered in ancient Egyptian script. I've loved you methodically ever since we met inside that crypt. The dregs brings me solemn hope that one day we'll breakthrough. Works calling in on Sunday for some overtime that's overdue. Its a 5 past 4 the glass lays arrhythmic, shattered at my feet. We found each other down beside the casket of the diseased. Heartfelt words never came out of a mouth that were so pure. How could you take me for interesting, in life I'm just a bore. Down. I've already ruined the letter meant from me to you. Life is not a fairy tale to broker marriage for us two. Bloodletting's an aphrodisiac to keep me at the brink. Why'd I write this silly thing when I spilled my drink.
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Nov 23, 2016
Nov 23, 2016 at 2:55 AM UTC
Workaholic march
My Brothers and Sister and Me We all share the same genes Though some hide it better than others. Similarities And Differences are pronounced. The apples don’t fall far from the tree Though a couple of them bounced. Apples baked into pies or Thrown to the horses Rotten and brown and wormy and Delicious apple cider in the Fall. Applesauce and apple butter and Appleton, Wisconsin Looking for a job?  Applications for them all. Mountains, and mountains of books Rivers, and streams of numbers Hiking and running through canyons Flowers and gardens and mushrooms and parks. Shooting pheasants in the fields Shooting stars in the dark. Time will tell.  Time will tell Mom’s in Heaven, Dad’s in his own Hell. Whose footsteps will you follow? What size boots do you own? Who most will you resemble? When your own kids are grown. We are laughing.  We are laughing. We are librarians and teachers And accountants and staff and lumbermen always. And still we all laugh.   “Thought one of you’d be a preacher.” “Good money in that.” Each generation’s gaps grow wider As the trees grow taller the apples fall farther Similarities and Differences well-defined Still laughing. Still laughing at things New genes swimming in the family pool Some of the cousins can sing!! PwL March, 2015
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Mar 28, 2015
Mar 28, 2015 at 2:49 AM UTC
Family Tree
As the sun briskly rises on a chilly autumn morn, my Dormouse pokes her nose through the side of her nest, her gorgeous loveable eyes are still half closed, but she still crawls out of her soft home to start the day. She has a long day ahead of her, scurrying around finding blackberries to nibble, on the odd occasion she might stop for a nap, but she wriggles on to look after her partner, Me! Mr. Wormy!
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Oct 15, 2013
Oct 15, 2013 at 5:23 PM UTC
My Dormouse
Ripples in time, wrinkles of fluff. One more memory, not enough. Diffuse the thoughts, rebundle them up. Empty the bottle, fill the cup. Pour it back and forth, in and out. Sincere recollections, without a doubt. Residue builds, the layers form. Peel them away, reveal the worm. Squirming side to side, to and fro. Little Wormy, where to go? Jump to the left, then the right. Play that accordion night by night.
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Nov 9, 2010
Nov 9, 2010 at 5:21 PM UTC
The Accordion Effect
Yes, you out there wherever you may be You try to steal our souls in poems We know you, to the tee What twisted motives to be us, by proxy, what cowardess you be What an empty vessel posses you, such sadness, such despair You pick our hard imagined fruit and not from your own tree You clone our minds, like leaches on our skin You wish us harm, you thieving *** You wormy monster, a slug, next to kin I curse you I loath you I hate you You stealers of our youth Betrayers of our written souls What lacks is pride, and owners of the truth
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Feb 4, 2015
Feb 4, 2015 at 9:10 AM UTC
Be aware of our soul-snatchers
Sit down, the nun says, bringing Magdalene into her office, pointing to a chair opposite her desk. The nun eyes her seriously, her face framed in a black and white headpiece, her hands on the table in front of her palms down. Magdalene sits and stares at her shoes. Do you know why you are here? the nun says. You asked me to come in here, Magdalene replies, lifting her eyes to the nun's face. The reason why I asked you to come here? the nun says firmly. Magdalene shakes her head, fidgets in the chair. The nun sits back in her chair and stares coldly. Silence fills the room and Magdalene moves back in her chair, crossing her legs at the ankles. There have been reports of you and Mary Moran being seen entering a toilet cubicle together, is that true? the nun says, head to one side as if her neck had snapped. Magdalene shakes her head, no, who'd say such a thing? What wormy **** would say that? Magdalene says. The nun eyes her colder. Sister Bridget saw you, the nun says. With or without her glasses, Magdalene says, she's a bit short-sighted, she often mistakes me for the Murphy boy. The nun stares and shakes her head and says, you should show respect to the nuns, and not try to score points off of other's disabilities. Magdalene looks at the nun's hands on the desktop, tapping away on the old wood. I was not with Mary Moran; I was on my own, and why would Sister Bridget be spying on me going to the bog? Magdalene says. The nun slams her hand down on the desktop, and says, DO NOT BE SO RUDE AND TELL THE TRUTH. Magdalene stares at the slammed down hand; once it had slapped her thighs as a young girl in R.E, for not raising her hand to leave the room for a *** now she just stares at the nun and says, that's the truth after all said and done, cross my heart and hope to die. The nun rambles on, but Magdalene no longer listens, recalls the kiss on Mary's lips, and the spark in the nun's eyes that glistens.
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Feb 26, 2016
Feb 26, 2016 at 2:50 AM UTC
ENCOUNTER WITH A NUN 1963.
Sit down, the nun says, bringing Magdalene into her office, pointing to a chair opposite her desk. The nun eyes her seriously, her face framed in a black and white headpiece, her hands on the table in front of her palms down. Magdalene sits and stares at her shoes. Do you know why you are here? the nun says. You asked me to come in here, Magdalene replies, lifting her eyes to the nun's face. The reason why I asked you to come here? the nun says firmly. Magdalene shakes her head, fidgets in the chair. The nun sits back in her chair and stares coldly. Silence fills the room and Magdalene moves back in her chair, crossing her legs at the ankles. There have been reports of you and Mary Moran being seen entering a toilet cubicle together, is that true? the nun says, head to one side as if her neck had snapped. Magdalene shakes her head, no, who'd say such a thing? What wormy **** would say that? Magdalene says. The nun eyes her colder. Sister Bridget saw you, the nun says. With or without her glasses, Magdalene says, she's a bit short-sighted, she often mistakes me for the Murphy boy. The nun stares and shakes her head and says, you should show respect to the nuns, and not try to score points off of other's disabilities. Magdalene looks at the nun's hands on the desktop, tapping away on the old wood. I was not with Mary Moran; I was on my own, and why would Sister Bridget be spying on me going to the bog? Magdalene says. The nun slams her hand down on the desktop, and says, DO NOT BE SO RUDE AND TELL THE TRUTH. Magdalene stares at the slammed down hand; once it had slapped her thighs as a young girl in R.E, for not raising her hand to leave the room for a *** now she just stares at the nun and says, that's the truth after all said and done, cross my heart and hope to die. The nun rambles on, but Magdalene no longer listens, recalls the kiss on Mary's lips, and the spark in the nun's eyes that glistens.
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*Electric Fire Liquid Desire Purged Mists Lost Restrains My mind was born in dark abysses From destructive rebellion inside of me I see the world in colors of traitorous death I can feel a brotherly hand of the devil I've thrown off the shackles, shackles rounded by the thorn I've killed the weakness, weakness designated to commoners The covenant signed in childish ignorance Broken as a fruit from paradise garden I've entered the palace of free hellish elites Living behind a grey, wormy nest I've cut the umbilical cord, an umbilical cord filled with venom I've thrown away my memories, cursing all the past. 20-05-2015 02:55 AM*
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Feb 21, 2017
Feb 21, 2017 at 9:42 AM UTC
Crystal Cysts
maybe you were right: i never brought home flowers or chocolate cleverly arranged in the shape of a heart and i couldn't afford a day at the spa but i'd always sit with my bare *** on the cold bathroom tile for hours and feed you toasted bits of cheese on ritz crackers while you cried in the bathtub i'd braid your hair as you let your fingers wrinkle until the water cooled off too much your ******* got hard and bubbles stuck to the cut of your shoulders because you were there when my mom's little car died on a backroad under the old black tree that scratched up the sky you pulled your pants up over ruby knees and asked me to fix your bra smoked a cigarette lying upside down across my damp chest facing my feet and made me make a promise while i traced music notes into the soft flesh of your back with my ***** fingernails and found the cracks in your porcelain ankles with my tongue you said my love for you is something that will never make sense and you never know what to do with your hands when i'm kissing you but you moaned the chorus while i sang verses into your bellybutton and tied a couple fingers to the soft web of hair behind your ears we were like two locusts fighting in a gossamer heap two weeks later you were dancing in my kitchen like a daffodil drunk on robotussin wearing only striped peppermint legwarmers and authentic dreamcatcher earrings so i bought a theremin from your favorite pawn shop and taught you how to tickle it and as the wind picked up whipped your hair into a crucial comet's tail and rustled the caterpillar from the windowpane back to it's home in the wormy grass i could hear the warm whistle it made when you played with it alone in the bedroom i am crying now while driving down highway one recalling how your nose crinkled when you smoked crushed roaches or the way your hair tasted in the morning and how you used to spit a little bit when you laughed and i can still hear that haunted echo even as the saltwater swells and splashes past the rocks that sun machine is just a distant memory now but it left burn marks on my skin and the floor where we tumbled and fought the first time i called you beautiful
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Feb 7, 2016
Feb 7, 2016 at 3:06 PM UTC
thereminist
maybe you were right: i never brought home flowers or chocolate cleverly arranged in the shape of a heart and i couldn't afford a day at the spa but i'd always sit with my bare *** on the cold bathroom tile for hours and feed you toasted bits of cheese on ritz crackers while you cried in the bathtub i'd braid your hair as you let your fingers wrinkle until the water cooled off too much your ******* got hard and bubbles stuck to the cut of your shoulders because you were there when my mom's little car died on a backroad under the old black tree that scratched up the sky you pulled your pants up over ruby knees and asked me to fix your bra smoked a cigarette lying upside down across my damp chest facing my feet and made me make a promise while i traced music notes into the soft flesh of your back with my ***** fingernails and found the cracks in your porcelain ankles with my tongue you said my love for you is something that will never make sense and you never know what to do with your hands when i'm kissing you but you moaned the chorus while i sang verses into your bellybutton and tied a couple fingers to the soft web of hair behind your ears we were like two locusts fighting in a gossamer heap two weeks later you were dancing in my kitchen like a daffodil drunk on robotussin wearing only striped peppermint legwarmers and authentic dreamcatcher earrings so i bought a theremin from your favorite pawn shop and taught you how to tickle it and as the wind picked up whipped your hair into a crucial comet's tail and rustled the caterpillar from the windowpane back to it's home in the wormy grass i could hear the warm whistle it made when you played with it alone in the bedroom i am crying now while driving down highway one recalling how your nose crinkled when you smoked crushed roaches or the way your hair tasted in the morning and how you used to spit a little bit when you laughed and i can still hear that haunted echo even as the saltwater swells and splashes past the rocks that sun machine is just a distant memory now but it left burn marks on my skin and the floor where we tumbled and fought the first time i called you beautiful
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Pins in a haystack Needles in the cushion A knack knick whack-a-patty Push n tha' tooshin Waggle wiggle bumpin thump hungry hippos roast a **** Candy apple, hide-n-seek Count to ten, you best not peek Wormy wiggle, rigga ma roll rat-rug boat-tug sac-de-Cul Almost done, have words with fun Yup giddy yup giddy, "Run Forrest Run!!!"
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Sep 23, 2014
Sep 23, 2014 at 11:43 AM UTC
Y R there Words?!?
There's a difference in these woods, drifting between grey, scabby bark, sifting into the moist, wormy soil, beckoning for purpose, breaking into the sound of a becoming yet battered nature. The footprints can be light, thorough -- almost a trait granted by the torture of eternity. With head-weaves buoyant above tree-leaves, a hyper-vigilance stemmed from the abuse of a darkly philosophy weaponized; an extension of the elbows, forearms, wrists of huntsmen seeking inferno. A hollow is an ideal resting place, beyond the greased veins of trees, fingertips delving into clustered black, grasping an illusory livelihood, only to imprison itself, hoping for only a thoroughness granted by the torture of eternity. When love enters the picture, it's best to fade into the skyline, becoming a blue phantom, hiding behind q-tip clouds, balanced feebly, anxiously, unable to realize how easy you can be seen. How easy it is to underestimate your own significance. You can drag a razor horizontally, thinking the ink of space will pour through, staining yourself, watching yourself disappear, hoping for only a thoroughness granted by the torture of eternity. - I dance with her, a light caramel mutt, in a purgatory of racial tension, between black and white, living in the grey area of society, not knowing that it's okay -- and she is like me, I've just realized.
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May 3, 2016
May 3, 2016 at 2:53 PM UTC
Blue Phantom
**Of what purpose are wings to a caged bird? Of what use is the light of dawn when her voice is hardly heard and albeit sweet, alone she can't make the dawn a chorus? of what use are her claws without moist and wormy soils to scratch what's the point of waking early with no worms to catch? of what use are her eyes when she can't watch the big blue sky, of what use are thick canopies where she won't nest? why does she sing? Is it a melody, is it a dirge? Does she need a cage mate with whom she's forced to merge while her bone and blood mate wanders somewhere in search of the one who left him before their first eggs could hatch? Of what help is, to a caged bird, a friend? Is it just to share the agony that won't end or help hurtfully peck the little bars that won't bend? To a caged bird of what purpose are feathers, one that suffers a cold heart courtesy of iron tethers? why should she be warm when she misses comfort of her home the comfort of intricately weaved grass and loving family the warmth radiated when living with her own species happily? Does a caged bird need loyalty when there are bars to enforce, those charmingly curved to ensure her freedom's loss? Tell me... Of what purpose are wings to a caged bird?**
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Jul 31, 2016
Jul 31, 2016 at 2:21 PM UTC
Caged Bird
Linking the spotlight into the dark score Rutting out the jagged envelopes that Refuse to be opened, clinging onto their Sticky tape with a passion;  Don't ask me for Release, I'm shuttered up, swathes of emotive Blankets worn out from their duty to keep me Warm; to blot out the morning light from Penetrating my skull.  Shame.....sorry self Introduced to the firing line.  BANG....the snaked Tongued 'Medusa' who entangles her mind With vipers, serpents dishing out their forked Shots of maggot infection, generating wormy Warriors burrowing into the ruby red warmth Chewing and bubbling neuron to neuron Exploding at boiling point into a vast mix up A collision on course, snapped in two, vibrating With sheer panic, wrapped in destruction....... Utter bilge.......built this bridge So I'll knock it down..............                                                   to start anew And so I smile.......
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Jan 4, 2013
Jan 4, 2013 at 8:10 AM UTC
Brain Train
i used to lay next to you while you'd sleep and wonder how you could possibly have more secrets to keep than you've got eyelashes      you've got more eyelashes than there are tulips in holland and even that was never enough to keep me from wanting more it wasn't my excitement that would keep me from my sleep      it was just that you snore that ********* snore and in my wormy brain it means that you were subconciously bored           i always failed to work the whiskey on your breath into our amorphous algorythm      no real measure for our frosted-glass-pleasure      just bruises left to treasure           on our hearts           and necks           and spirits we got good at it      spending every night with so much left unsaid that it was almost as if i could hear it with my ear pressed to your ribs      like post-dated reverberrations from all of our forgotten arguments      echoing through the void of our emptied bottles      and in the cherry-pits of our chests it was all just a long line of tests measured pressures and recorded reactions      it was an intellectual's game      who will be the first to break? in retrospect      i think we took turns and as much as it still burns my eyes and breaks my mind to know that there are tears left to cry      it feels alright i guess that's the part i always liked           that ache left in the morning sometimes i blame my parents for letting me believe that love was as simple to understand      as the plot of a disney flick they should have told me the truth      that it's really just sick      twisted delusions of our infatuated brains and that the more we try to change it the more it stays the same      that the more you say its name      the less likely it is to show its face i'll never know if it was love or insanity      either way s o m e t h i n g still remains and all looks pretty much the same from this side of the window pane
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Dec 19, 2013
Dec 19, 2013 at 12:43 AM UTC
post-script plot twist.
i used to lay next to you while you'd sleep and wonder how you could possibly have more secrets to keep than you've got eyelashes      you've got more eyelashes than there are tulips in holland and even that was never enough to keep me from wanting more it wasn't my excitement that would keep me from my sleep      it was just that you snore that ********* snore and in my wormy brain it means that you were subconciously bored           i always failed to work the whiskey on your breath into our amorphous algorythm      no real measure for our frosted-glass-pleasure      just bruises left to treasure           on our hearts           and necks           and spirits we got good at it      spending every night with so much left unsaid that it was almost as if i could hear it with my ear pressed to your ribs      like post-dated reverberrations from all of our forgotten arguments      echoing through the void of our emptied bottles      and in the cherry-pits of our chests it was all just a long line of tests measured pressures and recorded reactions      it was an intellectual's game      who will be the first to break? in retrospect      i think we took turns and as much as it still burns my eyes and breaks my mind to know that there are tears left to cry      it feels alright i guess that's the part i always liked           that ache left in the morning sometimes i blame my parents for letting me believe that love was as simple to understand      as the plot of a disney flick they should have told me the truth      that it's really just sick      twisted delusions of our infatuated brains and that the more we try to change it the more it stays the same      that the more you say its name      the less likely it is to show its face i'll never know if it was love or insanity      either way s o m e t h i n g still remains and all looks pretty much the same from this side of the window pane
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