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"understudy" poems
Disillusionment encompasses the night. Your warm breath tickles my ear, Firm hands caress my skin leaving no part of my body untouched. All other distractions, extraneous characters, everything else is irrelevant. It is just you, with your smooth dark skin, comforting embrace, and those entrancing brown eyes, and me, with my silky pale skin, soft curves, and sad but hopeful eyes. It is just us and our apprehension in this room, isolated from reality. You indulge in my coquettish laugh, and I take solace in the warmth of your touch. The contours of my body complement yours as we both try to savor this feeling of ecstasy. But the hourglass runs out, and this moment is fleeting. The illusion is shattered when the protagonist reappears, and I am demoted to understudy. I am left to replay this scene in my disillusioned mind hoping to one day again feel the softness of your lips pressed against my bare skin, but until then, I will replay these events, ignoring this void in my soul and embracing the momentary nirvana.
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Oct 31, 2010
Oct 31, 2010 at 7:07 PM UTC
Disillusionment
. *Light hits my retina through the prism of a tear, distorted faces pass with images fragmented inside out and the smell of tallow as a candle splutters, falters and winks out for the wick collapses cruel like a hamstrung dancer. The tear exits stage left and rolls down the wings of a thoughtless cheek, teeters on the brink of catastrophe and falls upon a blank page, reviewing its brief life as a lazy metaphor, so I look at the remaining solitary candle and grieve for the lost tear, as an understudy takes its place.* © Pagan Paul (28/05/19)
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May 28, 2019
May 28, 2019 at 7:34 AM UTC
Fool's Diary 4
It has every right to bare this clenched fist of a grudge embittered by techno-Jovian whims and base transformations Once delicately formed— two tips pressed en pointe, three others elegantly tucked— it danced with a golden shaft pulling indigo pirouettes across a swept ivory stage Then came the re-pose: a claw’s arched looming. Unhappiness fell as five wilted stems, beggar mouths forced to fumble toward those impoverished humps of white-on-black glyph The other hand is left complimentary, richly gripped by understudy glee, being
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Sep 23, 2010
Sep 23, 2010 at 9:43 AM UTC
Degradation (and uplift) of advancing technology
Soulful Migration Dedicated to all whose names are only spoken from headstones and now flowers is the only representation of their sweet presence that use to be aromatic and change our moods and thoughts with precious regularity now we are left to recall their words from memories grand in a much sadder land A stream of faces and lives collect in a desert pool man’s measure stands in the stature of those he Knows life’s heat he assuages from this spring shadowed and cool the best medicine man knows is Family and friends formidable are the mountains the arid land belongs to no man although Georgia O Keefe revealed its hidden Burnished glory time is the relentless stalker youth falls before its will surly The bugler stands at life’s sunset to play taps so life is ran this one thing I know he will play reveille at the Eastern gate the hair has turned snowy white soon the soul will know freedom we who are left will Celebrate and speak the truth of your nobility you placed in our soul’s steel and granite enough to defend A kingdom the majesty of God declared your lives must be or all would be vain life can best be described As grand theater the elderly are the stars and we are the understudy the divine architect designed the Physical stage in perfect ascetic severity the symmetry is flawless no angles are hidden from view the Cost to play on this stage is everything you have or ever hope to have the consequence is eternal the Low and frivolous are denied any central part Good by Uncle Floyd aunt Kate
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Jan 29, 2012
Jan 29, 2012 at 10:23 PM UTC
Soulful Migration
Soulful Migration Dedicated to all whose names are only spoken from headstones and now flowers is the only representation of their sweet presence that use to be aromatic and change our moods and thoughts with precious regularity now we are left to recall their words from memories grand in a much sadder land A stream of faces and lives collect in a desert pool man’s measure stands in the stature of those he Knows life’s heat he assuages from this spring shadowed and cool the best medicine man knows is Family and friends formidable are the mountains the arid land belongs to no man although Georgia O Keefe revealed its hidden Burnished glory time is the relentless stalker youth falls before its will surly The bugler stands at life’s sunset to play taps so life is ran this one thing I know he will play reveille at the Eastern gate the hair has turned snowy white soon the soul will know freedom we who are left will Celebrate and speak the truth of your nobility you placed in our soul’s steel and granite enough to defend A kingdom the majesty of God declared your lives must be or all would be vain life can best be described As grand theater the elderly are the stars and we are the understudy the divine architect designed the Physical stage in perfect ascetic severity the symmetry is flawless no angles are hidden from view the Cost to play on this stage is everything you have or ever hope to have the consequence is eternal the Low and frivolous are denied any central part Good by Uncle Floyd aunt Kate
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15
We clocked in (Punched in the older guys said) And sat in a circle of orange plastic chairs Hubbed by a thin morose Befuddlement of a team lead “An hour, just what is an hour?” he asked to begin the weekly meeting I wanted to say, “A unit of temporal measurement that comprises -- or is that composes? -- sixty minutes,” But held back Knowing the obviousness of the query had to be a set-up The befuddlement sighed in frustration An understudy to my English III instructor (the one who gave me an F- on the Emily Dickinson test) Then said, “Okay, just what can be done in an hour?” Then the youngest kid who always kept quiet But who had enough scars -- had to toss in a lurid touch didn’t I -- To imply that he might have more experience than the oldest said, “Nothing.” “Nothing?” “Nothing.” “Okay, then just what is that contraption on the other side of the bay?” “An assembly line.” “And what does it do?” “It makes a 30centaurpower indivertible that runs on Gila monster spit.” He nodded. He considered. “Okay, then, let’s punch out and come back tomorrow. Maybe then we’ll really have something to do.” (And - oh yeah -- putting on my hat as a frustrated teleplay writer: Those scars showed that he could handle himself.)
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Sep 23, 2012
Sep 23, 2012 at 6:34 PM UTC
The Weekly Staff Meeting
There Is Something Impossibly Impulsive About The Body We Wore. Like A Costume On Stage, Every Change Felt Like A Quick One. We Were Ripping Layers Of Cotton and Silk, Away. Never Naked, Just Feeling Like Maybe You Might Of Left With A Little Less Than What You Came With. We Stood Back-lit, Like Stage Props. Held Frozen By Spot Lights, Unable To Reach Out And Touch Each Other. Afraid. Like We Might Break One Another. The Ridged Lines, Hard Pallor Skeleton, Like Road maps, Through Broadway, And The Whites Of Our Eyes. We Were A Balcony Away, Dusty Velvet And Aged Satin. Palms Prints, Like Sheer Silk Gloves, Elbow Deep In Our Own Self Obsession, A Hallway Of Mirrors, One Thousand Watt Bulbs. A Cast And Crew of Only You. We’d Turn Down The House Lights, Dim The Emptiness Behind Our Eyelids, A Box Office Value, Of The Number Of Souls You Couldn't Keep Captive. Always Realizing You Were Alone, An Underage Tragedy, Ad Libbing Our Way Through The Only Auditions That Mattered, The Ones We Needed To Make Something More Of The Masks We Wore. There’d Be A Black Out, Long Enough For You To Get Your Bearings. Realize This All Didn't Have To Be An Act. There Would Always Be Red Glowing Exit Signs, Easy Outs. But We’d Learn That You Can’t Be The Understudy In Your Own Life. There Would Be The Curtain, A Dozen Gold Tassels, To Raise. Break The Fourth Wall, And Divide Your Insides Apart. Draw A Line, A Call For Places, A Dress Rehearsal, A Last Chance To Get This Right. You’d Come To The Sound Stage Reaction. You’re More Than A Performance. A No Longer Tried And True Type Cast. Please Take A Bow, Darling. Make This Stage Worthy, Standing Ovation, Say It. Over rehearsed, Side Scripted Lines, Welcome To The Masquerade.
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Jun 12, 2013
Jun 12, 2013 at 4:56 PM UTC
Break a leg.
There Is Something Impossibly Impulsive About The Body We Wore. Like A Costume On Stage, Every Change Felt Like A Quick One. We Were Ripping Layers Of Cotton and Silk, Away. Never Naked, Just Feeling Like Maybe You Might Of Left With A Little Less Than What You Came With. We Stood Back-lit, Like Stage Props. Held Frozen By Spot Lights, Unable To Reach Out And Touch Each Other. Afraid. Like We Might Break One Another. The Ridged Lines, Hard Pallor Skeleton, Like Road maps, Through Broadway, And The Whites Of Our Eyes. We Were A Balcony Away, Dusty Velvet And Aged Satin. Palms Prints, Like Sheer Silk Gloves, Elbow Deep In Our Own Self Obsession, A Hallway Of Mirrors, One Thousand Watt Bulbs. A Cast And Crew of Only You. We’d Turn Down The House Lights, Dim The Emptiness Behind Our Eyelids, A Box Office Value, Of The Number Of Souls You Couldn't Keep Captive. Always Realizing You Were Alone, An Underage Tragedy, Ad Libbing Our Way Through The Only Auditions That Mattered, The Ones We Needed To Make Something More Of The Masks We Wore. There’d Be A Black Out, Long Enough For You To Get Your Bearings. Realize This All Didn't Have To Be An Act. There Would Always Be Red Glowing Exit Signs, Easy Outs. But We’d Learn That You Can’t Be The Understudy In Your Own Life. There Would Be The Curtain, A Dozen Gold Tassels, To Raise. Break The Fourth Wall, And Divide Your Insides Apart. Draw A Line, A Call For Places, A Dress Rehearsal, A Last Chance To Get This Right. You’d Come To The Sound Stage Reaction. You’re More Than A Performance. A No Longer Tried And True Type Cast. Please Take A Bow, Darling. Make This Stage Worthy, Standing Ovation, Say It. Over rehearsed, Side Scripted Lines, Welcome To The Masquerade.
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30
*i find the crow more eloquent, more treacherously abiding a fulfilment of aesthetic investigations when walking, the crow more beautiful than in flight, unlike the sparrows' comic grounding, with its epileptic quick-step twitchy caoutchouc trot... poetically drawn as: huh?! huh?! chirp. huh?! huh?! chirp; really quickly.* the only way to transition back into the humanities from learning science, ******** p... chemistry and physics, from these two into the humanities: because you wrote a high standard sociology essay plagiarising trying to beat the anti-plagiarism logarithm imposed... and that camus' l'étranger also written to a 1st in the degree hierarchy... the only transition from the sciences to humanities is with philosophy, which is a qausi-humanism... mind you... edinburgh is the last gothic city, and scotland the only place where university can be like high school, diverse, equipping you with many choices, you can major chemistry, but understudy computing, french, history, sociology, etc. so in the background you have my favourite theorisation: friedel-craft's alkylation & acylation / effects of substitution on the beneze ring properties: ortho (β) / para (ν) directing goups... meta (π) directing groups... ipso (α) directed at dislodging the algebraic x already attached... i was never going to write cute poetry... lessons in inductive effects of σ-bonds orientation controlled by resonate (of) π-bonds... the faustian myth continues without cute goethe rhyme.
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Feb 17, 2016
Feb 17, 2016 at 12:51 PM UTC
3rd year lecture notes
*i find the crow more eloquent, more treacherously abiding a fulfilment of aesthetic investigations when walking, the crow more beautiful than in flight, unlike the sparrows' comic grounding, with its epileptic quick-step twitchy caoutchouc trot... poetically drawn as: huh?! huh?! chirp. huh?! huh?! chirp; really quickly.* the only way to transition back into the humanities from learning science, ******** p... chemistry and physics, from these two into the humanities: because you wrote a high standard sociology essay plagiarising trying to beat the anti-plagiarism logarithm imposed... and that camus' l'étranger also written to a 1st in the degree hierarchy... the only transition from the sciences to humanities is with philosophy, which is a qausi-humanism... mind you... edinburgh is the last gothic city, and scotland the only place where university can be like high school, diverse, equipping you with many choices, you can major chemistry, but understudy computing, french, history, sociology, etc. so in the background you have my favourite theorisation: friedel-craft's alkylation & acylation / effects of substitution on the beneze ring properties: ortho (β) / para (ν) directing goups... meta (π) directing groups... ipso (α) directed at dislodging the algebraic x already attached... i was never going to write cute poetry... lessons in inductive effects of σ-bonds orientation controlled by resonate (of) π-bonds... the faustian myth continues without cute goethe rhyme.
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38
I think she lost a part of herself, picking up the pieces. And that's okay; the universe works because something is given for something to be gained. Her parents were red-blooded Americans; they drank confirmation- bias and the minimization of minorities. They would make her problems as small as the countries, they couldn't find on a map, but could find in their hearts to demonize. Oh yes, the demons: what used to afflict her and corrupt her pure heart. To them, she wasn't a teenager -- a child -- stressed from carrying a family, featuring a mother with a brain tumor; guest starring 'I-stunt-your-growth-with-Jesus' as the understudy for mental health awareness. No, she wasn't a child; she was a burden because she cut herself, because her legs grew too thin; as thin as the crucifixes around the proud, turning necks, holding dismissive heads of 'Why-would- you-want-to-be-dead' Christians and 'I-don't-understand-what-isn't- in-the-Bible' fat, white relatives. To make things short as her life could have been: she dipped in and out of drugs, featuring ****** and pills that would dip in and out of her body, like a fool's gold life jacket, soaking in the waves of her pale, transitioning to adulthood, twenty year-old waters. She saved herself, and they thanked God and the boy and mostly everyone else but her. And the little brother sat, sinking in a seat softer than his deep-seated hateful beliefs. But, the truth is that she saved not only herself, but also the handsome, white, tall, smart, talented image of 'Holy-shit-what-a-tall- drink-of-privilege.' A tall drink who cared for her more than the country cared about being right; who loved her more than the parents of the degenerates living in some unknown collection of poems about the disenfranchised and American angst. She was a protest, very wondrous; a halting of the longest dark, a breath of fog floating towards a lonely, very deep pond. And she was only beginning. And it was all very exciting.
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May 11, 2017
May 11, 2017 at 9:56 PM UTC
25. American Girl; Degenerates
I think she lost a part of herself, picking up the pieces. And that's okay; the universe works because something is given for something to be gained. Her parents were red-blooded Americans; they drank confirmation- bias and the minimization of minorities. They would make her problems as small as the countries, they couldn't find on a map, but could find in their hearts to demonize. Oh yes, the demons: what used to afflict her and corrupt her pure heart. To them, she wasn't a teenager -- a child -- stressed from carrying a family, featuring a mother with a brain tumor; guest starring 'I-stunt-your-growth-with-Jesus' as the understudy for mental health awareness. No, she wasn't a child; she was a burden because she cut herself, because her legs grew too thin; as thin as the crucifixes around the proud, turning necks, holding dismissive heads of 'Why-would- you-want-to-be-dead' Christians and 'I-don't-understand-what-isn't- in-the-Bible' fat, white relatives. To make things short as her life could have been: she dipped in and out of drugs, featuring ****** and pills that would dip in and out of her body, like a fool's gold life jacket, soaking in the waves of her pale, transitioning to adulthood, twenty year-old waters. She saved herself, and they thanked God and the boy and mostly everyone else but her. And the little brother sat, sinking in a seat softer than his deep-seated hateful beliefs. But, the truth is that she saved not only herself, but also the handsome, white, tall, smart, talented image of 'Holy-shit-what-a-tall- drink-of-privilege.' A tall drink who cared for her more than the country cared about being right; who loved her more than the parents of the degenerates living in some unknown collection of poems about the disenfranchised and American angst. She was a protest, very wondrous; a halting of the longest dark, a breath of fog floating towards a lonely, very deep pond. And she was only beginning. And it was all very exciting.
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64
there are men in my life would find it **** to look in on a woman bathing a puppy. they are good men, and wrong. I met your husband in the waiting room of an abortion clinic 101 miles from where you live and 73 from where you work. I know some intimate things- you were driving, your son was playing the flute. I know the damage a flute can do- it does a number on the lips. I was moving my hands in my lap imagining film trays of broken water as if I might guess with my knees the weight of a newborn. your husband has a wobbly right knuckle. with that face he could be a mime. he could be armless. I tried to think of my belly as a balloon with a manageable amount of candy on the end of its string. the night last to this morning I put a pillow under my back and tried to fall asleep but I have one eye insists to understudy the moon. pregnancy as idée fixe- moon and balloon. your **** daughter wants a puppy but where would we put it.
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Jul 13, 2012
Jul 13, 2012 at 11:26 AM UTC
plastic bubble
For my brother, it meant everything to stretch out and press his face against the pane of candy stretched crystalline. To take the path away from father for me one step away from step-mother, baking our dreams into crumbs we left on the floor. We’ll trace them back to the place between lost and found, once we’ve fulfilled our parts, he’d always tell me. But he doesn’t understand, and honestly when does he, that we’ve been doomed from the start. There is no Gretel, to stoke the logs, close the grate and latch no heroine to fit the story’s need there's only me So when the witch comes back she’ll ask has Hansel truly grown fat? a little pinch of the skin an inadvertent test to see which one of us should win? It’s always an offering always a suffering always a surrender of what makes me, she and Hansel truly him But I don’t mind filling this role I know it’s what I was made for half baked like the crumbs in a crummy oven the real Gretel’s long gone so her understudy will do. If Mother could bake one daughter why not try to bake two? The witch will say it’s time and ask me to reach back far to find a warmth she can't see it’s really not that odd to hear the words escape me: "why don't you try, it's utterly exhausting always having to hide" and besides I always desperately wanted someone to show me And I’ll even smile as the crackle burns for just awhile Hansel holding my hand my pigtails askew. The crumbs, our true parents, eaten in the leaves.
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Apr 10, 2015
Apr 10, 2015 at 6:06 PM UTC
Crumbs
For my brother, it meant everything to stretch out and press his face against the pane of candy stretched crystalline. To take the path away from father for me one step away from step-mother, baking our dreams into crumbs we left on the floor. We’ll trace them back to the place between lost and found, once we’ve fulfilled our parts, he’d always tell me. But he doesn’t understand, and honestly when does he, that we’ve been doomed from the start. There is no Gretel, to stoke the logs, close the grate and latch no heroine to fit the story’s need there's only me So when the witch comes back she’ll ask has Hansel truly grown fat? a little pinch of the skin an inadvertent test to see which one of us should win? It’s always an offering always a suffering always a surrender of what makes me, she and Hansel truly him But I don’t mind filling this role I know it’s what I was made for half baked like the crumbs in a crummy oven the real Gretel’s long gone so her understudy will do. If Mother could bake one daughter why not try to bake two? The witch will say it’s time and ask me to reach back far to find a warmth she can't see it’s really not that odd to hear the words escape me: "why don't you try, it's utterly exhausting always having to hide" and besides I always desperately wanted someone to show me And I’ll even smile as the crackle burns for just awhile Hansel holding my hand my pigtails askew. The crumbs, our true parents, eaten in the leaves.
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62
In the meantime, I'll smile, as if waking up was "waking up" to the relaxing music played by an ocean's waves. I'll smile, like Bob Marley was playing on the radio reminding me "everything is gonna be alright". I'll smile, as if though that falling star actually made my wish came true. I'll smile! Like the pain isn't about to claw its way out of my chest, like the anger isn't at my throat- begging to get out! Like the constant disappointments aren't wandering in my mind like an explorer with a broken compass. I'll smile! Like the hate in my stomach hasn't risen beyond my control, as if my heart hasn't metamorphosed itself into a magnet attracting the insults thrown my way. I'll smile! Like my attitude wasn't forcefully entered in to the Ultimate Fight Club- with absolutely no fighting experience. I'll smile! As if my soul wasn't playing tug-of-war with Lucifer, and I don't want to "lose it for" I would become his understudy. I'll smile! Like I haven't been driving for miles on a gallon of confidence with "patience" as my source of alternative energy- but that too has ran out because of the countless wrong turns I've made. That glorious crescent between my lips has been turning down for a while, but am about to take a selfie for instagram. So in the meantime, I'll smile. I'll walk tall, head straight, steady strides, as if my insecurities weren't f@%king up my spine. But in the meantime, I'll.... I'll talk to you as if every single word that I've said, I repeated, " 4...5...6 times" in my head, before relaying that message to you. In the meantime, I'll use indecipherable vernacular and unfamiliar metaphors, so I am sure to say "how I feel" and be equally sure that "you don't understand" and if you dare tell me that you don't... I'll SMILE -Steve Flores Jr.
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Dec 12, 2014
Dec 12, 2014 at 1:16 PM UTC
**In the Meantime... I'll Smile**
In the meantime, I'll smile, as if waking up was "waking up" to the relaxing music played by an ocean's waves. I'll smile, like Bob Marley was playing on the radio reminding me "everything is gonna be alright". I'll smile, as if though that falling star actually made my wish came true. I'll smile! Like the pain isn't about to claw its way out of my chest, like the anger isn't at my throat- begging to get out! Like the constant disappointments aren't wandering in my mind like an explorer with a broken compass. I'll smile! Like the hate in my stomach hasn't risen beyond my control, as if my heart hasn't metamorphosed itself into a magnet attracting the insults thrown my way. I'll smile! Like my attitude wasn't forcefully entered in to the Ultimate Fight Club- with absolutely no fighting experience. I'll smile! As if my soul wasn't playing tug-of-war with Lucifer, and I don't want to "lose it for" I would become his understudy. I'll smile! Like I haven't been driving for miles on a gallon of confidence with "patience" as my source of alternative energy- but that too has ran out because of the countless wrong turns I've made. That glorious crescent between my lips has been turning down for a while, but am about to take a selfie for instagram. So in the meantime, I'll smile. I'll walk tall, head straight, steady strides, as if my insecurities weren't f@%king up my spine. But in the meantime, I'll.... I'll talk to you as if every single word that I've said, I repeated, " 4...5...6 times" in my head, before relaying that message to you. In the meantime, I'll use indecipherable vernacular and unfamiliar metaphors, so I am sure to say "how I feel" and be equally sure that "you don't understand" and if you dare tell me that you don't... I'll SMILE -Steve Flores Jr.
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15
I love the smell of my flesh in the morning So soothing, like the ghost of the woman you're mourning Conforming to a bitterness, you swore to me That you wouldn't do what you did, but what's more to me Is that your stain rests upon every thing that I enjoy My heart is a consultant, don't insult it by calling it unemployed. I put too much time into your eyes on my mind, in my rhyme Undermined, badly timed, so let's get to other subject lines Starlight baking cloudy, shaking Hourglass breaking, howling naked On a street corner, "Happy Birthday!" (belated) Just say it. If it's in a reactor, it's decaying A single rooftop smothered by snowflakes, earthquakes Heartbreaks, salt shakers, risk-takers, green bakers Understudy, crush me honey, lose my number, don't go under Keep me waiting and debating, my hand shaking, the phone breaking My face is a reflection of the sunlight's rays Keeping a constant rumbling from underground at bay And everyone complains that they're smothered in their own way But when I rationalize the rainbows, their records won't play I simply need the orchards to escape this lonely torture A place to sit and paint in front of a tree and make a fortune Soothing ears to rest and putting minds at ease My music, a viral infection, a depressive disease Constantly starving myself of the rain I bring the trees to their roots and stimulate the brain With a conflagration of color, instantly insane Yet civilized, melody harmonized, urbane The strings will vibrate and body rejuvenate Conceptual mind-rape a rising heart-rate The starlight glowing outwards, the falling of the towers To signify to flip to side B in a mere matter of hours
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Feb 17, 2011
Feb 17, 2011 at 7:14 PM UTC
B-Side
I love the smell of my flesh in the morning So soothing, like the ghost of the woman you're mourning Conforming to a bitterness, you swore to me That you wouldn't do what you did, but what's more to me Is that your stain rests upon every thing that I enjoy My heart is a consultant, don't insult it by calling it unemployed. I put too much time into your eyes on my mind, in my rhyme Undermined, badly timed, so let's get to other subject lines Starlight baking cloudy, shaking Hourglass breaking, howling naked On a street corner, "Happy Birthday!" (belated) Just say it. If it's in a reactor, it's decaying A single rooftop smothered by snowflakes, earthquakes Heartbreaks, salt shakers, risk-takers, green bakers Understudy, crush me honey, lose my number, don't go under Keep me waiting and debating, my hand shaking, the phone breaking My face is a reflection of the sunlight's rays Keeping a constant rumbling from underground at bay And everyone complains that they're smothered in their own way But when I rationalize the rainbows, their records won't play I simply need the orchards to escape this lonely torture A place to sit and paint in front of a tree and make a fortune Soothing ears to rest and putting minds at ease My music, a viral infection, a depressive disease Constantly starving myself of the rain I bring the trees to their roots and stimulate the brain With a conflagration of color, instantly insane Yet civilized, melody harmonized, urbane The strings will vibrate and body rejuvenate Conceptual mind-rape a rising heart-rate The starlight glowing outwards, the falling of the towers To signify to flip to side B in a mere matter of hours
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32
On Life's superhighway, I'm parked on the shoulder. If all the world's a stage, I'm an understudy In the wings. If one's reach Should excede one's grasp, I'm arthritic. If the world is your oyster, I'm the irritating Grain of sand. If a man's stature Isn't measured by his height, Call me a Hobbit. If actions speak louder than words, I'm mute, and probably dumb. If a penny saved is a penny earned, I'm bankrupt. If good things comes To those who wait, Save my place in line. If beauty is in The eye of the beholder, I'm myopic. If absence makes The heart grow fonder, Why did you buy A one-way ticket? If a bird in the hand Is worth two in the bush, I hunt Ostrich. A mind is a terrible thing To waste... A mime... eh! If brains are better Then brawn, Tell the big, dumb bully. A drowning man may Clutch at straws, But where he's going There's no milkshake. If actions Speak louder than words, I'm mute and stationary. If Hope springs eternal, Then Spring is eternal Hope.
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Feb 21, 2015
Feb 21, 2015 at 11:58 AM UTC
Pearls
You Can’t Get Me To Lick Your Bones If You’re Never Going To Eat My Phone I don’t need for the reading of your head sideways. There’s no book of your gazes in drugs I fluff myself in front of mirrors to the heavens and become elated, transfixed; I never become ‘indisposed’ you may shift your skin in those clothes I would never spell nor the words I would never wear across the neck I will never throw your prose across this lubricious pottery wheel that governs the awesome succubus’ coffin of Publisher Clearing House dactylic feet, I have a licentious groove and yet I never am wont for those syllabic toes you push into the mouth of me. Slippery soot-covered balms of the dancers jocular knot, so I say: See Spot Run away from that face of your clock the beats of your Machiavellian speech I am understudy to none In cahoots with only the **** of my soup kitchen, my idyllic sous chef he takes paradise and irrumates these suture-battered stars covered in elementary window wish dust to poke your fingers with kisses and undo your shoelaces even while you you’re weary of becoming the flat-footed ballerina. There it is I’ve said it. Beware beware beware beware when taunting me in your under wares For I eat lines rare Petite writhings of flair
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Jan 15, 2018
Jan 15, 2018 at 6:32 AM UTC
You Can’t Get Me To Lick Your Bones If You’re Never Going To Eat My Phone
Silver Medal Runner Up Understudy 2 I C Other woman (just in case) one number off second place. Not quite out Almost not in Deputy and Vice 11th out of ten. Pepsi, Burger King Futurama, Wings All some of our second favourite things. Lazenby's Bond Troughton's Who Samsung, google+ Buzz Aldrin too Just missing out, 'they made me choose' Always coming second.. the first one to lose.
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May 6, 2013
May 6, 2013 at 10:00 PM UTC
Always Second
You have said As a Phenomenal Woman That Still I Rise, and so you must to travel The Road Not Taken. But If You Forget Me In your Dreams, Dearest Annabel Lee, I will sing like the Caged Bird. If, When Stopping by the Woods on a Snowy Evening, You should find yourself in A Dream Within a Dream, Then deny, for I Don't Love You Because I Love You; I love you more As I Grow Older. I will pass through this life, Do Not Stand by My Grave and Weep, You are not Alone. You too Will Not Go Gently Into That Good Night; For I Don't Go Far Off. This is the promise: Hope is the Thing With Feathers, or it can be A Poison Tree, Casting venom on Daffodils, Making All the World a Stage, And I, An understudy in the wings.
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Jul 14, 2015
Jul 14, 2015 at 10:50 AM UTC
Phenomenal Poems
Time keeps her moonlight dripping, day after day breaking, we reach toward something beyond us: We consider the lilies, the birds, The trees budding promises into the air, The breeze tasting of rainwater,   The chalkdust collecting in our open palms like childhood dreams, in our hearts. Pulled forward from the shadows, Fast, by the spotlight of spring. We are understudy actors: finally on the stage, but surprised by the drama of split tea,   rainkissed pauses, and almost burn down the apartment. All the while, the moon smiles thinly: time-light in the sky, in our eyes. We've a long distance yet to travel. Our footsteps press into mud and freeze toward the West, where we learned to be happy. I gaze East into the unknown, not quite deciding to be brave. While you search heaven for a piece of your soul: The skylark, ascending.
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Jan 14, 2013
Jan 14, 2013 at 9:02 PM UTC
The Skylark, Ascending
You're the understudy, waiting to be the star who'd shine brightly like the original main character. You wait at the backstage, Chanting the lines with her, As she performs in the theater Where she's being adored. But one day, if you keep on dreaming, The spotlight would be yours, Just keep on believing The spotlight would be yours.
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Feb 2, 2012
Feb 2, 2012 at 7:07 AM UTC
The Spotlight Would Be Yours
Night after Night, Day after Day, He declaimed the words he'd been given to say. His costumes selected, Each cue prearranged, Little freedom of movement Just a pawn in the game. Each move blocked and taped. The audience roared at the droll repartee he had heard oft before. His understudy waits, like all of his kind. For the day he would falter and be left behind Beatrice and Benedict time after time No chance in a million of forgetting his lines.
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Aug 15, 2012
Aug 15, 2012 at 10:21 PM UTC
Forgetting his lines
As my soul calms for another day Refreshing a new juncture While the sun rises from the icy hills I continue to study Controlling a mental afterthought Why is she following so distantly? As her appearance comes to mind Thoughts long ago Trying to study under unlimitless lights With manuscripts in hand Strolling downstairs As icicles beat against the icy glass Awaken by the reverberation As my vocals slumber to sleep Laughter throughout the hours Of darkness I seated before adjourning Meeting citizens for the first time Which I never been From a journey in which I someday will return
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Dec 2, 2009
Dec 2, 2009 at 6:58 AM UTC
Understudy Thoughts
I have learned that Some people will never Own up to their actions They live in their own world In which they believe they played the part perfectly You can’t play the role if you don’t show up to the set You’ve been written out of my life and yet you keep trying to cast yourself the same role Over and over again And it makes me wonder if you know How a no-call-no-show really affects the director And are you really that good at acting? Or do you really not know how your actions impacted the story? This wasn’t a normal play and you didn’t have an understudy So I was left trying to find people to fill your role Now the story has moved on without you And you pretend as if you’ve been a part this whole time The cast has changed a lot throughout the years And now you want to jump right back in Without even knowing how the story has developed in your absence So why Should I write you back in? If you won’t own up To the part you played in the character development that happened As a result of your absence You had one of the only roles that I had no choice in casting But you had a choice, and you clearly didn’t want the part Now you get to pretend That you won an Oscar, you should get a standing ovation But you haven’t played that part in years If I replayed the last few acts of the story you would not be even a minor character, but I think you said a couple lines in the beginning.
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Nov 20, 2018
Nov 20, 2018 at 3:42 AM UTC
An apology would be nice.
Our scene began one softly chilling day There were lies in your head, but that’s ok ‘Cause girl, we’re all actors of comedy Played the understudy a time or two But real-life heroes are too far and few Honest men only lead in tragedies We can smile and dance and play games all night We’d lose our parts if we saw wrong from right We’d all lose our minds to reality I’ll always be the beat you should have skipped But, dear, you’ll never stray far from the script And so my ****** caring eyes betray me Just too in love with truth to learn the role And too in love with you to claim control I’m living between fraud and honesty And no, you never asked my forgiveness But hey, we’re all young and we’ll outlive this Time ever frees you of morality Yes, time will free us all of ev’rything The stage will fade beyond all reckoning Neither applause nor encore will there be
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Feb 22, 2013
Feb 22, 2013 at 4:08 PM UTC
Honest Eyes
Colour coded wonder drugs For the replacement Of Love and it's joyous thugs Out of the woodwork comes my moral obligations Black and white Never more than an understudy 'Watching time go by I hope you see the end of this song Gradients so plainly tight Miscast by mothers The theory of the other Watching, time goes by Drinking and praying Black and white Shades and gradients Of things I tried
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Nov 28, 2016
Nov 28, 2016 at 6:02 PM UTC
Ramble to the Days