Laying in the land of lies.
Kissing broken butterflies
Knows what she wants.
A tigress on the prowl.

Howling and squawking.
Howling and scowling.
Pawing, cat calling.
Pussycat growling.

Love laid roses on the path.
Tangled thorns and demon horns.
Thought she'd have a laugh.
Love she chooses lonely pawns.

Howling and squawking,
Howling and scowling
Pawing,cat calling.
Pussycat growling.

She snatches sweethearts.
Creating works of art.
Living on cupcakes.
Cementing works of art.
Breaking hearts and crushing bones.

Howling and squawking.
Howling and scowling.
Pawing, cat calling.
Pussycat growling.

Fingertips tips as razor blades.
Razor blades are on the ****.
Love dies screaming silently.
At wicked women's will.
Said goodbye.

Howling and squawking
No more talking.
Pussycat cat cuddles.
Snuggles and kittens.
(C) LIVVI

we're much like
a flock of squawking birds
ruffled feathers
angry words
repeating what
others say
lately early
early late

like a flock
of squawking birds
all caged up
in a crazy world
the door's wide open
so we think we're free
who's wrong we're hoping
it's you and not me

like a flock
of squawking birds
running mouths so loud
we're hardly heard
high on a wire
still talking dirt
much like a flock
of squawking birds

AWAKENING

Sleep and slumber, dreams of wonder... weaving,
morning’s vacuum broke the spell
Pitted pillow, note of parting... leaving,
“from your friend, a fond farewell”
Sunrise throbbing, twilight aching... grieving,
daydreams, flashbacks, nightmares knell
Pale phantasms, visions sneaking... thieving,
plot to fill the empty shell

12 DELIRIA

1st Delirium: COLLAPSES

Fractured sky bolts, billows bursting... rumbling,
heavens tighten, turn the vise
Horsemen saddle shafts of lightning... tumbling,
jagged highways must suffice
Ruptured skyways, hailstones crackling... crumbling,
naked pearls of paradise
Toxic tongues of laughter stinging... stumbling,
ocean buckets choked with ice
Droplets drumming, thunder muzzled... mumbling,
washed out whispers pay the price
Smothered blazes, cinders smoking... humbling,
ashes shaped in sacrifice

2nd Delirium: DESCENTS

Asphalt alleys, ashen faces... frowning,
blowing bubbles, chewing gum
Drinking ale from tavern tankards... downing,
moonlit beads of painted ***
Stony stars and sea misshapen... drowning,
humble rivers’ rhythms hum
Apparitions aspirating... clowning,
diamonds dying , minstrels strum
Incandescent candles conquered... crowning,
vacant vapours, cold and numb

3rd Delirium: FATES

Tempest turmoil, tapered turrets... holding,
dungeons, dragons, chains and racks
Wheels of fortune, Tarot temptress... molding,
Hangmen, Towers, One Eyed Jacks
Sand dune castles, cryptic candles... folding,
warping walls of liquid wax
Idols colder, combed and coddled... scolding,
hide in fissures, peek through cracks

4th Delirium: LOST SOULS

Sunken cities, pilgrims peering... gawking,
squinting eyeballs, blazing sun
Janus facing, shepherds chasing... stalking,
friends embrace before they shun
Tearooms steaming, tumult teeming... talking,
lovers listen, poets pun
Broken stones unanchored, quaking... rocking,
slipping, falling, one by one
Beaten pathways, footsteps marking... mocking,
wedged in webs which spiders spun
Circus shelters, big tops tumbling... locking,
people pacing, soon they’re none
Numbered exits, zeros numbing... knocking,
midnight daylight’s days undone
Moon blood shackles, shivers shaming... shocking,
starlight striders streaking, stun
Hushed but harried hermits waiting... walking,
restless rainbows on the run
Pixies, elves, and echoes bouncing... balking,
fading fast when dawn’s begun
Bantum butterflies are flitting... flocking
sometimes conquered, overrun
Hocus pokus, seers focus... squawking,
voodoo wavered, witchcraft won

5th Delirium: INTROSPECTION

Sundown furnace, fires fading... coughing,
dusky dew drops drain the air
Empty chalice, sipped in silence... quaffing,
thirsting shadows unaware
Looking glass and lattice scorning... scoffing,
local loser gapes and stares
Faces covered, dancing naked... doffing,
peering inside, hope despairs

6th Delirium: THE VOID

Tales of taboos, mystic mythos... missing,
windows shuttered, bolted door
Kindled candles, tongues and anvils... hissing,
heavy hammers, echoes roar
Dark deceivers, raven charmers... kissing,
draging demons from the shore
Hopeless hollows filled with doubters... dissing
standing empty - nevermore

7th Delirium: SEARCHING

Martyred monks haunt runic ruins ... waiting,
banging broken bells below
Vaulted hallways, voided voices... grating,
churning Chinese chimes aglow
Granite graveyards, spectres spooking... skating,
blackened bushes, roses grow
****** dwarfs seek mutant migrants... mating,
packing parcels, ice and snow

8th Delirium: NIGHTTIME

Throbbing drumheads, fingers blazing... steaming,
coins of copper, beggars plea
Rusty residues of resin... streaming,
opal amber filigree
Orphan shades in shallow shadows... teeming,
steeping twigs in twilight tea
Cloister doorsteps, Prophets gaming... scheming,
tracing tracks of destiny
Blacksmiths blanching, horseshoes glowing... gleaming,
partially sheathed in black debris
Phantoms feigning, nightmares scathing... screaming,
dusty dreamers drifting free

9th Delerium: EMPTYNESS

Water wheels in wastelands... turning,
drowning relics in the slum
Rumpled rags of fashioned burlap... burning,
lit by bandits blind and dumb
Pastured prisons, ponies bridled ... yearning,
forest fairies under thumb
Sounds inside of cauldrons coughing... churning,
blaring bugles, tattooed drum

10th Delirium: ALIENATION

Rain unravelling, wistfully weeping... falling,
treacle trickling, fickle sky
Mushrooms sprinkled, visions sprouting... sprawling,
seagulls drowning, dolphins die
Rabble gasping, spirits broken... crawling,
lonely lonesome swallows cry
Babbling brooks and breakers ebbing... bawling
puppies paddle, puppets sigh
People passing ripple past me... calling,
rainbow colours, collars high
Chaos seething, lepers looting... stalling,
stealing stallions on the sly
Pencils pausing, scholars scrambling... scrawling,
scratching scribbles, asking why

11th Delirium: JETSAM

Silver sails sway pallid pirates... prowling,
Jolly Rogers, wind and sound
Parrots perching, tattered feathers... fouling,
tethered talons, tied and bound
Shipwrecked foghorns, trumpets stranded... howling,
spiral springs of time unwound
Magic moonlight, shimmers shaking... scowling,
burnt out matchsticks washed aground
Prairie wolfs, coyotes calling... yowling,
witching hours, midnight hounds
Tightrope walkers, grizzlies grunting... growling,
seeking islands, lost and found

12th Delirium: RELIEF

Slumber shattered, vapours captive... haunting,
chained in mirrors, breaking free
Scarlet skylines, daylight dawning... daunting,
rivers rushing to the sea
Silence softens, sandmen whisper... wanting,
piercing rafters, turning keys
Shadows shudder, notions fluster... flaunting,
moonbeam bullets meant for me
Mind in migraine, meadows trembling... taunting,
sparrows speak in harmony

REAWAKENING

Pitter patter, teardrops paling... pearling,
salting scarves in secret drawers
Mist amongst us, smoke rings rising... curling,
climbing from the ocean floors
See-saw circles, senses swerving... swirling,
swept away with silver oars
Courtyard jesters, sceptres twisting... twirling,
push the past to foreign shores
Passing pangs of passions heaving... hurling,
burning bridges, closing doors
Roses wither, icons waning... whirling,
time decays and time restores

And when I met that girl in San Francisco
Off a dusty little pier
with rotting wood
and squawking seals
And screaming bayside wind

She caught me off-tropics
and danced with the grace
of a palm tree
lines between the quaked
concrete
off telegraph avenue
On an obscuring Sunday morning

and no
she didn't go
to church or any silly thing
like a temple or synagogue
She said those were no places
for god

God was the trees

We smoked cigarettes and got off to each other's
carcinogenic practices
oxidizing a little faster in conjunction with hopeful
Formaldehyde
Deriding the formalities
of small talk and trivialities

She liked her guitars with nickel-wound strings
I with nylon
But I couldn't play songs
that sounded any good with them
while she could
and did.

and girl did it ever sound good

She'd laugh at the contests on the radio
while we drove on a half-moon
to half-moon
full and whole of ourselves
We'd stopped in the lobby of a cheap motel
And waltzed to background
muzak
wacked out of our minds
Sniffing in deep huffs of subliminal
divinity
Understanding
loving
that mind-numbing
monotony

muzak...
ppsh.
Who ever really listened to that?

And then she left
at the end of one fine winter day
in a cloudless sky I waved
watched her plane
skip off
towards the edge of a pale blue horizon
back south
to warmer climes
to wherever she truly stayed
The tugging on my heartstrings
chimed grotesque in
precise
D minor.

As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
"Love has no ending.

"I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,

"I'll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.

"The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world."

But all the clocks in the city
Began to whirr and chime:
"O let not Time deceive you,
You cannot conquer Time.

"In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

"In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.

"Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.

"O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.

"The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.

"Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.

"O look, look in the mirror?
O look in your distress:
Life remains a blessing
Although you cannot bless.

"O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With your crooked heart."

It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.

so quick, so quick--
and it's over in appreciation's bloom
i run and kiss her- glad to be alive with you
adrenaline spread across
the slice of time i am
this life affirmed in downward rush
of vision    swallowing the whole
un    worded     awe
'i cannot be a poet now'

from reading on the drive there:
absurd psychology, it marvels at me
similizing downward flight    to that of two rakshasas thrown
from Angada's leap on Lanka
    palace tower kicked, another symbol falling
likened to Ravana's ego doomed,
ordering to **** that messenger
who revealing imminence alights the fate
of endings we all share,
how could i guess
i blindly follow orders--
the ten-headed ego writhes resistance
at the incapacity in me, the failure  
    to speak    meaningfully,
or trounce the message-bearer
routing through the speech
of others only    intoning at ten thousand feet:
om  earth   sky    cosmos
    contemplating that original love
perfect fullness     within and out
    let us realize our unity
om  peace   peace  peace
at the silence    in the noise
eudaimonic under breath as engine climbs
in moments    (i don't know how i got here)
i chant remembrance into time--
the solar warmth    a touch of ease
amid anticipation's quandary--
he has a helmet    unlike me  
    "Don't let those two mess with you,"
the camera-headed lady says to me before she jumps
her finger wagging    some distant familiarity
of jests to lighten fears    or twirl them in the air--
so cold the wind     and thin to singe the lungs--
his body hanging out the door     waiting for
her flight into his falling grasp    the plane rocks into the slamming door
the door...    is closed again for me to kneel beside
and think of next and after what has come before
    inching    'i love you' at the back of the plane
where crouched the one who whisked me here
in mystery to allow unveiling here today
from reading epic only--gazing down--"no signs" to give away
the open spaces felt and bright  treeless    vast
and getting out of car with closed eyes--
"surprise!" and there sits a plane or twenty over there
and "SKYDIVING" written on the door
which i am happy to dismiss as we walk the other way,
she wouldn't have the guts to surprise me with this--
but yes we turn around and here we are
with sky-crazies in pictures    peace and love on palms
strapped tandem     falling    living     back   still far from earth
we sign the papers under those smiles
faintly listen to the video  squawking 'court of law'
and 'choice of your own free will'
paid and signed away  we harness in and search for fear
windex for the goggles  (but how clearly will i see?)
my ***** are safe from straps or so i think
i'm conscious of the need to quip
and John and Paul--our parachutes--
become a double headed meet-your-maker Pope
for me to flatly joke about.
"Pain is good," says the pilot as
we learn the way to fall
and pile seven in a tiny cockpit,
we're off the ground before i know it
i 'woot' to sign my joy.   as much as to assent
conversations of little more than two lines
keep us feeling human as we swallow
popping in our ears,
--she'll have to keep her gum--
smoke stacks, mines, gray grids of residential scapes
seem to **** the green from curve of earth.
faintly i recall ecology, pulled into the sun
stumbling to cage the meaning of it all
a sentence forms into a trailing nonsense.
my breathing tests the press of straps on waist and chest
deafened, chanting. cease to chant.
the meaning overcome with wonderment beyond my mind.
am i missing something?
thank the pilot as a "Sir,"
"Door!!" "How long?!" "When!?!" --i hear the buckles faintly clicking,
the distance imperceptible a rush
of air i am infused with global letting be
the ball of tight electric fear
a nostril flare of otherworldly falsity--
i am here.
and tilting, instructions gibberish, shouting go! go!!
a kneeling fetal hop into the gust of void
so full the eyelash burns horizonal










.

words fall
like hapless fledglings
tossed from a cliff edged nest

with much screeching, squawking,
countless feathers lost

and then an awful thump
or hopeful, glorious flight

first love is tachycardiac love
all adrenaline, sweating palms
and stutter-stumbling sqeakings,
ungainly gropings,
when not with you, mopings
unrealistic hopings
for happy ever after endings,
breakings, bendings,
awkward mendings,
repeated leavings,
repented lovings.
heartfelt givings,
of broken hearted rendings.
lendings,
of time stolen from life
tearing, teasing,
tantalising teamings
crying, begging,
pleading strife
and then,
the metaphorical knife
cutting, slashing,
wordblow bashing,
screaming, reaming,
end to loves life.

til eventually, words fall,
like old birds leavings
to settle, unremarked upon
at the base of the tree of life.

first love's loss, is slow dying.
arrhythmia to flatline
in a multitude of laboured breaths
and long lingering sighs.
a loss of warmth,
from breast and thighs
and water copious,
falling from red rimed eyes.
sobbing, murmuring,
don't know whys?
from lips turned
toward,
bleakset skies.
as one settles firmly,
into black dog muck
no longer able to give a f▼ck.
tucked in tight to sadness,
lost all sight of former gladness,
caught up and shackled tight,
to the badness
around and around,
the carousel goes.

then,
at last,
the blessed silence,
as you die
one of many of....
                    life's little deaths

Heaven, heaven is one breath away! Heaven, heaven is someone’s array of death and decay. May I say? The havens and heavens above is a way for the doves and for its love. For the day, the gay, the gray, the prey, the stray, the Sundays and sunrays! Heaven, heaven is a hideaway, a passageway, a safe way, a sway away! Heaven, heaven
is basically, eccentrically, theoretically and poetically for some of the

awesome that blossom! It’s an anthem or a poem! It’s fearsome, it’s freedom and a kingdom of wisdom! Heaven, heaven is a place of face, grace, race and trace. It’s full of allure and demure! It’s rest and a test assured! Where, there you can invest the best and insure your problems can be cured! Heaven, heaven’s characterized cries and eyes! The flies, the lies, the prize in disguise! Its skies, ties, the whys and the

wise. Footprints and imprints of ancient legends of heroes, Negroes and Neros of long, long ago! Heaven, heaven’s gorgeous doorsteps! Yep! Its havens grand, take a stand. Many brands, many hands, many
strands of many sands! Heaven, heaven is enormous and glamorous! It’s where adjacent, impatient humorous, numerous followers throng and prolong! The bleak, meek, the weak, the strong and wrong! There

is where, reactive in proactive citizens and frail senior citizens hail and sail! They prevail as they unveil! They thrive and throng to there,
where righteous, brightness belongs. Heaven, heaven all adhere and hear! The allowed, the followed, the hallowed, the supreme cloud towers and gracious powers! Heaven, heaven basked and tasked by thy masked gleam. Aside, inside it seemed I was alone…

As I cried, as I sighed! Tied in wonder, under the heaven’s throne of wonder! In blunder, as I wondered if I were dead? Instead, black crows in rows, attacked and flew over my head! Squawking, talking, flying asunder, with plunder, plunder, under the thunder, thunder! Definitely bringing me to my knees! Infinitely squawking, talking, flying around me with ease, glee and tease! Please heaven, heaven!

For instance in the distance... It’s dreamingly and seemingly quaint you see! Faint sounds of angel’s hymning and rhyming! Their heavenly, heavenly, singing, ringing triumphantly, triumphantly! Although, through the distance and persistence in time; we to will hopefully and loyally dine. Dine in thrill, on the heaven, heaven’s divine! Amen all children, men and women, heaven, heaven amen.

Here the waves rise high and fall on the icy
seas and white caps chew the driftwood logs of
hemlock and toss them wildly upon sandy beaches.
The steep mountains rise straight from the sea
floor as the December sun shines through the dark
clouds that hang heavy with snow near the top peaks.
Blue icebergs drift slowly down the narrow channel.
This volcanic island is one of many that are scattered
along the coast of Southeastern Alaska.
On the South end of the island is another
tiny island and on it stands an old lighthouse,
a shambles. It has a curving staircase and an
old broken lamp that used to beckon to ships at
sea. Wild grasses and goosetongue cover the ground
and close by Sitka blacktail feed and gray gulls
circle. There is a mountain stream nearby and
in the fall the salmon spawn at its mouth. The
black bear and grizzly scoop them up with great
sweeps of their paws, their sharp claws gaffing
the silver bodies.
Walking North along the deer trail from the
South end of the island are remnants of the Treadwell
Mine. It was the largest gold mine in the world.
In the early 1900's the tunnel they were digging
underneath Gastineau Channel caved in and the sea
claimed her gold. The foundry still stands a rusty
red.
The dining halls are vacant, broken white
dishes are strewn inside. The tennis court that
was built for the employees is overgrown with hops
that have climbed over the high fence and grown
up between cracks in the cement floor. The flume
still carries water rushing in it half-hidden in
the rain-forest which is slowly reclaiming the
land. The beach here by the ocean is fine white
sand, full of mica, gold and pieces of white dishes.
Potsherds for future archeologists, washed clean,
smooth and round by the circular waves of this
deep, dark green water.
Down past the old gold mine is Cahill's house,
yellow and once magnificent. They managed the mine. The long staircase is boarded up and so
are the large windows. The gardens are wild, irises
bud in the spring at the end of the lawn, and in
the summer a huge rose path, full of dark crimson
blooms frames the edge of the sea; strawberries
grow nearby dark pink and succulent. Red raspberries
grow further down the path in a tangle of profusion;
close by is a pale pink rose path, full of those
small wild roses that smell fragrant. An iron-
barred swing stands tall on the edge of the beach.
I swing there and at high tide I can jump in the
ocean from high up in the air. There is an old
tetter-totter too. And, it is like finding the
emperor's palace abandoned.
There is a knoll behind the old house called
Grassy Hill. It is covered with a blanket of hard
crisp snow. In the spring it is covered with sweet
white clover and soft grasses. It is easy to find
four leaf clovers there, walking below the hill
toward the beach is a dell. It is a small clearing
in between the raspberry patch and tall cottonwood
trees. It is a good place for a picnic. It is
a short walk again to the beach and off to the
right is a small pond, Grassy Pond. It is frozen
solid and I skate on it. In the summer I swim
here because it is warmer than the ocean. In the
spring I wade out, stand very still and catch baby
flounders and bullheads with my hands; I am fast
and quick and have good eyes. Flounders are bottom
fish that look like sand.
Walking North again over a rise I come to
a field filled with snow; in the spring it is a
blaze of magenta fireweed. Often I will sit in
it surrounded by bright petals and sketch the mountains
beyond. Nearby are salmonberry bushes which have
cerise blossoms in early spring; by the end of
summer, golden-orange berries hang on their green
branches. The bears love to eat them and so do
I. But the wild strawberries are my first love,
then the tangy raspberries. I don't like the high-
bush cranberries, huckleberries, currants or the
sour gooseberries that grow in my mother's garden
and the blueberries are only good for pies, jams
and jellies. I like the little ligonberries that
grow close to the earth in the meadow, but they
are hard to find.
Looking across this island I see Mt. Jumbo,
the mountain that towers above the thick Tongass forest of pine, hemlock and spruce. It was a volcano
and is rugged and snow-covered. I hike up the
trail leading to the base of the mountain. The
trail starts out behind a patch of blueberry bushes
and winds lazily upwards crossing a stream where
I can stop and fish for trout and eat lunch; on
top is a meadow. Spring is my favorite season
here. The yellow water lilies bud on top of large
muskeg holes. The dark pink blueberry bushes form
a ring around the meadow with their delicate pink
blossoms. The purple and yellow violets are in
bloom and bright yellow skunk cabbage abounds, the
devil's club are turning green again and fields
of beige Alaskan cotton fan the air, slender stalks
that grow in the wet marshy places. Here and there
a wild columbine blooms. It is here in these meadows
that I find the lime-green bull pine, whose limbs
grow up instead of down. Walking along the trail
beside the meadow I soon come to an old wooden
cabin. It is owned by the mine and consists of
two rooms, a medium-sized kitchen with an eating
area and wood table and a large bedroom with four
World War II army cots and a cream colored dresser.
Nobody lives here anymore, but hikers, deer hunters,
and an occasional bear use the place. Next door
to the cabin is the well house which feeds the
flume. The flume flows from here down the mountain
side to the old mine and power plant. An old man
still takes care of the power plant. He lives
in a big dark green house with his family and the
power plant is all blue-gray metal. I can stand
outside and listen to the whirl of the generators.
I like to walk in the forest on top of the old
flume and listen to the sound of the water rushing
past under my bare feet.
In the winter the meadow is different: all
silent, still and snow-covered. The trees are
heavy with weighty branches and icicles dangle
off their limbs, long, elegant, shining. All the
birds are gone but the little brown snowbirds and
the white ptarmigan. The meadow is a field of
white and I can ski softly down towards the sea.
The trout stream is frozen and the waterfall quiet,
an ice palace behind crystal caves. The hard smooth-
ness of the ice feels good to my touch, this frozen
water, this winter.
Down below at the edge of the sea is yet another
type of ice. Salt water is treacherous; it doesn'tfreeze solid, it is unreliable and will break under
my weight. Here are the beached icebergs that
the high tide has left. Blue white treasures,
gigantic crystals tossed adrift by glaciers. Glisten-
ing, wet, gleaming in the winter sun, some still
half-buried in the sea, drifting slowly out again.
And it is noisy here, the gray gulls call to each
other, circling overhead. The ravens and crows
are walking, squawking along the beach. The Taku
wind is blowing down the channel, swirling, chill,
singing in my ear. Far out across the channel
humpback whales slap their tails against the water.
On the beach kelp whips are caught in wet clumps
of seaweed as the winter tide rises higher and
higher. The smell of salty spray permeates everything
and the dark clouds roll in from behind the steep
mountains.
Suddenly it snows. Soft, furry, thick flakes,
in front of me, behind, to the sides, holding me
in a blizzard of whiteness, light: snow.

“The rest is silence.”"-A. Crowley

I

I will know you only because
you are known to me deep down
beneath the subtle shadows carved
permanently upon your deceivingly
angelic face
sculpted by an artist
nameless to none but the heavy slab of stone
he used to create an ache
I’ve come to want to know as you
whose soft and silent rolling voice
where from there springs the torrents
of a turmoil melting like wax
in the mixed up chasm
of your mind
the destroyer of your smile
the reminder of bad times
that causes me to know you and from where you come
riding in bare-back
jet-black hair flying on
the hated molten roaring
riveted steel furnace
of inner anguish
again
and again
you beautiful deadly diamond black jewelry rose
of unworldly charm and perfected pain.

II

This is how I know you
in the steamy swelter of the nightfall’s
stifling bluish pall
you and I alone somewhere
anywhere
but probably nowhere
between the silken smooth heavenly legs of
here and there inside
the broken smoked crystal chandelier
of an ancient chamber room illuminated by
the flicker of more than fifty slowly disappearing
jutting candle-flames
I know you
because you make yourself known
to me
on the black-satin wrinkled bed-sheets that
we lie
writhing around upon like two
dying dancing angels
being swallowed by the suffocating oil
of a shame we bother created
just like gods
or dancing dancers dancing slowly
dying
in the pallid ***** fuming fog
…dancing with the gods.


you are as I know you
silhouetted in the silence of our
ecstatic shattered sighs
as we fly through lust’s futile passions where
we lie, we lie
we lie…

III

You are crawling across
the one-thousand mile mattress
stalking towards me
starvation’s fire fuels
your steely-sharp brown eyes
leopard-like your lithe,
tiny olive-brown body poised
ready to pounce
ready to strike
arrayed in skin-tight crimson lace
deadliness flashing on your face
your ******* dark and pointy ******* feel
fit for me to fed the song—
I smile—
then with healthy, stealthy fury
you leap
and pin me down
trapping
me between these shiny sheets of coal
and your sweeping feline glowing
perfumed-prison hair
polished glossy ruby fingernails
dig deep
into my massive arms
ivory razor-baring teeth
bite my hips
my neck
my chest
my thighs
you stop just in time
to devour me
delightfully
rocking, reeling in the sounds of us around
the intoxicating scent of your
flaming fountain-***
colognes my livid throbbing burning *****
I yell
I try to scream
I want to cry
…but instead, drift off to dream.

IV

You lie awake
aiting watching and waiting allowing
your imagination and your hands
on a journey to your ever-lingering
flaming fury far beyond the heights of hunger’s call
just as we have done no doubt
without each other
for a long time
in the cold
in and out
up and down
back and forth
body arches
thighs uptight
muscular calves quivering
toenails clenching like an eagle’s talons
on the bed
--lift high your sweet holy offering to the air!

Hands wet and warm fly from the glistening
magic perfect patch of forever music
that makes me want to weep
you scream
I awake
we breathe deep
we go back.
Repeat the scene.

V

Pre-dawn purple painted brush-strokes streak the sky
framed by the window where I know I will find you
in nothing more than a gown of sleek vermillion
light-chamois
that displays the room glow striking at your body’s faint
outline
your slender legs
your precious girlish hips
that golden chain around your waist
Divine
your blushing tearless chiseled cheeks
I arise
and walk behind you
run my trembling fingers up your spine
I still don’t really know you as your sighs compete with
mine
you reach around and lead me away
behind a peeling splintered door
warped and withered with
dismay
where you will teach me how to paint
by spilling your blood in
splatters
upon the floor
in said consequence I
calmly take the blade from
your tiny talking hands
pull your slashed and sliced torn wrists
to my tongue
and slowly lick
with a lingering criminal kiss
the dripping cuts that begin to fade
and go away forever in the day
now that the wounds have disappeared
becoming scarless
bloodless
sere
I can but heal your beaten lost youthful body
although I cannot convince you that
I care.
Daylight here.

VI

I know now that I know now
that I know you
and in the ****
with suntanned bodies wind kiss-hissing
through our hair
we walk side by side
on the blistering shoreline sand
avoiding bits of broken glass bottles
one by one
if we can
slowly strolling to the edge of the
abysmal eternal
emerald omniscient ocean-waves
breaking
ttundering
blanketing our feet
spraying its mist upon
our hands
I stop
you sprint
on diving headlong at the deep
the foamy water roars
and roars
you emerge and approach the shore
standing straight along
beside me
to stare
at a pair of grayish seagulls circling
in the air
squawking songs about themselves
when before the breathing of a minute
one
bird drops dying dead to feed
the never-ending belly
of the sea
the other screeches viciously
mourning
you look
at me
and then I come to know now how to know you
now that you have at last known me
as your part your pink and precious lips
for the first time
we will ever kiss
as you finally cry for
our
reality.

That is not sand left clinging to your cheeks
Just the salty tears we need
To set us free.

Now you can bury you and me.


(Threnody means “funeral chant.”)

Oh, Laridae,
all feathers and beak,
how we do adore your screech.
Granted, puffy, squawking bird, anything you may beseech.
Our sweet
Kleptoparasite of beach. House it anytime we meet,
with brute force and shellfish plea,
you'll be the king
of seas.

Call me fox and I will call you Jaguar

I normally walk the paths
gawking at every creature I pass
squawking loudly, regurgitating my wisdom distastefully
I spoke like coyote
foolisly
I continued on my way, in hopes of a creature large and as fearsome
as fearsome as you
Jaguar
to strike respect and fear into my heart and my actions
so that my meaning would not be soiled by my uncomely behavior
as I stalked you for days on the forrest floor
looking, watching your muscles flow over your skeleton
in a magestically dangerous motion
You can feel me
in the place all creatures feel, sense, and connect
as one
there is unspoken understanding between you and I
oh powerful warrior
and I am to know my place
in the order
you are beautiful and fascinating to me
a worthy objective on my walk
you are a specimen of the wonder of the world
of the god-like integrity and compassion
that penetrates the soul
you leave the marrow intact within the bone
for me to treasure
for my mouth to salivate and consume in haste
but in awe of the judgement you pass
the power bestowed unto you without a single act of self rightousness
we sleep on the same earthen bed
we dream from the same deep sleep
we touch, our stories, our tales of survival
they reach one another intuitively
and so long as I mind my place
silence my ego
I will forever walk beside you, following in your gracious example
as we venture deep with in the forrests density
living vicariously beside one another

I eat my baby carrots

And my black blanket
Is so soft and warm too

I don't think much
Of the "adult life"

And loving money
Is not good for you

So I'll chew
These little carrots

And listen to the parrots
Squawking underneath
A winter sun

Isn't life full of emptiness
And isn't it fun

Crow cackle! Crow cackle!
…cackling crow!
Who is this scarecrow and what does he know?

What does he do?
And what does he hear?
What does he see?
Why do birds fear?

Crow cackle! Crow cackle! Cackling crows!
Who is this scarecrow and what does he know?

The scarecrow sees bunnies,
the scarecrow sees squirrels,
The scarecrow sees shenanigans
of little boys and girls.

The scarecrow sees nothing
because he doesn’t have real eyes.
The scarecrow’s just hay, in a disguise!
The bunnies will stop put to him one eye,
they cannot seem to figure out, if he’s dead or alive?

Crow cackle! Crow cackle! Cackling crows!
Who is this scarecrow and what does he know?

And the chickadee and the finches and the wrens and the sparrow,
all want to rest on him but find themselves harrowed,
for his job is to be frightening, fearsome and scary,
…and blackbirds, ravens, crows here-ever are nary.

Crow cackle! Crow cackle! Cackling crows!
Who is this scarecrow and what does he know?

You’ll find him quietly scouting the good farmer’s fields,
If you could speak to him or hear from him, what could he reveal?

Crow cackle! Crow cackle! Cackling crows!
Crow cackle! Crow cackle! Cackling crows!

Eating your corn, tormenting fields that you’ve sown,
In the evenings or the mornings he’ll always be alone.
Squawking and screaming their terrible dread!
Crying at you, calling to you and filling your head,
Always complaining and shouting at your ear.
That field and its corn, is what they hold dear.

Crow cackle! Crow cackle! Cackling crows!
Who is this scarecrow and what does he know?

Protecting the corn fields,
forever in the throes,
Crow cackle! Crow cackle!
…cackling crow!

Who is this scarecrow and what does he know?

Aloft upon some distant shore
The seabird sets her wings to soar
The salt sea tang of crested breeze
Or howling gale of winters freeze,
Through oceans, mountainous or not
Or sea Sargasso flat and hot,
In dancing wavelets sparkling clear
Where hunted mackerel school in fear,
Where natives in their dugout boats
Caste out their nets and balsa floats,

That tiny bird will soar adrift
Negotiating each wind shift.
One wonders how a thing so small
Can fly against the wind at all;
But sweep she does and plunge and veer
In gracious symmetry to steer
Across the oceans vastness too,
To land right there, right next to you.
In squawking lightness, dancing swings
Sea bird alights ….and folds her wings.


Marshalg
Mangere Bridge
8th. December 2007

The soda can rumbles in the bowels,
tumbling into the gaping mouth
into which I enter a hand
to protrude my sugar rush.

sssni-kah, then the slurp of an obnoxiously pleasing sip.
I let the carbonation tickle my tongue,
reveling in the effervescent sensation.

The smell of old tires,
malodorous oil and gasoline,
and stale cigarettes fill the air.

My vexatious sips go unperturbing the dense atmosphere
that thickens outside the small air-conditioned office
and into the gas station,

where the mutters and sputters of drills,
kakadoo, kakadoo,
the squeaking and squawking of rotors and axles,
the interjections of swears and grunts
fill the air.

I peek through the ***** smudgy glass window in the door
to see grimy overalled ants meandering
under the body of our red mini-van
hiked up into the air like a figure skater,
suspended by the rusty clawed accompanist,
not a tremor of strain, unflinching,
letting the greasy men crawl underneath, hiking up her skirt
to examine her anatomy.

I walk outside and sit on a dusty tire stacked with others
on the side of the building--
some growing forlorn in tall grass
weaving in and out of the aperturous rim,
the fingers latching onto fissures and pulling it down
into the hungry earth.

Another slurp and I set the can down
to step onto my skateboard--
rolling across the gritty pavement,
snapping ollies and pop-shuv-its
to add my timbre to the cacophony
leaping out of the open garage doors.

I look over to the barbershop adjacent to the station--

The off-white single room squat allowing the cylindrical swirl
perpetually pirouetting atop the door-frame
to dazzle in a placid manner.

It is there I get my close trims
and pull a lollipop from the cavernous bowl
sitting atop the counter.

The barber, working silently behind his dull gray mustache
and dull gray eyes.

Outside the barbershop to the left,
Leicester Highway ambles onward,
diverging at a fork just ahead of the lot,
and the road adjacent that winds down my neighborhood,
Juno Drive.

I've never embarked down either divergent,
and I wonder which one is the less traveled.
(Frost, guide me.)

I go to the mailbox teetering on the edge of the highway
and hastily grab our mail,
the wind slapping at my *** as the cars whisk by
in their infinitesimal haste.

I feel like time slows once you step onto Juno Drive.

I turn around and saunter back to the station to see Billy,
my Working-Class Hero,
who I mostly see strolling up to the driver's side window
of our dull red mini-van
to loosely rest his arms crossed atop the window frame,
resting his sweaty forehead on his sticky hairy forearms.

Leaning in,

his blackened hands with his greasy smile
behind a scruffy scattered beard caked with dirt and grime,
atop a dark red leather face--
but eyes bright and merry.

His laugh, a phlegmy two-pack-a-day sputter
hacking and pummeling through the van,
all the way to me in the backseat peeking around mom's shoulders
to catch a look at this superhero anomaly.

And his southern drawl wrenching out of lungs
caked in tar and exhaust fumes,
that torpid slur that executes like the garbled hum
of an Oldsmobile engine chugging restlessly--

His laugh, an engine that won't turn over, sputtering to life
but falling right back down into the dirt,
lying on the oil-stained cold concrete floors ***** boots slipping over
and sticking too like wads of gum.

The charismatic mechanic who knew the answer to all things,
always ready to flash me that crooked greasy smile
stretching across his ruddy leather face.

I step back onto my skateboard, with soda in hand,
mail in the other,
and silently say goodbye to my Greasy Eden
before making my way down Juno Drive
towards the first house on the left,

following the road as it snakes past the trees,
alongside the creek, around the bend,
and out of sight.

wait for it and it doesn't come

caught off guard 

incredulous singing



squawking pigeons

six in the morning

kings of the ready

dead finch



cats eat feathers

in the house of cards

down stairs ready

house of carnivores



company functions

canvass paints numbers

paints horses riding
steady in mind--

through


windy
 ozark meadows

six in the morning

while the finch
sleeps in

As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
'Love has no ending.

I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street.

I'll love you till the ocean
Is folded and hung up to dry,
And the seven stars go squawking
Like geese about the sky.

The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world.'

But all the clocks in the city
Began to whirr and chime:
'O let not Time deceive you,
You cannot conquer Time.

'In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

'In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or today.

'Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.

'O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare at the basin
And wonder what you've missed.

'The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.

'Where the beggars raffle the banknotes
And the Giant in enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.

'O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.

'O stand, stand in the window
As the tears scald and start;
You shall love your crooked neighbor
With your crooked heart.'

It was late, late in the evening
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.

Canto I: Exposition

A dampened quill and wrist unstill
Dare gallop ‘cross the page
Scribbled lines in black do shine
With much and fervent rage

And without fail, they tell their tale:
A passage tried and true
Lasting years, through hopes and fears
On page of yellow hue

Epic tales and loss at sea
Are listed in its text
The hand that writ this hallowed script
Can be no less than hexed

It begged, it sailed, it led a crowd,
It took a lady’s life
It stole, it smote, and always wrote
In volumes more than rife

He took this hand to unknown land
To carve a profound path
He set the sail for times to come
Yet tore himself in half

He lay awake in warm Toulon
In misty-morning May
The yellow birds in shrillest words
Alert him to the day

For too long days and longer nights
He’s waited for the word
The morrow here will mark the first
Of correspondence heard

Bonaparte has rallied here
To Toulon’s bustling bay
Three-fourths a score of battleships
To Egypt make their way

Before the high and mighty men
Joined with the water’s ebb
A note was slipped beneath the door
Assigned to M. Lefèbvre

Finally, a true decree
Has blest his merry course
Soon, eagerly, he’ll set to sea
Lost time his one remorse


Canto II: Aleron

Out to sea are thirty-three
That with me sail the tides
With these men, I trust my life
They follow where I guide

And so we’re gone from warm Toulon
Just days from the decree
Noble men off far ahead
And me with bourgeoisie

Bonaparte has aimed his fleet
To Egypt’s sandy shores
Through pirate gangs and ill intent
His roaring cannons tore

We follow in this taintless route
As far as we can trail
But soon we’ll turn half-way to stern;
To Gibraltar we shall sail

Days upon the Aleron
Are short but riveting
My men maintain their cheery air
And working still, they sing

No more of cloudy restlessness
No more of shady days
The blazing sun and windy waves
Have chased off my malaise

We pull our sheets and head from east
To curve around southwest
Past Ibiza, whose northern shore
Our Aleron caressed

The choppy sea grows thinner
And our nerves become unstill
The pirates of the Barbary Coast
Could leap in for the ****

And now, a sign above the line
Where water meets the sky
A tow’ring plume of certain doom
Is growing ever high

The heavens choke with blackest smoke
As fires burn a boat
The raw, impending fear of Death
Is clawing at my throat


Canto III: Skull and Bones

‘Tis hours later and we’re chased
Beneath the star-dogged moon
We tried to break away to north
But broke away too soon

Unknown, we tailed the pirate ship
Then saw the far black dot
The crow’s nest signaled skull and bones;
We held onto our knot

We much too late had turned around
My Aleron spun slow
Sheets so white in plain of sight
Had sold us to our foe

Our heaviest of itemry
Into the sea we cast
Rusty tools and iron spools:
Submerged, and sinking fast

Yet still we could not make a pace
To lose the rotten crew;
On our backs, they sailed our tracks
And split our wake in two

And so the misty moon is here
And watches like a ghoul
As we divorce our southern course
For Pillars of Hercule

The flick’ring light behind us
Like a glimmer in an eye
Stares and preys upon us
In cover of black dye

It grows and throws upon our ship
A light of fear and blood
It digs into our drowsy eyes
With sharpness of a spud

We hold on to our frantic pace
Till night invites the day
When to our right, in bright sunlight,
An ally heads our way

With Godly sound the cannons pound
The scoundrels far in back
Our brothers there in ship so fair
Repelled the foul attack


Canto IV: Gibraltar

In safer seas, our Aleron
Met with Le Taureau Bleu
We buy and sell and trade our stock
And praise and thank the crew

For safety’s sake, along we take
Two cannons of our own
We’ll stand a better chance against
The skull and crosséd bones

On we sail, on more and more
On through the placid day
No longer faced with poor intent
We make our merry way

Finally, from the vociferous chum
Upon the tall crow’s nest
“Land **! Land **!” Enthused, we know
Gibraltar’s over the crests

I decide to park (good-will flag on ark)
At the British colonial base
With cannons in stow, civilians are we
Attacking is surely bad taste

Just then, as I stood face-front on the deck,
A shrill squawking was cast
To the back I turned, and quickly discerned
A yellow bird up on a mast

How dare it perch there! I’d **** it, I swear
But I’d fire not a gun
Britons who spy me would surely deny me
Fair entrance, if that’s what I’d done

Instead I’ll sit tight; my crew is all right
They don’t mind the bird at all
I’ll listen and bear it, and try to forget
That the bird is the cause of my fall

Closer we draw to Gibraltar’s port
The Britons are within clear view
With a wave of a flag, they accept us in
But my anger cannot be subdued

I ready my gun; to the bird I have spun
And fire my shots to the air
The Britons, upset, rush onboard and get
Me constrained; and ensued despair


Canto V: The Crimson Owl

Silver chains kept me detained
As questioning carried on
Was I a spy for whom I ally?
Or was I simply a con?

I kept face as the questioner paced
And the brute slapped me around
Lastly, I smiled, as after a while
They had no evidence found

With regret, they set me free
Determining I was no harm
But seconds before I went through the door
A fellow rushed in with alarm

Cannons, found inside my ship
As rifles point at me
Again, they had me cuffed and chained
And threatened hostilely

“Smuggling arms to enemy ships”
Was written in their book
Chained and gagged and stowed was I
No better than a crook

Between the pillars I was passed
But not as I had hoped
Both my arm and legs were bound
My fragile neck was choked

In the bowels of The Crimson Owl
I slept in dark distress
No other day, with truth I say,
Had I known such duress

The days had passed and I’d amassed
A hunger, fierce and true
All my thought was set aside
To find something to chew

When suddenly, the shrillest sound
Came flying from afar
A cannon shot had hit its mark
The mainmast it would mar

Sounds of death came all around
And finally toward me
My blind removed, I held in view
The pirates of this sea


Canto VI: Captain Riceau

I stepped aboard by point of sword
And left the burning Owl
“Bienvenue à Le Chat Fou”
Said a fellow through his scowl

But when I talked, they stopped and gawked
Surprised at me they were
A fellow French, I was embraced;
The Crazy Cat could purr

They brought me on, my captors gone,
And took me as their own
And for the time, I went along
And made this Cat my home

I was kept live, and was used for
My knowledge of the sea
For vengeance ‘gainst the Britons
I complied happily

For months - perhaps three seasons passed
I rode upon this ship
Captain Riceau valued me
He named me second skip

For cause unknown, we crossed the sea
Old Captain held his tongue
He would not tell us why we trekked
And chased the setting sun

He brought us ‘round the chilly tip
Of Chile’s southern shore
No reason from his crazy lips
Though long did we implore

Then at last, the day had passed
When Riceau caught a cold
His eyes were red, his limbs were dead
His breathing: hoarse and old

I became the skipper then
And buried him at sea
We cut up north to flee the cold
But at a loss were we

Confused and crazy we’d become
Just like the Cat, rode we
I thought to keep Old Captain’s path
And that meant mutiny


Canto VII: Mutiny

Two days it’d take for them to make
The foul and bitter plan
That I’d be through with Le Chat Fou
And they’d return to Cannes

I lay asleep, in sleep so deep
Dreaming of Calais
The maiden fair with yellow hair
Who one day would betray

In this dream, I heard her scream
And went to touch her cheek
But standing as a statue does
Her gaze was still and bleak

They dragged me back into this world
Then dragged me off the port
My lungs too filled with shockéd air
To object to this tort

They threw my pants and diary,
And sandals, as they laughed
For shoes could serve no purpose
On the ocean’s liquid draft

The flick’ring light before me
Like a glimmer in an eye
Stares but grows more distant
And retreats into black dye

An injury had placed me in
A lesser swimming league
Then again, it’d only serve
To cause me great fatigue

Three days, I had rode the tide
Of the western ocean’s waves
No shark, no squid, no slimy thing
For my flesh did crave

The crests came up like daggers
And fell like hulking trees
I prayed to God almighty
I survive the vicious seas

Finally, I set my stare
Upon the northwest sky
Far away, but clear as day:
An object in my eye


Canto VIII: Abyss

Although I swam me ‘cross the sea
As fast as my arm can
Dry throat and sun win victory
O’er me: a fainted man

Trapped in darkness once again
I spy my fair Calais
Screaming, shrill in bleakness then
With not a word to say

Over me her head hangs low
Her arm is slightly raised
Blood drips off her elbow
Her expression leaves me dazed

She’s gone; the air is hard to breathe
The wind is biting cold
A canopy of restless leaves
Is stirring uncontrolled

Lost inside this world of wood
I struggle to emerge
Feels like years have I withstood
While searching for the verge

No chirpings from my yellow bird
No noises all around
Not a sound is to be heard
But footsteps at the ground

No rodents gnawing at the bark
No insects in the trees
Alone I sleep in brush so dark
With nobody but me

In the drying mud I’m laid
Despondent of my fate
Looking through the verdant shade
The sun does penetrate

Streaming down, the light is rich
Bespeckled on the floor
Dancing ‘round without a hitch
Its presence I implore

I call upon the pouring light
To lift me from this hell
To nullify the chilly blight
Incite the warmth to swell


Canto IX: Land Forgets Itself

The burning light lends me its faith
Yet suddenly absconds
The dulling light projects a wraith:
My soul from the Beyond

The day retreats and turns to night
The moon in place of sun
Mute, and without touch or sight
I desperately run

Fleeing from my fading soul
Myself, I do berate
For no such being should extol
Escaping from my fate

Luscious leaves all turn to brown
They wither and fall fast
Suddenly, upon the ground
A dune of sand’s amassed

Crawling on the desert floor
And shaking from the cold
I hate and bitterly abhor
The night’s begrudging hold

In the distance, at the line
The land forgets itself
The beaming rays of light do shine
And warmth indeed does swell

Basking in the drenching sun
My coldness is expelled
Frigidity that night had won
Has fully been repelled

In the sands, I’ve laid to rest
To steal the heat of day
Yet no sooner had the sun caressed
Than sourly betray

Melted on the scorching sands
My body burned and scarred
I cannot lift my torrid hand
My feet have both been charred

The burning heat has ripped my lust
For life and will to live
My last resolve is brutely ******
Through Death’s unyielding sieve


Canto X: L’Oiseau Jaune

I coughed and spat the water that
I swallowed with my snores
Upon the sand my hand did land;
I’d made my way to shore

The beach was bright with fiery light
My skin was hot and red
I tried to get out of my head
Those visions that I dread

A novelist I once had been
Writing was my joy
With pen in hand, I could withstand
Each plot set to destroy

Yet Calais came and stole my heart
But also my free time
We wed and had a baby boy
Our life was too sublime

I raised my pen to write again
To feed the family right
I spent my days filling the page
And toiled all the night

When finally, she’d lost her mind
She needed to be loved
I tried to calm her shrill attacks
With no help from Above

My raging wife had grabbed a knife
And stabbed my writing hand
Yet somehow I had speared her eye
I couldn’t understand

At the elbow, I was chopped
And no more could I write
The widespread fact I’d killed my mate
Had augmented my plight

I beached onto an island;
This was no Chilean land
I walked around the grainy ground
And found nothing but sand

But soon a rescue ship had come
I was not too long gone
I read the name upon the port;
It was l’Oiseau Jaune

In a world full of ugly people,
A city made of hideous faces,
A phone call means everything.
It means a voice, free from
Its crooked nose, its wrinkled skin,
And its gapped, stained, crooked teeth.
It means a connection.
With another, with yourself,
And with the ability to disconnect
At the push of a button.
I take out my scratched, chipped cellphone
With its cracked face,
And call Helen.
Her voice swims through the mud
Inside my skull when she answers,
Stirring and churning
Until I'm weak and dizzy.
"How 'bout you just come
On over now, Big Fella?"
And I do.
I turn off the squawking television,
Don a pair of food-stained pants,
Drag a comb through my
Overgrown hair,
And descend the stairs to my
Waiting Oldsmobile.
The turn of the key in the ignition
Only produces a hollow click,
One click two click three click six,
Then a partial start,
But the beast fails to come alive.
I get out to replace
The fried starter fuse,
Then do this dance four more times
Before the old ***** clears her throat
And starts to idle.
It's a short ride,
Pawtucket is small,
And my only companion
On these post-midnight streets
Is the white noise
Issuing from the broken radio.
I pass the house I grew out of,
The crumbling schools
That taught me the value
Of impartial numbness,
The cemetery my father used to visit
To perpetrate the lie
He lives;
The role of a child
And the permanence
Of parents.
I pass abandoned factories
And abandoned hope
And abandoned pets
And abandoned storefronts.
In a world of full of past relics,
In a city full of ghosts,
A crumbling façade means everything.
It means bricks freed from their mortar,
Separated from their history,
Left to be picked up and thrown through plate glass windows.
Buildings are never empty,
Just quiet.
I pass the CVS at Newport and Armistice,
With its twenty four hour pharmacy,  
Dispensing the one a.m. hydrocodone,
The one thirty a.m. dextroamphetamine,
The two a.m. oxycodone,
The two thirty a.m. alprazolam,
The three a.m. dextromethorphan,
The three thirty a.m. methylphenidate,
The four a.m. eszopiclone,
The four thirty a.m. benzodiazeprine,
The five a.m. phenylpropanolamine.
I drive past the clinic in the old senior center
With its six a.m. methadone ready to go
In pre measured cups.
Buildings can be quiet, but not empty.
Helen lives on the third floor of a three story house
Built sometime in the forties,
Forgotten sometime in the eighties.
The two bottom floors are vacant,
The windows are boarded,
The driveway is choked with weeds,
And two lounging cats don’t flinch
When I walk by them
On my way to the door in the rear of the building.
The door is always unlocked,
So I let myself in
And begin the rickety climb to the top.
The higher I go,
The louder Amy Winehouse’s voice gets.
“What kind of fuckery is this?”
Seems an adequate question.
There are ****** handprints on the railings,
The walls,
Drops polka dot the stairs.
I don’t bother knocking,
I never do.
She’s seated in a La-Z-Boy in the kitchen
Facing the door,
In a cloud of cigarette smoke.
In place of exchanged pleasantries
I say I need to use the bathroom
And she nods,
Eyes locked on mine.
I take a look at my sallow image
In the mirror,
With specks of toothpaste and hairspray
Pocking my face like acne.
The toilet bowl is still streaked
With the last man’s ****.
I ****, wash my hands,
And take another look at myself.
Helen is no longer in the chair,
But I know where to find her.
She’s sprawled on the bed,
With a new cigarette in her mouth,
The toys spread out on one side,
The tools on the other.
I tell her I’ll forgive her for stabbing me the other night
If I can get a freebee now.
She shakes her head once,
Exhales a cloud,
“Not gonna happen, Champ,”
And I take what I can get.

According to what I’ve been told
The voice of God is deep like a river,
does not quiver, and would never have
my gay lisp.
It rumbles in its righteous wrath while simultaneously
Whispering to all the sleeping children in America.
I have nodded my head in agreement
But I’ve secretly tried my best to              
Rearrange His pronouns.

From what I’ve heard,
The voice I should hear would be located somewhere
between my ears
Or behind my sternum.
However, the only voice I’ve heard
Coming from those places
Has sounded oddly vague and often undecided,
What a funny way to describe
The sound of a prowling lion!
Ha!    

If you would like me to be honest with you
The voice of God does not sound like a Father, a Son,
Or even a pale benevolent Ghost.
Because of this
I try to wrangle it into the throat of
my grandfather
or at least the mouth of
Morgan Freeman,
But it just hollers and squawks and eventually I find
That it wiggles out of
My bunched up fists
And perches in the rafters, smirking,
Always just out of reach!

When I am listening for it
it doesn’t sound like a voice at all.
In fact, it sounds oddly like
The throb of veins in my temples
Or the ocean of air
Harnessed by the gravity of
My lungs.

I do not explain it in those terms
to most people
Because I’m afraid they’ll figure out
That I'm the kind of person who
Smokes ***.

Maybe somewhere in my doughy brain
A battery has rotted into a pool of acid
Or one single electrical chord has wriggled free
From the gaping mouth and geometric eyes
of its socket.

Even still, would you believe me when I say
no one has heard God speak?
Not even Moses!
But I am sure even he
(and especially Tagore)
have heard God’s voice.
Yes, that must be right!

My friend heard it on the sidewalk
just last week.
This man let out a primal grunt
After he kissed his boyfriend and
A stranger stabbed him in the shoulder.  

No! Actually I hear it often
from cousin Tamir;
The one whose vocal chords no longer
Clap joyously together.
Somehow I can still watch as it thunders and crashes
with uncompromising power
Across sterile court rooms and silent mothers.

But please, don’t stop there! That’s almost right but it’s not
everything.
I think the smell of Auntie Walker’s breath
could contain at least
One syllable.

What I know about God’s voice is that it is
set loose by everything.
It shakes and dances and tickles the bellies
Of everyone
And everything
that lives in this holy space.

My head, my heart, and
All the fathers on the earth cannot contain it to
A single bass.  

My only prayer is that maybe
God’s voice wouldn’t always sound so deep to
the people who have told me this.
I pray to God,
Whoever she is,
That she would let her words
land upon the vibrations of my own
gay lisp
From time to time.

Their shadow dims the sunshine of our day,
As they go lumbering across the sky,
Squawking in joy of feeling safe on high,
Beating their heavy wings of owlish gray.
They scare the singing birds of earth away
As, greed-impelled, they circle threateningly,
Watching the toilers with malignant eye,
From their exclusive haven--birds of prey.
They swoop down for the spoil in certain might,
And fasten in our bleeding flesh their claws.
They beat us to surrender weak with fright,
And tugging and tearing without let or pause,
They flap their hideous wings in grim delight,
And stuff our gory hearts into their maws.

Autumn flares out, its flame burst clouds
strewn about misted cliff sides, loam whites

of winter taking their place. A stiff willow breeze,
ten thousand things withdrawn to burrows and immortal

pine heights. First snows stream down, duckweed carpets
of August fade, jade peeking through white. I embark

on the seasons final sail in hardening ice waters.
Til spring my sails will be folded, my raft in idleness.

~~~

Rafting on moon drenched river, avoiding cascades and crash of
rapids and falls. Silvered driftwood a warning. Silent glide of

mulberry oar through dark azure, another crafts sail in silhouette.
From the deck a black spectre dives below, stillness follows

splash,  re-emergence, beak wrapped around a dazzling rainbow.
From my raft dangling lantern sways, trout swiping at

gathered moths – scatter and return, some from a far off realm.
Some trout in the net, others not. Luck or the way – who can tell?

~~~

Dusk colour gorge sheathed in
emerald blankets, rising into sheer

cliffs of auburn cinnabar, all
underpinned by the fathomless

flow of azure clarity. Snowy Egrets
nest in pine top heights clear of dust.

On white sand shores gibbons howl
towards squawking beach gulls, squabble

over landlocked trout – debate without end.
Peach blossom petals swirl on spring breeze

over carpets of jade inter cut by king
fisher blue zipping over duckweed. Oriole

song weaves in and out of mulberry branches.
In these vast and vague waters -

coves, creeks and streams all one,
a river dragon lives an undetermined

existence. Mud stirs below, merely a
catfish airing grievances.

Red tail flares in dirt,
my mulberry oar rows me back home.

The mind it yells ‘imposter’
Each time I find the time to write
Never telling who I am, only telling who I am not.

Squawking, sulking in my ear
Drives the pen, the words to veer,
Drives the mind to that of Lears,
Into the sullenness of my volition.
Imposter, Imposter - not a syndrome but a title;

The title of my biography, the world’s class joke
The worlds least known, the worlds last hope.

I have a Saviour but I am my own,
Rather, I insist to be my own.

Hypnotized by the shadow, or not a shadow but a void,
A black void, not empty but falling,
Falling deep and a miss, falling, falling to my abyss -

Imposter Void Imposter, write your sweet nothingness,
I pity myself but I go on, Imposter Void Imposter -
Sympathetic, the abyss lends it’s kiss.

Fowl floating and flapping across an ocean canopy.

Lightly squawking and ascending in a calm summer sky.

Waves shine and melt into the beachfront in a dull roar slowly thundering in diagonal collapsing sectors.

The top of the ocean. The point of a sphere. Its water that falls slowly to the bottom of..... Here!

Ripples and puddles and drinks full of life, the clearest the murky and bluest in light.
Mountains and palisades can be rocks that reach skyward. God on a gravel road walking through.
The golden purple cattails glow in the sunlight like strawberry fields that fizzle on my hands in the wind that can dance. The vinyl green stem leafs sit stagnantly silently awaiting the moon.

Hoppers crescendo in a frozen moment singing in stillness that refuses to relent.
The trees around them bask in the energetic massage from the moving sections of recently called air vapors.

The Hi- C haircuts that nature reminds me it inspired bobble from the vectors.  

This climate ecology scenery breeds the moments religions were made for me.

I can hear gulls squawking
like catcallers in the streets
of New York City
but they're not talking to me,
they're speaking to the ocean breeze.
They'll be heading south soon.
Fall is coming
and you can taste it
even in the August heat.

I still have memories
of childhood summers
that lasted longer than some years
recently.
Can't help but think of the days
I wasted worried about
who I would be
and now I'm someone
sitting beneath a girthy oak tree
wearing a collared button up
that hangs on me a little too loosely.

I don't know what that means
but it may mean something
to somebody else
who writes love letters to life,
that might just double
as quiet cries for help
in a world so high on noise
it's forgotten poetry.

Blackbird singing in the dead of night,  
Raven calling from the sky
Bluebirds calling from summer
Seagulls squawking from the alley

I have found something I lost
The state of euphoria is crumbled as your heart breaks
I lost a time when life was simple, when wondering was lustful
Instead found a time of hardship and unsettled communities
Sometimes I think what if the yellow brick road never continued to Oz
And if the clouds were always supported by blue
Californication with out the fault.
A witness to the empty sky

I voyaged through pink-bubble oceans
filled my nose with peppermint-sea air
spotted a sudsy blue whale

I fought through shampoo-froth rapids
with my trusty back-scrubber oar
spotted floundering soap-bottle salmon

I floated on spicy still-waters
wash-cloth water-weeds tickling feet
spotted a squawking rubber duck

I sat in chilly bath-water
scents long faded into nothing
spotted an old bobbing sponge.

“You must be Donny?”

asks a tall, thin man with olive-green skin.  He must be Italian, but then again, I’m not exactly sure. For Heaven’s sake - judging by his handshake, Justin Timberlake could break him into two. Distracted by the shiny pennies in his brown penny loafers, I don’t want to come across as rude, but I suddenly don’t care to know this dude. Then he says to me,  

“Tell me about yourself.”

“Well, my name is Donny. I’m bored, so I would like to give my self a lobotomy, but first I have to feed the monster that’s inside of me, so I must pick out the green mold in my expired salami.

“Instead of doing important things, I enjoy jumping up and down on my mattress that is made of squeaky springs while flapping my arms, pretending I have wings.

“Sometimes I get fidgety when this alcoholic, legless ****** stands too close to me, but then I feel guilty cause he’s blind and homeless and reeks likes ***, so I tell him he can lean on me.

“When I go to the dollar store I like to be a **** and drive the clerk berserk by asking him to do a price check on every item I’ve dropped on the floor. The manager grabs my collar and throws me out the door.

“I still ask my mother if I can please wear her skis when I climb trees only using my knees. She says, ‘Grow up! You’re 33, quit bothering me.’  I did!!! I’m 5’10… now what am I suppose to do then??

“I like to play the air fiddle and stand in the middle of the street in my bare feet with a mouth full of skittles, trying not to dribble, telling lots of riddles.
  
“Sometimes when I’m drinking I like to wear a black top-hat like Abe Lincoln then I get to thinking, while squawking like a chicken, how long I can keep my eyes open without blinking.
  
“‘Four score and seven years ago’ seems to be a mathematical equation that can be breaking down to zero. Oh, oh, oh! Did I ever tell you who my hero is??”

“donny”---“dooonny” “Doooonny” “DONNY!!
It’s time to leave and return to your room.”

“Room? What room?”

“Your room - there’s someone there to see you.”

“Who?”

“Your hero.”

I feel a gentle hand rest on my back and guide me to an unfamiliar door.  I enter into this mysterious room and hear the door shut and quickly lock behind me.  

Where is he?  “WHERE IS HE?!”   I hear my voice echo down the hallway.  I know they can hear me.  “TED NUGENT!!  MY HERO!  SWEATY UNCLE TEDDY!  WHERE IS MY HERRROOOOOO?!?!?!”

A large, olive-green plant stands proudly in the corner by the window.  How did my psychiatrist sneak in here?  

“You must be Donny?”