Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

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Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

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SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

......................

.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
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PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

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OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

-I-

Adoration-
Somnambulists cast
paradise magic, allowing a thimble to fall
upon the floor of our private heaven
(a perfect disquiet to our loving)

We daily reveal our reclusive
sensitivities, a flash (a lowered head, laughing distinctly)
Trailing close behind German poets/path of devotion, a second summit of their passionate influence, rippling generations ago now:

(vineyards caught by grasping suddenness/placating daytime/fig & flame/false tower of Babel, ornamental ruin/he feels owed the sensations of an active spirit, to repent the contrary forces within him/myself)

-II-
                      & upon my reflection in the Cabaret of Hell,
I see a gate perched at the base of my wondrous
Sehnsucht-apparition

                    BLUE MOON                 WALLFLOWER

(or perhaps the other way around?)

Overtaken by oscillating darkness/hall of mirrors (memories)
distorted flashbulb *** and anger

until the acts become indistinguishable from themselves/doubly
******* tigers brushstroked in animal blood... essence of devour/temper/
captivation, incredible lips, pulp teeth, pure excitement all disfigured
& joyous

-III-

My azzurine goddess, faced away in
shame, no wonder why!

(hair let down in a drowsy spill of
uncertain hours, wavering in a sullen high, thickly feeling,
the immensity/pleasure renounced for a cabbalist subliminity)

Mockery of the dead dead dog/blind in boyhood/while
curious ghosts skate across the ice-peripheral of our dreaming

I feel love, and horror/a frigid hand who's body I have dissolved-
-caressing my back tenderly
bordering terrific malevolence

...Later, in another try at my own eternal return, I find my comfort brother, accompanied by an overhead
divination lantern..

pounding! At the sun skull, for you (my cherished)
are of high order
I tempt soaking the cloth,
to steer the intention

..missing black mass, indulging instead
on feverish Damascus perfume

Splash ramp
down. Flesh, wailing
vampire/poet
hidden by darkly earth to inevitably
decay by their self-solitude

(descent writhes in the milk of heartache
and cusps the night firmly in his *****
withering palms)

I refuse this fate, and
in Western-fashion
fire down the city worshipper which was once
I, too        (unmercifully so)

..burying his bones in the Scottish dirt

Terrarium hydrangeas, pale (yourIrises) lipstick daggers
slashing in the white sleeve-
red with epicurean
baptism

-IV-

Big bad wolf
banished to his hole,
I kiss the winter fruit clean from your mouth (succumbing to pinnacles of fire/your lost domain) ******* on pebbles, trying to crack through the surface
like a dragon's egg for pride
(big bad wolf is hungry)
We wear away the season, memorizing the newspapers
which are tossed carelessly to our door. Ah, the kitchen ballet dancers are finally tired..endowed to the triplicate beauty
that we individually define (takes a bit to get there)

You/I privileged to ******* Venice with our mutual
imagination,                              owing to Calvino

To crave eachother
as an Acrobat craves the

trapeze

Flesh is heretic.
My body is a witch.
I am burning it.

Yes I am torching
ber curves and paps and wiles.
They scorch in my self denials.

How she meshed my head
in the half-truths
of her fevers

till I renounced
milk and honey
and the taste of lunch.

I vomited
her hungers.
Now the ***** is burning.

I am starved and curveless.
I am skin and bone.
She has learned her lesson.

Thin as a rib
I turn in sleep.
My dreams probe

a claustrophobia
a sensuous enclosure.
How warm it was and wide

once by a warm drum,
once by the song of his breath
and in his sleeping side.

Only a little more,
only a few more days
sinless, foodless,

I will slip
back into him again
as if I had never been away.

Caged so
I will grow
angular and holy

past pain,
keeping his heart
such company

as will make me forget
in a small space
the fall

into forked dark,
into python needs
heaving to hips and *******
and lips and heat
and sweat and fat and greed.

Mashup

Part I (and there is a Part II & III)

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.

My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.

Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.

You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.

This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.

You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...

All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.

Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.

Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.

Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.

Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.

Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.

I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp

Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.

And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words

Eyes pierce through the empty space you occupy. Silent echoes, your vocal renounced by the wind. Standing at the shore of waves and storms, you surrender to the inevitable as the sun rises.

Cast a Vast Million Colored Words, a Canvas of Solace


Dedicated to Tajudeen Shah
who wrote those words,
a fellow poet, a comrade in words.
----------------------------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

So,

Before you pen words of
Lost love, woe begotten troubles,
Nature's royal blues and purples,
Spirits, demons, speeches, mumbles,

First

Write the uplifting sounds,
Cast a million colored words,
Upon a canvas of solace,
Bring one molecule of comfort
To the misbegotten, to the downtrodden,
In any way you can, form matters not,
But let this be our mantra shared,
Let this be our only morning prayer,

A prayer we are obligated to utter,
A prayer we are obligated to fulfill.
Solace, given,
Solace, granted.

One Winged Angel


Dec 10, 2011, 7:39:29 PM by ~OmegaWolfOfWinter
Journals / Personal




It was very late, and Lucian had just gotten back from his assignment. he unlocked the door to his house and set his things down on the bed. he removed his shirt and removed the bandages on his chest. that demon put up quite a fight... he put on a robe and decided to get some rest. he set his things down on the floor next to him and hung his sword by the bed. he exhaled deeply and relaxed, finally back in the comfort of his own home. sleep quickly enveloped him and he began to dream.
******
Lucian was woken from a deep sleep by the sound of his door breaking down. Two massive angels shrouded in black cloaks stepped inside his room as Lucian scrambled to his feet, feeling a sudden chill beneath his simple white robe. One of the angels spoke, "Lucian, Elite Angel number 373-14, you are under arrest for high treason, grand theft, and ******."
Lucian was dumbfounded at the accusation. "What on heaven are you talking about?!"
the guard-angels grabbed the warrior-angel and dragged him out of his house and onto the streets where a small crowd had gathered. They escorted him to the capitol, which wasn't far away. Lucian gazed up at the massive black monolith before him.
He was immediately sent to the rooftop, where the Punisher was waiting.
Lucian desperately tried to explain. "I've been set up!! Please let me go! I've done nothing wrong!!"
The angel to his left looked at Lucian in disgust. "Quiet, you."
He reached to Lucian's throat and he felt a massive bolt of electricity course through his body. He collapsed in their arms and blacked out for a moment.
He couldn't say anything; he had a sign of silence on his throat. He blacked out again and when he woke he was on his knees in front of the punisher. His hands were bound behind his back and he was held by a multitude of chains and braces. The guard-angel touched his throat and the seal of silence was removed. "elite angel Lucian, number 373-14, you are charged with high treason against the holy city, grand theft of a holy artifact and the murders of 7 holy officials, as punishment-"
"I didn't do any of those things!!!"
"SILENCE!! There is evidence that places you at the scene."
"What-"
"your punishment, you will lose your wings," Lucian gasped and tears formed in his eyes. "...and will be given the Mark of Eternal torture."
"No! Not the Mark!! Please no!!"
The punisher stepped forward and drew his slender sword. As he stepped forward, Lucian squirmed and fought against his bindings but to no avail. "God help me!"
"How dare you speak the lord's name, criminal!" the punisher slashed at Lucian's throat, grazing it and leaving a long, bleeding cut. Lucian groaned and said, "No... No... Please..."
the punisher stepped to Lucian's side and raised the sword. Lucian's tears came and began hyperventilating. "No, NO, NOO!!!"
The punisher brought the sword down and Lucian screamed in agony as one of his wings fell to the ground. Lucian was in so much pain, he wished he could die right then, right there. He was crying now, tears of sorrow and pain. "No, please, I beg you! Have mercy!"
For some reason the punisher then sheathed his sword. "Fine, you may keep your remaining wing."
"th-thank-" he was cut off as the punisher knelt down and grabbed Lucian's throat. He screamed again as he felt an intense burning. He continued to cry out as the punisher released him but the burning remained, slowly spreading over his entire body with such intensity that he lost consciousness multiple times. after an excruciatingly long torture, the burning ceased, and Lucian saw that it had etched runes and twisting lines over his whole body, almost his whole body, it had left his head and hands untouched. His voice had turned into a hiss and he tried to speak. he was unbound and he reached back to touch where his left wing had been, there was only a stump left.
"Lucian, you are hereby renounced of your warrior status. Get him out of my sight." Lucian was escorted outside, where the guardians left him stranded in the street. He blacked out and felt himself being picked up and carried somewhere else.
************
"he's heavy" thought the angel. He carried the limp body off the streets and through alleys, to an abandoned complex not far away. "Melinda!" he called. A slender young angeless came from the shadows.
"Who on heaven is this, Ven?!"
Ven looked around and said, "not here... Let's get inside."
he carried the angel inside and set him down on the dimly lit bed. He was still out cold. Ven sighed and said, "Remember that trip I took to the holy city?"
"Yes of course."
"Things happened there... the Network had me do some things..."
she narrowed her eyes. "What type of things?"
"i-i had to steal some artifacts...and some officials got killed."
"WHAT?!?!"
"i didn't get caught! But... i-i panicked, i blamed it on... On him..."
melinda was speechless," i-i cant..."
"melinda... Please..."
"no, i cant deal with this anymore, i'm leaving."
"wait!"
"no, ven. Figure this out on your own." and she disappeared.
Ven sighed and looked over at the one-winged angel.
"i'm sorry"
the angel stirred slightly but didnt wake. Ven looked at the stump where the angel's wing should have been, and the scars that lined his body.
"i need to take him to the Network... Maybe, maybe then i can finish what i started... And give this angel what i stole from him... I have to take him to the Holy One..."
he closed his eyes for a moment, then,"i promise, you will get your wing back." and he fell asleep.
**********
Lucian woke up as parts of his body burned fiercly. He cried out and writhed in pain. Soon the burning became a simmer, but it still hurt. lucians heart was beating rapidly and he was exhausted. He replayed last night's adventure. He glanced over his shoulder and as expected, he didnt see his wing. he could feel the blood caked on his back and he felt weak when he tried to get up. He fell and caught himself on the table. "wait a moment... Where am i?!" he frantically looked at his surroundings. He saw another angel asleep in a chair and a doorway behind him. The door looked weak but lucian wasnt sure he could do anything in his weakened state. "i have to try..." he ran, or rather stumbled toward the door and managed to break it down. He fell down outside and was temporarily blinded by the sunlight. He managed his way into the street, where the angels looked on in confusion. "i'm... this
is my street..." he hobbled over to his house and stepped inside. nothing had been touched since last night. "i'm not going to be able to find work... I'm not going to be able buy food.. agh! What am i going to do!" he sat on the bed, his head in his hands. he looked over to the wall, where he had his warrior blade hanging just in case. He grabbed his bag and packed some clothes. He changed into his finer dress clothes that he used on formal occasions. He grabbed his bag and put the sword on his belt. "i wish it didnt have to come to this..." he pushed on a spot on the wall and it slid away. Inside the compartment were his warrior armor and weapons. He took off the suit jacket and grabbed his vest. he put various weapons in their spots and shut the wall. He put the suit-jacket back on and buttoned it to conceal the vest. He felt energized and ready for anything. That was until he turned and saw the angel from the complex.
"where do you think You're going?"
"who are you?"
the angel looked amused and said, "you can call me Ven."
"well, Ven, i'm going to find the one who set me up, and i'm going to do what he did to me."
ven looked frightened. "why dont you come with me."
lucian didnt trust this ven. "i'm not going with anyone." and he dove through the window. He sprinted down the street, the bag and his sword held firmly in his hands. "i need money, i need food... I need to find him."
***********
after all these years of loyal service, after all he'd done, he'd been thrown out without trial, revoked his warrior status, and now Lucian was going to find whoever had done this to him, and he was going to make him pay. he was a fallen angel, and he had nothing to lose.
lucian was perched on the top of the church spire, contemplating where to start his search. *the evidence.. what evidence...?
"i'll start with the judges chambers..."
lucian looked to the north, where the monolith towered over the city. he jumped from roof to roof as he neared the building. i'll do whatever i have to... anything to clear my name. different parts of his body started to burn, and the others began to cool off.
the mark... its burning, it's going to keep burning...
he cried out and fell from the roof he was on. he hit the alley hard enough to break bone, but he happened to land on his wing, cushioning his fall, only a little bit though.
this mark is going to **** me someday... he checked his wing and brushed off the dirt. he folded the wing flat against his back and sat up. he got back on his feet and continued to the monolith.
will i have to live with this mark forever?
*************
(one day later)
"GET BACK HERE!!! STOP THAT MAN!!!" lucian was on the run. he found exactly what he was looking for, now he needed to find more information concerning the artifacts and the theif. but first he had to get away. he was turning corners and sprinting like a madman, but he couldnt escape the Detainers. then he heard a voice, "One Wing! over here!"
lucian looked towards where he heard the voice and saw an Angeless beckoning for him to come. "follow me!"
lucian reluctantly followed, winding through abandoned buildings and finally ducking behind an old counter. after a few minutes of silence, the woman said, "okay, we're clear. i'm Elora."
"lucian."
"oh... you're THE One-wing-angel..."
lucian looked down at the ground. "yeah... that's me."
"you were an elite, a warrior angel, weren't you?"
"yeah, but then i was set up and now i'm an outcast..."
"you were set up?"
"yeah, i was. i had everything i ever wanted, why would i need to commit those crimes? i was loyal, and trusted by everyone. and i swear that i will find whoever set me up..."
"and then what?" elora seemed to be waiting for something.
"i'm going to do to him what he did to me."
"what did he-" elora was cut off by lucian as he cried out. "what's wrong?!"
"the mark.... of eternal torture..."
"oh my gosh... i didnt know..."
"its nothing... i'm used to it..."
he took off his suit jacket and elora gasped when she saw his scars. she didn't seem to notice the vest of weapons or the sword at his side. "this is..."
"...the Mark..."
she grimaced as she saw them and said, "i'm sorry..."
"but why?"
"because, i was going to turn you in..."
lucian was on his feet immediately. "what?!"
"wait!! i'm not going to... not after seeing what they did to you..."
"how can i be sure i can trust you?!"
elora looked down at her feet and said, "you cant... but i can get you out of the city..."
"you can?"
************
Lucian was still finding it hard to trust Elora, but he stuck with her anyway. She took him away from the city and was about to turn back. Something inside Lucian wanted her to stay. "Wait! Don't leave. Come with me to the holy city."
She seemed hesitant but willing, "i-ive never been to the holy city...."
"It's an amazing place, quite a sight to see."
She took a moment to think and nodded, "I'll go with you."
Lucian smiled and walked forward. After long hours of relentless walking, Elora asked," how far do we have to travel?"
"A few more hours of walking..."
Elora sighed and said, "Alright..."
Lucian glanced over at her and saw that she was tired. "We should rest."
Elora and Lucian got off of the path ad took shelter beneath some gild-trees. "Elora, go ahead and rest up."
she reluctantly slept, but she was glad to, they had been traveling all day.
Lucian sharpened his blades and meditated while she slept.
Lucian prayed, like he had always done every morning. He had vowed not to let his becoming an outcast interfere with his routine. After he was finished, he sighed and glanced over at Elora; she was fast asleep. He then glanced at the sky and saw dark clouds quickly closing in. Lucian didn't want to wake Elora but he wanted to get her out of the rain. He set his suit jacket and weapons vest next to her and he extended his wing over her just as the rain began to fall. he was pleased to see that the rain would not touch the sleeping angel. On the other hand, Lucian was vulnerable, but he didn't mind. He would rather shelter Elora than himself. Lucian ignored the rain and decided to doze for a while.
***********
Elora woke up as a cold wind blew. She rubbed the sleep from her eyes and saw the millions of raindrops in front of her. it took her a moment to realize that she was dry. she glanced over and saw that Lucian was soaking wet and had his wing extended over her. "You should have woken me, Lucian." she extended one of her wings over him as he shivered.
"th-thanks, e-elora." she could tell he was freezing because even the feather's  above her were shivering. she decided to do something to repay his kindness.
"come closer, we can share body heat." suddenly the feathers stopped shivering, they became rigid, as if lucian was surprised... apparently he was.
"really?"
"yeah, its the least i can do." she sat closer to him and put an arm around him. his skin was cool to the touch and his muscles were tense, but they soon relaxed, as did the feathers above her. he soon stopped shivering and the rain stopped falling.

islamophobia
at its finest
you couldn't have spoken truer words
three years before injustice
fell cascading down upon your head
like rocks
each one labeled
hate
fear
terror
and it's that label, drenched in your blood
that begs and screams to be renounced
i am not a terrorist
no,
you aren't, but every pale-skinned man
who doesn't know the pigment in your skin
as anything but dirt
couldn't see the difference
so yet, we fight
for you
your love, your voice
for every child that lives in fear
we will charge on
your skin tone
is not a death sentence
and the media who doesn't know 
their right from their united left
will hear us
we do not need you
we do not need you
we do not need you
us many times as God will give us strength
we will charge on
for you
for them
for Palestine
for Syria
for every fear-filled child
we will remember
and for each one fallen,
trapped beneath the rocks
hate, fear, terror
we will set you free

CONFESSIONS OF A DROPOUT: DEAR EDUCATION
I am caught up in the ideal world where I breeze through the fast paced life
I look back and I see no one not even my own shadow
Life dumped me on a rainy day because I wanted to become of this generation
I was everything to pretend friends
Life seemed worth it with everything but you
The drugs, the cars, the money and the alcohol… ****! I even drank methanol
But when push came to shove I had to grow up
By then life had already given me deathly blows that were beyond me
Deathly blows that sent me to a dark pit, a dark pit were life ceases to exist
God himself knows that I am beyond saving grace since I am a different case
Truth be told I dug my own grave
Now I am a slave to this burning rage
I now believe I am going to rot in this cage
Poverty looked and me said when I grow up I want to be like that girl
Pain looked at me and shed tears….. Death visited me and renounced its existence
So dear education if you ever get this letter know that I send my sincere apologies
I wish I could have listened, I wish we could have been friends more
I now live a life of regret were I dream of having a ride on death’s train
I wish you could take me back but furthermore I pray that you lend me a dying wish
Dear education…… please do accept my apologies!

POETRY AND ITS IMPACT ON HUMANITY

Today the word poetry evokes images of love and sentimentality, but the term romanticism has a much wider meaning. It covers a choice of developments in art, literature, music, dance and philosophy, spanning the late 20 th and early 21 st centuries.

The romantics would not have used the term themselves and the label was applied retrospectively, from around the middle of the 20 th century. Man was born free in this virtual environment of real life but, everywhere he is in chains. During the romantic period major transitions took place in culture, as dissatisfied intellectuals and artists challenged the establishment.

Almost all the romantic poets were at the very heart of this movement. They were inspired by a desire for liberty, and they denounced the misuse of the poor.There was a highlight on the significance of the individual; a conviction that people should follow ideals rather than imposed conventions and rules. The romantics renounced the rationalism and order linked with the preceding clarification era, stressing the importance of expressing authentic personal feelings.

They had a real sense of responsibility to their fellow men: they felt it was their duty to use their poetry to inform and inspire others, and to change the humanity and their social attitude. Poet Rumpa Ray Ghosh believe in this theory on life and poetry of this time.

A PASSIONATE POET OF THIS TIME

For Poet Rumpa Ghosh, even a quatrain is what in a verse, which makes someone to cry or to laugh, or just be silent, makes your twinkle, makes you want to do this or that or nothing, makes you know that you are alone in the unknown world, that your bliss and suffering is forever shared and forever all your own.
Poetry is taking at the heartstrings, and making music within our solitude in life. Rumpa Ray Ghosh is a poet of profound obsession towards composing lyrical form of poetry. Her poetic enthusiasm makes her verses, extremely impressive and highly alluring. She is fast budding poetess of wisdom and emotional response. She had completed her Masters degree from University of Calcutta, though she is from Calcutta currently living in Mumbai.She started composing poems since her young age.

Intentionally or innocently, many of the poets are most often trying to fill a vast space with things that cannot satisfy fully. We look forward to fill the void with our own possessions for comfort, but unfortunately we normally end up wanting more and more. We try to fill it with relationships or pleasures, but we end up feeling even more empty and further more depressed than from the point where and when we commenced the discontentment as these thoughts were well presented by Rumpa Ray Ghosh in her poems, namely, “ The Roof”, “ The broken house “.
The only place that we can really find true fulfilment and gratification is in the hands of divine God. We need to recall and allow our convictions, not in circumstances, to govern our sense of contentment. The anthology freshly illuminates many excellent lyrics and short poems and are highly valued regardless of its freestyle genre.
For both the poet’s, self-consciousness is connected to the new eminence established to poetry by the feelings of the self, which truly resembles the title of the anthology, “ The Musical Marvels of Self “. Her poems are lyrical, close to heart, soft and romantic. The scrupulous flow in her rhyme magnetizes the readers. Her works were widely published in many national and international journals. She is a regular blogger. She takes the images of her writing from simple every day incidents, uses metaphors and imagery to add grace in her skill of presentation.
Her language is simple, easily understood by lay man, quite touching and heart rendering. Her first book " Musical Marvels of Self ", an anthology of 43 poems came out through Zorba publishers.

The anthology was a combined effort in association with honourable poet Dr Ujjwala Kakarala during September 2017 Besides, being a talented poetess of lyrics, she was an excellent singer Proficient in Bengali folksongs, Rabindra Sangeet and Nazrulgeeti and ghazals and has sung in numerous local stage shows. Rabindra Sangeet merge gracefully into Tagore's literature, most of which—poems or parts of single scene plays alike—were beautifully transformed or converted to lyrical formats. Influenced by the “ Thumri “ style of classical vocal music, this has made the entire scope of human emotion, ranging from his early songs-like Brahma devotional hymns to human soul.
This has emulated the tonal color of classical “ragas “to varying extents.
Earlier, She had also the chance to attain a position as Quarter-finalist in BBC Mastermind Family Quiz competition aired on Disney Channel.Poet Rumpa Ray Ghosh, an Indian by nationality, she hails from West Bengal, the “ City of Joy “, but currently living in Mumbai, Maharashtra, India. She is by occupation a teacher, content writer and a blogger. By obsession she is a poetess and a singer. She has completed her post-graduation and B.Ed. from the University of Calcutta. She has worked as a teacher in St. Thomas School, Mumbai, as a content-writer for ‘Pratham’ (NGO) and as an English curriculum developer in Vibgyor High School in Mumbai.
She publishes her writings on her own blog with a name ( fragmentofimagination). She is also a writer for some literary groups. Some of her poems have been published in national anthologies. Recently one of her poems has been published in a US e-magazine "Beyond Borders” in a popular poetry site. She has also participated in an open-mic poetry reciting performance in the Prithvi theater arena in Mumbai. Being Proficient in classical vocal music, she had the opportunity to perform in classical vocal music on various musical events. She is a Sangeet Visharad from Bhatkhande Sangit Vidyapith, Lucknow and is trained under Late Pandit Vinayak Vohra. More tha a Poetess having a deep passion in writing, she enjoys dance, music and teaching his students as part of her professional skills. Stay blessed in all ways at all times.

WILLIAMSJI MAVELI

Or, at least what you might think.
Judgement hurts in too many ways to count.

I stand in the local thrift market
looking for trinkets and such with my father.
He came here to look for vintage picture frames,
to put up on our pastel coloured walls.
He brought me to be a translator,
of his broken english.

I see the looks some give him,
but I am proud of my father.
And mad at how our society works.
Looking at my father you think,
he probably only knows his own mother tongue,
no education,
bad manners,
had lived in poverty before.

But you are wrong.

An Italian man sits by this booth,
selling picture frames.
I point and tell my father, and he walks over.

"How much for frames?"

I taught him how to say that well enough.
The Italian man says fluently,
"$40 a piece,"
but behind it you can hear a faint Italian accent.

My father hears this and his face lights up,
and he replies in Italian,
"Great, but can you lower it to $30. For me, man?"

The man seemed shocked to see a dark-skinned man,
speaks such fluent Italian.
The man got up with a smile on his face,
and told my father,
"Man, I was born in Italy, but you speak it better than me,"

My dad laughed.

Next time you see,
a strange man,
struggling with his english,
stop to think,
he might be able to speak to you in,
German. Italian. French. And in a tiny bit of Spanish.
And of course, his mother tongue.
He might have learned the culinary arts,
in a world-renounced school.
He might be able to do anything.
And he might even be a little more impressive,
than you will ever be.

Judgement hurts.
But all it takes is you to stop it.

A loose handed emblem,
of folded thoughts,
Loss is weaponized in enchanted red,
Wrongs corrected stemming from the
blissful bare signed gawky individuals.
Homage backtracked and renounced
Barely earnest calls for a curious fathom-ability
Heaven bound birdlike shadows,
Bright light gagged and janky,
Found little finger blood tacked to the earth.

For years I've been trying to write
something that would cause the earth to shake--
maybe even slightly tip it off its axis.
Not because it possesses any eloquent grandeur
with words like "cataclysm" or "surreptitious"
nor due to any celeb-ritory status
that may befall my unkempt and ghostly pale person.

                      I just want people to think!

From the moment most of us
are pushed from our mother's dark, watery womb
it's like we're given a hardhat and a pick,
then told to find some gold in the mine
because if you want to keep working in the mine
you have to pay
and then as we try to explain that we're uneducated about mining
because we were just birthed we are told not to worry
because there are teachers who will educate us about the mine
and every so many days we're tested on what we learned about the mine
all the while being told to forget not about the gold in the mine
and sometimes we get a little tired or bored of looking for gold
so we're given a book to read about some guy named Mr. Brahmallah Siddhartahweh Christ
along with a few cigarettes, beer and lunch meat to relax
for a few minutes before it's time to get back to work to look for gold in the mine
to pay to look for gold in the mine
and lord help you if you can't pay to work in the mine because you need to work in the mine
to work in the mine.

                                                      Confused?­ That's the point...
Now, the metaphor above is a crude illustration
of what I'm talking about,
but I have confidence you understand what's gnawing at me,
AND what should be at you too.

                     Where is there time to think??

Even in scientific and philosophical occupations
there isn't much thinking these days.
Many take science as law
the same way extreme, right wingers from any religion
take their "religious doctrine" as law.
Our politics, technology and even reading is polluted
with derision and division into different schools of thought
from a Conservative Team Edward Apple supporting Griffendor Christian
to a Liberal Hufflepuff PC using Team Jacob Buddhist.
Now I understand why all these new agers
keep referencing The Matrix.

                           WHAT IS REAL!?
That must be a decent explanation as why people go insane;
suffocating on all the weighty labels
forcefully pinned to their soul.

And yet...
more people, like me,
are desperately clawing away at these labels,
attempting to find a little fresh air,
perhaps filled with the smell of paint,
graphite, charcoal, clay, **** and natural body pheromones
while sounds of music, chanting, cheers, sobbing, silence, giggling and *******
echo in the breathing room
as we feel the grass beneath our feet, wind matriculating through our hair, another warm and loving body embracing ours with cool water trickling down our backs...
People like me
wishing to be metaphorically, figuratively, theologically and psychologically digambara  
subconsciously evolving from sadhu to avadhuta
          preaching anekantavada
           while simultaneously revealing it all stems from ONE!

But...
many of us are caught in a dilemma best expressed by E.B. White:

[Arising] in the morning torn between a desire to improve the world and a desire to enjoy the world, [making] it hard to plan the day.

These days, to the masses working in the mine,
if you're trying to improve the world you're a kook or a traitor,
just ask the SnowMannings.
If you try enjoying the world you're labeled lazy.
We all just want to be       FREE!!

Of course, Bill Hicks once said,
If you think you're free, trying going somewhere without ******* money.  

And when you THINK about that,
you start to get confused, right?
Maybe your head starts to hurt, right?
Because when you THINK about that,
and all the supposed enlightened people
from Siddhārtha Gautama who resigned from his royal trappings
to Yeshua HaNotzri who renounced material possessions with a needle
while the passive warrior Mahatma Gandhi thought western civilization a good idea.

Why are most children discouraged from being artists, farmers and the next far out thinkers?
Because      there’s        no          money        in         ­ it!  
Again, we’re back in the mine looking for gold.
But what would happen if you stopped?
What would happen if you got in the mine cart and said “**** it,”
then went careening down the shaft,
whirling and twirling faster and faster enjoying the ride!

But now I’m positioned in another quandary;
                       SOLUTIONS!  

While people like myself may have a few ideas
I think they are impossible to share at the moment
Because the majority of the population is too lazy
and complacent to do anything.
First we need to awaken!
First we have to get mad like Howard Beale!
We have to collectively reject the current frequency
and do like Tim Leary where we “turn on, tune in and drop out.”

Ok,
Let’s take five,
maybe more.
And when we reunite
let’s hash out some solutions,
**** out what does and doesn’t work.

To Sleep, Perchance to Dream

Let me explain.
This poem is about sleeping, dreaming,
the failure of my inadequacies in poetry to heal.

Three years after its birth, it is exactly what I am feeling this day.
It is long rambling and you won't stay for the whole movie.


~~~~~~~~~~~~~~~~~~~
Erudition is perdition,
dreaming in words, accursed,
death to the visionaries,
release from visitations
of over-staying, unwelcome guests,
Johnny Cash, Jesus,
Forefather Jacob, Bobby Dylan
and their whiny,
smug-smiled missives
on behalf of the
all knowing, dream invader powers,
who
just-happens-to-be-know-it-alls.

These guys,
sub rosa angels,
electioneering,
hand shaking  
you into dreams
that make you wonder              
unceasingly  

I have renounced chants n'
dreams that
wander                              
meaninglessly

so if there is no
repeal of the stupification
of the human condition,
just invent words that  fool
willful and mostly please
nobody

don't ask and don't tell,
then we can agree
that a life,
its peculiar
Hallmark Card of grief,
cannot be
disambiguated

yours is yours,
different from mine,
single poems cannot solve
multivariate equations,  
un-blow mind sensations
that circumnavigate my mind    
as I edge along the
borderline tween the
United States of self-realization,
and a State of Mexico
drug-induced, seductive and
self-administered pat down,
a colorless, tasteless, dreamless
evening in the company of
a rest-once-and-for-all,
sleeping pill

Repudiate yourself,  
privately you
hyperventilate,
but others willing to borrow
those surfeit of rapid
misunderstood breathes,
stored in brown paper bags,
that will be divided
most ingeniously by the
Misappropriation Committee
for wordy oxygen tanks,
desperate for refilling

Recant, Renege,
Renounce, Repeal,
Repudiate, Retract,
I herby foreswear
all previous poems, please
Return them

Back, send them,
so, I can end them,
desist any new arrival of vaniloquence,
direct 'em to  the trash box of inconsequence

My wrongful w-rightings
are now cashiered,
my cool is in mourning,
my plateau is flat but
upsided downded,
words drownded,
both sides now, spring silent

Tried to swim to safety,
to Spanish Harlem
but no hablo espanol,

In Miami, they done me in
for the crime of
insufficiently thin,

In Ghiradelli Square
they deemed me too blond
not 'ciscan enough
yet, in Frisco fairness,  
done deported me,
making me to choose
tween Los Angeles and/or
Orange County

So, poet poseur, where you gonna run too?

My better half sleeps,
my left half weeps,
so conditions normal.

Satan laughs,
offers me ***** or poetry,
knowing full well that having
foresworn, addictive wordmongering, liscentiousness
that a single letter
would stupor me into a
drunken poetry slam at
St. Paul's Church,
into Satan's collection box
of wordy sinners,
where lost souls, ex-poets,
prevaricate
vainly, in hopes
that anyone will let them
transubstantiate
in order to avoid their
expiration date
on Stub Hub

surrendered the master key,
turned in my ID badge,
opened inner sanctum no more,
poetry boy is ratiocinated,
peril dispatched, swear that I've
excommunicated the voices
determined to disintermediate

the compromise I've reached,
help is contraindicated,
ex-officio is my new grace state

please, devices decontaminate,
otherwise, poems disintegrate,
excoriate them, don't wait,
to disassociate'em, insufficient,
remove them from hard drives,
yank'em one and all!

let the diet begin,
no more food for thought,
no more dreams
wrought and recorded,
permit the ambient calm
of the still of the night
that engulfs,
to harmonize with the flatline
dreamless sleep that the
mind monitor machine
etchingly, quietly records

let hours of research
be rewarded,
by my imbibing the product of
laboratory pharmacological
fine tuning

***** S.,
what outrageous ego
let me suppose that in
mine own words,
I could improve upon
your lovelies,
with now bland homilies,
recitations of my anomalies

What id sexed my brain,
was I completely insane,
to imagine that I could
improve upon:

"and by a sleep to say we end
The heart-ache and the
thousand natural shocks
That flesh is heir to,
'tis a consummation
Devoutly to be wish'd.
To die, to sleep;
To sleep: perchance to dream:
ay, there's the rub"

Finished: Nov 27, 2010 4:44 AM

I was deeply mesmerized, through her dull look I was incised;
Her eyes looked far beyond my world & all the memories I bore,
Her tears were suppressed in her captivating me with a stare,
Her lips would say the words on mine with each word I’m looking for,
Her breath would flow into my heart with each beat I’m dying for,
Still I sought her to the door.

Forever I chose to roam, everywhere with her is home;
She just lingered in my heart but I left my peace outdoor,
Winter was a time of sorrow, but we dreamt of new tomorrow,
But tomorrows came with terror, terror that did taste so sore,
But tomorrows were much painful than the days I lived before,
& she lingered than before.

My heart strings I tried to weave, with some threads of endless grief;
Searching for some face some trace, of her upon my memories floor,
Deep in me I tried to call, I found nothing can console,
Glimpsing her straying in some castle lain deep within my core,
She allured me to beguile me somewhere lost into my core,
Lost within forevermore…

In me a thousand demons weep, aching me in wake & sleep,
Scathed & scorched, seeking your smile that lulled their wicked hearts before,
Thousand raging mutineer, down the silver chandelier;
Those whom you once did inflict, & left their life in twitching war,
Those you provoked yesterday, & incensed their nocturnal war,
They are whom I’m dying for…

As I stood glimpsing you fleet, shadows smothered down my feet,
Fragile were my crisp heart beats, those beats that were solid in core,
Though I am the one you crave, you raised in my heart my grave,
Yearning was harrowing, severing, one can’t endure nor ignore,
My desire have seared my hearts with fires I cannot ignore,
& my fires taste so sore…

I’m condemned to watch you flee; it plucks feelings out of me;
While these voices stuttering muttering; voices I’ve not heard before,
Voices resonates in my veins, filled my heart with myriad stains,
Stains of noises of the voices of my bones & flesh & gore,
Stains of lovelorn lays & cold old days & my spilled livid gore,
Stains upon your castle door…

You were poising through each room, in fragrant feverous perfume,
Burning all my flames vehemently, surging all my beasts to roar,
Flaunting fluttering in each chamber, on the eve of deep December,
Tainting this untarnished heart that just sought you & nothing more,
Confounding that steadfast faith that believed you & nothing more,
Now faith won’t taste like before…

As I give up empty tries, your eyes kissed my bleak goodbyes,
Then you lurk behind the dungeons of my dreary darkling core,
Wicked me O wicked day, when I pursued you to stray,
But in straying I keep praying if you strayed it won’t feel sore;
I’ve strayed in much lonely nights, & lonely nights did taste so sore
Without you into my core…

As you stroll in me & breathe me, look beyond me gaze beneath me,
Look beyond your horrid world, the morbid heart apart you tore,
Now is fainting swooning searing, & your absence keeps on tearing,
Every shard of hope that lingered deep inside you fill with pore,
You severed my happy thoughts & happy thoughts are not galore,
Wish you were some place for more…

I’ve renounced every Love, & still you rove & still you rove,
Still the phoenix flame is aching, healing, waking me once more,
Thousand times your name I call, now there is no place to scrawl
Your name on the walls of my heart, upon which phoenix may soar,
set your luring eyes to my heart, upon which phoenix may soar,
Haul my heart unto the shore…

Shattered chastened, I am sitting, watching my cells as they’re splitting,
All my soul is torn asunder, falling under, horrid curses that I bore,
My fate is to stay awaking, tasting nightmares as I’m aching,
Scathed & bruised, the hells I cruised without you seems not like before,
Scathing breathing, grueling seething, senses I’ve not felt before,
Without you inside my core…

Stricken thrashed & Flayed & shattered, each shard in my heart is scattered,
Quavered fluttered, badly battered, almost dead at your front door,
My flesh is cleaved off my bones, drained in deep hazy unknowns,
Disassembled was my conscious, rapt & smitten was my core,
Insecure, no cure can take it what erodes me deep in core,
For you’re not here like before...

If you only chose to waive, come along & dig my grave,
Lest you watch each wave subduing me away far off your shore,
Swooning fading every night; choking, burying alive my light,
Out of anguish that you’re absence scourged & languished, twinged & tore,
Now it flays me mauls me impairs me feeding on my screams once more,
Those that rise far off my core…

My blood flows with fire surging, steadily emerging, steadily emerging,
They keep suffusing submerging in my heart as you ignore,
All your torment seems in vain, my soul’s liquored by my pain,
All my tears are blood that’s falling all like rains in days of yore,
Now I’m stewed by your long absence that I forgot days of yore,
When we used to sway & soar…

Nothing can ever awake me; you seize me as you forsake me,
You absorb me as you ache me; you possess me from the core,
Illude..Spirits..Opaque...Livid.. Once before words seemed so vivid;
Once before our Love was prancing, prancing as we used to soar,
Once before our hearts were fighting, side by side on Love’s vast war,
When you thrived deep in my core…

Now you’re presence irritates me,
It cleaves warmth off my embrace,
now your absence ghost still hates me,
You have left me abstract space,
Wicked, fallen, out of grace;
& I can’t hold on anymore…

Sometimes I think I’m crumbling from the inside out. I can feel a parasite knawing at the coffin encasing my soul and exposing the pretense of overconfidence for what it truly is- dust.

There was a time when a smile from a man on the street made me feel special. Now it tenses my muscles and knocks on the bedroom door of fight and flight. If it came down to it, I know that acceptance would win.

I once saw a TV special about how coffins are becoming larger and larger because of obesity. When I was eleven, my brain was overweight with the awareness of the novel I would write and the ballet company I would star in. Lately, the obesity of my dreams is directly related to the size of the graveyard residing in my brain like an icy sea frozen mid-breath.

My best friend hurts herself because she doesn't think she’s pretty. I renounced my faith a long time ago, but I always pray that she won’t be among the one in four women who are ***** because a man told them they were pretty.

The leering, drunken man outside the movie theater built my coffin. The disease of his hand stroking my shoulder put out the fire in my brain like malaria kills 1.2 million people each year. Like the 1,871 American women who were sexually assaulted today. My skin still crawls where he touched me and my mind still recoils when I catch myself wondering if my oversized sweater and Converse sneakers were too provocative.

True love. Is it normal,
is it serious, is it practical?
What does the world get from two people
who exist in a world of their own?

Placed on the same pedestal for no good reason,
drawn randomly from millions, but convinced
it had to happen this way — in reward for what? For nothing.
The light descends from nowhere.
Why on these two and not on others?
Doesn't this outrage justice? Yes it does.
Doesn't it disrupt our painstakingly erected principles,
and cast the moral from the peak? Yes on both accounts.

Look at the happy couple.
Couldn't they at least try to hide it,
fake a little depression for their friends' sake!
Listen to them laughing — it's an insult.
The language they use — deceptively clear.
And their little celebrations, rituals,
the elaborate mutual routines —
it's obviously a plot behind the human race's back!

It's hard even to guess how far things might go
if people start to follow their example.
What could religion and poetry count on?
What would be remembered? what renounced?
Who'd want to stay within bounds?

True love. Is it really necessary?
Tact and common sense tell us to pass over it in silence,
like a scandal in Life's highest circles.
Perfectly good children are born without its help.

It couldn't populate the planet in a million years,
it comes along so rarely.

Let the people who never find true love
keep saying that there's no such thing.

Their faith will make it easier for them to live and die.


Wisława Szymborska, translated from the Polish by Stanisław Barańczak

I have loved my name and I have hated it
Hidden it; buried it; burned it
Threw it back to my parents—I did not want it
I let it fly from my lips only as a toxic poison.
Do not call me it.
A nickname then name change and I renounced what identified me my entire life
Sick of the jokes how I was so ungraceful for someone who carried that title
Sick of the smiles from strangers telling me they always wanted a daughter with my name
Sick of the expectations a name like Grace held
As I renounced my faith
Renounced my upbringing
I renounced the name that kept me tied to a life I never wanted

But I have loved my name
In its fullest, truest meaning of the term
Love to the unlovely; peace to the restless;
Love that cares and stoops and rescues
A name with such a force to live up to
I realize even when running from and hating myself,
I loved so deeply for others that I began to learn to love myself again
And maybe expectations are frightening and thrilling all the same

--I’m trying to live up to my name

Eyes full of the unknown
We slowly came to know
Of each other, nervous but excited

Feeling around in the dark what was to become so familiar
Months past in your arms
Years next to your lips
Arguments set in, thunder storms

We fought to make up and made up to fight
There was life in it still
Two strong characters of will

Impassioned lust laid across covers of trust
My beautiful vision of you and I
Too perfect you did decry

Infected by resentment, my heart shrank
You were to endure words so utterly fraught with cold
As though fashioned in the North Pole

Yet your love remained bound tightly to me
We would rise high above common ground
Soaring amongst the clouds, our love not to be touched
Until crashing down we fell into boundless hell

Picking at faults we should have forgiven
Too long they haunted our position
“You need to change” we both declared

Attempts were made in vein
So simple it all seems now
To have simply kissed your furrowed brow
Taken your hand and reassured you of my love
Apologised for any wrong made in haste

Sadly it was too late; you took matters into your own hands
Feeling away from me into foreign lands
To where I could not reach you
I went mad with pain of missing you

My utmost did I try to show my change
The man I had renounced stood no longer in me
I only wished for your return
To rekindle the fire that had died in my heart
I would rise born again a better man
With you to guide my unsteady hand

The fire remains quelled ever since you came back
To see and feel for me so differently
Our bond lay broken, dashed aside
Relinquished our tie, let loose against the tide

I now struggle out at sea, wave’s crash over me
Waiting, hoping for you to rescue me
It never came
Memories seemingly held you back
Of torment, tears rolled by

So your love drowned
Letting it go gladly, almost a relief
I now sit alone
Wet and full of regret, on a vast sandy beach.

Across dry plains the tumbleweed dances
          off the dusty floor
As a renounced ballerina reminisces
          in her old studio
          On the corner of the street
                    towards the west
                              following the sun
                                        where all dreams go
And where the wind carries the tumbleweed.

The air rustles in the drift
          as she sighs
Breathing in the dusty smell
          of the grass
          Of the room
                    where she once performed
                              for her beloved
                                        now carried away
                                                  by the same wind
                                                  that carries tumbleweeds
                                                  and­ caused dust to dance.

A tear soaks the wooden floor
          a small relief from the barren span
                    for the lonely ballerina
                              who is forever carried
                              along the scalding land.
Lost.
          Like words unsaid
                    on lips untouched
                              cracked by the sun
                                        where all dreams go
And where the wind carries the tumbleweed.

The lonesome Ness
ends best
when friends are laughing
by a tale

Told once to myself
in my head,
perfected
when renounced
and spread

Ignoring
the boring
for moments on end,
I visit as servant
instead

260

Read—Sweet—how others—strove—
Till we—are stouter—
What they—renounced—
Till we—are less afraid—
How many times they—bore the faithful witness—
Till we—are helped—
As if a Kingdom—cared!

Read then—of faith—
That shone above the *****—
Clear strains of Hymn
The River could not drown—
Brave names of Men—
And Celestial Women—
Passed out—of Record
Into—Renown!

He too saw the promise of a distant light,
but unlike him he renounced the gold hat,
and unlike her she did not renounce him.
His parties were simpler, but she was content
with what he could offer: a romantic
readiness, just like his; a gift for hope
for a life together; a capacity
for wonder at the promise of a dream.

Even now he remembered the sad things
that happened to them -- the deprivation
and the foul dust that floated in their wakes.
But through the smoke he peered into her eyes
and saw the light there, green as ever,
and knew they’d turn out all right at the end.

They lose their lives to small hates so easily that you wonder if they are allergic to love. Perhaps these gangsters, revelling in their roadsters, go banging in their round pools of darkness to shut out the light, light so bright that it will reveal something sick about themselves. Their hair is so slick that it shines in the headlights and warns them to step away, find the shadows, a place that is far far away from cops and gallows. I thought myself a gangster once, true, tossing teens to the ground to grab their shoes; breaking windows with heads to see bleeding prism hues. But I learned otherwise when I found you: I discovered that life is a measured destruction of time already, so I renounced my life so small in order to **** myself in minutes rather than bullets and enjoy each and every doddering slip -- each and every juddering rise and fall as we watch the future play out having already gambled it all.

How's it going, these days?
   Pretty good.
How's your family been?
   I wouldn't know--
   I renounced the blood.
   In doing so, I kicked the sick.
   I can't make a better world, but
   I can pen an ending to this ancient curse.

   I can choose a family,
   & I chose the
   vertebrae that
   puts my spine back
   in alignment.

I always had this choice.
Now I can see it.
I can let the blood,
and guarantee the world,
I'll have no progeny.

Trust me, when I say
it's my gift
to you and yours.

;)

REWIND


When I was a girl of twenty-two years,
there was the usual blood, sweat and tears
of life that’s lived when no one is watching
and naivety is all that’s botching
things up, in love and loss
and harsh mistakes.

Thoughts of my future rather than my will.
Should I not have aborted but stood still
to own the truth of my indiscretion,
and not lied to my love but made confession?
Perhaps he would have
decided to stay?

I have pondered much, these thirty-odd years.
Renounced the loathing of actions and fears
of misguided youth that lives in my soul
but will not dissipate though I am old.
Continuing on -
memories linger.

Wondering what that one life could have been.
Wondering if that was really a sin?
I question myself each year after year
though answers I don't expect to find here
in this life -
Still I mourn.

Who can compare with your majesty, oh Lord?
Who can match your might and power?
For with your breath you gave life to the earth,
and as you spoke, the world came into being.

Truly, God, you are powerful beyond measure.
Your strength is beyond the comprehension of man.
Only you can say what is right and wrong;
from your mouth come the decrees of justice.

Hear my plea, oh God.
I have fallen in the darkness,
and I can not raise myself up.
The heights of Your glory are beyond my reach.

I am beset on all sides by trouble.
Doubt and fear are my constant companions.
My eyes are blinded,
and I cannot see your path.

You, Lord, who sees all,
know of my faith.
I have never renounced your name,
but always have I kept it in reverence.

Look upon me in my hour of need,
and see that I have done no wrong.
Through no fault of my own
I have lost my way.

Surely, oh God, you will deliver me.
For do you not guide the righteous along your paths
even as you condemn the wicked to damnation?
Surely, oh God, you will pull me from the depths.

Reach out your hand
and rescue me, Lord.
Restore unto me surety and boldness once again,
that I might walk in your light forever.

Nothing is impossible for you, God.
You are all powerful, all knowing,
with love that never ends.
I place my trust in you.

Your mercy and grace are boundless.
Though I often fail to keep your laws,
still you do not abandon me.
Your forgiveness is unfathomable.

I walk down to the stream,
a ghost among the tendrils of mist
wakening from the moist air.

The half-moon gives a weak light to my feet,
but grows stronger
as the night rises
and shakes off the sleepiness of twilight.

Sitting on a rough stone,
I look into the shadows
and begin to think.
I pull out my flashlight, try to write,
then turn it off and stare at the stars.

Branches of the tree above me grasp at the wind.
I wrestle with much more,
but cannot grasp my thoughts
or the inconceivable movement
within my soul
any better than I can subjugate the bodiless air.
A melancholy that is not sorrow
settled on me a year ago
this night, in the dark of October's waning moon.

I stand up and leave the stone to wander.

I meet the banks of the shallow stream
and stand there for a while, empty.
There is nothing,
there has been nothing,
for twelve months
since I renounced my pain and bitterness.
Everyone tells you that somehow
love will find you
when you let go of hate.
Everyone is wrong.

The stars spin
in their slow, silent dance;
the highway sighs in the distance;
the moon rises slowly as it had done
for thousands of years.

"Speak!" I importune the stars.

They do not answer.

"Show me your light!" I implore the moon.

The moon hangs there,
still,
among the darkness of the stained sky.

"Answer!" I demand of the sky,
and the sky says nothing.

Twelve months of solitude,
of emptiness and silence,
hovering over the abyss.

I have looked into the abyss.
The abyss has looked into me.
And slowly, like the setting moon,
like the way a fever ends in peaceful sleep,

I begin to fall.

I stand at the convenience store counter
with a smile but conflicted inside
I know I don't need them
yet, there they are.

A rainbow of apathetic death
a mosaic of bad breath
and even worse excuses
waiting to be packed
put into my chest pocket
and held close to my heart.

It makes me sick, hard to breathe
and yet here I am all ready to leave
with twenty more sticks of disease,
the same ones that gave my father
C-O-P-D.

But still I buy.

I swipe that card with little regard
to the fact that I'm reliving history
a son just as dumb as his father before him
scoring the same dope
wearing the same rope
around his collar.

I've thrown whole packs out car windows
sworn them off cause the habit,
the money lost and especially the cough
was getting to be a problem.

I've renounced this addiction
with the conviction of a holy man
yet still I stand smokes in hand
puffing away; swearing this to be my last
every time I can't help but laugh a little
cause I know I'm full of ****.
(Don't we all)

But still I buy.

I hadn't ever denied you
Never questioned your sober self -
Never renounced your love
Nor scoffed at your proposal.

Venturing into a forbidden bliss
Knowing our desires were amiss
With a wild verve, I would run to your side
Giving up all bounds, I was forced to abide.

Your fixed eyes, repeated your vows to me
Your hoarse voice whispering words, lovey-dovey
Dark hands guided by the softness of mine
We walked the aisle, to be blessed by his love, benign!

Our days of struggle at each others pace
Our doubts, at what each other gazed
Our thoughts if we did act in haste
And all that vanished, when we engulfed in an embrace!

Spending four decades and stepping into the fifth
Of having broken barriers and rewriting the myths
I am happier to have spends years as a blind man's wife
Than to have paraded my love in return of never ending strife!

What is it about me that makes me so undesirable?
Is it the way I laugh,
The way I cry?
The way I often pray to die?
Is it how often I break down,
How often I need to be picked back up?
Is it the way I tell myself I'm okay,
Then rejection is a smack in the face
Tainting my beauty and (lack of) grace
Until I decide to leave without a trace?
Or is it my horrible need for sympathy
The way you tend to always look at me
And shake your head and roll your eyes
The very things that I despise?
Then again, I love to think
I wouldn't be the last chosen on earth
And that there's are girls that could be worse
But this doesn't matter.
It will never come down to a pick and choose
I'll never get the chance to win or lose
I've already lost.
But at what cost?
I've renounced confidence altogether
And I've taught myself to know better
But I never do.
I never learn.

So I sit back
And I allow myself to think
I'll never be loved
I'll never be loved.