Magnificence blasted

I came to this with a title and then formed an Idea then got out the heavy hitter books all founding fathers thought it would be
A good touch to reconnect with our country and it history at this time of the year well it didn’t proceed that way I did find the very
Word that serves as the title in G. Campbell Morgan’s book an exposition of the Bible don’t get excited I will just use that to set the
tone and it will give you a head start on what I want to deal with the place where life is at odds with our peace and well being He starts
the first chapter of Job now he is one that can at least give us a great example it’s all about winning getting the results we need instead
of the pain of failure (In magnificence of argument and beauty of style this book is one of the grandest in the divine library the story
of Job is presented in dramatic form) I want this to serve two purposes give understanding to the point we all can use these stories
to make us victors and in a very small way have a readable escape from drudgery or outright problems to that end I will start at this
Point I already wrote about the Dutch businessman who got fed up chucked it all started a journey to circle the globe by human
Power alone so to that end he made a boat that by pedaling and that alone would be what would propel him through great waters and
Grand adventures but for this one were going to stay on land I did meet a eastern traveler years ago from New York he was on this side
Of Shelbyville his ultimate goal was the west coast I think he had been at it a little over a month and he was on horseback we talked
but way to briefly to be able to use it here so go to one I know a little more about Jack Kerouac he was in that idea and wrote the
Book on the road first problem the guy had very bad language steeped in the sixties drug culture an iconic figure of the beat
Generation but he was human as we are and when you get down to the soul you catch the part I want to use this is going to play
Like an old family recipe that is hardly readable and the family is the human family but Jack was a writer a full blown saga that had to
Be read had to be listened to a solitary seeker a poor outward drifter who was deeply lonely man a sad melancholy drifter one writer has
Said “and if you read the book closely you see that sense of loss and sorrow swelling on each page” another penned why Kerouac
Matters he matters because he is one of us he ran the course with large gains and ultimately ended with his magnificence blasted.
Taking the cue from Jack I will take you on the road to another life of magnificence Steven Beckerman he was a neurosurgeon I met
And worked for well his wife Sandy she was such a tragic figure she was so fragile high strung would be a good description if you didn’t
Know better you would think she saw the future the first blow to this couple was there pricey home was gutted by fire everything was
Replaceable but the two Doberman guard dogs and another dog that was their family they were childless but before this fire Steven
Was not a snob but he was only a few degrees higher than Sandy on the fragile scale he had these beautiful hands he seemed to
Always be guarding them he would walk in the back of the house down by the fence always faraway I’m sure he was thinking of
The patient and the operation that waited on him at the hospital he had a vulnerability he entered other peoples troubled places and
Gave them back their lives but his own he couldn’t seem to walk divided it was all their concerns and needs.Their dream was to leave
The Bay area where neither was happy and go to the southwest New Mexico where people were laid back the pace was slower
Then the fire happened they weathered that resumed life then Steven was near home a car accident this wonderful gifted surgeon
Was left a paraplegic he went to the bedroom placed the gun between his legs then with those fingers who helped so many others
Pulled the trigger on the shotgun his magnificence was ended he couldn’t overcome the reality and fact of his situation he could have
Became a teacher so many things could have been we need to take from this a lesson of guarding our mind and heart we don’t know
What the future holds if only Steven would have measured his worth kept and made a powerful ally as Job had, his magnificence
Would still be shinning today to finish up the last piece talked about Yvette being shot with Zack in the desert her injuries included
Right side nerve damage a metal plate in her head that prevents her from getting private health care we heard what her dad said about
The Grisly listen to the wise words of her mother her mother said you have to mourn the person you were before up to the time of the
shooting that person is gone you need to turn and start a new life she did that as much as possible started out to do sports casting found
It totally unsatisfactory changed to law and now is a lawyer and victims advocate she said she never tells her story to her clients but
She has a compassion for them she found her way through giving and serving others to keep her magnificence stellar.

How Dare You Tell Me - What Is Literature?
When I, waking pre-8:25 alarm, from some engulfing dream
Roll out of bed, read poetry when the day has hardly dawned
The wind surges through the crack in everything
Through my window, leaning and weeping
Screaming and tearing at me in Greys
Grays I've neglected in favour of Drakes
Socialising, absorbing this post-everything
Hearing echoes of Alex Turner
Soulful Amy drowned in Wine
The Magic Mushroom experiments of my early years
My late teens, which should have come earlier
Forced to grow fast to the sounds of Lennon and Kendrick

We live in a generation of not being in love, and not being together

When I first heard 'good kid, m.A.A.d city' I was still young
Because who told me what to expect?
Who told me but the Mothers and Teachers of the 80s?
The Bleeding Hearts and Artists make their stand
So Far Gone, falling free from the wall, unhinged
Leap of faith, like washing up the first cup in a student kitchen
Lemon drizzle flow and Drizzy seeping through every artery
A modern century, reaching 21 in 21

But back to the scene set to the Ice Age
Liverpool is my hometown,
London is frozen in memory, the pressure has us crash together
Our minds blend like time, concepts, musical genres
'Blurred Lines' - Feminist uproar defines this '4th' Wave
3rd Eye: We are living in the Future, in ignorance of the present
We are Generation Y, or Z, or just a generation of terrorists
Sages, Mystics, Heroes...

Sweeping winds through my window on a dreary morn
I read 45 pages of poetry because I feel like it,
Not because I have a seminar
University's red bricks fading away for me now
I'm just staring at a man's soul,
Attaching myself, this is why I write
I reach for the ceiling, in this small room
Yawning, the stretch of a new day
Going for gold (the sun, the stars)
Going for breakfast, alone downstairs with Paul Farley

As I stretch I look out the window
See four attractive, modern girls walking
(Probably to lectures, though it seems amidst the hour)
I can lecture too, with my arrogant, contemporary voice
I think - if they see me I will smile and wave, wink maybe
(Perhaps not, I am a feminist after all...is this ironic?)
These are products of angsty teen poem generators
They don't look, but I feel it may as well have happened
(I am in such a good mood I would smile at myself)

This generation seems to lounge in apathy
Girls in beanie hats, tripping off Raider **** (RVIDXR KLVN?)
Obey Snap Backs giving me Flash backs
I wish it was the 60s, I wish I could be happy
Trap is the new Rock and Roll, Prog-Rap is coming, sit tight
(Was this always about hip hop, girls etc?)
Am I as readable as Holden Caulfield?
Reading about John Lennon drinking Milk
I felt like Sylvia Plath on 10th February 1963
Well, I feel like Lennon on 11th February 1963
Am I even an '13 Ye?
Screaming 'R.I.P STEEZ', or 'Twist and Shout'
How far have we come now..?
When will we redefine 'Post-Modernism'
Or give this era a Literary title
Like PBR&B; or Indie
Like Blues or Jazz
Like the wind that rushes through my window and my follow up 9:45 alarm telling me I need to set off

If only I was a crayon drawing
Where each smiling face looks the same
Where stick figures and three fingered hands
illicit the smiles of adults and adoration
of how beautiful the picture is
of how artistic the drawer is
Despite the fact that the people are purple
and everyone has a beautiful smile.

If only I was a crayon drawing.
With the sun always shining,
though I hover off of the blob of green grass
Though I am taller than the house beside me
At least I am happy
At least people tell me I look beautiful
though I am a blue colored person
and have no feet or hands.
At least the sun is always shining
at least I am happy.

If only I was a crayon drawing.
With no need to worry about how I look.
With my family in a line beside me,
clumsy names written above us, barely readable.
But then I would be tacked to a bulletin board.
Then i would be fawned over, Oh how sweet.
See, look at the smiles on their faces! Look how
happy they are! How cute, how adorable.
See how artistic, how true to life. See the smiles?

If only I was a crayon drawing,
I could never grow up.

Thugs with Pens & Aerosol Cans

Thugs with Pens
Hell-bent; not on cultism
Just airing the other sentiments
That don’t make it to primetime

Thugs with pens
Not poking out eyes
Just venting spleen
Sick of the lies

Thugs with pens
Deserve to be heard
They don’t poison your brain
With stacks of *****

Thugs with pens
And aerosol cans
Can change your mind
In ******* time

Thugs with pens
Can make a dent
They don’t need to insert
Un-readable, un-interesting
Covert small print....

Thugs with pens
Don’t need no script writers
Or advisors nor signatories
Witnesses, nor dodgy men
With gold plated fountain pen nibs
To make amends
Or throw in no hidden clauses
That secretly **** your life blood

Thugs with pens
Don’t aim to pierce your skin
But make their mark
Deeper within

Thugs with pens
And aerosol cans
Completely uncensored
champions of free speech
The establishment want suppressed,
silenced, deleted; terminated.

Thugs with pens
And aerosol cans don’t
Schedule meetings
To fix the minutes
And schedule another meeting
And keep ‘minutes’
As square angled
And unproductive
As formal conversation

Thugs with pens
Aim venomous ink
At headless politicians
That squawks like chickens
Bending over
For the *******
Bank-beefing corporations,
Controlling the masses
With ***** little catchphrases
And mounds of munitions
And illegally enforced restrictions
On your movement and free expression


Honest men
Have nothing to fear
From Thugs with Pens & Aerosol Cans
These “thugs” seek asylum
From countries
Where the law’s
Not bought and bent
Thugs with pens & aerosol cans
Are made to wear monikers and masks

Thugs with pens
Don’t turn on its own
Neighbours and citizens
To perpetuate myths:
A ****** ******* lie…
A thing that never happened!
(That’s for all of you dumb wits
out there
Who believe most of the ****
That’s drip fed
Your sensation addicted minds
Most of the time,)
Time you started reading between the lines

In fact get a pen
Or an aerosol can
Write your own lines
Start broadcasting
Reclaim your space
Before you’re completely neoned
Into the shade
And corralled under the spell
Of a TV screen
Or an anger raising headline
That conducts the flow
Of the status quo

Load up your magazines
With ball point pens
And sharp edged writing nibs,
******* a belt of aerosol cans
Reclaim your right to free expression
In public spaces
Join the rag-tag army
Of intuitive
Self-knowing men

The End: is well begun,
George Orwell
Should never have written
That blueprint,
‘1984’

What I’ve Learned as a Writer
By Leo Babauta

I’ve been a professional writer since I was 17: so nearly 24 years now. I’ve made my living with words, and have written a lot of them — more than 10 million (though many of them were duplicates).

That means I’ve made a ton of errors. Lots of typos. Lots of bad writing.

Being a writer means I’ve failed a lot, and learned a few things in the process.

Now, some of you may be aspiring writers (or writers looking for inspiration from a colleague). Others might not ever want to be a writer, but you should still care about writing. I’ll tell you why: it’s an incredible tool for learning about yourself. And if you’re an effective writer, you’re an effective communicator, thinker, salesperson, businessperson, persuader.

So for anyone interested in writing, I’d love to share what I’ve learned so far.

    Write every **** day. Yes, even weekends. Yes, even when you’re busy with other crap. Each day I write a blog post, an article for Sea Change, part of my new book, or perhaps part of a novel. If I don’t have enough to write every day, I start a new writing project. I write at least 1,000 words a day, but you don’t have to write that much. Writing daily makes it a routine thing, so you never have to think about it. You just do it. It gets much easier, less intimidating. You get better at it. It’s like talking with a friend: just how you express yourself.
    Create a blog if you don’t have one. Whether or not you’re a writer, you should have a blog. Why? Because it’s a great way to reach an audience, to practice writing on a daily basis, to reflect on what you’ve been learning, to share that with others so they might benefit, to engage in a wider conversation, to learn about yourself. Anyone who wants to learn about themselves should have a blog. (Protip: Try Sett to start a blog — it’s a great way to grow an audience and community.)
    Write plainly. I think this is from Strunk & White, but it works well for me. I write in plain language, leaving the flowery stuff for others. Academic writing is the worst — it’s so stilted no one wants to read it unless they want to show others how smart they are. Technical jargon, business-speak, pretentious vocabulary, insider acronyms … none of them have any place in communicating with your fellow human beings. Only use those things if you want to hide the fact that you don’t know what you’re talking about.
    Don’t write just to hear yourself talk. Lots of people like to go on and on about themselves and their lives, but readers don’t come for that. Readers come for their own purposes. You’re reading this to get ideas for yourself as a writer, not to hear the life story of Leo the amazing writer in technicolor detail. Now, you can tell stories about yourself if they’re vividly entertaining or inspirational or really instructive. But have a purpose, and be sure you’re meeting that purpose. Don’t just ramble.
    Nearly everything can be shortened. Including this post, of course. I could probably cut 25% of this post and get away with it (I’ve already cut 25%). Go through your sentences and ask: is this necessary? What purpose does it serve? How would this read without it? And if you can, drop it. It makes your work more readable, clearer.
    Fear stops most potential writers. Most people don’t write (publicly at least) because they’re afraid their writing will ****. Well, it will. Everyone ***** at first. You don’t get better at something by sitting on your hands. **** it up, put yourself out there. You won’t have many readers at first, when you ****, but as your audience grows so will your skills.
    Read regularly for inspiration. I might write more than 1,000 words a day, but I read 10 times that. I read books and (online) magazines and blogs and more. Reading gives me ideas, shows me better ways to write, gives me access to the best teachers in my craft (amazing writers).
    Procrastination is your friend. Every writer lives daily with procrastination. If you allow yourself to feel guilty about that, then you’ll feel bad about yourself as a writer. Instead, embrace your procrastination as a friend, enjoy it … and then ask the friend to leave for awhile so you can get your work done. No friend should monopolize all your time. Get your writing done, then invite the friend back when you have free time.
    Have people expect your writing. This is another reason blogs are fantastic: if you build up an audience, you feel the pressure of their expectations. This pressure is a good thing — it keeps procrastination from taking over your life. You know the audience expects you to write, so you get off your **** and you do it. Before I had a blog, my editors were the people expecting my writing.
    Email is an excuse. We often go to check email because it feels productive (and it can be), but it’s easy to use that as a way to put off the writing. Honestly, if you close your email for a couple hours, nothing bad will happen. Close it, close everything else, and get to writing. Your email will be waiting for you when you’re done.
    Writing tools don’t matter. Most people tinker with their writing tools, trying to find the perfect system. ***** that. You can write with anything, as long as you have a keyboard. Yes, I much prefer typing to writing by hand, because I’m much faster at typing. I can get the words out closer to the speed of my thinking. But what writing program I use is irrelevant: I write in TextEdit, Sublime Text, Ommwriter, Byword, Notational Velocity, in the WordPress or Sett editor in the browser, in Google Docs. Just open up a new document and start writing.
    Jealousy is idiotic. Writers can often be insecure types — perhaps it’s a byproduct of putting your soul out in the world for all to criticize. So they’re often jealous of the success of other writers. That’s a complete waste of time and energy. It does you no good as a writer. Instead, learn from the success of others, see what’s good about you, and merge the two. Be happy for people. It’ll make you happier too.
    Writing can change lives. When I publish a post, I hope it’ll be of use to someone. But the responses I get are often incredible — people tell me how much a post or my blog in general has changed their lives. I’m blown away by this. When you put something with good intention out in the world, you have no idea what kind of impact it might have on others. It might do nothing, but it could have a profound effect on someone’s life. That’s truly powerful. That’s truly a reason to get up and write.

And one thing I’ve learned, above all, is this: the life that my writing has changed more than any other is my own. Writing for you has changed me, in ways I am only beginning to grasp. In wonderful, crazy, lift-you-off-the-ground kind of ways. And that makes me want to do it forever.

See I wanted to write about you and everything that I silently picked up on up
if you're wondering what I picked up on
Body language and cues
The way you tensed up when you were about to hear bad news
your anxiety
how it at times it came crashing down and you didn't know what to do
I reassured you the best way I could  
when you're concentrating or deep in thought about something
( I knew not to disturb you )
opening up to anyone was a task in itself
you hated doing that / I understood
The way you like to sing off key you think you sounded horrible singing wise
I disagreed
Personally, to me, I thought you sounded good
you told me a lot of info about yourself gradually over the months we got to know each other
I told you a lot of things as well
but one thing is for sure I picked up on several things you weren't aware of and I'd never tell you this
but you're easy to read just like a book
if you're annoyed, angry or upset
you might think oh no one cared or  noticed
I noticed
as it was written all over your face meaning you had the most readable ****** expressions
if you're wondering how I knew about your moods
it's simple really I could tell in the tone of your voice
if you were about to cry you had a certain tone of voice that suggested quivering in I'm about break down and cry tone of voice or how you were upset you had a certain way of behaving that let me know either to give you space or to comfort you
if you were mad ( depending on what the issue was / who the individual was and how long ago it was in addition to the details determined everything )
how you'd need space or you felt upset / still brought up the issue no matter how long ago said everything
and how could I forget your favorite songs the way you hummed them
favorite food and snacks
I still remember the details that you told me
the way we both know I'm fine or I'm okay
is a complete lie when either one of us
is upset mostly you though
when you're upset or down it's like I can sense that your energy is off / vibes are off some way or another
but one thing about our friendship is how we told each other several things
and because of that I still remember how you react
favorite snacks
your dreams and what your plans for the future were
how you handled relationships

Political correctness has reached a brand new low
It has now reached good and evil
And has changed things down below

The devil is still the devil,
That much has not changed
But, the food is all organic
And the meat is all free range

I didn't know the changes 'till
I made a plea last week
To sell my soul for increased wealth
And other things I seek

I expected a commotion
When the devil came from hell
But, there was nothing quite so flashy
When someone...rang my bell

I answered thinking nothing much
I looked outside to check
I am wary of the Mormons
and Jehovahs on my deck

I looked outside and there I saw
A man dressed all in grey
A poll taker, election geek
Let's see what he may say

"Good day, kind sir, I come to you"
"You wanted to be rich"
I thought he isn't from no bank of mine
He said "Sir, just call me Mitch"

"Mitch", I said, "I don't know how"
"you'd know I want to sell my soul"
He told me that was why he's here
To get a deal done was his goal

I said, "why use the door bell"
"Why not the cloud of smoke"
He said "with budget cuts'
"Pyrotechnics made us   broke"

"The PC folks got wind of us"
"of our tricks and double speak"
"Now, you sign away your soul to us"
"but, you can get out within the week"

"We can't go by the same old name"
"Hell is not allowed"
"We're H...E...double hockey sticks"
"Try saying that aloud"

"It doesn't have the forcefulness"
"That the other word once had"
"we can call it heck, if we're in a pinch"
"You can see, it's got quite sad"

"The contracts are all readable"
"You don't have to sign in blood"
"With *** and STD's"
"It may as well be mud"

"A soul still has some meaning"
"But, as you yourself can see"
"The devil stays at home now"
"And sends his minions out...like me"

"I have a small brochure for you"
"You have choices, please pick six"
"It's more a club, a health resort"
"In H...E...double sticks"

"I can't get out, I'm stuck for good"
"I signed my deal before"
"The PC people got us good"
"And now...we use the door"

"Please look over the contract"
"Take your time, and read it close"
"You'll find it is a real good read"
"With language, non verbose"

"If you should have some questions"
"change your mind,  or want to tour"
"Just call me on my cell phone
"I'm at star66 extension 4"

"I'm sure you'll still come down  to us"
"It's not so bad, you'll see"
"Just call me when you're ready"
"You've got time, now we're PC"

now, I will try to abandon time and space
in this form of truancy.

what is this abandonment trying to measure?
  the abeyance of presence.

what is the measured variable trying
to dissect? the impossibility of absence.

a poem aspires to be something concrete. a poem
   is what is real and imagined in the same context.

I try to invoke Abad -- what is imagined is most
   real.  this shall be its leitmotif.

now, i imagine the horizon as a point

of origin, or a template to some familiar projection,
  or a tagebuch summarized into a fine line
of allegories and denouement.

what this line tries to prove is that

an enjambment is a mimesis.

acknowledge the sublimity of a
  creation. notice that the sequence that will
be promised is diegesis of absence as form
     but not a poem as in a poem that enshrines
lucidity -- but the lack of it.

there is only the photograph of horizon
   as hypothesis of perpetuality. this now

is a subject, a speculative undertaking rearing a
   poem -- writing as preparatory for absence,

finishing a line as pursuit of thesis, gravity of
    its heft as tabulation of emphasis, or
verbosity, which may be telling of meaning or chronology.

a poem that is not a poem,
  But poem as a form of absence

that aspires to be a poem.

what is transpiring now is that i am assuming
   an utterance: utterance as being here,

and perhaps voice as sound of becoming but not finality
   of presence, and sound as disappearance

post-peak. its point-source silence and formation
   of thought, and then a poem is written as

evidence of disappearance in deep and close
   contest with a vision coming from another

audience as an objective supposition or
   reaction that may propel an exchange

but only when silence is entertained does
  silence happen, and so this may be dismissed

as a monologue among dialogues insofar as
    only to pinpoint this arrogant feat:

i may be speaking glossolalia, or in tongues,
  and that i seek no reprieve nor vestige,

all the more response -- intone of voice
   stilling itself in the tense setting

of being gazed upon, glazed with coherence
  of senses from one identity to another say,

you hear me speak as in speaking
as baring sound.
   but now that i have spoken, i have already undone

  the quiet to stir volumes and amplitudes
to attest sound-fade as vital component of absence,

whereas this poem produces ample sound
  if you pay close attention to yourself reading

in the lull form of reading (your
breathing will have intensified here,

your reasoning will have made so much
  noise here) as i continue to whittle

away in form of verse, verse not as poem,
  verseliteration not as occupancy of space,

but all in all, a body of work
that is a visage of movement - or a trace of absence, physics of space and kinesis of departure.

a delineation of a thing that was once
   thriving in threshold accompanied

by its tendency to wane: sound may be an
     analogue of unheard, as sound is impervious
to quietude but quietude conscious of sound
     and its potential,

that quiet coheres to its inclination to consummation,

this completeness so emphatic,
this allegory as
  absence the somatic, axiomatic,

indefatigable machinery of a presage,
   or continuity -- this poem that is not a poem,

but an excess of sound, a body that
   deserves end,  a punctuation.
     verity of this argument in basest form.

this body of work as absence
  and its completeness, volition

of its enigma: is this the end
  of sound or your silence summoned?

to drag it back, its recalcitrant body,
   is form of revision, then possession

of an absence, a recollection that will have granted
   seamless entry and translation

which passes on from its origin to
  a new clause -- to end it here, now and pass

over as readable only in the background that is
   an embellishment of absence amongst

things in exclusive continuity, to have this produced
   in space as empirical of absence,

and to punctuate this, a mystification,
or say, acceptable fabrication,

to read and extricate as acceptance of an absence
   as form: this poem that is not a poem but

only a physicality delimited -- to speculate
and study
as disbelief, and to have done such simply

demystification of its transition.

Lactate motto naku smile.

this poem,
for my friend, who has hit the road,
in ways others only think they have done or know,
miss her firecracking wizardy,
she, the only inky reason
still talk to god,
to cover all the bases,
employ every tool and invention,
to make sure you are a-ok alright,
on the journey to an unknown destination
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Lactate motto naku smile
That is Apple talk.

My Apple language master
señor spell check,
thus advised and improved upon me,
way back on April 3rd of this year.

I wrote:
"last attempt to make you smile."

Apple translated my ginger finger snap taps
into American English as
"Lactate motto naku smile"

Stumbled on this oath, this midnight eve,
this phrase, duly nated and nested,
amidst our very long exchanges,
which someday soon,
am going to edit excerpt
as one most readable single poem,
a tribute to you, not,
that you, my traveling friend,
you already greedy got

no, just a dialogue
just a par example,
of how friendships are born,
how words lactate from each of our *******,
how relationship are birthed and nutured,
in a crazy place, where language lovers
are the nuclei of a dying breed,
once called the human place

***, back in ancient history,
way back on Sept. 29th
our first communication
tween our mutual alien races
tee hee, me wrote first
as follows

Each individual word,
was a separate message,
for such devices deserved of self-respect,
sometimes want their power demonstrated
on a stand alone basis and here that follows was how
Presented and Conceived

Nat Lipstadt  Sep 29, 2013
This

Nat Lipstadt  Sep 29, 2013
Message

Nat Lipstadt  Sep 29, 2013
Is

Nat Lipstadt  Sep 29, 2013
For

Nat Lipstadt  Sep 29, 2013
You

Nat Lipstadt  Sep 29, 2013
Only

Nat Lipstadt  Sep 29, 2013
Can a man fall in love with a name?


you permissioned me a
multiplicity of yeses,
thus began our star trekked voyage
in the stellar spatial space of the
galaxy of humanity

but part of your new trajectory,
a new orbit in a new spaceship
you champagne smashed anointed as
Mirabel

Now I know you hate my habit,
of slipping in a definition,
making the lazy reader
unself-sufficient,
but I grant, nay, take this liberty, I dew,
while in your quiet traveling disappearance time

Mirabel*
is a female name stemming from the Latin word mirabilis, meaning "wondrous" or "of wondrous beauty"

what ya know, ** **,
nothing could be fina,
than to be in your minda,
nothing more apropos,
than calling your ship in Latina,
a wondrous female beast of beauty

ok I know I go on too long
as is my wont, my nature,
but I could not shorten my course,
in any other way,
Ok,
I
Guess
I
Could
Have
Said
I miss ya terribly*

somewhat more succinctly
but what fun would that be?

I don't know what to write anymore.
I lost my motivation like I lost myself and
who knows when that was?
my skeleton aches to be let loose
my skin
to shed
and for lack of more to say all i want
is to be dead.

it was in glasbury-on-wye (wales),
school trip,
two teams, driven out of the
house we were staying,
i was in team no. 2,
we were given the assignment
to read maps...
team no. 1 got dropped off
at a shorter distance to the
house we accommodated...
my team was dropped further afield...
getting out of the mini-bus
i got the map... and just asked
'where are we, on the map?'
'here,' said the driver's index finger.
i figured out a shortcut,
via the fields, the forest, via cow grazing
patches...
we beat team no. 1...
but the moral of the story?
i still think you need to be greek,
i.e. you still have to "believe" the earth is flat...
a flat earth makes sense with directions
like east, west, south, north...
i cruised the team to an early victory
rotating the map in my hands...
i wasn't being ignorant...
i wasn't being competitive...
but to be honest i had one thing in mind...
copernican east? copernican west?
huh?!
how can you work that one out?
i know copernicus was right to stress
the earliest signs of an anti-heliocentric way of seeing,
but if there's no lucifer looking at a 2 dimensional
map of the earth... geocentric improvements
don't really help to just argue rather than get from
a. to b.; what good is geocentric copernican east
to my flat plateau need to co-ordinate a group
of people? heliocentric copernican east is
geocentric east, west, north south put together,
given the earth's orbit and the expanding universe...
geocentric my ***... i had to turn into a inverse
heliocentricity... i had to navigate on a readable flat
plateau, moving the map one way up
one way the other... and we got there... beat
the other team... didn't push any cows onto the pasture...
so that's how lucifer read the map.

I.  You know I resent you for a thousand things,
like how she and I don’t talk anymore.  But most
of all because you didn’t love me.  Like how you
made everything seem so simple when it wasn’t.  
But most of all because you fooled me
completely.  I resent you for a thousand things,
but I still don’t know what I’ll say when you decide
to come back.  You’ll come back.

II.  Twisting my thoughts around you has
become so simple to do, become a habit.  
Twisting them around you, through you,
drilling into your skin.  But it gets harder and
harder to hollow you out like I would before,
making you into an empty shell that I was much
less afraid of.  I love this ball and chain; Stockholm
syndrome has never been this fun before.

III.  And you’re an entity that doesn’t have a
name.  A mix of so many spirits that excites me
in a way I didn’t know something could.  You’re
a list of intoxications that renders me so
readable it’s dangerous.  I slur my words and
you take my hand like I’d never been so
articulate and charming.

i don't like people
questioning me
looking at me
quizzically
trying to figure me out

don't

there's no rhyme
to my reason
no "aha" moments
to be had

for...
there's no book
more open
nothing more readable
than me

so...
if you want to get to know me

just be

eventually
we'll find each other.

I believe my muse may be a tease.
It will visit me with an idea,
but not the words to express it.
I am
FRUSTRATED.
My vocabulary
and eloquence
and articulation
have
dim-
in-
ished.
A poem will start itself;
The end product will be
WRONG.
Un-natural,
un-flowing,
un-readable,
un-me.
****
that
b­astard
teasing
muse.
(Although this is a poem -
and in being a poem, has created a paradox.
Nobody think about it!
If you do it will all disappear:
Poem, muse, and me.)

white
I wait at the window and I watch her sitting out there in the air, empty and open to the early morning.
 
I am motionless and I wonder if I went out there and stood looking at her if she would feel in that moment that life and death themselves were the simplest things anyone would ever know and that questions were more fulfilling than the answers. That our brokenness was our only claim to existence.
We would be aware, but untouched. One second would trip on the next and we would surface and the roar would fill our heads again.
 
She blinks and focuses, she sees me. She looks at me with an apology on her face, waiting for something readable on mine.
 
Well, I guess I always thought it would feel different in the moment when someone saved my life. I thought I would feel more than this, but all I feel is white.
 
 
red
a touch to skin
a fingerprint on blush
on memory
 
anxious anticipation, the space between my blood and yours
crossed with all that I know to the only thing I have ever felt
in an inch of movement
 
the press of your life against mine
white, adored
soft, the subtly of a sunrise
rushing into splendorous day,
your lips hot on my neck
burning that fills my hands and my legs and everything
twisting and tortured
an explosion in the dark
one star joining the night sky, falling to pieces
and melting into whispers
 
the pause of time locked in the space
where my skin pours into your skin becomes
our skin becomes glimmering
light
 
 
blue
We are
up late in the static dark, and we are
together
laying in your bed perfectly still,
our limbs filled with movement
Pressed down onto the floor with the weight of imperfections in the air.
Hands and face
filled with blue blood
a silent grin.
 
can’t sleep
 
So
we go
our laughter stumbles out into the dark
pulls us out, as we follow currents of sound.
The wail of atmospheric jet planes, lonely crickets,
the boom of empty 3am freeways
a chorus of ***** angels
brings us to stillness.
 
Laying in the dirt
stars arch overhead from the bottom of my chin to the back of my neck
emptiness like falling
and if you close one eye
 
you whisper
against
my skin
 
you can reach out and touch them
so I try it
it feels like nothing
 
And with a glance
time shifts
the earth tilts
your silent face
open to mine.
 
 
yellow
August motionless
like a deep sleep.
One long deep breath that we took together
exhaled with images of green and blue,
sunlight dancing heavy on a water’s surface above my head.
The sound of slow heartbeats in a warm room filled with open air and drifting light.
 
Your voice,
whispering aloud to me the words of your favorite authors,
the weakest wind pulls the curtains into the room like phantom arms reaching out for us
from the wild expanse
that spreads away from us outside, just outside.
 
Expansion to be consumed, to be found out
to find the sun and let it fill us
before it falls away from the earth
before we shut the windows at night
before we wake up.
 
Walking up away
through green forest away from our nothing
to that lake laying there in the rocks staring at the sun
with an empty face
shattered into a billion silent sparks.
 
The heaviest moments of September
glittering in your blue eyes
as they slide
and sink
into cold depths of memory.
 
 
Orange 
if I were there,
In the beginning, God
at the birth
watching the spore become airborne
, acquired perhaps in the
grocery store you worked in you called lucky
 
singing* lucky in my orange vest
my little bird
 
(like life, death too, grows
the damp mold of anxiety)
 
if I had watched the shift and seen
your eyes too
wide open start to fill too fast
with life
 
with such as
 
when fashion passed from runway to retail to thrift store and finally became silly enough to repeat
when getting older started to make sense
(laughing at your first gray hair, we were still children)
When the second law of thermodynamics practiced itself
and energy passed from warm to colder; normalized, equalized
and things fell off shelves and the attic windows broke and we
let it be
 
eyes wide open when your childhood home dilapidated
and Alzheimer’s consumed your grandfather's stories
sitting by (him) the window on the day after new years
(melting snow shed from tired trees) waiting to leave
holidays are when you love your family
then you go home
 
when hope became the eternal sacrifice to the only god they taught us in school
the only god that could be confined to our reason,
survival
yet quoting the bible to put the weight of god into our words
 
bottles breaking and re-breaking on the shoulders of a new highway
a new monument to mankind's ancient gloriously hideous innovation
to continuance
to getting up
and trying again
And getting up and
Trying again
And words
 
if I were there standing
in the rye field
                                                  my little dove
could I have caught you?
 
 
 
 
 
black
I was right outside
when she pulled the trigger
 
and I remember
 

crashing sound, in my head
my knees, my shoulder blades. A turbulent din
heart beating like a cave collapsing
air desperate to escape from my lungs
 
and silence.
 
Light falling away,
slowly like snowflakes
with the weight of dusk
and me standing
staring at the holes that were in everything.

 
Suddenly, everything was a mountain.
 
and I remember it
 
------------------------------------------------------------­---
 
I sit here and watch as if I couldn’t reach out and touch it
Can I?
The decay is not in your heart or your mind, it is in your soul.
Its coming out on your face. Gray stains forming around your eyes.
How do you get rid of that?
Your playful (terrified, i’m so scared, i’m scared) voice.
 
In 3am empty
sitting on the floor by the window gasping for air.
How can I reach out and touch that?
I watch the nights wash you pale with insomnia.
Strings of black hair. White face. Cold morning light.
How can I reach out and touch that?
 
I sit here across from you at the table, watching your eyes look through me.
Words are coming out of you that I don’t understand.
Words that don’t fall on deaf ears
but on deaf hands
making me suffer like I was paralyzed.
Your lips barely move as you speak.
 

There’s a sharp edge to this
its cutting the line between consciousness and sleep
you’re saying
The days have been good to me
you’re saying
I am just going to get older.
 

I can feel it in me
death is in me,
and I cannot
get it out

 
For a moment it is quiet. You sit there, like something meant to be on its own \
and I sit here, like an empty chair.
How could I reach out and touch that?
My mouth opens
Be okay.
I’m saying
 
Please be okay.
 
-------------------------------------------------------­--------------
 
its gradual , the darkness is invading me
filling the back of my eyes
the depths of my ears
the pores of my skin
until I die.
 
I take another dragging breath.
feel my bones bend the wrong way
too far
 
These days feel so old
this sky is so heavy
this wet air tastes so much how it did
last winter sinks in.
 
and I remember it so well
 
---------------------------------------
 
today, a new offense
I could not believe it
the sun pulled itself up out of the ground
without you
 
january sun
light without bright
day without warmth,
burning as dull as a nightmare remembered
following a shallow line that is far from equinoctial
 
time passes like strangers faces on the street
 
already, fall falling falling
a falling scattered hush
night, again
 
 
gray
It hurts worst when I'm sitting in a cafe and a song I know comes on the radio. By instinct I turn to the chair next to me. I turn to your empty chair. Dismayed, I look around for someone to share it with. But nobody there knows the song. To them it's just the gray background. And I drop my eyes wishing I could make it exist.
 
Or worst when I'm walking through an empty parking lot at midnight and yellow light is dripping out of the street lamps and washing all over the pavement. The sound of it is deafening. I can't hear it but I can feel it. The weight of it pulls my shoulders down towards my own starving black shadow and makes me think of how the white glow of your skin pulled me down into your arms and made my eyes shine.
 
Or worst when I'm on the street corner waiting to cross and the rain is pouring over the skyscrapers and down into the canyons of the city. Cars pass like phantoms floating through the fog, their headlights flashing on the wet pavement. The sound of harsh laughter and flooded gutters invaded by creaking busses reaches me as if from the past, and for a second I can hear your voice, humming a song about the rain. And I cross, begging out loud underneath the roar of raindrops for the cars to hit me.
 
These are the loneliest days and the longest nights. These are the moments when I can feel my lungs caving in every time I exhale. The seconds where a tiny black line dancing to the pulse of time is the only movement in my cold apartment, replacing the warm rise and fall of your chest.
 
night is coming and I'm sitting at my window watching the sunset die and I don't want to give up  I don't want to and it's getting dark again
 
 
green
it is nothing I could begin to say to you
for it came to be without words
without sound
but not quiet
 
it was with the sound of something as you look upon it
The hum of tiny waves
shadow   not shadow   and the space beneath, that is to say,
between
 
life without a need to be
without purpose,
failure and not failure so close together because (finally I saw) they are not separate
 
it was steps that unfolded to infinity around the block
and around again (sic transit gloria mundi)
it was arms swinging like pendulums past ribcage clock faces
waving away the concept of time
In this small corner of the world
it was saying thank you for handing me over to solitude and meaning it
dying in order to let me heal you
it was following the jet trails with fingertips touching them like you taught me to
it was letting the poetry come in and pass through and move off
not holding it in, anymore
When I learned for the first time, to write.
it was when I heard something behind me
it was       I am.
it was when I drove on the freeway and the cloud broke and we passed out into the sunlight at 67 miles per hour, even though I was alone
when I was disturbed with the thought
today (dei gratia) I am happy to be alive.
 
Green was your favorite color.

Clever is not poetry.
It's readable.
It's admirable.
Sometimes, memorable.
It's clever.
A word game.
Poetry is not a game.
No winners.
No losers.
Not even
A draw.

So many differing ideas
So many different interpretations
Of what is/ what isn't poetry
The oft industrial offerings
Of my nephew Sverre
The vivid but real contributions
Of Silversilkentoungue
So good but so misunderstood
Beryldov with his multitude of two liners
Sometimes brilliant sometimes crap
Yakov, word perfect
Classical, readable
Then the good old boys
Francie, Jack, SPT Stephen E Yokum
Harlon Rivers
So many names, so many great contributers
Not forgetting Quinfin
So much romance in his soul
All of you
From the youngest, newest
You are Hello poetry of today
And the future of OUR tomorrow

I spied a woman wearing a pink flowered dress
and my intuition deduces the woman likes pink flowers
not a great leap of the imagination, but the woman is wearing the readable sign, and I am just the reader, with a Bee intelligence.

It was a very thorough grinding and a overly slow unwinding
The passiveness intensifying to the perfect medium
and beyond this equilibrium it was still churning
this void that is fire extinguished
an emptiness that is passion relinquished
The table was empy, full and cleared of all substances
the cup was overfilling, spilling but content
The tendrils retracted to the cavernous maw from which I succombed
the throat I threw myself down
and clung to the uvula with my toes out of lingering basic reactions
a stimulus that I cared to respond to
My lymph nodes were a sore blackness, penetrating all the wiles of wills
it was the spiders again...
let's talk about evolution for a bit
why do we do things?
survival?
the basic desire to be and propagate oneself
some psychologists would suggest that it's all based on ***.
that's why there are so many ****** and manwhores as well
they trick their bodies into believing they are succesfull.
why do we wish to be succesful?
to attract a mate? yes'm
some of us can move past this sole purpose, but it's still an underlying cause yo


The bossman keeps me a-slaving away..working my time for his pay
The teacherman keeps me a-studying all day, working my mind for future wage
The bassman is me a-slapping a way, mumbling a mating call

So, the plumage is quite bright..genuine too
but not as full and phosphorescent as ******* mcassbutt's store bought version
but, there are no real peahens.  only chickens
so, who'm I trying to impress here? Mr. Director Man, what is my motivation in this scene?
"If you need someone to tell you that for you, then you should probably **** yourself"

this is why I don't give advice much..

I've been told very often, that one should look to themselves for their happiness..
but these people who say this get laid frequently.
not that that is my unit of happiness measurement here.. but try it before you buy it
I'm not going to waste my time.. mating for the sake of having a mate
it's fake. it's vacuous. it's vapid. it's false. it's unreal. it feels wrong and you know it

but...someone to bounce ideas off of. a special someone
put me in my place when im full of **** and it's pouring out my mouth
to recognize that point of light, so many have talked about with me..but ran away from
understanding the cosmic joke..it's not evil or crazy.. it just is and it's wonderful


the lymphatic darkness spreading.
why the lymph nodes?  cuz it's fun to say
lymph lymph lymph
get it? WHEEEE!!
it was once a false light,  some kind of poisonous neon spiraling around my core
but it was torn away..body evacuations of necessity alone
then it was an astral negative, ******* and ******* hard i tell ya whut nyow
it finally found something in all that darkness...the cosmic infinitesimal
the smallest decimal
like a rasinette, with doom insteada chocolate
and dang it was good mood food
i would follow a trail of those fuheva eva
I finished devouring this morsel of anything at all
and found the lighting almost acceptable
readable, but with permanent eye damage after a while

I was just a girl,
Full of dignity.
Slightly reserved,
With a sense of humor.

He was a guy,
With a mask.
Humor carried his smile,
With a sarcastic tone.

His vibes unreadable at a distance.

Every inch of movement,
Caught my blue eyes.
A sense of amusement from the boldness.

The way he carries himself,
Like someone with a purpose.
For crossing paths with me.

Me being slightly reserved,
Knew no bounds of his honesty.
Testing the waters.
Wanting the mask to be removed.

I never knew his life story,
Never knew he almost sacrificed himself.
Never knew he was abused by a past relationship.

I didn't care for that,
I wanted to know him.

This blond haired,
Brown-eyed guy.
Knew I was watching him.

I wanted to break the ice,
To plan a surprise attempt.
He beat me to it.

Ever since day one,
His vibes became readable.
When the ice was broken.

The memories of darkness,
Pain and stress covered his soul.
His eyes were deep with understanding,
His wits high like a fox.

I wanted to help,
To hold his hand.
To hold him when the memories attacked.

I was too scared to say Hello,
He said it for me.
His boldness giving me courage to respond in kind.

After our official meeting,
I became anxious to see him.
To see him laugh at lunch,
To see him focus in English class.

I wanted his mask to be removed,
For him to show his true self to me.
I gained his trust and respect,
He fell for me.

Now my past has been dark,
Mates of that past cruel..
He healed me of this wounds,
Just by being nice.

Now..
I've fallen for him too.
*It was like love at first sight.

So she is called
Angel of silence
Always watching
What others do
Not saying anything

Walking among humans
Always shrouded in darkness
Her eyes barely readable
To those who knew of her exsistance
People feared
What they would find
So they never spoke to her

When the time came
However
People did not dare
Approach her
For she had seen their life
Weither she deemed them worthy
Of continuing to draw breath
She did not care

Angel of silence
She was dubbed
But more effective name
The Angel of Death
For your life may be next
To end on this final day

Good luck in life
I hope you see
You will end up facing
Evangelium de Silenti

Moments. I'm built up by moments. They surround me, shape me, create and recreate who I've become. A rainy day. The trip. One class. Many hours badly spent. But these don't make it into the frame.

Your blame. The rage. My guilt. These are the intances that outline my life. Micro moments. You see, tiny ones that flee. They flash before I can fully understand or become aware of their existence. On their own they stand as harmless, ineffective, deficient. Their accumulation is what creates the pain. They made me. I allowed them to be fleeting to deflect the hurt they flashed because I didn't want to bother. It was easier to let them pile up. But now they are clear, readable, traceable and they've lead me here to this moment, to that comma and this period. Moments that raised my walls and alarmed my defences.

So many little moments that build up the rage.

I'm waiting in the Starbucks line-
Homework due in an hour.
I realize my clothes don't match.
I also realize this is a lot like
what love feels like.
A letdown.
A constant urgency.
Insecurity that a deadline will not be made.
Making small stupid decisions based on your addictions.
Then the coffee I sip tastes like ****
all because the line to get it was super long-
too much ice and not enough coffee.
I drink it too fast and it makes me sick-
I'm thinking it was because of the pills
not so much the coffee this time.
And I continue to think about love.
How I never want to take that many pills again.
How I never want to play tic tac toe
with every negative emotion I have
I don't think I ever want to find love again.
Because this type of destruction should not happen more than once-
but to me, it's happened more than that.
Even the worst things in history are often repeated.
That's what being in love with you feels like-
A used history book too worn and used
to even show any inherent value-
But you love history and what it has to offer.
So you tape back the broken spine
in hopes of salvaging what you love so much.
But it's never enough to make it readable
it's never enough to use for notes later on
or to read your favorite chapter
and all you can think about is how wonderful it once was.
When you were pulling back each page
so filled with joy about what the next had to offer.
You had a lot to offer-
but all you saw was your broken spine
and torn apart pages.
I wrote my name inside the front cover
etched in pen so everyone would know it was mine-
but I guess my name faded and now it's all just smeared ink
you can't even spell out what it says anymore
maybe because I lost myself inside of you.
I'm again looking at how my clothes don't match
and how much time I took to put this outfit on
but the lighting in my room is dim
and when the actual sunlight shows more things
than the darkness of faded counterfeit wattage
you start to see the things you're missing-
like yourself.
You would like to send someone out to find you
maybe your parents or your friends
but they're all too busy in their own lives
so you look for yourself-
by yourself
and you wonder how you got this way.
How two nights ago you happen to be the same person
you were six years ago-
even the worst things in history are often repeated.
I'm starting to think taking this medicine
wasn't such a good idea.
But the only reason I did it in the first place
was because of how crazy I felt with you.
I didn't want to be crazy anymore-
I wanted love to work for once.
I guess you can't teach yourself something you've never seen
like how I taught myself to swim by watching my brother
and I taught myself how to tie my shoes watching spongebob.
No one ever showed me love-
no one ever put on that play for my young eyes to see
so now I'm searching and searching for something
when I don't even know what the **** I'm looking for.
I think I would rather look for myself instead-
I'm sure I never want to look for love again
but what happens when I try to love myself?
How can you achieve something so foreign?
God could be a fat, black, lesbian jew
and how would we know, we've never actually seen God..
That's kind of how I feel about love.
It could be a giant hurricane destroying everything
because that's the only love I've ever known.
I can read about it until my eyes are heavy-
I can watch it in movies until makeup is stained on my cheeks
but none of it ever means anything to me
in a world where I never mean anything to you.
Love is kind of like starbucks-
it's convenient because it's everywhere
and everyone is waiting in line to get a taste
most of the time it's not what you expected
and it's usually just bitter-
but sometimes you get lucky
and everything is sweet-
the way you wanted it to be
until it's empty.
I am empty.

I find myself in this position yet again
Writing a letter I'll never send
It'll sit on my desk then in my drawer
And eventually end up in the trash

I scrawl it out in informal pencil
Because my tears would bleed the pen
And would make barely readable chicken scratch
Become smeared, smudged and completely illegible

I pour out my heart and soul to you
And then I lose my nerve
I want you to know all these things
But I wish you could without being told

So I find myself in this position again
Sealing an envelope and writing an address
Wanting you to know and losing my nerve
And writing a letter that I will never send

Trying to figure a man out isn't hard.
It takes no clues to ever solve.
Especially when they so truthful.
Just to be dressed down by a woman.

Those that direct gets preached too.
While those the opposite gets respect.
As if they don't have the same mindset.

Yes, this the mind of a man.
Who seeks a woman?

Whether it's ******.
Whether it's for friendship only without the pleasure.
Then many males are easily readable.

When they try to cover up interest behind lies.
Which any honest woman won't buy.

Yes, the mind of a male is so readable.
To a woman that's not available.

Mothers has warned their daughters about them.
Alerting them to the lines they will use to get to their love tool.
For if not alerted to being called a fool.

Then some accept this tag with confidence.
Then those the ladies with no common sense.

I am the age at which you died
no comely pictures immortalize me,
though I am not washed white with time
like you

a lone silver streak stripes my chin

many would say
you were too sensitive for this world
thus rushing your years
and guiding the barrel to your mouth

I would pit my pain
against your Nobel torments any day
if such things be a contest,
what is not, though
a rabid race to the grave?

but who would really win?
for your mother’s madness did not leave you
skittering around like a cat on a hot tin roof
and your father’s anvil hands
did not leave scarlet letters
on your skinny legs

excuse me then, if I don’t
grant you a capital letter in your name
excuse me if I don’t applaud your time in the ring
or say bravo to the iconoclast
for your sparse use of words
(though, “for sale, baby shoes, never worn” was…perfect)
excuse me if I don’t think your readable feasts
should be on everyman’s menu

you were but a man
who drank and ate and fought and ******
until you could no more and decided there was nothing left
I respect your triggered choice and do not call it craven
but janitors aren’t made legends
they just clean your brains
from the floor

that blond girl
with long long hair
is a color
of delightful luminosity
glaring
by a precise
poetic sensuality
of the tongue
tapping the palate
hitting the right note
concurrently
manifesting a tone
an equivalence of a smile
in all worlds

She –
made of lustrous transparent rose skin
is a goddess of temptation
the curling ice queen
on a museum floor
manifesting ****** to
not believing eyes
once dressed up
in tightly packed dark clothing
unfitting to the straight torso

jutting out the shine of
her far away alluring looks
the porter of ancient nordic landscapes is her eyes
which you’d choiceless fly through

She – the divine breeze made to softly aerate
angelic locks –
innocence of youthful dreams
joy may you call her laughter -unheard – freezing time
rebuilding traces of an unlived dream

She is here today

to harmonize the thought chords
attuned by the subtle passage
made of blurry sets of colors and lines
flowing at a readable rate  
along the dark November backgrounds
of an intoxicated Sunday morning

Red is still red in the neon
as if too early to be awake
clock hitting the afternoon
wall of fame signs rolling lonely
to haunt ghosts of yesterday nights
which have never come alive until they got brighter than the stars

Dark that shall make the silhouettes forget and reanimate
the never starting and neverending play of zombies
looking for a pure soul

always somewhere else
failing to find one

Flashes of illusion swept by the persistent horns

to be replaced in their place
not as divinity
but as an administrative layer of impurity
All replaceable at once
while everyday stays the same
while everyday they think is different
except for the old man

the old man doesn’t think
wearing a cap
sits there outside
at the most invisible corner of an old theater café

He sees everything he has three eyes
He hears everything he has three ears
He reads everything always the same newspaper
turning the pages in the same tempo of this chimerical dream

I am being observed I know
while writing beside him
and he says silently :
I don’t wanna read yours
but I can read you
if i want to
and he attempts to go
many many times

while I write I wish him stay
as if keeping an admirer beside my words
an anonymous faceless friend
and I speed up as I walk fast with my pen I fly
and he gravitates back to his chair again
restlessly

I want to finish this up quickly and walk away at once without even looking at him not even once
that’s the perfect scenario I think mixing up a reality to a dream
considering the urgent importance of this line makes me immerse and see nothing other than the self  but alas the traffic lights turn to green

and She – the profile of my beauty queen
holding a beaker to go
raises her head dancingly
arcs the neck
and in slow motion
throws a laughter to the air
whose weight should be a blissful wiege
for my loving looks –
made of a shape of a missing
of what I could have never been
– halving her pink coat in well fitting blue to her jeans

and she steps forward to fade away
leaving me chained to the glorious gravity
of this untouchable dream

on this invisible island of mirrors
which neither she nor anybody else has ever seen
but me

hopelessly sculpting now
a reflection of an illusion
made real
through the weight of these words
me is  a sad melody
of an autumn leaf
falling for her dream

I've written a thousand words that have trailed behind me for decades.
If I attempted to turn around and pick them all up as if I'm collecting shells from a beachside, it would be wheelbarrows full.

Write.
Just write Natasha.
Quit attempting to perfect this gift and just let it unravel.
Don't criticize, judge or feel
Guilt over your need to shut away and bleed the thoughts that you're unable to speak onto paper.

Release the fear that captivates you. It's that uneasiness in knowing the pain that spills once I form these words into being readable and they sink into my heart and become truth.
Truth equals pain for me.

It's the fear that this truth might just **** me.
Is it possible to die of a broken heart, I often ask myself.

Battling this fear to write this novel is the one thing holding me back from healing.

Allowing my entire being to sink into it, and rage against the words as if I'm the flat of the ocean being ravished by the never ending waves.

Tossed and turned by the emotions that come with the process that forces you to heal.

It's the still, that resides between each word written, that quiet space that leaves me restless.

Calm the infuriation, unclench your teeth and let the words be written into reality.

My need to burst into a blood pumping release that lightens my heart from this heaviness is enough to shake the floor of the ocean.

"Stay away from mirrors"
A piece of advice not about evaluating my looks
But about getting out of my own head.
To stop naval gazing and look outwards.

Look outside of myself for what to write about
Things to say, starting lines.
So I'll steal a line "Stay away from mirrors"
More than just good advice.

"Write like you're talking to someone"
What would that look like?
Who do I talk to freely and naturally?
My Mum, my daughter, and my 'Secret Lesbian Lover'

Ok so you want wild, weird, crazy ramblings
Without the input of their side of the conversation?
If you say so...
Duck! This **** is going to get crazy!

Then edit... haven't I covered this before?
(Or did I just think about it)
My poems fall out of me then they're gone.
I can't seem to revisit them to complete or edit.

That is true to the idea of write like you're talking to someone.
I don't really edit when talking much.
I know I should, then I could say the right things.
I am too open, I doubt that will change at my age.

So should I manage to follow this advice
We can expect;
Wild, crazy ramblings which could be about anything.
Possibly made readable if I learn to edit.

I do hope I don't lose followers, this could get messy.

It is finished.

A journey of sharing
is over.
I do not know how
to deal with this.

From the excitement of early morn,
being prompted to write,
to the wonderment of late evening,
seeing how many actually read
my work.

It is finished.

A truly heady experience,
emotions ran rampant
for 31 days.

I gave you my heart
on a readable platter,
my soul was visible
to all who cared to see it.

It is finished.

Never have I written
so much poetry,
rarely have I had
such a feeling of
accomplishment.

I am a blessed man
to have met
so many
great poets,
great writers
better people.

It is finished.

Time to breathe,
time to relax.
For in the big scheme of things,
it has just begun.

This heart is fragile,
bearing a sign 'Handle With Care',
but it has been thrown around,
hammered with wear and tear.

Just when it's patched,
and packaged for shipment,
the box gets dropped,
and the result is torment.

The last delivery scheduled,
not all that too long ago,
the recipient assumed to be a man,
with hopes of becoming beau.

He left the box unopened,
left the package out in the rain,
nothing but a selfish boy,
who created all this pain.

What has he done to this girl,
'Handle With Care' is no longer readable,
she longed for just one kiss,
but thoughts of love are now inconceivable.

His laugh promised happiness,
but the pieces no longer fit together,
her heart stranded out in the storm,
unable to sustain the weather.

With every call he rejects,
she applies more stitching,
hoping one day, one night,
he will realize all that he is missing.