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"pisa" poems
They enter the café just as some sappy pop song is playing They order then immediately hug Embrace Swaying to one side, together, like the wind Encircling the leaning tower of Pisa Then teetering to the other solstice Foot to foot, smile to smile, hand round skirted waist Forearm resting on his tall  blazered shoulders This is forgivable in the young Those teeny-boppers with defiant hair-cuts and posters However, he has peppered hair She, though voluptuous and tanned, Must be in her 30s. “Affair.” My cynical devil snickers, between sips But I sit mesmerized, and for the first time ever Envious. The chairs and the tables somehow seem more distant The song  now sounds as if it’s funneled through some crackling phonograph The very light disentangles itself from stones It’s as if a sky has opened up in my chest Flying high overhead,  one lone raven, Its slow shadow Gliding across my heart Oh, how I miss you 5 states away I see your smile on magazine covers I vaguely sniff your scent on passing women Yet you remain elusive - immaterial, haunting,   While this visceral assault Leaves me bewildered - empty An echo in a chiaroscuro cavern   Fading for thee
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Jul 28, 2016
Jul 28, 2016 at 5:31 PM UTC
Letters from N.M.
I've learned that happiness cannot be found in the form of a little purple capsule. I've learned that Pisa will have to wait until next time. I've learned that the third mushroom held in my sweaty palm was not as big a deal compared to the other two opening my mind. I've learned that a part of me died that night where we ****** in a room with no furniture. I've learned that life is work and that the molotov cocktail of Dubrah and eay mac that came spewing from me left an orange tang upon the floor. I've learned that pain is better than numbness and that jabbing a sewing needle repeatedly in my arm was an educated decision. Most importantly I've learned that together we are better than alone.
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Nov 4, 2013
Nov 4, 2013 at 1:05 PM UTC
Reflections (What I've Learned In College)
At evening, sitting on this terrace, When the sun from the west, beyond Pisa, beyond the mountains of Carrara Departs, and the world is taken by surprise ... When the tired flower of Florence is in gloom beneath the glowing Brown hills surrounding ... When under the arches of the Ponte Vecchio A green light enters against stream, flush from the west, Against the current of obscure Arno ... Look up, and you see things flying Between the day and the night; Swallows with spools of dark thread sewing the shadows together. A circle swoop, and a quick parabola under the bridge arches Where light pushes through; A sudden turning upon itself of a thing in the air. A dip to the water. And you think: "The swallows are flying so late!" Swallows? Dark air-life looping Yet missing the pure loop ... A twitch, a twitter, an elastic shudder in flight And serrated wings against the sky, Like a glove, a black glove thrown up at the light, And falling back. Never swallows! Bats! The swallows are gone. At a wavering instant the swallows gave way to bats By the Ponte Vecchio ... Changing guard. Bats, and an uneasy creeping in one's scalp As the bats swoop overhead! Flying madly. Pipistrello! Black piper on an infinitesimal pipe. Little lumps that fly in air and have voices indefinite, wildly vindictive; Wings like bits of umbrella. Bats! Creatures that hang themselves up like an old rag, to sleep; And disgustingly upside down. Hanging upside down like rows of disgusting old rags And grinning in their sleep. Bats! Not for me!
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Bat
At evening, sitting on this terrace, When the sun from the west, beyond Pisa, beyond the mountains of Carrara Departs, and the world is taken by surprise ... When the tired flower of Florence is in gloom beneath the glowing Brown hills surrounding ... When under the arches of the Ponte Vecchio A green light enters against stream, flush from the west, Against the current of obscure Arno ... Look up, and you see things flying Between the day and the night; Swallows with spools of dark thread sewing the shadows together. A circle swoop, and a quick parabola under the bridge arches Where light pushes through; A sudden turning upon itself of a thing in the air. A dip to the water. And you think: "The swallows are flying so late!" Swallows? Dark air-life looping Yet missing the pure loop ... A twitch, a twitter, an elastic shudder in flight And serrated wings against the sky, Like a glove, a black glove thrown up at the light, And falling back. Never swallows! Bats! The swallows are gone. At a wavering instant the swallows gave way to bats By the Ponte Vecchio ... Changing guard. Bats, and an uneasy creeping in one's scalp As the bats swoop overhead! Flying madly. Pipistrello! Black piper on an infinitesimal pipe. Little lumps that fly in air and have voices indefinite, wildly vindictive; Wings like bits of umbrella. Bats! Creatures that hang themselves up like an old rag, to sleep; And disgustingly upside down. Hanging upside down like rows of disgusting old rags And grinning in their sleep. Bats! Not for me!
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44
When Mother Teresa Saw the Leaning Tower Of Pisa She Knew that Julius Caesar Would renew her visa. Eating curried pizza At a bar called Mitzvah With ex-scrooge Ebenezer And the Mona Lisa All three did concur That nothing defeats Or beats her.
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Jun 6, 2014
Jun 6, 2014 at 7:30 AM UTC
The Ever Triumphant Mother Teresa
If only we could fly like   those that tweet or hoot without aid of jet or   parachute For I sure don't like   wings that boom and roar just so they can take off   and soar Ah, to fly without petrol, diesel   or fuel Oh, to halt that taloned midair   duel * Birds they don't pollute   the air nor need they any airline   fare So if only I too could rise   and glide and let the wind be my   sole guide I'd be happy to fly all the   way to 'em' faraway stars if I was assured I'd risk   no charring scars. Flying without aviation   formalities I could be sightseeing   many more cities Ah I so wish to fly just   like a jay or jackdaw Then I'd fly across all and   every border For I'd know nor follow no man-made law! If only we needed no darned immigration pass or visa We could have visited so many more touristy places Say even the spectacular and popular pyramids of Giza And we could have known different cultures and races Ah, a stylish photo next to the leaning tower of Pisa And return with exotica like a framed pic of the Mona Lisa
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Feb 26, 2019
Feb 26, 2019 at 12:20 PM UTC
Jumbo jets vs jackdaws or jays
You talk about eggshells I hear the crunch as I get closer to you Thought it was glass breaking but it was too soft beneath my shoe I can't stay out of your perimeter forever When the diameter grows bigger and bigger Pushing me farther away I can still see soft silhouette Your skin is so frail Pale white made of the eggshells at your feet You reach down time and again When you're pierced by words Cutting off oxygen Penetrated by the carbon dioxide truth You're not young anymore Age is ageless numerals You're not old How many birds flew away from this pile of youth? Each one once packaged like a gift Leaving behind stacks of birth to sift through You gathered them Scattered them evenly around you Put your appearance and self worth into them and Waited for the crushing blow Marching toward you from all sides Your insecurities will swallow you and The stomping will leave you angry and hollow We are all hippy chickens Making wishbones out of peace signs Hoping for unity Not realizing it's meant to be broken A lopsided libra unbalanced The powers that be Expect you to follow obediently Stand in line You can't take just give 'Short people ain't got no reason to live' Newman must have know How difficult it is to create new men One by one we attempt To tip the scale in our favor But the bigger Man Can push it down with a finger Like a toppling Pisa tower A slow motion fall to the ground A single direction agenda The momentum gained With each inch leaning So stop clowning around Sweep up your eggshells and Go buy a dozen more grade A's and Break them all at once We don't have much time
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Jul 17, 2013
Jul 17, 2013 at 3:43 PM UTC
-Eggshells (the chicken or the egg?)-
You talk about eggshells I hear the crunch as I get closer to you Thought it was glass breaking but it was too soft beneath my shoe I can't stay out of your perimeter forever When the diameter grows bigger and bigger Pushing me farther away I can still see soft silhouette Your skin is so frail Pale white made of the eggshells at your feet You reach down time and again When you're pierced by words Cutting off oxygen Penetrated by the carbon dioxide truth You're not young anymore Age is ageless numerals You're not old How many birds flew away from this pile of youth? Each one once packaged like a gift Leaving behind stacks of birth to sift through You gathered them Scattered them evenly around you Put your appearance and self worth into them and Waited for the crushing blow Marching toward you from all sides Your insecurities will swallow you and The stomping will leave you angry and hollow We are all hippy chickens Making wishbones out of peace signs Hoping for unity Not realizing it's meant to be broken A lopsided libra unbalanced The powers that be Expect you to follow obediently Stand in line You can't take just give 'Short people ain't got no reason to live' Newman must have know How difficult it is to create new men One by one we attempt To tip the scale in our favor But the bigger Man Can push it down with a finger Like a toppling Pisa tower A slow motion fall to the ground A single direction agenda The momentum gained With each inch leaning So stop clowning around Sweep up your eggshells and Go buy a dozen more grade A's and Break them all at once We don't have much time
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Os Homens e a natureza! Quando me levanto sem o toque do galo, com o despertador de forma assustadora. Vejo um novo dia de eterna graça e bênção para todos aqueles que por um motivo se entrelaçaram em minha vida. Os comboios, aviões, carros seus ruídos e rapidez nos fazem cavalgar por imensos lugares que outrora eram esquecidos no tempo. A natureza diferente de nós homens acorda com sinfonias de pássaros, grilos e rãs! A ganância consome corações rotineiros e injustiçados de homens sem valor que são falsos profetas de um tempo sem ser tempo, de um mundo maltratado por esses mesmos homens, Que se vestem de fato e gravata e exploram seus semelhantes. Enquanto o homem se esquecer de que todo o seu irmão nasce, vive e morre por uma vontade sublime da criação de um Deus infinito. Por de lado o amor pelo luxo, dinheiro, poder e plena satisfação pessoal. A natureza sim é plena, gratuita, nobre, singela. A harmonia de vales e montes sonolentos motivos de meditação, sustento e um amor infindável com seu criador me bafeja hinos cantados com belas harpas do tempo de David. Um mundo de homens que deixam de ser homens, que o tempo deixa de ser tempo e que a natureza é mal-amada geram uma desconfiança e um sofrimento em todos os seres humanos que labutam por dias melhores na rotina do nosso tempo. Ensinamentos de cada pedra que se pisa, de cada ave livre que esvoaça no céu, dos golfinhos que comunicam sem o homem os entenderem… Victor Marques
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Jul 17, 2012
Jul 17, 2012 at 9:58 AM UTC
Os Homens e a natureza!
Os Homens e a natureza! Quando me levanto sem o toque do galo, com o despertador de forma assustadora. Vejo um novo dia de eterna graça e bênção para todos aqueles que por um motivo se entrelaçaram em minha vida. Os comboios, aviões, carros seus ruídos e rapidez nos fazem cavalgar por imensos lugares que outrora eram esquecidos no tempo. A natureza diferente de nós homens acorda com sinfonias de pássaros, grilos e rãs! A ganância consome corações rotineiros e injustiçados de homens sem valor que são falsos profetas de um tempo sem ser tempo, de um mundo maltratado por esses mesmos homens, Que se vestem de fato e gravata e exploram seus semelhantes. Enquanto o homem se esquecer de que todo o seu irmão nasce, vive e morre por uma vontade sublime da criação de um Deus infinito. Por de lado o amor pelo luxo, dinheiro, poder e plena satisfação pessoal. A natureza sim é plena, gratuita, nobre, singela. A harmonia de vales e montes sonolentos motivos de meditação, sustento e um amor infindável com seu criador me bafeja hinos cantados com belas harpas do tempo de David. Um mundo de homens que deixam de ser homens, que o tempo deixa de ser tempo e que a natureza é mal-amada geram uma desconfiança e um sofrimento em todos os seres humanos que labutam por dias melhores na rotina do nosso tempo. Ensinamentos de cada pedra que se pisa, de cada ave livre que esvoaça no céu, dos golfinhos que comunicam sem o homem os entenderem… Victor Marques
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10
Oh, talk not to me of a name great in story; The days of our youth are the days of our glory; And the myrtle and ivy of sweet two-and-twenty Are worth all your laurels, though ever so plenty. What are garlands and crowns to the brow that is wrinkled? ’Tis but as a dead flower with May-dew besprinkled: Then away with all such from the head that is hoary! What care I for the wreaths that can only give glory? O Fame!—if I e’er took delight in thy praises, ’Twas less for the sake of thy high-sounding phrases, Than to see the bright eyes of the dear one discover She thought that I was not unworthy to love her. There chiefly I sought thee, there only I found thee; Her glance was the best of the rays that surround thee; When it sparkled o’er aught that was bright in my story, I knew it was love, and I felt it was glory.
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Stanzas Written On The Road Between Florence And Pisa
Happiness is getting the last slice of pizza While sitting atop the leaning tower of Pisa It is stepping in fresh new snow Or watching your favorite show It's ice cream on a hot summer day Or being first at the buffet The smell of new shoes, Being told good news Its getting a new hairdo But above all, happiness is within you!
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Aug 20, 2018
Aug 20, 2018 at 11:22 AM UTC
ex·u·ber·ant
Viendo a Garrik -actor de la Inglaterra- el pueblo al aplaudirlo le decía: «Eres el más gracioso de la tierra y el más feliz...»                                  Y el cómico reía. Víctimas del spleen, los altos lores, en sus noches más negras y pesadas, iban a ver al rey de los actores y cambiaban su spleen en carcajadas. Una vez, ante un médico famoso, llegóse un hombre de mirar sombrío: «Sufro -le dijo-, un mal tan espantoso como esta palidez del rostro mío.»Nada me causa encanto ni atractivo; no me importan mi nombre ni mi suerte en un eterno spleen muriendo vivo, y es mi única ilusión, la de la muerte».-Viajad y os distraeréis.                                               - ¡Tanto he viajado! -Las lecturas buscad.                                           -¡Tanto he leído! -Que os ame una mujer.                                                 -¡Si soy amado! -¡Un título adquirid!                                       -¡Noble he nacido! -¿Pobre seréis quizá?                                           -Tengo riquezas -¿De lisonjas gustáis?                                           -¡Tantas escucho! -¿Que tenéis de familia?                                               -Mis tristezas -¿Vais a los cementerios?                                                 -Mucho... mucho... -¿De vuestra vida actual, tenéis testigos? -Sí, mas no dejo que me impongan yugos; yo les llamo a los muertos mis amigos; y les llamo a los vivos mis verdugos.-Me deja -agrega el médico- perplejo vuestro mal y no debo acobardaros; Tomad hoy por receta este consejo: sólo viendo a Garrik, podréis curaros. -¿A Garrik?                         -Sí, a Garrik... La más remisa y austera sociedad le busca ansiosa; todo aquél que lo ve, muere de risa: tiene una gracia artística asombrosa.-¿Y a mí, me hará reír?                                               -¡Ah!, sí, os lo juro, él sí y nadie más que él; mas... ¿qué os inquieta? -Así -dijo el enfermo- no me curo; ¡Yo soy Garrik!... Cambiadme la receta.¡Cuántos hay que, cansados de la vida, enfermos de pesar, muertos de tedio, hacen reír como el actor suicida, sin encontrar para su mal remedio!¡Ay! ¡Cuántas veces al reír se llora! ¡Nadie en lo alegre de la risa fíe, porque en los seres que el dolor devora, el alma gime cuando el rostro ríe!Si se muere la fe, si huye la calma, si sólo abrojos nuestra planta pisa, lanza a la faz la tempestad del alma, un relámpago triste: la sonrisa.El carnaval del mundo engaña tanto, que las vidas son breves mascaradas; aquí aprendemos a reír con llanto y también a llorar con carcajadas.
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Reír llorando
Viendo a Garrik -actor de la Inglaterra- el pueblo al aplaudirlo le decía: «Eres el más gracioso de la tierra y el más feliz...»                                  Y el cómico reía. Víctimas del spleen, los altos lores, en sus noches más negras y pesadas, iban a ver al rey de los actores y cambiaban su spleen en carcajadas. Una vez, ante un médico famoso, llegóse un hombre de mirar sombrío: «Sufro -le dijo-, un mal tan espantoso como esta palidez del rostro mío.»Nada me causa encanto ni atractivo; no me importan mi nombre ni mi suerte en un eterno spleen muriendo vivo, y es mi única ilusión, la de la muerte».-Viajad y os distraeréis.                                               - ¡Tanto he viajado! -Las lecturas buscad.                                           -¡Tanto he leído! -Que os ame una mujer.                                                 -¡Si soy amado! -¡Un título adquirid!                                       -¡Noble he nacido! -¿Pobre seréis quizá?                                           -Tengo riquezas -¿De lisonjas gustáis?                                           -¡Tantas escucho! -¿Que tenéis de familia?                                               -Mis tristezas -¿Vais a los cementerios?                                                 -Mucho... mucho... -¿De vuestra vida actual, tenéis testigos? -Sí, mas no dejo que me impongan yugos; yo les llamo a los muertos mis amigos; y les llamo a los vivos mis verdugos.-Me deja -agrega el médico- perplejo vuestro mal y no debo acobardaros; Tomad hoy por receta este consejo: sólo viendo a Garrik, podréis curaros. -¿A Garrik?                         -Sí, a Garrik... La más remisa y austera sociedad le busca ansiosa; todo aquél que lo ve, muere de risa: tiene una gracia artística asombrosa.-¿Y a mí, me hará reír?                                               -¡Ah!, sí, os lo juro, él sí y nadie más que él; mas... ¿qué os inquieta? -Así -dijo el enfermo- no me curo; ¡Yo soy Garrik!... Cambiadme la receta.¡Cuántos hay que, cansados de la vida, enfermos de pesar, muertos de tedio, hacen reír como el actor suicida, sin encontrar para su mal remedio!¡Ay! ¡Cuántas veces al reír se llora! ¡Nadie en lo alegre de la risa fíe, porque en los seres que el dolor devora, el alma gime cuando el rostro ríe!Si se muere la fe, si huye la calma, si sólo abrojos nuestra planta pisa, lanza a la faz la tempestad del alma, un relámpago triste: la sonrisa.El carnaval del mundo engaña tanto, que las vidas son breves mascaradas; aquí aprendemos a reír con llanto y también a llorar con carcajadas.
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Y ahora qué haré, si tú no estás. En el espejo te desvaneciste. Qué haré, si ya no estás. Cómo encontrarte. Fui a la agencia de viajes. Dije: «Un billete». «¿Para dónde?» «Para dónde ha de ser». (Me comprendieron enseguida). «Mucho tiempo esperó», dijeron enigmáticos. Volví a casa cantando, recobrada la vida. Me miré al espejo. Tú ya no estabas. Comprendí. Ahora qué voy a hacer. Sin ti quién puede recobrar lo soñado, lo perdido: Venecia de vidrio rosa, Roma con cabellos de fuentes. Florencia y Siena, Nápoles y Pisa, Botticelli, Giotto, Tiziano, cipreses y palacios, canales, Miguel Angel, frutos, palomas, Donatello qué van a ser sin ti, si eras tú quien les dabas vida, sentido, magia. Llegaré -a veces gusto imaginar que en el crepúsculo- a no sé que ciudad. Consultaré la Guide Blue y, ...Esta es la prueba. ¿Quién puede acercarse después de tanto amor, a un gran amor, sin alma, sin amor, es decir, solo con los ojos? «Un billete» diré. Preguntarán para dónde. «Para un lugar que yo invente y tal vez ya no existe. Par mirarme en un espejo que reflejo mi vida cuando no estaba yo y al que me acerco ahora cuando no puede devolver mi imagen». Y entenderán por qué lo digo.
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Viaje a italia
Llamar al pan el pan y que aparezca sobre el mantel el pan de cada día; darle al sudor lo suyo y darle al sueño y al breve paraíso y al infierno y al cuerpo y al minuto lo que piden; reír como el mar ríe, el viento ríe, sin que la risa suene a vidrios rotos; beber y en la embriaguez asir la vida, bailar el baile sin perder el paso, tocar la mano de un desconocido en un día de piedra y agonía y que esa mano tenga la firmeza que no tuvo la mano del amigo; probar la soledad sin que el vinagre haga torcer mi boca, ni repita mis muecas el espejo, ni el silencio se erice con los dientes que rechinan: estas cuatro paredes -papel, yeso, alfombra rala y foco amarillento- no son aún el prometido infierno; que no me duela más aquel deseo, helado por el miedo, llaga fría, quemadura de labios no besados: el agua clara nunca se detiene y hay frutas que se caen de maduras; saber partir el pan y repartirlo, el pan de una verdad común a todos, verdad de pan que a todos nos sustenta, por cuya levadura soy un hombre, un semejante entre mis semejantes; pelear por la vida de los vivos, dar la vida a los vivos, a la vida, y enterrar a los muertos y olvidarlos como la tierra los olvida: en frutos… Y que a la hora de mi muerte logre morir como los hombres y me alcance el perdón y la vida perdurable del polvo, de los frutos, y del polvo. Tal sobre el muro rotas uñas graban un nombre, una esperanza, una blasfemia, sobre el papel, sobre la arena, escribo estas palabras mal encadenadas. Entre sus secas sílabas acaso un día te detengas: pisa el polvo, esparce la ceniza, sé ligera como la luz ligera y sin memoria que brilla en cada hoja, en cada piedra, dora la tumba y dora la colina y nada la detiene ni apresura.
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La vida sencilla
Llamar al pan el pan y que aparezca sobre el mantel el pan de cada día; darle al sudor lo suyo y darle al sueño y al breve paraíso y al infierno y al cuerpo y al minuto lo que piden; reír como el mar ríe, el viento ríe, sin que la risa suene a vidrios rotos; beber y en la embriaguez asir la vida, bailar el baile sin perder el paso, tocar la mano de un desconocido en un día de piedra y agonía y que esa mano tenga la firmeza que no tuvo la mano del amigo; probar la soledad sin que el vinagre haga torcer mi boca, ni repita mis muecas el espejo, ni el silencio se erice con los dientes que rechinan: estas cuatro paredes -papel, yeso, alfombra rala y foco amarillento- no son aún el prometido infierno; que no me duela más aquel deseo, helado por el miedo, llaga fría, quemadura de labios no besados: el agua clara nunca se detiene y hay frutas que se caen de maduras; saber partir el pan y repartirlo, el pan de una verdad común a todos, verdad de pan que a todos nos sustenta, por cuya levadura soy un hombre, un semejante entre mis semejantes; pelear por la vida de los vivos, dar la vida a los vivos, a la vida, y enterrar a los muertos y olvidarlos como la tierra los olvida: en frutos… Y que a la hora de mi muerte logre morir como los hombres y me alcance el perdón y la vida perdurable del polvo, de los frutos, y del polvo. Tal sobre el muro rotas uñas graban un nombre, una esperanza, una blasfemia, sobre el papel, sobre la arena, escribo estas palabras mal encadenadas. Entre sus secas sílabas acaso un día te detengas: pisa el polvo, esparce la ceniza, sé ligera como la luz ligera y sin memoria que brilla en cada hoja, en cada piedra, dora la tumba y dora la colina y nada la detiene ni apresura.
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Wondrous Love Our love is as solid as the ancient rocks Stonehenge Strong and as long as the Golden Gate Bridge Extends Romantic as the sparkling Aurora Borealis lights The Hanging Gardens of Babylon, held tight like stalactites Our love can move Everest, make the Pisa tower lean Spiritual and earnest, as Jerusalem's serene Occasionally a fight in Rome's Colosseum Woeful regrets laid bare in Tutankhamen's museum Our love is impenetrable like the Great Wall of China Shiny like the Pyramids, there is nothing finer Deserving of a shrine at the foot of Temple Artemus Polar Ice caps could never melt our ambient musk Our love is higher than the Empire State can tower A jewel within the crown of the Taj Mahal's power Colourful as the Barrier Reef, the love we feel inside Grander than the Canyon and deeper than it is wide
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Jun 2, 2015
Jun 2, 2015 at 8:02 AM UTC
Wondrous Love
Pienso en un tigre. La penumbra exalta La vasta Biblioteca laboriosa Y parece alejar los anaqueles; Fuerte, inocente, ensangrentado y nuevo, él irá por su selva y su mañana Y marcará su rastro en la limosa Margen de un río cuyo nombre ignora (En su mundo no hay nombres ni pasado Ni porvenir, sólo un instante cierto.) Y salvará las bárbaras distancias Y husmeará en el trenzado laberinto De los olores el olor del alba Y el olor deleitable del venado; Entre las rayas del bambú descifro, Sus rayas y presiento la osatura Baja la piel espléndida que vibra. En vano se interponen los convexos Mares y los desiertos del planeta; Desde esta casa de un remoto puerto De América del Sur, te sigo y sueño, Oh tigre de las márgenes del Ganges. Cunde la tarde en mi alma y reflexiono Que el tigre vocativo de mi verso Es un tigre de símbolos y sombras, Una serie de tropos literarios Y de memorias de la enciclopedia Y no el tigre fatal, la aciaga joya Que, bajo el sol o la diversa luna, Va cumpliendo en Sumatra o en Bengala Su rutina de amor, de ocio y de muerte. Al tigre de los simbolos he opuesto El verdadero, el de caliente sangre, El que diezma la tribu de los búfalos Y hoy, 3 de agosto del 59, Alarga en la pradera una pausada Sombra, pero ya el hecho de nombrarlo Y de conjeturar su circunstancia Lo hace ficción del arte y no criatura Viviente de las que andan por la tierra. Un tercer tigre buscaremos. Éste Será como los otros una forma De mi sueño, un sistema de palabras Humanas y no el tigre vertebrado Que, más allá de las mitologías, Pisa la tierra. Bien lo sé, pero algo Me impone esta aventura indefinida, Insensata y antigua, y persevero En buscar por el tiempo de la tarde El otro tigre, el que no está en el verso.
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1.7k
El otro tigre
Pienso en un tigre. La penumbra exalta La vasta Biblioteca laboriosa Y parece alejar los anaqueles; Fuerte, inocente, ensangrentado y nuevo, él irá por su selva y su mañana Y marcará su rastro en la limosa Margen de un río cuyo nombre ignora (En su mundo no hay nombres ni pasado Ni porvenir, sólo un instante cierto.) Y salvará las bárbaras distancias Y husmeará en el trenzado laberinto De los olores el olor del alba Y el olor deleitable del venado; Entre las rayas del bambú descifro, Sus rayas y presiento la osatura Baja la piel espléndida que vibra. En vano se interponen los convexos Mares y los desiertos del planeta; Desde esta casa de un remoto puerto De América del Sur, te sigo y sueño, Oh tigre de las márgenes del Ganges. Cunde la tarde en mi alma y reflexiono Que el tigre vocativo de mi verso Es un tigre de símbolos y sombras, Una serie de tropos literarios Y de memorias de la enciclopedia Y no el tigre fatal, la aciaga joya Que, bajo el sol o la diversa luna, Va cumpliendo en Sumatra o en Bengala Su rutina de amor, de ocio y de muerte. Al tigre de los simbolos he opuesto El verdadero, el de caliente sangre, El que diezma la tribu de los búfalos Y hoy, 3 de agosto del 59, Alarga en la pradera una pausada Sombra, pero ya el hecho de nombrarlo Y de conjeturar su circunstancia Lo hace ficción del arte y no criatura Viviente de las que andan por la tierra. Un tercer tigre buscaremos. Éste Será como los otros una forma De mi sueño, un sistema de palabras Humanas y no el tigre vertebrado Que, más allá de las mitologías, Pisa la tierra. Bien lo sé, pero algo Me impone esta aventura indefinida, Insensata y antigua, y persevero En buscar por el tiempo de la tarde El otro tigre, el que no está en el verso.
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49
There was an old person of Pisa, Whose daughters did nothing to please her; She dressed them in gray, And banged them all day, Round the walls of the city of Pisa.
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There Was An Old Person Of Pisa
Put down the pizza Put down your phone You're now in Pisa You're now in Rome Blink once,  blink twice Use your imagination Secret agent in disguise In Grand Central Station You don't need to drink To pretend you're free Take your coat of mink And ruminate with Dali Put down your pen Put down your fears You are a hundred unique women Separated only by years
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Dec 9, 2018
Dec 9, 2018 at 6:11 PM UTC
Inflatable universe
John Berryman is dead all his invitations, rescinded unlikely as it seems, Pound has not been uncaged and Pisa remains uncovered by the summer's sky John Berryman is dead his cantos have, indeed shaken my courage expressions have been lifted and letters signed and delivered John Berryman is dead it seems he did not die at too slow a rate, after all the Washington Avenue Bridge spoke too quickly and too loud, whispered in his father's voice John Berryman is dead released all his demons and avoided all his devils grieve for this stranger, made friendly and strange the bells sing too late John Berryman is dead bones go all the same all the same accept our envy O winner of praise sing your dreams dead poet
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Oct 13, 2011
Oct 13, 2011 at 10:00 AM UTC
John Berryman Is Dead
Dear Mona lisa, So Comely Just like The Queen of Sheba Standing Wonderously As if you are The leaning Tower of Pisa Putting me under like anesthesia Forgeting where I am As if I have amnesia You are Everywhere I want to be like visa Painted With glitter Shining bright Like Fame Some may see you as a picture living in a frame But I......I just Pondering at The thought of just knowing your name As I Admire from afar Praying to get to know how truely beautiful you are It amazes me how thru you I can see him. You remind me of an artistic painting in a museum, Seen Marvelously but left untouched Yet I yearn to have your heart to clutch Desiring One day that you and I can love one another so much
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Nov 25, 2016
Nov 25, 2016 at 12:24 PM UTC
Dear Mona Lisa
* *Wine flows bright and red From daybed, she hears Pisa Her kingdom bustles* *
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Aug 6, 2020
Aug 6, 2020 at 1:37 AM UTC
Sterope
the marble stairs leading up the leaning tower of pisa are worn down like lips beginning to frown. this is result of 500 years of walking. i know a lot of people who shrink into themselves, arms crossed and shoulders hunched, as if they are apologizing for taking up so much space. this is the result of 15 years of walking all over somebody. this is erosion. this is the result of thinking that if you wear someone down then they’ll fit better, that you’ll find something different underneath what you’ve chipped away. this is the result of thinking that you can change someone or that they can change you. and i know the dangers of thinking you can find yourself inside of someone else. it’s easy to lose yourself in other people. and i had this terrible habit of being who ever you wanted me to be. you only liked me quiet. you only liked me when i was easy to hold. you make me feel how the lovers in the movies do. you make me feel the way it's silent in the theatre while the credits roll through. you make me feel miles away even when i’m next to you. and one day, i caught myself nodding along to opinions i didn’t even agree with just on autopilot and i was thinking to myself, my god, is this who you think i am? i hate the way my name stains your mouth. i hate the way you make me want to talk softer and softer until i’m not even saying anything. i hate the way you make me feel like i have to pretend. i spent so long trying to be someone you could love and i am so ******* tired of loving people who make me feel ashamed of myself. i am a ten page poem with no stanzas. and if you don’t get me, then good, i am not meant to be quantified and understood. everything i am is right here on my sleeve and i will not reinvent myself for someone who flinched at how loud my impatient heartbeat sounded in a quiet room. i’ve spent too long thinking that people didn’t love me because i didn’t make it easy enough, didn’t sand myself down to fit into the edges of their lives. i’ve spent too long feeling like i was intimidating, too difficult. i have spent too long trying to make myself smaller and smaller until i started to disappear. i don’t know how i ever gave you the power to make or break me but i’m taking it back. because i don’t want to give away myself, i don’t want to be just a reflection of somebody else. and i’ll admit, i do not want to be as complicated as i am. i do not want to turn my wool black. i do not want be fractured into boxes. but i am bigger than your shadow and i am better than these bones. maybe i am difficult and maybe i don’t care. because, baby, when you make me in your image don’t you dare flinch away from the reflection.
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Oct 1, 2015
Oct 1, 2015 at 11:35 AM UTC
the process of erosion
the marble stairs leading up the leaning tower of pisa are worn down like lips beginning to frown. this is result of 500 years of walking. i know a lot of people who shrink into themselves, arms crossed and shoulders hunched, as if they are apologizing for taking up so much space. this is the result of 15 years of walking all over somebody. this is erosion. this is the result of thinking that if you wear someone down then they’ll fit better, that you’ll find something different underneath what you’ve chipped away. this is the result of thinking that you can change someone or that they can change you. and i know the dangers of thinking you can find yourself inside of someone else. it’s easy to lose yourself in other people. and i had this terrible habit of being who ever you wanted me to be. you only liked me quiet. you only liked me when i was easy to hold. you make me feel how the lovers in the movies do. you make me feel the way it's silent in the theatre while the credits roll through. you make me feel miles away even when i’m next to you. and one day, i caught myself nodding along to opinions i didn’t even agree with just on autopilot and i was thinking to myself, my god, is this who you think i am? i hate the way my name stains your mouth. i hate the way you make me want to talk softer and softer until i’m not even saying anything. i hate the way you make me feel like i have to pretend. i spent so long trying to be someone you could love and i am so ******* tired of loving people who make me feel ashamed of myself. i am a ten page poem with no stanzas. and if you don’t get me, then good, i am not meant to be quantified and understood. everything i am is right here on my sleeve and i will not reinvent myself for someone who flinched at how loud my impatient heartbeat sounded in a quiet room. i’ve spent too long thinking that people didn’t love me because i didn’t make it easy enough, didn’t sand myself down to fit into the edges of their lives. i’ve spent too long feeling like i was intimidating, too difficult. i have spent too long trying to make myself smaller and smaller until i started to disappear. i don’t know how i ever gave you the power to make or break me but i’m taking it back. because i don’t want to give away myself, i don’t want to be just a reflection of somebody else. and i’ll admit, i do not want to be as complicated as i am. i do not want to turn my wool black. i do not want be fractured into boxes. but i am bigger than your shadow and i am better than these bones. maybe i am difficult and maybe i don’t care. because, baby, when you make me in your image don’t you dare flinch away from the reflection.
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58
Tienes, como Luzbel, formas tan bellas, Que eí hombre olvida al verte, enamorado, Que son tus ojos negros dos estrellas Veladas por la sombra del pecado. Y no turbas, hipócrita, el reposo Del pobre hogar con que tu falta escudas, Porque a besar te atreves al esposo, Como besara a Jesucristo Judas. ¡Aun sus flores te dan las primaveras, Y ya tienes el alma envilecida! Ya llegarás a ver, aunque no quieras, El horizonte oscuro de tu vida. Desdeñas los sagrados embelesos Del casto hogar de la mujer honrada, Y audaz ostentas, al vender tus besos, Las llamas del infierno en tu mirada. Manchas el suelo que tu planta pisa, Y manchas lo que tocas con tu mano. Te dio Lucrecia Borgia su sonrisa, Y Mesalina su perfil romano. Brota el deleite de tus labios rojos; Se aparta la virtud a tu presencia, Porque negras, más negras que tus ojos, Tienes, mujer, el alma y la conciencia. Rosas de abril parecen tus mejillas, Mármol de Paros tu ondulante seno; Mas ¡ay! que tan excelsas maravillas Son de barro no más, no más de cieno. Reina del mal, tú tienes por diadema La infamia, que con nada se redime. ¿El pudor? ¡Es un ascua que te quema! ¿El deber? ¡Es un yugo que te oprime! Tienen las gracias con que al mundo halagas, Precio vil en mercados repugnantes; ¡Y te envaneces de cubrir tus llagas Con seda recamada de brillantes! En este siglo en que el honor campea, No te ha de perdonar ni el vulgo necio. Hieren más que las piedras de Judea Los dardos de la burla y del desprecio. Mañana, enferma, pobre, abandonada, De la mundana compasión proscrita; El Honor, cuando mueras humillada, Sobre tu losa escribirá: ¡Maldita!
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1.1k
Adúltera
Tienes, como Luzbel, formas tan bellas, Que eí hombre olvida al verte, enamorado, Que son tus ojos negros dos estrellas Veladas por la sombra del pecado. Y no turbas, hipócrita, el reposo Del pobre hogar con que tu falta escudas, Porque a besar te atreves al esposo, Como besara a Jesucristo Judas. ¡Aun sus flores te dan las primaveras, Y ya tienes el alma envilecida! Ya llegarás a ver, aunque no quieras, El horizonte oscuro de tu vida. Desdeñas los sagrados embelesos Del casto hogar de la mujer honrada, Y audaz ostentas, al vender tus besos, Las llamas del infierno en tu mirada. Manchas el suelo que tu planta pisa, Y manchas lo que tocas con tu mano. Te dio Lucrecia Borgia su sonrisa, Y Mesalina su perfil romano. Brota el deleite de tus labios rojos; Se aparta la virtud a tu presencia, Porque negras, más negras que tus ojos, Tienes, mujer, el alma y la conciencia. Rosas de abril parecen tus mejillas, Mármol de Paros tu ondulante seno; Mas ¡ay! que tan excelsas maravillas Son de barro no más, no más de cieno. Reina del mal, tú tienes por diadema La infamia, que con nada se redime. ¿El pudor? ¡Es un ascua que te quema! ¿El deber? ¡Es un yugo que te oprime! Tienen las gracias con que al mundo halagas, Precio vil en mercados repugnantes; ¡Y te envaneces de cubrir tus llagas Con seda recamada de brillantes! En este siglo en que el honor campea, No te ha de perdonar ni el vulgo necio. Hieren más que las piedras de Judea Los dardos de la burla y del desprecio. Mañana, enferma, pobre, abandonada, De la mundana compasión proscrita; El Honor, cuando mueras humillada, Sobre tu losa escribirá: ¡Maldita!
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44
I’ve never seen the Eiffel Tower, or run with the bulls in Spain. I’ve never skied upon the Alps, or guided a sleigh across fine snow. I’ve never had a drink, a laugh, a walk along the Seine. I’ve never been the starring actor in a Broadway show. I’ve never seen the pyramids, or the sun eclipsed by moon. I’ve never journeyed to the Arctic North and saved a baby seal. I’ve never had a picnic tryst on a sunny field in June. I’ve never been the stalwart captain steadfast at the wheel. I’ve never seen the Grand Canyon, or “The River” of Monet. I’ve never driven coast to coast to discover my ol’ country. I’ve never ridden the white horse as the knight who saves the day. I’ve never been the leader of a great municipality. I've never seen Pisa’s tower, or Hawaii’s volcanic fires. I’ve never judged the aroma, fragrance, bouquet of a fine wine. And I’ll never have to fulfill a single one of these desires If you’ll ever whisper softly that you will, at last, be mine.
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Aug 9, 2017
Aug 9, 2017 at 4:07 PM UTC
Proposal
On her arm, the tower of Pisa bumps back and forth with her swollen sleeves. On her back, standard holometabolous insect flutter flames it’s way heavenward. Her thighs house songbirds, yellow, flightless—beauty is her. A cobra draped around her neck; an olive branch psyching back, rearing it's head, infinite. Her body is a shrine of shadowy ink. Her cheeks have become temples. I lie my faith in them alone.
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Nov 22, 2012
Nov 22, 2012 at 11:29 PM UTC
Tattoos
hasta mañana/compañeros/ahora siguen las lógicas del muerto/ la pudrición/la descomposición/ hasta mañana hasta mañana/ aplaudiría al pajarito que se volara de vos/rodolfo/ después de haber comido sangre que resbalaba por tus lentes/ a la iguana llena de luz que revisó las entrañas del haroldo y comió de haroldo/ iguana rápida de luz/ será mañana que veamos o nos veamos/no nos veamos/ o sea que muerto yo alcanzara a ver tu talón/paco/brillar bajo el suelo donde yacés con calavera pensativa por nosotros/pobres de vos/ talón nocturno crepitando como políticas rabiosas para matar al enemigo hoy absolutamente hoy/ talón que pisa el tiempo y parte/
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847
Nota viii
The feeling of ecstasy. That feeling when ur next to me. Our bodies touch, I must be floating on a cloud. U make me feel aroused. I'm so high and I'm never coming down. This Angels got my heart. This was the plan for the start. I'm from a different planet, but u done make me apart. Of ur ways. I prayed for better days. But now I'm cool, like Fonzi on happy days. Hey, what more can I say. I'm faded by ur love. Ur scent is so intoxicating. Ur smile so breathless. My addictions lose, when I'm with u. They say the variety the better. But with u, ain't no one better. U belong on the the cover of variety. Ur radiant skin, on display for the world. The world in my hands, I'll take u wherever. Rome, Paris. Whatever. It may take a few years but we'll be there together. Cuz I feel (eiffel tower) for u. U had me leanin (tower of Pisa). Couldn't get myself together, u picked up the pieces. But ur love was so sweet, like I'm eating Hershey's kisses. Ur worth it all. I'll even pay ur tuition. Me and you together. We will always pass. But these love stories **** So I guess it's f**k u.
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Jul 23, 2015
Jul 23, 2015 at 3:34 AM UTC
The Greatest "High"