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"pianist" poems
By rgpage The cool evening breeze filled with a scent of approaching rain. Caught by playful window shears as it passes through an open pane, to reach their   length and breadth toward the waiting bed. He was a lover of music and his woman, a passionate man with a sensitive heart. She was in love with the melodic way   his gentle fingers moved with sensual touch over her soft silk like skin of art. He started gently around her ears softly prying them open with the quiet richness of her melodies. Each note of his gentle kisses leading her to a sensual abyss, easing her down from the edge, controlling her descent, to her goal. Down the swirling dark and light blends of the music rendered from her soul. She was his instrument on which he placed his soft loving fingers, moving them effortlessly, caressing her most sensual delicate keys…Each body part smoothly rubbed added richness to her sensual sound driven by lust and loving trust.   Her ******* he fondled, licking and kissing, squeezing and rubbing. Silently giving thanks, to her creator for such an amazing instrument. Both of her hands with long slender fingers tangled in the long dark locks of his hair as she eases her maestro’s head up tighter against her soft beautiful mounds. The loving melody continues with his touch now joined with the sound of raindrops splashing into uncovered metal buckets and cans. The drops carried on the breeze through the playful dancing shears came through the other end as nothing more than refreshing cooling mist. Her body was his loving piano, and as with the 88 keys of his magnificent Baldwin, the sensual areas of her equally magnificent body, when properly stroked,  filled not  only the bedroom but the whole house with the most glorious ****** notes known to man.   After a while the symphonic ****** builds as he masterfully impales her with his instrument of love coming into constant contact with the one special key of keys. Its special sound as his strokes came harder and faster brought the whole master piece to a beautiful melodic end as the two lovers bath in the rain’s gentle mist…
0
Aug 6, 2013
Aug 6, 2013 at 12:40 PM UTC
the pianist
By rgpage The cool evening breeze filled with a scent of approaching rain. Caught by playful window shears as it passes through an open pane, to reach their   length and breadth toward the waiting bed. He was a lover of music and his woman, a passionate man with a sensitive heart. She was in love with the melodic way   his gentle fingers moved with sensual touch over her soft silk like skin of art. He started gently around her ears softly prying them open with the quiet richness of her melodies. Each note of his gentle kisses leading her to a sensual abyss, easing her down from the edge, controlling her descent, to her goal. Down the swirling dark and light blends of the music rendered from her soul. She was his instrument on which he placed his soft loving fingers, moving them effortlessly, caressing her most sensual delicate keys…Each body part smoothly rubbed added richness to her sensual sound driven by lust and loving trust.   Her ******* he fondled, licking and kissing, squeezing and rubbing. Silently giving thanks, to her creator for such an amazing instrument. Both of her hands with long slender fingers tangled in the long dark locks of his hair as she eases her maestro’s head up tighter against her soft beautiful mounds. The loving melody continues with his touch now joined with the sound of raindrops splashing into uncovered metal buckets and cans. The drops carried on the breeze through the playful dancing shears came through the other end as nothing more than refreshing cooling mist. Her body was his loving piano, and as with the 88 keys of his magnificent Baldwin, the sensual areas of her equally magnificent body, when properly stroked,  filled not  only the bedroom but the whole house with the most glorious ****** notes known to man.   After a while the symphonic ****** builds as he masterfully impales her with his instrument of love coming into constant contact with the one special key of keys. Its special sound as his strokes came harder and faster brought the whole master piece to a beautiful melodic end as the two lovers bath in the rain’s gentle mist…
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32
I say; The drifting rain dissolves sea salt Turning tears into dangled monsoon Under the bleak ballad of dying dawn Where I long for heat unbroken You say; The drifting rain drenches my tiptoe Witching smiles into deranged equinox Upon the downpour of ancient daybreak Where I pray for old snow long sunk All was as if the days faded And morphed into younger sunset It was as if mercy was drained And no one preach as desired The downpour stench though remains constant Of rotting perfume of the rouge graphite You drowsily drip from dowsing fingers, they lit Into pages of burning, dancing melodious lads As will, you may keep those imageries for you And give up old stories as my slumber lyre Whether it is about the burnt down marching boy Or the bloodstained pianist from our ancient joy For the bleak heart aesthetic has affected a new kind of love And the bleak heart aesthetic would never let you feel so certain So please keep your drifting rain of strings During the downpour of the deranged equinox When the snow goes black and slowly sunk Into pages of firespit melodious lads
0
Feb 3, 2015
Feb 3, 2015 at 7:19 AM UTC
The Bleak Heart Aesthetic
Tell my love the words that I am afraid to speak From the waves of the ocean to the highest mountain peak Expressed as my nature stays at a constant bliss Fluent in the way I am able to entertain this Your melody as it wraps a warm cloth to my heart Protecting from all that dare to tear us apart It flows, a strum of a string as it echoes afar From the pedestal arose the goddess to shine as the star As she shares her beauty with the world all to enjoy Listen to her hum as her voice does not annoy Rather it uplifts the soul as you feel the keys descend From the stroke of the pianist to the bittersweet end
0
Jul 14, 2014
Jul 14, 2014 at 6:53 PM UTC
Piano
Raw energy. Despite the stiffness in his fingers, despite the way his fingertips harden with calluses, the industrious pianist hammers out the same tune that he played last night, and the night before, and the night before that, and unnumbered evenings before that. Each notes falls magically into place, none out of tune or without purpose, perfectly in time. Raw diligence and focus flooding his brown eyes, gazing deeply into the sheet music. His yellow forehead wanted dabbing, Steeped in his sweat. A manifestation of his time spent in his trade. The conscientiousness in his eyes. The raw vitality of his weathered hands. The way he fills each note with sentiment. Perhaps those are what keep calling me near?
0
Dec 9, 2010
Dec 9, 2010 at 3:19 PM UTC
Discipline
The lonely notes flowing, falling, leap from The thin and flitting fingers of the pianist, The cup of melancholy, drained to the dregs, bittersweet in that the love of happiness and joy is tempered now, from longing for the delicate and pensive feel, that comes from dipping into the small and lonely pool of melancholy. Grief, a distant specter, hovering in the fringe of chance, is nearer now, melancholy, the doorway, slides open on silent hinges, and admits the crushing tide. High, high, and faster still, the pianist falls, slowly down and up again, grief, the storm, disrupts the flow of sound and silence, and incorporates itself into the threading melody, and so erodes the shores of joy and laughter, the violet waves of gentle melancholy, laced with the thinnest threads of blackest grief, sighing on, erasing so, youth and joy and light and life. The melody falters, stills. The pianist alone, playing for an empty quiet, rises, pauses, his fingers brushing, the cold steel of empty death, smooth beneath his touch. He grasps it, lifts it to face him, hands steady, gaze unfaltering. The man is still, pianists fingers gripping that instrument of death, and time passes, unheeded, ignored. In a motion refined to elegance by the passage of time and repetition, the pianist places that cold instrument of steel and intent gently, down upon the polished black. He straitens, slowly, and settling his black overcoat close around him, he turns, walks quietly to a closed and silent door, lifts the latch, and into a swirling night of snow and light, walks out, and closes the door behind him with a soft and quiet click. And all is silent.
0
Mar 31, 2015
Mar 31, 2015 at 8:38 PM UTC
Wistful Melancholy and Threads of Grief
The lonely notes flowing, falling, leap from The thin and flitting fingers of the pianist, The cup of melancholy, drained to the dregs, bittersweet in that the love of happiness and joy is tempered now, from longing for the delicate and pensive feel, that comes from dipping into the small and lonely pool of melancholy. Grief, a distant specter, hovering in the fringe of chance, is nearer now, melancholy, the doorway, slides open on silent hinges, and admits the crushing tide. High, high, and faster still, the pianist falls, slowly down and up again, grief, the storm, disrupts the flow of sound and silence, and incorporates itself into the threading melody, and so erodes the shores of joy and laughter, the violet waves of gentle melancholy, laced with the thinnest threads of blackest grief, sighing on, erasing so, youth and joy and light and life. The melody falters, stills. The pianist alone, playing for an empty quiet, rises, pauses, his fingers brushing, the cold steel of empty death, smooth beneath his touch. He grasps it, lifts it to face him, hands steady, gaze unfaltering. The man is still, pianists fingers gripping that instrument of death, and time passes, unheeded, ignored. In a motion refined to elegance by the passage of time and repetition, the pianist places that cold instrument of steel and intent gently, down upon the polished black. He straitens, slowly, and settling his black overcoat close around him, he turns, walks quietly to a closed and silent door, lifts the latch, and into a swirling night of snow and light, walks out, and closes the door behind him with a soft and quiet click. And all is silent.
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17
*Dancing With Chopin By Jude Kyrie Vienna 1896 Do you like Chopin she whispered.? Yes Milady I love Chopin. Then we shall dance sir. The darkened ballroom was lit only by the candelabra of the moon and stars. As they waltzed to his nocturne The pianist delicately flowed each beautiful note, like raindrops falling softly in the nighttime. She was so lovely in her gown So much what he wanted But in a station far beyond his. He had promised her. Even if they could not be as one In this lifetime he would wait for her in the next and they would spend eternity together. Vienna 2014 Each night they met in the famous old ballroom they would dance to Chopin only Chopin, forever. As the soft darkness of night melted into the approaching light of dawn they faded leaving only silence. The old caretaker approached the ballroom. And said to himself I am sure I heard Chopin again*
0
Sep 3, 2015
Sep 3, 2015 at 6:12 AM UTC
Dancing with Chopin..a romantic fantasy..perhaps
You have one headphone in the left, the radio in the right as a stranger drives measures in clefts of night. Kiss him how your feet kiss sand or a soloist breaks off from the band until the pianist beckons him back, tuning deft fingers to a single track. Open your ears to sound’s wordless talk, beats in a measure a half-step off. Blue’s lips tactless, ******* you down, Blue’s lips fastening ankles to ground. Then sudden and brace; a rock in the road, an anchor thrown as you're caught between verses and words you don’t know. Then sudden, the break; pianist's mistake. Notes shift under toe as the ocean lets go.
0
May 17, 2018
May 17, 2018 at 6:53 AM UTC
The Restless, the Shore
I thought Van Gogh had it figured out he fell in love and cut off his ear he died july 29 1890 from a self inflicted gun shot wound He painted He painted the sky He painted men women bedrooms flowers shoes street corners chairs boats and fields I thought Basquiat had it figured out ****** NYC He painted memories in the present August 12 1988 NYC apartment ****** overdose I thought Picasso I thought Warhol I thought Stalin ****** Buddha Had it figured out but sand fills our shoes in dry texan sun and the dog howls howls for its mother howls for its brother howls for its sister I thought the dog had it figured out eating insects smelling my hands eating the ham on the floor I thought Hemingway had it figured out Late at night reading Old Man and The Sea Suicide July 2 1961 12-gauge English shotgun I thought Fitzgerald had it figured out I thought Ginsberg I thought Kerouac did too drinking across the neck and back bone and gutter lips of America and back I thought Bukowski had it figured out the cigarettes the wine the women the type writer the sad nights accompanied by cockroaches and a city that is indigestible I thought Phillip Glass had it figured out Beethoven going Def Mozart lost in his grave writing symphonies for Death and his cruel tripled eyed angels I thought The drunkards were lost The Junkies were ankle-less The Mothers were done for The Fathers had given in The Young True The Elderly gazing  through the bifocals of heaven and hell The Prisoners cemented in Time I thought the Dead were the ones who published our Dreams I thought the painter had it figured out So I painted I thought the pianist had it figured out So I played the Piano and listened to the bilingual codes of the keys I thought the Ballet dancer had it figured out So I watched her I studied the movements and the bruised toes looking for a design of an answer I thought the Poet had it figured out So I wrote a poem and I saw the world.
0
Apr 4, 2013
Apr 4, 2013 at 12:13 AM UTC
Synecdoche
I thought Van Gogh had it figured out he fell in love and cut off his ear he died july 29 1890 from a self inflicted gun shot wound He painted He painted the sky He painted men women bedrooms flowers shoes street corners chairs boats and fields I thought Basquiat had it figured out ****** NYC He painted memories in the present August 12 1988 NYC apartment ****** overdose I thought Picasso I thought Warhol I thought Stalin ****** Buddha Had it figured out but sand fills our shoes in dry texan sun and the dog howls howls for its mother howls for its brother howls for its sister I thought the dog had it figured out eating insects smelling my hands eating the ham on the floor I thought Hemingway had it figured out Late at night reading Old Man and The Sea Suicide July 2 1961 12-gauge English shotgun I thought Fitzgerald had it figured out I thought Ginsberg I thought Kerouac did too drinking across the neck and back bone and gutter lips of America and back I thought Bukowski had it figured out the cigarettes the wine the women the type writer the sad nights accompanied by cockroaches and a city that is indigestible I thought Phillip Glass had it figured out Beethoven going Def Mozart lost in his grave writing symphonies for Death and his cruel tripled eyed angels I thought The drunkards were lost The Junkies were ankle-less The Mothers were done for The Fathers had given in The Young True The Elderly gazing  through the bifocals of heaven and hell The Prisoners cemented in Time I thought the Dead were the ones who published our Dreams I thought the painter had it figured out So I painted I thought the pianist had it figured out So I played the Piano and listened to the bilingual codes of the keys I thought the Ballet dancer had it figured out So I watched her I studied the movements and the bruised toes looking for a design of an answer I thought the Poet had it figured out So I wrote a poem and I saw the world.
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77
Named for you alone I call it 'Sugar Apples' Green apple schnapps and thimbles of a pink pomegranate liqueur add some **** tamarind then sweet chilli sugar before splashes of gin to your taste and cry Shaking in romance and a lovely organic cloudy apple juice A pianist sings love "*Moonlight slumbers in your heart*..." A rosy red jug full to sweeten our kisses sipped from each carved sugar apple through long straws Where do I shake it to cradle your heart David x
0
Jul 18, 2010
Jul 18, 2010 at 11:51 AM UTC
"meet for a cocktail?"
A child, she sits at the piano, exploring with modest fingers, the anxious keys. One day she'll play in church but for now she'll play in the sea and stick her tongue out in the rain. A child watches the modest rain kiss the window beside her piano. An anxious sea stirs in her fingers. She falls asleep in church and plays in the wrong key. "Practice makes perfect, precision is key." A child walks home in the rain, and passes the church. Her teacher has an old piano that leaves dust on her fingers. She washes them in the sea. A girl is drowning in the sea bare; like a single ivory key He plays her with his fingers. She loves him like the rain. Her mother sold her piano, when she stopped singing in church. "I feel like an empty church; a haunted sea; a dusty piano with no keys." she says softly, to the rain when he lets go of her fingers. Reaching out these fingers in an abandoned church, the echoing rain washes the roof in a sea of chiming keys, from an old piano. A girl dips her fingers into the sea, singing church hymns, out of key. God plays the rain like a piano.
0
Mar 2, 2015
Mar 2, 2015 at 4:46 PM UTC
Testimony of a Pianist
Dancing With Chopin By Jude Kyrie Vienna 1896 *Do you like Chopin she whispered.? Yes Milady I love Chopin. Then we shall dance sir. The darkened ballroom was lit only by the candelabra of the moon and stars. As they waltzed to his nocturne The pianist delicately flowed each beautiful note, like raindrops falling softly in the nighttime. She was so lovely in her gown So much what he wanted But in a station far beyond his. He had promised her. Even if they could not be as one In this lifetime he would wait for her in the next and they would spend eternity together. Vienna 2015 Each night they met in the famous old ballroom they would dance to Chopin only Chopin, forever. As the soft darkness of night melted into the approaching light of dawn they faded leaving only silence. The old caretaker approached the ballroom. And said to himself I am sure I heard Chopin again*
0
Dec 29, 2015
Dec 29, 2015 at 8:33 PM UTC
Dancing with Chopin
Smooth, strong, deep, therapeutic. Hands playing on my skin like a virtuoso pianist. Stroking, kneading, pressing. With every stroke, his hands melt my stress. Sooth my pains, physical and mental. My anxiety fades. My mind rests. Stroking, kneading, pressing. His hands are sensual. His eyes are closed, so his hands move on their own. No distractions. Just natural. Instinctive. Stroking, kneading, pressing. I’m open and vulnerable, self conscious. But his hands even sooth my flaws, and imperfections. Press against places I keep covered. Unflattering angles I would rather keep hidden, But somehow his hands seem to find beauty even in that. Stroking, kneading, pressing. Dang....the hour is up.
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May 19, 2019
May 19, 2019 at 12:08 AM UTC
His Hands
(I hate poets. They annoy me deeply.) I. There are the balladeers, Working in service of their inner Service, (Though, despite the seeming impossibility, Their hackneyed verse is even worse) Creating tortuous rhyme Which slows down labyrinthine narratives Ending up in some deus ex machine So implausible that it would make Euripides blush (Most often courtesy of some unforeseen projectile Or sudden viral contagion; Would that their creators meet such a fate!) II. I come not to praise the so-called sonneteers, But to bury them. They are an earnest lot, (Lord knows that they are earnest) And they will make their fourteen lines rhyme (Though sometimes the rhyme scheme screams for mercy) And hang the cost. Though their narratives are head-scratching things, And their iambs proceed with the steadiness Of a nonagenarian church pianist Doing her damndest to fight the wedding march to a draw, They are content, nay, proud of their work Because babble rhymes with Scrabble (Though they are not particularly proficient with the latter, They have the former down to an art.) III. Let us not forget the Buk-zombies, Those apostles of aphorism, Most of whom speak of their departed deity As if he were an old drinking buddy (Never mind that most of them were two or three Or perhaps not even a bad idea In the back seat of some mom’s Buick When he exited this mortal plane, stage left, even.) One’s mind is boggled whilst considering The expanse of the bar required to accommodate Everyone who would like to (Or worse, have claimed to) Buy old Charlie a beer, not that he’d stand for a round. They are a sullen horde, this lot, Best dealt with by aiming for the base of the skull. IV. Ah, the confessionals, Lord have mercy upon their souls (For they shall have none upon ours.) They feel so many things so deeply As such things have never been felt before (They have not read their Sexton, their Snodgrass, Their Lowell, their Pl--well, no, They have all read their Plath.) It is, from the moment they arise in the morning Until such time they set aside their fears and let sleep take them, All too much for them, And they bravely face the days Until such time they care bear to take action And fling themselves from some convenient precipice. We should, as a service to them and ourselves, Ensure the soles of their shoes Are sufficiently worn and slippery. (I hate poets. They annoy me deeply.)
0
Jan 12, 2017
Jan 12, 2017 at 11:22 AM UTC
Poets (A Hate Song)
(I hate poets. They annoy me deeply.) I. There are the balladeers, Working in service of their inner Service, (Though, despite the seeming impossibility, Their hackneyed verse is even worse) Creating tortuous rhyme Which slows down labyrinthine narratives Ending up in some deus ex machine So implausible that it would make Euripides blush (Most often courtesy of some unforeseen projectile Or sudden viral contagion; Would that their creators meet such a fate!) II. I come not to praise the so-called sonneteers, But to bury them. They are an earnest lot, (Lord knows that they are earnest) And they will make their fourteen lines rhyme (Though sometimes the rhyme scheme screams for mercy) And hang the cost. Though their narratives are head-scratching things, And their iambs proceed with the steadiness Of a nonagenarian church pianist Doing her damndest to fight the wedding march to a draw, They are content, nay, proud of their work Because babble rhymes with Scrabble (Though they are not particularly proficient with the latter, They have the former down to an art.) III. Let us not forget the Buk-zombies, Those apostles of aphorism, Most of whom speak of their departed deity As if he were an old drinking buddy (Never mind that most of them were two or three Or perhaps not even a bad idea In the back seat of some mom’s Buick When he exited this mortal plane, stage left, even.) One’s mind is boggled whilst considering The expanse of the bar required to accommodate Everyone who would like to (Or worse, have claimed to) Buy old Charlie a beer, not that he’d stand for a round. They are a sullen horde, this lot, Best dealt with by aiming for the base of the skull. IV. Ah, the confessionals, Lord have mercy upon their souls (For they shall have none upon ours.) They feel so many things so deeply As such things have never been felt before (They have not read their Sexton, their Snodgrass, Their Lowell, their Pl--well, no, They have all read their Plath.) It is, from the moment they arise in the morning Until such time they set aside their fears and let sleep take them, All too much for them, And they bravely face the days Until such time they care bear to take action And fling themselves from some convenient precipice. We should, as a service to them and ourselves, Ensure the soles of their shoes Are sufficiently worn and slippery. (I hate poets. They annoy me deeply.)
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65
I was told to never fall in love with a writer. But, a writer that recites his work with his hands is ten times more dangerous. Eventually, you'll find yourself immensely fascinated by the veins that can play keys oh-so softly; soft enough to cradle an infant, or even the aggressive way he fills your entire childhood bedroom with such impossible power and passion in a single chord. But, these hands are dangerous. Just as they can hammer into the piano, his hands can rip through your heart. His hands will never just play your body simply black and white, oh no. His hands will destroy you; each and every muscle movement will have you on edge and by the time the decrescendo drains the flood in your mind, it will be too late.
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Sep 13, 2014
Sep 13, 2014 at 12:34 PM UTC
Never Fall In Love With A Pianist
The tangible entity of consciousness is fleeting Scene: A elegant party but not quite extravagant Clinking wine glasses echo through transparent walls Twenty-two hundred lulls over the city like that of a shadow This isn’t an ungodly hour nor is this a typical night It starts when She enters in a red gown that elongates her figure A pianist smirks in the corner — a grin that’s almost sinister The clinking of wine glasses abruptly stops when its replacement of grim notes fills the glass house The attendants still seem cheerful (How peculiar?) A stranger pulls her into a waltz but his eyes look hauntingly familiar Unbenounced to her, He too dances with a stranger Both on separate sides of the glass room Both dancing with the unknown Yet each pair seems to recognize some prominent feature Nostalgic for what has never been (How do you preserve a memory in reality?) Through the glass house mirrors sit in obscure angles One could see that within each reflection He and She were projected into the other room Each glance towards the mirrors posed no questions For both pairs seemed identical Now their lives may have been content in accepting this dance with a “stranger” I suppose But that was not the plan of this party For guests grew tired of sipping on Beaujolais and listening to solem tunes The pianist presented a different song, more lively yet equally eerie Their feet paced with the new rhythm which called for a spin (An act as dramatic as such was only proper for the scene) With a grand gesture She turns, finally seeing the glass barriers And for the first time that night He and She were face to face A perfect dilemma to entertain an audience In a frenzy She tried to speak “I love you” “I love you” “I love you” But each plea for affection deemed futile For the grin on His face became that of the pianist Her emotions were a downward spiral of gray shaded confusion And with a sinister laugh He (or he) smashed the glass, shredding all source of reality He was the hallucinogen and She was angry at him for making Her feel And each guest cheered “bravo” demanding an encore But this tragedy, dear friends, has come to the end She’ll never know how the stars look where he is (Is such a loss truly a loss?)
0
Jun 14, 2018
Jun 14, 2018 at 12:11 AM UTC
Facade
The tangible entity of consciousness is fleeting Scene: A elegant party but not quite extravagant Clinking wine glasses echo through transparent walls Twenty-two hundred lulls over the city like that of a shadow This isn’t an ungodly hour nor is this a typical night It starts when She enters in a red gown that elongates her figure A pianist smirks in the corner — a grin that’s almost sinister The clinking of wine glasses abruptly stops when its replacement of grim notes fills the glass house The attendants still seem cheerful (How peculiar?) A stranger pulls her into a waltz but his eyes look hauntingly familiar Unbenounced to her, He too dances with a stranger Both on separate sides of the glass room Both dancing with the unknown Yet each pair seems to recognize some prominent feature Nostalgic for what has never been (How do you preserve a memory in reality?) Through the glass house mirrors sit in obscure angles One could see that within each reflection He and She were projected into the other room Each glance towards the mirrors posed no questions For both pairs seemed identical Now their lives may have been content in accepting this dance with a “stranger” I suppose But that was not the plan of this party For guests grew tired of sipping on Beaujolais and listening to solem tunes The pianist presented a different song, more lively yet equally eerie Their feet paced with the new rhythm which called for a spin (An act as dramatic as such was only proper for the scene) With a grand gesture She turns, finally seeing the glass barriers And for the first time that night He and She were face to face A perfect dilemma to entertain an audience In a frenzy She tried to speak “I love you” “I love you” “I love you” But each plea for affection deemed futile For the grin on His face became that of the pianist Her emotions were a downward spiral of gray shaded confusion And with a sinister laugh He (or he) smashed the glass, shredding all source of reality He was the hallucinogen and She was angry at him for making Her feel And each guest cheered “bravo” demanding an encore But this tragedy, dear friends, has come to the end She’ll never know how the stars look where he is (Is such a loss truly a loss?)
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44
I like you. I think I’ve liked you since the first time I saw you. Don’t get me wrong, though. I don’t love you. Saying I love you would be silly. I don’t know you that well. I just know your name. And the course you’re taking. Who your brother is. What year you’re in. So, you see? Saying I love you is preposterous. But I like you. I like you. But my friends don’t. They call you arrogant. But I think you’re just confident. I keep that information to myself, though. I like you, but my friends don’t like you that much. So I pretend that I don’t like you either. That’s why when we see each other around campus I ignore you. But please don’t think that I don’t like you. Because I do. I really do. I’m not in love with you, though. Just so we’re clear. I like you. I like your eyes. I like your wavy brown hair. I always wonder what it would feel like to run my fingers through it. I like your hands, especially your fingers. Long and thin like a pianist’s. I want to hold your hand and lace our fingers together. I like your lips and the way they hint at a smile whenever you see me. Or maybe that’s just my imagination. But still, I like your lips. I’d like them even more if they’re pressed against mine. Sorry, please ignore the line above this one. I like you. I know because my hear flutters every time I see you. Sounds silly and cliché, I know. But it’s true. You make me feel weird. But a good kind of weird. I like you. And I want to know more about you. Like why take up engineering? Why not accountancy like your brother? I want to know you more. Can you sing? Do you dance? And why did you choose number 7 for you jersey number? I’d like to get to know you. But I know it’s impossible. Well, maybe not impossible, just outside the realm of probability. I like you. And I’m saying it here. Because I can’t tell you. I can’t tell my friends. But now I’m telling everybody. I like you. But I don’t love you. Because you’re a stranger. A beautiful stranger but a stranger nonetheless. One day we’d see each other and maybe I’d smile. Hopefully, you’ll smile back. But until then, I’d be harboring these feelings of mine. And I’ll watch you. And like you from the sidelines.
0
Jan 9, 2016
Jan 9, 2016 at 7:39 AM UTC
I Like You
I like you. I think I’ve liked you since the first time I saw you. Don’t get me wrong, though. I don’t love you. Saying I love you would be silly. I don’t know you that well. I just know your name. And the course you’re taking. Who your brother is. What year you’re in. So, you see? Saying I love you is preposterous. But I like you. I like you. But my friends don’t. They call you arrogant. But I think you’re just confident. I keep that information to myself, though. I like you, but my friends don’t like you that much. So I pretend that I don’t like you either. That’s why when we see each other around campus I ignore you. But please don’t think that I don’t like you. Because I do. I really do. I’m not in love with you, though. Just so we’re clear. I like you. I like your eyes. I like your wavy brown hair. I always wonder what it would feel like to run my fingers through it. I like your hands, especially your fingers. Long and thin like a pianist’s. I want to hold your hand and lace our fingers together. I like your lips and the way they hint at a smile whenever you see me. Or maybe that’s just my imagination. But still, I like your lips. I’d like them even more if they’re pressed against mine. Sorry, please ignore the line above this one. I like you. I know because my hear flutters every time I see you. Sounds silly and cliché, I know. But it’s true. You make me feel weird. But a good kind of weird. I like you. And I want to know more about you. Like why take up engineering? Why not accountancy like your brother? I want to know you more. Can you sing? Do you dance? And why did you choose number 7 for you jersey number? I’d like to get to know you. But I know it’s impossible. Well, maybe not impossible, just outside the realm of probability. I like you. And I’m saying it here. Because I can’t tell you. I can’t tell my friends. But now I’m telling everybody. I like you. But I don’t love you. Because you’re a stranger. A beautiful stranger but a stranger nonetheless. One day we’d see each other and maybe I’d smile. Hopefully, you’ll smile back. But until then, I’d be harboring these feelings of mine. And I’ll watch you. And like you from the sidelines.
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59
More folk need to learn About Cause and Effect Respecting others Is fundamentally what earns respect My dad was raised Christian Episcopalian But left No disrespect He just wasn't convinced So when I was a child Our attendance at church was sporadic Sometimes a source of contention And, usually, more pain than joy The summer of 1969 Men walked on the Moon And my parents Split My dad moved across town I saw him one day each weekend The most time we had ever spent together. When I was twelve the earth moved Sixty-four people died And my father embraced Buddhism And Buddhism embraced him In a way nothing else ever had and he learned moderation Regaining his freedom What got him was the Law of Causation Cause and Effect What goes around comes around The Golden Rule Unencumbered With the baggage from his past The philosophy of common sense His pianist's artist's teacher's mind Could comprehend Grasp and hold for good My twelve-year-old mouth Would not be denied And so I one day announced That chanting Was simply another form of prayer A fact he acknowledged reluctantly but ultimately with humor and grace And was it my father's turn to Buddhism That sparked my own Journey into Spirit? In 1972 With Godspell on the radio I saw Jesus Christ Superstar At the Universal Amphitheatre Twice And when my sister joked "Let there be light" And all the lights came on Then she genuflected Before taking her seat It was only partly in jest For there was reverence in the air And a sense of the Eternal The foundation of the story Of every story Cause and Effect Later that year I was baptized Before I realized That no church held the key For the key was within me As it resides within us all More folk need to learn About Cause and Effect We are here on earth to Love. And respecting others Is fundamentally what earns respect. 6/7 July 2005 Approx. 2 AM
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Jun 27, 2015
Jun 27, 2015 at 1:36 AM UTC
Cause and Effect
More folk need to learn About Cause and Effect Respecting others Is fundamentally what earns respect My dad was raised Christian Episcopalian But left No disrespect He just wasn't convinced So when I was a child Our attendance at church was sporadic Sometimes a source of contention And, usually, more pain than joy The summer of 1969 Men walked on the Moon And my parents Split My dad moved across town I saw him one day each weekend The most time we had ever spent together. When I was twelve the earth moved Sixty-four people died And my father embraced Buddhism And Buddhism embraced him In a way nothing else ever had and he learned moderation Regaining his freedom What got him was the Law of Causation Cause and Effect What goes around comes around The Golden Rule Unencumbered With the baggage from his past The philosophy of common sense His pianist's artist's teacher's mind Could comprehend Grasp and hold for good My twelve-year-old mouth Would not be denied And so I one day announced That chanting Was simply another form of prayer A fact he acknowledged reluctantly but ultimately with humor and grace And was it my father's turn to Buddhism That sparked my own Journey into Spirit? In 1972 With Godspell on the radio I saw Jesus Christ Superstar At the Universal Amphitheatre Twice And when my sister joked "Let there be light" And all the lights came on Then she genuflected Before taking her seat It was only partly in jest For there was reverence in the air And a sense of the Eternal The foundation of the story Of every story Cause and Effect Later that year I was baptized Before I realized That no church held the key For the key was within me As it resides within us all More folk need to learn About Cause and Effect We are here on earth to Love. And respecting others Is fundamentally what earns respect. 6/7 July 2005 Approx. 2 AM
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77
I am jiggling on that stage. The egoless strut. The humorous tap. The spectacular trip. Fall over, over. and Over again. Get up, find a ballroom Dancer. Find a hand holding Partner. Play "Spice Up Your Life". Spice Girls, listen to the bridge. tells you to Salsa. Watch that scene. Billy Elliot, With the pianist. Dancing Billy. He loves it. Just do it, you love it too. Cheesy pop, You don't need to embellish yourself. No grace notes. No flat 7th. You don't need to sugarcoat, the truth. Let loose to riddims. live on the dancefloor. Feel the ***** and the reggae. Feel the triplets. Rocksteady your way. Dancehall to sounds. Bounce and echo. Side to side. Left to right. And we'll slow it right down. The ballad starts. Your beautiful structure on the left of your head, the one called the ear. The that ear controls aural empathy. Let love be the choreographer to your moves, Play the concept album, your heart. Place it onto the record player and watch it spin Start the track track with an International groove. End. Replay.
0
May 23, 2016
May 23, 2016 at 12:10 PM UTC
Crazy Dancer
you sat on the piano bench and i sat on the floor we talked about our fathers we shared our lonely childhoods broken bones, broken hearts i decided i could listen to your voice for hours you told me you wanted to be a pianist and i offered to teach you guitar i played stevie nicks for you and you said you didn't sing but your voice is beautiful and i wish you'd sing for me you told me about the songs you like and i went home and made a playlist it's four months later and i have every song memorized in alphabetical order you told me you didn't believe in love but i know real love and i know forced "love" and i know i've loved you since that day in september when you told me i had beautiful handwriting and i'll never forget how you looked at me instead of the paper when the words drifted through the stuffy third-floor air and i didn't even know your name so for now i listen to your songs on repeat and look forward to tomorrow i just wish i'd kissed you that evening of the recital on that ****** piano bench
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Jul 24, 2013
Jul 24, 2013 at 11:45 PM UTC
piano bench
Throat, Please open, I need to let it out, I can't keep holding back, I need to express myself, But you won't let me, You tighten, Constraining, Closing, Around my feeble words, That cry from their prison, To be allowed to show themselves, But you won't let them, I choke, My whole body begins to shake, And those lyrics that seemed so perfect, Stop. . . . I stare, Into nothing, Wishing I could speak, But hoping more that I, Can begin to sing in key, But no, You decide for me, That my sentiment is not worth sound, You refuse to permit my right to free speech, By closing my vocal chords down. . . . Their eyes stare, No sympathy, Critical confusion, In the end their glares usher me away, I shuffle back from the microphone, With an apologetic smile to my pianist, I turn and leave the stage, My hands hit the floor, My head down, Eyes down, Tears fall, Anger builds, But only at my sorry self. . . . Failure. . . . The rest of me was so strong. . . . But my throat gave away my pain.
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Feb 5, 2015
Feb 5, 2015 at 2:30 AM UTC
Sing
At What Cost? This Purchase of Our Future *a thousand answers + variegated shadings, a summation: ∑ of millions layers of our owned chosen complexities, so many possible outcomes, it makes infinite randomness seemingly simpler than our googolplex crazy preposterous notational choosings, our owned decisions which though false, cause nothing is tandomn random except for love at first sight it’s all  just ******** we conditioned from pre-birth, the expectations subtly subsumed into the woman’s womb, overlaid by the ***** donors whisperings that you will be a great third baseman, or a great bass player, or both, but “your” fate, ha! is anything but yours… to purchase! if you were born to live in a home with no heat, and water was obtainable by walking 100 yards away, you would still be a pianist, writing notes of plaintive need, grand desires, musical words of agonizing delight just as when you first blushed when the brain connected yellow rays with a word, sunrise, and an experience was synapticaly imprinted, that real things could be defined by an ordering of letters and sounds and you were tongue burnt by a need so great to collect these pleasurable things and put them in a right order of your peculiar particular personal inherited inputted design = and you yet debate what is my instrument, knowing that the multiples of your fingers are the engine of your existence, and on any particular day they, your well connected perma-crew, will pick which is the chosen one, and no matter which, for you had nothing or little purchase, it was coded in your pre-history just as you prepare a transmission list of your own, when you daily first touch your face, closing the sensory sensual connection tween the ephemeral and the physical and the new combinations that you will imprint upon someone’s flesh, that is your right, that is you write, that is what you were predestined, to create but, (what the heck) you get to-pick the instrument of the day…* ( that, is your purchase, your only cost, everything else has been pre-paid )
0
Nov 9, 2023
Nov 9, 2023 at 8:54 AM UTC
At What Cost? This Purchase of Our Future...
At What Cost? This Purchase of Our Future *a thousand answers + variegated shadings, a summation: ∑ of millions layers of our owned chosen complexities, so many possible outcomes, it makes infinite randomness seemingly simpler than our googolplex crazy preposterous notational choosings, our owned decisions which though false, cause nothing is tandomn random except for love at first sight it’s all  just ******** we conditioned from pre-birth, the expectations subtly subsumed into the woman’s womb, overlaid by the ***** donors whisperings that you will be a great third baseman, or a great bass player, or both, but “your” fate, ha! is anything but yours… to purchase! if you were born to live in a home with no heat, and water was obtainable by walking 100 yards away, you would still be a pianist, writing notes of plaintive need, grand desires, musical words of agonizing delight just as when you first blushed when the brain connected yellow rays with a word, sunrise, and an experience was synapticaly imprinted, that real things could be defined by an ordering of letters and sounds and you were tongue burnt by a need so great to collect these pleasurable things and put them in a right order of your peculiar particular personal inherited inputted design = and you yet debate what is my instrument, knowing that the multiples of your fingers are the engine of your existence, and on any particular day they, your well connected perma-crew, will pick which is the chosen one, and no matter which, for you had nothing or little purchase, it was coded in your pre-history just as you prepare a transmission list of your own, when you daily first touch your face, closing the sensory sensual connection tween the ephemeral and the physical and the new combinations that you will imprint upon someone’s flesh, that is your right, that is you write, that is what you were predestined, to create but, (what the heck) you get to-pick the instrument of the day…* ( that, is your purchase, your only cost, everything else has been pre-paid )
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70
Feeling Is difficult to express In words. Yet I know What the horn player Means When he plays his chords. Pain can't be made Plain to those Who don't feel it, Yet I know why The pianist sobs with Eyes that are dry, His fingers moaning A cry of mourning, Filled with dread. Until his fingers Are the ones that Sob instead.
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Nov 12, 2017
Nov 12, 2017 at 10:03 PM UTC
The Feeling of Music
A life dedicated to serve both God and Man, A Srilankan beauty with an Indian fragrance. Came into my life like a sweet soft melody, Teaching me the Doh, Reh, Meh of music and the depth of life. A pianist, a perfectionist, a disciplinarian; A teacher, a friend and a sister. As I reached great heights and moved on, You remained in the shadows like the wind beneath my wings. The creator has called you back, To enchant his paradise with your music; Knowing that your memory will echo, In every note of music we hear!
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Feb 28, 2011
Feb 28, 2011 at 5:24 AM UTC
My Dearest Music Teacher
these promises that are meant to last forever. I lie. I hate the way you hold me, so harsh yet gentle. its like watching a pianist's fingers while they keep me high. forgetting you. emptiness that would be forgotten like you do. I will swim inside you until i find the star that will start making flowers grow on my head. I will crawl till the finish line, get out and start from the beginning.
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Oct 21, 2014
Oct 21, 2014 at 11:05 AM UTC
underneath me.
I have always wondered what kind of lover a pianist would be- if they play others as smoothly as they do their instrument With a strategic stride in their precision Or if the touch is just as tender as the keys are embraced- Philharmonic touch Can a voice tune their heart as such? I'm curious If they find themselves as lost in another just as they do in the journey of their music When I see the amount of passion portrayed in a musicians performance I can't help but find myself lost somewhere in between (C) Tiffanie Noel Doro
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Aug 13, 2014
Aug 13, 2014 at 3:21 PM UTC
The pianists philharmonic love