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Apr 2015
The lonely notes flowing, falling, leap from
The thin and flitting fingers of the pianist,
The cup of melancholy, drained to the
dregs, bittersweet in that the love of happiness
and joy is tempered now, from longing for the
delicate and pensive feel, that comes from dipping into
the small and lonely pool of melancholy. Grief, a distant
specter, hovering in the fringe of chance, is nearer now,
melancholy, the doorway, slides open on silent hinges,
and admits the crushing tide. High, high, and faster still,
the pianist falls, slowly down and up again, grief, the storm,
disrupts the flow of sound and silence, and incorporates itself
into the threading melody, and so erodes the shores of joy and laughter,
the violet waves of gentle melancholy, laced with the thinnest threads of
blackest grief, sighing on, erasing so, youth and joy and light and life.
The melody falters, stills. The pianist alone, playing for an empty quiet,
rises, pauses, his fingers brushing, the cold steel of empty death, smooth beneath his touch. He grasps it, lifts it to face him, hands steady, gaze unfaltering. The man is still, pianists fingers gripping that instrument of death, and time passes, unheeded, ignored. In a motion refined to elegance by the passage of time and repetition, the pianist places that cold instrument of steel and intent gently, down upon the polished black. He straitens, slowly, and settling his black overcoat close around him, he turns, walks quietly to a closed and silent door, lifts the latch, and into a swirling night of snow and light, walks out, and closes the door behind him with a soft and quiet click. And all is silent.
Christian Bixler
Written by
Christian Bixler  25/M/Colombus, GA
(25/M/Colombus, GA)   
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