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"lilts" poems
✴ *in the quiet of stillness I can hear a snowflake gently land upon my cheek a flurry of gossamer frozen lace lilts ~ peacefully transforming the ennui of chilling silence into a wilderness symphony* ✴
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Nov 16, 2017
Nov 16, 2017 at 11:59 AM UTC
The sound of a snowflake
Fatima Latima I had wished I had no gift of sight That the worst I could endure is hear you speak And not snapshot the footfall of your gradation You may not be a thief Nor **** daughter of the dayspring But definitely my heart you stole I speak of the daughter of Arabia Aesthetically, she rocks The queen of the pilgrim sands And aeonian desert stones Beyond the hijab Artistically knead with consummate craft Like the relics of Mecca Blest by the prophet’s bones The blessed I see torches Beaming with intelligence Within those mascaras Exquisitely trimmed and vibrant A lulu class botany She fixes a searching gaze As she saunters close And the stride and tread Beats a drum entrancing Soothed in her solacing spell I give in, to her lullaby She halts her perambulation Stands magniloquent and stupefy Like some pop diva magazine pose Or Victorian secret shot A tactical derangement of her gluteals As she rests her palm in its cleft I feel contractions, my dartos muscles The blew of summertime Gently beats her exceptional form Her belt submerge her thigh crevice Cleft by the sundered rift of fleshy fat Built by the dainties and delicacies Seasoned by the finest Arabian chef As her silken dress slithers and gowns Under the breeze bulging and blooming Like a rose blossom or sunflower fore As she bends down To assuage the burlesque The sun specula lilts her sensational Her smile apologetic bids me stillness I am caught staring Guzzling down her scent and Feasting on empty imaginations Of What If that accentuate the mind and Speed a hormone And I pray I sin no more Next time we meet and I see her again For I am but a writer Learning to use my pen and paper And hope you but forgive My linguistic impotence When I make my confession Employing too plain a language When I say thus; Her smile is classical Her walk magical Her beauty celestial Her stride sensational Her religion ethical Her character spotless And that leaves me breathless And forgive if I step on broken toe And try speak of the unspoken Her ****** is sacred Her being a type that dresses up In the milliards of brutes dressing down And shamelessly style it fashion I must see a priest One confession I ought to utter And even vociferate abroad For once I had fallen in love With an Arabian Beautie A ****** of Mecca.
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Jun 18, 2012
Jun 18, 2012 at 9:12 AM UTC
Fatima Latima
Fatima Latima I had wished I had no gift of sight That the worst I could endure is hear you speak And not snapshot the footfall of your gradation You may not be a thief Nor **** daughter of the dayspring But definitely my heart you stole I speak of the daughter of Arabia Aesthetically, she rocks The queen of the pilgrim sands And aeonian desert stones Beyond the hijab Artistically knead with consummate craft Like the relics of Mecca Blest by the prophet’s bones The blessed I see torches Beaming with intelligence Within those mascaras Exquisitely trimmed and vibrant A lulu class botany She fixes a searching gaze As she saunters close And the stride and tread Beats a drum entrancing Soothed in her solacing spell I give in, to her lullaby She halts her perambulation Stands magniloquent and stupefy Like some pop diva magazine pose Or Victorian secret shot A tactical derangement of her gluteals As she rests her palm in its cleft I feel contractions, my dartos muscles The blew of summertime Gently beats her exceptional form Her belt submerge her thigh crevice Cleft by the sundered rift of fleshy fat Built by the dainties and delicacies Seasoned by the finest Arabian chef As her silken dress slithers and gowns Under the breeze bulging and blooming Like a rose blossom or sunflower fore As she bends down To assuage the burlesque The sun specula lilts her sensational Her smile apologetic bids me stillness I am caught staring Guzzling down her scent and Feasting on empty imaginations Of What If that accentuate the mind and Speed a hormone And I pray I sin no more Next time we meet and I see her again For I am but a writer Learning to use my pen and paper And hope you but forgive My linguistic impotence When I make my confession Employing too plain a language When I say thus; Her smile is classical Her walk magical Her beauty celestial Her stride sensational Her religion ethical Her character spotless And that leaves me breathless And forgive if I step on broken toe And try speak of the unspoken Her ****** is sacred Her being a type that dresses up In the milliards of brutes dressing down And shamelessly style it fashion I must see a priest One confession I ought to utter And even vociferate abroad For once I had fallen in love With an Arabian Beautie A ****** of Mecca.
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80
♡><♡><♡ on bare boards the glit'ring gause graceful gesture found an arabesque an aching pause apropos to concert sound lithe lustrous girl scarce woman grown pours out her beating heart to stretch with every muscle owned in pain for love of art pure grace she is just as a swan soft white and deepest black she sways and lilts her own will gone on point with arch of back a strong male who leaps and soars stately carriage bounds to show his love unto his core and sweep her from the ground no person in the world knows the dancer's struggle, care they only see talent bestowed as he lifts her in the air the grueling practice hour on hour the hardship and the strain taxing body til it's empowered the tutelage of brain hour on hour same movement learned feet bound until deformed to ache, oh yes, to hurt and burn 'til she has perfect form but all this pain which we don't see is never all for naught for the roses she will be for the applause she's fraught for when this girl is on the stage she will, as a swan, fly and with great grace she'll turn the page and then, as woman die soulsurvivor (C) 8/1/2015
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Aug 1, 2015
Aug 1, 2015 at 12:26 PM UTC
ballet dancer
Clusters of lights like lilies, Or like boiling craters in obsidian The black is inky, It could swallow me whole, I'm thankful to be strapped in The horizon scrolls back as the plane lilts Like an image in an old slide projector Suddenly the moon is below me Icarus should have winged by night I’d be god if I weren’t strapped in Clusters of light like lilies In this lolling pond we skim Light strung like dew on spider silk A flattened web to stretch the land thankful not to be attached Shimmering grids draw nearer Enveloped in their seductive shimmer thankful not to crash
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Oct 20, 2018
Oct 20, 2018 at 3:52 PM UTC
Flying by night
The stink of fish on earthen streets A hot wind blows from ochre hills Black faces shine with brilliant teeth Street market ***** doth cure all ills. Redness in her plaited hair Rhythm in her steady tread A harmony of balance, she carries Water jars on her head. A market girl is singing As she sits among bananas The drama in her music Is as dusty as the street, It fills the air with magic As it lilts above street chatter In the atmosphere of Africa Where new and ancient meet. The goat boy herds his docile flock Through camel trains and bales The steamer tethered at the dock Announces that she sails With billowed steam and mournful wail It echoes through the town And the planter and his agent Bargain with a harried frown. The bleating of the goat herd And the stench of fish and dung Is as ordinary as Africa In the searing mid day sun. Zanzibar is spices, Zanzibar is Stone. Club Zanzibar is whiskey on the rocks Consumed alone Or shared upon the balcony In the shadow of a palm With the turquoise Indian ocean Reaching out beyond the arm. Do you see the dhows are sailing? Do you see the fishing nets? Do you hear the oarsmen chanting? Did you see black muscle flex? Have you watched the dripping sweat Cascade on alabaster brow? Have you inhaled the scent of Africa And allowed it to allow? Colobus monkeys in the treetops Narrow lanes in the bazaar Dull white walls adorn stone buildings And the rupee is by far The favorite tenure of the Island Since the days when slaves were sold By Arab camel caravaners Who traded coin for young black gold. East and west collide in concert Africa and Asia blend The Sultan's mix of race and spice In Zanzibar, beyond lands end. Marshalg Mangere Bridge 3rd June 2008
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Oct 13, 2009
Oct 13, 2009 at 11:06 PM UTC
Zanzibar
The stink of fish on earthen streets A hot wind blows from ochre hills Black faces shine with brilliant teeth Street market ***** doth cure all ills. Redness in her plaited hair Rhythm in her steady tread A harmony of balance, she carries Water jars on her head. A market girl is singing As she sits among bananas The drama in her music Is as dusty as the street, It fills the air with magic As it lilts above street chatter In the atmosphere of Africa Where new and ancient meet. The goat boy herds his docile flock Through camel trains and bales The steamer tethered at the dock Announces that she sails With billowed steam and mournful wail It echoes through the town And the planter and his agent Bargain with a harried frown. The bleating of the goat herd And the stench of fish and dung Is as ordinary as Africa In the searing mid day sun. Zanzibar is spices, Zanzibar is Stone. Club Zanzibar is whiskey on the rocks Consumed alone Or shared upon the balcony In the shadow of a palm With the turquoise Indian ocean Reaching out beyond the arm. Do you see the dhows are sailing? Do you see the fishing nets? Do you hear the oarsmen chanting? Did you see black muscle flex? Have you watched the dripping sweat Cascade on alabaster brow? Have you inhaled the scent of Africa And allowed it to allow? Colobus monkeys in the treetops Narrow lanes in the bazaar Dull white walls adorn stone buildings And the rupee is by far The favorite tenure of the Island Since the days when slaves were sold By Arab camel caravaners Who traded coin for young black gold. East and west collide in concert Africa and Asia blend The Sultan's mix of race and spice In Zanzibar, beyond lands end. Marshalg Mangere Bridge 3rd June 2008
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58
ivory keys seek the touch of long-dead fingertips fluttering flittering elegant keystrokes gracefully enchanted bittersweet tunes staccato lilts incandescent harmonies melancholy melodies every heartbreaking keystroke drips with mournful, dismal sadness each life is a unique song; each has their own, single chorus some are a great crescendo; some a lullaby; some are a lonely tune; some barely even brush the keys each journey, though, has white keys of joy and black keys of sorrow *but even the black keys make music*
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Aug 16, 2015
Aug 16, 2015 at 8:51 PM UTC
piano of life
An early, gentle breeze billows the curtains and lilts a rose that blushes from the memories of last night’s love. A hush of air teases a white shirt with a strawberry kiss on the collar, still draped across the back of the chair where it was carelessly tossed the night before. Sweet sunbeams tug linen sheets and smile warmly and sweetly behind the ears. Good morning, love. Safety and silence, slowly breathing within an embrace in the only moment that has ever caressed like this.
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Dec 21, 2013
Dec 21, 2013 at 1:27 AM UTC
Afterglow
we are two trees lilts of speech and soft tapping tendrils played on stringéd instruments that is our water supply intense lashéd eye contact wrapping our long legs and aching arms around each other's anatomy that is our sunshine heavy, breathy sighs and long, slithering ********** that is our photosynthesis grow with me
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Oct 22, 2014
Oct 22, 2014 at 12:33 PM UTC
two trees
I am a musician. I do not write. I compose. I can tell you the tempo of my heart And how it shifts from adagio to allegro When I see your face. How the crescendo of your smile Creates a symphony in my mind. How the lilts of your voice are melodies I will never forget. I am a musician. I am not a poet. I cannot compare thee to a summer's day But what I can do is compare you to a piece of complete harmony And consonance. I can tell you the names of the chords you strike through my veins When you look me in the eyes. I cannot turn words into poetry or love But I can sing you love songs until my voice runs dry. I am a musician. I cannot write. I can strum you like a guitar and make you hum. I can make you sing sweet melodies when I run my fingers down your spine. I can tell you how cacophonous my life is without you. I can tell you how the melody in a monophonic composition feels When you're gone. I can feel the syncopation when we are in a fight. I am a musician. I am not a poet. I cannot put into words how I feel about you. But I can sure as hell try In this word sonata of thoughts.
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Mar 3, 2014
Mar 3, 2014 at 8:03 PM UTC
I Am A Musician
over the phone you might think me a kindhearted metro-sexual with a deep voice that lilts and appropriately pitches to accommodate your ear and manipulate your conception of me so that you wont put a frowney face nested in the message that im leaving for someone else above any "i" that might appear but this vocal spirit only disguises the less-than-cheeerful demeanor with which i walk around when i deftly cut of all communication with the people that need me to be something that makes them feel better not only about my person but humanity as a whole too i have a love hate relationship with phone voice it often feels like im acting i wrote and approved a script where a melancholy person pretends to be the most pleasant thing that you have ever known "yes, HULLLOOO! im looking to leave a message for ....[puke in mouth] heather" and when that dreadful experience wains and vanishes i light another cigarette slam down a shot glass and growl ghrryeeeeaaaaah me again ***** with tobacco stained fingers happy [through ingestion] but still not that person never phone voice happy
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May 3, 2013
May 3, 2013 at 12:43 PM UTC
phone voice
Chanting lilts the woods, Tranquil ensemble of leaves: Forest symphony.
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Sep 12, 2011
Sep 12, 2011 at 8:06 PM UTC
Choir of Branches
Strawberry sun hot on swaying hips a shimmer of skin, sultry beacon of temptation. Days smear in sweat and grass stains. Twilight carries dusty toes a few steps further. Legs dangling, lonely top of rusted tower, Moon whispering “come and kiss me”. Languid laughter lilts lining ancient constellations Space(s) [is] filled By our separation. Cicadas croon, Biding elusive slumber, dawn’s yellow tendrils grasp eyelashes, rays morph into rivers of light. Time, the illusion of a tether; A notion of perpetual motion Adrift an absent-minded sea, Hazy, evasive sleep Our ropes will fray in wisps and waves of heat. C.e.M. 31082016
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Sep 1, 2016
Sep 1, 2016 at 8:05 PM UTC
mirage.
Bathtubs don’t work for quantum suicide But every time I take one, A part of me dies What was nice under the crescent aglow? Drunk on stars, or the moon lit show… Ash of night, cradled what was once mine, The repertoire of ever-syncing- jawlines. Puissant is the chalice, its exaltation shined so bright, Bestowed liberation underneath the chatoyant light, The open windows left  niveous  fogs- Breathed -stained –air,  against crystal ***** Alive and one, under the entire earthly tempo, Together left her organic imprints of art nouveau. Beneath the warmth and petrichor ground, The Lord and Lady commence to be crowned. ...Tree roots sink as veins of gods. The serpent whispers his mellifluous facade... The sharp shove of love’s first arrow Lover’s spit, a seed for cupid’s bucolic furrow. Scripture of Solomon’s *** temple of doom All within the nicotine-stained-blue-infrared-bedroom, Velvet allure, bellies of vigor, The cold point, the pulled trigger. Dance of Thelma, ancient cults of non-lovers Feasting north, under the Horned God’s antlers. The concoction of the widow’s deviated lust Skins alive, the excited wolf-mans’ husk… The gun’s mouth ex hailed bullets of smoke Piercing hot wounds became tender lilts in up word strokes. Still, they brought, perforating ice knives through the chest Catching fades perpetually, just until two came abreast. The shadow dalliance and hair pulls leave those weary, The anise flower seeds sanction the suffering query. What was once so beautiful at night? Forgotten, as I turned red-haired-heathen in morning’s sight So I take my hot bath, inure in my offing. Emollient paean of the porcelain, ...which is my skin See you, my ethereal being, In short time spring will be fleeting
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May 8, 2012
May 8, 2012 at 11:43 AM UTC
Ritual Song
Bathtubs don’t work for quantum suicide But every time I take one, A part of me dies What was nice under the crescent aglow? Drunk on stars, or the moon lit show… Ash of night, cradled what was once mine, The repertoire of ever-syncing- jawlines. Puissant is the chalice, its exaltation shined so bright, Bestowed liberation underneath the chatoyant light, The open windows left  niveous  fogs- Breathed -stained –air,  against crystal ***** Alive and one, under the entire earthly tempo, Together left her organic imprints of art nouveau. Beneath the warmth and petrichor ground, The Lord and Lady commence to be crowned. ...Tree roots sink as veins of gods. The serpent whispers his mellifluous facade... The sharp shove of love’s first arrow Lover’s spit, a seed for cupid’s bucolic furrow. Scripture of Solomon’s *** temple of doom All within the nicotine-stained-blue-infrared-bedroom, Velvet allure, bellies of vigor, The cold point, the pulled trigger. Dance of Thelma, ancient cults of non-lovers Feasting north, under the Horned God’s antlers. The concoction of the widow’s deviated lust Skins alive, the excited wolf-mans’ husk… The gun’s mouth ex hailed bullets of smoke Piercing hot wounds became tender lilts in up word strokes. Still, they brought, perforating ice knives through the chest Catching fades perpetually, just until two came abreast. The shadow dalliance and hair pulls leave those weary, The anise flower seeds sanction the suffering query. What was once so beautiful at night? Forgotten, as I turned red-haired-heathen in morning’s sight So I take my hot bath, inure in my offing. Emollient paean of the porcelain, ...which is my skin See you, my ethereal being, In short time spring will be fleeting
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40
For I to cherish soaked in sunbathe dream of freckles on cream and strawberries For you to see and sigh and fill with warm fizzy pink water too sweet to contemplate  For you to see and sigh and long for long sleeved sheathed in jealousy spilling out in bright red syrup For I to paint faces with my utterances fanciful making ugly alluring curious mysterious attractive I can take my nose to be strength clever seducting wicked men and women to listen to my describes or look upon papyrus sheets I can make my jaw a naive child stricken with blue veins translucent skin clinging papery like wings to brittle bones under eaves ready to snap I can write my eyes wide innocent in first time headlights first time frosted firsts filled with empty antecedents of unclasped things and fifty fifty longings I can make the ugly striking like a stinging snake cruel contemplating lashing smarts or make it sad sorrowful quiet longing new to life love mature but still a child I can add grace poise to my stretched out neck make it stand tall of pride training because it's ladylike to do so and so I must and say my prayers every night too as I powder over my faintly drawn freckles Boyish humour uncaring to my generous brows a baseball mitt bubblegum cards and a fetish for goths forever unrecognised as spit flies and at home haircuts compose a flyaway life Embellish the hollows collarbones and detract the too-broad shoulders make the frailty proud and small shrink it down to fit in a girl big brothers to gentle and lovers to rough pinned wrists that near snap With my words I reap the benefits of my own mindly kindling I wander through half made times in history and finished times two seconds right now  I can create myself and so I do my thirst to be is insatiably insatisfied like my attraction to bad grammar and lilts when you talk so I do I become each and every one  I create myself and it's addicting
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Aug 3, 2012
Aug 3, 2012 at 5:41 PM UTC
Beauty And (In) Creation
For I to cherish soaked in sunbathe dream of freckles on cream and strawberries For you to see and sigh and fill with warm fizzy pink water too sweet to contemplate  For you to see and sigh and long for long sleeved sheathed in jealousy spilling out in bright red syrup For I to paint faces with my utterances fanciful making ugly alluring curious mysterious attractive I can take my nose to be strength clever seducting wicked men and women to listen to my describes or look upon papyrus sheets I can make my jaw a naive child stricken with blue veins translucent skin clinging papery like wings to brittle bones under eaves ready to snap I can write my eyes wide innocent in first time headlights first time frosted firsts filled with empty antecedents of unclasped things and fifty fifty longings I can make the ugly striking like a stinging snake cruel contemplating lashing smarts or make it sad sorrowful quiet longing new to life love mature but still a child I can add grace poise to my stretched out neck make it stand tall of pride training because it's ladylike to do so and so I must and say my prayers every night too as I powder over my faintly drawn freckles Boyish humour uncaring to my generous brows a baseball mitt bubblegum cards and a fetish for goths forever unrecognised as spit flies and at home haircuts compose a flyaway life Embellish the hollows collarbones and detract the too-broad shoulders make the frailty proud and small shrink it down to fit in a girl big brothers to gentle and lovers to rough pinned wrists that near snap With my words I reap the benefits of my own mindly kindling I wander through half made times in history and finished times two seconds right now  I can create myself and so I do my thirst to be is insatiably insatisfied like my attraction to bad grammar and lilts when you talk so I do I become each and every one  I create myself and it's addicting
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14
...you stand surely to shipwreck. all hands on deck. accordion three-four lilts amelie hymn hummed beneath frenetic waltz of fingers Rain-bitten and dumb pirouette recessional to the sea and such enchanting cobbled waves how truly quaint rosy tempest in the square pour down the dirge to murky drain. throw in the bottle, the maps, the ropes pirouette recessional to the sea lastly heave-ho i throw in me.
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Feb 3, 2012
Feb 3, 2012 at 9:33 PM UTC
surer than i stood...
the ocean-floor in rainbow-lines lilts over                             heavy heat and surface-din calm-vow under varied-waves hums over                        *bustle of activity in ***** susurrous-bower on moving-sand shades over               clipped-voice in room ('I'd like to be in an octopus' garden.. under the sea..'      // S T - 1 december 2013
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Dec 1, 2013
Dec 1, 2013 at 7:51 AM UTC
over
*embers drew to a shaded face, fragmented lips wept; storms, feral and unabated, loitering in the combe of fires. the ethereal visions of honey amber lights, faint and narrow; ebony of my pupils dead, alike of shriveled meadow. violence thrusted into yellow mouths of daffodils, like tapestries like yarns of blue saccharine sorrows. brimming with viscid liquids of blackeries and vains, like silver mackerels, sleeping out of the abyss, on a train; like subtle, maladroit shorthands and dewy black inks, who lilts the fawnish plateaus and quaint alleys. the depths of my shallow sleeps, glowing under the burnt foliage, mellifluous sonatas gently play; strawberries occur under bare walls of throat, vanish on the morrow, like a dalliance— so frantic and hollow.*
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Jan 3, 2014
Jan 3, 2014 at 10:13 AM UTC
burnt solitude
A poem dedicated to all true lovers of Jazz. TRIBUTE TO JAZZ MUSIC       BY RAJ NANDY I can feel its rhythm and beat, Along with its pulsating pain! Its music flows freely…. Through my arteries and veins! Its beats always echoes, Through the corridors of my mind, As I get wafted slowly, on the wings of mystic time! Its music gets synchronized, With my heart’s muffled beat, As I try to keep time, - With the tapping of my feet! Each of its pulsating rhythm, And all its background chimes, With its syncopated lilts, Jazz remains harmonized! The piano players dancing fingers, Caresses a rhythmic sway, While the Sax’s deep-throated tenor, Drives my loneliness away! When I hear my old Jazz music, And those golden classic tunes, I forget I am getting old, To time I become immune! For it is then when I begin to feel,   like the old King Cole; As this music tingles my mind, and rejuvenates my soul!            - Raj Nandy, New Delhi.
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Oct 1, 2014
Oct 1, 2014 at 8:12 AM UTC
TRIBUTE TO JAZZ MUSIC
I am no...Annie Leibovitz weilding frames per second in an angled lens while you tilt your head back to laugh at whatever it was that I said. It's beautiful. The sound of your laughter filling in-between pauses like music, so sweet and so dear but I am no Henry Purcell. The Fairy-Queen lilts like a bell. It's all so much like magic how tragic it is to have your eyes see mine and still never know I exist. I am no Girl With A Pearl Earring I just find you endearing how if Sandro had found you decades ago You would be Venus and I would be Picasso. Both so different yet striking and maybe you'd know You are my everything.
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Jul 13, 2015
Jul 13, 2015 at 5:38 PM UTC
Everything
When gunmetal streets begin to fade into jazz My soul walks cool, unafraid into jazz There are dissonant holes in the sky tonight The world seems at once to cascade into jazz The old district buzzing with ambition’s jam Each dancer's alchemy turns suede into jazz And the city lights stiff with rigor mortis Revived into blues, then swayed into jazz Windows begin flooding unassuming streets First timid, the passersby wade into jazz Some to their ankles, unconvinced of the rhyme Others shun inhibition and parade into jazz Their excitement displaced by a mellow groove Miles Davis lilts above, casting shade into jazz
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Apr 28, 2014
Apr 28, 2014 at 12:18 AM UTC
27 of 30 - Into Jazz (Ghazal)
Strong music lilts over foggy hills A bird flies overhead, it's tune being shrill And with these words my heart seems to fill; "This is your home. Your ancient home." A tall, mighty castle rises over the moors And a strong ocean's waves on the rocks are torn Somehow, I know here my heart was born; "This is your home. Your ancient home." Strong Celtic music floats over the trees A dancing in my heart just wants to be free I whisper as I look at the tossing seas; "This is my home. My ancient home."
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Sep 25, 2014
Sep 25, 2014 at 11:01 AM UTC
My Ancient Home
Autumn clovers leave The dirt it stays behind Steelheads turn up the arms I don't wanna stay, I see no thing but pride That man he drowned. He loses everything. Pinnacle ladies cry, they move up the yawn. I shake the bed, until tomorrow's grieving. It shucks our graves in two, splits the pupil's Fearless cast. I can't run away, I can't make Friday. The needle takes too long, the blood doesn't leave a trace. The opening is long to go, but We wallow with it. Each funeral is a thousand alms They call to each other's arms. They won't go astray, even if You leave them. Sorrow is my brother's lot It takes up the head, and leaves us sideways- Another whim lilts in two. The bridle makes the saw, that breaks down every god. It brands the flock, I don't look at anything. This day grief makes it hard to go Another man is bent. My crooked spine, he shakes in torment. Up upon the piste, broke down onto the knees Nothing's there, but I can't look away. Keep me to yourself Like a secret you don't know If I could just find a way To live another day.
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Oct 28, 2016
Oct 28, 2016 at 2:04 AM UTC
Inside Where Emily Dickinson Goes
You gently pushed me into a wall with your frame on mine again. A wall – Painted so long ago you – could no longer smell the volatile compounds Acutely confined - my frame between yours and its. Palm frond muted light spilled into imposing window from New Orleans street lamp Diffracted in dappled condensate orb. Condensation drapes into pearls - collapsing on themselves, and dropped in unison with – our - shifts. Uneven wooden floor panels echo our obsequious rhythm of physical appreciation, settled into their granular responsibility. Your pulse embodied in your palms and hips lilts in soft gasps as I drape my forearm over your shoulder – sliding body forward - I dip into the crook of your neck finding your pulse on my nose. I prop my chin into your Collar bone crook glancing into your deepening eyes, and press my lips into the grooves of your neck as you arch - into the delicate moment before reciprocation. I do not wonder what it would be like if walls could talk; I would love to see them show impressions of those that have touched their surface – revealed in smears of paint. And feel racing pulses echoed within those who pressed into these corridors -- listening to secrets of one another’s bodies. Grind deeper, the wall will record our pulse tonight, and perhaps – our next encounter will entail our bodies in paint telling stories we could never capture in our eyes locked into one another.
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Jan 26, 2014
Jan 26, 2014 at 9:08 PM UTC
Grind
Your voice isn't like a song Or a prayer. It's more like a secret. I am selfish and don't want to share it. I wan't to catch it in a jar with fresh air and the scent of pine trees A bottle to mix it with carbonated bubbles An envelope filled with letters never written. I want you shrunken down and curled up in the curved shell of my ear. Whisper, scream, sing, laugh, mutter. I have a seven-track mind and I'd like you to narrate them all for me. Read me your homework, your favourite book, your shopping lists, the ingredients of your shampoo. The breaths and lilts and stutters Keep it raw and new and open And I'm honoured. Share the secret with me.
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Sep 21, 2014
Sep 21, 2014 at 4:11 AM UTC
Dance On My Eardrums
Through the windows comes the summer breeze that cools our skin to below zero degrees and rubs my wounds raw like a sandstorm raging inside a cool oasis The symphony of Synchronicity that is our pounding heartbeat lilts as a murmuring voice that gently sheds its layers to lay, replete in a habitual stasis Given there is no air for lungs to embrace and no breath, to speak nor shining beacon in an empty place Fingers connected, intertwined captures a blistering wind that laps upon drops of tears bleeding from skin abused and is trusting that the mask was the one and same as the last that was used The heart that has fallen to land on the floor is forever just a landmark to remind me I have been here before
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Feb 10, 2012
Feb 10, 2012 at 10:11 PM UTC
Paradoxically Perfect