He told her she was pottery; a vase with grooves and cracks.
The patterns of the history she hid behind her back.

Within his words he layered in- like thread upon a loom-
The sweetest undercurrent to illuminate that gloom.

In certain cultures, he decreed, when pottery is cracked
They aggrandize them with gleaming gold to bring their splendor back

For they believe, with certainty, once damage has been wrought
Those tiny cracks, now filled with light, hold truths that can't be taught.

[you were]

"where love is a song settling in the night"

you were the softness of feathers
and the harsh cadence of grief,
you were the sky’s frail mists
and its glittering pools.
in the warm indigos of summer
i welcomed you home,
the sea with its engine pistons
played loud harmonics,
it wasn't the noise but quiet
i wanted most, the way i wanted you,
star silent, drifting like a boat.

[tonight]

tonight i can't write poetry,
a star is just a star.

[shadows on my bones]

"when everything is washed out like faded jeans"

i thought i could stay alive
but there were shadows on my bones,
summer fell through my lips
and washed the colours from my shirt.
i became a lizard in the
dry heat.

the sky layered greys into
clouds, told me how
expressive it could be
and then turned white.
i wasn't going to argue
but i liked it better blue!

when your heart is
full of softness it gathers
the flowers of dusk.

the sea is so far from me
now, how can i remember
a wave or the bluster of
the wind?
i am as forgetful of
shape as foam, i am
as broken as driftwood,
i am the memory of
something that never was,
an impromptu impressionist
painting in ink.

[i've not written]

i've not written for a week.
i need to visualize, feed
on an image, grow out of
immense distance, slumber
on the rocks.
i need to paint a flower
in all its frailty, gather
the skies on the horizon.
until the bright lilies
have drowned me in their
white linens i will not feel whole.
gathering, gathering the world,
its moments stormy rooks.

[love poem]

"where love is a wave that splashes on the sand"

when a heart
loves
the stars surrender
to the heavens,
the moon catches her breath
and the avenues
of silence become
voice. i follow the
path to my love,
i die for him,
i live for him,
like a spartan
in the heat of battle,
like a flower in the
mist.

[summer tide]

the moon, shrunken, faint
as pencil, as if the wild nettles
of night carried her loads.
her glazes the raptures of
dancing stars.
her stencil mark a white crescent
leant on cloud.
the trees shudder in the
wind, break their promises,
forgive no one.  
the tide listens to her rhythms,
traps them in water, distils
her victories, unwraps the dark,
stretches it out.

[out of the night]

out of the night, the softening rain dripping
from leaves and memories hanging like stars
in a northern sky, everything sank to the sea,
sinking in night and song and silence.
everywhere was still, no climbing to the dawn,
no old ghost singing winter to the sky.
it was time to leave, time for the grey ghosts
to crumble, time for the rose beds to sleep.
the morning dew is the water's flowers,
the early frost is the marbling of the earth,
we're pushed to emptiness by the iron-hinged wind,
melt in caves where the shadows lie hid.
from your hair, the glistening drops of rain,
from the air, the flight of a bird,
terrible and black the dark clouds,
where the night utters vowels its voice full of stones,
and its breath an empty pail once filled
with water and the kiss of the moon.

[grey stone sky]

grey stone sky, ghost clouds crying to the wind,
remembering the distant wave.
the moon was the whitening mists of time,
was the quiver of a musical note,
her broad branches silver seas,
her caverns quiet visions of light.
i stride the shores of oblivion where
dark ages hide, where the ocean falls,
i capture infinite moons in my
mouth, capture something bright,
something of you that i bless,
something of you that grows out
of the dark, glimmering like a night frost,
midnight stars dipped in a clear lake
and as the surface gleams and reflects,
how the water ripples in little blue tides.

[i ask you]

i ask you how the water cries, how you hold
the tide, the light, the thin light glistening.
i ask you how you bury root and earth,
how you dress the wind, how you carry
clouds in your mouth, how you drift
out of morning's ghosts, sky full,
how you drift downstream taking
part of me with you. i ask and i ask.
why do you not answer me? tomorrow
stretches her wings, tomorrow with her
tremendous oceans of fire, her dark eyes
full of hope while part of me dies.
no furnace could burn like you burn,
every whisper the dark, the infinite dark,
and that little flame hovering like a bird
a paradise higher than stars.

[the ocean dreams]

the ocean dreams...
colours like burnt kisses,
the blue mist tangles the air.
the shore shook out its creases
like old linen, fell under
the tumbling wave.
i drank the silence,
walking where the moon,
carried along by the song
of a ripple, dipped
her feet in the foam,
dancing, dancing...
beneath her ivory tongue,
a glistening jewel,
her alabaster skin
night's whitest rose,
and where the stars
wrapped december in
ghosts and the
gleaming water was the
quietest echo of love,
i could no longer bear
to be alone, and my tears
were the wilderness
and how it grew inside me,
and everything i loved was there
the wave carrying the wind
and i felt alive, as joyful
as the silver shore, a dark-pooled
painting of you, a river-eyed song.

[sad, sad eyes]

winter fed us with blood-red berries and ice clouds,
our visible breath soon colder than our lips.
i did not want to see what you had seen,
could not grow out of those sad, sad eyes.
we fell into the calm wave of circumstance
and twilight hurried from us into the dark.
hurried away like the last drop of sunlight
purples the earth, dancing on the edge of the world.
do we wait, stone-heavy, for the last tendrils
of day to melt like ice?
the fearful cold breathes like a fog,
gathers its stars of voice and hill,
gathers memories and distant dreams,
lets us forget.
are you the ghost that lies on the hill
calling to me?
are you that ghost,
whose irons soften like cloud,
whose frozen leaf trembles on the branch
waiting to fall to the whispering land?
your eyes are from the past and yet
they follow like a cold wind blasts.
your eyes, everywhere your sad eyes,
biting like a frost.

[do you dream of me?]

my love, you wear silence like a coat
and i am left drifting like a far-out wave.
the wind tangles leaf and sky.
winter is barely noticed, the moon
is a ghost of forgotten flowers where
the night sings to the starry waters,
sings of our love. everything is sailing
like a ship in a bottle, a kaleidoscope  
of brightness, gothic hill and wildflower
ruin, flowing like a silvery stream.
do you dream of me? do you burn when
the night wraps you in her cloak and the moon
unwinds the waters of the seas?
do you dream of me?

[morning]

a bird slid into the wind's
bright paths, awoke
the sound of morning, the
only elegant sound. i sprinkled you
you with the roots of the rain and
with a song sweetened by
sunlight and although you were stunted
and your blue-blossom wings were broken,
and the very earth swam in dark
floods of tears, that little piece of
love was a kingdom as reachable
as your hand touching mine.

[song]

this was a song that lingers in caverns and
caves, scented by sea rose and anemone,
lost kingdoms where we dream of the sea.

this was a song like a whale shivering
through the water, diving into the
impossible dark, with its huge tail
waving, flag-like and star-hungry,
its skin the moon's lips, in a world
with no moonlight, no brightening pools,
and only echoes of a forgotten sun.

how deep do we dive, seals of ink
and overtures of unanswerable
dark? our eyes have been betrayed
many times and the water buries us
whole, takes us to the staccato rhythms
of a ghostly tide, takes us back to
a womb woman whose prayers lie
like whispers on the water, who tells
us to hush and we hear our mother's voice.

these are wild notes that press into the
waves, and i am frightened of this song,
it is dissonant and gathered from the
rivers of night, her tombs overgrown with
wild flowers and the bones of the sea,
and she cries for the lost,
for those that were taken from her,
and she will cry for all eternity
and her tears are like breath of ice.

[winter]

winter buries her flames,
buries whispers of river and leaf,

the sea wraps turquoise into bronze,
everything is full of white bones,

the sky is an illusion of clouds,
her petticoats blue rags,

the day is as heavy as a paperweight,
as brittle as a glass flower,

the light is as naked as the trees
gold could not be more cold,

the sunlight reflects in the snow,
her amber eyes gleam,

nothing flows, nothing flowers,
nothing flows, nothing flowers,

and your smile is the sun,
a ghost as faint as watercolour,

the brush dipped in daylight,
a little part of me.

[waiting]

i stood there waiting like a
nettle with the moon's forget-me-not
eyes, wild flowers overflowing
down the little paths, i was the flower that
no one wanted, a black companion
****.
my cherry mouth was built of
forgotten orchards and swallow's wings,
while my hair was blown by the indigo wind,
the moon tap, tap, tapping on the door.

the whiteness of the land, the colours of
winter and how her song arose out of
the dark, bearing my soul like the
earth rediscovered, glistening in the
light, drawn out of hollows, the shadows
driven back, with a dry root's crazy thirst
that left me longing for rain.
the poetry could not quite free itself
from my lips, dragged me down to
the earth where i staggered with
the lost and the weary. i tried to get back,
but all I could do was sink into the frozen waste.
no, the poetry would not free itself, and
still I waited but it didn't seem to matter
now because leaf and moon and the
frosting that covered my body had left
me like a pale ghost in the wilderness
and all I wanted to do was sink into
the cold cornered night, sink and forget.

[moonflower]

out of the water, the water of ghost pools,
you rose, naked figurehead, oh, flower of night.
an impressionist's brush shook the water
like light reflected on moonstone.
****** of prisms, flowering, flowering,
lost ocean of star voices, forgotten star.
you sang and the night ran towards the sea,
you blossomed and the night became a wanderer.
nectar of the gods, sky-visionary, you sink into
the night like the petal of a rose, the grass almond-
eyed and whispering to you her dreams, fluttering
like a butterfly; little moonflower, you gather
the shadows and the song of the dark, the
drift of the clouds is your bare feet running,
the drift of the clouds, the cold sea crashing
in the harbour, the drift of the clouds,
the incredible overflowing of sky, poet-
ink and straying hair, the drift of
the clouds, everything that scatters
like you on the wind.

[we seek...]

we seek the ocean in the palm of our hands,
breath is the frailties of a winter sky,

the stars are reflections in a mirror of bone.

we are carried by the wind into strange avenues
where we fall like leaves, dance into the indigos

of the washed out sky, haunt the dimming light like night
blossoms and dies, her rivers burning like fire.

we awaken in the eastern
sky washing slumber from our eyes, yawning

and day drops her heavy nets into the waters
of the sun and drowns out the voice of the dark.

flowers settle in the morning, capturing
the silence of the hills in petals of water and light,

and we drink passion and ink, we drink the colours
of our emotions and walk without hesitation towards the light.

[song of the wind]

the wind has something of your wild song,
whispers in a voice i knew long ago.

there is nothing here accept the empty wind,
nothing of you and me,

i could paint the silence with the moon,
kiss your mouth, touch your hair....

but we are forgotten like this song
of the wind, and in the emptiness

i can hear the faltering wave
fall against the belly of the sand

running like the white clouds
race through the sky,

where the stars fall like old ruins,
this ghost dance of stars, these crashing,

crashing waves. where is the freedom
of the falling water?

not in the breath of the earth,
not in the silvering of the sea.

[you are neither]

my love, you are neither the morning
with her bright unwinding hills

or the night, with her nets of silver stars,
you are not the sea whispering.

you are hidden from the world, an alpine
rose that nobody sees.

you flower like the sky makes its way
out of the dark, her archipelagos  

thrown to the wind, there to discover
like a frost that whitens the earth and

leaves its footprints in the leaves.

you are neither the moon, my love,
that waits at your feet

nor the sun that burns like the
summer with her mute fire. you

are none of these things and yet all  
these things carry me to you,

like a drifting cloud longing
for the waters of the night.

[those brief moments of heaven]

the land was a slumbering bird that had not yet opened
its eyes. the morning roared like a thunder

cloud and i gazed at the sky with her cornflower blues
and orchestral flutes, her dark bones whitening

in the yellow-threaded light. silence wrapped me like
a shawl, and love settled on my shoulders like

a bird. it was too early for the swallow to return
with its spring-tinted wings, the winter settled

in the nooks and crannies of the earth, sweet
as your mouth, crisp and cold as the ashen north.

and while you lay beside me, warm, nocturnal
and dreaming of the sea, i kissed your lips

and told you to hush, not because you had spoken but
because night had been so gentle to you that i

wanted to keep you wrapped in her star-scented arms.

[silence]

silence moored like a boat in the harbour,
and you flew against the horizon like a bird  

until my mouth was the night with its hungry stars
and you were the sea wind.

you were the night flowering, a ripple on
the surface of the water, the dreams of the ocean...

your eyes told me that history is made of a
a thousand bleeding wounds, your lips that

kisses are petals falling from a rose
and that we wait like old moons for night

to melt on the shore and set us free, we wait,
unquestionably free, for her gathering of

iris and blue bird, for her beautiful
and melancholy song.

[february]

the light, the faint curtain that draws across day,
far from night's shadows, creature of fire,

revolves, drops white nets into the sea-earth,
where ice and the aching frost cry out

and the soil hardens with its harsh, freezing edge.

we are deaf and blind, numb of limb
like the thin trees and the specter-sky,

blue and forlorn, dreaming our winter dreams...

and through the cold walls i can hardly draw
a smile, sad as a silver leaf the autumn forgot.

it is you who lifts me from the ground, somehow,
like an april shoot seeking the sun, somehow,

my bones as frail as a bird and yet
when the air stirs my blood and i stare into

the amber notes of the wind, the unforgiving land
buckles and breaks and i return to the

kernel of your heart and even the icy
lakes and the weighty forest you loved

under your skin that the light waits to
warm, forget their cold death, breathe

like summer returning to a distant shore.

[empty of light]

there is nothing of you in this late hour,
i have no voice to wrap you in tenderness,
and i wait for your arrival like a starless sky,
empty of light, the ocean's forgetful voyage,
the sinking wave coaxed to grow out of the dark.
the trees are motionless, branches fall silent in the night,
like ghosts against the sky. i am empty of light,
drawn out of memories and blue air,
a crystal that breaks, bound to the wide earth
and the white dust of immeasurable hills. i think i am
still, small as a bird, and i know that i long for you,
that the hunger never leaves me for long, colouring
dry paper with the gleam of a harbour-like moon.

[you grew]

you grew out of the tangling black,
those carefree tides that lead to the moon.

the stars i thought were silver knots
would not unwind, danced on the horizon,

softened like the white mist that gathered
the sky and the dark rose of your eyes.

you filled with the quiet of the hills
and i watched as your ghost

started to tell me goodbye, that
ghost whose seas were frozen in the night,

the ghost i loved, and everything that
was fire in me carved the words into

the night's magnolia net and the words
were; " i don't want you to go".


[loving you...where love is a pretty handwritten page]

loving you is like waiting for the spring,
the love that winds around my fingers

a stream that will fill with the most beautiful light.
when you open your eyes to my kisses,

i fill with the summer and the bright stars,
so chill with loneliness, leave.

i forget that the moon hangs like a
silver leaf in a sky of swallow's song,

while the rose that winter stole,
that died in my lovelorn arms,

left like the impressionist the water loved,
until all i could see was the dreams

of the water, and all i could feel was
the sleeping of the dark.

[winter faded]

winter faded like old parchment, drawn in charcoal
the trees waited for the inevitable colours of spring.

your voice coloured silence and left me standing
away from the crowd with my head inclined to yours,

listening to you, the shadows swept away and your
voice like the moonlight, the blue inks of the sea.

i watched you unwind night skies and the night stars
that burnt in the rivery realms of lost ruins and whispering

dreams, fell like dead men before your passion and there
was no reasoning with what you believed and you had

no compassion for the world. hatred fired up before
my forgiveness and you could not forgive. how many

oceans scattered their flowers and light, how many
armies fell before the burning amber of your eyes?

[i thought i understood the water]

i thought i understood the water,
the silver whispers of stream,
dying the way sadness sighs  
like a star.

the water didn't bring me to
you or you to me.

you were not the shimmer of a
fish.

you were the light reflecting,
bold splashes of colour
on a bold canvas. you

were night when i could
hardly bear the night and you
fell through me

like twilight bringing black
marble moons and watery ghosts.

i thought i understood the water.
i thought the stars painted your
reflection on my lips,

but the silver whispers were not
sad they were happy and
i wondered how i ever
found them sad.

[where]

where every poem starts
and every ends,
where we are stunned,
where we are thirsty and the thirst is
never quenched,
where there is something that breaks
and i can't bring back although it
burns me to dust, love was not our
miracle but the dying was, the flames
never quenched like the blues of the stars
little rivers,
don't bring me fire to bury me in flame,
bring me oceans of black ink to colour
the night, bring me your love.

[sometimes]

distant, moon curves, star light,
dark as the turning where innumerable
waves follow on the tide, the light
in ribbons, the light gold leaf and
flickering amber, the light tenuous
and gentleness, slumbering with her whims
and her sleep of blue earth, and air,
breath of joy, breath of dust.
Night, holds us and her whispers are
a forgotten song, and night is like
the streams of water that awaken with
winter and her cool rivers of air. Night with
her paradise far from the gathering
of limb and ledge, far from the leaves
of the dusk where the shadows tremble and the
water turns itself into tears, and we hear the
ghosts cry to the dark sky,
sometimes we hear the ghosts cry.

[there is nothing]

"where love is the turning tide..."

it was if i was hanging upside
down, and my eyes softened
against shadows of sky and earth.
there is a paradise that waits in
the spring blossom and the bright
lights of the trees, in the freedom
of water and the soon to open eyes of a
winter girl who wakes with the morning.
there is nothing of you in the frail
notes of a song bird or in the deep
reaches of sea and the sky-asking's of the sun.
there is nothing of you and yet i  
want there to be, i want the emotions and
i want sorrowful skies and rivers of blue ink,
seas of summer, careless nights,
freedom that sweeps away the old
cobwebs and weeps to the stars
and you, i want you wrapped through
the night like a blue lily.

[sleep]

sleep was the only sanctuary, was a
flower on the water, was the moonlit
ripples as night gathered her stars and her
promises, her indigos and golds.
i wasn't sure where the images would
take me, i could not surrender to them,
or they to me, my soul wrapped memories
into clouds, drifted with them and the
sadness that was the poetry today was
a song with so many myriads of water.
the water that filled with longing,
the water that poured into love.

Oh, the dark

oh, the dark falls down empty
her cloth burning gold like a harvest moon.
you conquer and you fall because
the poetry dreamt for you because
the last tear drop is not a river it
is a tide, and you were drunk with love
and love for poetry. oh, watch how the
darkness falls, how it swallows star
and shadow how it melts and colours the
night with topaz.    
i could not die for you or for love, but
i knew what it is to burn,
the dry heat, the unbelievable
fire that burns for words and for you,
the unbelievable fire.
i would burn
a blue star like an ocean breeze
scatters the night as we lay spellbound,
tiny drops of water falling, falling.
you were passionate and i loved
all the longing in your voice, the poetry  
broken like the winter, full
of strange beauty. if we were to drown
your lips would be my ghost and i
would long for you until summer was eternity
and the dust of her irons sprinkled on the water.
if i was to live, it could only be with you,
forgotten i would bury my head like autumn
leaves dust the forest, but remembered i
would burn, all gold and blanched gaunt
like a lily, a river winding through the past
like the thames folds around london,
yes, i would burn as you burn for me.

The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane

Man life know just set eyes way like young world soul day hunger space mouth earth thoughts ignorance blind things mind knew final moment human creation kind creatures souls high forgotten dream love spoke self existence face holy deep bound think home void say surrender ear forever called held ephemeral red state end shall heed hope edge living waking fall sea wake garden need February thought past wanderer got men page colored tepid terrible **** proudly untitled features point painted faceless box forgot render wild spring splendor  handfuls looking half brain lost torn ancestral  unseen vision inner summer honor mister owned banner save today fear groans wasn't smoke  street fable strange year contrast black years  able pain body spoken word known motion  palpitate reeling nature culture disclaimers  cancer beg attentive frames ****** base profound double remember wholly finger death token  cries continue folk oh fishing form broken true  divides spread ah twas away breathe wait warning hallowed wish closer lens turn eye live  constant current author hung theory dangle  bramble chemical new force changes adderall  anymore giving beneath possess pardon commentaries eternity internal walk reason  long change does idea glimpse consciousness  wandering simply wonder physical dreams war  sleep told rest benign prior begging truth little  2012 born tale crow bowels allegory animal rule  exasperate making horse curse hands ones read  rearrange capture doing command fail awake  aperture seedlings shift steely sir nap spead ****** demons slits clever telling loud spits la-la-di-dah killing slip game reflected nameless ask  lovers rabid bear salivate plunder shameless  famously savior mint rides menthol bully fate traded melodies play misunderstand mammals gentle witless fine utterly savage silt tongue-less  dirt dilutes pure non-sensory taste briefly ravage dismember it''ll shedding ruined curtain  knots offers plot fulfills munificent two-act  relegates boxz bug altruistic wintergreen tossing  callously guise grovels one's singers treachery ashes mid-life mutter fashion parading  ambiguity separatist liars staple steeping neath  guidelines scoffing stitch moans civil wrote  Fictitious undoing fables table effigies serve  sonnets staged remark psalm swoll praise harken  beggar verse bread lines heavily electricity detection snow sack-happy preaching credit  spotted wicked best gravity gun campaign owe  barge choir revelry celebratory satiated sinking  headline pack hound persistently propaganda  gentlemen excluding diminished ******* run idles  occupied levies wolfishly honestly misinformation cuba vehemently dumb grace spectator erasing  toned sage crowded secrets inter-connectivity  loaned prayer hymns grave mistaken magnified  vandals selective jump leak escapes says minister  buckle mass honesty shut tar children's hats  monument doping long-lived electrical ladle  exaggerated cartoons address seconds cool cradle bleak yang's mind-framed hypnotic  walker caps folly treble claim streaks mixtures  swelled interstate elapse teasing spoon mobile  succulent witchcraft borderline fatal 99 temple stacks sups plastics creeps neurotic ills tossed  meek sipping old crack interlock wax alleyway  coughing blown freak clock birthdays societies  slow flashing viscous candy argument toothless  pills cerebral rapt wall bisect lives wheezing  photo kid starter foiled pair saturated self-castrating pre-packed naked uncertainly pill  used came chaos coated reprisal fells wrack  irreverent mirth sickly disinherited proudest  collate wheeze appearance palette disharmony  discontented bastardized emotive bio inhale diction beat spoiled reclamation loudest tempo  totally disembodied matte imperfect shells flat  struck sounding imparts flak origin severance remarked bone walls snared leaflets mocking  hot scripting adjective noun agape seemingly  resistant gawk calamity passage paintings wind  trashcans signings sits cheap makers poetry persist scrap slipping individual talk wonders  leaving questions fold actor fancy parchment  fates engenders flown jaws stripped longer music  sacrifice fakers book boldly frown sigh atop patient hang trade occupation blows spectacular  whispers worthy backward waving certainty danced suppose needn't ‘drawkcab’ second-guessing  boys forget marched motto heads tightly lies two-tone earthbound harp twice turns goodnight  lying ***** internally indiscriminate nickname  drunk convictions myth steep  in-consumption  fitting artist **** universal sick expressions bad  du spell melody big siphon proud learn sprawls song spastic something temperaments utter check  fissures stomp totality blend definitely thrall sing rug voice shade pestilence ties commiserate round devil steady brains emotional certain gate  suckling gates dearth decay weight bounce pound  carrier pangs glass startle contest earthen web  tug pressed air patience flush amassed guest gone apprehension staring empathize captain believe fading in-perceivable deathbed guarder makes surrounds scatter drooling ebb blink cob tome  venom near door lair derision draws host stairs scent parts curiosities spider webbing surprise wares tips stepping ascetics starkness realize picture surroundings dictations grand pillars  deaf limited comparisons greet visual residents  personal settings dismiss alien law stability common earthly shiftless places prelude  understanding mosaic keen trifling embodiments  geared inception whisper visible jowls kiss murky  puddle rank dawn dichotomy single faithful fraying pays tailor veil climb mores pence whim  breath wellspring samara god stony pear  shadows fruiting forebodes moonlit looming  shown passed bog gold wracked faint tongues  noble preachers mirror shifting layered depth  threads jungle narcissus bemused seamstress self-worshiping architect's wore slumber anomalous  opened barren seam lip caustic scene coupled brick gardener's clenches -with forms idle breed  embodied lore starving empathy design illusion  tree coat fabricate lucid mason scatter-all  narrative seeking imbued 16th shivering chemicals 17th 15thrisk improperly dare  deliberate plan purge try brought chapter speed  aide utmost spirit leading intervention felt  recall recent advent sincerity times diary  lackluster piously lasting happy holding hear  stem tasteless whimpers wet spine monstrosity  dripping causes position quite softly claws pallet  answer digging tearing beast satiating circle breaks skips redwoods beckoning rotted hushed  gray lapsing monoliths deities creborus  imbuement hand stroll paradigm rendered chorus shy whispering forest residual tension  surrenders tolerance lull anew sentenced  bearing tide birds dirge divergent rim joined  cogs wood hesitant mist emergent towering offer  awareness confinement inverted faultier stowed  plane sanctified blanketing trusting memory fossil flash twists laden self-indulgent fleeting invitation agony grip shore impetus lingering  crows promise gift union swallowing endless floor supposed ecstasy sensory intent  psychotropic cradling placement interned  jagged connectivity exchange congenial begun  summons singular spiral assumes ambient reciprocates re-entry fruition reached aggregate lifetime limbs birthed instinct  frightening tarry proper entire light  boundaries innocence pursuit ago discover left  youth's unknowing sacred time place meager  simple fact cast ceaseless wide-eyed literal  apparent coincidence create boldness morphed  crooked kempt mere stumble buried shutter fairy  pivotal definitive months worth shear ambition sound required journeyed self-reflections title  facets vague restless intimation gut wanderer's  leap motivate path account boy soon bears faith  question tripped reasons uproot awaited confronted days step heal provocations wisps crushing transcend chronicles instance  directness raw drove occurrence objective-less  real enters slightest confident nondescript  typify  foreshortened interment paradox bitter heart  devoid jeopardy angry sensation confidential guilty arrogance mercy compliance reprieve  vincent deadening factual sign emotion awe  inhibition shackled butterflies absence actual sciences acknowledgement violent stagnant  spiritual American doors roots lack matted fore  gestures society cause streams intensity hair impossible discord lonely hearts resounding  jest  what's flavored pains closed toxic contented  happenstance scientific knowledge yeah  wizardry shaking stifled withdrawn bloom  jitter dreads settle asocial hulton make  predisposed figurative reflections demeanors  wondered affect hulton's projected sense  morning industry arrays ghosts feeling  certainly endomorphic where's partially wrath  passer mornings jovial unease advertized asking  trash onward wished tempers media mentality connect pasts sharp-toothed scramble great colours trial test salvation continually lent  degree secretly subjection social waned  disconnected colors grimly intellectual civilization cash trading baffling particular  digest myths monumental ending seasons winter  repetition introducing agent everlasting  shoulders delivered honestly-- possession funny  continence history unsightly function suffering propulsion profession divulge familiar tugs era  importance capability perpetuation spite inventory words entirety leveling fray insight  date record continues writer getting evermore fellow tongue possessions identical proof accuracy education similar sack admittance  favor unravel conveyance guilt gives beginnings  predicting audacity definition bobby heady eaters frameless learned release stone grandeur sang  speak molds sleeps split built seats people folded  sheer pour evoked playhouse liquid boring  tellers frayed stark walked reality pleas doth  preformed shows beak pride squawks opinions  greatest bold stunning sightings he'd loudly slain  sunk watch legend precipice theater deeper compound commentator civility justly silly sin  reverent seen prophetic moral confounds notion  lacking explain attempt prolific viral estrange proclivity scorn hide blur pious strung eden's  horror cut skin arch cruel twig mother vile  pass lend woods peach shrunken trail man's canopy worn 434 eat warm limb familiar father delete.

You are what your reading lady. Now would you hold this gun?

Something is
simmering  *  
  ****      
His spice the stars*
His cologne heat up the
woods
Lips and taste boiling
The Green Irish Tweed
Epicurean love at
the Italian
Spice Epic Stadium

Here comes the
Sun the__?
Royal Mayfair
strikingly
My Fair Lady
The spice diction of words
Her name is Sage Lady Bird
You could feel her smile
shimmering

Carnal spice knowledge
Savory animalistic
Spice culture ******
Citrusy fancy dress
Not to panic
His Sunday gravy
Italian sauce garlicky  
She could win so pungent
Spicy lady Pagent

The poor stealing the
rich culture
Sage surrender like the Oz
Like Robin Hood

Spice of life this is our life
Top of the sea salt Spy
scouring
You better have a love
Like a deep pouring
Her Sage Genie bottle
on the stove
Her sheerness lascivious robe

The Meditteranean sea with
Four leaf clovers freeloaders
These cultures and eyes of
strength feature
There is no time to
break up for the love of a spice
Is this the human race
Fresh linens better company
What a primary
Oh! Hail Mary

Those ethnic spices
what a sensual smell
Sage pretty coffee cup show and tell
What a razzle top of her cake
The media takes over all
painted and swirled
Baked spicy finger she dialed

Through her locket heart sake
Recovered love reconciled
The Teddy Rosevelt or Chicago Bears
tight hugs of cultures

Hairy chest his smooth gestures
Culture rough and tough exterior

Like the smile beautiful mind
creature
Beyond to be seen
The Spices computer
world of devices
Strawberry fields forever
But what is forever more love
Crises

Do we always lose our stripes
Feeling layered with her cereal
Tony the tiger
Whats great about curses
Sage speechless can feel the
roar spicy mouth
Going South or North
Victorian corset sensual
Guity spice dark side of Goth
Hot desire from both
The pine needles
Christmas time
The mistletoe kissing pointing to the star
Wearing herself out with her
pointed pump shoe*
But losing her spirit what to
endeavor
*The Blue Horizon Spice Rub
The  pub the sky has no limits
to the Stars that twinkle
The Gods to their *****
Rip Van Winkle
Dry Vermouth or the Russian Roulette
French spice Crepe Suzette

"Adam I Apple Dante Jubilee
Eve was more like a neigh
Horse spicy slide Colonel Spicy mustard
Meeting General Lee Sage custard

Her handkerchief
with sage cut leaves
Hearing echoes what gives
Anyone's spice rack
of shoes engraves Sage leafs

Noone really knows for sure
She wore spice deep blue velvet
Jade Ring Brittish Colony
Stuck to her beliefs like a magnet

Eating vegetable and fish
Her best China ever find her dish

How the jade chandelier twisted
Became laughing like two musketeers
New York City love Serendipity
The Queen chair so domineer
'What Debutants"
Crazed like spices of mutants
The anger management getting
the evil out
The shoutbox strong clove spice
Sage was never outfoxed
Her **** jaded uniform
The firefighter Smoky the bear
  eyes of candlelight storm
didn't make it this year
Torn to tears like two
vultures of
the haunted night
He peddles fast
But the fear needs to disappear

Fresh lake smells fresh
as her breath
The culture and media
make tons of mistakes
She knows what she wants
Not a jungle of
poisonous snakes
He knows what he doesn't want
to tell her
Perhaps losing his
bark dog naps
The best part engage her on
Sage with a heart
The fruit her
flesh and blood
The blood on his finger
Her medicinal herbs
of China
The mason spice jar is empty
The full heart needs his half
Cream of the crop
Careless love accidentally
spice dropped
Sensual Chin like pine needles
The exception to the rule more leaders
Remember Every September
to leave your scent
We all have needs we want
Drinking all the flavors of Snapple
*Big waves of the ripple don't you
love her amazing dimples

looking at
sedona red
rock layered majesties

against bright, cerulean sky
and marshmallow clouds
droplets dripping, pecking our cheeks

sitting on
the balcony of a casita
holding hands with my peace

surrounded by forest green
and buzzing honey bees
they mingle with the flowers

and i mingle with my peace

Blue clouds gaze the wrapped sun
frozen kisses in my blood
travelling a thousand miles
to meet up with you.

There is none else walking
down this path where memories
wake up and dance
inside my armored heart.

I peeled off each kisses embrace
out of my parched lips.
I shook off the tree,
where your scent had blossomed.

Every step down this scarcely trodden path saw...
Each peel fall with helpless, damsel-like grace.
Brown leaves shone amber touched by fingers of the sun
Invasion of warmth through my greyed bony carapace.

Gentle tremors reverberate within with subtle anguish.
Sweet scented portal that took me back,
To the illusion of time where we once were...
In drunken stupor...laying under a star strewn canvas of black.

Senses that spoke of a great fantastical tale.
You are still here... In this cloying void with no one around...
Only that scent...your scent tugging on my core
Invisible tendrils berthing my feet back on ground.

Alone and wanting don't want to be anymore.
I want to feast my lungs on your skin once more.
I want to vibrate under your touch again,
In anguished anticipation and sweet pain.

I hurl your name to the echoing wind,
Blowing ferociously over the closed passage.
Only to find that I'm but elongating
the distance between our fading wishful stars.

Fading far only to find that I'm lost yet again,
Still harvesting a basket full of ripened hope.
Traversing planes with warped, slanted doorways,
Frantically seeking purchase on knobs with fevered gropes.

Heavy layered breaths inhaled too shallow...
Tracing missteps to decipher what it all meant.
When all is moot...weary, weathered and futile,
Forever I'll be bathing in the familiarity of your soothing, nectarous scent...


Dajena M
**ryn

Find the lighter, use it as a lighthouse on a walk below the wall you watch along the wave-formations. Who Wants a Cold One? a Coors Light ad corrects.. When it comes to your home, the little things matter.. an insurance ad blares.. my computer is infected with 3rd party applications unremovable to my meagre tech-ability.. there is a hero as Joseph Campbell once theorized.. in myself like a sick bastardly virus waiting for moments to prove to me "I AM THE SAVIOR, I AM THE CHRIST, I AM THE WARLORD, MICE, MAN, AND VICE".. the windows of opportunity close, I am left waiting the door

& the elevator.

Thirty-thousand years ago, there was nothing but a breeze.. a viscous breeze across chill-spined pterodactyls.. warm-under-the-jungle-brush tyrannosaurus rex, and to think one day I will be just a legend in bone..
Charlotte said she thinks of death and so did Jen. They sat next to the all-you-can-eat and discussed the inevitable. I was sour and playful with no-will-to-understand, just reminding my hair of breezy summer days of 10, thinking of strangeness, of place I was in.

When it's quiet sometimes, I think of old dreams.. dreams I sunk below drown-level as a child in bed and belief. Both mommy and daddy were arguing in the kitchen, this was 7 or 8.. they argued so often one could hear mom begin to cry sometimes, and dad I could see in minds-eye with a grimace so closed and so creased he was hurt and yet honest.. I did not understand so I hid under-stood-silhouettes, oh adulthood..

once in dream I was in pulsing green graveyard like crayon realism strobe lights, tombstones all-round and faint-buzz of outside and one of those strange balded henchmen of badguy Jafar from Disney's Aladdin came peaking outta nowhere with curled eyebrow and baggy one-thousand-one Arabian nightlives parachute pants, curled toes brown-beige moccasins to.. he let out conniving 'HEUHEE!' and slapped me right-side cheek and I JOLTED up bedwise in real time to feel actual physical sting for a few lingered seconds then the sobs of poor mother outside.. I never remembered a dream so clearly again.. they all come, Pro-Found, and dizzy away after hour or two for rest of eternity or perhaps to Place I Can Visit at Death to Review Every Vision and I wonder... when your life flashes before your eyes and the light is encroaching, scenes of mother, brother, father, son, daughter, best-friend, party, break-up, heartbreak, slip-fall, first-sip, first-drag, last-leg, first-kiss, first-hit, first-game, fear, love,  HATE, wait.. do the Dreams come to? Are they all flesh-ed before your eyes as you pass into Light? Are they brought to direct remembrance as you cross the border with Passport of Gods and a Goddess (and which Picture appears on the Page)..?

I remember the old eczema taking bits of skin to carpets round-town and round-lower-mainland to disgust of friends old and new-- this was era where confidence ate itself in mirrors, the sober reality of ugly-ness chiseling away at my Goodness Attempts.. All That Pointless Pain was no Exception nor a Rule, it just **** Happens every once-and-again to the sound of life farting. I used to miss school for feet so impossible to walk on, pussing and bleeding and staining the sheets, shoe soles, carpets, and soul.. limp thru the hallways of Brooks Secondary feeling like bad flavor additive to multicultural Planet Earth-- sleeping 'til the bell rang drinking coffee singing songs I said '**** the ******* educational system and **** me I'm so flatlined..' someday I felt things would really get better and lucky young me I was right.

A half-decade later, I am 21 and hoping, floating, free in the breeze as the wings I have grown keep on wishing the subsistence down. The girl, whoever-she-might-as-well-be, sits immediately vertical chatting frantically to boy with a bit of a cowlick slouching on-up over a bundle of colored paperwork. It seems late in the season for homework, and assume they may have some affiliation with a crazy-hep computer design group in the tradition of Nouevau Silicon Valley.... I sit at my laptop, inching a word a million cubic millimeters closer to God or Divinity or Crescendo or A Bunch More ******* You'll End Up Ignoring---

It's a sunny day, the rain having slathered-off into obscurity somewhere with the Monsoons when the Sun gave the Moon a Soft Slap and the poor purity white-kid went off whimpering, bleeding nose-- I sat, the other night, playing another Grand Strategy game as Tom divided his time between a vaulted and damaged lover, his labor, and his life (friends, food, video-games, vice)... Chai, old Chai the Thai Guy mentioned past his nose in previous iterations of Depictions sat and described his pins-and-needles upset at his bosses at one his three many jobs.. desperately firing text-messages into receiving-space-panel and reflect and back unto Tom's smartphone dash asking him to order a six-pack from a local delivery service cuz his adrenal was giving him heartpain with hurt, and Tom being Busy as All-Ways Tom Is wasn't able to decipher the scramble in-time to make contact before closure of the liquor stores.. poor not-so-poor Chai at first felt castrated at realization he would miss the 11 PM dot-time, but didn't mind as he rendezvoused with Tom and I at Willows Beach where Tom reminded him of a whiskey he'd bought sitting counter-wise at his place.. we kissed a few Mary Janes rightsideup, dragging our butts in the sand to discuss what was wrong (each of us had a problem that night, save for perhaps a less-vocal Tom, I describing my annoyance that a lazy consensus had erupted in my sorry-hometown between my sorta-friends and friends-of-friends that my writing and sharing my writing was arrogant and I an arrogant *** for sharing and I just confounded that they would find my passions so trivial-- perhaps jealousy, perhaps complacency and judgement-for-lack-of-anything-better-to-do and ah **** em all if they think like that, I'll write and be the arrogant me they think I am and share 'til I'm blue in the face and dead perhaps for outspoken intellectualism in their autocratic pointless-waste worldviews.. sad that I dislike them only on the basis they disliked me first..)

I had planned to stay late and leave early-morn (5 or 6 AM) to catch a first-off morning bus back home and sleep, hoping for most part to avoid the shattered-***-mess of a home I was living in.
About 2 days ago, give or take, a water-line for the laundry machine had erupted to soak our entirely-carpeted basement suite, forcing the poor new landlord (a sweetheart of a man named Ron having just taken possession of the house from previous owner on May 1st and, it seems, left 'holding the bag' as they'd call it in day-trading-investment-lingo) to tear out the entirely-soaked carpet and replace it with sensible laminate flooring and rendering the entire suite virtually unlivable for indefinite-few-days and so for me work and friends and especially writing become a welcome reprieve to I, a first world Refu-Jeez.. us, so terribly-off I sip a latte near sunny panorama windows-so-clear-they're-not-there overlooking the crosses of Yates and Blanshard with European church of Gothic architectural style poking heedlessly into empty-open blue.. ironically and strangely there is a liquor store quite literally right next door, and's one I shop at often for its decent prices (God is Dead or Just Drinking to Cope with Sartre and Kierkegaard's Ultimate Thesis) (Kierkegaard especially '*** Kierkegaard seems a good and long friend of God the Almighty) (...I talk with such Judaeo-Christian Catholic rhetoric it never ceases to amaze myself as it bleeds to page..) (stranger thing is, tho, there is no beginning, no middle, no end.. you read or you are bored and either/or is just fine..)

There is some hypothesized crescendo-bliss Tech Singularity on the way in the try-dition of Ray Kurzweil and William Burroughs.. Oscar Wilde to.. (see The Soul of Man Under Socialism in essay-collect book De Profundis).. one day we will all be eternal happiness expressed in song and dance and LED erected-projections of Imperfect Universe (Our Imperfect Earth) with lives stuck on infinite repeat.. our idea of Paradise.. and for those with ability to remain rushed to cortisol (stress-the-best hormone) it will be Hell on Earth, so DRAB and THE SAME all the TIME and it's READ and it's WRITE and it's RIGHT.. the world runs faster with every passing day so desperate to discover the Globe is Flat so we can Hop Off the Other Side into what one might assume to be The Better Place.. elusively picking-up speed thinking 'closer now definitely closer now' unaware (or, secretly aware and unwilling to admit for what will one do when one cannot run?) they are Running in Circles Over and Over and Over and Over and Over Again... cannot take the hint in the fact the Pacific (same Pacific) has been crossed a hugeillion times, nor the same McDonald's in the Azores of Atlantic Portugal is the Same ******* McDonald's stopped-thru on the then-trillionth time last year... and all whilst the International Space Station remains muted up-above crossing 'round and 'round 'til the Jehovah'n Day of Judgement (Chris Hadfield now below with advice for how to run a little faster even blinded in one eye..) then there are the dying Prophets Predicting Industrial Collapse who preach upon the Mount of Internet Sinai Eternal and state "the world is now unsalvageable and we are all about to die.. if ever you wished to find Buddhistic Nirvanic Peace, now is the time so start meditating and imagine Death as New Life and Geopolitics as Game".. forever and ever and ever and ever.

It is only natural to find existence to be 'weird..' layered with Who's That's and giant What The ***** everywhichway you turn.. did it start in a Big Bang, will it end in a Big Crunch, Big Freeze, Big Bang.. ? all questions once ignored for certain ignorance and resurrected as questions concerning the Nature of the What The ***** (also known as 'Science').. and if it did start in a Big Bang, did I start in a Big Bang..? and if it does end in a Big Crunch, will I end in a Big Crunch..? am I a sudden flash of REAL in a Universe that isn't me..? or am I an entire Universe.. perhaps even more than that...? the questions pulse in youth like bad words or bullets. I once stayed up all-night thinking of infinity with my head soaring space-wise forever and ever and ever and I stopped in sudden panic thinking: I could lie here up all night and all day 'til the towered age of 37 (I was 14 at the time) and still be no further on the Universal Map than from thumb-tip-middle to thumb-nail so I wrapped up the attempt with a mix of fear and incredulity, went to school next-day exhausted and tried to explain it all to friends.. they got it, I suppose, but we were all 14 and played basketball instead (I imagined infinite-spinning-basketball on thumb of Michael Jordan).

It's always best describing life in form of Disembodied Poetics.. sure some Philistines won't understand '*** their minds are made of Clockwork, Digits, and Blockthought.. but the general psychic underly implied in all with human faculty will ring-a-ding-ding! and remember all such ancient thoughts and feels as forgotten as a child, locked away until the Spirit rose-up from a rosey thorn prickle to flower straight-up into a Rose! or so I hope as a one-of-many writers-- all of which will write so-as to speak on your behalf.. all floaty and marking a purpose.

I have been to where
the lonely go, and I’ve
seen their luring towers,
A call to the hopeless, to those who come
from far away to see

if coming was a mistake.

Will we ever know
who doesn’t go?
and what of those that go
but remain unknown?
Perhaps they go at night.

The horror of it.

To not be able to see the end
but still it comes and quickly.
A silent floating moment
in a winter of regret,
a springtime of longing,
a summer of sunshine,
Or a fall to the end

of the world in 7 seconds.

A super cosmic collider of
meticulous destruction.

Whether they stay or go
its all the same,
multi-layered levels of
brokenness,
no one is immune.
No one is immune.

Some spend time putting
things back together,
the spacing between levels allows it.
Others break over and over
and over again,
not enough space for repair

while the pull of the towers,
the flaming red towers and
the fog rolling down
from the west promise silence.

When I stood at the edge and looked over,
the noise was deafening.

The ones without space
cannot hear.

When we look into today,
*Do our minds dial back to 16 June '76 to envision the torment
Our fallen heroes endured?

Is your vision blurred?
Mine isn't.

Their fight was just,
It was sacrificial
One by one they perished
But, even with blood and sweat slipping
Through their trembling fingers
They did not falter

They pushed boundaries
In order to create opportunities

They had a burning desire
For something greater,
For freedom
The freedom that we now bask in
Like it's just another day of leisure

"The youth of today are the leaders
of tomorrow", they say

Look in the mirror,
Are you really the leader of tomorrow?
Do you fit somewhere in that statement?

Me: No

Do we have the will to stand
Firm for what's right,
Against what's wrong
Or do we clam up, let the
Truth escape through broken doors?

We feed the stereotypes,
We fit perfectly into the stereotypes
We've been dubbed insubstantial,
Not layered, and one dimensional
What are we really after?
What are we doing to change that perspective?
No- what am I doing to change that??

Ask yourself, what would the
world have lost if you were not born?

Me: Nothing

But there are those who
understand that the meaning of "struggle"
Goes beyond the dictionary definition,
Those who look at the world
With crystal clear eyes
Those looking to make a difference
Those looking for a difference

We may be in freedom,
but we're not free at all
The chains are still bound to our
Wrists binding us from reaching
Out to the sun,
The chains are still tied to our
Feet hindering us from going further

We can stand united
Against the ****** government,
Against illiteracy,
Against poverty,
Against pointless wars,
Against abuse.
We can clench up our fists,
Ready to fight for what others
Led way for

I am, by no means, a beacon of
Hope (hypocrisy at it's best)
I'm uninformed, like they say
Ignorance is bliss
But I am not proud of it

We've come far since '94
We still can go further

"Together we can do more"

I must be made out of stone,
A stone is a good thing to be,
I have weathered wounds ,
Changed a bit on the outside,
The core remains the same .

A stone is a good thing to be ,
Nothing changes inside,
A landslide or an avalanche,
It’s just an adventurous ride,
An experience that shaped me.

Nothing changes inside,
Time has layered me solid,
A little unraveling by nature,
Is time again working on me,
Showing the grit that makes me.

Time has layered me solid,
Bruises sharpened my edges,
Water smothered me smooth,
I could lay alone for ages,
Or I could flow and dissolve .

Around* the time
Both eyes
So fixated double-book
  Marked inside the
    fairytale
      *     *    
She spread her layers
Like the Bitter beauty
So truly ribbons curly
Like the beast changed
her fruit
Please come home soon

Trying to sugarcoat stars
My date with the moon wars
Silk thread My sweet Lord

Remembering the taste
A forever not forgotten
the beat wrong words may
get you both in heat

A glass of wine I love thee
Share the good eats
And pray "Mighty God" life is hard
So misleading silk heart of words
What was truly said
over again to repeat
The best silver playful
wings of white's
like a shrine all mine

The smile when your
the heart is the aching
Love didn't feel right
Those confessions
to play out the
innocent love dose night

He summons her on
Queen Antionette
Killing me softly

French silk pastry I love thee
Not to pry covering up the
commander

Layers he could smell
She's settling in
Like the splendor picnic
grass of fruit
What a big mouth
He has the perfect foot

It's her the Owl toot
The hard labor of words
Overlaid  like under
the weather maid
Finely crafted silk leather
Florence Italy boots

To fought out in every dip
of his fruit
Vegetables the envy
of the green planet of Kale
She was so jaded
Layering Silk Thine
It's time to be mated
The many layers of his smile
Shadowed over the windows
strangers enchanted by what they saw

Like Tomato vine silk
thine running away from love
There was note pulling them back
The longer you wait for
a double feature smack

Meeting the dark hawks
Nothing could stop her
When he talks wind blows
Magical silk tongue
drips overflow

Silk weave on his
white crisp shirt
His tears met my blouse
talk can be cheap but not
from your spouse

The bed looks like
the heart of science
The heart of silk birds
communicate to
the brain of buzzing bees
Missed the timeless
train____ on your knees

Whats more death do us part
Something took a beating
Eternal return to me meeting

I silk Thine or rose thorn for me
What about the day

You were born the sign
and meanings
The brain overworked
our hearts
Two newlywed blue worker collar

Like a citation scholarly
Turned into a citation court
order of traffic

Layering all his missteps
play up her lips
Easy for most play along
toe to toe ring
He's the Hub that bubbly wish
"English Yardley" sing
Style of writing waved
her in the tub

Whispering words
all layered like
a dark promise
She had a Blackout

Mercilessly another sip
Divine silk  Turkish coffee
All in the weave of
dark clouds
on his sleeve

Mom the dressmaker such a
miracle worker
Cleaning up secrets the tears so
many delicate sides of years

Mail order bride stargazer
  heart stopped when
he dressed her
Layering on Silk Thine
Mr. and Mrs. Valentine
Regine
Physiological mechanism
My silk of words theory
His beard heart stubble

What truly appeals
Meditation the truth heals
Sumptuous layered
strawberry
shortcake more
time too short

Her wavy hair in
his heart of palms
Swinging from the trees
Making such a ruckus

Her nerve ending
like a sad song story
Robin Birds bring
on the Morning Glory
Every September
Silk stir of wine
To see the thine
*Precious Silk Rose,
you had me
Star*

Watching the world
of poems light
Why "God"
Saying how come tonight
Or not tonight please make it
"Holy Night"

He loves the way
you look how you turn
your head
On the side
of his glide

Your sleeping in
his bed he
looks at you with
layers of sweetness

F- For being faithful like a forbidden fruit truthful
R- Ruler of fruit so passionately about his love bite
U- Understatement how she layered her
salad love ingredients
Google it
Utmost website take a bite
I- Included in everything We know it the poets
Ring coming like diamond my fruit of the crop
T- Timing, Fruit for thought rhyming tremendous
but tedious fruit-salad love

I- Truly   

S- Strawberries lips of cherries falling from the tree.
Feeling free Robin bob bobbin along loves strawberry pie
A- For such ambiance, Miss Ambrosia
such allure "Pink lady" apple smiles so
animated graphic artist so cool and waves shore
L- For Living eating in good health breathing
the fresh air Earth Baby Bella green lettuce.
Lacy Length of her wedding bodice spiritual rice
he promised her hand in fruit bountiful marriage
A- For a party of love fruit masquerade party
Connoisseur of fruit smarty oranges
vibrant animation fruit forever apples,
I tune's of apples
D- Divine dressed up with layers
of fruit salad
Devilish eggs toppings designs of
dandelions daisies, fusion
with fruit crazies

D-  Digging exploring forbidden fruit
Cranking up the Cranberries
I am dreaming the Blueberries
No Sir, not your Monday blues
Dow Jones way up I Apple phones?
R- Rev it up Robin Recharge, rambling
lucky reds fruits
Italian the lovers of red wine and a salad
avocado smashing up her Money green
Eldorado entering her fruit palace

                      She rules

E- Energy vitamin E for exceptional inviting
fruit salad with everything piling
Elderberry Evergreens Huckleberry
S- Symmetry art salad Palm of hearts
Fruit season
love storm style sophisticated a poem with
the style you're sure to smile
S- Autumn leaves falling on the
sleeves crabapples
Silver smooth skin Kiwifruit sour cherry on the
          " SILKY"
Dogwood in the Sierra Juniper
E- Enlightening some enchanting evening
how his love fruit fell from the tree
His fruit for the soul so enthusiastic you loved
to entertain this is love fusion nothing simple
I am not one to complain

D- Dressed to the fruit nines perfect 10 salad
Mad Alice in Wonderland hair so much hair
obsessions love of fruit blueberries and
she's a bit sour cream
with daisies and dandelion teas all,
please and what else is another
fruit of a pain
To remain in silence but that burst of flavor
is like science fusion of soulful rain

F- food for thought furry but fireplace hot
love frenzy comfort foods A la carte frosting
"Buttercream" food pleasant dream
The freshly brewed coffee I never heard of
fruit your in luck
Blueberry coffee homemade Moms
I  girl scout you brownies and
Saltwater sea fruity buns of a breeze

U- Unique how you utilize passion-fruit
prize music
fruity Pop blend fires out up-tempo
your feeling unbaked
Not the right ingredients of love fruit cake

S- Serendipity New York City the
fruit never sleeps fruit stands love for
keeps or Dorothy surrender spices
of Sage Superfood salads

I- Yes we have bananas wearing paisley
bandanas fruit is ripe to improve a love
how it's written
Inkwell an index of fruit swell

O- Out worked outlived on time for only
fruit about the abundance of love
So soothing the fruit tunes of his music
Overjoyed Silk Organza

N- Gift of fruit not like any other day
Neighborly of kindness just dress
Organza Gown of fruit
So naturally spoken love so near Fruit salad he left a notorious love tear.

If I could
pinpoint the
exact moment
your breath
touched mine
washed me over
in ocean waves
sea creatures glowing
in delightful recognition
as the seedlings
of connection
shimmied into our being
and, dancing within me
in its own lifeforce
your mind a living,
breathing animal
your heart, purring
and whirring its sacred forces
into my molecular structures
your soul throbbing
in mitochondric pulsing
(oh what
a delicious vibration
of ribosomes)
Between us, we hold
the true treasures
close, in frothy
                       tenderness
a purity of the expanse
of our universe,
swathed in prismatic color
colors that shift,
these fresh hues
for which there are no name
they are lucid and fine-woven
as silk histories
yet deep as earthcore
your eyes, voice
are forever burned
into my own
every day scriptures
that rock my shattered parts
into wholeness
and,
like ancient magic,
I conjure forth
the holy gospel
rising from our bones
every second of
every minute
as our deepest fires
our most secret filth
our murky corners
our darkest hours
we weave into light
brilliant and lustrous
multi-layered in the richest
folds of the earth
and as you place me
upon the shores
of your garland-graced
                              throne
Now I'm alive in a new
kind of light
and
all I can do
is love
        and love
and love

With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses

..


Save from the hidden nests of birds,
it was the only one there...isolated,
like an isle...crested on the leveled
top of a gorge...its way down or up
was through a hand-carved series of
steps on its *****...at its front was a
curved gorge......one would think,
it was trying to cross over

the cottage was small, weather-beaten,
desolate......its wooden walls seemed to
have shrunk...its faded colors proclaimed
its age...its having survived past storms....
from its window, the stream was seen,
and heard, flowing on and on between
these two precipitous valleys.

light came from the sun...and moon,
music was provided by the murmurs of
the forceful wind, the continuous flow of
water on the stream, the stirring of the leaves,
the crackling of branches and twigs, the birds'
singing in the spring...the pounding of heavy
rains on its roof...and countless other hymns
of nature......the dweller had heard them all...

beneath a lonely moon glow,
when nights were cold,
there hovered low 'pon its aged roof,
rounds of layered fog...like a series of
steps....like a stairway to the sky...
fog slyly crept, and wilfully shrouded
the cottage.....it vanished from view,
the two gorges and the stream, hushed,
in the dark loneliness of that secluded
spot......their vulnerabilities, trapped
inside....misshapen silhouettes...

in light and in dark,
the whistles of nearing and departing
boats....were wailing, haunting calls,
piercing the peaceful calm of the valleys, or,
maybe, the stilled complacence of the cottage,
or...of the one living in that lonely cottage,
...lost, or gone astray, now weary and worn,
willing to be found...longing to be reunited
.......with the light and warmth of love...

the cottage, the gorges, and the stream
would be loneliest,
without the cottage dweller...


Sally

© Rosalia Rosario A. Bayan
August 27th, 2018

Two Bulgarian poets entered “The Second Genesis” – Anthology of Contemporary World Poetry – India’2014
Poems of the Bulgarian poets Bozhidar Pangelov and Mira Dushkova are included in the Indian project “The Second Genesis: An Anthology of Contemporary World Poetry”. Bozhidar Pangelov’s poems are: “Time is an Idea” and “…I hear” translated by Vessislava Savova; as for Mira Dushkova’s poems – “Beyond”, “Sozopolis” and “The Girl”, they were translated by Petar Kadiyski.


For the authors:
Bozhidar Pangelov was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles (2005) written entirely with an unknown author but in a complete synchronous on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is an editor of his next book Delta (2005) and she is the woman whom “The Girl Who…” (2008) is dedicated to. His last (so far) book is “The Man Who…” (2009). In June 2013 a bi lingual poetry book A Feather of Fujiama is being published in Amazon.com as a Kindle edition. Some of his poems are translated in Italian, German, Polish, Russian, Chinese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe takes Europa ein Gedicht. “Castrop Rauxel ein Gedicht RUHR 2010” and the project “SPRING POETRY RAIN 2012”, Cyprus.
Mira Dushkova (1974) was born in in Veliko Tarnovo, the medieval capital of Bulgaria. She earned a MA degree from the University of Veliko Tarnovo, and later on a PhD in Modern Bulgarian Literature, from Ruse University Angel Kanchev, in 2010, where she is currently teaching literature courses.
Her writing includes poetry, essays, literary criticism and short stories. She has published several poetry books in Bulgarian: “I Try Histories As Clothes“ (1998), „Exercise On The Scarecrow” (2000), „Scents and Sights“ (2004), literary monograph “Semper Idem : Konstantin Konstantinov. Poetics of the late stories“ (2012, 2013) and the story collection „Invisible Things“ (2014).
Her poems have been published in literary editions in Bulgaria, USA, Sweden, Hungary, Croatia, Romania, Turkey and India. Some of her poems and essays have been first prize winners of different Bulgarian contests for literature.
She has attended poetry festivals in Bulgaria, Croatia (Zagreb) and Turkey (Istanbul and Ordu).
She lives in Ruse – Bulgaria.

For the Antology “The Second Genesis”:
In the anthology titled „The Second Genesis“ are published the poems of 150 poets from 57 countries. All poems are in English. The Antology consists of 546 pages. “The Second Genesis” includes authors’ and editors’ biographies and three indexes: of the authors; of the poem titles and an index based on the first verses. It is issued by “A.R.A.W.LII” (Academy of ‘raitɘ(s) And Word Literati) – an academy, which encourages literature and creative writing and realizes cultural connections between India and the other countries. Four times a year ARAWLII publishes in India the international magazine for poetry and creative writing „Prosopisia“. Its Chief Editor and President of A.R.A.W.LII is Prof. Anuraag Sharma. He is also author of Antology’s Introduction.
Participating Countries:
Albania, Argentina, Armenia, Australia, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Albania, Great Britain, Germany, Greece, Denmark, Egypt, Estonia, India, Iran, Iraq, Ireland, Israel, Spain, Italy, Jordan, Canada, Cyprus, China, Kosovo, Cuba, Macao, Macedonia, Niger, Norway, Pakistan, Palestine, Poland, Puerto Rico, Romania, Russia, Saudi Arabia, USA, Singapore, Syria, Serbia, Taiwan, Tunis, Turkey, Fiji, Philippines, Finland, France, Holland, Croatia, Montenegro, Czech Republic, Chile, Sweden, Switzerland, Scotland, South Africa, Japan
For the editors:
Anuraag Sharma – editor and president of A.R.A.W.LII
Poet, critic, author of short stories, translator and playwrighter, Anuraag has to his credit the following publications: “Kiske Liye?”, “Punarbhava”, “Audhava”, Dimensions of the Angel: A Study of the poetry of Les Murray’s Poetry “Iswaswillbe” – a collection of short stories, “Setu” (“The Bridges”). He has also co-editor the volume of conference papers: ”Caring Cultures: Sharing Imaginations. Some of his recent publications include: “A Trilogy of plays”, “Mehraab” (“The Arch”) – translations of selected poems of four Canberra Poets, “Papa and Other Poems”, “Sau Baras Ka Sitara Eik” – translation of Andrew Parkin’s “A Star of Hundred Years”, “As if a wooden house I am”- translations of Surendra Chaturverdi, “Satish Verma: The Poet” and “Tere Jaane ke Baad Tere Aane as Pehle”. He is also editor-in-chief of two international journals – “Lemuria” and “Prosopisia”. Currently he is working as a Professor in English at Govt. College “Kekri” Ajmer, India.

Moizur Rehman Khan – co-redactor, project manager, secretary of A.R.A.W.LII
He studied Urdo and Persian Literature in college and later on competed his master degree in English literature from “Dayanand” College, Ajmer, India. He completed his research dissertation under the supervision of Anuraag Sharma on “Major themes in the poetry of Chris Wallas-Crabbe”. He is a creative writer. His poems and articles have been published in various magazines and journals. Currently he is teaching English at DMS, RIE, Ajmer, India.
References for the Antology:
“No middle no end, the poems in The Second Genesis have been speaking to you long before the beginning and will continue without you…don’t worry, its binding has long since unglued, its pages, worn and disheveled, will always be speaking to you, they’ve been compiled this way, to be read out of order, backwards, shelved or scattered in an attic between the coffee and greasy finger stains…The Second Genesis is the history of the Book where you become its words, ink and pulp.”
Craig Czury

“The Second Genesis is at the crossroads of a new poetic becoming. a poetry claiming its second beginning not only for art but the heart pulsating and feeding the entire body. This anthology is a successful fusion of unique, inimitable and polyphonic poetry, a well-organized improvisation with a solid and flexible structure.”

Dalia Staponkute

“The Second Genesis, a compendium of world poetry which is also a poetry of the world, suggests so much a new beginning as it does a recognition of the ongoing creation that continues to animate our collective existence. Our precarious era requires a global affirmation that we are all in this together. Poetry has always said as much, and here it says it again, in the idioms of our time.”
Paul Kane
**
“Visionary and international, The Second Genesis, introduced and edited by Anuraag Sharma, sparkles with poetry of insight, intelligence and feeling and is an indispensable reminder of our human aspirations and experience in the early 21st century. Poets from nearly sixty countries rub shoulders in this ambitious and wide-ranging collection, and their poems resonate and mingle in a multi-layered voice. It is the voice of our humanity.
In his Introduction, Dr. Sharma points to the invaluable importance of poetry in what he calls our destructive Lear era:
Beyond the Lear Century, across the 21st Century lies the island of Prospero and Ariel and Miranda and Ferdinand – the region of faith, hope and innocence, the land of virtue, and all forgiveness sans grievances, sans regrets, sans curses. The doleful shades lead to pastures new.
We must weigh our hopes. The Second Genesis is at hand….”
Diana Sampey

She heard that he’s a poet
and wondered if he would write a poem
about her.

A wave of her
shoulder length strands of pleasure
should flag down nearly any man
with an ounce of testosterone.
She wondered if she had a poem in her hair.

She spoke a few soft words
layered with one of her smiles,
the kind most guys adore
because they don’t know if it means
to come closer or to leave her alone.
Perhaps a poem rested in her smile.

If she had cleavage like Jayne Mansfield
surely he would
form lines about her in his mind
and feel compelled to tell the world
how she captured his lust.
She wished for ******* with a poem in her cleavage.

She touched him.
He seemed open to her arm around his waist.
A poet felt like any other man.
She pressed closer;
perhaps he sensed a poem
in the warmth of her lean figure.

Later in bed,
he stayed close, their legs entangled
unlike anything she could remember.
She wondered if there had been a poem
in her *****.

She wished she smoked
and noticed that he didn’t.
Perhaps if they shared a cigarette
he would be enticed by the drift of the smoke from her lips.
Was there a poem in her sensual exhaling?

He seems so Hemingway,
mysterious, yet open to each moment.
Her mind played his movements
like a video tape recorder.
She wondered if she should write a poem about him?
Was there a poem in this experience?

Hear the bass, grace notes race all over the place
Cymbals paced, hi-hats chase, weaving between the bass
The piano - chords struck with wide spanned hands
Poly-rhythmic, multi-layered sounds in strands

The timbre of reed vibrating against warm metal
Precision; a sixth, a ninth and an eleventh interval
A major, a minor scale; a frantic modal sweat
A small sound for mankind; but a truly giant step

Each note slices through the eclectic beat-drop
Singing and whispering this post-modern be-bop
Multi-phonics scream, like controlled feedback
The seductive saxophone – this weapon of attack

The boundary is stretched, new ground broken
The holy saxophone has never thus spoken
And I pay homage, all my deepest respects
Go to the man who made those giant steps

outside there was invisible rain:

forgetting everything at once, I blinked

the colors changed and the tone settled until I blinked once more

the colors came back, the tone arrived on time

a mere hour beforehand I looked at her face

beyond time and space, throughout the souls of everyone in the room(don’t give up)

the only one I thought of was you, looking at you

what was causing your agreement…

can our eyes not even meet?

(meet me here, leave me there-take me a journey)

there’s no reason to bother anymore



I drifted away from the passion

focusing on the important details(my hero making strong points)

across from me, the other

at least she looks at me and smiles

-no, I can’t

can I? float between souls again to feel at peace

this is not a debate or an argument

we should just work like it does for other lovers

but no, that’s not how it works

walking to the end of the earth would not help



I’ve really crashed this car into the wall

to forget it all

the colors disappear and reappear

did I drift off? or tricks and invisible rain and

why don’t you just listen to my message!

this shouldn’t be such a game

-at least she looks at me and smiles

therefore everything I’ve ever created should burn

and on its side it will turn

over and let me fall off

(you’re not getting my message!)

throughout time and space, floating through the souls not in front of me anymore

but in my head instead

which makes me ask the question-



(where am I?)

does she care for me?

if the smile is a truth than I’ll fly

it would be worth it in the end, I presume



you need to just listen…                                                                                               (O save me iridescent soul!)

can’t you just listen!                                                                                                       (O forgotten ended beginning)

your eyes-meet mine?                                                                                                   (O never again forgotten love)

this is the place, the time, and the season…                                                         (O invisible rain pour down!)

                                                                                                (O invisible rain come down and cleanse my soul while I drift between you and her and her and you; forget me not! this is for you, for you to not fall into a black hole forever layered over images of the past and the future. beyond reason, beyond reality, we need to cut it in little pieces and burn it all for our love to kindle and explode into the night sky! I need your help with this one, before I fall down and into her arms, but if that’s what you want, and what she wants, so be it, forever, and ever, and ever…..)

white layered over white layered over white….

O save me iridescent soul, send your invisible rain to pour down, and like cupid’s bow, create love, somewhere, between someone and I

white over layered white over layered white….

Have you forgotten something? at least she looks at me and smiles

black overcoming white the overcoming of the blue overcoming the past….

I’m ready to accept it all, just throw it on me as we travel

past the overcoming of the blue overcoming the white overcoming the black-

(once again we)

Cut it!

A creative
bright sky
from a black and dark earth.
Sculpted, smooth, cylindrical.
A simple layered texture.

How many marbles can you fit into a bowl until you say you can't count them?

I do not want events layered upon events.
Birthdays toppling over birthdays:
a layer cake of responsibilities that aren't 'responsibilities'.
That do not count.
That cannot be measured or described as taxing or numerous.
I am outnumbered by numberless nonsense.
I am outweighed by weightless wafting pleasantries;
and opportunities;
and life-sustaining things;
that bowl me over.

My womb is a desert called Death Valley and you wish to comb it for antique glass bottles.
I care not.
I cannot partake in any more suggestions of what I might do with my 'free time'.

But you're not feeling the tingling sensation in your gut every time you wake up and the lights don't turn on.
The wheels don't work.
The mechanical arms don't move like they are supposed to.
Like the parts of you you're supposed to have on automatic have just given up the ghost and abandoned you.
You're alone and miserable and none of it rings any bells.
None of it gives out any signs.
None of it counts.

I'm crying because the milk spilled and there isn't any milk left anywhere in the world.
We're out.
We're just the land of Honey now.

Fukiko had woken before her accustomed time. She was alone and would have prefered to sleep, and sleep on until Narumi had lit the brazier in her room and brought tea. But she had woken, and was aware that outside the world had changed. The world, her world of Yukiguni, where the mulberry fibres for paper-making were laid out in the snow-bleached fields. Her world where men from the cities sought the kind of woman she was, a woman uncultured in the ways of geisha, but possessing a freedom no city-bred geisha could possess. She had been schooled by an aunt, was accomplished as a performer on the samisen and though her voice was thin, it held a quality of understanding, it had a fine texture, though thin. And yes, this morning a change had come over the world outside her small house that looked over Hikachi Lake, that looked towards the southern flank of the Central Mountains where during the previous day and night the snows from across the seas had fallen on the landscape. She imagined the roofs of the monastery across the lake were heavily white, and as she sought the image in her mind’s eye so the large brass bell of the temple sounded, no, it throbbed across what she knew would now be hard-frozen water.

I am floating she thought, like the snowflakes I glimpsed in the reflected lamplight when last night I opened the shutters for a moment before bed, before sleep and descent into my dreams. For days now she had been dreaming like never before. She seemed to enter a dreamstate; she would then wake purposefully; she would then fall instantly into quite a different world; over and over this seemed to happen until she found herself wondering if she was dreaming within a dream; she would become aroused, her skin glowing with the ministrations of hidden hands and fingers; she would feel that presence on her upper thighs, a kind of perspiration born of that ****** sensation that, when awake, would sometimes steel upon her.

The coming of the deep snows before spring was always a delight, an excitement carried her from childhood. The way its coming turned daily life upside down. She would enjoy choosing her very warmest garments, the bringing together of layers, her rabbit-skin mantle perhaps, a bright warm scarf over her hair, which she would not today ‘put up’ but allow to flow comfortably next to and down her back, then the hood only if the snow and the wind persisted. She could tell from the warmth of her bed that this was not so, that outside there was a stillness. Even the birds were subdued. Only the brass bell broke the stillness born of this deep snow of spring.

She heard Narumi rise, heard her **** in her chamber ***, heard her roll her bedding away, heard her bring the stove into life and fill her mistress’ brazier with the few precious coals brought across the mountains. There would be tea soon, and this young girl, appointed by her aunt to her charge, would appear to kneel beside Fukiko and give the morning blessing her mother had given Narumi since infancy. Then, she would say, ‘Madam, the snow is deep this morning. We are bound in snow today. Our path has disappeared.’ Still a child’s voice, and still a child at thirteen winters, such a slight girl. And she would retire to the warmth of the kitchen and Fukiko’s cat who was not allowed into her mistress’ presence unless requested.

Fukiko could feel the warmth from the brazier. It was as comforting as the thought of the silent snowscape outside. Gathering her cloak around her, kneeling on the covers of her bed, she held the bowl of tea in her hands, letting its warmth caress her fingers. Standing up, she stroked herself as though to bring her body awake - her flanks, the front of her thighs, her stomach, her slight *******, the long curve of her bottom and then the back of her thighs, her right hand stroking her left arm, her left arm stroking her right arm from shoulder to fingers. She was awake, and placing her feet on the cold matting found her night cloak of deepest blue with the ornamental sash of red and white. She would open the shutter and gaze out into this fresh world of snow and light.

It seemed quite miraculous that a covering of snow could so change this view across the lake to the monastery and its attendant village and then to the mountains beyond. She had once seen a woodcut of this scene, in snow, and had been mesmerised by what it revealed. Despite her status, her profession, such as it was, any ambition she might have harboured to dwell in a city, evaporated at this vista, this snow country scene. It was as though she was living in a story book where she could imagine herself as a concubine of some favoured lord, even better, a princess groomed for a fine marriage, a marriage she knew she would be unlikely to experience. There was one, a land-owner beyond Huchin whose business brought him past her domain, who, widowed and childless, had been advised to seek her presence. And she had been charmed by his shyness, his lack of experience with such as the woman she was, or thought she had to be. And it was often that she would find herself thinking of his presence, and imagining her body melting to his careful touch.

Suddenly, out on the lake figures moved. Was the hard frost of the last week really able to sustain figures on the ice? The brothers from the monastery were tentatively moving too and fro, they were suketo, skating. She would summon Narumi. Her girl should see this sight. The brothers in their crimson robes moving to and fro across the ice, their robes flowing. ‘Narumi’, Fukiko said, ‘a sight so rare. Come and look, the monks are skating.’

So Fukiko and Narumi opened wide the shutters and let in the whole landscape, the lake, the monastery, the snow-roofed village, the mountains beyond into the room. The snowlight dazzled, the hard cold air rushed into the warm room filling its very corners with an enervating freshness. Narumi knelt beside the brazier in her best purple cloak, her hair already pinned for the day, her eyes wide at the sight of these figures dancing with movement on the ice. Although cold, Fukiko would not pull herself away from this play of forms, this wholly pleasurable sight. Just below her window her camellia bushes were in bud, almost budding, their dark redness, bloodlike, enhanced by the vivid snow white. And then the bamboo, snow on the bamboo, as though carefully layered on the fragile stems and branches. This morning no wind and a period of snow falling that had laid flake upon flake upon flake giving the bamboo a wholly different form and weight and body. Its stems bent as though in supplication, as though in prayer to bless the landscape of this snow country.

One must bend
In the floating world -
Snow on bamboo

Kaga no Chivo (1701-55)

To serve as a sub title I would call this antidote presented in a flowered bouquet first of flowers then
Thoughts that are found in such gifts of treasured beauty an antidote in the central theme of my life

Trying to give any and all relief from pain and suffering if nothing else it will serve as a brief distraction
As you read unfortunately we can only win small victories but anything to help just possibly it will make
A crack that will lead to understanding and more winning can occur

The gold bejeweled lives I have known they the towers the earth’s perennial flowers they were the all
Consuming hours of my life others view life conceptually one part is a stone wall that grows the figwort

With the other English Ivy Hedera the first has the notation of growing in old ruins here
Is the represented tendrils of the heart ever growing ever showing a map of feelings ether joyful or

Tragic within their sinew your strengths and weakness are displayed yes they are hidden to the natural
Eye but in quiet conversation they reveal themselves in the loveliest ways they are rhythmic waves that

Flow over those that we love instilling in them our secret otherwise unknown selves then now I would
Like to present the main body of this piece what are the first words women say when they receive

Flowers how lovely is their words for this to happen their heavenly Father stood before this blue globe
And spoke to the wayward wind my desire is to make an unquestionable quality that will be the very

Essence from where its fragrance is derived he told the wind go and do my bidding instantly the wind
Split into four parts from that time till now it is called and said gather from the four winds in obedience

To the master one part rushed down and felt the tearing of mountain peaks it screamed with delight
And pain it soothed itself by quietly passing over knolls that stood on lonely hill tops then through vales

And valleys it made progress looked across the great span of earth to see what its kindred brothers and
Sisters were finding in its drift and wonderings it noticed one was awaking the wild African world then it

Turned and whirled as it picked up the scent of Africa’s coffee fields instinctively it knew where it must
Go next to the southern tobacco fields it delighted in the pungent promise where in parlors ever so

Humble the tiny pleasurable string like smoke would lay on the air and from a great distance far from
This domestic scene it could see its fellow kiss and roll across the earth’s great rivers the Nile and its

Rectangular pyramids the burial enclosures of the pharos with reverence they silently passed to deepen
This they drove onward until they felt the sacred Ganges below they drank of the sighs of millions of

India’s people refreshed by this dearness to link themselves to the one true God they set a course that
Would take them to where in future days a Union Jack would have the notoriety that the sun never set

In far off lands without its shadow proudly waving it pointed glory folds back to the Thymes where the
British crown would nobly reign and one of its greatest achievements would be the land of free men

That it spawned so out to sea it turned to visit this kingdom not of royal crowns but the garland of
Freedom that rested on every man woman and child it was home for many waters the Mongolia the

Ohio north lay the Great lakes in its center the old Mississippi it followed it down and made its turn west
To rivers called Rio Grande the Red Brazos on to the Colorado the snake and if they could be heard

Speaking they be saying Chisim Platt fairest blue bells I know your home in these familiar dales and pick
Up the from the arid desert from dry river beds biting sand go to its roots and you would know long

Ago waters that held brimming life over the gold fields it continues and dips into the blue pacific
Washing sand an grit its next stop was turquoise waters rainbows and waterfalls it fell into the swaying

Palms coconut papaya pineapple layered it with richness it would create the fabled trade winds it turned
To view it exact opposite its brother wind that came down from the pole it knew Russia’s Siberia Alaskan

Tundra at this point it heard the Father state you have done well he drew a great breath that captured
All that was gathered in the heart of the wind then he turned to carpeted fields that stood incomplete

Flowers were as a sea but they were empty petals they were the reproductive part of flowers but they
Were barren of vividness and true deep colors but worst of all they were odorless and then God

Breathed upon them the secrets that the wind had stored from the four corners of the earth in that
Moment flowers became the true marvel and were forever established as the hallmark of romantic

Expression first picturesque layered with gratitude stillness the chill from the pole that reached down
Through the Canucks of Canada there is the splash of **** frost felt if not known the enticement of the

Soul of cool contrasted with the deserts heat cacti drenched in sunlight never to be complete always in
Rays that makes it beholden in glimmers it shimmers it touts a glory born from harshness it lingers as

Indescribable beauty burnished sands its court this is also found in the allure of flowers hidden within
Is weariness but it is the refined kind it speaks to you not of tiredness but of rest of shade and shadow

A quest is announced do you not feel a sweet breeze how else does its fragrance come within reach
You’re carried back to mountain meadows meows from baby mountain lion kittens are laced within

The story flowers release through their fragrance and truly this just one of Gods many gifts to man
And the greatest Rose of all is His Son the Rose of Sharon