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"indentation" poems
~a question of a thousand dreams~^ “Where are you going now my love? Where will you be tomorrow? Will you bring me happiness?  Will you bring me sorrow? All the questions of a thousand dreams, what you do and what you see” this one composes itself for all dreams go unremembered the first, the thousandth, the  every in between, erased by the push button of opening eyes but dreams come, marching in, saints mining the raw materiel the quartermaster has stored, awaiting requisition by an unarmed unnamed corp, witnessed but never seen these dreams wisped soft willow budded, tempting taunting, leaving nothing but unanswered questions that colored come in black and white elementary clues, a pillow indentation, single hair that stretches across the sea between two pillows that is blonde or red   but certainly unmine,   dregs of soured sentiment linger like the aftertaste of too many coffees and stainless steel beers heated summers breezes give no succor or relief, and the rain following gives no pleasure, for now you are hot and soaked, but somewhere in there a dream is part replayed, and eyes widening in major league surprise, the question acknowledged, the dreams quest hinted   she has gone, neither happiness or sorrow will she provide on the morrow, no toweling of your wet hair fair, and you awake sweat besotted, it is not rain, just pain, and it is only one dream a thousand times repeated and what you do and what you see is the abraded night ahead, and you bitter laugh, for there is no more other than to think, the question answered, and you beg relief by uttering “perchance to dream” 3:49 pm see the notes!! someone accuses me of Plagiarism because  I did not acknowledge that the quote in marks and Italics was from a famous song written 39 years ago so here is my response to “just saying” congratulations on ******* me off and yes I agree, you do not know the rules “#1: Quotation Marks Are for Quoting People—Verbatim Perhaps it should go without saying, but quotation marks are for quoting people. Quoting doesn’t mean summarizing or paraphrasing; it means repeating exactly what someone said. If you put double quotes around a phrase, your reader will often assume  that someone, somewhere, said that exact phrase or sentence.“ http://thevisualcommunicationguy.com/2013/09/11/10-things-you-really-need-to-know-about-quotation-marks/
0
Aug 3, 2018
Aug 3, 2018 at 3:59 PM UTC
a question of a thousand dreams
~a question of a thousand dreams~^ “Where are you going now my love? Where will you be tomorrow? Will you bring me happiness?  Will you bring me sorrow? All the questions of a thousand dreams, what you do and what you see” this one composes itself for all dreams go unremembered the first, the thousandth, the  every in between, erased by the push button of opening eyes but dreams come, marching in, saints mining the raw materiel the quartermaster has stored, awaiting requisition by an unarmed unnamed corp, witnessed but never seen these dreams wisped soft willow budded, tempting taunting, leaving nothing but unanswered questions that colored come in black and white elementary clues, a pillow indentation, single hair that stretches across the sea between two pillows that is blonde or red   but certainly unmine,   dregs of soured sentiment linger like the aftertaste of too many coffees and stainless steel beers heated summers breezes give no succor or relief, and the rain following gives no pleasure, for now you are hot and soaked, but somewhere in there a dream is part replayed, and eyes widening in major league surprise, the question acknowledged, the dreams quest hinted   she has gone, neither happiness or sorrow will she provide on the morrow, no toweling of your wet hair fair, and you awake sweat besotted, it is not rain, just pain, and it is only one dream a thousand times repeated and what you do and what you see is the abraded night ahead, and you bitter laugh, for there is no more other than to think, the question answered, and you beg relief by uttering “perchance to dream” 3:49 pm see the notes!! someone accuses me of Plagiarism because  I did not acknowledge that the quote in marks and Italics was from a famous song written 39 years ago so here is my response to “just saying” congratulations on ******* me off and yes I agree, you do not know the rules “#1: Quotation Marks Are for Quoting People—Verbatim Perhaps it should go without saying, but quotation marks are for quoting people. Quoting doesn’t mean summarizing or paraphrasing; it means repeating exactly what someone said. If you put double quotes around a phrase, your reader will often assume  that someone, somewhere, said that exact phrase or sentence.“ http://thevisualcommunicationguy.com/2013/09/11/10-things-you-really-need-to-know-about-quotation-marks/
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47
again, madness! one eye tears, why must you return to the old familiar, the poets prescribed, already so well covered? why? must. it is the only shade of my voice that persists, all else vanity. these are words handily eye-read, given. all I need do is “repeat after me” somewhat well, and fill in the blanks. <> he writes me, in another place, to another name, describing himself: “I'm a charming man with a fragile patience.” no sir, Muses order me to disagree, you are a fragile man with a charming patience! your fragility is a royal hallmark, embedded in every scribing, this human indentation, always well hidden, on the underside of the wine cup, the base of the candlesticks, the inside of the wedding ring of your tying allegiance to the humbled humanity. the charming patience is the wait time tween your visions of the excellence of the common, the exquisites of the small, the delights of loss and pain translated into mercurial milestones, poems. here I cease, for overly long praise is a river too long, no end in sight, making great and wide just another poem. <> But! he writes me, in another place, to another name, describing himself, yet again: *”A thousand poems I don't write, but they get written in my heart.*” A thousand! ours is the patience fragile, your innate screen that filters out these thousand forbidden unwritten, needs a cleaning, open the tiny apertures and release them, for we are the humans needing, for the breathing of your fragile charm. <> the Muses do thee attend. their patience neither charming or fragile, reminding me, they too have a thousand. a thousand other ears into which to whisper that imperative imperial command, and they river no delay...
0
Aug 29, 2019
Aug 29, 2019 at 11:12 AM UTC
Pradip: “I'm a charming man with a fragile patience“
again, madness! one eye tears, why must you return to the old familiar, the poets prescribed, already so well covered? why? must. it is the only shade of my voice that persists, all else vanity. these are words handily eye-read, given. all I need do is “repeat after me” somewhat well, and fill in the blanks. <> he writes me, in another place, to another name, describing himself: “I'm a charming man with a fragile patience.” no sir, Muses order me to disagree, you are a fragile man with a charming patience! your fragility is a royal hallmark, embedded in every scribing, this human indentation, always well hidden, on the underside of the wine cup, the base of the candlesticks, the inside of the wedding ring of your tying allegiance to the humbled humanity. the charming patience is the wait time tween your visions of the excellence of the common, the exquisites of the small, the delights of loss and pain translated into mercurial milestones, poems. here I cease, for overly long praise is a river too long, no end in sight, making great and wide just another poem. <> But! he writes me, in another place, to another name, describing himself, yet again: *”A thousand poems I don't write, but they get written in my heart.*” A thousand! ours is the patience fragile, your innate screen that filters out these thousand forbidden unwritten, needs a cleaning, open the tiny apertures and release them, for we are the humans needing, for the breathing of your fragile charm. <> the Muses do thee attend. their patience neither charming or fragile, reminding me, they too have a thousand. a thousand other ears into which to whisper that imperative imperial command, and they river no delay...
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39
Pastel paint down a gridded terrain, square indentation in a porous grain, snow atop the mountain melts away, floods the chasm to crumble today, gone in a flash, its been known, short-lived is my ice cream cone.
0
Nov 20, 2011
Nov 20, 2011 at 2:36 AM UTC
Ice cream
Every muscle is a brushstroke. Every vein has a story       Every indentation is a memory I hide my pain in the gym and the physique that comes with it bears the scars of betrayal, loneliness, depression. I hide my pain in plain sight, masked by the illusion of strength.
0
Oct 6, 2015
Oct 6, 2015 at 2:03 PM UTC
The body of a broken man
It's not OCD I'm just anal-rententive. There are two coffee urns in my office kitchenette. Each urn has a spot to place your mug beneath the spigot. Each of these spots has a circular insert of gridded plastic to mark the mug-placement area and allow spilled coffee to flow through so this spot doesn't become just a puddle of coffee soaking the bottom of everyone's mugs. Each of these inserts has three indentations: one on each side at nine and three o'clock small, arcing parabolas like reversed parentheses there to allow someone to get their fingers into the coffee mug spot and under the insert to remove it and, presumably clean it and then another indentation more like a groove or a notch much smaller, thinner, and deeper at the top that fits perfectly with a matching small plastic protuberance jutting from the coffee mug spot where the insert goes. In an almost ****** fashion this protuberance fits into this last indentation this notch this groove to secure the insert in place. For some reason I've never known perhaps laziness perhaps inattentiveness more likely simple couldn't-care-less-ness this insert never seems to be placed into the mug spot properly. It is always placed sideways rotated a quarter-turn so that the larger indentations on the side meant as finger holes are placed top-to-bottom noon and six the small plastic protuberance at the top being swallowed whole by the too-large indentation and its mate the groove meant to hold the plastic piece so tightly is left alone to one side empty and useless. This has always bothered me. Bothered me more than I would like to admit. It's such a simple little thing to get right it would take almost no effort at all and yet, day-after-day someone I don't know who whoever is in charge of these things insists on doing it wrong. And I cannot abide it. So, day-after-day when I go to get my morning coffee I fix it I twist the insert ninety-degrees and secure it in the correct position. Lately I have noticed something. Sometimes when I go to get my coffee one of the inserts will already be fixed. Someone else has seen what I have seen and felt the same had the same response took the same corrective action. This feels like winning something. I don't know what but it definitely smells like Victory. And Conspiracy. And it makes me happy. Happier than I'd like to admit.
0
Feb 6, 2013
Feb 6, 2013 at 10:32 AM UTC
It's Not OCD
It's not OCD I'm just anal-rententive. There are two coffee urns in my office kitchenette. Each urn has a spot to place your mug beneath the spigot. Each of these spots has a circular insert of gridded plastic to mark the mug-placement area and allow spilled coffee to flow through so this spot doesn't become just a puddle of coffee soaking the bottom of everyone's mugs. Each of these inserts has three indentations: one on each side at nine and three o'clock small, arcing parabolas like reversed parentheses there to allow someone to get their fingers into the coffee mug spot and under the insert to remove it and, presumably clean it and then another indentation more like a groove or a notch much smaller, thinner, and deeper at the top that fits perfectly with a matching small plastic protuberance jutting from the coffee mug spot where the insert goes. In an almost ****** fashion this protuberance fits into this last indentation this notch this groove to secure the insert in place. For some reason I've never known perhaps laziness perhaps inattentiveness more likely simple couldn't-care-less-ness this insert never seems to be placed into the mug spot properly. It is always placed sideways rotated a quarter-turn so that the larger indentations on the side meant as finger holes are placed top-to-bottom noon and six the small plastic protuberance at the top being swallowed whole by the too-large indentation and its mate the groove meant to hold the plastic piece so tightly is left alone to one side empty and useless. This has always bothered me. Bothered me more than I would like to admit. It's such a simple little thing to get right it would take almost no effort at all and yet, day-after-day someone I don't know who whoever is in charge of these things insists on doing it wrong. And I cannot abide it. So, day-after-day when I go to get my morning coffee I fix it I twist the insert ninety-degrees and secure it in the correct position. Lately I have noticed something. Sometimes when I go to get my coffee one of the inserts will already be fixed. Someone else has seen what I have seen and felt the same had the same response took the same corrective action. This feels like winning something. I don't know what but it definitely smells like Victory. And Conspiracy. And it makes me happy. Happier than I'd like to admit.
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107
The ripple effect of a rash decision. Ignoring with a cold precision. Glass cannot completely melt away. Yet it never heats up the way they say. A small crack in the upper lip. An indentation, a simple dip. If you don’t read the bible, Jesus will hate you. But, Jesus, that is something I’ll never do. The crack expands to a spider’s home. A girl in a metal chair all alone. Do you know what the gospel is, kid? I don’t know if I do, but I wish that I did. Splicing incision, multiple cracks. Spiraling around in un-orderly stacks. Mummy, I’m feeling ill. Doesn’t matter, you are going still. A piece falls to the floor with grace. A trickle of water fills its place. She throws her square hat into the air. Whipping away the wafers and wine out of her hair. The dam breaks away, the glass cascades in a sparkling haze. Washing away the church daze. Never. Again.
0
Oct 24, 2012
Oct 24, 2012 at 8:37 PM UTC
Wafers & Wine
the rain wet floor the man with a birth mark in the shape of Pangea the backwards baseball cap the re-used meme the re-used meme the idea of “retro” cumulus clouds floating heavy & overhead all electrical goods just sitting on stand-by waiting the machines are waiting the blueprints that are 1mm out at right angles to the rest of the world neon lights flash downtown reflected on wet concrete arriving at a destination and not knowing how you got there my glasses leave an indentation on the side of my head my children are asleep and I can see the signs a new Netflix series that goes on for 125weeks – I have no stamina for this – the mundane beauty of a leisure centre the perfection of the shopping mall
0
Apr 19, 2017
Apr 19, 2017 at 7:38 AM UTC
reused meme
<!> inspired by a conversation with Maira Kalman strap on a name, adopt a persona, let my fingers do the talking, place the instrumental sharp point tip upon the blankety blank paper, maestro baton raised, coordinating, the first sound, the vocal chords trembling,   the first thought, the ultrasound image, entrance of a first violin, coalescing into, into the initializing single primary phonation, the stinging geometry of chance at last, throwing  down the gauntlet, glove slapping, and the tendons tense, the mouth opens, release and indentation, a letter's curvature, a black and white downward stroking, a sign is televised, revealed and released a one way only sign time bends knee, gravity suspended, terror morphs to expelling rapid firefights of imagery needy for spacing, even pauses mid-word  leave just this: where is the in in intimate? are you the in in inmate, or the jailor at the gate? you swear never again until committing once more, a sentence commutation, by committing a first sentence, and the greater toll taken and paid for, and the in in in-nate, questions your sanity happily <•> 9/17/17 10:55pm
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Jan 12, 2018
Jan 12, 2018 at 3:47 PM UTC
When I Sit Down to Write
The loving puddle in the gutter off market street-- the one that fills with dirt and **** and damp newspaper, plastic soda cup, strange indecipherable Chinese pamphlets with bleeding characters. She smiles at the sun and renders its visions on her face, and with great tension attempts to demonstrate her willingness, her blushing consent to being totally subsumed by its whims. Of course she trembles at the diurnal stampede of feet, but is not afraid-- for she too speaks in eternity. She has evaporated before-- she has kissed the incessant sky over Marrakesh in the soft morning and dreams of the sparkling mountainsides in the night, when she is divided by callous rubber tires or cast below by competing distant rains. Yet she has always found her way back home; Nestled in the subtle indentation of road besides the brickway near Battery. "Dewdrop, let me cleanse in your brief sweet waters . . . These dark hands of life" It was one of the waning days of winter, in the blurred haze of rains, when we left the coast and began our journey home. As she drove, I watched the pebbled streaks roll across the window into great vertical streams, to be cast off indistinct along the stationary road. Upon all our sides, Even the black-toothed mountain tops lost their grandiose summits into the fog. Off the road, next to the sagging remains of a gas station, a man sat beneath the naked fist of an old willow tree. He, with a teal umbrella, twirled the nylon circle so that the collecting sheen of water spun and spiraled centrifugal out into the bombarding camaraderie of fellow drops. The damp fields sat empty of life behind him, casting into evanescent black oceans of dirt. As we hurried past, I turned back-- and following him with my own watering eyes, I watched for as long as I could--until he too faded silently into the mist.
0
Sep 4, 2018
Sep 4, 2018 at 3:27 AM UTC
I write about waters
The loving puddle in the gutter off market street-- the one that fills with dirt and **** and damp newspaper, plastic soda cup, strange indecipherable Chinese pamphlets with bleeding characters. She smiles at the sun and renders its visions on her face, and with great tension attempts to demonstrate her willingness, her blushing consent to being totally subsumed by its whims. Of course she trembles at the diurnal stampede of feet, but is not afraid-- for she too speaks in eternity. She has evaporated before-- she has kissed the incessant sky over Marrakesh in the soft morning and dreams of the sparkling mountainsides in the night, when she is divided by callous rubber tires or cast below by competing distant rains. Yet she has always found her way back home; Nestled in the subtle indentation of road besides the brickway near Battery. "Dewdrop, let me cleanse in your brief sweet waters . . . These dark hands of life" It was one of the waning days of winter, in the blurred haze of rains, when we left the coast and began our journey home. As she drove, I watched the pebbled streaks roll across the window into great vertical streams, to be cast off indistinct along the stationary road. Upon all our sides, Even the black-toothed mountain tops lost their grandiose summits into the fog. Off the road, next to the sagging remains of a gas station, a man sat beneath the naked fist of an old willow tree. He, with a teal umbrella, twirled the nylon circle so that the collecting sheen of water spun and spiraled centrifugal out into the bombarding camaraderie of fellow drops. The damp fields sat empty of life behind him, casting into evanescent black oceans of dirt. As we hurried past, I turned back-- and following him with my own watering eyes, I watched for as long as I could--until he too faded silently into the mist.
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6
I hope you wore a sweater, in your favorite shade of blue. It gets cold in late November, _(it gets darker faster, too)_ I hope the shoes you wore fit snugly _(even if your socks don't match)_ I hope your last day wasn't ugly, I hope the pain was over fast. I'm sure you felt your sadness deeply, I'm sure you felt your heart ache too. When you took a walk when all were sleeping, in your favorite shade of blue. I wonder what it felt like, to pick the perfect tree. To end your painful heartache, snug shoes on dangling feet. But my most pressing question, that I would ask of you, is where did you lose your earbud? _(you're wearing one, not two)_ They moved you to the metal table, _(the one that tilts down at an angle)_ They cut the sweater off you too, your favorite one in midnight blue. They make their notes: your weight, your height. They check your shoulder width and write: "He will fit a standard casket" _(they carry on with their assessment)_ "Rope indentation - on the neck Eyes and fingers - blue and red Socks mismatching Nike shoes One earbud gone" _(that's all I knew)_ Tell me why'd you take that walk? I know the road ahead looked bare. Tell me how you chose a song. Did you brush your teeth and comb your hair? Did it happen on a school night? _(your file says you were in 12th grade)_ Did you tell your mom you loved her? - with your mind already made. So to the boy with just one earbud, I'm sorry this world felt so wrong. I hope you're in your favorite sweater, and you're listening to your favorite song.
0
Dec 10, 2023
Dec 10, 2023 at 8:44 AM UTC
to the boy with one earbud
I hope you wore a sweater, in your favorite shade of blue. It gets cold in late November, _(it gets darker faster, too)_ I hope the shoes you wore fit snugly _(even if your socks don't match)_ I hope your last day wasn't ugly, I hope the pain was over fast. I'm sure you felt your sadness deeply, I'm sure you felt your heart ache too. When you took a walk when all were sleeping, in your favorite shade of blue. I wonder what it felt like, to pick the perfect tree. To end your painful heartache, snug shoes on dangling feet. But my most pressing question, that I would ask of you, is where did you lose your earbud? _(you're wearing one, not two)_ They moved you to the metal table, _(the one that tilts down at an angle)_ They cut the sweater off you too, your favorite one in midnight blue. They make their notes: your weight, your height. They check your shoulder width and write: "He will fit a standard casket" _(they carry on with their assessment)_ "Rope indentation - on the neck Eyes and fingers - blue and red Socks mismatching Nike shoes One earbud gone" _(that's all I knew)_ Tell me why'd you take that walk? I know the road ahead looked bare. Tell me how you chose a song. Did you brush your teeth and comb your hair? Did it happen on a school night? _(your file says you were in 12th grade)_ Did you tell your mom you loved her? - with your mind already made. So to the boy with just one earbud, I'm sorry this world felt so wrong. I hope you're in your favorite sweater, and you're listening to your favorite song.
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48
A baseline that you feel in your chest, Humming thick in your ears, And your mouth, You just want to live in their blur of impactful words, That you don’t understand, Because it’s just a baseline to you, But have you ever felt so proud of someone? That what they’re saying, or what they’re playing or who they’re being, Becomes the only thing that’s keeping off the rain, And you can see every tooth in the room, Every heart that becomes unbroken and every heart that breaks, Well it’s a shooting star, Baby it’s gold dust, Because his gaze is tattooed on your body, Under your sweater, Under your skirt, Yours is a crime scene littered with his fingerprints, But you’re no ****** victim, Jackie, Jane, Joan, Wife, Mother, Daughter, Survivor, Protector, Warrior, Woman, Know when it’s dark, And subtle shadows are all that remains of your bodies, Finding all the bones in your shoulder, The piano strings that move your fingers, And each indentation of your spine, Is a bible, But God won’t give him strength, It’s your skeleton that is fortitude, You’re the dragon protecting the castle, You’re Rosie the Riveter, You can hold up the world with perfectly manicured hands, You will listen, And you will care, Let him breathe in the fractions of your soul that you exhale, That way, Every standing ovation and every wound that heals, Is saturated with the influence of you, Though you don’t understand, That baseline you can feel in your chest, It is your to be proud of too.
0
Feb 26, 2015
Feb 26, 2015 at 5:38 PM UTC
Samson's Hair
A baseline that you feel in your chest, Humming thick in your ears, And your mouth, You just want to live in their blur of impactful words, That you don’t understand, Because it’s just a baseline to you, But have you ever felt so proud of someone? That what they’re saying, or what they’re playing or who they’re being, Becomes the only thing that’s keeping off the rain, And you can see every tooth in the room, Every heart that becomes unbroken and every heart that breaks, Well it’s a shooting star, Baby it’s gold dust, Because his gaze is tattooed on your body, Under your sweater, Under your skirt, Yours is a crime scene littered with his fingerprints, But you’re no ****** victim, Jackie, Jane, Joan, Wife, Mother, Daughter, Survivor, Protector, Warrior, Woman, Know when it’s dark, And subtle shadows are all that remains of your bodies, Finding all the bones in your shoulder, The piano strings that move your fingers, And each indentation of your spine, Is a bible, But God won’t give him strength, It’s your skeleton that is fortitude, You’re the dragon protecting the castle, You’re Rosie the Riveter, You can hold up the world with perfectly manicured hands, You will listen, And you will care, Let him breathe in the fractions of your soul that you exhale, That way, Every standing ovation and every wound that heals, Is saturated with the influence of you, Though you don’t understand, That baseline you can feel in your chest, It is your to be proud of too.
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50
In the forest, there grows a flower That the night loves with starlit showers. How it blossoms near the tree beneath the moon! Its petals are a vibrant indentation Which, with its beauty, betokens the wilderness. Rapacious and beguiled Become the seekers of the bloom. Ravenous are they for its syrupy nector, And greedy for its savory and intoxicating effect, Which is delusive to those who would otherwise be able to reckon. Its glamour incites a yearning That, not sated, becomes a burning Which leaves a hollow place where the logic used to be, And tangles the chords of one's emotions. Not everything that is enticing is worth the bill of fare, Even if it thrives freely throughout the land.
0
Jul 16, 2015
Jul 16, 2015 at 1:51 PM UTC
The Flower
Smile an indentation that can change the mood Smile an indentation that can change the feeling Smile an indentation that can change the bud become a flower Smile an indentation that can change a pupa to a butterfly Smile an indentation that can change the rain into the beauty of the rainbow Smile an indentation that can change winter become summer Smile an indentation that can change everything One person smile, two people smile, three people smile and everybody smile Smile an indentation that can change everything Smile an indentation that can change some words into a poem..
0
Jul 7, 2013
Jul 7, 2013 at 10:14 AM UTC
Smile
Paraphrased is my paradise Pushed down Clouds Waiting to be found Left in mass transition Pondering in blurred positions Paraphrased is my paradise Pushed down Celestial clouds Waiting to be found Distorting my vision Bent through kaleidoscopes Caught in between Periods of hope
0
Jul 29, 2010
Jul 29, 2010 at 4:38 PM UTC
Indentation
This was inspired by dents on the pillars Outside the porch before it began to rain And their smoothness and dips and mountainous valleys And inevitable destinations and their journeys And feeling the rain before it fell, without touch, And today will never be another tomorrow And fleeting, transitory roughness. This was inspired by dents on the pillars As the foundation sank into shifting earth, And its progressing non-smoothness Laced cracks through the dents, And I rumple my fingers into each notch And feeling without touch, too, And I remember slipping on an unsecured brick And slamming my head against the pillar And roughness and pain and inevitable destinations Like hospital beds for the busted heads And hallways for the churning stomachs. The dents are molding from the rain And yellowing with the oil from my fingertips And I haven’t moved my hand in five years, And the valleys are so deep now that I see flames dancing in the depths But is the world so complex as that Or is it simply same outcomes and same purposes In an infinite score of time passing And seven billion dents across an ornate pillar That stands with so much pride But feels hollow to me, is hollow. I wish to feel each indentation When feeling without touch won’t suffice, But I haven’t moved my hand in 500 years And this poem is about dents, But it was only inspired by the honesty of them Because it’s really about roughness and valleys And oily finger swirls and inevitability and unsecured sameness And the pillars keep sinking into themselves And the dents are folding into the cracks And I can no longer touch them with feeling. There are smudges on your cheeks from my finger touches And dents on your heartbeat from trying to keep mine in time to yours And mountains in your mind that I fell for in the first place And everything is transitory And this poem is about the days you sought the pillars in my skull And the night they began to sink into themselves So that neither of us can reach them now. There are dents on the pillars, And it has begun to rain, And you’ve curled miles into the folds of transitory time-passing As if we were inspired by the dents, too.
0
May 20, 2013
May 20, 2013 at 2:30 AM UTC
Dentsity
This was inspired by dents on the pillars Outside the porch before it began to rain And their smoothness and dips and mountainous valleys And inevitable destinations and their journeys And feeling the rain before it fell, without touch, And today will never be another tomorrow And fleeting, transitory roughness. This was inspired by dents on the pillars As the foundation sank into shifting earth, And its progressing non-smoothness Laced cracks through the dents, And I rumple my fingers into each notch And feeling without touch, too, And I remember slipping on an unsecured brick And slamming my head against the pillar And roughness and pain and inevitable destinations Like hospital beds for the busted heads And hallways for the churning stomachs. The dents are molding from the rain And yellowing with the oil from my fingertips And I haven’t moved my hand in five years, And the valleys are so deep now that I see flames dancing in the depths But is the world so complex as that Or is it simply same outcomes and same purposes In an infinite score of time passing And seven billion dents across an ornate pillar That stands with so much pride But feels hollow to me, is hollow. I wish to feel each indentation When feeling without touch won’t suffice, But I haven’t moved my hand in 500 years And this poem is about dents, But it was only inspired by the honesty of them Because it’s really about roughness and valleys And oily finger swirls and inevitability and unsecured sameness And the pillars keep sinking into themselves And the dents are folding into the cracks And I can no longer touch them with feeling. There are smudges on your cheeks from my finger touches And dents on your heartbeat from trying to keep mine in time to yours And mountains in your mind that I fell for in the first place And everything is transitory And this poem is about the days you sought the pillars in my skull And the night they began to sink into themselves So that neither of us can reach them now. There are dents on the pillars, And it has begun to rain, And you’ve curled miles into the folds of transitory time-passing As if we were inspired by the dents, too.
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49
Swoon, swindled, spindled, and spun. Wisp of a hand, to the possession of tongues. With your lungs producing breath; methane gas. Lips like matches, with tendencies to strike, engulfing us in a passionate blaze. Bodies connected in the dark, the silhouette of your euphoric body proved that ignorance was needed and illumination, never needed.                                         Settle. Intertwined in the repose, Was the leaf to our stick. Fathomed indentation Tethered in our unspoken script Heavy apparitions conjured from tight gasps. Releasing 3 whispered words, becomes our catalyst. One embedded in your eyes      A riptide           of size to rise the ties            in the endearing future of our lives     until we say our goodbyes you'll shed this pain that cuts like knives. Daydreaming of electric wires. Tiptoeing on what hangs lower than our fire. Closed currents in the air You continue the shock as your fingers dance through my hair. We're the flowers and petals, withered into the passion we're plagued with. Oh so crowded, We're cursive Characters tied in knots, We can't be split. Fearing the closure, We mustn't ever be print... ...Fragmented, affluent, vacant, and split. The script unraveled Not cursive, now print.
0
Oct 2, 2013
Oct 2, 2013 at 1:25 PM UTC
Cursīve
the cracks in the shades make stripes along my sheets eternity and death laying beside me it's time for them to leave but their promises will never vacate the indentation on my mattress their breathing, their whispers of truth that progression is happening that the world is spinning that I am dying spending hours assuming that their touch will render me into anything but a funeral pacing in a skull when they leave, I am sure they will never return. for this figment of my imagination, has ended me
0
Mar 23, 2017
Mar 23, 2017 at 3:48 PM UTC
Aubade
The dark night was out there even though the shutters were up at the windows and the night nurse sat in the small office with her coffee and wearing glasses and you entered unable to sleep you wearing pyjamas and dressing gown sans belt in case you tried to hang yourself again and you sat opposite taking in her big blue eyes behind the lens of her glasses her hair brown and well kempt and you said when can I go home? when you’re better she said when will that be? you’ll know she said and sipped her coffee how good does better feel you have forgotten but do not ask her upper lip has skin from the milky coffee hanging and she wiped it off with the back of her hand and Christine stood by the door of the office dressed in her nightgown pale green   and open at the top showing the indentation of her throat and the small valley where her ******* began can’t sleep she said moving in and standing by the desk you looked her feeling an intrusion yet glad she is there her being there beside you the smell of her her hands on the desk tapping what is it with you two? the night nurse said if it’s not one it’s the other or both can’t sleep Christine repeated had a nightmare dreamed I was at the altar again and he didn’t show again and it happened again and again the nurse said I’ll get you both something but if the doctor hears of this he may recommend ECT again she looked at you opposite across my dead **** Christine said but the nurse had gone just you and Christine and her nightmares clinging gazing out the office onto the sleeping ward in semi dark and the dread of the ECTs hauntingly present remembering the last time in the small back room waking with a head heavy and in pain and Christine lying beside you on another bed eyes closed stiff like one sleeping but acting dead.
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Jan 29, 2013
Jan 29, 2013 at 2:15 PM UTC
ON THE NIGHT WARD.
The dark night was out there even though the shutters were up at the windows and the night nurse sat in the small office with her coffee and wearing glasses and you entered unable to sleep you wearing pyjamas and dressing gown sans belt in case you tried to hang yourself again and you sat opposite taking in her big blue eyes behind the lens of her glasses her hair brown and well kempt and you said when can I go home? when you’re better she said when will that be? you’ll know she said and sipped her coffee how good does better feel you have forgotten but do not ask her upper lip has skin from the milky coffee hanging and she wiped it off with the back of her hand and Christine stood by the door of the office dressed in her nightgown pale green   and open at the top showing the indentation of her throat and the small valley where her ******* began can’t sleep she said moving in and standing by the desk you looked her feeling an intrusion yet glad she is there her being there beside you the smell of her her hands on the desk tapping what is it with you two? the night nurse said if it’s not one it’s the other or both can’t sleep Christine repeated had a nightmare dreamed I was at the altar again and he didn’t show again and it happened again and again the nurse said I’ll get you both something but if the doctor hears of this he may recommend ECT again she looked at you opposite across my dead **** Christine said but the nurse had gone just you and Christine and her nightmares clinging gazing out the office onto the sleeping ward in semi dark and the dread of the ECTs hauntingly present remembering the last time in the small back room waking with a head heavy and in pain and Christine lying beside you on another bed eyes closed stiff like one sleeping but acting dead.
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I am not yours Nor can I ever be. I am bound to this world This earth This terrain While you-   You are walking across the universe On steps that I will never graze upon. I envy the faces you pass- People who don't even know your name Yet are privileged to be in your presence While I am here, clinging to the mere indentation of you on my bed. I don't understand the logic behind this. I know you. I have seen you wake up in the early morning, A sketch of hazy eyes and soft edges. I have seen you thrash in the middle of the night, Delirious and fevered from the demons in your head. I've held your calloused hands And mapped out your scars To the constellations of the dark dark sky. I knew all of that And yet I still could not be yours.
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Jun 7, 2014
Jun 7, 2014 at 1:51 PM UTC
I am not yours.
He felt the scars up and down her arm with the tip of his index finger. Tracing ever indentation that was left by a blade. “Why did you do it?” he asked. She sighed and answered “Because I had to.” His brows furrowed not understanding how she possibly had to do this to herself. “I did it to control the pain.” He trailed kisses from her wrist up to her neck, “I still love you,” he said enclosing her in his arms.
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Sep 1, 2016
Sep 1, 2016 at 7:37 AM UTC
I Still Love You
Reading “Poem” While Waiting for her in Peet’s Coffee Lukewarm coffee with nothing special in it, and my brain buzzing with words passed through a phone. Ah, I’d love to go back to those days spent singing and seeing colors in cement questions asked precariously of my life and yours, your and my possibilities. But staring into the beyond, I am left disappearing quick in the cold air like the warmth of coffee left on the table. Precariously in love I was caressed to the point where my face left itself impressioned on the pillow I pressed into every night. My head was clear because it was expelled each night into a cell phone away from here. It reached an ear, soft and embracing swallowing all I pressed into it. The indentation I left I saw as me held precariously in the head of another. Now, head spinning, ready to be filled with anything stable or not, I at least remember being held. Poem *Is this love, now that the first love has finally died, where there were no impossibilities?* I saw no impossibilities with you held there in all I wanted. True there was bliss, but if what they say is true, what else is that? I remember more color pointed out by you, blues and oranges in shadows on cement reds in faces and how the sky is the only one who can blend yellow with blue, but now all colors are an option for this palette though all colors mixed leave grey
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Sep 17, 2011
Sep 17, 2011 at 6:49 AM UTC
Poems in response to Frank O’Hara’s “Poem”, 1956
Warm sea breeze embrace the embers of sunset’s night. Pebbled wash laps gentle ashore shadow seeps into every indentation the sand that sinks beneath my feet still cooling from before. Eyes through leafy palms they meet wincing in the glare of sun lit shimmer heat Your bikini magnifies my gaze covers an ample ***** Moments thought the inquisitive mind Lost in oceans azures blue. Stretch to the horizon leave the world behind To hold so tight as if sharing skin To mould to every curve and cleft of you. A raptures prelude senses commotion run for cover monsoon rain. Somewhere there is only you a far away ocean crying for crested moments and indulge a passion in such freedoms refrain.
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Nov 18, 2012
Nov 18, 2012 at 1:59 PM UTC
Only You
~ from the anthology of the unwritten, from the tombs of the stillborn, where carcasses of idled titles and orphaned stanzas do not compete for proof of life,   and nameless birth certificates unissued, yellowing and wasting midst crumbling aleph bet spawn here comes a poem of concession comes a poem of summation of a life lived, knotted poorly, not well, worse cursed as vanilla inadequate the satisfaction in the writing, the gleeful breaking of the sac, the gushing relief giving way to the childbirth of a new moon-poem, arrested, wrested a single plague affliction, the cancer of weakness, means Pharaoh wins the cancer of weakness no cure, no pharmaceutical poultice, spreads insidious; one day - pain in the remote, your big toe, then next you can only street stagger begging forgiveness and the kindness of strangers hoping for the accidental cure of touch, the miscellany lottery ticket probability of low chance the visible mark you leave, a weak indentation upon a pillow, it is the dented head, cut deep by the shadow, shake it out and you're a disappeared one, nothing to show,   did someone once sleep here? you were once upon a time binary a 1 now a 0 - flip flop bottom top, listening to Frank's "That's Life"^ my litany too long; woeful work this business of flailing, posting a tired-out self help love poem ain't no cure for the falling-out-of-love black and blue, self-inflicted bruising blues, the wrists ache the bones don't freak but squeal, somebody's squeezing me the alarm clock, a death knell, everyone saying don't worry   you got a proven record, the boss's eyes twinkling "but what have you done for me lately?" funny Death says Hey, aren't you the boss? Who shall over rule thy Dominion? What have thy done to yourself lately? Answer: never end a poem with a question mark @ 3:06am
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May 10, 2017
May 10, 2017 at 3:16 AM UTC
Death's Dominion Overrules
~ from the anthology of the unwritten, from the tombs of the stillborn, where carcasses of idled titles and orphaned stanzas do not compete for proof of life,   and nameless birth certificates unissued, yellowing and wasting midst crumbling aleph bet spawn here comes a poem of concession comes a poem of summation of a life lived, knotted poorly, not well, worse cursed as vanilla inadequate the satisfaction in the writing, the gleeful breaking of the sac, the gushing relief giving way to the childbirth of a new moon-poem, arrested, wrested a single plague affliction, the cancer of weakness, means Pharaoh wins the cancer of weakness no cure, no pharmaceutical poultice, spreads insidious; one day - pain in the remote, your big toe, then next you can only street stagger begging forgiveness and the kindness of strangers hoping for the accidental cure of touch, the miscellany lottery ticket probability of low chance the visible mark you leave, a weak indentation upon a pillow, it is the dented head, cut deep by the shadow, shake it out and you're a disappeared one, nothing to show,   did someone once sleep here? you were once upon a time binary a 1 now a 0 - flip flop bottom top, listening to Frank's "That's Life"^ my litany too long; woeful work this business of flailing, posting a tired-out self help love poem ain't no cure for the falling-out-of-love black and blue, self-inflicted bruising blues, the wrists ache the bones don't freak but squeal, somebody's squeezing me the alarm clock, a death knell, everyone saying don't worry   you got a proven record, the boss's eyes twinkling "but what have you done for me lately?" funny Death says Hey, aren't you the boss? Who shall over rule thy Dominion? What have thy done to yourself lately? Answer: never end a poem with a question mark @ 3:06am
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Wall I see an indentation I fill you My empty hours Room grew pale Like white ash Folding eyelids Fell into abyss Nocturnal space evolved Scattered like silvery dots Between my ego Remain seated With pride And a glinting ceiling Watchful like moon Wall You gravitate slowly Toward center Like a sulkiest universe Sprouting! You lean over my shoulder I shrug you off Tilts against my back I turned over Merged those dots I wish to blend It disappeared! All colors in me Vanished ... As it cleared away Everything was wasted Left deep marks On yours My eyes opened I wailed! Silence stared at me She was there Pounding Cold In black..... Here take my seat Instead.
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Aug 7, 2014
Aug 7, 2014 at 1:54 AM UTC
WHITE ROOM
If we were two books who happened to cross covers Or over lap tittles, In a momentary lack of structure You would find us stacked back to back As unlikely as a tragedy with star struck lovers.. Happened upon the other in a library archiving Written word and lives, and eons worth of soft Text typed, I would be a book of Russian poems Roughly speaking of beautiful things, With a bare textured cover, a soft sea foam green. And you would be lost in the meaning, In the reflections of your wealth I would give you all the answers you hide inside your self, You would be of another breed, Your italic headings speaking of vastly different things, You would show a thousand places I wish to know, With a hundred hand drawn maps Filled to the indentation with realities greater than my own imagination with pictures That capture you, whisper liberation, You would be the inspiration every trapped lower class individual looks upon while dreaming up Vacation homes. You are the window to the places everyone Everyone wants to know Your pages crisp but warm, smelling of vanilla Not a single scuff, crease, you are not torn. A soft Carmel brown cover where A hundred careful fingers hover. You are probably thinking we don’t belong together. Not in a library alphabetized and Split into sections, Good thing great librarians Know better, she Stole us and set us together in her own Private collection. There is no where I fit better than Next to you, pressed cover to cover, we are becoming  a story of unlikely lovers, We are best friends, Penned from different ink Speaking different themes meeting Resting between book ends designed Out of clever minds set out to To fuzz the line between actuality And your aspiration, We are just the perfect combination of Drive and a dream, The fact you are here means something And the more I read the more it seems Together we'll achieve great things.
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Oct 23, 2013
Oct 23, 2013 at 5:52 PM UTC
Two Books
If we were two books who happened to cross covers Or over lap tittles, In a momentary lack of structure You would find us stacked back to back As unlikely as a tragedy with star struck lovers.. Happened upon the other in a library archiving Written word and lives, and eons worth of soft Text typed, I would be a book of Russian poems Roughly speaking of beautiful things, With a bare textured cover, a soft sea foam green. And you would be lost in the meaning, In the reflections of your wealth I would give you all the answers you hide inside your self, You would be of another breed, Your italic headings speaking of vastly different things, You would show a thousand places I wish to know, With a hundred hand drawn maps Filled to the indentation with realities greater than my own imagination with pictures That capture you, whisper liberation, You would be the inspiration every trapped lower class individual looks upon while dreaming up Vacation homes. You are the window to the places everyone Everyone wants to know Your pages crisp but warm, smelling of vanilla Not a single scuff, crease, you are not torn. A soft Carmel brown cover where A hundred careful fingers hover. You are probably thinking we don’t belong together. Not in a library alphabetized and Split into sections, Good thing great librarians Know better, she Stole us and set us together in her own Private collection. There is no where I fit better than Next to you, pressed cover to cover, we are becoming  a story of unlikely lovers, We are best friends, Penned from different ink Speaking different themes meeting Resting between book ends designed Out of clever minds set out to To fuzz the line between actuality And your aspiration, We are just the perfect combination of Drive and a dream, The fact you are here means something And the more I read the more it seems Together we'll achieve great things.
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