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"incised" poems
Hold my heart for ransom In exchange for your sweet whispers Kisses and sighs in tandem Along with moonlit midnight capers Take my heart as hostage A willing one it would be Deep within its bony cage Working up into a frenzy Hold my heart at knifepoint Incised upon I've already bled Over cracked notions and disjoints Chasing after hope that hasn't fled Brand my heart with your seal Press into and make your mark Folded within is all I feel Behind your insignia so stark Choose my heart for blackmail Ask of me whatever Hope to accomplish without fail Hopes of us do not sever Play my heart like a toy Adore me and hold me tight Handle me with child-like joy Share with me, squeals of delight Mould my heart of clay Wrap your fingers, twirl me round Make me worthy of another day To celebrate your sight and sound Lace my heart and tug at it Pull me closer so I could be near Bind me tight so I would fit Coveted spot beside you, dear Enslave my heart on all fours Lead me through your universe Close behind us, lock all doors Subject me to love's greatest murmurs Place my heart next to yours Let me be enamoured to the brink In due time, and on laboured course Perhaps we would finally beat in sync
0
Aug 30, 2014
Aug 30, 2014 at 8:27 AM UTC
In Sync
My mother is dying. It is a process. Days pass, She neither eats or drinks, Yet she lives on. I watch each labored exhalation, A subtraction, a countdown. It is as if she was returning each singular day, Every prayer uttered, answered and unanswered, Every word e're spoke, every dream dreamt, She ever possessed to the atmosphere, For sharing, for recalling, for retelling, One breath at a time. ~~~~~~~~~ Lipstadt-Roth, Miriam née Peiman, 1915~2013, passed peacefully Sat. July 20th.   Critic, speaker, writer,   her fiercest feat,                     her leading role, creator.       A near century of memories   her legacy, memories that   linger not, for incised,         chiseled in the granite of the books, papers, and poetry and the very being               of her descendants.             Her faith in Almighty,             unflagging, for he did not     forsake her in the time of       her old age, when                   her strength failed.
0
Jul 20, 2013
Jul 20, 2013 at 12:53 PM UTC
My Mother is Dying July 2013
Though excruciating, I have delicately incised my heart And left it open for you. Blood and all. I am completely defenseless, Truly surrendering what is deepest within me. All of me is on display, And I am vulnerable, exposed. Our environment, unsterile, Makes me susceptible to infections: Hate, judgment, abuse That spread through the words and actions of others, Attacking my system. And, subconsciously, I internalize them, Accepting them as my own. But I trust you to care for me. I believe with conviction, I must, You have washed your hands In preparation to touch my heart With the gentleness I need And cannot provide myself. Because alone, I am unfixable, Permanently damaged and slowly losing blood. Dying behind my seemingly perfect demeanor, A closed facade. I trust that because I have exposed my pain To you, solely you, We can begin to repair the destruction And stop the hemorrhaging, Together. Thereby providing the means by which This earthly vessel, and in turn The fragile soul inside, Can finally begin to heal.
0
Jul 18, 2015
Jul 18, 2015 at 10:39 AM UTC
Trust
i can fix anyone except me bring me your problems i can put them to sleep its nothing special i just say what i see you see it too or you wouldnt be talking to me its just a form of devils advocacy i see your demons and i speak their language fluently let them talk through me occam would approve as deeply incised insight like mine is built on a life in ruin
0
Jun 27, 2016
Jun 27, 2016 at 6:08 PM UTC
tranquil(euthan)ised
The Other Woman (Kisses Incessant) *There always is one. I am a man, and yes that's my excuse. It's not as if I kept her hid from your penetrating eyes.^ She has icing on  her nose, Heart shaped sunglasses hiding her pizazz, She knows about my other woman too. I write love poems for her too, Like this one.* Kisses incessant, ten thousand for the present, ten thousand more, stored away for the future, secreted in this poem lest my lips dare to forget how! Hugs galore, beyond no more, limitless, defying foolish boundaries of "enough, grandpa!" Limit is an artifice, a mind-made precipice, kisses for the children, are ethereal, open sky-wide, limitless, here and now, forever, for herein, an oath sworn, taken. Horizons demand demarcation, physical selves, containers for multi-taskers, simultaneous five sense users, ultimately biodegrade after three or four choices made But fret not, rest easy, my love, my darling granddaughter, here and now and yet to come, for the love I feel and the kisses I provide are spiritual cells, that will divide and grow, and never fade **Kisses incessant, one for the present, millions for the future, lest my lips forget how!** Tears now, as I write, thousands more to share with you for when,   the inevitable arrivistes, heartbreak and sadness, Boyfriend troubles, infuse your inexperienced heart Even my best friends, these bespoke words that I string together, for our future together, unneeded, for when I go silent... The reality of this composition of kisses incessant, of hugs galore, tears and thoughts, is for you, for us, for now, for whenever, for our forever, whatever that be, but that too, limitless, for this poem will be stored, incised in our cojoined hearts and in our genes **For my beloved, my Isabel full of Grace Oct 22, 2011**
0
Aug 3, 2013
Aug 3, 2013 at 5:20 PM UTC
The Other Woman (Kisses Incessant)
The Other Woman (Kisses Incessant) *There always is one. I am a man, and yes that's my excuse. It's not as if I kept her hid from your penetrating eyes.^ She has icing on  her nose, Heart shaped sunglasses hiding her pizazz, She knows about my other woman too. I write love poems for her too, Like this one.* Kisses incessant, ten thousand for the present, ten thousand more, stored away for the future, secreted in this poem lest my lips dare to forget how! Hugs galore, beyond no more, limitless, defying foolish boundaries of "enough, grandpa!" Limit is an artifice, a mind-made precipice, kisses for the children, are ethereal, open sky-wide, limitless, here and now, forever, for herein, an oath sworn, taken. Horizons demand demarcation, physical selves, containers for multi-taskers, simultaneous five sense users, ultimately biodegrade after three or four choices made But fret not, rest easy, my love, my darling granddaughter, here and now and yet to come, for the love I feel and the kisses I provide are spiritual cells, that will divide and grow, and never fade **Kisses incessant, one for the present, millions for the future, lest my lips forget how!** Tears now, as I write, thousands more to share with you for when,   the inevitable arrivistes, heartbreak and sadness, Boyfriend troubles, infuse your inexperienced heart Even my best friends, these bespoke words that I string together, for our future together, unneeded, for when I go silent... The reality of this composition of kisses incessant, of hugs galore, tears and thoughts, is for you, for us, for now, for whenever, for our forever, whatever that be, but that too, limitless, for this poem will be stored, incised in our cojoined hearts and in our genes **For my beloved, my Isabel full of Grace Oct 22, 2011**
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71
*her soul a bride her life a corpse at the gate a naked mouth red to lie exposed without shame to be rendered unconscious to be touched, incised, plundered, and remade coyly she displays the weight of her emptiness chest heaving her torso acquiescent aching for the forbidden her legs parted saturated like rain storms bilious cloud ripe melon brooding spilling outwards she would levitate if only held down by a merciless man*
0
May 8, 2017
May 8, 2017 at 6:24 PM UTC
BRIDE
for Harlon who recalled them to me five years later, asking for the all of them... only on Mother’s Day +1 and for Miriam ——————————— My Mother is Dying July 2013 My mother is dying. It is a process. Days pass, She neither eats or drinks, Yet she lives on. I watch each labored exhalation, A subtraction, a countdown. It is as if she was returning each singular day, Every prayer uttered, answered and unanswered, Every word e're spoke, every dream dreamt, She ever possessed to the atmosphere, For sharing, for recalling, for retelling, One breath at a time. ~~~~~~~~~ Lipstadt-Roth, Miriam née Peiman, 1915~2013, passed peacefully Sat. July 20th.   Critic, speaker, writer,   her fiercest feat,                     her leading role, creator.       A near century of memories   her legacy, memories that   linger not, for incised,         chiseled in the granite of the books, papers, and poetry and the very being               of her descendants.             Her faith in Almighty,             unflagging, for he did not     forsake her in the time of       her old age, when                   her strength failed.
0
May 14, 2018
May 14, 2018 at 5:44 AM UTC
seven poems (+ 1) for my mother (July 2013)
Aku mengejarmu ke tempat bayanganmu pernah singgah Mencari suaramu di tengah hiruk pikuk kota yang tak pernah tidur Sepi menoreh di tengah keramaian Ketika orang mabuk oleh ilusi, Aku sadar akan ketiadaan Ketika mereka tenggelam dalam lautan cahaya, Aku pudar dalam kelamnya sunyi Mengejarmu ke kota yang telah kau tinggalkan ------- I'm chasing you to the place your shadow once alighted Finding your voice in the midst of cacophony of the city that never sleeps Solitude incised through the crowd People are drunk with illusion Alone I am aware of the void They are drowned in a sea of lights I am fading inside the leaden silence Chasing you to the place you've left behind
0
Jul 22, 2014
Jul 22, 2014 at 11:42 AM UTC
Solivagus
pink scars peppered her lithe limbs flower petals incised on peach skin moss coursed withered yellow-brick channels sloping loosely down the crooked river mouth clouds bulged glazed heavily over the sun like a flashlight engulfed in sheets lightning sliced the pane of sky splintered air ignited instantly and danced around us
0
Jul 28, 2016
Jul 28, 2016 at 3:34 PM UTC
Efflorescence
i'm unwinding my head on honey moon belly ******* carnivorous lozenges falling in love with glazed eye ball devils hypnotic stare destination a tunnel of fiendish odysseys blood drooling eel vomits gush white daddy long leg threads in honeys wet cage to wither writhing spit hot in fat muscle and bone headless head first like a mindless falcon after scattered mice i feel her teeth tearing syringes of ecstasy ransacking swollen motion spirals and ***** like bronz buckaroos at a fancy pool party crimson *** macabre ****** roast bon bon fire licking her lump of desire a rousing boogyman sermon speaks in incinerating tongues swallowing a hideous parfait **** growl girl squat **** **** mint julip throat choke symphony abducting lascivious pollinated gulps take me in like reckless bull sap through your red dada warp land pit of the brain undulant flesh landscape of shapeless ovule spume mouthing night blows Incised flagellation's devour buffet spread maiden derelict arched and trembling drunk and drugged like a buttermilk sky groaning hysterical in feral muck stained beds of puce and slime ochre pigments stunned umbra a famished deep veined jutting peninsula longing for princess ***** dynasties with vast thighs radiating inferno hearths and rolling hill **** hieroglyphics decipher rug pugilist lap songs my goddess i long for your bruised fruit crawling like the dead of night on pitch vanta shadows where love becomes a savage
0
Aug 23, 2019
Aug 23, 2019 at 1:26 PM UTC
DAda Warp Land ...Ero **** Poetry
summer incisions on a crystalline day (it sorrows me to end a poem this way) every leaf, every tree, edged silhouetted sharp against the pale blue cadet uniform color of a portrait background framing sky, this museum piece painting, unsigned, unguarded, uninsured, yet, surely the worlds most valuable the sun's early morn golden glint reflection, somehow pools in the palm of the each chlorophyll green flat goblet, this necklace of carat gold cavatine melodies gets me happy drunk on an aurora of the green n' blue seasonal summer's glories, upon the skin-stamped a caramel hallmark, what we wait for all year long, all the earth's colors crystalline pure, my senses say it's as it was on the first day of creation this is not the first day of summer 2014, yet, it should be so remarked, for summer visions so perfect crystalline are summer incisions, allowing entry of interferon hopes of we irregular, imperfected assorted human shapes, the marvel of a free-for-all serenity, nature's sweet permanent kindness to wayfaring temporal humans corporeal that I am, my being flooded by all of this and a grateful satisfaction, but my mind knows that as real as all this, is as well, the not well, the ashen pallor inside, the burnt tongue words that circulate in my bloodstream, the status of my reality, where my job, survival, is a Monday day to one day thing, and where the luxury of being summer incised is a sometime thing *and it sorrows me to end this poem this way but I come from another place this day* and the computer asks save this poem? and I answer, no, save me, save my family, even if it must rain every day for the rest of my sunsetting life *and it sorrows me to end this poem this way but I come from another place this day*
0
Jun 8, 2014
Jun 8, 2014 at 7:38 AM UTC
summer incisions on a crystalline day (it sorrows me to end a poem this way)
summer incisions on a crystalline day (it sorrows me to end a poem this way) every leaf, every tree, edged silhouetted sharp against the pale blue cadet uniform color of a portrait background framing sky, this museum piece painting, unsigned, unguarded, uninsured, yet, surely the worlds most valuable the sun's early morn golden glint reflection, somehow pools in the palm of the each chlorophyll green flat goblet, this necklace of carat gold cavatine melodies gets me happy drunk on an aurora of the green n' blue seasonal summer's glories, upon the skin-stamped a caramel hallmark, what we wait for all year long, all the earth's colors crystalline pure, my senses say it's as it was on the first day of creation this is not the first day of summer 2014, yet, it should be so remarked, for summer visions so perfect crystalline are summer incisions, allowing entry of interferon hopes of we irregular, imperfected assorted human shapes, the marvel of a free-for-all serenity, nature's sweet permanent kindness to wayfaring temporal humans corporeal that I am, my being flooded by all of this and a grateful satisfaction, but my mind knows that as real as all this, is as well, the not well, the ashen pallor inside, the burnt tongue words that circulate in my bloodstream, the status of my reality, where my job, survival, is a Monday day to one day thing, and where the luxury of being summer incised is a sometime thing *and it sorrows me to end this poem this way but I come from another place this day* and the computer asks save this poem? and I answer, no, save me, save my family, even if it must rain every day for the rest of my sunsetting life *and it sorrows me to end this poem this way but I come from another place this day*
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48
partially due to the weather, state of the roads. these are not just closed due to snow, some as cars slide, cause a commotion. it is a steep hill, the crimea, some call it a mountain steeped in history. plans change, while the bus windows remain ***** sbm. nails #notes and jottings Esgidiau Meirw Boot Dump, Moel Bowydd Primary Reference Number (PRN) : 14626 Trust : Gwynedd Community : Ffestiniog NGR : SH69924845 Site Type (preferred type first) : Modern REFUSE DISPOSAL SITE Legal Protection : Description : A mound of slate waste covered to an unknown depth with the (?burnt) remains of thousands of hobnail boots, heel plates, nails, eyelets etc. Dimensions 40 x 30 x 2.5m. <1> A low mound about 35m in diameter lies to the east of the A470 (Plate 66). Its earliest phase consists of slate waste from a shallow linear working shown on the 1889 OS 25 map. This is almost entirely covered by a dump of waste boots. The upper layer consists entirely of heel plates, eyelets, nails, screws, sole shanks and occasional sole plates (Plate 67). Beneath this is a thick layer of ash, also containing metal fittings. Until quite recently there was a grave slab with a pair of boots incised on it along with the inscription Esgidiau Meirw (dead shoes). The stone now lies on the wall of PRN 14777 (Plate 68). It was probably moved by the land-owner for safe keeping after being daubed with paint. The dump is known locally as Tomen Sgidiau (boot dump) and dates from World Wall II. The boots are rejects from a factory that was set up in Blaenau Market Hall to recycle old boots and shoes for the army. (Hopewell, 2005) A low heap of slate waste lying to the east of the present main road. The tip is covered with the rusted metal fittings of a large number of hob nailed boots, and other small metal waste, including nuts and bolts. There is also a significant quantity of a fine silty material – possibly the residue of burnt and decayed leather. On top of the mound is a slate grave slab with a pair of boots incised upon it and the inscription “Esgidiau Meirw” (dead shoes). The feature is thought to be a World War II army boot dump. (Riley & Roberts, 1995) Sources : Riley, H. & Roberts, R. , 1995 , A470(T) Blaenau Ffestiniog to Cancoed Improvement ( © GAT) Hopewell, D. , 2005 , A470 Blaenau Ffestiniog to Cancoed Improvement Pt I & II ( © GAT) Hopewell, D. , 2000 , Upland Survey 2000 , <1> Events : 40503 : Gwynedd Upland Survey 1999-2000 Moel Bowydd (year : 2000) 43801 : A470 Blaenau Ffestiniog to Cancoed Improvement: Archaeological Recording PtI&II; (year : 2005) 40295 : A470(T) Blaenau Ffestiniog to Cancoed Improvement (year : 1995) see also boot dump incomplete blog https://sonjabenskinmesher.wordpress.com/2015/03/26/boot-dump-2/
0
Jan 16, 2016
Jan 16, 2016 at 1:39 AM UTC
. plans change .
partially due to the weather, state of the roads. these are not just closed due to snow, some as cars slide, cause a commotion. it is a steep hill, the crimea, some call it a mountain steeped in history. plans change, while the bus windows remain ***** sbm. nails #notes and jottings Esgidiau Meirw Boot Dump, Moel Bowydd Primary Reference Number (PRN) : 14626 Trust : Gwynedd Community : Ffestiniog NGR : SH69924845 Site Type (preferred type first) : Modern REFUSE DISPOSAL SITE Legal Protection : Description : A mound of slate waste covered to an unknown depth with the (?burnt) remains of thousands of hobnail boots, heel plates, nails, eyelets etc. Dimensions 40 x 30 x 2.5m. <1> A low mound about 35m in diameter lies to the east of the A470 (Plate 66). Its earliest phase consists of slate waste from a shallow linear working shown on the 1889 OS 25 map. This is almost entirely covered by a dump of waste boots. The upper layer consists entirely of heel plates, eyelets, nails, screws, sole shanks and occasional sole plates (Plate 67). Beneath this is a thick layer of ash, also containing metal fittings. Until quite recently there was a grave slab with a pair of boots incised on it along with the inscription Esgidiau Meirw (dead shoes). The stone now lies on the wall of PRN 14777 (Plate 68). It was probably moved by the land-owner for safe keeping after being daubed with paint. The dump is known locally as Tomen Sgidiau (boot dump) and dates from World Wall II. The boots are rejects from a factory that was set up in Blaenau Market Hall to recycle old boots and shoes for the army. (Hopewell, 2005) A low heap of slate waste lying to the east of the present main road. The tip is covered with the rusted metal fittings of a large number of hob nailed boots, and other small metal waste, including nuts and bolts. There is also a significant quantity of a fine silty material – possibly the residue of burnt and decayed leather. On top of the mound is a slate grave slab with a pair of boots incised upon it and the inscription “Esgidiau Meirw” (dead shoes). The feature is thought to be a World War II army boot dump. (Riley & Roberts, 1995) Sources : Riley, H. & Roberts, R. , 1995 , A470(T) Blaenau Ffestiniog to Cancoed Improvement ( © GAT) Hopewell, D. , 2005 , A470 Blaenau Ffestiniog to Cancoed Improvement Pt I & II ( © GAT) Hopewell, D. , 2000 , Upland Survey 2000 , <1> Events : 40503 : Gwynedd Upland Survey 1999-2000 Moel Bowydd (year : 2000) 43801 : A470 Blaenau Ffestiniog to Cancoed Improvement: Archaeological Recording PtI&II; (year : 2005) 40295 : A470(T) Blaenau Ffestiniog to Cancoed Improvement (year : 1995) see also boot dump incomplete blog https://sonjabenskinmesher.wordpress.com/2015/03/26/boot-dump-2/
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17
Super Moon:  If you were beside me If you were beside me, You would believe the unbelievable, The Super Moon fills our bedroom cup with whiteness, Light, a sky-delivered invitation to walk on the water Upon a path illuminated that commences at the dock If you were bestride me, You would feel the majesty of Our union in a new light, bathed in Sweat and glory of nature's triumphant Marking our bed and home, its nestled place in nature Alas! Your potpourri of sleep noises, The purring, the little yells, dream induced, Signals that tho beside me, you are somewhere else. The Super Moon, disappointed, has marked your card, Marked it absent, but marked me, your lover~brother in arms, Tasked, incised, upon my body, your homework assignment Moon: *Gaze upon his eyes when you rise, Touched and filled with the history of your lover's Encounter with the Man in the Moon this evening, Study it well, memorize, these words, I have Inscribed thereupon for you to read* **When you next intimate, I will be there, Whether in these words or his eyes, No need to estimate my light, It's safe, stored, so that the dawn's plight, Vanity attempts to compete all will fail, For I am, you are, the light unhid, in his eyes** 3:00am June 23rd, 2013
0
Jun 23, 2013
Jun 23, 2013 at 3:14 AM UTC
A Super Love Moon Poem: If you were beside me
Today I'm filled with muted optimism Something not often seen skulking around my peripheral. Some retail therapy and a ***** free day. I write you blinded, literally, consumerism blaring, shining RED in my eye. My new shoes and sparkly chemical incentives sitting comfortably on my feet and in the back of my skull respectively you know? Just above my nape. The weekend is over. That person has left, incised from delicate parts where hurt feels more justified than starving children and diseased refugees, "oh so woe is me" avoided. We shouldn't have gone skiing together, the snow was far from ready. The passengers leapt from the derailing train, terrified of sludgy wet slopes. This time around I won't let them come so close. Stiff arm, no more than three. No more poems for you, or freedom for me.
0
Dec 2, 2018
Dec 2, 2018 at 8:19 PM UTC
This time around
There is a part of us that isn't quite alive until hollow-starved lunacy is sated while showing the bright side her hidden darkness emerged when i tricked her into hurting herself she would say come on trick me, trick me, trick me and i would tell her Count Dragool with ****** tube fingers would take her slow if she hit her self hard across the mouth and she would scream to Eden bash mashley thrash me i want the men with red tridents and ding **** tails too while she watched my eyes like surveillance drones as if a great confederation of ***** marched towards her certainly not painless but the pain of an addict who knows all to well the pleasure of the needle first the little sting and then the great oooow she is butter on the stove im the rare drug a Do Do bird beaking flesh a cold hard *********** she a yielding intricacy of complications a bald Rapunzel feeling under abused till now with black crow lips and bangled earings like a long jangling math problem that ends with a big O O popping blood berries like pink flower hysterical ******* shooting bullets from tattooed hip belted pistols on a singing red bed her limbs a yawing stretch a torn zipper being yanked up and down a frenzy of crying blasphemies and raw kisses dancing the bend over on knotted knees incised a writhing dance cha cha creel of blood cha cha cha
0
May 20, 2019
May 20, 2019 at 2:57 PM UTC
Sadomasochism
Sovereign, star-flower, Sorcerer-painter. Essence of pink Skittles and air incised by blue-lightning. My lady hums fire between lines in lips -- smoke and perfume watermelon.
0
Feb 5, 2020
Feb 5, 2020 at 5:14 PM UTC
my lady
One year and one day ago, the Super Moon filled the night and I wrote: If you were beside me, You would believe the unbelievable, The Super Moon fills our bedroom cup with whiteness, Light, a sky-delivered invitation to walk on the water Upon a path illuminated that commences at the dock If you were bestride me, You would feel the majesty of Our union in a new light, bathed in Sweat and glory of nature's triumphant Marking our bed and home, its nestled place in nature Alas! Your potpourri of sleep noises, The purring, the little yells, dream induced, Signals that tho beside me, you are somewhere else. The Super Moon, disappointed, has marked your card, Marked it absent, but marked me, your lover~brother in arms, Tasked, incised, upon my body, your homework assignment! Moon: Gaze upon his eyes when you rise, Touched and filled with the history of your lover's Encounter with the Man in the Moon this evening, Study it well, memorize, these words, I have Inscribed thereupon for you to read When you next intimate, I will be there, Whether in these words or his eyes, No need to estimate my light, It's safe, stored, so that the dawn's plight, Vain attempts to compete the daylight, All will fail, For I am, you are, the moonlight unhid, in his eyes 3:00am June 23rd, 2013
0
Jun 24, 2014
Jun 24, 2014 at 11:39 PM UTC
A Super Love Moon Poem: If you were beside me
as i grow old, in days, disparate from a squander-ed youth i lose my tusks. wisdom, ripped away in younger times left me with clicking lopsided grin. but, now the years, have chipped and ground away any, intimated soupcon of,  scintillating, sensibility and clarified inhabition. clear incised & cutting thought process... transformed to be dull pointing, half-remembered things. no longer chewing elephants, by ontological bites. now...down to ******* the marrow from within. with a vacant and gummy smile.
0
May 31, 2014
May 31, 2014 at 6:04 PM UTC
photogram of an elephant's scintilla
the doors of paper how high are the walls of gold and poison people with wise hands giddy on incised vanity the world has a high regard setting the doubt the pride Shine the lights in the expanse the heat in your hand we share the regret Sandy in high voltage the tidings and had scraped away much my cheeks stuck like blueberries to the test of his juice that roams by our genes My only I am you
0
Nov 29, 2013
Nov 29, 2013 at 8:01 PM UTC
the doors of paper
come pretty quickly out of air incised precisely with your hips skinny waist: Saturday say LOVE,
0
Aug 18, 2012
Aug 18, 2012 at 3:54 PM UTC
Untitled
How long does it last When it's forever Rolled into the past Running a fever True colors, broad cast One day as ever All together, done When another eon lies Folding into none Lows and highs Whispers of old stone Buried in the skies Past time paralized In incessant news Eternal life sized Waves of letting loose Surfaces incised From current abuse Whatever goes back Whatever waters away Slips into the cracks Only a matter of day Some days cut deep Most are lost to sleep
0
Apr 22, 2023
Apr 22, 2023 at 1:51 PM UTC
Anticlinal
cloud bursts in the sky, raindrops falling from many eyes, one for one, for all one four one, fall victims voices break and tremble, though the Earth might shake and rumble, as the ground is incised, again and again, again and again... and raised caskets to the fill the skies, enough to black out the sun, but not of those children, or of their memories.
0
Dec 16, 2014
Dec 16, 2014 at 9:13 PM UTC
In no sense
In a minute a vision or two, Incised with precision my eyes see, Alhambra. 'a pearl set in emeralds' a jewel to behold. In the meanwhile a morning a cold day is dawning. The old enemy comes in with the sun.
0
Nov 20, 2014
Nov 20, 2014 at 6:38 AM UTC
Crusade
I'm always loving myself off a precipice, hanging from the c r a g s by branch and string wet down by s e a and dried by salt, the w a l k here was long in the tall grass that has no trail where the wind whets the bluffs and steals my hair from its hood so that I am my own maelstrom a shred of black off the cliffs, incised into the gray like my body is only an o p e n i n g but from far off i am just a whistle against the headlands, sea foam and pine needles or the grains of sand that never settle.
0
Jan 25, 2015
Jan 25, 2015 at 10:09 AM UTC
Shred.
Dens, devils dark alleys Apart from the quiet disco beats The house-techno-electronics melodic Or timbres of the naughty riddims rhythmic And the dim coloured alternating disco-lights Else, Dens are blurry dark With all addicts-of *** narcos or gins In there no one sees no one Just the silent talks of sins around The usual businesses brought them there In the mixture of multicoloured lights So no one will talk of anyone once lights returns Yet they shared something in common A gal maybe, a cocoa puff or a shisha vapour! A cigar smoke or a ***** tot and danced it ***** to dawn In there are naked nudes- Dames as well as few muscled-dudes Teasing silent seated decent dressed Stripping, selling their worth or wealth To these willingly seriously immerged In the occults of the immoral **** Some are seductively rolling with the podium poles Their greased groins incised on it metallic luster Grating-grinding-dancing dirtily down Its silvery smoothness in timed tempting Slow spicy synchronic, slutty slides Watching the salivating seated Erotically elated shift in their chairs Some, skimpily skinned are snaking their boneless bodies up-down In caressing zigzags of mastered dancers ***** arts Immorally exposing their mostly expensive parts in bits To tempt and trap these blind corrupted moths in their Lucifer’s lights Forcing them to dig deeper their posh pockets to pay to be bemused Business here is crooked, dark! Like ***** and her Gomorrah Or Tyre and her Sidon It begins with the fall of the night: The extinguishing of the day's light And ends with moments to dawn’s bright In there all night are all dealers of immoralities Of dark arts, of *** or of drugs Goons as well as criminals of government deals And the corrupt business billionaires sandwiched Richly enjoying the **** of the sinfulness- Sharing, wasting, the rapacious richness Of their easily gained supernormal profits On these salacious naked nudes, free to feel In there in the masquerade of these rainbow lights No one sees no one, no one will say of anyone Just cash exchanges hands You got it, you get what you need All the services you want-its all at your watch With just a snap of the finger, all easily you acquire You are the master, everyone else your servant slave- At your disposal to your utmost attendance © Kìùra Kabiri. All rights reserved.
0
Mar 27, 2017
Mar 27, 2017 at 5:05 AM UTC
DENS
Dens, devils dark alleys Apart from the quiet disco beats The house-techno-electronics melodic Or timbres of the naughty riddims rhythmic And the dim coloured alternating disco-lights Else, Dens are blurry dark With all addicts-of *** narcos or gins In there no one sees no one Just the silent talks of sins around The usual businesses brought them there In the mixture of multicoloured lights So no one will talk of anyone once lights returns Yet they shared something in common A gal maybe, a cocoa puff or a shisha vapour! A cigar smoke or a ***** tot and danced it ***** to dawn In there are naked nudes- Dames as well as few muscled-dudes Teasing silent seated decent dressed Stripping, selling their worth or wealth To these willingly seriously immerged In the occults of the immoral **** Some are seductively rolling with the podium poles Their greased groins incised on it metallic luster Grating-grinding-dancing dirtily down Its silvery smoothness in timed tempting Slow spicy synchronic, slutty slides Watching the salivating seated Erotically elated shift in their chairs Some, skimpily skinned are snaking their boneless bodies up-down In caressing zigzags of mastered dancers ***** arts Immorally exposing their mostly expensive parts in bits To tempt and trap these blind corrupted moths in their Lucifer’s lights Forcing them to dig deeper their posh pockets to pay to be bemused Business here is crooked, dark! Like ***** and her Gomorrah Or Tyre and her Sidon It begins with the fall of the night: The extinguishing of the day's light And ends with moments to dawn’s bright In there all night are all dealers of immoralities Of dark arts, of *** or of drugs Goons as well as criminals of government deals And the corrupt business billionaires sandwiched Richly enjoying the **** of the sinfulness- Sharing, wasting, the rapacious richness Of their easily gained supernormal profits On these salacious naked nudes, free to feel In there in the masquerade of these rainbow lights No one sees no one, no one will say of anyone Just cash exchanges hands You got it, you get what you need All the services you want-its all at your watch With just a snap of the finger, all easily you acquire You are the master, everyone else your servant slave- At your disposal to your utmost attendance © Kìùra Kabiri. All rights reserved.
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