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Evening Ways Feb 2015
Serenity my impractical refrain
What oceans I have seen could not contain you
Still from long ago
You sleep with sediment in caves of night
Aiding my excuse not to come rescue

While only you could rescue me
And iron out my body crumpled
To let us sleep with tidy sheets
Relived of grime and filth that has compiled upon my years
Believing I can live with out
A single decent peace of mind
Oppression now has swam up stream
And lurks between resembled shadows
Of the memories adhering only to your name

Oh serenity my impractical refrain
Through fault, from which I’ve been delivered
A bitter place I’ve built around my self
Know that amends are only spoken towards your name
Depleted, torn and strewn I simmer
Swept a ‘withered, for oppression now lies within

Arise a faint acknowledge towards me
If ever you wish to return
And I will tend my bed so rightly
For our sound sleep, together, healing burns
Mateuš Conrad Oct 2016
it could be said that the constructs of grammar are a akin to
the constructions of the unconscious with sleep the dam,
   and the trickling of both the waking
hours and the concerns for dreams -
i'd say: it's not exactly the interpretation
of dreams, but a concern for them:
last night i was exposed to the most
fascinating comic, if i wrote about it
in the morning i'd reveal all of it -
but i do remember in a subplot
a Beretta and fiddling with a bullet...
dreams? unwanted distractions...
            they only possess depth's worth of
analysis for entombed people -
      for whom life has no meaning
they have to seek alternatives: i.e.,
in dreams...
                         because their lives are
so uninhibited they seek monastic
meanings, they are on a knife's edge
of slicing through cryptography -
                        they want to seek deeper meaning,
rich or poor, if life isn't a centimetre's
worth of depth of drowning, your escapism
is bound to dreams...
                             which is a secondary
excuse concerning apathy
  and the shaking homeless man...
               i'm asking for a mass exodus
of the homeless from urban areas...
                       only a fool would sit in an
urban environment these days...
               those glum godforsaken looks of
seemingly ****** superiority...
   meritocracy hides a variation of ******
it doesn't seem to recognise -
          it's a gigantic mushroom fog-cloud
and bypassing talk of the guillotine chop
to mind the Antoinette cakes for fear of
reprisals...
                        thinking never equates
to being conscious...
                                       i don't know how
this happens...
                              the divergent parallelism
states that
                   we shouldn't base our
censoring on obstructing nouns,
but the majority of politics bullies this
categorisation of words with the most
sensed purpose of it being necessary...
nouns don't do jack **** in ontological
parameters, but verbs do...
                  trying to change human
behaviour by stretching it back far enough
for cavemen to appear,
      or censoring the use of nouns
does not affect our actions -
                                     it simply doesn't...
censoring our use of words
         means we cognitively stutter... to
appease misguided pieces of information
lodged within each word...
                       we are deliberately
not engaging in the full vocabulary grasp
of things...
                          on a humanistic level
the involuntary desire
                                  to write a book rather than
learn to make toothpaste...
   outside of theorems in rubrics of
repetition:
                   what is the active ingredient
in being conscious?
                  thought or the senses?
   for me thought is the active ingredient
   and the senses are a passive ingredient.
               on the ready...
but how to make the world make sense?
  well, given the five already not making
sense, thought alone suggests a counter
question: how does the world make sense?
    i understand that these words
belong in the torture chambers of libraries...
people prefer practical problems
sourced by practical questions,
rather than preferring no problems
  sourced by impractical questions...
did i mention taxation? no.
         did i mention immigration? no.
hence i've asked impractical questions
         because i don't want people to
experience them as practical concerns
when they do not invoke practicality:
precisely because they invoke an impracticality
i'm asking them...
                              because they do
not interfere with what's impractical in life:
other people's sedimentation
into power... my questions interfere with what's
practical in life: not getting in other people's
daily affairs...
                         the more the question
is impractical, the more practical life becomes...
and then life encounters what others deem
to be the practical question, which makes
life all the more impractical...
       time orientated: on the altar of television
where everyone has enough time to
zombie-it-further.
                               with thought the
active ingredient of being conscious (double
value, two functions, one open, the other closed)
                the inactive ingredient of being conscious
is ego (hence the many theories and sub-divisions
of possessing such a thing) -
                     that doesn't necessarily translate
into                               the origin of things...
                 i'd state that grammar is
in equal measure a conscious quantity (vocabulary),
as a subconscious medium  and an unconscious
            suggestion...
                          grammar speaks of the universal man,
we speak alone or among ourselves as
men: particular...
                                      to me grammar is a medium
akin to the psychological three tier cake...
                              it's a fourth dilemma...
                 if thought is the active ingredient
of consciousness,
                                it's no wonder
   the constant sought-after identification procedures
with passports, national insurance numbers,
                   reincarnation...
    THE WEST KNOWS NO MYSTICISM...
        a common mantra...
   THE WEST IS IN A STATE OF A CRISIS
IN THAT IT HAS EXHAUSTED ALL
                           SOURCES OF PLAGIARISM...
          IT IS IN A STATE OF BABYLONIAN
  PLAGIARISM: A PERSISTENT SELF-RENOVATION
            BY PLAGIARISING ITSELF
DUE TO THE FACT THAT IT HAS EXHAUSTED
      PLAGIARISING NICHE ENVIRONMENTS...
              the white man knows no mysticism...
whatever comes from his mouth is wobble-blah...
               still even fewer made that statement
than venture into the Masai territories in Kenya
to hear a mystical burp...
                       yes... so many provocative sentences...
psychology expands into what will always be
airy-fairy Mary Poppins to me...
                        i can write about it,
but the rubric of fixating on words
                                 that are stimulants more than
additives in terms of cohesive argumentation
will always remain a mile away from my
serious interests in prolonging an argument
  for establishing a theory into it being schooled...
that'll never happen with me...
                        when i write about psychology
i am foremost to remind myself:
     you just inhaled a balloon filled with helium...
   oh god, the relief of not making more from this...
                  me, never the dodgy soul-salesman
of the naive few...
                             a penny is worth a pebble...
but is a page from Tolstoy worth a £5, a £10,
a £20 or a £50 banknote?
                                             i really wanted to
expand on the verbiage... but even i encounter
moments of true spaghetti demanding me to end
the supposed: on to it...
                                        to me psychology is
verbiage... in the back of my mind i'm looking
at grammar as a punching-bag...
                 upper-hook -logy
                        lower-hook -graphy -
          or pristine physics and chemistry...
      as one granny said: some kind of -logy
   or: a term deemed appropriate to denote
    a vocabulary fixation of some sort.
                      because that's what's called the attache...
fixated vocabulary -
                        i'd really love to expand
on this... but i don't see the point...
                 the original idea fizzled out
after i heard enough entertainment tongues
blah through a bubbling bottle of champagne
into Lake ****-on-the-Geneva-Convention flat...
                   as i am adamant on
creating Narcissus looking into the sea...
                           but that's the beauty of
poetry, it's not bound by paragraphs...
           it's open, like the ******* of literature
that it is...
                                 your payment?
just your attention...
                                           hence no paragraphs...
                your payment?
   just your attention...
                               because if they didn't cough
up for the skeleton... i'm not
           giving them my strained larynx...
                         sometimes...
   it's best to leave
                                something unfinished:
there's no melancholy surrounding
     a perfected and complete construction...
                     
Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
AJ Jan 2014
I taught myself how to write poems in the dark
hiding my words like a fugitive hides from the law
I toss poetry away from my body, as if it is starting to spark
I crumple it up and fling it away, even though the words leave me in awe

I stomp around feeling forlorn
after locking each word in a cage
I hide books the way some kids hide drugs and ****
to each his or her own escape

"writing is impractical" is what I've heard all my life
starting at six, when I stated that I had a writer's voice
now when I mention a poem, all I get from my mother is strife
writing is but a mere hobby, not a high paying, good career choice

writing is never enough
impractical is what writers are
and rima girls are supposed to be tough
we work hard all day, then return to the bar

and since a rima girl I always shall be
a writer will never be me
Mateuš Conrad Sep 2016
there's much gesture in thinking out the nonsensical,
the un-thinkable - the un-pardonable - with sheer gusto
you tend to think out the unsolvable -
the nonsense people are afraid to
think about - the impractical -
and that's for one reason alone -
                  it doesn't create real problems...
you do not engage with real struggles
people encounter - because by doing
all the above stated... you are not the one
who says to a person: you can't do this,
and you can't to that.
                 which is why i don't understand
the English aversion toward philosophy:
say the word, and the English immediately
succumb to the notion of pedantry and
snobbism - when in fact: it's hardly that -
          perpetually philosophers entertain
themselves with invoking awe, as with ageing,
and seeing the many pitfalls of romance
and comedy and tragedy... awe becomes
very hard to find... it's simulated ignorance
in a way... for example Heidegger championing
Aristotle is a gesture intended in this direction -
and his concept of dasein is another
way to stage a coup against the world...
              it's an antithesis to what would otherwise
be regarded as activism... or more piquantly:
hedonistic activism, which primarily encompasses
staging a higher moral authority -
but never reaching for the fist making a signature
for the cause... that phrase: just empty words...
and humble pie. well... if you're a bachelor,
have this instilled aversion toward having a private
relationship with women: suitor - Kierkegaard -
well... you are bound to create pointless problems...
because... to be honest... you'd rather throw
"imaginary" problems into the metaphysical arena
than sit there... as a competent English gentleman
and speak of philosophy with about two or
three terms... reality... god... monkey...
                  or at a chessboard with a desire to provoke
a telekinetic pandemonium.. x-men apocalypse and
all that ****** imagery...
                             it's odd... but it's just so...
the English had an idyllic life,
                                      as any island dwellers might...
which is why they don't like impractical problems...
because they blabber about practical solutions,
to practical problems... that never get solved,
i.e. engrossed in more politics than anything:
the English have no ear for philosophy -
the mere word frightens them should anyone admit
to being the stated adherent: for god's sake,
the Scots are perceived as barbarians with the
deep-friend Mars bars (and pizzas) - but Hume
rang the eardrum in Kant's ear... and wallah!
a new chapter... Locke? only Darwinism,
popularised with images, as they say:
best leave these skeletons in the closet.
                             what am i working up toward?
well... it's a bit specific...
                                     first... the easiest proof
of solipsism... a crowded train... someone farts...
     guess what... the person who farted is
the only person on the train who appreciates the stink...
            hence: the theory - you like your own -
hence the abstract of the self, competing for a theory,
the self - as an optical itinerary: from head to foot,
from hand to toe - a long list of self-serving
          accomplishments in detailing all acquired
difference...                    but it's not about that...
          for all the reasons that life can become perfect...
at precisely that moment people began to
philosophise -                       and that condemnation
of reading a book on the topic in youth
rather than old age?        well... the glory of old age
is kinda slipping away...    if not now? when?
obviously you might jump the wagon too eagerly...
but at least you'll soon realise how
    a philosophy book (excluding Plato) can actually
help you in forming a dialogue -
                       i think that's what they teach primarily,
the art of dialogue... not the art of persuasive speaking
(rhetoric) - but the art of dialogue... after all...
   Plato... right? all dialogue...
                                  and they do: it only takes one book
in this literary region, i became convinced of it
after only being introduced to the subject area quiet late
in life (21)...        prior to that? fiction and poetry...
   and science... nothing else...
                              like a fish to water...
the necessary 21 years of strain having avoided the subject
(not on purpose, mind you).
                  yes, a glorification, why not?
     it's because these nonsensical problems arrive
as a reflection of a defence mechanism...
     the English don't like "too many words" or
the continental verbiage they coin as the psychiatric
phrase word salad - precisely because, sometimes,
language is not about entertaining someone with
tragic choke-jokes and songs...
          great singers, great comedians,
   great engineers... but in this field? obnoxious *****.
  the English are the first instigators of
     enshrining a quicksand pit of a person's
esteem in his ability to use and comprehend language,
primarily because they can't comprehend
the complexity of language being thus expressed
they immediately conscript against him
    this... odd... quack-wacky need to teach
the person in question refer himself to the Jane Austen
clinic of correct language parameters -
            nothing beyond! nothing foreign and
original! we need novelists who only travel in
straight lines (preferably on a Benelux plateau)
        and never dazzle with a tarantula bite of
disorientation (akin to the cut-up method)...
        and you will find that the English are primarily
concerned with making people suspicious of
   their sanity... strange... i once had a work-horse
work ethic and that became undermined,
                       then my use of language became undermined
because, as already stated: the English don't
do impractical things with their thought:
                it has to be practical...
like the Germans and time... everything has to be
efficient... or the Japanese and space (*******
cardboard sized hotel rooms)...
                             which brings me to the point of my
original intention:
                 deleuze's and guattari's searching ambition -
the anti-oedipus, or: body-without-organs...
             in turn the dark ages of Cartesian thinking (in England)
or how            mental health is somehow a lesser
   health to physical health -
                 sweat... and exocrine glands v. endocrine glands...
    <yes, telegram mode, precursor to a detailed
        explanation>
                                i'm just proposing what i dare believe
to be a thought-object, or more precisely a
             thought-***** -
                    no point looking for a shortcut with this,
      it's either the sort of verbiage compound you'll
reason with... or you'll treat it as *******...
                     as ever, whether that's investing in
a gym membership and a suitable diet...
         you won't get the ****** six-pack on your torso...
  this concept is reserved for what i find problematic
in mental ailments - which, in turn... somehow,
"miraculously" translate into physical ailments -
           but of course, amputees get the priority seats
in the eyes of every Jack and Dolly... because it's easier
that way...
                        my back-reading in psychiatry? well,
it's not exactly limited... on the plus side -
a theory is nothing more than a placebo trial -
                   you're not thinking about it being effective,
that's the default point of applying thinking where
pharmacology cures are pretty crap and its side-effects
catastrophic... and talking therapy ends up being
a monologue with a table filled by notes with single
words on them and being asked: to identify their meaning...
anyone who has experienced these practices
can also say: i'm actually conscious you're making me
feel like a ******* ******... you've just insulted my
intelligence... and i'm back to square one at kindergarten...
   have you ever watched you-tube frustrations?
well... a thought-***** has nothing to do with
    that map of the brain...
                                feeling goes here,
  seeing goes here...             a mash-up and a mess akin
   to the map of the European union...
          because some rich boy scumbag drew it
in crayon at the beginning of the 20th century means
it has to be right...
                                  but if i treat thinking as a thought-*****,
i know how the ***** works...
            a heart is a muscular pump...
  the stomach is a digestive acid swamp...
                        the esophagus is stretch-armstrong...
should i feel guilty writing about this?
          should i? touchy subject? well... you won't
find any pills around here... well, apart from the sleeping
pills... they're sacred (to me, at least, as if the bourbon,
but that's my private affair... you walk down this
route: it heals me... not necessarily you) -
  this is to simply end the whole pseudo-Cartesian dichotomy
of philosophy popularised by psychology and
psychiatry - for these two areas are bound to simply
popularise philosophy... and given that most people
don't read a book in that area... it's easier to manipulate
people in therapy with the knowledge passed down
from on high.
                                       and it's there...
the dichotomy parallelism is primarily due to the fact that
most people think of the brain with two categories:
a. when physical pain strikes it (a headache)
and b. when physical pain is absent (with what ease
    they think)...
  the problem lies in the perception of b.,
most people can conceptualise that there's something
deeper than the raw physicality of things...
i do remember times when i encountered that
ease of thinking...
                                        i experienced it...
it was there... ****, i lost it... but that provided me with
an un-inhibitory trance of a writing capacity...
   the question is... how can merely thinking be painful?
most mental health problems never ask this:
thinking is painful...
                                      isn't that what most melancholics
state, but with a more emotional language of
feelings and emotions?                  
             if the thought-***** is damaged...
then all thinking coming from this compartment of the brain
will be painful...
                               so what sort of paracetamol
do you take? it's not as easy as being prescribed
high-blood pressure pills...
                                      popping pills like that
you're only escaping a conscious moment of what
an automated ***** feels
Cunning Linguist Jan 2014
I have but a smatter of the angelic tongue;
The language of angels, archaic and foreign as the morning sun
It's to you I posit the following query:
Should I for one be ecstatic or pragmatic,
When the voice of God speaks to me only in static
I choose to believe but this troublesome quarry is all too problematic
My philosophy and logic quarrelsome emphatic
Psychosomatic and impractical

Maybe it's the infrequency with which I tune my internal radio;
And maybe I'm not listening
Or maybe it's really true what Nietzsche touted so many moons ago

I beg for sacrament
But partake in sacrilege
If its true that Soul is eternal
Or even existential
What is the sake that merits mine salvation
If I can't save even those I hold near and dear from being of Self mind
Fallacy of ego.
Global enslavement.
Criss Jami May 2014
Lately
What I do is a vacancy with
A disposition made just for me and it's
In a position that they can't see, you see
In deep blue seas
There's the place where a vacation is free for me

And then you dream in peace

So call me maybe the ghost protocol where most of those photos of all the things I do
Are used as prototypes, baby so-called clues of my new call to move where-
In everywhere and wherever and with whomever and whenever which
Is whosoever or whoever's whichever of whatever, for all of you
Whether the weather's a typhoon in-
Cluding the SoCal blues but
This isn't all I do
It's just that it's my call of duty
On a mission for all of what's true
But without bailing, balling or brawling in her suit
And then failing, falling, bawling and calling and then crawling in pursuit

Like some other subliminal, minimal flukes
'Cause it's done much better than those "lyrical, miracle, spiritual, individual and criminal" dudes
Or bitter, fritter critiques with the use of twitters
In order to refute the fullest of all hippo-critical fools and critters sitting and fitting
Itching to switch to snitching about this glitch
Which is hitched to renewing, stitching and gluing our fitches to truth and
And yes without twitching to their witch's magical, musical flute

Then in lieu of the altitude of the attitude rude of my pirate-like crew's mood
Whether longitude or latitude and more than impractical platitudes
I'm not as irate as I seem al-
Though it ensues that right on cue in due
Time with an aptitude of gratitude and exactitude in
Solitude throughout fortitude or servitude, to allude what you elude and dude
To intrude what you conclude with certitude in an interview interlude and now
Then out of you, under coveralls to view the overall outerlude
I rate the magnitudes of the habitudes it seems you take for granted in dreams and all types of things

And though my soul is a hologram
Hollow weight and zero grams
Hero traits with a villain glam I'm
The man of love and that of
One of the toughest clams above
Or below, I should say
Like Poseidon
Oh baby we ride on
Or sail on, should I say
The ghost of Poseidon

Then in lieu of the attitude of my pirate-like crew
I'm not as irate as I seem or
Even irritated as they deem nor
Norse, Thor or a heart of granite
I rate the things we take for granted, granted far asleep
Stereo-hyped in dreams with all heights of wings and

Although my soul is a hologram
Hollow weight and zero grams
Hero traits with the chill of a villain vibe or glam I'm
The anti-hero, champion of love and that of
One of the toughest clams clamping it above
Or below, I should say
Like Poseidon
Oh baby we're riding
Or sailing, I should say and it's

It's the ghost of Poseidon that's
That's trailed night and day
The ghost of Poseidon that's
That's trailed night and day 'cause
They say, I did it my way then they're
On my tail right away
On my tail right away
Amelia Jo Anne Jan 2014
i'm broken spaces,
unnamed multitude faces:
see wholes as fractals.

i'm rubbed raw and sore,
i'm ***** waves on the shore:
rampant and rascal.

lost in the spotlight,
yet so defensive for fights:
though impractical.

i'm wanted by you,
yet i question what is true:
you falter and stall.
http://imma-duck.deviantart.com/
Mateuš Conrad Sep 2018
well... feminism has had its three waves
of revisionism -

    and there i'm sitting on
the windowsill,
   smoking out of my window -

watching the moon sloth the sky like
an demonic snail -

in the misty haze of a large patch
of cumulonimbus -
    right up there at around 50,000 feet...

thinking to myself?
   why are there two orbs of varying
light concentration
penetrating the sky
   and embedding the moon
in an eerie aura?

never mind -
   i still don't know what the chemical
formula for timber is,
or what sort of material is on
the moon that allows it to reflect
light from the other side
of the Greenwich Mean Time...

last time i heard: can a rock surface
reflect light?

          well then... ah... never mind...

but feminism has had its three waves
of instigation and two subsequent
waves of revisionism -

so it made me think:
   why not a second wave of fascism?
a revisionist wave...
    well... as far as i am concerned
the Italians were much paler -
   in their intentions than the Germans...

fascism 2.0 -
and the sort of fascism that would allow
me to be men...
    drunks, foul mouthed, you name it...
athletic, not-giving-a-**** losers of
sorts, among the glam of whatever else
it is that a man is...

working on the idea,
i had to think of a list -

   hmm...

          who then?
ah!

      Stanley Kowalski
   (from a streetcar named desire)...
John Wayne
  (notably from true grit)
    Charlton Heston
(from the planet of the apes)
   Tony Curtis...
              Hemingway,
Bukowski,
               Ezra Pound...
     Clark Gable
    Gregory Peck
                   the list is seemingly
endless -
   at least in the portrayal of
said characters...
ah... ****!
   Kevin Spacey as
Lester Burnham to boot!
            ah... double ****:
Denzel Washington as
Troy Maxson...
    because apparently "being"
a "poet" is little more than
the lesser stature
of a garbage man...
             unless of course:
you fiddle into a cosmopolitan
fixture.

    oh... and certainly an appreciation
for a traditional Turkish barber
shop...

something very much akin / borrowed
from America circa 1950s...
   and an unabashed sensibility
concerning good tailoring -
   but then also the prophetic
vagabond look from time to time...

just a vague idea -
    but something along these lines -
but then again, what a silly idea -
what is racial purity in
21st century England?
   some sort of vague notion
       of an even vaguer dream?

but i guess the notion of
individualistic purity:
   the purity of the individual is related
more to: who can and who won't
be swayed by alien opinions -
2nd or 3rd party -

        which includes this opinion...

i'd subscribe to put the idea on
the following zenith:

              grammatical cleanliness -
linguistic order -
            a literary tact -
   something along these lines -

after all: the 20th century is not the end
of a theory -
given 20th century communism this,
while 21st century socialism that...
ideas prevail...
   evolve - or devolve - regress
or make alternative progress -

               also given:
    there already is a fascist movement
elsewhere, other than in England -
where: it would be completely
impractical -
                  
                       prime tenet would also
be, what it already shows:
   non-expansionism of a culture
or a people -
                           more akin to
American isolationism under
                                                  F.D.R.:
i­ have a strange sentiment
for that president.
GaryFairy Nov 2015
impractical is the path
where wrath meets satisfaction
with hands too fast to smack
we are the captors of our actions

not adapted to the math
understanding the subtraction
with a stand that is my last
i am ****** by my exaction

with a plan so crass
like a romance with reaction
impractical is the path
where wrath meets satisfaction
I woke up from a lonely dream
It reminded me of the life I lead
One of loneliness and self doubt
Confused by what life's all about
Friendless due to my selfish ways
Hoarding all the love I have,
I ought to be resigned to give away

Instead, I grow more bitter
More distant from the crowd
I fear my love will wither
Follow me into the ground
Unaware what might have been
If only I had made a sound
Been a little more outspoken
Maybe hollering out loud
Telling everyone just how I feel
Going the extra mile
All while moving leaps and bounds

It's time I awaken from my slumber
From the cave in which I dwell
Try and replicate bits of heaven
That thou-shalt-not end up lost, stuck in a living hell
Expand my impractical horizons
Give of myself to those in need
Release all that's stayed held within
Undaunted; un-afraid to bleed
There is more truth in this poem than I dare care to admit
myrrh Aug 2014
Your Style Can Not Dominate
Not Being Crude, Not Spreading Hate
I'm Just Spreading The Word, Going To Radiate
Even Without It, You'd Probably Meet Your Fate

Taking You Down Has Become My Mission
Going To Split Your Mind, Sanity Fission
And Your World In Two, Territorial Division
I'm Coming At You With Insane Precision

Not Going To Rush, Going To Be Tactical
Make Sure My Plans Are 100% Practical
Attacking Aimlessly Would Be Impractical
Give My People A Show, Theatrical

I'm Flawless, You're Flawed
When People Hear My Words, They Applaud
When They Hear yours? They Call The Firing Squad
I Don't Think Inside The Box, I Think Abroad

I'm Guessing By Now You Must Be Hurting
You Coming To Me, Asking For Some Kind Of Converting
The Topic Kills You, You're Diverting
To You. I'm Quite Alerting
Just Realised the 4th verse will rhyme depending on your accent, oh well...
Ryan Lindsey Dec 2015
Your morbid reassurance to a impractical salutation hurts us both.
sleeping outside is gonna get us sick.
Your insecurities lead you to my confidence that sank us both to vulnerability.
Not only did you abuse my well being, you drained it.
Look at my victimizing face and tell me this isnt your fault. It takes two to devastate one.
We both deserve to sleep in the same bed
Come inside
We have a stoic endurance for each other.
You're not wrong for anything
Prabhu Iyer Jul 2012
My girl don’t like
To read these line,
You see, she like me
To talk straight,
She like to see rain
Not jus’ cloud dance,
Me – am not
Impractical,
Though, cloud, are
Beautiful:
Rain, no rain;
But I need to write,
‘Coz I mus’
Anguish soothe
Love stir and heart
Overflow,
Emotion: I pour
My heart out
In these line –
Nobody read’em
But:
Beauty in echo –
You gotta see,
Yea, silence smile.
This is written in the style of pidgin English - sorry for the bad grammar :)
Gregory Dun Aer Apr 2019
I'm an impractical ******,
that means I'm not even practicing,
and by that I mean- life ***** me constant.
I take it like it is part of my medicine,
one mess I'm in to the next mess again,
this aspirin inspires me to live,
telling me the world has a God
and the man subtly looks at me
slowly gesturing a nod;
I'm an impractical ******,
by birth, by blood, it's constant.
Daysea Feb 2013
After school in summer. An abandoned railway line, through a forest. A grey dress with red flowers on, the blue cardigan with sweat patches under the arms. Trying to conceal them. Not caring after a while. Walking in front, through the wild garlic. Not everything flourishing, some ******* here and there. The muddy ***** up to the track. Scrambling up trying not to get hands muddy, trying not to fall. Probably wearing impractical shoes. She was behind me, beside me. Catching her smell, trying to touch her hand, her shoulder. Talking about things that meant nothing but flowed: began and concluded satisfactorily. Only 17, so long ago. No doubt we talked of school, I don’t remember a word. It was the action, the structure of our communication, that was all I had. The unsaid was still sacred then. Reaching the end of the line. The line! It was a beautiful day, romanticized now. Warm in the sun and chill in the shade but I soon discarded temperature. The green from the trees came up from each side of the line and joined together at the top. The sun soaked through every visible article. All, except from the wall at the end that closed off the tunnel.

The space we were in did not exist to anyone else, no one was there, and no one had ever been there since we arrived. Vacuum packed world of complete perfection, apart from the mud, and the *******. But that was ok. The wall was black and heavy and cold. Near the top there was a hole. A square hole had been left or made through the ancient bricks, something forgotten maybe? Or to serve some forgotten purpose? I saw a challenger. The hole said ‘If you beat me you can have her’. It was not sinister. That did not exist.

Again I stood in front. ‘Bet I can get a stone into that hole!’ 15 feet perhaps or maybe only 8. Her eyes were on me: I desperately hoped they were. The whole of the back of my body took them in, I lit up with the warmth and the look. I would like to say it took only three attempts, that seems unlikely. What was she thinking? Was she looking on at the hole or at me? Heaven forbid she was looking at neither. I picked up stone after stone. They varied in size, feel, and dirtiness. I was an excellent thrower. I could throw a javelin, a ball, a boy; I adored my skill. My exuberance and elation guaranteed success. This was not a day for losing. Not while I could sift out the anomalies and incompatibilities without pain. There wouldn’t be a losing day until I understood that I did not yet know me.

The moment I succeeded in my challenge the celebration could begin. The rock perhaps made a sound as it tumbled down the inside of the wall but I did not hear. All my senses were now hers. Absorbed, obsessed. I was now permitted to turn around; to accept the look of admiration, or more. It was joy, certainly. Utter, complete joy. In skipping towards her she offered me her arms…… What words are given to unqualified human happiness? Getting more than you hoped for is even beyond that.
I know this is not exactly a poem but if anyone could give me feedback it would be much appreciated. Thanks
Oliver Philip Feb 2019
The struggle to overcome the differences        
        Between the impossible and the possible
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The struggle to overcome the differences        
        Between the impossible and the possible
Hope being the word that springs to mind.            
        To link these two opposites to attract.
Eternally wandering Cyber space side by side,    
         Hooking into every adjective or verb.

Seeking impossible causes and take away
    Excuses and make them once more possible
To overcome the bigotry and blind self-centred
     Mind sets of the Atheist Un-Believers
Reaching cornerstones of minds that Muslim          
   or        Christian Faiths never thought existed.
Unless you have all spent your life on earth
       In a Butterfly cocoon , not in real time.
GOD has chosen you to teach the differences
    Poetically between the Impossible n possible
Given that that if you don’t succeed first time
    You will eventually get it right next time.
Love for all your Fellow Men and Women
     May seem important,trust me it’s the way.
Every possibility, has been, at sometime within
     It’s long life, seemingly most impossible.

Take the clever fabrication of a silk purse
      Out of a muddy sow’s ear , if you will ?
Or the finding of a needle in a hay -stack.
       Or the abolition of third world hunger?

Or the creation of the Love of Nations unto
  Nations .The end all Wars n Ethnic cleansing
Very nearly every problem has a solution
    Indeed many solutions do often exist.
Electricity? How unbelievable to most thought      
    So impossible once upon a time.
Radio waves converted into the sweet sounds
     Ever to be heard by mortal Man.
Communication n instant chat across a globe
      In real time, one to one, No ? Impossible.
Of loving commitment betwixt different creeds
      And cultures ,without ever meeting possible
Mighty soon God will look down on the Earth
       And see two wonderful words rolled to one
Entreating the impossible always possible
        And the possible never impossible.

The struggle to overcome the differences
    Between the the impossible and the possible
Holy ,holy,holy ! Eureka , glory be .We are
     We are getting there , I really do believe.
Eternally where two poets or more can meet
    And compose , recite and critique as one

Differences are diffused between the
    Impossible and the possible, reduced to nil.
In practical terms every metaphor or rhetoric
    Noun verb or adjective can be polished.
From the most impossible dream into reality
     Of the finest poetry ever written.
From the dullest of dyslectic muttering
      To the most floral of sweetest love songs
Endlessly tripping from the lips of strangers
       Meeting strangers ,wisest verse ever ?
Reactivating opposites attracting impossibly
      With the possibility of judging for yourself.
Enactment with that poet that composed this
      Lengthy missive...you never wished to meet
Never in a thousand years of co-habitation
     Meeting this poet maybe possibly possible
Catch the impossible chance on the
     Boundaries of your mind to make it work
Every chance that catch can win the game
   Turning an impossible result into success
Success is the fuel to drive the possibility
   Beyond the full limits of the impossible

By making then the impossible possible
  You’ve changed in one action your whole life.
Every possible thought can be dismissed
    From your mind , possible for ever.
The sun to leave the sky ,rivers all run dry ?
    Babies not to cry ? No that’s impossible.
We have that song within our minds
   Which possibly keeps our feet on the ground
Every now and then to accept that all things
   Are possibly impossible
Even mighty magicians from time to time
   Cannot turn, however hard they try by day n
Night to raise experiments turning base metals
     Into gold. For no good reason save reward.

The gold that they are seeking is currency
     But to the poet it is the currency of rhyme
Heroic epic verses ,Odes,Rhyming verse
    And translations left right and centre.

Ethereal gifts making sense of the hopeless
    Antiquated jumble of English words n idioms

Impossible smilies as impractical unfeasible
     Unworkable, unattainable,inconceivable.
Measured against the conceivable by remove
     Of the whole reason for failure or excuses
Possible solutions are always potentially
     Available to the ever open mind of a poet
Obtain if you will the very unattainable for if
    You believe in God you most probably will.
Subjected to the most absurd verbal abuse
     Of an unromantic Philistine or carping critic
Stand upon your highest tip toe . Tall as you
  can be, yell and yell , making yourself heard
In so doing even an ugly Giant , fearsome
   Fire breathing Ogre will be confused awhile.
Blinded by the impossible beauty of the prose
   You write and the melodious songs you sing
Like the charming of a deadly Cobra,
  Mesmerised into loving every living thing
Every time you may have a smudge of doubt
  Creeping into your positive life with negativity.

Awake in that moment and assume that
   Nothing is nothing like as impossible as it is
Nothing was ever impossible to God .
   The one true creator, HE passes on his skills
Don’t be lead to believe by others that your life
   Is at all ludicrous, if that life works for you.

The struggle to overcome the differences
   Between the impossible and the possible
Herculean . If you stop to think about it ?
    Best have the courage of faith ,you’ll resolve
Each and everything you ever put your mind to
As unacceptably,positively out o’the question.

Practicable solutions and compromise dilutes
    The acid contamination of the perfection.
Oh, I have seen this in my life so many times
     Before ,sadly only to expect to see it again
So take away any excuse for failure .Find !!
   the tools to make the unthinkable thinkable
Substitute the negatives for a positive frame
  Of your mind the unreasonable to reasonable
Illogical thoughts and actions you convert
   By your process of logical practical analysis
Before long , my goodness it’s before your very
   Eyes. The simple solution to the problem
Like a magic wand covered in Fairy dust
Making every impossible task possible in time
Earth took its creator only six days to design
  and several million years for us to get it as is
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written by Philip.
November 14th 2018.
The struggle to overcome the differences between the possible and the impossible
Mateuš Conrad Oct 2018
.like i insinuated prior, the English are a people not competent in philosophy, they're the antithesis of what a people, inclined to philosophy represent... schematic, rigidity, like the German... or the frequent cafe bullshitters of the French, the English can't consecrate themselves on the altar of Sophia, they just can't... they're a people that succumbed to too much practicality, egalitarianism... no one attempts to write in Utopia, while not seeking to find Atlantis.

so the whole Greece, Troy,
Rome shuffle is about over?
i'm feeling slightly peckish
and i don't have the time...
i'm about to light the house
up using... light-bulbs...
don't you think that a name
akin to: Paul, Digit,
sounds great?!

don't get me wrong,
the English are a people bound
to other, gifts...
they can sing,
although... Aud Lang Syne
is a Pict song...
and the river-dance is pure Ire...

great sophists,
but philosophers?
they're too practical,
i'm trying to read
Sartre's being & nothingness
in English...
i simply, can't...
      it doesn't make sense...
if you gave me a copy
of the same book
in ******-speak...
i'd butcher it...
   but in English?

metaphor moment:
like catching the testicles of
a mosquito, wearing boxing
gloves...

fiddly ******...

sure... each country has its
career ambition...
russian and the romanians
and the bulgarians have
their gymnastics...
the brazilians and the germans
have their footie...

the English have their singing
and their poetry...
but philosophy?
      nope... not even close...
Oasis' wonderwall
will be remembered,
and even sang along to on
the continent...

                   but thomas more's
utopia,
or thomas hobbe's leviathan...
ever tried to read more than
twenty pages
    of joseph conrad's
         heart of darkness... ?
ever find eating porridge
equivalent to parachuting
   in terms of the level of excitement?

chill... the English have their virtues...
but the English are also
prone to call philosophy
impractical, verbiage, word salad...
because philosophy already
is an impracticality,
an impasse...
          it's supposed to be,
           it's not exactly an Ikea schematic
reading to assemble a *******
table...
             it's Picasso, cubism,
       see if you can see a cube in
the mesh of contortions of other geometric
signatures...

              the English do not do philosophy...
sorry... they don't...
whatever argument arises citing
the "need" for: "reason" and, "logic"
will not cut it for me...
reason? since God doesn't intervene...
well... the unfathomable depth of
human will... reason: the same freedom
as posited prior to: the unfathomable depth...

logic? 1 + 1 = 2...
      a + n + d | s + o = and so...
the English are barons over other traditions
of expression...
music being 1, poetry being 2...

hey, Polacks are decent at volleyball...
i'm not complaining,
it's not exactly a popular sport...

but no... no chance in hell will i read
a philosophy book in this language...
i can't, the language is already too shrapnel
for me... i need to clarify a focus
on an idea...
        language, the English language,
can't entertain the current "transcendental"
logistics of undermining the individual /
plural use of pronouns,
while also keeping a straight face
in other areas of thinking...

     i could have conceded to the whole
globalist liberalism of ideas...
but... looking at the other flank?
attacking grammar... ****... sorry...
dogma?!
                as if... i will bow down
to un-existing before my wedding with death.

that being said,
i think the English are in a dire need to relearn
their black sense of humor,
their islander sense of isolationist humor,
their: bizarre unpredictability...
  since they lost it...
             to a certain degree...
i'd say: relearn to laugh at what is,
otherwise unforgiven in other cultures...
more crass Americanism...
and... well...
                can you ever learn to
cry when experiencing beauty?
musically, that is, esp. in the musical
dimension...
                    i always hated this:
"you're laughing, but actually crying...
you're crying, but actually laughing"
inversion...
        i never came around to fathom this
"misnomer"...
          straight down...
    i'll laugh at a funeral...
            teasing death...
   but i'll cry over a decent piece of music, to boot.
After the inception of the new, high speed way,
luck beheld a continuation that increased
velocity even more.  Stores, beginning through
optimistic (sails, sales) filled with industrious
wind currents, began to perish, because the dust

crept in to forget and never start again.  Trade
was offered from one to another, likely to achieve

practical results, but the consequence was a loss
of heritage.  All that had gone before stumbled
out the door into darkness and surcease.  Absence
was abandoned as the light walked away into
the desolate remains which, in only a few days,
left the city, and commerce, stalled with people,
everywhere, standing quietly like burlap dolls.
The sound was pouring light outward from its
eyesight to remember something other than that

which had been lost, inserted and devoid; the
former ideas drifted to become a trace of the new

prestige.  Communication overwhelmed the hope
though hope endured.  A collection of machines
was learning to live together, and to attend night
clubs with astonished amounts of stress arguing
against the comprehension which insisted that
importance was captivating the subjects of change.

Always, they were slinking into the circuits,
coloring the programs with a steady pace that
receded to neglect functionality.  Those tired of
hearing about the clocks winding down were not
escaping the clever snares set for their awkward

feet and kept among delicate fossils of brilliance.
It might have been a global fever, or perhaps
everything just ceased to operate.  Some strike by
electrons offered them the predicament, and
the opportunity, returning them to a simple form

of human sentiment, so that smaller gatherings

arrived at the significance of a tale while burning
things on sticks above the campfires flickering
along the coast and seen inland at the base of
distant mountains.  Simple arts included using
furniture and hot air balloons driven by stainless
steel burners.  Talking too often, and to a point of
foolish interruption, demonstrated the frailty of
coordination where zeros and ones meant,
essentially, that a point had been made and lost,
although fighting confusion was denied by context.
Some of this was mistaken by preconceptions that
created impractical situations, and other things
were long walks glued to comfortable boots or

reliable shoes.
sobroquet May 2013
I adore women
I refuse to apologize for it
I like the way their voices squeak in the upper registers
I like the fashions
I like the makeup
I like the aromas

Not the silly runway catwalk Biz that relegates them as awkward mannequins
adorns them in  the impractical
and cloaks them in the  absurd overreaching  of  the tired  clamoring for something
new and unique
that which exploits  their  lithesome anorexic perplexing job requirement

I like the way they can shape shift, alter and assume new identities
I like the fact that some have mood swings and ***
I marvel that they can give birth
I like being aware that their  'water-weight' make's  them grumpy
I'm astonished that they innately ovulate with  the cycles of the moon
and that the Huntress Diana inherently  acquired her namesake

Doesn't bother me a bit that "it's a lady's prerogative to be late"
or that opening a door for them is considered 'sexist'
I was raised with a sister and a mother
with lace and dainty  frilly things
I caused them a lot of aggravation and consternation
I think they enjoyed it - nonetheless
somewhat
I refuse to apologize for it
Alexander Klein Jun 2016
Indigo. A dream of the color, and the sound of soft rain. Bathing birds babbled among pines beyond her window, and morning light was warm on her closed face. An ache in the spine. Creaking knees. Shoulders cold cliff-rock. Complaining muscles knotted tight as wood. The wooden house around her also creaked in the wind. Smelled wet. And somewhere echoing through her fields Edgar barked three times, then once more in playful affirmation. Today maybe the last today. In her mind’s eye, falling almost back into dream, Nora surveyed the long acres surrounding her cold home: untended wheat, alfalfa, cattle-corn, all woven through untold ecosystems of weeds. Stray indigo flowers and violets. Scattered dust-filled barns. What the place might look like after all this time. With her right hand she sought the frame of the bed, found it, rough chips of paint flaking. Slowly exhaling at once Nora lifted her iron legs over the edge, thin-socked feet found the bedroom’s planks. Cold air. November hopelessness. With spider-sensitive fingers she plucked her way around the room, imagining violet dawn spilling through her screen window. Stood before the poker-faced mirror out of habit, ran her brush through hair that must now be silver. She felt the satisfying tug on her scalp and loudly past her ears. If her dresser was in front of her, to her right was the window and the pine-scented boxes where she kept his clothes, behind was her rumpled bed, and to her left then was the bathroom. She felt along the door-frame, the sink, the toilet, and sighingly she settled onto its seat. Relief.
Rain drops on her roof were like the “shh” breathed to an infant. Warm blanket of rain over the cold farm. The breathy wind was driving the rain towards her house, cranky knees told of a storm to come. The boisterous wind had the sound of laughter and strife, of voices: the twins arguing somewhere, Edgar probably with them over-enthusiasticly ******* their footsteps. The bellowing wind made the house creak more than usual, but there was something else. A distinctive groan from the foundation up the east wall to the roof-tiles. Someone was in the kitchen. Constance, just like it used to be. Connie was here and the twins were outside: they had arrived closer to dawn than Nora expected. Heavy truck’s tires in mud, headlights had pioneered dawn darkness. Smell of soil. Massaged her own back, kneaded the the flesh on either side of her spine, then wiped and stood from the seat letting her nightgown fall all down around her knotted ankles. Washed herself, and a short shower before the water turned cold. Dried her wrinkles feelingly, smelling soap, and pulled her soft nightgown back on. Socks.
Always a joy whenever Constance came to call — less frequently these days it seemed — always a joy to be with her grandchildren though little Bastian was still mistrustful of her. Always a joy to see her daughter’s family… but she never got to see Matt’s. An image of her son’s face, a red haired ghost of the past, flickered in Nora’s memory. He couldn’t stand this place since he was young, hated his full name “Matthias,” maybe hated Nora too. No reason to stay after his father died. He fled to the city. Must have a wife, several children by now. Well. At least Constance kept coming by. The rain grew heavier, played on the roof like the roll of a snare drum.
Out of the bathroom and bedroom, feeling the planks of floorboard with her soles, hand by hand and foot by foot she traced her steps down the rickety stairs. Uneven. Nora knew the chandelier she once hung here was red; she pictured the color as hard as she could to envision its reflection on each surface of the stairwell. Smell of pine. Like the smell of his clothes safely preserved in the boxes by the window. Jagged nostalgia. Nora had met dear Rowan back in another world: a world of whirling sights and colors and beautiful ugliness and ugliest beauty all. To America when she was nineteen, leaving behind all Germany and studying her new tongue. Had still devoured books then, was able to become a school teacher. When twenty-three, met in a chance cafe Rowan who worked the docks. Red hair. Scottish but of many American generations. Nora grabbed blindly at a face just out of memory’s reach. Her hold on the bannister revealed the places where varnish had been rubbed away by her wringing hands. From the kitchen, acrid cigarette stench and shuffling. Inflamed knees hating her meticulous descent, but better this ordeal each day than to abandon the bedroom they had shared. When the two met, Rowan still sent money to his agricultural folks in New York (“Upstate,” he protested more than once, “Not that awful city, but in the countryside!” and he’d pantomime a deep breath) because of the expenses of running their farm. Nora’s now. From the cafe he had bought her an almond pastry, triangular, smaller than a palm, its sweet crisp flakes made her think of Mediterranean forests, and when the two were married they worked this hereditary farm. Nora knew all the animals, when they still kept livestock. Now Nora’s farm, whose after? When her little Matthias was born they had praised him as the farm’s inheritor. Unwise.
Last step. Sound from the kitchen of Connie shifting in her seat, rustling papers. Smell of strong coffee. Strong cigarettes. Composed herself, quietly cleared throat. Sauntered down the hallway, monitoring expression and tone. Nora said, “Hello Constance. When did you three get here?”
“Hey ma,” said the woman’s voice when the elder crossed into the kitchen. “For christ’s sake don’t call me that.”
“For christ’s sake, don’t take his name,” Ma scolded, but then traced her way past the table to the countertop and felt about for utensils. “I’ll make you something Connie.” The counter was in front of her, bathroom to the left, stove to her right and along that same wall was the back door. ”How about some nice eggs and toast like how you like.”
“No ma, I handled it already.”
“And what color is that hair of yours this time?” Ma asked, carefully inserting slices of bread into the toaster. “Seems like months you haven’t been by.”
A patronising, sarcastic chuckle. “…it’s orange, ma.
Listen—”
“That is so nice. Your father’s hair was just that shade of orange.” Felt around inside the refrigerator. The styrofoam carton. Small and cold and round, her fingers seized four of them. “Do you remember?”
Pause. “I remember, ma.”
“What I don’t understand,” said Ma swallowing a cough, expertly igniting one gas burner as practiced and putting on hot water for tea, “is why you don’t fix to keep it natural. I love our nice fair hair, very blonde, very pretty.” Back home in Germany Nora had been the favorite of two men, but many years since engaging in the frivolous antics she in those days entertained. “Best to flaunt your natural hair color while it’s still there: orange like Matt and dear Rowan, or fair like you and Lorelai got.” Memories of her own face as she remembered it. Relatively young the last time she had seen. What wrinkles there must be. What a mask to wear. No wonder Bastian. Nora ignited another burner. Tick tick tick fwoosh. Smelled gas. Sound of the almost boiling water complaining against its kettle. Phantom taste of anticipated tea. Regret. The contents of the vial hidden on the top shelf. Today maybe the. Sound of heavy rain. “And how are your bundles of mischief?”
Connie sighed. “I told Lorelai to get her little **** inside the house, as if she hears a word. She’s playing with Ed somewhere in the fields I don’t wonder, rain be ******. That girl is such a little — well she’d better not be down by the creek anyhow. Could get flooded in a downpour like this. Bastian was out with her, but he’s playing in his room now. You know we don’t have time to stay long today, it’s just that you and I got to finally square this business away. No more deliberating, ok?”
Swallowed. “Course, Constance. Just nice to hear your voice. You’re taking care?”
“Care enough. Last time I was — oh! Jesus, ma!”
Ma’s egg missed the pan’s edge. She felt herself shatter the shell into the stove top, in her mind’s eye saw the bright orange yolk squeezed into the albumen. The burner hissed against liquid intrusion. Connie made a strained noise and scooped her mother into a seat at the table. Movement. Crisply, the sound of two fresh eggs being broken and sizzling on the pan. Scrambled as orange as Connie’s guarded temper. The table’s cool surface. Phantom smell of pine wood polish and recollections of Rowan at his woodworking tools building this table once. Other breakfasts. Young Constance, young Matthias. Young self. Her left hand massaged her aching right shoulder, then she switched. The sound of plates being readjusted with unnecessary force.
“You know,” said her daughter, “living in one of them places might even be fun. Might be good for you instead of moping about this place. But like I’ve been saying, we got to make our decision today: sell this place or pass it on. I know you don’t take no walk, cause where would you go? What’s the point in keeping all this **** land if you’re not gonna do nothing with it? You can’t even ******* see it!”
“Constance! Language!”
“Come on ma, just cut it out! This is great property, and you’ve let it get so it’s bleeding money.”
“…But Constance I can’t sell it, not like your brother wants me to do. He’s always trying to get rid of this place and turn a profit, but someone needs to take care of it! You know that this is the house that your f—“
“‘That your grandparents lived in where your father and I raised you…’ Yeah I know, ma. And I get it. Believe me. But what you’re doing is just plain impractical, why don’t you think about it? All you’re doing is haunting this place like a ghost. Wouldn’t you rather live somewhere where you can make friends? Things can’t go on like this.” A plate was placed softly on the table and it slid in front of Ma. Can’t go on like this. Egg smell. Salted. Toast, margarine. A cup of tea appeared nearby. “Anything else you want? Here’s a fork.”
“What will you eat, Constance?”
“I ate, ma, I ate already. Have your breakfast, then we can talking about this for real. Ok?” Then, the sound of her daughter’s body shifting in surprise, a pleasant unexpected, “Oh,” before Connie said low and matronly, “Hi baby, how you doing? Are you hungry?” But only the sound of the downpour. Orange eggs still softly sizzled. The wind pushed the creaking house. “Sweetie, you don’t have to hide behind the door, it’s ok. Come say hi to grandma… don’t you want some scrambled eggs?” Refrigerator’s hum. Barking echoed, coming over the hill. But not even the little boy’s breathing. Grandma had met the twins two years ago, following the **** of Constance’s rebellious years and independence. Nora was reminded of her german gentlemen and her own amply tumultuous adolescence. She could forgive. Two years ago Lorelai and Bastian had already been too big to cradle and fawn over, but they were discovered to be just starting school and already bright pupils. Grandma hung her head. Warm steam from where the uneaten eggs waited patiently. Edgar’s approaching yapping. And, fleeing from the doorway, a scampering of feet so light they might have been moth wings. Down the hallway back into his room. “Sorry ma,” said Constance.
Shrugged. A nerve flared in pain up her neck but she didn’t react. Only fork scrape. Ate eggs. On introduction, poor little Bastian had burst into tears and refused to go near her. Connie had consoled: “It’s ok baby, she’s just Grandma Nora! She’s my mother.” But poor little Bastian inconsolable: “No, no, no! She’s not!” What a wrinkled mask it must be. How hideous unkempt with silver hair. How horrible unflinching eyes. “She’s not,” would sob the quiet boy in earnest, “she’s a witch! Don’t you see?” And he never would let Grandma hold him. Lorelai was always polite, hugged warmly, looked after her pitiable brother, but her mind too was far elsewhere. Edgar alone loved them all unconditionally and was equally beloved. Barking. Yowling. Scratches at the door. Downpour. Door and screen door opened, wet dog happy dog entered, shook, and droplets on her cheek.
And there appeared Lorelai, a star out of sight. “Hey mom. Hi grandma!”
Grandma swiveled for cosmetic reasons to face where the door. Grinned, “Hello Lorelai. Wet?” Envisioned yellow sunlight entering with the excitable girl in spite of the deluge.
“Oh it’s so rainy out there grandma, I found little streams through your fields and big mud puddles and Edgar showed me where your secret treasure was, we found it!”
“Stop right there, missy!” commanded Constance. “For christ’s sake you look like you took a bath in the mud and the **** dog with you. Come on, your filthy coat needs to be on the rack, right? Now your boots.”
Warm nose found Nora’s palm, excited lapping. Slimy fur, smelly fur. A cold piece of egg dangled in her fingers, then dog breath came hot and licked it up. Satisfied, he trotted off elsewhere, collar jingling out of the kitchen and down the hall.
Little Lorelai lamented, “I couldn’t help it mom, the mud was all over the place! When we got past the motor barn and the one alfalfa field that looks like a big marsh frogs went ‘croak croak croak’ but Edgar growled and chased them and then we made it all the way in the rain to the creek and it’s so much—”
“Now you just hold on. Hold still!” Sounds of wrestling. Grunts of a struggle. “That creek must have been overflowing! Didn’t I tell you not to? You didn’t take your new phone out there did you, Lori?”
“No ma’am.”
“**** right you didn’t, cause I sure ain’t buying you a new one. Didn’t I tell you not to go all the way out there? Didn’t I? Now you get into that bathroom and wash your **** hands!”
“But I’m telling Grandma a story!” huffed little yellow haired Lorelai.
“Well wash your hands first and then we’ll hear it, Grandma don’t listen to misbehaving girls who are all muddy and gross. Not a squeak from you till you look like you come from heaven instead of that nasty creek.”
A profound sigh, a condescending, “Fine,” a door closing and a squeaky faucet running. Muffled hands splashed, dampened off-key ‘la la la’s.
“Who knows what the hell that one is ever talking about,” said Connie. “It’s everything I can do to get her to shut up for five ******* minutes. You done with your eggs?”
Ma fidgeted. The plate was scraped away, and a clunk by the sink. Licked her lips, mouthed a syllable, about to speak. But then her house creaked three strong along the east wall. From deeper within bubbled a suppressed sob: “Mom,” little Bastian wailed, “Mom, come quick!” Constance sighed, Constance cursed, and Constance swept off down the hallway struggling to refrain from stomping.
Sound of washing. Wind. Rain. Alone. Cold. Picking out the paint for this room, listed in gloss as ‘golden straw yellow.’ Rowan hadn’t liked it and chose himself the bedroom’s color in retaliation. The loss of the home they had built together. The contents of the vial hidden on the top shelf: do they see it? Bathroom sink stopped flowing, door wrenched open. Smell of soap, clean smell. Grandma said to her, “Your mother went to check on Bastian,” Taste of eggs still yellow on her tongue.
“What a *****!”
Stunned. “Lorelai!” she snapped. “Don’t you dare take that language!”
“But mom does it all the time.”
“Then Lorelai, it’s up to you to be better than your mother. When I’m not around any more, and your mother neither, you’ll be the one who keeps us alive.”
“But as long as you’re alive you’ll always be around, you’re not a ***** like mom. And remember? I got all the mud off so can I finally tell you can I what we found? Well actually it was Edgar found it. Oh and I’ll describe it real good for you grandma just like you could see it: when we pulled up we were just wandering in the blue rain, Bastian and me, and silly Edgar joined us but Mom tried to make us come back of course but I told Bastian to stay with us at first, but later I changed my mind on it. It was he and me and Edgar were hiding in the old motor barn where it smells like a gas station remember grandma and he was so excited to see the sun when it rose and made the morning violet sky he started clapping and Edgar got excited too and was barking ‘bark bark’ and howling so I told Bastian to go back even
Nigel Morgan Jan 2013
The sun rises tentatively through the forest heights behind the palace. In the pre-dawn light Jia Li has secured water and fuel for her visitors and despite the attentions of the pack horse men, who have returned from an evening at her village the worse for drink, she settles to feed her infant child. Meng Ning enters to seek her counsel. She already guesses his intentions and answers his brief questions with confidence. She knows the route to the Red Slate Path, perhaps four li distant. The path is clear, though little used. It is not a place those of her village visit, though she has learnt that the path itself defies nature’s attempts to cover its existence.
    Zuo Fen is standing on the terrace as Meng Ning returns to the Emperor’s Hall. She has slept deeply, is refreshed after a period of meditation and, despite the cold, has been washed and massaged by her maid. She appears dressed for walking, her boots, fur cloak and hat in purposeful combination. As she surveys the lake flocks of wild geese and duck chatter and squabble as they float on the surface. There are some experimental flights, pairs of duck taking off to fly in wide arcs only to return to the same stretch of water from where they rose in tandem. Soon the geese will leave to fly across the forests and moorland for distant harvested fields where they will spend the day foraging. Meng Ning points to a distant peninsula jutting out from the northern shore of the lake. Behind it, he says, lies the cove of the Red Slate Path. Perhaps there they will be able to understand more keenly the why of this mystery.

‘At such a distance,’ says Zuo Fen, ‘the detail of a boat would be quite lost. I imagine the peninsula acting like a pointing finger to its floating form. There is already fashioning within me a possible story that might explain this mystery.’

She smiles warmly at Meng Ning who bows his head rather than stare into her jade green eyes. She moves closer to his standing posture, taking his left hand secure but tense against the balustrade of the veranda. Lowering one leg before the other she slowly kneels, removing her hat, loosening her fur cloak that now spreads itself of its own accord beside and behind her. With both hands behind her neck she lifts her long hair found to parted and tied in simple peasant fashion. Raising her hands to full-stretch her sleeping hair warm from the bare skin of her back slowly cascades forward and across each of her ******* to curl like two cats in the bowl of her robe.

‘Mei Lim is with Jia Li’, Zuo Fen says curiously and with a voice Meng Ning has not encountered before. ‘I fell to sleep dreaming of your kind presence and the joy of being touched and kissed.’ He cannot see her face as she speaks, only the quivering fall of her hair across her kneeling body. ‘I awoke feeling your breath on my cheek and so brought your limbs to entwine with my own.’ He now senses the delicate unguents of her body; they compass him about, his hand falls from the balustrade to touch her hair.

Finding her right ear his fingers describe its shape, its sculptured relief of folded forms and crevices. He is becoming faint with something outside passion that requires him to go beyond her ear and flow of hair about his fingers. He unties his cloak, letting it drop behind him. He removes his boots and outer garments. She follows his example. He moves to her side, adopts the position of the swallow resting on the wind. They face one another.  To the accompaniment of their breathing, her hands begin a dance in the space between their lower limbs as though they are birds turning and falling in flight. Unlike the courtesans he sees at court her nails are short, her fingers long. Then, it is as though her hand holds a brush forming characters and she begins to write on his body with short deft movements this way that way describing her flight of passion. Some intuition tells him to allow this, and not to seek repricocity, as it seems from her breathing that these very actions give her the greatest delight, bring her to the edge of the first coitus. Eyes closed, he moves his nose into a glancing embrace with her own, feeling there a semblance of perspiration, that tell-tale sign of a woman’s readiness for the deeper embrace. She responds to this with sighs and swift movements of rapture that envelope him, and now, as she quickly brings her limbs into a right conjunction, he places one hand beneath her, the other to recline her body gently to the floor, her cloak becoming a pillow for her head.
    He now looks directly at her, her face expressionless as though all thought and feeling has entered her body in preparation to receive his own. She does not blink. There is a moment of great stillness, a great wave of calm breaks, moves forward and pulls back – and again, again. In an instant he will enter her Jade Gate to caress and kiss and move where only his Lord has visited. He knows that once there he will seal his own fate . . .
     It is the talk of poets that women are often at their most sensitive to love’s attention in the morning hours, and that this was, for so many reasons, the most impractical of times for men. Zuo Fen herself had written fu poems that took the reader to the most intimate moments of a concubine’s experience in the morning hours, those times when alone the body gathers to itself its essential nature, and is often caressed with the woman’s own hand and thoughts. To understand such circumstance, to hold its sweetness as an abiding taste during the formalities of the day, only to release its flavour in the pleasure hours of the night, was a manly attribute, said to be treasured, indeed honoured by women.
      When Meng Ning withdrew Zuo Fen lay for some while letting the unaccustomed circumstance and its location only gradually allow a return to conscious and present thoughts. She pictured now her journey to the Red Slate Path, Jia Li, her baby on her back, striding beside Meng Ning, then herself and finally Mei Lim - who would have entreated her mistress to be allowed to accompany her. There was the glade, a small bowl in the hillside where it was just possible to see a small cave from which, glistening, the broken patterns of the slate path fell after half a li into the lake. She would investigate the cave. She would walk to the water’s edge, where the trees stepped into and reached over the lake to lay a carpet of fallen leaves. Then to see the path gradually, gradually disappear into the depths.
    Whilst Zuo Fen, with her eyes closed, projected her thoughts forward in time, with accustomed tact Mei Lim left those accouterments a woman needs after the attentions of a lover. She feared for the young man, though she knew her Lord prized too much his Lady of The Purple Chamber to effect jealousy or display anger.
    As the sun cleared away the thin cloud and approached its zenith the company broached the crest of the hill above the glade. It was, Zuo Fen had to admit, just as she had imagined lying prone and in disarray in the Emperor’s hall. In silence, and in the company of her imagination, she now paced from cave to path to water, and standing at the very edge of the lake’s bank focused her mind to envisage the events of twenty years past.
     It was as though a rhapsody was already formed. She found herself recounting the tale in her world of characters where there is only present time. She felt her hand describe them with the flow of her brush, heard the sound of its movement across the thick parchment. She was slow to notice that Meng Ning had disrobed and was entering the water. Without a word she watched him move through the carpet of floating leaves, some sticking to his nakedness, and onwards, slowly, following the submerged path until his torso then only his shoulders were visible. She then knew what he hoped to find, even after the passage of so many years.

She saw it all, suddenly. The sorcerer Yang Mo and the Emperor’s second wife descending the Red Slate Path as a cavalcade of fire and smoke, loud flashes of light, noises of brass and clashing metal enveloped the glade and the boat itself. The watching company witnessed for a moment the couple disappear under the waters only for their collective sight to be shrouded in a climaxed confusion of the sorcerer’s devices and effects.

When, finally the smoke cleared, the boat and the lovers had vanished.

Zuo Fen watched Meng Ning disappear from view. She imagined him, as the pearl fishers she had heard tell of, diving down to the depths, holding his breath to seek what might remain of the illusory boat. But time passed beyond the possibility of what she knew could be endured by human-kind. The surface of the water remained unbroken. The division of open water made by Meng Ning in breaking apart the carpet of floating leaves was already reforming itself.
   Removing her cloak and her boots, and unpinning her hair, Zuo Fen stepped into the water. A memory floated towards her of bathing in the lake near to her summer retreat. Water held no fear for her, only now the cold consumed her. Her loosed hair, and her elaborate untied robe settled on the water’s surface: to surround her like a lily pad, she the budding flower at its centre. She felt her feet still firmly on the Red Slate Path, her chin now resting on the water’s surface. Whatever had happened to Meng Ning she knew her action to be compliant. She had immersed herself with the very element that had brought him either death or, as she knew in her heart, a most honorable escape.
Mateuš Conrad Jul 2016
to live the most ordinary life and internalise
  supra-human potential,  this is what is intended in terms
  of acquiring striving - to turn the tetragrammaton from
  a noun into a verb - given the four parts,
  we can excuse the rat maze of thought adding to 6
  as a sense pseudo... it takes a loss of one sense
  to identify and study the Tetra...
  for me it was not feeling a woman touch my skin
  for intimate suggestions -
  but it takes a loss of one sense
  to read into the tetragrammaton -
  and this isn't some linguistic lesson -
  you can have all the shrapnel you want,
  utilising grammatical categorisation
  to obstruct narratives into reaching for ideas
  rather than nouns - for me the tetragrammaton
  experience convinced me it was more a verb
  than a noun - a way to do things - rather than
  a way to be kept caged in an enclosure of nouns,
  you said the tetragrammaton like you said pineapple,
  nothing gratifying in that... 4 x 10 -
  when modernised -

and i still have the postcard, opening reads
dear Matt, (if any1 is reading this the ur just sad).
it is almost 1 a.m..... my greatest fear (one of them)
is to pass a 'once upon a time good friend' on
the road and have 1 of those superficial conversations
u know?? take care - A. x x
-
dated 2007, addressee Matt E.
                                        11/2 new arthur's place
                                        edinburgh
         ­                               EH8 9TH...

you probably will... we either age to be superficial
or superstitious - it's a nice combo -
i still keep this postcard in hermann heße's steppenwolf,
i write this, methodological with my drinking
and typing away - i can walk into town and hear
the words: 'that's the devil',
i spotted your mother at the market a few months back,
she looked happy, well, simplified happiness:
contentment - i felt no inclination to talk,
just a fancied breeze of ****** recognition -
i'll thank you more for the handwriting than what you
wanted to say, handwriting suggested i could read
how you would read my body in Braille -
but of course the content matters -
i never replied, unless my memory is faking it,
but given the cognitive prompt on the canvas of memory,
i think meaning i doubt i replied to that postcard -
what i am certain of are those M.S.N. conversations after
homework - the time i wanted to take you to cinema
and you freaked out... i put so much effort
into reading Stendhal as a teenager i exchanged Linkin
Park's debut for the book at a tongue-tie in Trafalgar Sq.,
to no avail... i think i idealised women too much,
i left them without any practicality - left them impractical -
a bit like those prior-feminists left them to mind the house
sending them off to the front-line and football -
idealism makes choice'd isolation units impractical -
the ******* peddle-stool hierarchy -
my thinking made women impractical, which is a shame
to experience the rosy buds of the mundane everyday -
i wish i didn't make such ideals from women, blame my
childish mind at developing ******* by the comparison
of Don Juan - and what a perfect joke that is -
a working format: to idealise women leading to an idealisation
of life - well, whatever, i'm junk now - this ain't a
depressive adjective - what, from 70 odd kilograms to
over a hundred and ten? **** a mongoose -
i'm hellbent on simply writing, money or not money -
and if my human integrity is finally breached
and i have no passion left in me... i'll do a Zeno of Citium...
and hold my breath.
Bharti Singh Mar 2016
As a kid when I heard the stories
Of heavens and hells
And gods and ghosts
I thought of those to be true
But as I grew
My education warned me
Not to trust that view

As a child when my elders advised
Do unto others as you would have them do to you
I thought they were impractical
Ignorant of smartness required
To manage things through

By far I thought I was the wise
To have known it all
Realized late in time
How great was that fall

Superficial logic, intellectual materialism
Cloaked my natural state of true mind
Boosting desires, sterile opinions
Leaving the true sense behind

I am thankful to the nature
For giving me an opportune
To study the greatest reality
Why humans are marooned

Time and space are eternal
I am just the part of that infinite
The one awarded with human form
For some past intentions right
I should not take pride in that
For where I am today
Later might be someone else’s part

Man who decoded the mystery of mind
Taught this decades ago
Guard thoughts, actions, and speech
To reach the real goal
Not judge anything and any being
Instead focus on developing clear seeing
As everything is ever changing
Including ones birth realms
A full mind just exhibits knowledge
Only in empty mind wisdom reaps
Don’t get swayed by extremes
Middle way is the path of keep

Now I understand
Message behind the moral stories
What one sows is what one reaps
One gets heavenly pleasures or hellish pain
Exclusively based on law of deeds
One gets what one deserves
For law of nature never fails

But latent power within
Can turn it all around
If not enlightenment
One can at least find in life
A decent ground
Now and in future!
Dedicated to one of the greatest teachers "Shakyamuni Siddharth Gautama Buddha".

One superman that I call him for encouraging people to exploit their power of minds to the fullest to experience peace that they look for in the external sources.  Just like body needs exercise to remain fit, mind needs stillness to be wise. Meditation is the tool to exercise the mind.

It's simple, yet difficult for most.

Buddha (Founder of Buddhism)
I have come to succumb to a certain cliché, a cache of questions that so often seem to scuff the dance floor of adultolescents. “Who am I?” of course, a major inquiry but more importantly, “Who do I want to be?” and what am I becoming and when I become it, will it become me or will I not even want it…like a portrait of my mother…tattooed to my ***, her dear old face like some wretched rash (truly I’m not that crass). So I am scared of tomorrow and uncertain of now but everything used to be fine, so allow me to go back just a bit, to when I was, say about… FIVE.

I remember reclining on my grandmother’s couch in Hoboken, New Jersey watching star wars, I believe it was episode FIVE. Her apartment smelt of ***** and rice and beans and that reek of regret that rises from the corpses of broken dreams, and I can still see the light from the T.V. screen illuminating every corner of her living room, from the bookshelf, to the door with the welcome mat--an ironic greeter--to the picture of Jesus perched over the heater smiling down on and blessing the liars and cheaters who so often filled that room with soiled consciences and beaters. So there I was, I was FIVE, and I can clearly recall what I wanted to be, who I wanted to be in that moment: A Jedi! Oh it was a long time ago and it was far, far away, but I can still see the look on my grandmother’s face as I raced through space with my light saber broom beating Sith with a stick, protecting the room from Vader’s invaders making storm trooper stew, my weapon—my whisk; my rivals—my roux; the force—the flames, to boil the brew and the voice of my father at forty FIVE years of age telling me to quit messing around. And I said with a wave of my hand, “No, you quit messing around.” He said, “Why don’t you be a Firefighter?” I said, “no!”  “Why not a football player?” I said, “no!” “Jedi’s can’t marry. Jedi’s get lonely.” I said, “I want to be a Jedi and a Jedi only!” But like fire and fog and old Ben Kenobi, ideas like this must eventually fade.

So I grew to, I’d say about ten years old, that’s FIVE plus FIVE moving on to grade FIVE. Picture, if you will, me—the shortest kid on the little league baseball team, with grand aspirations; huge heaps of vivacity, and a strike zone too small for those poor umpires to see and I knew—I KNEW who I wanted to be: A baseball player! And an actor. A writer, crime fighter—the Jack Bower type who’s always in danger—a **** Tracy with *****; a heterosexual power ranger. Oh and an astronaut chef with a part time job as a rapper who talks about ******* and death and riches and **** holding the mic in my right and my junk in my left a protection of the kids in the crowd who might see my ******* brought about due to... back up dancers. Oh, and the president of the United States as well.

Now let’s jump to fifteen, that’s FIVE plus FIVE plus FIVE, I was a freshman in high school and still a freshman in life. But neither of these were important you see, and I rather gave up on the prospect of “me.” I traded my goals for an xbox which came with a discounted dose of apathy. ‘Cause high school is brimming with a bizarre batch of habits. When forced to attend one must endure or adapt it’s those tactless tactics those impractical practices; each pupil’s polluted with perturbing antics. So for much of that year I stayed home ignoring the mornings who tried to tell me I was alive and forgetting the spinning of the earth in its lonely slow dance to the daily tune of nine to FIVE.

I did outgrow that depressing stage. And now, here I am pushing twenty. That’s FIVE plus FIVE plus FIVE plus…it’s hard to believe but believe it I must. But these fingers that wipe away tears when I cry and fight, call for peace, encourage, deride, make decisions, rock hard, and swat away flies, shake hands, ask questions, and give high FIVES are so ******* familiar. So you see, I have put a great deal of thought into this and I think what I want to be is… FIVE.

Don’t you remember? When wherever you lived was the tip of the world, every rock you found was a glimmering pearl, and every face pointed at you grinned with jealous geniality. When Santa Clause, the Easter Bunny, Jesus Christ, and easy money all had proper places in reality. When bunk beds were marvels standing miles from the floor and the little things were the greatest things on earth, and “stupid” was a swear word, each trip was an adventure, and every pocket was a candy cluttered purse. Grass was green not “getting too long to maintain” and skies were blue not “looking like they might bring rain” There was no need to feign a demeanor, there were no chains. You were unbound. And pain was a temporary hiatus from satisfaction…not the other way around. Everyone loved you, whether they loved you or not. No one judged you for your blindingly ignorant smile. You were pancakes and balloons and Saturday morning cartoons and guilt-free, care-free love—you were a child.

I don’t want to go back to that time in my life. I have no desire to swap my mind for comfortable bliss. What I want is to close my eyes for just FIVE seconds and when I open them again, the world will be new.
Oliver Philip Nov 2018
The struggle to overcome the differences        
        Between the impossible and the possible
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The struggle to overcome the differences        
        Between the impossible and the possible
Hope being the word that springs to mind.            
        To link these two opposites to attract.
Eternally wandering Cyber space side by side,    
         Hooking into every adjective or verb.

Seeking impossible causes and take away
    Excuses and make them once more possible
To overcome the bigotry and blind self-centred
     Mind sets of the Atheist Un-Believers
Reaching cornerstones of minds that Muslim          
   or        Christian Faiths never thought existed.
Unless you have all spent your life on earth
       In a Butterfly cocoon , not in real time.
GOD has chosen you to teach the differences
    Poetically between the Impossible n possible
Given that that if you don’t succeed first time
    You will eventually get it right next time.
Love for all your Fellow Men and Women
     May seem important,trust me it’s the way.
Every possibility, has been, at sometime within
     It’s long life, seemingly most impossible.

Take the clever fabrication of a silk purse
      Out of a muddy sow’s ear , if you will ?
Or the finding of a needle in a hay -stack.
       Or the abolition of third world hunger?

Or the creation of the Love of Nations unto
  Nations .The end all Wars n Ethnic cleansing
Very nearly every problem has a solution
    Indeed many solutions do often exist.
Electricity? How unbelievable to most thought      
    So impossible once upon a time.
Radio waves converted into the sweet sounds
     Ever to be heard by mortal Man.
Communication n instant chat across a globe
      In real time, one to one, No ? Impossible.
Of loving commitment betwixt different creeds
      And cultures ,without ever meeting possible
Mighty soon God will look down on the Earth
       And see two wonderful words rolled to one
Entreating the impossible always possible
        And the possible never impossible.

The struggle to overcome the differences
    Between the the impossible and the possible
Holy ,holy,holy ! Eureka , glory be .We are
     We are getting there , I really do believe.
Eternally where two poets or more can meet
    And compose , recite and critique as one

Differences are diffused between the
    Impossible and the possible, reduced to nil.
In practical terms every metaphor or rhetoric
    Noun verb or adjective can be polished.
From the most impossible dream into reality
     Of the finest poetry ever written.
From the dullest of dyslectic muttering
      To the most floral of sweetest love songs
Endlessly tripping from the lips of strangers
       Meeting strangers ,wisest verse ever ?
Reactivating opposites attracting impossibly
      With the possibility of judging for yourself.
Enactment with that poet that composed this
      Lengthy missive...you never wished to meet
Never in a thousand years of co-habitation
     Meeting this poet maybe possibly possible
Catch the impossible chance on the
     Boundaries of your mind to make it work
Every chance that catch can win the game
   Turning an impossible result into success
Success is the fuel to drive the possibility
   Beyond the full limits of the impossible

By making then the impossible possible
  You’ve changed in one action your whole life.
Every possible thought can be dismissed
    From your mind , possible for ever.
The sun to leave the sky ,rivers all run dry ?
    Babies not to cry ? No that’s impossible.
We have that song within our minds
   Which possibly keeps our feet on the ground
Every now and then to accept that all things
   Are possibly impossible
Even mighty magicians from time to time
   Cannot turn, however hard they try by day n
Night to raise experiments turning base metals
     Into gold. For no good reason save reward.

The gold that they are seeking is currency
     But to the poet it is the currency of rhyme
Heroic epic verses ,Odes,Rhyming verse
    And translations left right and centre.

Ethereal gifts making sense of the hopeless
    Antiquated jumble of English words n idioms

Impossible smilies as impractical unfeasible
     Unworkable, unattainable,inconceivable.
Measured against the conceivable by remove
     Of the whole reason for failure or excuses
Possible solutions are always potentially
     Available to the ever open mind of a poet
Obtain if you will the very unattainable for if
    You believe in God you most probably will.
Subjected to the most absurd verbal abuse
     Of an unromantic Philistine or carping critic
Stand upon your highest tip toe . Tall as you
  can be, yell and yell , making yourself heard
In so doing even an ugly Giant , fearsome
   Fire breathing Ogre will be confused awhile.
Blinded by the impossible beauty of the prose
   You write and the melodious songs you sing
Like the charming of a deadly Cobra,
  Mesmerised into loving every living thing
Every time you may have a smudge of doubt
  Creeping into your positive life with negativity.

Awake in that moment and assume that
   Nothing is nothing like as impossible as it is
Nothing was ever impossible to God .
   The one true creator, HE passes on his skills
Don’t be lead to believe by others that your life
   Is at all ludicrous, if that life works for you.

The struggle to overcome the differences
   Between the impossible and the possible
Herculean . If you stop to think about it ?
    Best have the courage of faith ,you’ll resolve
Each and everything you ever put your mind to
As unacceptably,positively out o’the question.

Practicable solutions and compromise dilutes
    The acid contamination of the perfection.
Oh, I have seen this in my life so many times
     Before ,sadly only to expect to see it again
So take away any excuse for failure .Find !!
   the tools to make the unthinkable thinkable
Substitute the negatives for a positive frame
  Of your mind the unreasonable to reasonable
Illogical thoughts and actions you convert
   By your process of logical practical analysis
Before long , my goodness it’s before your very
   Eyes. The simple solution to the problem
Like a magic wand covered in Fairy dust
Making every impossible task possible in time
Earth took its creator only six days to design
  and several million years for us to get it as is
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written by Philip.
November 14th 2018.
Making the impossible possible
E Sep 2014
Caring about other people when you're sixteen is like trying to complete a long jump from a high school football stadium on Friday night to a parallel universe where heteronormativity isn't even a word in the dictionary and misogyny is nothing more than a scary story told around the Girl Scout campfire- deemed impractical by everyone you know and more terrifying than you could possibly imagine.

         I. When I was in second grade, I became best friends with Hermione Granger. She taught me how to fall in love- with books, with learning. My seven year old self had a newfound adoration for life. When I laid awake at night and pretended to be at Hogwarts, I was free to fly across the night sky on adventures and then sit on my bed and read countless books whose titles I had never even heard before. In my second floor bedroom with the door shut tight, I was free to stop pretending.

         II. Fourth grade was the year I realized I could be good at something. It was also the first time I wrote a poem. It was about math, and I won a contest to have it published in a book filled with poems by other kids across the country. When I figured out how to rhyme math related words with each other to convey how much I hated the subject, I didn't know about the sense of accomplishment that would follow. I didn't know that forgetting about personal censorship was a better idea than listening to the priest who talked to our class every week. No one had ever told me about verbalizing the ink stains under your skin and liking what ends up on the page.

         III. Eighth grade was the first time I felt passionate about feminism. It was also the first time I witnessed the effects of **** culture in my tiny, Catholic grade school. The new boy in our class told girls he wanted to **** them through metaphor, as if objectification is justified by pretty words and a smooth tongue. When we informed our teachers, they promptly ordered us to "be nice" and "stop spreading rumors." Eighth grade was the first time I witnessed the effects of **** culture in myself- a loss of compassion for the boy terrorizing fourteen year old girls instead of learning analogies in English class. Boy is to girl as dog is to meat. God is to disciple as man is to woman- **** culture perpetuated by the word of God and only fifty percent of us knew it was wrong without knowing why. We were never taught to be anything more than meat.

When Hermione Granger was thirteen, she slapped a boy in the face for insulting her friend. Because she cared. Considering my complete aversion to confrontation and irreplaceable, debilitating shyness masking a deep seated feminist rage put into the words of a poet, I derive strength from Hermione Granger. Not the strength to fight on the front lines of an endless war, but the strength to care. It comes from best friends and books alike, but its ability to create bridges of freedom through parallel universes and ink scribbled hastily onto a page filled with ideas brilliant enough to fuel the world for centuries is never compromised. I don't identify with the Catholic church anymore, but I pray you find it too.
PrttyBrd Apr 2015
A worst-case-scenario mentality
Breeds emotional nightmares of what-ifs
Methodically feeling the pain in each possibility
Preparing for Hell, knowing it is impractical, improbable, and unkind
Each reaction gauged
Smiles erupt in each better choice
A familiar road traveled often
Lead only by a history of pain
It ebbs and flows, bobs and weaves at will
This reality is organized, easy to understand

Random thought of an unlikely, unfathomable future
Vivid like a film
Unwavering, persistent
There is no control
ling its outcome
Forced to watch the images forged in a broken mind
Tears burn flesh and a naked heart bleeds
Stop rolling, just...stop
No amount of pleading slows the images
The pain is overwhelming
Far beyond self-inflicted, torturous, methodical thoughts
Uncontrollable, inconsolable
True and real
So very real

There is but one way to stop that future
The one shown in visions of just deserts
The future that smolders through present joy
Preemptive pain is just not an option

I've seen the future my heart has built
The shards of a shattered soul
Offer no comfort


My worst-case-scenario was but a benign freckle on the elbow of a body invaded by metastatic melanoma
4315
spoken word, haibun
Take heed and watch closely. You'll see these to be true.
If you don't know, now you know.
1+1=2.
“We Shall: 1) ****** and demoralize the youth with false doctrines. 2) Destroy the family life. 3) Dominate humanity by Preying upon their lower instincts and vices. 4) Debase and vulgarize Art, and introduce filth in Literature. 5) Destroy respect for religions; undermine the reputation of the clergy through scandalous stories and back up the so called "Higher Criticism" so that the old fundamental faith is shattered and quarrels and controversies become permanent in the churches. 6) Introduce the habit for luxuries, crazy fashions and spend thrift ideas so that the ality for enjoying clean and plain pleasures is lost. 7) Divert the attention of the people by public amusements, sports, games, prize contests, etc., so that there is no time for thinking. 8) Confuse and bewilder the minds of the people by false theories and shatter the nerves and health by continuously introducing new poisons. 9) Instigate class hatred and class war among the different classes of people. 10) Dispossess the old Aristocracy, which still keeps up high traditions by excessive taxes and replace it with the "Knights of the Golden Calf." 11) Poison the relations between the employees and employers through strikes and lockouts so as to ruin the possibility of productive co-operation. 12) Demoralize by all means the higher classes of society and by adverse publicity raise the hate of the people toward them. 13) Use industry to ruin agriculture and then in its turn destroy industry by wild speculation. 14) Spread all possible utopian theories so as to bring the people into a labyrinth of impractical ideas. 15) Raise the rate of wages, which however will not bring any advantage to the workers for at the same time we shall produce a rise in the price of the first necessities of life. 16) Cause diplomatic friction and misunderstanding between States which will increase international suspicions and hate thereby greatly augmenting armaments. 17) Introduce in all states, general suffrage so that the destiny of nations depend upon ignorant people. 18) Overthrow all monarchies and substitute republics for them; in so far as possible fill important state offices with persons who are involved in some unlawful affair and who will, from fear of being exposed, remain our obedient servants. 19) Gradually amend all constitutions so as to prepare the soil for absolute despotism and Bolshevism. 20) Establish huge monopolies upon which even the great fortunes of the Gentiles will depend to such an extent that they will be swallowed up at the "hour" when the industrial crisis will start. 21) Destroy all financial stability; increase economic depressions to the extent of bringing a general world bankruptcy; stop the wheels of industry; make bonds, stocks and paper money worthless; accumulate all the gold of the world in the hands of a certain few people thus withdrawing tremendous capital from circulation; at a given hour close all the exchanges, withdraw all credits and cause general panic. 22) Prepare the death struggle of the nations; wear out humanity through suffering, fear and shortage of food - hunger creates slaves!”
"Ode on a Distant Prospect of Eton College" last stanza - Thomas Gray
"To each his sufferings: all are men,
Condemned alike to groan;
The tender for another's pain,
The unfeeling for his own.
Yet ah! why should they know their fate?
Since sorrow never comes too late,
And happiness too swiftly flies.
Thought would destroy their paradise.
No more; where ignorance is bliss,
'Tis folly to be wise."
Brujo Alligatore Apr 2016
A follower
It doesn't know what to do.
This germ of perfection is meant
For a nicer world.
I'm a no good keeper of the spark.
No good at
Figuring out who to trust
Who to serve.
Someone once asked me If I had,
A heart of glass, paper, stone or air.

A heart of glass I bear,
So you can see right through me.
Whether this means you can see through my love or,
That there is no denying my love is there.
A glass heart is more fragile than others,
But I bear one so you may understand the trust and faith I hold,
In you as the one who holds my heart.

A heart of paper I bear.
So you can see the words written over my heart,
Whether this means you can see pain, sorrow or,
That there is no denying your name is written all over.
A paper heart is more impractical than others,
But I bear one so you may understand the meaning you hold
To me as the one my heart yearns for.

A heart of stone I bear.
So you can see how strong I am,
Whether this means I am cold and loveless or,
That there is no denying my ability to be strong and not falter.
A stone heart is more lifeless than others,
But I bear one so you may understand I can't be hurt and am strong,
For you who my heart beats for.

A heart of air I bear.
So you can see every breath, is one taken for you,
Whether this means my heart is not a physical thing or,
That there is no denying I would love you until my last breath.
An air heart is more infeasible than others,
But I bear one so you may understand I live and breathe,
*For you the love of my life.
This actually is a love poem, believe it or not.
Inspiration taken from Nicole's poem *insert link here when I find it*
Guess I am the King of Hearts, and they're all for loving you boo **
Priya Kharbanda Jul 2013
The drops drip through the roof.
They’re just another reminder.
Of what might not be tomorrow.
Of what we might have to surrender.

Mother tells me not to go out in the rain.
I can’t play like the others.
I have to help her out,
Take care of my little brothers.

The twins’ fever is high,
And is refusing to fall.
Very unlike our cottage,
Our house, with no real walls.

My mother and I.
We dread the minute this abode will collapse.
I try to make the twins sleep,
But all they do is-point out in the door, huge gaps.

I wonder how long this will go on,
Rain, thunderstorms, lightning.
And most of all, worrying.
Honest to God, this is frightening.

The temperature outside falls,
And theirs’ rises.
And half the house crumbles.
Well, there’s a surprise.

Panicking, I turn to mother.
Who’s as dumbstruck as I.
What will happen to us four?
Will we…die?

I tug on her sleeve,
She looks at me helplessly.
I take one boy from her arms,
I can’t see her handling them so carelessly.

With no clue, Of what to do,
Of where to go.
I just have one thing to say.
Everything about the rain is not a rainbow.

* *

We knock on the doors,
The neighbours barely come out.
None of them takes us in,
Some apologize, some are indifferent, some even shout.

Our despair increases,
She’s bordering on hysterical.
We don’t know what to do,
Except…wait for a miracle?

The twins are burning,
I try to protect one under my arm.
I know it’s next to nothing,
But well, trying doesn’t harm.

The rain falls in sheets,
On my family it’s taking its toll.
Mother’s impractical, naive, and the twins oblivious.
I know then, I have to take control.

I make a steel resolve,
And start to move on.
I know we can’t afford,
For us both to be teary and torn.

Wordlessly, she follows my lead,
Maybe she thinks I know what to do.
But well, guess what?
I have not one clue.

I just march on,
To find a safe haven.
Just a roof for the night,
A shed, a garage, a warehouse, a tavern?

And preferably some medication, too.
For I can’t see the twins go down the same road,
As father did. No, not again.
Mother won’t be able to handle the load.

Tears pool in my eyes,
But I brush them away.
I cannot let emotions take control of me,
I have to after all, guide the way.

I silently pray to God.
To let me keep them safe and sound.
I wish the night would go by soon,
And by tomorrow, a shelter, we would’ve found.

And as I stride forward,
With no destination to go,
I again have just one thing to say.
Everything about the rain is not a rainbow.

*

I don’t know what time it is,
Two? Three? I know it's past midnight.
We’ve been trudging on and on,
And haven’t seen one welcoming light.

Yes. There were houses on the way.
Shelters.  Accommodations. Even hotels.
But we have no money, no food. No one let us in.
Even the tiniest little flicker of hope has gone to hell.

Mother asks me to wait up again,
She can’t keep pace with me.
Impulsively, I reach over and take the other twin, too.
And shout, “There you go! You’re free!”

She looks startled, like she didn’t see this coming.
Well, neither did I.
But, why can’t she understand?
We have to hurry. We might..die.

Life’s never been easy on us,
But this is one of its worst tricks.
And it’s only getting worse,
As the clock ticks.

On their sixteenth birthdays,
Most kids get dresses, watches, cars.
I got a broken home. Literally.
All I wanted was a bunch of wild flowers.

But well, it wasn’t meant to be.
This is my destiny, my fate.
I guess for my share of happiness,
I’ll have to wait.





In the distance, I see a flickering light.
Will this be..The One?
After what feels like centuries of darkness,
Will this be our Sun?

There’s something about it. Intuition?
My feet move faster, and so does my heart.
In my mind, there is conviction,
This will be a new start.

Vestigial fear grips me,
As I’m about to knock.
What if our last hope, last aspiration says no?
Not that it would be a colossal shock.

But I’d break down.
Emotionally, mentally, physically.
I’d pass the bridge of oblivion,
But it would hurt my family brutally.

I summon up strength,
And knock on the door.
Before she can access our condition,
We’re unconscious, and have dropped to the floor.


*


She healed us, took care of us,
Brought back the twins’ health, and smiles.
Gave us a new identity,
Away from the slums and garbage piles.

She says she’s a doctor,
But I think she’s more.
I reckon she’s an angel,
Who brought back life to us four.

She gave us health, freedom, life, hope.
She even gave me and Mother jobs.
For a change, Mother is happy too,
And no more in the night, do I hear her deep sobs.

We’re as happy as could be,
We got our version of a happy ending.
Every rain may not have a rainbow,
But every story has a miracle pending. :)
Sal Lake Jan 2013
You see a kaleidoscopic spongesque speck pushed into a blur over your vision,
Sitting on air & feathers.
You sit on air rather than feathers,
Incased in drywall,
Surrounded by your worldly possessions,
Drowning in sweat,
Suffocating from air,
The hum of coupled fans waltzes’ into your skull,
A metallic mind prints mass media
Via a melodramatic faux-vintage situation into your skull,
There’s the pitter-patter of post-traumatic pondering in your skull,
A Mexican Coca-Cola clutched in your left hand,
Phillip-Morris owns the pocket on your breast so that they sit closest to your heart,
Pabst Blue Ribbon has carved rights to your liver,
You have an over analytic sense of humor and well-being.
Now you decode your day.
Now you chastise your intuition for lustful engagements with shadow people.
Though you have no qualms with this,
You enjoy yourself from time to time.
But cannot you imagine a more climatic proposition,
In a less disposable universe?
Where corners are cut,
Shoving dignity & quality out the door
Is where impractical risks are made.
However,
All you ponder now is the blur pushed into the edge of your eye.
Perhaps it is a microorganism rendezvousing with another microorganism.
Though they would have no concept of predetermination.
Olivia Kent Sep 2013
Chances!

Faith in an empty space.
Blazing maybe,
After a perfect kiss.
Loving perhaps.
Given half chances.
After gone issues.
Spent like chocolate pennies,impractical.
In wild romances.
Chances are wishes and kisses are dreams.
Nothing at all is what we perceive.
Chances are odd.
Not even the evens.
Dressed up to the nines, but only find sevens
Where nothing else matches.
When nothing else matters
In the sentiment from the diligent delicacy.
As only women bleed.
****** tears bless face.
Enigmatic smile retained!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Breeze-Mist Jul 2017
"One day, you'll grow up
And you'll make a lot of friends
Or maybe you won't
Maybe you'll just have a few tight buddies
But if anyone tries to change you
you don't need them
You're amazing the way you are"
I told her

She looked up at me
With large, doeful eyes
Nuzzled me and mooed as if to say
"I'm not sure what you just said
But I think I understood it"
As I rubbed her head and ears

At least I can give life advice to a Jersey heifer
Before my program ends and I go back home
Manisha Uniyal Aug 2015
Debtors and creditors
Declining stock
High sales
heartless flock

Profit is aim
Impractical gain
Weather is good
Never cared to enjoy the rain

Captured soul
Under the debris of files
Running one after the other
Honesty dying in front of lie

Stylishly tucked in suits
And heart tailor made of wood
As only then will justiy
What we did and what we should

Hitting hard with financial indicators
Stock in hand or sundry creditors
Breathe out this craziness
Seek pleasure in the little things
And make life a lot better


Manisha
Terry Jordan Nov 2015
by Lisa Olstein

Stranger, mislaid love, I will
sleepwalk all night not girlish
but zombie-like, zombie-lite
through the streets in search of
your arms. Let’s meet at dawn
in the park to practice an ancient art
while people roll by in the latest
space-age gear blank as mirrors
above the procedure in the stainless
steel theaters where paper-gowned
we take ourselves to take ourselves
apart. Tap-tap-spark. So little blazes.
Cover the roofs with precision hooves.
Push back the forest like a blanket.
A bird the right color is invisible,
only movement catches the eye.
My most illustrious Lord, I know
how to remove water from moats
and how to make an infinite number
of bridges. Here we are at the palace.
Here we are in the dark, dark woods.
I love her work; she teaches at the University of Austin, in Texas
Montana May 2012
It was fleeting,
But impressive.
It was impractical,
But not impossible.
Today I entertained the thought
Of leaving behind everything I know
For a chance at something
I don’t.
I’m still here.
9/17/10

— The End —