I am a flower
growing in the way of a footpath,
from a crack in the pavement,
dog ***, human feet shuffling,
bicycle tire spinning

I am a sunflower, glowing
in the morning light.
through sparkling mist,
which sits beside me, feeding
me sweet nothings and soft
droplets.

I am a wild rose,
my thorns are sharp, my
petals are delicate.
My roots reaching,
so deep into the earth,
yet the water has evaporated,
even in those depths, my roots are
cracking,
my hips are drying out.

I am a flower in the middle of a footpath,
I have been trampled and I have
been peed on and biked over.
I am trying to stand up again.
I am trying to stand up again.

On the side of the country lane a wooden post holds a sign indicating the route of a public footpath. Hardly a mile goes by without passing another one, maybe more. They don't stand out, so common they hardly register as we motor by. Some of us have explored where they lead, others have not.

Some follow hedgerows, ditches; others strike across open fields. Wherever they are, the landowner has a legal obligation to allow free unhindered public access. Growing crops must be cut or sprayed to keep paths clear.

Many of these paths were formed by country folk walking to church, work or market, taking the shortest route across the fields. In 1948 they were recognised and given legal status on the definitive map.

Close to villages the paths are well used. In more remote areas some are barely walked from one year to the next. Even so, they are still legal rights of way.

The celebrated fell wanderer Alfred Wainwright put together his famous Coast to Coast walk by connecting existing rights of way to form a continuous route from the Atlantic to the North Sea, passing through three National Parks.

Almost a kind of accident of history, the footpath network is now a National Treasure.

Once upon a time there was a brave girl called Alison Parker. She was on the way to see her mum Michelle Ramsbottom, when she decided to take a short cut through Wyre Forest.

It wasn’t long before Alison got lost. She looked around, but all she could see were trees. Nervously, she felt into her bag for her favourite toy, Bunny, but Bunny was nowhere to be found! Alison began to panic. She felt sure she had packed Bunny. To make matters worse, she was starting to feel hungry.

Unexpectedly, she saw a kind werewolf dressed in a black skirt disappearing into the trees.

“How odd!” thought Alison.

For the want of anything better to do, she decided to follow the peculiarly dressed werewolf. Perhaps it could tell him the way out of the forest.

Eventually, Alison reached a clearing. She found herself surrounded by houses made from different sorts of food. There was a house made from carrots, a house made from biscuits, a house made from cakes and a house made from pancakes.

Alison could feel her tummy rumbling. Looking at the houses did nothing to ease her hunger.

“Hello!” she called. “Is anybody there?”

Nobody replied.

Alison looked at the roof on the closest house and wondered if it would be rude to eat somebody else’s chimney. Obviously it would be impolite to eat a whole house, but perhaps it would be considered acceptable to nibble the odd fixture or lick the odd fitting, in a time of need.

A cackle broke through the air, giving Alison a fright. A witch jumped into the space in front of the houses. She was carrying a cage. In that cage was Bunny!

“Bunny!” shouted Alison. She turned to the witch. “That’s my toy!”

The witch just shrugged.

“Give Bunny back!” cried Alison.

“Not on your nelly!” said the witch.

“At least let Bunny out of that cage!”

Before she could reply, three kind werewolves rushed in from a footpath on the other side of the clearing. Alison recognised the one in the black skirt that she’d seen earlier. The witch seemed to recognise him too.

“Hello Big Werewolf,” said the witch.

“Good morning.” The werewolf noticed Bunny. “Who is this?”

“That’s Bunny,” explained the witch.

“Ooh! Bunny would look lovely in my house. Give it to me!” demanded the werewolf.

The witch shook her head. “Bunny is staying with me.”

“Um… Excuse me…” Alison interrupted. “Bunny lives with me! And not in a cage!”

Big Werewolf ignored her. “Is there nothing you’ll trade?” he asked the witch.

The witch thought for a moment, then said, “I do like to be entertained. I’ll release him to anybody who can eat a whole front door.”

Big Werewolf looked at the house made from pancakes and said, “No problem, I could eat an entire house made from pancakes if I wanted to.”

“That’s nothing,” said the next werewolf. “I could eat twohouses.”

“There’s no need to show off,” said the witch. Just eat one front door and I’ll let you have Bunny.”

Alison watched, feeling very worried. She didn’t want the witch to give Bunny to Big Werewolf. She didn’t think Bunny would like living with a kind werewolf, away from her house and all her other toys.

The other two werewolves watched while Big Werewolf put on his bib and withdrew a knife and fork from his pocket.

“I’ll eat this whole house,” said Big Werewolf. “Just you watch!”

Big Werewolf pulled off a corner of the front door of the house made from biscuits. He gulped it down smiling, and went back for more.

   And more.

      And more.

Eventually, Big Werewolf started to get bigger – just a little bit bigger at first. But after a few more fork-fulls of biscuits, he grew to the size of a large snowball – and he was every bit as round.

“Erm… I don’t feel too good,” said Big Werewolf.

Suddenly, he started to roll. He’d grown so round that he could no longer balance!

“Help!” he cried, as he rolled off down a ***** into the forest.

Big Werewolf never finished eating the front door made from biscuits and Bunny remained trapped in the witch’s cage.Average Werewolf stepped up, and approached the house made from cakes.

“I’ll eat this whole house,” said Average Werewolf. “Just you watch!”

Average Werewolf pulled off a corner of the front door of the house made from cakes. She gulped it down smiling, and went back for more.

   And more.

      And more.

After a while, Average Werewolf started to look a little queasy. She grew greener…

   …and greener.

A woodcutter walked into the clearing. “What’s this bush doing here?” he asked.

“I’m not a bush, I’m a werewolf!” said Average Werewolf.

“It talks!” exclaimed the woodcutter. “Those talking bushes are the worst kind. I’d better take it away before somebody gets hurt.”

“No! Wait!” cried Average Werewolf, as the woodcutter picked her up. But the woodcutter ignored her cries and carried the werewolf away under his arm.

Average Werewolf never finished eating the front door made from cakes and Bunny remained trapped in the witch’s cage.Little Werewolf stepped up, and approached the house made from pancakes.

“I’ll eat this whole house,” said Little Werewolf. “Just you watch!”

Little Werewolf pulled off a corner of the front door of the house made from pancakes. He gulped it down smiling, and went back for more.

   And more.

      And more.

After five or six platefuls, Little Werewolf started to fidget uncomfortably on the spot.

He stopped eating pancakes for a moment, then grabbed another forkful.

But before he could eat it, there came an almighty roar. A bottom burp louder than a rocket taking off, propelled Little Werewolf into the sky.

“Aggghhhhhh!” cried Little Werewolf. “I’m scared of heigh…”

Little Werewolf was never seen again.

Little Werewolf never finished eating the front door made from pancakes and Bunny remained trapped in the witch’s cage.

“That’s it,” said the witch. “I win. I get to keep Bunny.”

“Not so fast,” said Alison. “There is still one front door to go. The front door of the house made from carrots. And I haven’t had a turn yet.

“I don’t have to give you a turn!” laughed the witch. “My game. My rules.”

The woodcutter’s voice carried through the forest. “I think you should give her a chance. It’s only fair.”

“Fine,” said the witch. “But you saw what happened to the werewolves. She won’t last long.”

“I’ll be right back,” said Alison.

“What?” said the witch. “Where’s your sense of impatience? I thought you wanted Bunny back.”

Alison ignored the witch and gathered a hefty pile of sticks. She came back to the clearing and started a small camp fire. Carefully, she broke off a piece of the door of the house made from carrots and toasted it over the fire. Once it had cooked and cooled just a little, she took a bite. She quickly devoured the whole piece.

Alison sat down on a nearby log.

“You fail!” cackled the witch. “You were supposed to eat the whole door.”

“I haven’t finished,” explained Alison. “I am just waiting for my food to go down.”

When Alison’s food had digested, she broke off another piece of the door made from carrots. Once more, she toasted her food over the fire and waited for it to cool just a little. She ate it at a leisurely pace then waited for it to digest.

Eventually, after several sittings, Alison was down to the final piece of the door made from carrots. Carefully, she toasted it and allowed it to cool just a little. She finished her final course. Alison had eaten the entire front door of the house made from carrots.

The witch stamped her foot angrily. “You must have tricked me!” she said. “I don’t reward cheating!”

“I don’t think so!” said a voice. It was the woodcutter. He walked back into the clearing, carrying his axe. “This little girl won fair and square. Now hand over Bunny or I will chop your broomstick in half.”

The witch looked horrified. She grabbed her broomstick and placed it behind her. Then, huffing, she opened the door of the cage.

Alison hurried over and grabbed Bunny, checking that her favourite toy was all right. Fortunately, Bunny was unharmed.

Alison thanked the woodcutter, grabbed a quick souvenir, and hurried on to meet Michelle. It was starting to get dark.

When Alison got to Michelle’s house, her mum threw her arms around her.

“I was so worried!” cried Michelle. “You are very late.”

As Alison described her day, she could tell that Michelle didn’t believe her. So she grabbed a napkin from her pocket.

“What’s that?” asked Michelle.

Alison unwrapped a doorknob made from biscuits. “Pudding!” she said.

Michelle almost fell off her chair.

The End

Light from a prism
These petal’d flo’ers grow
Breath in weighty breaths
Versicolor whispers that quietly follow.
They step alongside you
And spring in veneration
In the alluring prints you left behind,
Like groves from every indentation.
But, it’s the same
Where her footfall goes
--Abreast the creekline
--In grassy seas,
--On the concrete
--In the seconds that pass by me.
I so want,
But one flower
To fill up, reserved for that one fair.
Still, though I grab
For my partnered hand,
Thieves on breezes steal them away
Wilt, as I pluck
Flowers from the footpath
And look ahead
To see no flowers
Wilting nor even dead.

Moon is not beautiful
She doth not shine golden
She drops weakened, white light
on creatures craving sleep

She sits there and stares
At a frightened little world
with her cold, chilling glow
and a hostility deep

It's ingrained in her soul
to make the nimbus look fearsome
ghastly and pale
like a place to hide demons

She debases belief
We forget our star-wish
and thick, we go fishing
at nighttime

And then, Moon releases
a loneliness, cold
and we can't elude
we're stuck in the hole of
This brooding solitude mood
and its tole.

There's no escaping anytime soon
As we start to fear
the burning sun
And I suppose, this is my loathing of Moon.

Moon is contagious.
She offers the aid of her presence, unfailing
When we're washed down like willows, weakened
and wailing

And we can sail under her
Just as the dime
It's a lie that the night's
only clock-start for crime

When she's out from the hiding place
to be bright as Moon can
There's not a direction
No footpath
No overworked plan

And when I remember:
Beauty needs not a rival
I suppose I'll be loving Moon, soon again.

ng? Who’s here with you?’ His voice was calm, but his look was determined.
‘Goldstein is at the other end

I see her sitting over there
another's arms around her waist.
Sunlight shimmers through golden hair,
bodice ruffled and unlaced.

Surprise sits obvious on her face,
over the distance where I walk
it shouts to me of felt disgrace.
A story told no need for talk.

I look down staring at the ground
feeling awkward as I continue
not raising eyes to what I found
like curtains drawn across a window.

My footsteps quicken with the pace,
footpath blurs with constant view.
My head can't raise to see her face
because I don't know what to do.

I hear her calling, voice a quiver,
I hear her tread as she doe's chase
Almost a trot I do deliver
trying to clear from this place.

I manage to evade her follow,
thinking of the scene I saw.
Her cheating ways are cruel and hollow
as I viewed her frolic on the floor.

What do I say when next I see
her arm in arm with my best friend.
But if these words I say to he
will cause him harm that may not end.

So I have given them some room
to sort themselves in their own way.
It's she that must hand out the gloom
from her own words then she must pay.

As for this secret I say nought
I shall not give her game away
for she's not the only one I've caught
for my friend does play away.

I do not judge the things they do
and best that I do not involve
myself with what they both go through.
It's for themselves both to resolve.

Once upon a time there was a special girl called Sonya Randall. She was on the way to see her Dad Tristan Godfrey, when she decided to take a short cut through Hyde Park.

It wasn't long before Sonya got lost. She looked around, but all she could see were trees. Nervously, she felt into her bag for her favourite toy, Laura, but Laura was nowhere to be found! Sonya began to panic. She felt sure she had packed Laura. To make matters worse, she was starting to feel hungry.

Unexpectedly, she saw a naughty Uni-pug dressed in a blue dungarees disappearing into the trees.

"How odd!" thought Sonya.

For the want of anything better to do, she decided to follow the peculiarly dressed Uni-pug. Perhaps it could tell him the way out of the forest.

Eventually, Sonya reached a clearing. In the clearing were two houses, one made from peas and one made from cakes.

Sonya could feel her tummy rumbling. Looking at the houses did nothing to ease her hunger.

"Hello!" she called. "Is anybody there?"

Nobody replied.

Sonya looked at the roof on the closest house and wondered if it would be rude to eat somebody else's chimney. Obviously it would be impolite to eat a whole house, but perhaps it would be considered acceptable to nibble the odd fixture or lick the odd fitting, in a time of need.

A cackle broke through the air, giving Sonya a fright. A witch jumped into the space in front of the houses. She was carrying a cage. In that cage was Laura!

"Laura!" shouted Sonya. She turned to the witch. "That's my toy!"

The witch just shrugged.

"Give Laura back!" cried Sonya.

"Not on your nelly!" said the witch.

"At least let Laura out of that cage!"

Before she could reply, the naughty Uni-pug in the blue dungarees rushed in from a footpath on the other side of the cleaning.

"Hello Big Uni-pug," said the witch.

"Good morning." The Uni-pug noticed Laura. "Who is this?"

"That's Laura," explained the witch.

"Ooh! Laura would look lovely in my house. Give it to me!" demanded the Uni-pug.

The witch shook her head. "Laura is staying with me."

"Um... Excuse me..." Sonya interrupted. "Laura lives with me! And not in a cage!"

Big Uni-pug ignored her. "Is there nothing you'll trade?" he asked the witch.

The witch thought for a moment, then said, "I do like to be entertained. I'll release him to anybody who can eat a whole front door."

Big Uni-pug looked at the house made from cakes and said, "No problem, I could eat an entire house made from cakes if I wanted to."

"There's no need to show off," said the witch. Just eat one front door and I'll let you have Laura."

Sonya watched, feeling very worried. She didn't want the witch to give Laura to Big Uni-pug. She didn't think Laura would like living with a naughty Uni-pug, away from her house and all her other toys.

Big Uni-pug put on his bib and withdraw a knife and fork from his pocket.

"I'll eat this whole house," said Big Uni-pug. "Just you watch!"

Big Uni-pug pulled off a corner of the front door of the house made from cakes. He gulped it down smiling, and went back for more.

   And more.

      And more.

Eventually, Big Uni-pug started to get bigger - just a little bit bigger at first. But after a few more fork-fulls of cakes, he grew to the size of a large snowball - and he was every bit as round.

"Erm... I don't feel too good," said Big Uni-pug.

Suddenly, he started to roll. He'd grown so round that he could no longer balance!

"Help!" he cried, as he rolled off down a ***** into the forest.

Big Uni-pug never finished eating the front door made from cakes and Laura remained trapped in the witch's cage.

"That's it," said the witch. "I win. I get to keep Laura."

"Not so fast," said Sonya. "There is still one front door to go. The front door of the house made from peas. And I haven't had a turn yet.

"I don't have to give you a turn!" laughed the witch. "My game. My rules."

The woodcutter's voice carried through the forest. "I think you should give her a chance. It's only fair."

"Fine," said the witch. "But you saw what happened to the Uni-pug. She won't last long."

"I'll be right back," said Sonya.

"What?" said the witch. "Where's your sense of impatience? I thought you wanted Laura back."

Sonya ignored the witch and gathered a hefty pile of sticks. She came back to the clearing and started a small camp fire. Carefully, she broke off a piece of the door of the house made from peas and toasted it over the fire. Once it had cooked and cooled just a little, she took a bite. She quickly devoured the whole piece.

Sonya sat down on a nearby log.

"You fail!" cackled the witch. "You were supposed to eat the whole door."

"I haven't finished," explained Sonya. "I am just waiting for my food to go down."

When Sonya's food had digested, she broke off another piece of the door made from peas. Once more, she toasted her food over the fire and waited for it to cool just a little. She ate it at a leisurely pace then waited for it to digest.

Eventually, after several sittings, Sonya was down to the final piece of the door made from peas. Carefully, she toasted it and allowed it to cool just a little. She finished her final course. Sonya had eaten the entire front door of the house made from peas.

The witch stamped her foot angrily. "You must have tricked me!" she said. "I don't reward cheating!"

"I don't think so!" said a voice. It was the woodcutter. He walked back into the clearing, carrying his axe. "This little girl won fair and square. Now hand over Laura or I will chop your broomstick in half."

The witch looked horrified. She grabbed her broomstick and placed it behind her. Then, huffing, she opened the door of the cage.

Sonya hurried over and grabbed Laura, checking that her favourite toy was all right. Fortunately, Laura was unharmed.

Sonya thanked the woodcutter, grabbed a quick souvenir, and hurried on to meet Tristan. It was starting to get dark.

When Sonya got to Tristan's house, her Dad threw his arms around her.

"I was so worried!" cried Tristan. "You are very late."

As Sonya described her day, she could tell that Tristan didn't believe her. So she grabbed a napkin from her pocket.

"What's that?" asked Tristan.

Sonya unwrapped a doorknob made from cakes. "Pudding!" she said.

Tristan almost fell off his chair.

The End

The blackbird’s footprints seemed to trace
A footpath to the resting place;
Through the bright new layer of snow
They led the way, showed where to go.

They laid your baby in the ground
A tiny heart that made no sound;
I scattered earth and shed a tear
Scared and lonely, wracked with fear.

For two weeks before we’d tied your hair
With a band from mine as you lay aware;
Things would never be the same
A tiny being would have no name.

I never saw you cry that day
So I hid my sadness as I walked away;
I saw the blackbird that day too
Wise eyes watching, I think he knew.

The year is new, joy may it bring
As Winter changes into Spring;
And when dragonflies dart in the sun
I’ll  think about your little one.

It was a summer afternoon in Wester Ross. Two moments: one near, on tide-swept sands, with glorious and gloriously blue amalgams of sky and water; the other far, on a distant shore, a vista of sweeping rain and a gang of clouds marauding the hills. Near abouts: a meeting of warm land and cool sea over a deserted beach. There were midges of course, but on that day a lithe breeze kept them at bay. As she was discovering the chaotic delights of the disused Fishing Station, I was Charles Darwin standing on a deserted shore looking across to Tierra del Fuego. Not a sign of a dwelling, a boat, or even a person on the coastal footpath. A vast panorama spread beyond the edges of my unturning vision. Out on the grey blue water, I became Captain Vancouver sailing up the Inner Channel exploring and mapping every indent, nook and cranny of the double coast. Suddenly, five indians in their log canoe appeared paddling around the point, navigating by the feel of depth and the thrum of the current inches under their bare feet and bottoms.
 
This place, the larger vicinity, the region driven through, on and onwards, into and out towards landscapes vaster than anything I’d previously known in this small island; it had already staked its claim on my consciousness. I was transfixed. On my own, decent progress during a walk was almost impossible. I would stop every few moments aware that something new and different was going on. To miss anything seemed an affront to the sublime. I would walk early in the morning whilst she lay peacefully in bed, her arms stretched out on the blue-striped cover, her hands and fingers gently curved, at rest. This morning time was alive with a colourscape of silences, different shades of low-level noise. There is no camera able to catch the play of real all-surrounding images with those extensions of fantasy the imagination blends and stirs. No microphone can be sensitive enough to the surround sound in air and landscape, the faint breath of the sea, and the incessant conversation and playback of her tender evening voice in my thoughts. Here the past was invading the present, speculating on the future, our future.
 
I ventured inside the hut at the Fishing Station. Curious to see what she was up to. She was arranging, like children do, her found objects. Along the few shelves fixed to the corrugated iron walls her quiet hands placed and replaced, shifted and turned; then, the click of the camera, again click, adjust the focus, click. Ropes lay at her feet snake-like, hemp and nylon, that urgent orange, that too smooth blue, mounds of old fishing gear mostly unidentifiable, not an idea where the floor might be found, so completely covered. If there had been a door it was no more; just a gap in the wall, seaward.
 
These objects she arranged: screws, bolts, nails, strange keys, boltless nuts and nutless bolts, small bottles, a can or two. Everything hand-size, tarnished, rusted, some oiled, stained oil-black. I felt an intruder witnessing her preparations for a secret game, a ceremony of recording and removal. A kindly ‘do not disturb’ sign hung about her face; a blankness, a dream-like visage of the initiated, as though she held some premonition of this material’s importance, a treasure found in a shack of a shed, a ‘find’ she would collectively decode. Already this visit took on the character of a preliminary investigation. She began wrapping and tying some of the more unusual items in cloth, making mummies that in a few days she would return to and unwrap to find their imprint and press marked on the cloth.
 
We lost time in this place. Only the incoming tide was a clue to how the afternoon had advanced. The beach, at whose far end the station had been built, held a gentle new moon’s curve. The water’s encroachment of the beach became mesmeric; it was difficult to leave the looking until its tide journey had been completed. But we did, and wandering through the dune meadows, between the diffident cattle, past the remote farm at the end of the track, gate after gate, then the proper road, the twice a day post box, two houses set well back from the road, a woman leading a boy on a horse, up a rise, a lay-by with a camper van, walking backwards to keep the view to the red sand beach in our sights as the afternoon light began to turn from gold into auburn, then with fingers threaded into fingers down to the wooden cottage. And there, later, after love’s welcome and its celebration, stillness.

Mom should’ve been here by now. I sat on my frilly blue and purple polka-dotted bed waiting for the knock on the door telling me mom found my dress. Finally, it raps on my door. “Mom! Did you find it?” My eyes widen as the silky blue sways in her arms, it’s beauty sings as a caged bird let free. I gasp in admiration. “I-It’s wonderful!” I pick it up and it glides down into a perfect fit.  “I’m glad you love it. Come down after you finish getting ready.” The door thuds after her. Looking across the room I note my honey brown hair that curls into pigtails. Restraining the squeal that is caught in my throat, I travel the length of my room to the mirror.

     The mirror sits on an antique dresser that my mom found at a garage sale. At first I didn’t care much for the ancient wooden junk that is at least half a century old. Now the gold-tinted metal gleams with pride once again. Rusty gems were in carved into an arc surrounding the mystic glass. “Lydia! Can you go upstairs and get that box down for me?” Mom’s request interfered with my thoughts. … Go in that dusty attic? “Sure mom!”

       Out the door and into the hallway stood a door like any other in our house. It squeaked open as eerily as what you’d expect in a haunted house. ‘A box, a box’ than out of the side of my vision I thought I saw motion. I shook it off as just being a spider or mouse. Soon my footsteps lead me to come across a dresser and mirror identical to the one in my room. It was cluttered with cobwebs and spiders. “Not very well taken care of, are you?” I muttered the joke. I looked into the mirror expecting to see a light blue dress covered in dust and sparkly silk material, but there was no reflection at all. I looked even closer at the mirror, before realizing, there was no mirror at all.

     I looked around until I found it behind the dresser, sitting on the ground. I touched one of the gems that surprisingly glowed despite the rust. Something shone until I was blinded. A tingle ran through the hand that brushed the mirror’s gem and flew through my arm until it encompassed me, racing into my every feeling until I couldn’t feel anything. My eyes shut and refused to open themselves.


     A gentle breeze grasped my hair, as music descended from the air. I could smell what seemed to be a banquet of some kind, mixed with perfume. Slowly my eyes lifted their veil to lock with waves pounding against a brick wall. I was looking down from a balcony into the erupting sea. The white brick-made balcony was large and lonely even with the brush of people walking by. I hid behind the rose-red curtains to look around. People danced and talked. Some ate. The music paved the trail for their feet to follow, all very gracefully. The men wore suits that tails drip to their knees. Their white shirts buried under sashes of gold, red, or blue. Sometimes holding medallions, some only dressed in ties. The woman wore Victorian dresses of every color and shade. Frilled hats with flowers were arranged on their heads.

     Wait, I’m not supposed to be here. I was in the attic, going to the café with mom. What was I doing? My head ached from the effort to recall my actions. Why can’t I remember? I stumble backward only to reach the balcony’s edge. Where is this anyway?

      I dive back into the curtain to search for my answer. The softness of the curtain was a rose pushed to my nose. I peeked through the small gap to find a page carting some clothes past my hiding spot. I sneaked next to the cart being wheeled into a doorway, planning to find a way out. I lost the page and walked around until I went through an archway door. The cool air spiraled against my silk-trapped skin. The scent of flowers bloomed around me. I found the garden labyrinth.

     Walking through the maze’s hedges I arrive at a beautiful fountain displaying crystal clear pouring waters. Everywhere I gazed, flowers embraced the greenery. My breath deprived my lungs of air as I took in the sight. It was so magnificent under the light of the full moon. A few lamps lighted a sidewalk path maneuvering along the hedges. I circled the fountain, taking in the surroundings. My silk dress was shining in the dim glow. The sceneries beauty entranced me.






     I didn’t see a shadow before me, and almost fell to the ground. In a graceful swoop an arm latched around my waist to pull me to my feet. “Be careful to look where you’re going, please my lady.” He bowed his head while his slim rimmed glasses started to fall off of his face, suddenly he looked up at me; sliding them back on with a slight wave of a finger. “That garb isn’t from around here.” He noted my sky blue dress with interest. I’m not even sure where I am. “I seem a bit lost. Will you help me?” he stares at me closer, a deeper curiosity shines in his green eyes, daintily brushed by his dark hair. “My dear, if it brings you comfort to know, we are in London at the Buckingham palace.”

      I gasped; London was so far away from New York. It’s across seas. I gulped at my next question as sweat pricked the nape of my neck, “What’s todays date?” His eyes sparkled at the question. “Why, it is June 28, of 1838. The entire castle is bustling at these very words. It’s a day to remember. Now my dear, I must take my leave and see to the ballroom. Farewell.” He bowed, than turned to leave. His slow stride seemed like a dance all on it’s own. My gaze was caught on his figure following the foot trail until he had disappeared. I sighed at my first encounter with someone in this grand place. The Buckingham Palace, in 1838. …1838!! That can’t be right, it’s 2014. Then the shock hit me as if bricks fell from the castle onto my forehead; the clothes, the language, the pages, and royalty. This couldn’t be London in present Great Britain.

    I circle the garden once more before I decide to go back inside. The young noble had realized my clothes didn’t belong here, probably anyone who sees me would recognize this too. I start off towards the footpath. The melodic rhythm still swirled in the breeze. Than for a second I thought I heard a footstep. My head twists back only to see a shadow move. The cool air now seems icy. Multiple possible things to say to the night air gallop through my mind. “ Such a lovely night,” is the one I decide on. From behind me a few feet back I imagine a sigh. No, not imagined, but actually there. It’s too real. I turn on my heels just to catch a glimpse of a black cape caught in the wind, as it’s master floats into the open. “My, It is lovely. However, I didn’t realize such a strangely dressed commoner as you could enter this palace.” His smirk shows sarcasm as easily as his eyes. “I never intended to visit a palace, even less in London.” My honest answer only has him conceal his laugh.




     “I’m sure you didn’t. Yet, your dressed for a fine occasion.” His hand reaches for mine. I pull away from the willowy figured glove. “Why not allow me this dance in the garden?” I back away, aware that his voice is too prescient and I should be careful. “Are you going to be wary of me?” his gaze turned pained, his blue eyes that were once full of playfulness now melted into hurt. I unintentionally reach out for his gloved hand. His laugh echoes past the foliage. “Such a naïve girl.” Dread decided that this nobleman should be avoided at all costs. I ran towards the palace. “And so the chase begins.” He snickers and rushes after me.


     I pass through the archways, glancing back now and again to find the caped captor flying along my tracks. If only there was some way to lose him. I ducked into the nearest doorway. At the far end of the hall I could see a door with a sign saying, “Dressing room”. I flung myself under a table and tablecloth to hide myself as my pursuer rounded the corner into the hall. I tucked my head between my knees and waited for his footsteps to fade. The warm place that held me trapped was close and too easily discoverable. I held my breath and tried to sink into the darkness. I’m not here. No one can find me.

     After enough time flew by to ensure my safety, I crawled out from under the table. The cloth draped over my head. I looked back and forth, half expecting to see a smirking smile, and haughty eyes. A girl stares down at me. She’s at least ten years old. “Shhh.” I press my finger to my lips and gently smile at her as if we’re keeping a secret between us. She giggles, copies the motion to her own mouth, than delightfully skips away. I let out a sigh and stand up. I follow the hall to the dressing room. The door creaks open and I look around once more, startled by the sudden noise.

     I sneak inside hoping find that the room is abandoned. In the darkly lit room, only my footsteps sound. As far as I can tell, no one has entered lately. I walk over to the carts of clothes and run my hand over the first one on the stack. It’s a ruby-red dress with fine material and some gems similar to those in the mirror. … The mirror. Not in my room, but the attic. My head hurts again, but I know I touched its gem before winding up here. How? I look through the dresses until I find a light blue and white one. The bowed sleeves come down to my elbow with frills encasing the bottom. The neckline forms a squared area of similar white frills. A small white sash acts as a belt that drops into the skirt of the dress. Two similar white ones come down each side. I pick up the light material and set it near my feet.
      My old silk dress easily slips overhead, making way for the new clothing. After tugging tight sleeves and bodices into place the light dress swoops over my feet. I spin through the dark room only to stop at catching someone’s eye. I immediately turn towards the frozen face. It is my own reflection in a mirror. I face myself as my sight settles on the dress I wear. My honey brown hair curled over the dress from my pigtails. My eyes sparkled it’s matching blue to the dress. In the corner of the room, next to the mirror, sat a large wooden box. I looked through it to find that it was full of jewelry and accessories. I prodded its contents until I found sky blue bows to wrap in my pigtails.

     I walked into the open hallway, now littered with people going to and fro. Anyone from passerby’s, young nobility, servants, and pages. Once the hall emptied I fled the room, hurrying through the corridors until I met with the room that created the harmonious trance. At the ends of the great ballroom sat crowds eating and laughing. Clusters of on-goers danced and chatted. In the middle of the farthest side of the room sat a throne that was embroidered with metal marks from centuries of legends. On the throne sat a woman at least eighteen of age. Her regal crown shone despite other attractions surrounding the dance room. A page strode over to her as she flourished her hand for his service. He stood and listened intently to her whispers. Finally, he stood and roared for the room’s attention. From his mouth spilled cheer and wistfulness, as he demanded the crowd’s ear. “Our young Queen Victoria’s coronation has completed. Now starts a new era! Let the celebration proceed.” The room reverberated with hope, love, and admiration for their new ruler.

     ‘Queen Victoria has been crowned’ having no clue how to find a way home, I disconsolately decide to join in the festivities. The crowd moves into a larger room. I stagger after them; the mass pushing everyone forward. We pass the kitchens. The aroma of cakes and deserts of every kind rises into the cool night air. The only smell more perceptible than delicate delights is the perfume penetrating the entire castle. We enter a by far more spacious ballroom. Empty amphitheater seats loom overhead, tied into the walls for onlookers to watch the ball unravel. Once again I glance at these to notice black material hangs over the edge. A head moves as people fill the seats. A nobleman with a black cape and familiar blue eyes takes their seat next to men and woman of high status. I walk into the mop to hide myself, while watching him. He laughs and chats with them as if he’s known them all his life.


      Unable to watch where I’m going, I trip. The harsh, solid ground hits my knee as if I’ve met a tornado. I wince at the pain as I strain myself to stand. A firm, but careful hand grabs mine. I look up into green eyes shaded by recognizable glasses. “My dear, you are very clumsy.” He smiles at me as I pat my dress back into place. “I see we’ve met again.” My response comes weakly as the sore from my knee makes me flinch. “I don’t think you’ve told me your name.” I inquire. “You have not requested my name, so I haven’t told it. However, if you do me the honor of a dance, my secret may be leaked.”  He bowed and offered me his arm, as I timidly accept it.

     A new song disrupts the last, as new pairs take the stage. He walks me onto the floor, and diligently starts to dance. I watch my feet, not wanting to mistake my pace. “Lift your chin, my dear. You don’t seem to but much of a church-bell.” I looked up at him puzzled. “Church-bell?” As he tried to conceal a grin, his glasses couldn’t suppress the laughter in his eyes. “Your rather quiet. And most likely not from around London, are you?” I looked to the ground once more. Should I tell him or not? Will it start problems, or will I be okay? “It’s fine, I shall not expect you to answer a question you wish not to.” I looked up at him, solemnly. “I promised to introduce myself, correct?” I nodded, as the music that echoed around us faded into the next song.

      His movements were so fluid; he was a wave at the end of the day, flowing into the sunset. “Miss, I am known by most as William Anderson. It’s a pleasure to meet you.” He procured my sweaty palm into his, tenderly swiping his mouth to my fingers. I let my hand be brought back into the dance as I searched for words to speak. Once the dance ended a few moments later, I curtsey and murmur, “It’s nice to meet you. I am Lydia Olsen.” At my gesture he bows, and requests once more, “Am I trustworthy enough to understand why you are in a mysterious place you don’t understand?” My answer had been decided and started to splatter from my mouth. “Y…”









     The next sound bounces along the room, it’s symphony starting. My words mix into the noise. In my vision of the seats above, snowy dots shoot arrows in my direction. Blue eyes gaze down at me, their iciness piercing me as icicles prickle my skin. I exchange a glance with William, nod and answer, “You are. I’ll explain.” My discomfort is surely recognizable. I often peek over my shoulder above as we dance. The shadow with a glare starts his voyage through the seats to reach the stairs that pillar into the wall. He descends from the tower, only adding to my panic. My hand seizes Williams, as I give him an apologetic smile. We hurry from the room, stumbling over each other’s feet. His graceful prance, now a faltering wreak.

     Once we are outside the ballroom, I turn towards him. “I trust you, so please understand, I live In the USA in 2014. Not London, not Even in the 1800’s.” His expression is masked, but I’m sure that I’ve confused him. “I went back into time, from the future.” The simple words struck a chord with him, his glasses tilted off his nose as he listens intently. “The future? How?” even I don’t know how to answer such questions. “I’m not sure. I was in the attic with a mirror, than … ****! I’m here.” Confusion once again wonders onto his face. “I went into a storage room with old things, and found a mirror, touched a gem, now I was here.”

     “I see, but why did we run away from the celebration? I was looking forward to another dance with you.” His casual smile does nothing to conceal unasked questions. I’m not sure how to answer them ei

the users of chinese require a respectable memory of logograms, but then the european languages users require a respectable memory of combinations of a limited number of "logograms", well, indeed limited, in comparison to the chinese range... and in so doing seem to have created a knack, a desire to create iconoclasm, a barrage of excess image crafting, whether in painting or photography, even logos are taken for equal representation among paintings and photographs in terms of being qualified as equals... if there's a quest at hand... it's to find the tetragrammaton in chinese: Y (convergence of three directions), H (the selfish twins of the ego), W (sine & cosine ripples, the ripples of a drop in a lake of a glass of water), and H (the selfless twins of the ego)... something like that - obviously upon interaction, used, the the two pairs of egos become the real dynamism interchanging their coupling... while the Y and W are seemingly constants.*

looking at the many maxims of la rochefoucauld,
so many seem true... but then again too
much truths and not using the Kantian
filter that the categorical imperative is...
and you stumble into custard of a maxim
kaleidoscope... obviously i'm not denying the truths,
but, as Kant pointed out... one truth will do,
the rest as there to be observed as if from-thin-air,
but it's still only one maxim, the ccategorical
imperative spurning you on, all the others do not
provide a vector consistency for you to repeat,
fall back on... i do appreciate the many observations
in la rochefoucauld, but too many maxims
and you do not which to grasp, wrestle with and
utilise to its maximum potential, not one becomes
a vantage point of safety, too many of them
and you're dancing naked under the tree of forbidden
knowledge... making it a bit of a foolery paying
homage to Bacchus... drunk on too much of it...
not really able to incorporate all of it, incorporating
too much of it is hardly strategic, one maxim will do,
a categorical imperative, a strategy of a measured
footpath, one will do...
but apart from that, considering each maxim with
a method i devised... dilution using synonyms...
that old chestnut, king solomon's
Ecclesiastes 1:2... meaningless! meaningless!
utterly meaningless! everything's meaningless!
in another citation the word vanity is used...
now vanity does not necessarily imply meaningless
as the closest synonym... in the latin tongue
vanity (vanus) implies empty... hence my revision
of the cartesian concept of res cogitans (thinking thing)
using res vanus (empty thing)...
if meaningless is given a disruption and a refrained
use, instead using the closer meaning to the latin (empty),
then i can see a better scenario...
everything is empty: emptiness! emptiness! utterly empty!
everything is empty! i find this to be a less pessimistic
conclusion on the matter... after all gravity was empty
prior to newton, who filled it; natural selection was empty
prior to darwin, who filled it; electromagnetic rotary
devices were "empty" / didn't exist until michael faraday
came along... the atmosphere was empty, until
leucippus and democritus came along, later proven
wrong by the supposed non-divisibility of the structures
by otto hahn and fritz strassmann and oppenheimer...
these evaluations suggest that people come across
these empty things, either by direct sensory perception
or through theoretical mingling, and fill them...
there's nothing meaningless as such as stressed by
Ecclesiastes 1:2... things are necessarily empty, in order
to be filled, and that gives meaning to man...
therefore... emptiness!! emptiness!
utterly empty! everything's empty! this, the dilution
using synonymousness as a divergence from
what strict interpretation would provide should
only a limited vocabulary be applied - rather than
an extended vocabulary of a juggling act.

One evening
after work
I began to walk
from the railway station
along the footpath
joining an acquaintance
on the way
to accompany and converse
amicably I thought
at first
but he became aloof
and hostile
ignoring my bonhomie
why
I had no idea
so crossed the road
estranged
shocked and ashamed.

I dwell in a lonely house I know
That vanished many a summer ago,
  And left no trace but the cellar walls,
  And a cellar in which the daylight falls,
And the purple-stemmed wild raspberries grow.

O’er ruined fences the grape-vines shield
The woods come back to the mowing field;
  The orchard tree has grown one copse
  Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.

I dwell with a strangely aching heart
In that vanished abode there far apart
  On that disused and forgotten road
  That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;

The whippoorwill is coming to shout
And hush and cluck and flutter about:
  I hear him begin far enough away
  Full many a time to say his say
Before he arrives to say it out.

It is under the small, dim, summer star.
I know not who these mute folk are
  Who share the unlit place with me—
  Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.

They are tireless folk, but slow and sad,
Though two, close-keeping, are lass and lad,—
  With none among them that ever sings,
  And yet, in view of how many things,
As sweet companions as might be had.

Held up by its wind, a flag will ******.
The motion, so liquid,
so solemn and yet lucid.
Floating in its own breath,
meandering,
unleashed along nature’s footpath.
The wind ponders with instinctive movement through and around this clothed vessel.
There are no regards nor any purpose. 
The movement, the romance within this dance with nature is fearless.
The wind has its sweetest of palette – a flag.

There's nothing like running
your fingers through wheat
as you take a footpath
through the farmer's field
especially in the dead of night
when the silence speaks volumes

Though I wouldn't know
'*** I'm a city boy
I always say
a life better lived on
the road less travelled
clearly wasn't for me

Cloudy days and
cloudy apple cider
go hand in hand
with hand rolled cigarettes
and unread messages
and a qwerty keyboard

Things are gon' get better
things better get gone
have I neglected my writing
or has my writing neglected me

Thoughts are just electricity
surging through your brain
tiny little electrical impulses
molecules and whooshy stuff
I could do with some of that

Cocooned under a web of road
rail and footpath at Top Locks
five narrow boats await their fate
stuck in a canal trade ice age.

Calling for new boat people
to change course from speed and stress
they're refitted cleaned and preened
for slow lane contemplation.

Slowly ne vessels pump life blood
branching out across old veins
filling the ships with goods again.

(After a seven day hike in Pacific Rim National Park, British Columbia)

The wilderness is a beauty
Unforgiving,
She’ll take your breath
You glance deeply
Through the forest
Hear the waves
Crash through and crest
This land has not been conquered
It barely has been tamed
There’s many a spot unspoiled
And many a place unnamed
And life is all around you
The way it’s always been
It’s as if the world’s forgiven
Just this once, all of man’s sins
So you tread carefully on the footpath
You pay attention to each step
Cross canyons and each precipice
Scale the granite cliffs
This place, it is rewarding
For those who are aware
You see life teeming in the ocean
And eagles in the air
You live in the present
Your senses re-attuned
Whatever else is happening
Is suddenly consumed
You get up with the sunrise
Build fires when darkness calls
You pay attention to the tides
And sleep by waterfalls

During discussion with key-board
through internet messenger,
Love sleeps on the bench like a pet
beside the purple-green footpath.

Sharing violet feelings via e-mail,
million megabytes of stamina downloads
And converts instantly smiling-heart
into jpg format to attach with the mail.

Cyber love navigates on cool wave
as a kite walking slowly
On the bluish velvet sky
above a land of beckoning jade-dreams.


Poem 07
Book 'Beckoning Jade-Dreams' April 2007
Copyright Musharrat Mahjabeen
Mizan Publishers, Dhaka, Bangladesh
ISBN 984-8700-82-X

Just for a handful of silver he left us,
Just for a riband to stick in his coat—
Found the one gift of which fortune bereft us,
Lost all the others she lets us devote;
They, with the gold to give, doled him out silver,
So much was theirs who so little allowed:
How all our copper had gone for his service!
Rags—were they purple, his heart had been proud!
We that had loved him so, followed him, honoured him,
Lived in his mild and magnificent eye,
Learned his great language, caught his clear accents,
Made him our pattern to live and to die!
Shakespeare was of us, Milton was for us,
Burns, Shelley, were with us,—they watch from their graves!
He alone breaks from the van and the freemen,
He alone sinks to the rear and the slaves!

We shall march prospering,—not through his presence;
Songs may inspirit us,—not from his lyre;
Deeds will be done,—while he boasts his quiescence,
Still bidding crouch whom the rest bade aspire:
Blot out his name, then, record one lost soul more,
One task more declined, one more footpath untrod,
One more triumph for devils and sorrow for angels,
One wrong more to man, one more insult to God!
Life’s night begins: let him never come back to us!
There would be doubt, hesitation and pain,
Forced praise on our part—the glimmer of twilight,
Never glad confident morning again!
Best fight on well, for we taught him—strike gallantly,
Menace our heart ere we pierce through his own;
Then let him receive the new knowledge and wait us,
Pardoned in heaven, the first by the throne!

I’ve become  invisible
Maybe it’s a virus and I’ve just got a touch,
The automatic shop door didn’t open so I’m left in a lurch,
Even when  I stood on the spot once blessed by the church.
Then the shop attendant missed me in the queue,
A car nearly knocked me on the footpath too.
Clearly I’m unseen.

As this progresses will my eyelids become translucent?
With my eyes shut how will I sleep?
Maybe I should wear dark glasses and not take a peek.
If I wear clothes will it be funny?
I will definitely get a job as a shop window dummy.
Is that what happens in the invisible limbos,
We become manikins in shop windows,  
Watching the world looking at them,
What we the invisible will be able to tell.

From my shop window I imagine at half past eight,
The people hang out or just walk past straight.
Starting with the kids skipping school,
Uniform tucked in schoolbag to fool,
Shopping bag used for energy joule,
Inhaling glue this hallucinatory fuel.
Each step these children take,
One step closer to heartbreak.

Then the anxious wife meeting her lover.  
Leaving behind her domestic bliss,
Sealed this morning with a husband’s watery kiss.
Waiting awkwardly in her Totoro dress,
One button behind and a zip does the rest .
Trying hard to be invisible too
This could all end in her being blue.

The rushing shop manager dressed in a suit.
Cuffs worn thin, pens in a group,
Red, blue and black,
A tick for success or none for the lack.
Mumbling along the company mantra,
“Think outside the box” there’s as good fella.
The only box he has ever known,
Are the imaginary boundaries in which he has grown.


A dog and his master trundle along.
He has been dead for years as he moves on,
Wearing a shroud of a used up life,
The dog squats down beside the tree of life.
Observing this stool in the daylight,
He compares to the Hematochezia he did last night.

A husband contemplating murdering his wife,
As the news of her lover has just come to light.  
He looks at the manikin with some delight,
Seduced by its empty invisible soul,  
Only to discover he owns that hole.

Then evening descends the lights are all up,
When work is all over it’s off to the pub.
Not for the invisible manikin though,
Who stays in the window dressed in a bride’s trousseau.
An invisible exhibitionist this poor sod,
So when you walk past it's polite to nod.
Now I’ll take two Aspirin and a cup of coco
And hope to God this invisibility will go go.

and the sweat lingers with a
thin film of dust, dirt, mold --
whichever what have you.
what little hydration left of
this soft fleshy vessel seeps
through this veil. creating
rivers of mud that flood the
eyes and blind. though hue
of general existence if silh-
outted. and we follow the sou-
nds hoped spoke on the proper
path. shambling the brush,
ankles caught tight in the
thorns of the undergrowth.
never a first in leaving a
blooded footpath home. and
false words call us upon a
path in Life long returned to
Nature from man. and with blin-
ded eyes and gnarled sense,
trouncing the threshold of door
long closed, fearing only the
chance of having all ended.
the Ocean's desert is nothing
but the sweat of Man's ages'
turned to dust. ended of a
vessel when purpose has seen
fulfillment. to nurture, and
bring forth perpetuation of the
curious disappeared mysteries
resting unburdened, with ponde-
ring left nulled. and recreation,
re-mythologizing aeons not long
past. only a couple thousand
since the last hoarfrost blast.

THE ADVENURES OF GEORGE BURNINGTOM




YOU SEE IN THE DARK CORNERS OF A COUNTRY TOWN NAMED DUBBO, IN NEW SOUTH WALES

LIVED A GANG OF 13 YEAR OLD BOYS, WHO WERE ADRENALINE JUNKIES, YOU SEE TAKING RISKS

WERE THE MAIN PARTS OF THEIR LIFE, ONE OF THE BOYS GEORGE BURNINGTOM, WHO LIVED IN

A REALLY RICH HOUSE, IN THE RICH CORNER OF DUBBO, HATED HIS FAMILY SO MUCH, THESE

MATES OF HIS WERE MUCH BETTER, YA SEE, THE RING LEADER OF THE GANG WHO WAS HARRY SMITH

WHO WAS IN A VERY POOR FAMILY, YOU SEE HIS FATHER WORKED AS A CLEANER AT DUBBO ZOO

AND HARRY, HAD ALL THESE GET RICH SCHEMES, WHICH INVOLVED TAKING HEAPS  OF BREATHTAKING RISKS,

ONE THING THE BOYS WILL DO IS HEAD TO THE SKATE PARK TO RIDE UP ONE WALL AND OCCASSIONALLY WOULD SKATE DOWN

THE STAIRS, SOMETIMES SCARING THE OLD PEOPLE AS THEY PASSED BY THE STAIRS, GEORGE, WHO WAS INTO

SOAKING IN A BIT OF ADRENALINE, BUT JUMPING HIS SKATEBOARD, FROM THE FOOTPATH TO THE MIDDLE ISLAND

IN THE SWAMPY WATERS, MIND YOU, GEORGE FELL IN A FEW TIMES, AS HE TRIED THIS, AND SKINNED HIS LEGS

WHICH MADE GEORGE WANNA CRY, BUT HE WAS THINKING, BOYS DON’T CRY, BOYS DON’T CRY, AND THEN THE

OTHER KIDS RAN UP TO HIM AND SAID, YOU LOOK VERY HURT, BUT YOU ARE NOT A DISGRACE TO OUR GANG, IN FACT

YOUR PRETTY COOL.

THE BOYS WENT BACK TO THE SKATE PARK, AND DID A FEW TRICKS AND JUMPED UP ON THEIR BOARD A FEW TIMES

AND GEORGE FELL, HEAD OVER TURKEY, BUT LANDED ON HIS FEET, AND THEN THE BOYS SAW A SEMI TRAILER, AND GEORGE

SAID, LET’S RACE THISB TRUCK, AND THE OTHER BOYS SAID WE COULD DIE, IT’LL BE A TAD RISKY, AND GEORGE, OUR LIVES ARE

RISKY, YOU COULD SAY WE HAVE A RISKY LIFE, AND AFTER SAYING THAT, THE BOYS FOUGHT THEIR DELLUSIONAL THOUGHTS OF DANGER

AND RACED THIS TRUCK, AND THEY WERE ENJOYING RACING THE TRUCK, THE TRUCK DRIVER LOOKED THROUGH HIS WINDSHIELD

AND SAID, THESE KIDS ARE TOO CLOSE, AND THEN SAID, I HAVE TO TAKE AN EMERGENCY STOP, TO LET THESE KIDS PAST, SO HE DID

AND FOUND OUT WHAT THE KIDS WERE DOING SAYING, YOU KIDS DON’T UNDERSTAND THE ROAD RULES, AND THEN YELLED OUT

YEAH GO, YEAH GO, LIKE THE COWARDS THAT YOU ARE, AND THE KIDS RODE BACK, AND SAW THE DRAINS AND HARRY SAID LET’S RIDE

IN THESE DRAINS, AQND THEY WERE ENJOYING PLAYING IN THESE DRAINS, AND THEN THE PASSER BY, CAME UP AND SAID, LISTEN YOU KIDS

THESE DRAINS ARE VERY DANGEROUS, GEORGE SAID, WE ARE RISK TAKERS AND ADRENALINE JUNKIES SO TO SPEAK, AND THE MAN SAID

WHY DON’T YOU BOYS  GO ON HELICOPTER RIDES LIKE THE OTHER KIDS OF DUBBO, LIKE MY SON AND THEN GEORGE SAID, YEAH YOUR SON

WHO IS THE BIGGEST GEEK OF THIS COUNTRY TOWN, WHO CAN’T STAND ADRENALINE, IF HIS LIFE DEPENDED ON IT.

THEN AFTER THE MAN LEFT, THE GANG KEPT PLAYING IN THE DRAINS AND DESPITE ALL THE ***** LOOKS  THE PASSERBYS HAVE BEEN GIVING TO THEM

THE BOYS STILL PLAYED IN THE DRAINS WITH THEIR BOARDS, AND THEN AFTER THE BOYS WERE SICK OF THE DRAINS, THEY RODE THEIR SKATEBOARDS

OVER TO THE CORNER STORE, SO THEY CAN PLAY THE PINBALL MACHINE, BUT THE BIG BULLY MARKO BRIDGETOWN WAS THERE, AND THE ONLY WAY

TO HAVE A TURN ON THE PINBALL MACHINE, THE KIDS HAD TO BUY THE BULLY SOME GRUB, LIKE FISH AND CHIPS OR SUMMIT, BUT GEORGE SAID

WE HAVE BEEN TAKING RISKS ALL DAY, HOW ABOUT WE TAKE ANOTHER RISK AND STAND UP TO THIS BULLY, BUT THE OTHER KIDS INCLUDING HARRY SAID

THIS DUDE IS GOING TO BE ANGRY WITH US, BUT GEORGE SAID NO, WE DON’T HAVE TO BUY THIS BLOKE A MEAL, AND THEN SAID, I AM NOT GETTING BULLIED

BY SOME LOSER ON THE STREET, AND THEN GEORGE TOOK A RISK, BY KARATE KICKING THE BULLY, AND MIND YOU, GEORGE REALLY PUT THE BULLY IN HIS PLACE,

MIND YOU HE GOT A BIT TATTERED, BUT THIS WAS A RISK GEORGE IS WILLING TO TAKE, YOU SEE NOBODY IS MAKING FUN OF GEORGE BURNINGTOM AND GETS AWAY WITH IT.

DESPITE ALL THE KIDS THINKING IT WAS A RISK, THEY ADMIRED GEORGE’S BRAVERY, AND RODE THEIR SKATE BOARDS DOWN THE ROAD OF DUBBO, AND AFTER A

ADRENALINE DAY OF TAKING RISKS, EACH KID WENT HOME, TO WATCH A BIT OF TELEVISION AND THEN GO TO BED, AND TOMORROW, WELL, ARE THERE MORE RISKS

TOMORROW, I DON’T KNOW, TODAY WAS A RISKY PART OF THEIR LIFE.

Puffing profoundly on an old bone pipe.sat the old woman on rickety stool. A white tendril seeking altitude from schorching embers.
A wafting spirit casting errant admonishment.

Dusty footpath of a million footfalls all on missions of redemption lovelorn weeping allotments of anguish,pain and hope.FULLSTOP.
At sunbeaten,rainbleached risers three in number.
Splitpea fragrance wafting to greet.
Maybe collards too.

"What can I do for ?" But having asked,she already.knew.
To.walk.out to.the.shack.was.a.profound procession.
Made by many,owned by.few
Seeking solace from.the.witches brew.
"You need.a.poultace ?
Cast a spell for.you. ?

Fix it so.she.never leave you ?

Aint nothin.much.that.I.cant do.
Gonna fix.it.for.you.

Ramshackle rundown house of dreams,nightmares and stalking horses.
Beads and potions.come back lotions. Love notions out the window.like startled ratbats.

The little shack of sorrows.
Old time mystic.sitting on a stool.
Jingle pennies in pockets.

Yonder comes nother fool

It's snowing
tonight,
and I think
******* Dad,
when Maryland
beats Indiana
and I move
to text him.

He's beyond
snow now.
So what do I do
with these
unbearable photos
he took of me
standing alone
in the withered sun
on monumental trains,
I was six or seven,
out by the
rusting roundhouse
in Brunswick?

It's been snowing
for hours
& I carve
a footpath
out to the
unplowed street
to watch the
shining gray
banks under
the amber light.

There is no
route to carve
through this silence.
My father
was built
from ghost towns,
from Manzanar,
from the endless
pine-dark
of Idaho's
rivered night,
from all the
unmapped places,
he grew complete
in himself.

And even now
as I watch
the snow slant
and stumble
I am left behind
as his son
apart from him
& without.

The snow dives
into the
night blankness
& I wonder
if I had died
first, cutting
short this reckless
careless crooked
sprawl, would he
be writing here?

The smeared
gray glow
of the screen
across his hands,
the fat flake
snow rising
like dough
beneath the windows?

willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:
                     the calm course of a star
or the spring, appearing without urgency,
water behind a stillness of closed eyelids
flowing all night and pouring out prophecies,
a single presence in the procession of waves
wave over wave until all is overlapped,
in a green sovereignty without decline
a bright hallucination of many wings
when they all open at the height of the sky,

course of a journey among the densities
of the days of the future and the fateful
brilliance of misery shining like a bird
that petrifies the forest with its singing
and the annunciations of happiness
among the branches which go disappearing,
hours of light even now pecked away by the birds,
omens which even now fly out of my hand,

an actual presence like a burst of singing,
like the song of the wind in a burning building,
a long look holding the whole world suspended,
the world with all its seas and all its mountains,
body of light as it is filtered through agate,
the thighs of light, the belly of light, the bays,
the solar rock and the cloud-colored body,
color of day that goes racing and leaping,
the hour glitters and assumes its body,
now the world stands, visible through your body,
and is transparent through your transparency,

I go a journey in galleries of sound,
I flow among the resonant presences
going, a blind man passing transparencies,
one mirror cancels me, I rise from another,
forest whose trees are the pillars of magic,
under the arches of light I go among
the corridors of a dissolving autumn,

I go among your body as among the world,
your belly the sunlit center of the city,
your ******* two churches where are celebrated
the great parallel mysteries of the blood,
the looks of my eyes cover you like ivy,
you are a city by the sea assaulted,
you are a rampart by the light divided
into two halves, distinct, color of peaches,
and you are saltiness, you are rocks and birds
beneath the edict of concentrated noon

and dressed in the coloring of my desires
you go as naked as my thoughts go naked,
I go among your eyes as I swim water,
the tigers come to these eyes to drink their dreams,
the hummingbird is burning among these flames,
I go upon your forehead as on the moon,
like cloud I go among your imagining
journey your belly as I journey your dream,

your ***** are harvest, a field of waves and singing,
your ***** are crystal and your ***** are water,
your lips, your hair, the looks you give me, they
all night shower down like rain, and all day long
you open up my breast with your fingers of water,
you close my eyelids with your mouth of water,
raining upon my bones, and in my breast
the roots of water drive deep a liquid tree,

I travel through your waist as through a river,
I voyage your body as through a grove going,
as by a footpath going up a mountain
and suddenly coming upon a steep ravine
I go the straitened way of your keen thoughts
break through to daylight upon your white forehead
and there my spirit flings itself down, is shattered
now I collect my fragments one by one
and go on, bodiless, searching, in the dark....

you take on the likeness of a tree, a cloud,
you are all birds and now you are a star,
now you resemble the sharp edge of a sword
and now the executioner's bowl of blood,
the encroaching ivy that over grows and then
roots out the soul and divides it from itself,

writing of fire on the slab of jade,
the cleft in the rock, serpent-goddess and queen,
pillar of cloud, and fountain struck from the stone,
the nest of eagles, the circle of the moon,
the seed of anise, mortal and smallest thorn
that has the power to give immortal pain,
shepherd of valleys underneath the sea
and guardian of the valley of the dead,
liana that hangs at the pitch of vertigo,
climber and bindweed and the venomous plant,
flower of resurrection and grape of life,
lady of the flute and of the lightning-flash,
terrace of jasmine, and salt rubbed in the wound,
a branch of roses for the man shot down,
snowstorm in August, moon of the harrowing,
the writing of the sea cut in basalt,
the writing of the wind upon the desert,
testament of the sun, pomegranate, wheat-ear....

                         life and death
are reconciled in thee, lady of midnight,
tower of clarity, empress of daybreak,
moon ******, mother of all mother liquids,
body and flesh of the world, the house of death,
I have been endlessly falling since my birth,
I fall in my own self, never touch my depth,
gather me in your eyes, at last bring together
my scattered dust, make peace among my ashes,
bind the dismemberment of my bones, and breathe
upon my being, bring me to earth in your earth,
your silence of peace to the intellectual act
against itself aroused;
                         open now your hand
lady of the seeds of life, seeds that are days,
day is an immortality, it rises, it grows,
is done with being born and never is done,
every day is a birth, and every daybreak
another birthplace and I am the break of day,
we all dawn on the day, the sun dawns and
daybreak is the face of the sun....

gate of our being, awaken me, bring dawn,
grant that I see the face of the living day,
grant that I see the face of this live night,
everything speaks now, everything is transformed,
O arch of blood, bridge of our pulse beating,
carry me through to the far side of this night....

gateway of being: open your being, awaken,
learn then to be, begin to carve your face,
develop your elements, and keep your vision
keen to look at my face, as I at yours,
keen to look full at life right through to death,
faces of sea, of bread, of rock, of fountain,
the spring of origin which will dissolve our faces
in the nameless face, existence without face
the inexpressible presence of presences...

I want to go on, to go beyond; I cannot;
the moment scatters itself in many things,
I have slept the dreams of the stone that never dreams
and deep among the dreams of years like stones
have heard the singing of my imprisoned blood,
with a premonition of light the sea sang,
and one by one the barriers give way,
all of the gates have fallen to decay,
the sun has forced an entrance through my forehead,
has opened my eyelids at last that were kept closed,
unfastened my being of its swaddling clothes,
has rooted me out of my self, and separated
me from my animal sleep centuries of stone
and the magic of reflections resurrects
willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:

*Mexico 1957