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Obama Bin Laden Jul 2012
I see you there
on your white sand beach,
in your little tight bikini.
Looking like a creamy white treat.

Infidel *****!

Exposed skin
men all ogling your body,
with eyes like hands!

How would you like me
to take off my clothes in front of you!

Touch your body,
and kiss your lips!

Then you would see the effect you Infidel Flaunting Sexuality!

Your curvaceous body,
coated in sweat from the inflamed sun.
My blood boils thinking of you!

I am going to ******* American!
Put my tongue in your mouth,
kiss you!
Like you do in your pervert mind.

Your naughty fantasy
of naked man,
kissing you on a sunny beach,
tropical drink in one hand,
other hand rubbing and probing my body!

Infidel *****!

Laying there,
so ****,
you make me crazy!

Your passion *** will burn
in sinful fires,
and Allah will pass judgement
on your ***!

I will *******, for punishment
to your Infidel Flaunting Sexuality,
*******, glistening,
lips red as the drink you drink.

Infidel *****!
Terry O'Leary Dec 2013
Ill-fated crowds neath unchained clouds: the Silent City braved
against a sudden flashing flood, unleashing lashing waves,
which stripped its stony structures, blown with neutron bursts that laved.

Its barren streets, although effete, resound of yesterday
with chit-chat words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes,
which limn its frail forgotten tales, in weird unworldly runes
with symbols strung like halos hung in lifeless, limp festoons.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, throughout the doomed domain
reflecting white, wee wisps of light in ebon beads of bane
which cast a crooked smile across a faceless windowpane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
whelm ballrooms, bars, bereft bazaars, though no one’s left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep beyond the mushroom clouds.


No ghosts of ones with jagged tongues will sing a silent psalm
nor haunt pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
for churches, mosques and synagogues abide without a bruise.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

A church’s Gothic ceilings guard the empty pews below
and, all alone amongst the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stray footsteps swarm through church no more (apostates that profane)
though echoes in the nave still din and chalice cups retain
an altar wine that tastes of brine decaying in the rain.

Coiled candle sticks, with twisted wicks, no longer 'lume the cracks -
their dying flames revealed the shame, mid pendant pearls of wax,
when deference to innocence dissolved in molten tracks.

Six steeple towers, steel though now drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

The chapel chimes? Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillon, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.


No saints will come with jagged tongues to sing a silent psalm
nor bless pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm.


Beyond the suburbs, farmers’ fields (where donkeys often brayed)
inhale gray gusts of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

Green trees gone dark in palace parks (where kids once paused to play),
watch lifeless things on phantom swings (like statues made of clay)
guard marbled tombs in graveyards groomed for grievers bent to pray.

And castle clocks, unwound, defrock with speechless spinning spokes,
unfurling blight of reigning Night by sweeping off her cloaks,
and flaunting dun oblivion, her Baroness evokes.

The sun-bleached bones of those who'd flown lie scattered down the lanes
while other souls who’d hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The wraiths that scream in sleepless dreams have ceased to terrify
though terrors wrought by conscience fraught now stalk and lurk nearby
within the shrouds of curtained clouds, frail fabrics on the sky.

And fog no longer seeps beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears in sheets of shallow gray.

The City’s still, like hollowed quill with ravished feathered vane,
baptized in floods of spattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No umbras hum with jagged tongues nor sing a silent psalm
nor lade pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play
while celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.
Nat Lipstadt Jan 2017
Yom Kippur this year was celebrated on Oct. 12th 2016.
Leonard Cohen passed away on November 7, 2016.


~~~

faint knocking at the door to the Tower of Song

the ministering angels, hearing a rhythmic, lyrical rapping,
sigh, thinking the atonement day,
the holiday/holy days, are supposedly over,
the human balancing act, the rush to judgement period,
all tallies totaled, the busy sale season for souls,
at last completed, each fate inscribed & sealed,
in the book of life^

but, always one,
the itinerant straggler, the last reluctant sinner, a judgment resister,
flaunting an expired coupon, trumpeting demands for a recount,
waving it, claiming it, the bearer, entitled to a mercy discount and
an extra 30 days

"who shall we say is calling?"

the Angels are stunned to hear,
a familiar raspy, growling, almost indescribable,
yet, stammeringly, beautiful voice enchanting,
equally asking and answering,  how both,
with a strident humility, "a man in search of answers"

this voice, instantaneous recognizable,
the asking superfluous,
all beating wings now, all in vast excitement,
this psalmist, long awaited, one of His best,
a chosen one, a courtly singer in the Temple of his people,
blessed with the curse of seeing and believing,
the comprehension of beauty of the human superior interior,
never being quiet or quite satisfied,
in capturing, its multifarious variations,
in every language spoken

this is the man who took ten years
to compose just
one song,
one poem,
one word,
Hallelujah,
whose faith was strong,
but still needed proofs,
whose every breath of oxygen inhalation,
brought more questions,
every exhalation, only releasing partial answers,
and yet, still, yes, yes! finding hidden verses inside

a simple, everlasting
hallelujah

the hubbub subsides, the man sings~speaks:
how came I here,
was I one, who by fire?
that fire afeared,  that my finality was spirit consumer?

one voice, answers,
in one voice, the swaying back-up singers answer,
not by fire, not by water, not by stoning or
even drowning
in tea that came from all the way from China

when sing we Angels, the Judgement Day poem,
we alone, on high and above,
we, keepers of the books and records of everyone,
are permitted this to query:

Who by Sufficiency?

you, the sidekick of the creator,
special commissioned by him, anointed to live a life of research,
record in word and song the mysteries of musical gene strings,
that intertwine the skin cells of man and woman,
man and his fellow us-human,
your soul commandeered, ordered, delve deeper,
into the consolable chasm tween divine and mortals,
all those who are poorly constructed
in his image

he, who has earned his place, his best rest,
his works adjudged sufficient,
he, who best answered
this judging,
this calling out,
calling in
incantation,

Who by Sufficiency?

now forward on, write only of answers,
wade in the troubled waters no more,
no more passports, or borders to cross,
no more measuring the days,
the last road trip finale
finished & feted,
fate meted

no more changing thy name, changeling priest,^^
sing songs of solution, salvation,
for the questioning hours of confusion,
the urgency of revolution,
no longer need a hallelujah resolution


                                                    ­| | |
Who By Fire                             Who By Fire, Who By Water:^
(lyrics by Leonard Cohen)     (A Yom Kippur Hebrew Prayer)

who by fire                             How many shall die and      

who by water,                                how many shall born,
Who in the sunshine,                 Who shall live      
who in the night time,                   who shall die,                      
Who by high                                Who at the measure of days,
who by common trial,                    and who before,
Who in your merry                            
                                                          Who by fire
month of May,                                 and who by water
Who by very                                 Who by sword,
slow decay,                                       and who by wild beasts,
And who shall I                      Who by hunger,
say is calling?                              and who by thirst,

And who in her,                           Who by earthquake
lonely slip,                                         and who by plague
who by barbiturate,                      Who by strangling,
Who in these                                    and who by stoning
realms of love,                               Who shall have rest,

who by,                                             and who shall go wandering,
something blunt,                            Who will be tranquil,
And who by avalanche,                  and who shall be harassed,
who by powder,                            Who shall be at ease,
Who for his greed,                           and who shall be afflicted,
who for his hunger,                      Who shall become rich,
And who shall I,                             and who shall become poor,
say is calling?                                Who will be raised high,
                                                         ­     and who will be brought low
And who by brave assent,                  
who by accident,
Who in solitude,
who in this mirror,
Who by,
his lady's command,
who by his own hand,
Who in mortal chains,
who in power,
And who shall I,
say is calling?




^From the liturgy of Rosh Hasanah, the Jewish New Year and Yom Kippur, the  Day of Atonement, there is this truly stunning prayer (https://en.m.wikipedia.org/wiki/Unetanneh_Tokef) in the Jewish liturgy. The Book of Life contents the fate of every sinner. From the first day of the new year, until ten days later, on Yom Kippur, depending on whether the sinner repents or not, his fate is sealed.
Yom Kippur this year was celebrated on Oct. 12th 2016.

Leonard Cohen passed away on November 7, 2016.

^^"A Kohens ancestors were priests in the Temple of Jerusalem. A single such priest was known as a Kohen, and the hereditary caste descending from these priests is collectively known as the Kohanim.[2] As multiple languages were acquired through the Jewish diaspora, the surname acquired many variations." Today, with no temple, the limited role of the Kohanim is to bless the Jewish people on the high holy days with a  special prayer with abeloved tune,  instantly evocative (see wikipedia.org/wiki/Priestly_Blessing) The Kohanim are still revered, honored, and always called up first to the Sabbath reading of the weekly portion of the Old Testament

A thank you to Bex for proofing and encouragement.
Part I of a trilogy
For a  more detailed analysis of the roots of the song, "Who By Fire," and its origins, see:
_____________________________________________
http://www.leonardcohen-prologues.com/who_by_fire.htm

He worked on the song Hallelujah, arguably his most famous composition, for ten years.
K Balachandran May 2013
1
Backwater nymph,
queen of serpentine black tresses
flaunting its coconut oil gleam;
envy of  leggy girls from the Western ghat mountains,
and lissome  maidens from the plains,
who can never eat as much fish, even if they wish.
Wearing hibiscus flowers,
on coiffure like hood of a king cobra,
your coral lips  silently speak
of hot peppery kisses,
waiting for me at shaded corners.
Your sultry body in me arouses desires,
that could only be whispered in your ears.
2
On a coconut lagoon when we met,
for the first time and spoke,
non stop, as if we knew each other life long,
I heard music in your words.
Oh! in the tongue you spoke,
I heard the cadence of a nightingale
ecstatic, on its wings above the clouds,
love had prompted us to fly above the storms.
Your  gleaming coal black eyes,
like silver hooks, tug at my heart strings,
that makes music, only I can hear,
you are a free flying lark,
above Kerala's lush coconut coast,
that extends from sea shore to the mountains.
3
*When we relished steaming brown rice,
mixed with clarified butter,
with spicy tuna curry, tasting so dainty,
cooked in bubbling sweet coconut milk,
my eyes like two crazy butterflies
circled your face, a blossomed Champak
.

Mashed cassava and roasted squid,
melted on our tongues,
in a perfect culinary language
any one would understand without effort.
4
Your lips had cinnamon scent,
spice land's boons,
when we kissed we touched heaven
of scents and spicy tastes.
When our eyes fell on each other,
near the ancient synagogue,
the hay days of which is over,
a long jasmine garland coiling your hair,
    marked you different,
from the  the ladies of your neighborhood,
                                          surroundi­ng you.
How well you did pretend
that you have never seen my face before!

You have mastered love's cunning,
and all the wily tricks to cheat
the enemies of our fiery love
my Freudian mind perfectly understood.
Just imagine the brouhaha we would invite,
when we elope, in the last boat,
to *Alappuzha, stealthily at midnight.
Cochin----(Now Cochi) ancient sea port in south western sea board of India, in the state of Kerala, South India,where,Greeks, Romans, Phoenicians, Arabs, Jews and Chinese used to frequent even before 1000 BCE,seeking black pepper and other spices. Cochi, it  is said had one of the earliest emporiums of Greeks,showcasing their best of  wares including wine in  containers called amphoras.
**Champak---A plant of Magnolia family with musky fragrented flowers(Michelia champaca)
*** Alappuzha--The lake district of Kerala
Terry O'Leary May 2013
AWAKENING

Sleep and slumber, dreams of wonder... weaving,
morning’s vacuum broke the spell
Pitted pillow, note of parting... leaving,
“from your friend, a fond farewell”
Sunrise throbbing, twilight aching... grieving,
daydreams, flashbacks, nightmares knell
Pale phantasms, visions sneaking... thieving,
plot to fill the empty shell

12 DELIRIA

1st Delirium: COLLAPSES

Fractured sky bolts, billows bursting... rumbling,
heavens tighten, turn the vise
Horsemen saddle shafts of lightning... tumbling,
jagged highways must suffice
Ruptured skyways, hailstones crackling... crumbling,
naked pearls of paradise
Toxic tongues of laughter stinging... stumbling,
ocean buckets choked with ice
Droplets drumming, thunder muzzled... mumbling,
washed out whispers pay the price
Smothered blazes, cinders smoking... humbling,
ashes shaped in sacrifice

2nd Delirium: DESCENTS

Asphalt alleys, ashen faces... frowning,
blowing bubbles, chewing gum
Drinking ale from tavern tankards... downing,
moonlit beads of painted ***
Stony stars and sea misshapen... drowning,
humble rivers’ rhythms hum
Apparitions aspirating... clowning,
diamonds dying , minstrels strum
Incandescent candles conquered... crowning,
vacant vapours, cold and numb

3rd Delirium: FATES

Tempest turmoil, tapered turrets... holding,
dungeons, dragons, chains and racks
Wheels of fortune, Tarot temptress... molding,
Hangmen, Towers, One Eyed Jacks
Sand dune castles, cryptic candles... folding,
warping walls of liquid wax
Idols colder, combed and coddled... scolding,
hide in fissures, peek through cracks

4th Delirium: LOST SOULS

Sunken cities, pilgrims peering... gawking,
squinting eyeballs, blazing sun
Janus facing, shepherds chasing... stalking,
friends embrace before they shun
Tearooms steaming, tumult teeming... talking,
lovers listen, poets pun
Broken stones unanchored, quaking... rocking,
slipping, falling, one by one
Beaten pathways, footsteps marking... mocking,
wedged in webs which spiders spun
Circus shelters, big tops tumbling... locking,
people pacing, soon they’re none
Numbered exits, zeros numbing... knocking,
midnight daylight’s days undone
Moon blood shackles, shivers shaming... shocking,
starlight striders streaking, stun
Hushed but harried hermits waiting... walking,
restless rainbows on the run
Pixies, elves, and echoes bouncing... balking,
fading fast when dawn’s begun
Bantum butterflies are flitting... flocking
sometimes conquered, overrun
Hocus pokus, seers focus... squawking,
voodoo wavered, witchcraft won

5th Delirium: INTROSPECTION

Sundown furnace, fires fading... coughing,
dusky dew drops drain the air
Empty chalice, sipped in silence... quaffing,
thirsting shadows unaware
Looking glass and lattice scorning... scoffing,
local loser gapes and stares
Faces covered, dancing naked... doffing,
peering inside, hope despairs

6th Delirium: THE VOID

Tales of taboos, mystic mythos... missing,
windows shuttered, bolted door
Kindled candles, tongues and anvils... hissing,
heavy hammers, echoes roar
Dark deceivers, raven charmers... kissing,
draging demons from the shore
Hopeless hollows filled with doubters... dissing
standing empty - nevermore

7th Delirium: SEARCHING

Martyred monks haunt runic ruins ... waiting,
banging broken bells below
Vaulted hallways, voided voices... grating,
churning Chinese chimes aglow
Granite graveyards, spectres spooking... skating,
blackened bushes, roses grow
****** dwarfs seek mutant migrants... mating,
packing parcels, ice and snow

8th Delirium: NIGHTTIME

Throbbing drumheads, fingers blazing... steaming,
coins of copper, beggars plea
Rusty residues of resin... streaming,
opal amber filigree
Orphan shades in shallow shadows... teeming,
steeping twigs in twilight tea
Cloister doorsteps, Prophets gaming... scheming,
tracing tracks of destiny
Blacksmiths blanching, horseshoes glowing... gleaming,
partially sheathed in black debris
Phantoms feigning, nightmares scathing... screaming,
dusty dreamers drifting free

9th Delerium: EMPTYNESS

Water wheels in wastelands... turning,
drowning relics in the slum
Rumpled rags of fashioned burlap... burning,
lit by bandits blind and dumb
Pastured prisons, ponies bridled ... yearning,
forest fairies under thumb
Sounds inside of cauldrons coughing... churning,
blaring bugles, tattooed drum

10th Delirium: ALIENATION

Rain unravelling, wistfully weeping... falling,
treacle trickling, fickle sky
Mushrooms sprinkled, visions sprouting... sprawling,
seagulls drowning, dolphins die
Rabble gasping, spirits broken... crawling,
lonely lonesome swallows cry
Babbling brooks and breakers ebbing... bawling
puppies paddle, puppets sigh
People passing ripple past me... calling,
rainbow colours, collars high
Chaos seething, lepers looting... stalling,
stealing stallions on the sly
Pencils pausing, scholars scrambling... scrawling,
scratching scribbles, asking why

11th Delirium: JETSAM

Silver sails sway pallid pirates... prowling,
Jolly Rogers, wind and sound
Parrots perching, tattered feathers... fouling,
tethered talons, tied and bound
Shipwrecked foghorns, trumpets stranded... howling,
spiral springs of time unwound
Magic moonlight, shimmers shaking... scowling,
burnt out matchsticks washed aground
Prairie wolfs, coyotes calling... yowling,
witching hours, midnight hounds
Tightrope walkers, grizzlies grunting... growling,
seeking islands, lost and found

12th Delirium: RELIEF

Slumber shattered, vapours captive... haunting,
chained in mirrors, breaking free
Scarlet skylines, daylight dawning... daunting,
rivers rushing to the sea
Silence softens, sandmen whisper... wanting,
piercing rafters, turning keys
Shadows shudder, notions fluster... flaunting,
moonbeam bullets meant for me
Mind in migraine, meadows trembling... taunting,
sparrows speak in harmony

REAWAKENING

Pitter patter, teardrops paling... pearling,
salting scarves in secret drawers
Mist amongst us, smoke rings rising... curling,
climbing from the ocean floors
See-saw circles, senses swerving... swirling,
swept away with silver oars
Courtyard jesters, sceptres twisting... twirling,
push the past to foreign shores
Passing pangs of passions heaving... hurling,
burning bridges, closing doors
Roses wither, icons waning... whirling,
time decays and time restores
Robin Carretti Aug 2018
The riveting heart feels
the weight of trouble
The rebel is like a watchdog
sentinel
Whats in our Bible?
Things change to make the
difference

"Like a new invention but there is interference"

The Castle you hear
a rattle
wasn't a baby rattle
Minds settling or quietly dazing
No defeating over the rainbow
It's like running then you stop
You look at his watered fingers
Of the great lakes, he's admiring
your lady's fingers

Lips divine as one like us
The gold rush collection
Just a secret hush affection
A treaty concession
Picking out the candy
          Skittle
The pivoting flying shy like a sky
riddle
Him or Her piloting its time
Two sets of eyes world of exploring
Not to keen
on exploiting

Her dress movie flowing prayers to
be answered so vain
Heads Spin city flaunting
Defeats us haunting
Who loves us
Who will help us
       SOS
Like a delicacy one of a kind
She's the rebel let her guess
Such a rarity smile with
dignity dressed up doll
she is dainty
To many disguises to face the
mirror of vanity
Rebel Rebel David Bowie
He is a genius of music
Shines a world gigantic

Rebel world of cults and sanity
What was heavily Tis
To be blessed
Rebels of hearts of Madonna
Greyhound bus

Our scorched finger heats
Riding the *
Porshe Red firehouse
A beat something rare but overly sweet
Robin risque I  need more clues
Braveheart Riding hood in the woods
to be saved in her rebel shoe's

Queen heads up with the Dean
 Her embossed gold letters
Of a spell, forever mean
The heats on rebels defeat over
Modern time the "Dell"

Rebel wish from a deserving well

Computer and devil decipher
Compelled to love her
The Dark Shadows mansion
Angelique scarlet fever
Dark inside her label dress
What did he deliver?
"'Who lives by the standard rule messy is ****"
Rebel rebel look at your bloodshot pupils
taking things for granted

Freakish odd things posted
Are bizarre even her brassiere
Mean as a *Manchette

We are not as one
normal read the Gazette
More rivals and feather
pen of forgery
What a hard act to follow like surgery
Every molecule being
dissected to poke
A love primal no
common ground
This isn't a joke

Everyone tantalizing tribal
Creatures not in direct sunlight
Defeats us like rebels at night
Being inconsistent rebels
lead the way but far away
distant

We are not realizing what defeats us
Endorphin releasing our energy
Lifting our orphan spirits
Moon worshipper climbers
We are the simple people
Nothing too explicit
Or razor sharp to cut us

The Messiah
Solomon Torah of Isreal
Old Testament Jerusalem
Everything is way too ****** red
Like Salem
What defeats us
Voodoo or Christmas Hoo Hoo

Santas gift got stolen and snatched
Having a fight with a door latch
Magic somehow not in our favor to match
Tragic music rock or swing jazz of a glitch
But everything defeats us
Psychic third eye
She is so tragically hurt
So Manic not the
brave rebel flirt

Like the limited edition
So many of us are uninvited
Not the VIP pass
Ressurection new rebel convention
Unique kind of communication

The last time I saw you on vacation
Relic hunters the lightning
Hells Angel rider conjuring
What mouths to feed of thunder
Nazis all  our undivided
attention pictures
They snap having a field day
of paparazzi
Priestesses devil wears the
Prada dresses were out
of designers
I wonder why to travel heretics
Such treachery and butchery
Being grilled like steaks but
not a Dynasty
Too graffitied feeling fried
How loves are taken like the fools

The business arrangements
Foreign exchange groups
Rebelling their way
through college
Time is the essence of
being mutual
beneficial much
higher potential
More spiritual rituals
We need more Gods of top
rank **Generals

General Mills cereal at least
not the serial killer
What defeats us our spirit leads us to dark energy place it's up to
us the human race. We are rebels in a portal or are we not real all mortal
Anthony Williams Jul 2014
It was always going to be black and white
that's the typeface on my preference of late
defining day and night with your choice of tights
those fine dividing lines on your partnered limbs
wrapped tall in belts daring as a Lara Croft climb
a silky striped raggedy ann gone neat sensuous
tight strapped to a two striking sinuous princess
committed to lodge sins inside my Loveland challenge
hemmed in round towers together to never-never unhinge

at home we horse around and rub along together
boosted by the interplay between cotton twill gathered
pulled low one side then canter balance riding high
as you level up to a line up of outbound thigh
saddled with a lovely leg stirrup over here
and a lean waist wobble to match up there
eyebrow lifts to starch arrowroot attention
over the swings and sway of every action
so swift I play catch-up each morning
delayed by fumbling for ones gone matching
it's a wonder you don't just wander away
in a daze from my one legged hopping display

then I would travel far as a bee
long-legged as stilts could be
to sing to your nails and feet
and be spun free flaunting
our google
a red white and blue
pair of giggles unfurled like flags
in your slim line dancers' legs
dangling ideas like fair weather socks
to goggle one direction behind your back
unique like nobody else contains within
thin licked then rolled back ciggie skins
so I pinch holes in the bacci parts
sinking into slats like leaky wooden boats
your avoiding tiptoes gadfly and curl in return
my feet undoing knits with swats and swirls
toeing tinkling notes like piano keys
undertones pink tinged with tingling knees
and when a jukebox plays
my coins are there always
for I've got your pop socks in motion
your vox populi's united under my skin
with impressive pulled tight bands
embedding imprint elastic rings
inky red slinking down
leaving parallel links


ignore my pins and needles
alone in dead of night
longing for your leggings
luminous stripe tights
today it's all me put on the spot
today it's music you might hate
biographies of people you don't like
subtitled movies too deep to bother
blue jeans dull dyed against your garter belt
a one man team can't DIY a drill majorette
spiralling shafts that come to a threaded point
enthralling with alternating knee bend bit pants
so pretty poly soft I'm pulled up like a fool
fully mixed up by your weaving cotton wool
wave me down in your way of sweet patter feet
a patterned cakewalk for you to catwalk sock it
to me in a stand in posey kind of way
this way to stand outs knitted to fancy
uncross your legs and cross-stitch
my path with gaited kisses
closely
by Anthony Williams
ryn Apr 2016
Many have come to pry me open.
Many have come asking for the key.
Offering promises that the doubt would lessen,
flaunting their oaths as currency.

Plenty have assured that they're not like the others.
They promised that their words were forged in steel.
They had come with nothing else except to offer,
their ears and support just so to seal the deal.

"Forgive me", I'd say... I am still a tad apprehensive.
But I do feel the need to speak...
I do long for ears attentive,
Not the ones which are attached to mouths that easily leak.

I know that there are such ears...
Hard to find but they're definitely there.
They'd be ready to catch my tears,
more than willing to show concern and care...

Yours seem rather reliable... That much I see.
They've come with intentions seemingly untainted and kind.
Don't suppose they'd take my words ever so lightly.
They won't lap up my secrets with treachery in mind.

Again I find myself here at the same spot.
About to hand over the duplicate key.
This familiar leap I hope you'd have me caught.
Please don't give away my secrets for free...
I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.
Jayantee Khare Jul 2017

The fume

A thick dark fumy cloud
Dormant it lies, but often loud
Precariously overhead, it flowed
The sunshine of the life, it swallowed
It rained, challenged by the mighty peak
In the heart, It pained, to see it weak
The cloud was small but heavy
However dusty and floaty.

The doom and gloom

Embracing in its shadow
In desert, plains and meadow
Eclipsing the days, sunny bright
Dreadful, with the darkening night
With me, always  hanging around
When noticed, nearby it's found
Haunting me with a sadness
Flaunting its darkness
A lot in the cloud explored
Then consciously, It was ignored
But dancing at the back of the mind
Past  hurts and  pains, it  put to rewind

The boom and bloom

And then, letting it flow across, I got immersed,
In fine tiny droplets, the cloud
dispersed,
Now each droplet addressed
separately
Was dried in the shiny sun
completely
All of the cloud, dripped to
evaporate
Condensed eventually, as
distillate
My pains, by that elixir,
cured,
Alchemised me
into
24 carat gold

Our worries and regrets we carry unnecessarily.. so long and heavy
Can be harnessed into insight...
The hindsight
Gives foresight
When you fight them
and
grow through them
Thnk you Sarita for suggested edits..
Really valuable...
Nishu Mathur Sep 2016
Beneath the gulmohar tree
In flamboyant love
A tale of our desires
Coloring each other
A bright vermillion
Under his crimson spread
Shaded in blissful haven.

Reaching for his branches
Clasping, holding
Climbing, swinging
Chasing, laughing
Under a bright shower of scarlet petals
Of hearts and heat, of love and life
Blooms of a scorching Indian summer.

In flames, his vibrant burning crown
His canopy, flaunting festive tangerine blossoms
Crinkled teasing petals
One upright
Of quaint innocence in white
Splashed with  feisty passion's red
Celebrating and anticipating
In celebration of us, our love
Anticipating rain..
As his branches reach high for promising dark clouds.

Serenading with the music of the monsoons
Moist leaves of the gulmohar glisten
With wind and water, in gentle rhythm
Raindrops nestle for a moment
Before sliding, slipping
On damp, satiated earth
Strewn bright with scattered orange petals
Of the gulmohar
Drenched and soaked like us.
Life#
Death-throws May 2015
doth hate yourself ***,
for an *** with mind is still an ***
flaunting about the property of knowlege,
like every little gasp, saves you from laughing stock
***

doth Bring yourself justification
for beeing such an ***'
and though you seem a *****,
my lady your still a lass


So bring to me the right kind,
of liquid, intoxicating
and sit back and smile, as i lie here,
procrastinating
Paul Rousseau May 2012
Despite the frustration flaunting his bedspread
I despise the energy it takes to proof bread
                    “an hour at least”
                               No
                      I’m quite nocturnal
I stay awake with the moon, owls, and turtles
Who play cards in their shells
Subconscious betting
As we ante up because
Every son is setting, out
Lane Bohman Dec 2015
By you
I'm bitten,
smitten,

I'm not kidding.

How you got me,
Don't stop
Darling, won't you stay?

Four score,
seven years before
Knock, knock
I'm knocking at your door

Make it so hard

to bite my tongue,

Lower my guard,
crumble at the sight
of your face.


Just one taste.

Cause I've been
fiendin,
fantasizing.
Bending over
back and sideways.

Can't put out the fire,
Wish I could deny.

This girl,
Brings out the beast in me.
I wonder
If this Wild heart
will spark my defeat.
Oh this girl
could be the death of me
I resolve,
to never self sabotage.

Second time around,

Maybe I'm too proud.

But your lips
they keep me wanting,
***** hips

You won't stop flaunting.

Just a moment with you,
(But you never let me through.)
Two-tone,
smile then fake it
Just enough love
To keep me baited.

But then
she said, she said

"baby it's too late,
there's no maybe
I've give up on you
There's nothing left to do."


"My bags are packed
I'm gone tomorrow,
for what you lack

it brings no sorrow.


I've given up on you,
there's nothing left to do"


Every little rhyme
And every reason.
Colors of the year,
And every season-
Pales to all my fears,
scared what's in the mirror.

Oh, I can't take it.
Can't take it no more.

This girl,
Brings out the beast in me.
I wonder If this Wild heart
will spark my defeat.
Oh this girl
could be the death of me
I resolve...

**What can I learn from this?
When you both promise to not catch the feels but you do, and she doesn't.
Fortune maine Nov 2018
If Nigeria was a book,
It will be as big as an oxford English dictionary
Cause, our problems alone will be too many to write down
There won’t be any table of contents
Just like that old song goes, “everywhere jaga jaga”.

If Nigeria was a book,
Readers will never be leaders
Instead, they become cheerleaders when it’s election season flaunting brooms and umbrellas over their heads.

If Nigeria was a book,
The book itself will be imported
Each word will be written in red
If you get to read in between the lines you will find corruption on every single page.

If Nigeria was a book,
You wouldn’t want to read it, you would say “nothing come out”
But yet
The book defines us
It is our home
It is our pride
Our remedy is still in the book.


Fortune Maine
Nigeria a country located in west Africa...
If Nigeria was a book... Enjoy like and share
Jemimah Apr 2013
You
A diamond
Cheaply sold
Costume jewellery
Adorning glimmering shimmering
Another neck, another ear to hang, to grasp
Tempting, flaunting, translucently haunting
I wonder still that he doesn’t question
Your advertised diamond heart
You define your worth
Don’t let him know
Don’t show
You are
fake
Your thoughts please?? and constructive criticism on form and language, ideas, anything would be really great! thanks
Guarded within the old red wall's embrace,
Marshalled like soldiers in gay company,
The tulips stand arrayed. Here infantry
Wheels out into the sunlight. What bold grace
Sets off their tunics, white with crimson lace!
Here are platoons of gold-frocked cavalry,
With scarlet sabres tossing in the eye
Of purple batteries, every gun in place.
Forward they come, with flaunting colours spread,
With torches burning, stepping out in time
To some quick, unheard march. Our ears are dead,
We cannot catch the tune. In pantomime
Parades that army. With our utmost powers
We hear the wind stream through a bed of flowers.
River Jan 2016
She's a goddess

A beautiful creation
Flaunting perfection
An excruciating temptation

Conniving temptress
Gaining eternal interests

A goddess above all
She watches men fall

Her piercing eyes
Sing of broken lullabies

Her beauty lies within the tide.
Scorpios are captivating.
Victor Thorn Jan 2013
Deny it; it makes no difference:
the American government pitches its deceitful realtor-reality to the world:
flaunting our flag as the banner of the free, but avoiding
our faults and failures as a country.
“Oh yes! We’re rollin’ in the (borrowed) bucks!
We’re a proud superpower capable of chaos; calamity!”
Well, kudos on your catastrophes: we all know it’s a hollow show.

See, we’re slaves to China, bound by China’s chains
to billions of dollars, the deficit deepening daily.
And who’s to blame?
“Not I!” says the Democrat.
“Not I!” says the Republican.
“Not I” say I, but we
weaved our financial woes together.
It’s not stupidity; if we could see into the future, we’d be shakin’ our money makers.
But have you seen the current fiscal guillotine
whose blade looms low and approaching our throats?
Oh, irony of ironies: the American government isn’t free.
Oh mah gee.
Freak out!
Calm down...
Forbes informs me that federal spending spurs private sector growth.
But when fifty-four thousand buckaroos from you
and you
and you
and me too is just enough
to cover Congress’ **** until the dimwits there do another... (insert something dumb),
it’s time to draw the line.

And time to erase lines previously drawn:
George Washington warned us once before:
“...the common and continual mischiefs of [political] parties are sufficient to make it the... duty of a wise people to discourage... it.”
Yet here we are: the media’s reporting majority wars
that serve only to sail us further offshore from Pristine America
and a time when things really seemed to matter, especially when they did.
Deny it; it doesn’t matter; it doesn’t change
our chances of escaping another Cuban
Missile
Crisis. If we waged World
                               War
                                            Three, what would we
                                                       do?
                                                               One
thing: debate, procrastinate, our fate
a fragile plaything fought over
by infantile, full-grown fanatics who never quite phased out of high school debate.
They never learned to lose, and so they play the inane blame game,
I say quite frankly: gurl. Dat cray-cray.

Dear Democracy, when will my words hold water?
When will the weight of a rainbow OREO or a
monogamous monotone monotheistic chicken sandwich
on my guilty conscience be lifted?
Must I muster a hungry lackluster life in the land of opportunity
to oppose tyranny
and uphold justice? I turned eighteen last December,
but for as long as I can remember
I’ve been voting with the dollar bill, my ballot
traveling through the bloodstream, fueling the body of big business, who fuel the daring charities, who fuel their bills in congress.

Democracy, do you know me?

For this faux-democratic nation where the population waits for the government to lay itself to waste, the Founding Fathers sob, disgraced.
                                                       Oh, God Bless America!
the nation where when faced with any
[man, woman, child, intersex, genderqueer, etc.] who dares defile the status quo,
accept the stigma like a crown of thorns, on top of all the scorn
                                                                    We The People
donate millions to “charities” who dare to speak for
Jesus,
the meek and mild. John chapter eight, verses one through eight:
he drew a
fine line in the
sand, man:
it’s where your rights end and mine begin. Irony, irony: they are as good as
mine.
For this faux-democratic nation where the population waits for the government to lay itself to waste, the Founding Fathers sob, disgraced.
I have days.
Cheyenne Mar 2015
Here in the masquerade,
plastic faces on parade.
Truth refracted by our lies.
Masks revealing what we hide.

Beneath the mask, a painted face--
there is no truth that's not erased.
We are what we pretend to be--
flaunting our complexities.

We cannot undo the mess we're in;
Our costumes now our second skin.
We choose carefully our facades;
We pay the price to act like Gods.
ON TURNING ONE DOWN WITH THE PLOUGH, IN APRIL, 1786

Wee, modest, crimson-tipped flow’r,
Thou’s met me in an evil hour;
For I maun crush amang the stoure
Thy slender stem:
To spare thee now is past my pow’r,
Thou bonie gem.

Alas! it’s no thy neebor sweet,
The bonie lark, companion meet,
Bending thee ‘mang the dewy weet,
Wi’ spreckled breast!
When upward-springing, blithe, to greet
The purpling east.

Cauld blew the bitter-biting north
Upon thy early, humble birth;
Yet cheerfully thou glinted forth
Amid the storm,
Scarce reared above the parent-earth
Thy tender form.

The flaunting flow’rs our gardens yield,
High shelt’ring woods and wa’s maun shield;
But thou, beneath the random bield
O’ clod or stane,
Adorns the histie stibble-field,
Unseen, alane.

There, in thy scanty mantle clad,
Thy snawy ***** sunward spread,
Thou lifts thy unassuming head
In humble guise;
But now the share uptears thy bed,
And low thou lies!

Such is the fate of artless Maid,
Sweet flow’ret of the rural shade!
By love’s simplicity betrayed,
And guileless trust,
Till she, like thee, all soiled, is laid
Low i’ the dust.

Such is the fate of simple Bard,
On Life’s rough ocean luckless starred!
Unskilful he to note the card
Of prudent lore,
Till billows rage, and gales blow hard,
And whelm him o’er!

Such fate to suffering worth is giv’n,
Who long with wants and woes has striv’n,
By human pride or cunning driv’n
To mis’ry’s brink,
Till wrenched of ev’ry stay but Heav’n,
He, ruined, sink!

Ev’n thou who mourn’st the Daisy’s fate,
That fate is thine -no distant date;
Stern Ruin’s ploughshare drives, elate,
Full on thy bloom,
Till crushed beneath the furrow’s weight,
Shall be thy doom!
Nota: his soil is man's intelligence.
That's better. That's worth crossing seas to find.
Crispin in one laconic phrase laid bare
His cloudy drift and planned a colony.
Exit the mental moonlight, exit lex,
Rex and principium, exit the whole
Shebang. Exeunt omnes. Here was prose
More exquisite than any tumbling verse:
A still new continent in which to dwell.
What was the purpose of his pilgrimage,
Whatever shape it took in Crispin's mind,
If not, when all is said, to drive away
The shadow of his fellows from the skies,
And, from their stale intelligence released,
To make a new intelligence prevail?
Hence the reverberations in the words
Of his first central hymns, the celebrants
Of rankest trivia, tests of the strength
Of his aesthetic, his philosophy,
The more invidious, the more desired.
The florist asking aid from cabbages,
The rich man going bare, the paladin
Afraid, the blind man as astronomer,
The appointed power unwielded from disdain.
His western voyage ended and began.
The torment of fastidious thought grew slack,
Another, still more bellicose, came on.
He, therefore, wrote his prolegomena,
And, being full of the caprice, inscribed
Commingled souvenirs and prophecies.
He made a singular collation. Thus:
The natives of the rain are rainy men.
Although they paint effulgent, azure lakes,
And April hillsides wooded white and pink,
Their azure has a cloudy edge, their white
And pink, the water bright that dogwood bears.
And in their music showering sounds intone.
On what strange froth does the gross Indian dote,
What Eden sapling gum, what honeyed gore,
What pulpy dram distilled of innocence,
That streaking gold should speak in him
Or bask within his images and words?
If these rude instances impeach themselves
By force of rudeness, let the principle
Be plain. For application Crispin strove,
Abhorring Turk as Esquimau, the lute
As the marimba, the magnolia as rose.

Upon these premises propounding, he
Projected a colony that should extend
To the dusk of a whistling south below the south.
A comprehensive island hemisphere.
The man in Georgia waking among pines
Should be pine-spokesman. The responsive man,
Planting his pristine cores in Florida,
Should ***** thereof, not on the psaltery,
But on the banjo's categorical gut,
Tuck tuck, while the flamingos flapped his bays.
Sepulchral senors, bibbing pale mescal,
Oblivious to the Aztec almanacs,
Should make the intricate Sierra scan.
And dark Brazilians in their cafes,
Musing immaculate, pampean dits,
Should scrawl a vigilant anthology,
To be their latest, lucent paramour.
These are the broadest instances. Crispin,
Progenitor of such extensive scope,
Was not indifferent to smart detail.
The melon should have apposite ritual,
Performed in verd apparel, and the peach,
When its black branches came to bud, belle day,
Should have an incantation. And again,
When piled on salvers its aroma steeped
The summer, it should have a sacrament
And celebration. Shrewd novitiates
Should be the clerks of our experience.

These bland excursions into time to come,
Related in romance to backward flights,
However prodigal, however proud,
Contained in their afflatus the reproach
That first drove Crispin to his wandering.
He could not be content with counterfeit,
With masquerade of thought, with hapless words
That must belie the racking masquerade,
With fictive flourishes that preordained
His passion's permit, hang of coat, degree
Of buttons, measure of his salt. Such trash
Might help the blind, not him, serenely sly.
It irked beyond his patience. Hence it was,
Preferring text to gloss, he humbly served
Grotesque apprenticeship to chance event,
A clown, perhaps, but an aspiring clown.
There is a monotonous babbling in our dreams
That makes them our dependent heirs, the heirs
Of dreamers buried in our sleep, and not
The oncoming fantasies of better birth.
The apprentice knew these dreamers. If he dreamed
Their dreams, he did it in a gingerly way.
All dreams are vexing. Let them be expunged.
But let the rabbit run, the **** declaim.

Trinket pasticcio, flaunting skyey sheets,
With Crispin as the tiptoe cozener?
No, no: veracious page on page, exact.
A desolate shore,
The sinister seduction of the Moon,
The menace of the irreclaimable Sea.

Flaunting, ****** and grim,
From cloud to cloud along her beat,
Leering her battered and inveterate leer,
She signals where he prowls in the dark alone,
Her horrible old man,
Mumbling old oaths and warming
His villainous old bones with villainous talk--
The secrets of their grisly housekeeping
Since they went out upon the pad
In the first twilight of self-conscious Time:
Growling, hideous and hoarse,
Tales of unnumbered Ships,
Goodly and strong, Companions of the Advance,
In some vile alley of the night
Waylaid and bludgeoned--
Dead.

Deep cellared in primeval ooze,
Ruined, dishonoured, spoiled,
They lie where the lean water-worm
Crawls free of their secrets, and their broken sides
Bulge with the slime of life.  Thus they abide,
Thus fouled and desecrate,
The summons of the Trumpet, and the while
These Twain, their murderers,
Unravined, imperturbable, unsubdued,
Hang at the heels of their children--She aloft
As in the shining streets,
He as in ambush at some accomplice door.

The stalwart Ships,
The beautiful and bold adventurers!
Stationed out yonder in the isle,
The tall Policeman,
Flashing his bull's-eye, as he peers
About him in the ancient vacancy,
Tells them this way is safety--this way home.
Marge Redelicia Feb 2014
Viva Sto. Nino!
Come let us celebrate
The boy Jesus
Our King, our Savior!

Colorful banderitas drape
This town street.
Here comes the
Pagan parade
Going to the church,
Lead by gay majorettes
Flaunting their legs while
Blowing kisses to the priests.

There is a river
Of people each holding
A portrayal of the living God,
A glossy Sto. Nino statue
Dressed in peasant clothes,
A chef's uniform,
A crisp black suit,
A traditional Chinese costume,
And a striped swimwear even.

Some people are masked
As zombies and ghouls
Quite like Halloween in January.
Their face paints start to get
Smeared in their sweaty cheeks
In this scorching 2 pm sun.

At the middle of the parade comes
A pick-up decked with a stereo.
A portrait of lady in a bikini is
Taped on one of its speakers.
As the parade moves on
The kids moshed and fist pumped
To tribal rhythms and hiphop hits
With cuss words in every beat.

The sun is setting and
The celebration finally arrives
At the crowded church plaza.
People make their way,
Inching slowly to the grand church door.
The great parade ends in a bang, well
A slap rather.
A ***** boy hits
A lady's behind
In yellow micro shorts.

A brawl erupts
In the midst of the crowd,
In front of the saints
Petrified in the stained glass windows.
The mass starts soon after
As if nothing happened.

*Viva Sto. Nino!
Come let us celebrate
The boy Jesus
Our King, our Savior!
A documentation of a parade I saw somewhere in Laguna last year. It's the most ironic thing I have ever seen...
They brought me a quilled, yellow dahlia,
Opulent, flaunting.
Round gold
Flung out of a pale green stalk.
Round, ripe gold
Of maturity,
Meticulously frilled and flaming,
A fire-ball of proclamation:
Fecundity decked in staring yellow
For all the world to see.
They brought a quilled, yellow dahlia,
To me who am barren
Shall I send it to you,
You who have taken with you
All I once possessed?
Jwala Kay Jun 2014
Am I just a flaunting fancy
specified set of alphabets?

Now listen, sir!
My brain has owned you
a long while back
like say, a hundred times.
But ya, my mouth
is zipped for the
Terms and Conditions
I signed to intern here.
My heart is a masked
Superhero that goes
for the needy and
the helpless, while
yours just desires
to sit in the next
luxurious sedan out.
My body serves
for the nation;
no, not in war
but in the agony of being
a good citizen when things
(like you) are nomore right.
I manned up instead of you.
I can prove my worth
to the world w/o you.

Again, I shall repeat, sir!
Am I just a flaunting fancy
specified set of alphabets?
I am more than my name.
I am definitely, more human than you.
Jordan Frances Jan 2014
Phrase ten.
To that boy who grabbed my *** or snapped my bra strap,
It was never cute or *****.
In middle school it was annoying,
Now it's just creepy.

Phrase nine.
To that girl who thought it was really classy,
To spread rumors about my *** life.
What I do in bed does not involve you.
And if you want it to?
Sorry, honey, but I don't date haters.

Phrase eight.
To everyone who judges me because of my job.
If you are an adult,
I'm in high school.
If you are in high school,
I bet I have more money than you do.
And if not,
I have to actually earn it.

Phrase seven.
To everyone who thinks I am some genius.
I'm really not...
I fear for my future every day.
My grades aren't that hot,
But they're not awful.
I just don't go flaunting them in everyone's faces.

Phrase six.
To all of my friends who think it's their job to compare,
How awful their lives are to mine.
I tend to zone out when you start *******.
I know, I am being a hypocrite,
Because I probably do that same thing.
But I kind of have a short attention span,
And very little tolerance for *******.

Phrase five.
Aren't you thrilled that you are half way there?
To my sister, who has to slightly outdo me in everything,
I truthfully do not know if you realize that you do this.
I love you to death, but could you try to tone it down
Just a little bit?

Phrase four.
To my parents, who I know love me endlessly.
But to whom I often feel like a failure.
I know your other daughter is perfect,
But I am not her.
I am me,
And yes I have a little extra meat on my bones.
But frankly,
I'm not really ashamed of that.

Phrase three.
To my ex-boyfriend,
Who I still chat with time and again.
I do still love you.
But our relationship was toxic,
And either though neither one of us wanted to end it,
It isn't like we would have gotten married.

Phrase two.
To all my current friends,
You guys are beautiful.
And although sometimes I do not feel like I have
Enough of you,
I have just the right ones.
Thank you for making life to this point,
A little bit more bearable for me.

Phrase one.
To everyone who has judged me, called me a ****, doubted me
And who thinks I am a lost cause,
Go **** yourselves.
Dr PRERNA SINGLA Oct 2015
Who is the world to define mine right or wrong?
I am the one who decides it on my own
The world a crazy place, people so weird
Finding faults everywhere, while hiding in their beard
When you stand for the right,
They will advocate the wrong
Justifying the same
With million excuses in their thong
Nirbhaya *****, they say girl was characterless
Skirts, shorts, boyfriend, night shows - shameless
And inchoate, rightly arousing men to ****
One in coma now a four year old gang *****
Society mum when humanity disgraced???
Where are the people of so called decent family?
Who judge n criticize from hair to lamellae
If smoking kills, why is it not banned??
Beef eaters killed, man eaters praised on the land
Alcohol, marijuana bad for health
While more people die from terrorist attacks
Crores are spent to maintain a terrorist
To a soldier dying for the country, not even lakhs
A rich is a witch flaunting their gold
A poor a leech for things they cannot afford?
Without external beauty a person is a waste?
Your pennyless pocket how shall I grade?
Other’s loss is a righteous act of God?
Yours is a tragedy, unfortunate loss???
And then you have religion & morals
To justify your notions
Right or wrong, judgement filled oceans
I am a free spirit,
Born not to please your beliefs
Enough of hypocrite world I see
Killing and dividing on castes and creeds.
                 © Dr. PRERNA SINGLA, 13 Oct. 2015
The current incidents of toddlers getting gang ***** urged me to write this poem. on one hand where the society blames the victim, raising fingers on her character, her clothes,.. now what they have to say for girls of 2 or 4 or 5 yrs of age who r recently gangraped in delhi and nearby areas??? a muslim killed for eating beef but how can society justify the killing of humanity on mass level??? millions of funds are spent on terrorists but for the soldiers dying for the country why only lakhs?? why discrimination on castes n creeds n religions n race n orientation n colour when nature has made us all the same?? we all need food water air ... our bodies work exactly the same , so why all this hatred when nature doesn't discriminate??
v V v Oct 2018
Evidently it was meant to be.
Long before I was born my DNA
sat on a shelf in God's laboratory,
a sticky note attached,
name, date of birth, perhaps
a tiny alarm to notify the lab
of inception.

God doesn't lose things
and God doesn’t forget.
It must be for a reason and
it must be meant to be.

A critical piece of who I am.

I should show a little pride because
as they say God don't make no junk(ie)..

But I’m a little late to the party..

The party that celebrates those who choose to be identified
by a gender other than the one they were born with,
but shames anyone who struggles with substance abuse.


I'm having trouble understanding the difference.

If I were to gather my drug addled friends
and march down the street with banners and signs
demanding the right to openly inject mind altering
substances into my veins I would be seen as
a criminal and a derelict even though my constant struggle
came right off the shelf of God’s laboratory where

my sticky noted DNA sat right next to yours.

I guess I shouldn't care what people think..
I know my rights, and I demand to be accepted,
NO, praised for coming out so bravely,
carrying a new flag, flaunting in the streets,
paving the way for future generations of addicts.

I will take my God given DNA out of the dark
and go out into light,

light so bright you'll be forced to accept it.

accept my sickness!
embrace it!
this is in my DNA,
God made me this way
so it must be ok.
I feel better now.
I no longer feel guilty,
or depressed,
or weak,
or wrong,
or immoral,

No longer do I need to contain it.

no longer do I need to be shamed.

I am an addict and I am beautiful.

Just like you.
The stigma of addiction is as strong as ever. I apologize to my LGBTQ friends for any offense taken to this poem. No offense is intended rather food for thought. I have often wondered why society dictates what is politically correct and what is not... and where good old fashioned morals fit in, and how something that at one time was so right can now be so wrong,    and vice versa.
Trevor Lamberty Mar 2013
Pretty Princess, primped in pink, never really stops to think about the idiocy she spews on a daily basis.  The dog cowers in the corner, afraid to be faced with her scarily unchaste, omniscient hands.  She certainly possesses a vast knowledge of the canine race QUICK, before the vet arrives, act in haste, lest the dog be victim to her knowledgeless, black-hold gaze!

Pretty Princess, never faulting, ever daunting, continues the endless flaunting of her limitless skill.  Planar geometry and collegiate calc are no problem for the persistent resident Isaac Newton, who scribbles phony calculations and bogus numerations on a Hello Kitty scratch pad.

Pretty Princess works by the candlelight of her over-bright, tower-tall, double-wide lamp and paces across her pink and purple flower-*** rug as she fantasizes about the greasy local pint-size **** who’s oh-so dreamy in his Nike cut-off dishrag.  From her desk, she scrawls the inane on a beat up, college ruled, blue-green, hand-painted notebook, for all to see, but none to name.

Pretty Princess is unstoppable, tearing through the grocery aisle where Earl Grey and Einstein fall into place betwixt bacon, sausage, and salmon paste, and then for show, she takes the liberty of becoming the resident nutritionist, which here means “amateur ‘botchulist’”, as she tells us what we’re doing wrong.

Pretty Princess keeps a hidden diary wherein are written all her fiery rants and new to-hit lists, saving space for all the boys she wants to kiss and yes, even room a tear stain or six BUT, she claims, it doesn’t exist.

Pretty Princess is afraid of her secrets, afraid of leaking them to the outside world where that entire girl would become just another whirl in the machine of elementary girls’ gossip.  That unrelenting pack of wolfish half-wit rug-rats, teeth bared and armed with magic hands, would seize the Princess in their dastardly plans BUT, they say, it’s only for a single day that Pretty Princess is robbed of her dramatic time at play.

Pretty Princess is unheard outside her environment, her voice never reaches above the casement of the teacher’s oblivious predicament because she’s completely preoccupied with the class’s rampant evil stride of impending doom.  The classroom bully sits, high atop his throne, and from his face is evil shown only to those who know how to see it.

Pretty Princess knows how to see it.

Pretty Princess comes home crying more often than not, misunderstood by her snotty, hot-headed teacher or “witchess”, and storms to her room in haste, leaving Mother to pick up the pace, lest the wrath of a pre-teen girl blow up in her face BUT, much to her disbelief and in some sense a strange relief, the truth comes out.

Pretty Princess just wants to be heard.
Emeka Mokeme Sep 2018
The internet and the
electronic gadgets are
now creating the new wave
of infidelity,
did you notice the anomalies in
the way things are turning out.
Hookups made easy,
knowing me knowing
you friendships,
easy dating and cheating.com,
wives and husband cheating on themselves,
Social media is the only
best place to live your
fake dream full of lies like the
deepfakes movies.
No more true friendship,
nothing real but a pretense
paradise.
Always uncomfortable but rather
deal with another from a distance.
You don't exist even when together
in same room.
Always closer to the stars
than to you.
You are ignored but chat with
someone so far away.
You seem to be happier
talking to someone you
never met and hardly know,
telling all your private secrets
to an unknown person claiming
to be a true close friend while
the one you grew up with now
becomes a friendenemy,
never to be trusted.
Electronic friendship
has killed our generation,
destroyed the foundation
of true relationship.
Fake lifestyle,
flaunting fake wealth,
gossiping about fake
not-so-sure news.
Infidelity has become
the new social norm
accessible and accepted
around the world.
No true commitment,
so much fraud and
drama displayed.
The young men and
women are going berserk,
their uncontrollable pesky ways
leading them in all manner of immorality and all kinds of trouble.
But there's still some sort of
good in it.
Is this a part of a new world order?
Maybe, I don't know.  
©2018,Emeka Mokeme. All Rights Reserved.
There are many more good things that comes from all these social media and thanks to the new technologies we can now read all your poetry and answer you. Just for that, it's worth it. Also thanks to them, we talk to the world, we can travel with images and read everything it takes to know more, the best music and the best of all our concerns are at hand,but here I am looking and talking about their abuse, you have to learn to select.
Sachin Subedi Feb 2019
Hawling in, flaunting around
Chilling breeze, the dark
Enchanting blind owls, moonshine thrill
Weird rats and the flying bats

The witch and omens
Blurry old lake
Haunting black meadows
And the crooked faced ape

Crackling sounds of bamboo
Fire in distant hills
Misty breeze of thrill
Imagination haunting deep

Wolves,
the ****** mistiques
Sharp gazes, the moonkiss
An ackward grin,
beyond the relics
Shatters, the concept of Darwin

Heartbeat, the thrill within
Black wasp, black cream
Creepy ackward hisses
Oh just heard a thrilling scream
Wow, the wolves
aaww......
wwooo.........
wwwoooooo.................
Blair Griffith May 2012
I

A Genesis! The Exodus, the Exodus!
A departure from all terrestiality
Always immoral and depraved, bathed in filth, in self-loathing
Abattoir of our souls, it entrenches us

Also, we too must be of the same make
And bear with our corpses the same proceedings, the same caliber
Allowed to their subversive candor,
All that broke the Carthaginians upon their own passage
Across the peninsular pathways

S'il in our conquest we find, however, that the pachyderms have run aground,
Vous must aggregate our conscious thought
Plaitcate the ravenousness within the heart of victory.

II

Bring victory, the winged harbinger of the conquest,
Beg for tyrannical proclamations: the end of man, the end of men,
By now, the greater of the concepts is lost to its own devices, devices,
Belching out smoke, that bend the corpses upon their backs.
By wrenching from their life a sense of purpose,
Byproductively, they feed heroic romanticisms of combat.

Brought yet upon these fields, there lies no stranger enemy
But that of the tide
Being self-effacing, masochistic,
Belittling, She breaks herself upon the shore, ravaging the bodies of
Both, Playing as ******* and as subservient

III

Come! Wave upon Wave upon Frothing
Crest, to shores of golden enfrenzied ******
Calmed by the liquid of our ***** *****
Charging forth as we
Charge forth armies upon the field of slaughter
Callously, for you, our gilded monarch
Can you see? They cannot see, and we hope to elucidate your presence, they
Cannot comprehend or fathom what they
Cannot see.

IV

Ceaseless now the charges
Come further upon the front
Crashing 'gainst the openings of each
Clangor and madness
Coalesce to form death

Dripping anew with sanguine libations
Drawn fresh from naked lambs, freshly cut for their country
Dionysian warriors return,
Desire forming their mental undulations

Effortlessly they overtake their feminine fortunes
Effacing their identities, removing from them with their clothing, the
Entirety of their selves.

V

From carnal conquest they rejoice,
Flaunting the destruction they wrought
Flinging husks of women about the room,
Foisting these shells on other patriarchs

Given no choice, they return to fields of battle
Godspeed, gods' will, and god-granted
Gaian soil is retreaded by their sodden flesh.

VI

Hellish, infernal is their presence
Having lost no measure to revelry or rest, neither
Halting nor slowed, the march quickens in time with their lustful bellows
Hastened to madness by infinity
Harkened back to prisons of mental anguish by their creators
How proud they are, the Old Gods,
Hacking away the pounds of flesh to reveal the
Haphazard construction to their instruments of torture.

VII

Into the bloodshed, into the fiery cavernous opening of the crusade
Ignited by righteous scraps of cloth and metal
Ignobly formed into crudely significant, textured shapes
Iconoclasts to their own ideals
Idyllic in their self-mockery.

Jabbering like hellbeasts, the warriors drive into the flesh of the conflict
Jettisoning armaments in the process, their
Joie de vivre having been lessened by mechanical limits.
Jocular slaughter synthesized with demonic cries.

Kapellmeisters to the symphony of death,
Keeping in the rhythm of mutilation, counterpoints of steel clashing against breastplates, giving shape to a
Kleptocracy of life.

VIII

Languishing now in the refuse of the struggle,
Laden with corpses, the warriors remain restrained by fatigue
Lurching through the mud, calling out feebly with voices
Long since bellowed to pulpy masses of throat tissue.

Masses of flesh crawling across the fields of strife,
Macerated ground, weak and shifting, struggles to support the
Multitude of half-corpses now in eternal respite upon the bloodied pasture.

IX

Now broken with regret and shame they collapse
Nestled into the marrow of the fallow earth,
Needing only rest in the cooling tendrils of dirt and blood that trickle across them.
Né de nouveau, their trek leads them towards the grave
Necrosis having taken hold in their limbs,
Nascent corpses, they subside with grave finality into a dead collective.

X

Opaque irises await those who uncover the un-burial mound
Oafish sockets containing them like marbles
Open to the elements, decaying with their corporeal encasement, shaded by
Oaken leaves that remain unfallen, while
Obsequious maggots go about their task of cleansing the remains

Paralyzed in the final moments of their mortal coil, the bodies lay stagnant,
Pacified only by the removal of sentience.
Pagan rituals surround such corpses, and the intrepid discovers
Patiently await the arrival of some necromantic spirit.

Quasi-instinctively, the pioneers of the superterranean mausoleum
Quell their fears and remove the bodies from their conclusive locale,
Quantifying their deaths by the armaments and metal carapaces upon them.

XI

Reeling across the path, weighted by the bodies,
Returning, the archaeological presence brings a pall over society, which
Remained reticent despite the presence of such suffocating solemnity
Repressed by its own intent

Solitude is given no quarter, and the bodies
Strung up like scattered marionettes
Silently serenade the town with a deafening cacophony.

XII

To Hell their souls desperately charge, frothing about the shackles of undeath
Torn from corporeal existence, yet unable to
Transgress the mortal plane
Torturous paradox!
Torment the fallen of Carthage's vestigal might no more
Traducer of the human condition
Tragedy is loosed at thy whim
Try not the patience of demi-gods of wrath and bloodshed.

XIII

Undulating by the beckoning of the wind,
Un-beautiful, un-ironed, the shrouds of the coffins
Under grey sky hang softly like leaden sheets
Unaware of the gravity beneath the few inches of oak
Un-aesthetically masking the dead warriors' forms

Visceral is the movement of the procession,
Vermicular, they wind a course to the peak of the foothill
Vehemently the priest urges them onwards, although he is
Visibly ill on this occasion of the anti-hero.

Warlike, the battle up the ***** claims the lives of those already claimed
Wastrels left to rot in the carcass of a long-dead conflict,
Wanting nothing more than solace eternal.

XIV

Xenophobes of the Inferno fear the inevitable presence of these
Xoana, false representations of humanity.
Xanthic is their fear, for inside the malebolges themselves
Xanadu is sought for those of the fallen soldiery.

Yet funerary proceedings dictate descent for these souls, and the coffins
Yaw slightly in the wind, disturbed by the
Yanks of the ****** rabble who bear their weight.

XV

Zeus himself presides over the ferrying of these souls,
Zion awaits them, their final collective fate at hand,

Yet slowly it turns its back upon them,
Xenophanes mocks from his post,
Wailing, they fall
Velocity increasing infinitely,
Until they see no more the lustrous light
Trapped eternally in dark
Stabbed with betrayal and fear, their souls
Run amok, fleeing from the source of their anguish
Questioning existence.
Periodically in the abyss, the helpless aggregate conscious is
Overwhelmed with memory of Paradise
Now to them denied for eternity.
Mephisto remains, their only companion,
Leeching from them the final vestiges of hope now left within, once
Kept hidden to protect the warriors, now
Jabbed and pummeled to death.
In this state of perpetual umbra
Heaven so distant, now only faded, as if on parchment,
Gained by the souls is a sense of locality, once
Forgotten but now reattained, and
En masse, the group instantly
Derives that they have returned from beyond the mortal plane, the terra once again
Collates beneath their soles, and the collective decides they must return
Before the open sun, to bear themselves
Against the gods, against sanctity itself, and thus they cry:
There's a flag hangs over my threshold, whose folds are more dear to me
Than the blood that thrills in my ***** its earnest of liberty;
And dear are the stars it harbors in its sunny field of blue
As the hope of a further heaven that lights all our dim lives through.

But now should my guests be merry, the house is in holiday guise,
Looking out, through its burnished windows like a score of welcoming eyes.
Come hither, my brothers who wander in saintliness and in sin!
Come hither, ye pilgrims of Nature! my heart doth invite you in.

My win is not of the choicest, yet bears it an honest brand;
And the bread that I bid you lighten I break with no sparing hand;
But pause, ere you pass to taste it, one act must accomplished be:
Salute the flag in its virtue, before ye sit down with me.

The flag of our stately battles, not struggles of wrath and greed:
Its stripes were a holy lesson, its spangles a deathless creed;
'Twas red with the blood of freemen, and white with the fear of the foe,
And the stars that fight in their courses 'gainst tyrants its symbols know.

Come hither, thou son of my mother! we were reared in the selfsame arms;
Thou hast many a pleasant gesture, thy mind hath its fights and charms,
But my heart is as stern to question as mine eyes are of sorrows full:
Salute the flag in its virtue, or pass on where others rule.

Thou lord of a thousand acres, with heaps of uncounted gold,
The steeds of thy stall are haughty, thy lackeys cunning and bold:
I envy no jot of thy splendor, I rail at thy follies none:
Salute the flag in its virtue, or leave my poor house alone.

Fair lady with silken trappings, high waving thy stainless plume,
We welcome thee to our numbers, a flower of costliest bloom:
Let a hundred maids live widowed to furnish thy bridal bed;
But pause where the flag doth question, and bend thy triumphant head.

Take down now your flaunting banner, for a scout comes breathless and pale,
With the terror death upon him; of failure is all his tale:
'They have fled while the flag waved o'er them! they have turned to the foe their back!
They are scattered, pursued, and slaughtered! the fields are all rout and wrack!'

Pass hence, then, the friends I gathered, a goodly company!
All ye that have manhood in you, go, perish for Liberty!
But I and the babes God gave me will wait with uplifted hearts,
With the firm smile ready to kindle, and the will to perform our parts.

When the last true heart lies bloodless, when the fierce and the false have won,
I'll press in turn to my ***** each daughter and either son;
Bid them loose the flag from its bearings, and we'll lay us down to rest
With the glory of home about us, and its freedom locked in our breast.
Leah Ward Dec 2012
Hunger is a strong word,
My mother warned me once.
It goes to the gym and lifts
Some weights so it can have
Some masculinity to flaunt,
Even though flaunting is
Usually a very feminine thing.
It carries milk gallons with ease,
And claps between every push up.
Hunger is a strong word,
My mother warned me once.
It can hurt you.

Compartmentalized;

..An elevated view  of you
shows booth, after booth,
after booth, after booth,
after booth, after booth,
after booth, after booth,
after booth, after booth,
after booth, after booth,
after booth, after booth,


.. after booth, after booth
   Each one  partitioned  with

an impenetrable  curtain
hanging off of  a bone-frame
stainless steel  pipe structure,
Built high enough  for the
different parts  of you
to sense, but not   feel..

what part of you
is in the other booth.

   Problem is,

You want and expect
me to orbit around it all
as if each isolated part
   is,  in itself..
actually the whole you..
when I know it is  only
a  tremendously-lonely
    part of the whole.
And you take love  to be
some form of blindness
  on my part

--to the elephant in the room,
And I tell you I love you..
And I tell you,  

               "No.. I won't do it"

--And your shame  kicks in
causing you to  feel
     I'm too harsh..

        or being judgemental.

Yet all along, you are knowing--
That just a few moments  with me..
and the walls come tumbling down.
   .          .          .          .         .          .          

When the partitions  drop
(that is your terror)
(that is your horror)

You will not annihilate
into a million fragments  
   of nothingness

The you(s)..  of you
will meet one another
for the very first time
since you were first  dismembered
(fragmented, so very long ago.)
You will not  disintegrate, love..

You will  Re- integrate.

Love does that.  It does.
But you already know that.
Yet still you hide (.. from me.)


You are addicted  to the 'comfort'
the partitions's isolation brings.
Your relationship is not with
the sum of the parts  as a whole..
but with the internal  "construct"  within you--
  the chasm..  the gap..  

--the empty space between those parts;
as it uninstalls one part of the intricate you
and re-installs the next

And you have no idea   how to
   orchestrate
the many different parts  of you
   like a conductor would do
   with his orchestra..   therefore,

You can only be in relationship
with one part of yourself at a time--
..Each partitioned  'self'
has an e-mail address
Each one  has
a separate account  of its own..
Each one,  within itself..   convinced
that it carries within itself
its own, separate genetic imprint

Each one,  you can  milk  
within its incompleteness
     as if it in itself,   is complete--
    .. Flaunting it, flaunting it;  
    as though it is the complete you
  while all other necessary  parts of the whole
  remain dangerously dormant..
   --being Unholy-ghosted  by

    whatever currently-visible part of you
    now  has control of the ship.


--And throughout the years
I am expected to weather the storm
and gather  pieces,  from pieces..
and then magically (oh.. I can..)
piece them all together as I speak to you
without you having to even  feel
the tension (absurdity)  of the
mis-placed  accountability
   (and responsibility)
    to enter into love
    as a Whole (the sum of many parts)

And so here I am..  orbiting    
    orbiting  orbiting--
around your ever-changing  mood swings;
        the   "Paul-is-good,"  one day
        and  "Paul-is-bad,"  the next,
       (those ever-changing perspectives,
       gaslighting.. gaslighting.. gaslighting)

   --in order that you might  remain   'the same'
   based on whatever current-visible  part of you
   is currently at the helm..

       The current pilot of the ship
       wholly unaware of the leadership styles,
       opinions and views of that  of the last.  
Harsh sounding.. I know..
(but you know..)

And so, here's the rub--

You are feeling your days
to be numbered..
You have been around me
too long, love.
(that is your fault)   You knew.

https://hellopoetry.com/poem/4159831/tourniquet-smiles-yeah-that/

I wrote that  such a long time ago


We are getting closer to Home, love.
I wrote this strange little ditty
before I wrote that other one..

https://hellopoetry.com/poem/3383529/fragments/

What you have feared  most
has now given way
to the sound of inevitability

   (You should have ran
             ..but you didn't.)



..The sound of inevitability
 isn't really a sound at all..

..It is the  sound of you  still
  standing there.



Its on.

..And so it begins

https://youtu.be/SPoI-jytOT0
.

I can see now that this could be aptly construed
as a love-note to my mother
Welcome to my world  as a little boy.

I am no longer that little boy.. sweet beautiful, fragmented Angel.
Subjectivity and gaslighting  either breaks us

   or  over time, and with help  from the outside
          ..makes us strong AF.


God bless (curse) the child who can finally see.
                        xoxoxo
Allen Smuckler Aug 2010
Parachutes billowing,
floating
above the abyss
though we all once knew.
Parachutes colliding,
landing
upon the barren land
that man once had.

They came by the millions
     drifting from heaven.
Their reason for being...
      a mystery to all.

Parachutes flaunting,
opening
to reveal themselves  
so that man might learn.
Parachutes lifeless,
wafting
through cloud speckled skies
when man was glad.

They came by the thousands
    dropping from heaven.
Their reason for being
could not be explained.

Parachutes lingering,
meandering
toward their spacklespace
of the damaged sphere...
Parachutes multicolored,
sized and shaped
caught in the crosswinds
and turbulence of man.


They came by the hundreds
crashing from heaven.
Their reason for being
was not understood.

Parachutes traveling,
transporting
the essence of life
for all to perceive.
Parachutes tangled,
snared and collapsed
by pettiness and greed
of those who wanted more.

They came by the dozens,
groping from heaven.
Their reason for being
was a little too late.

Parachutes hanging,
lifeless
not realizing their fate
but expecting the best.
Parachutes sputtering,
idling over the masses..
too blind to see...
too ignorant to know...

They came by the millions
but now there are none.
their reason for being
will never be known-
Written: February 12, 1972 (Age 22)
Revised: May 4, 2010
judy smith Aug 2016
'Kabali' and 'Badlapur' actor Radhika Apte will be the show-stopper in the upcoming Lakme Fashion Week in the ‘Gulzar’ collections of a prominent Kolkata-based fashion designer.

“We have been working with Radhika since 'Majhi the Mountain Man' days (2015) and she will be flaunting our fabrics as show-stopper in India’s premier fashion show which is keenly followed by Bollywood," the well-known city-based woman fashion designer told media after a fashion show in a city hotel last Friday night.

The Lakme Fashion Week is a bi-annual fashion event with the summer-resort show taking place in April while the winter-festive show is held in August.

This year the winter-festive show will be held from August 24 to 28.

Radhika will be wearing bright-colored lehenga since the show will be focused on beautiful India, it’s colours and contours, choreographed with the poetry of nature by Amir Khusro, the designer said.

“It can also be termed our tribute to a great name like Gulzar saab who has brought our lyrics and poems to a new level,” the designer Saroj Jalan said.

The signature style of the designer, whose works adorn Bollywood actors like Radhika beside well known models Lisa Sharma and former Miss Universe India winner Ushoshi Sengupta, is delicate floral patterns along with the use of Zardozi and array of hand-woven tusser silk and velvet enhancing the experience of the garments and “we will project the same in the Lakme week where the accent is on ethnicity,” designer Saroj Jalan said.

Supermodel Ushoshi, having recently debuted in the Bengali film 'Egoler Chokh', said “Lakme show reflects the different tastes of all leading Indian fashion designers who are still rooted to Indian heritage.”Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

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