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In Nero’s private stage,
Disaster was
His audience. Rome mimics fallen Troy in play.
What was reflected in Nero’s eyes
when he sang of the swirling patterns
of fire? When Rome was caught burning;
When conspiring led to its fall.

Fire engulfed Rome with fiery teeth.
The clouds hide or faint into black smoke.
The skies bleed heavily with rust
Its brassy color mixing with the
*** of burning seas, like oceans melting

Could you not feel the sun’s weight?
Now it is incomparable to
Molten seas and softened lead!

Blood spilt from sea-point, waves wallow the cries
Of the fallen. Like a bellowing sound marching
Against caverns of ears, Copper soldiers
Melt into clouds oozing with emotion,
Shattering their now empty metal hearts,
Hollow hearts that outlive the muteness.

It is awakened when
Spark and light is absent.

(Paolo Jerome D. Cristobal / June 26, 2009 - Alabang)
2nd Prize Winner - POETRY CATEGORY - Cesar S. Tiangco Literary Awards 2010
Half man, half tree:
Describe limbs with leaves
And when the reader reads, looks only at
One part: wood
but not sees

(Paolo Jerome D. Cristobal / 2010 - Parañaque)
This is not really inspiration, like the usual feeling that a poet waits for. I just know that i was deeply moved by this commercial by the National geographic channel about a certain group of people, or a family who had warts that looked like the bark of trees. This is for them.
The Albatross
Lone de-odorizer of the toilet
Its smooth contour covered in a clear blanket
Wrapped around with cheap plastic,
Adorned with cheap silk, the semi-lucent plastic
Like unwrapping a yema
It smells very sweet. Very, very.

You seldom notice this white bird
In your long hours of comforting, brooding
Hungering for attention beneath the swollen toilet
Asking for unwanted pleasures
The toilet asks "why must I feed?”
The Albatross mums in its silent reprieve.

Still you didn’t notice the wounding
Of your smooth oily toilet
In long comforting hours of sleep;
No, only excretion is wanted here.

The albatross takes away the scourge
The scourge beneath your noses
And still you didn’t notice
The glory in its inexistence

(Paolo Jerome D. Cristobal / June 28, 2008)
Part of the winning collection as 1st Runner Up in Poetry in te Cesar S. Tiangco Literary Awards 2009
It no longer exists.

The wind; a passing gale sweeps
my laurels.
The desert is filled, too many
my voice.

Origin, a return to birth.
A sword of blazing fire, winged
halts me.

Where are you Eden?

I look and look,
the desert is filled with voices too many,
which is mine or do i have any?

The sun no weeps, I sing.
Myself, I find, thick of leaves
I carry, it sings no longer green.

Winged fire sword ablaze,
use I, leaves dry. Outstretched,
brown, my arms, fail to sky

afire. Feet my burns, I no walk longer.
Stiff, I root my tree to flower.
Fragrant white flowers, settle.

Pray I to you, of hope I joy.
Bring life to water, Frame of sky
Bring, Abba, Father.

(Paolo Jerome D. Cristobal - February 1, 2011)
I...I think of it as a prayer. Read it line by line, each line a pause at the end.
*Title renamed from 'Finding Eden' to' Garden: Eviction'
She visits us every time
The building needs repainting
And every time she visits us
We ask her:

“When will you be back?”

You say you will only be
A jeepney ride away.

We sing; the choral chimes with the wind.
Dry leaves always settle down
Where the wind stops.
Only it does not. But, it settles, and always
Wherever the wind leads them to grow

Apart.

Maybe that’s the purpose of apartments.
Always seeming to leave, to stay only
For sleep, not rest.

We kept talking every time
How our phones ring each other.
You answer questions, always you do so
Not with a no, it was difficult for you;
Nor a yes; but always you say:

“I’m right here”

“5 minutes”

passing through regular public commute;
you are always nearby,
always stuck in heavy traffic.
I can even see you every time,
Always there,
And always smiling.

The last time we smiled together
You told us:

“I am always here – a whisper away”

Only you are there

Not here.

(Paolo Jerome D. Cristobal / July 25 2013 - Parañaque)
The gods of fire and storms seem to call.
Do you not hear that his end is near?
The deep is swallowing up the light.
Skies burn, winds drip emotions.
But unlike Fishes, multitudes of clouds
Dissipate like crowds, oceans
darken with grief as sun seems dulled.
Stars move with the procession
Of boats with floating lamps.
Fishermen’s vessels cross, slicing waves
underneath, spraying salt water on eyes.
Crisscrossing nets spread
Like wings of dove.
Overbearing waves heavy with boats
answer call of coming
School of fish.

Pained hands blister the night.
With Eyes that flicker like lamps.
They Be still and know of Sun’s
promised light.

(Paolo Jerome D. Cristobal / June 25, 2009 - Alabang)
2nd Prize Winner - POETRY CATEGORY - Cesar S. Tiangco Literary Awards 2010
So should a seed
does grow must leave
its home:

Earthly walls,
empty shells
he covers himself with.

In nakedness
must Adam gather up
sewn up leaves.

While surrendering
into the dark
and foreboding earth:

Miles wide and miles deep.
Alone, into the sweltering
and blistering heat of the sun.

Armed with but
a leaf for Mercy!
cries his clothelessness to the wind.

So must a flood pass
once, twice, over and endure
in callousness and tenderness.

(Paolo Jerome D. Cristobal / August 5, 2014 - Bulacan)
I say it the ocean
that it runs
deep. But water
it is not,
quickly swept up
by the wind.

Nor is it driftwood
that rides the tides
undecided. I Say it is
the rudder that steers
the ship. Not the sail
that the wind does blow,
but the ropes
which carefully guide us
to which direction
we choose to go.

It is the rope
that binds us not
against our wills,
but that of which we
hold on to
in the darkness
of our minds
where light does not
our eyes show
nor in winds
that tell us No.

For M.D.R.

(Paolo Jerome D. Cristobal / 06/10/14)
Tapos na
ang bilang.

Si Eunice
Nahuli na

Nasa likod
ng pintuan

Paalis na
kasama sila

Gab at Sam.
Uwian na

Na'san ka?
Ginagabi ka na.

Hanggang Kailan
ka magtatago

kung wala namang
maghahanap?

(Paolo Jerome D. Cristobal / October 26, 2011)
Taguan  literally translates to 'hiding place', Tago means to hide, or hidden. But in the context of the poem, Taguan is simply a game of hide and seek.

1st stanza - The countings are done
2nd stanza - Eunice has already been caught
3rd stanza - at the back of the door
4th stanza - leaving along with
5th stanza - Gab and Sam. It's time to go home
6th stanza - Where are you? It's already late.
7th stanza - Until when will you hide
Last stanza - if no one would look (for you)?

I already translated the whole idea of the stanza, so don't take it all as the exact meaning of the word.
From the far cry of a hawk caught in mid-flight
Recalls a voice of awakening:
Your dreams of flight hover in the distance,
The ever so distant call of the sun-eagle.
The ripples of golden waves,
Mounds and mounds of it piled up.
All these add up to your helplessness.

Do clouds always move with such impassioned grace?

At nighttime, he dreams of flight. It is the moonlight now
That casts its veiled form, her voice in the distance.

(Paolo Jerome D. Cristobal / September 27, 2011)
Draft Entry, Draft Title, no title yet
And here you are
Child, come to me.
This. What it used to be.
The entrance to your
Marble home.

The pillars.
the four corners that held
your baby clothes, old toys.
Like a wicker basket
In flames, now blackened
And covered
With the thick vines
And mired in green.

Nothing withstanded
The once and Great war.
The nights lit up
like fire-flowers blooming
in summer. Every thing
Burned away. Nothing
sacred was left. Doors and
Walls no longer stand.

You touch what is left
Grazing your fingers
On the roughness of
This old, old skin. Tired.

Now.

Only the stairway
Is  left.
The only portion left
Clothed with marble
Not carved away
by scavengers.
It looks sad
now that it leads
nowhere.

It led only to sadness
If you try to remember
What is no longer there.

With finality
You pick up your things
And go.
Content with the past
That it once held you
In its brown,
But now white and bony arms.

For Nick Joaquin

(Paolo Jerome D. Cristobal / Augsut 12, 2014 – Bulacan)
Last night
you breathed on me.

The grass
reminded me
of the faint color of the sun
on your skin.

I remember,
how we treaded lightly
on folded grass;
a reminder
of how we stayed behind
for each other.

"Like friends"
We would say together.

How our own weight
carried
our sentences
to each other
almost touching.

For T. S.

(Paolo Jerome D. Cristobal / June 8, 2011 - Parañaque)
This October,
the rain speaks pebbles
like the sound of static.

Watch the patterns the wind points out:
the drifting rain,
a question marking a crossroads path you keep
asking to yourself.

"if the rain keeps pouring,
will our questions only pile up and up?"

Gathering huge puddles
under our doorstep
reflecting an expressionless sky, or
a sudden murkiness in it.

how the rain touches the roofs
of old gray houses sitting in silence.
watch as a huge puddle gathers all
other puddles, gathering minutes
the seconds even, lost in counting.

the rain starts drifting faster and faster,
see how counting no longer counts,
we feel a certain disconnection, again
the sound of falling pebbles.

Still, the rain keeps pouring
its numerous what if's
how it pins needles to our heads
you ask and you only hear
the long 'tchsssssh'-es

filling up the empty spaces of
my mouth, of our long silences
that still count, to me.

You slightly move
your hand above your hair
in a futile attempt
to lessen the question of rain.

(Paolo Jerome D. Cristobal / October 1, 2010 - Alabang)
2nd Prize Winner - POETRY CATEGORY - Cesar S. Tiangco Literary Awards 2011
L May 2019
I hope you know that this is foreign land.
I hope you know that when the men and women of home told me,
“You are a fool to dream”, I grew to despise their voices.
That when they told me travel was ludicrous, black was sin, and I a devil because I was a 12 year old autistic child,
I grew to despise their land.
It was not my land, I’d say. It was theirs. It was their rotting green, their putrid sand, La Isla Del Encanto.

I hope you know that this is foreign land.
I hope you know that when I left the Island, I left that house.
It was all I knew; the house, el pueblo. The men who saw me with hungry eyes. The moriviví sprouting from the wood. The church whose women scorned me.
The grave my father slept in.

I hope you know it was a terrible thing, the bone thrown at me, the thing I had to eat because nobody knew to give me meat.
Marrow. The only love I’ve ever known.

You must know. This is foreign land.
This place you call free, this place with flag blood-stained and heavy.
This place I cannot seem to breathe in, where I cannot sit without first buying coffee even if my voice cannot come out, where my head is wanted because my mind is a darkened white, my skin is muddied by race, my eyes are black, black like your wood deer and owl– and I hear the voices of the men and women from home who learned from the white man to say— black is sin.
My skin was made to be loved by the sun, my nails were grown from the bark of the tree en los montes. I am carved from the stories my teacher told me of los Taínos, and slashed with the lesson that Cristobal Colón was a man to be celebrated.

I hope you know your land is foreign.
I hope you know your flag is bloodied.
I hope you know that when I stand on your soil, my body knows

it is not free.
Clouds overcast;
Light of sun
Seep out.
Atop this hill, us
Below a height
Of canopy-sky.

Thought dreamt.
It drank long
And deep
in sleep.

Sun folds
into a blanket
Of glaring eyes.
As if the stars seemed
To question me:

"Where have you been
In this long dream?"

Always, we have been here
Watching trees grow,
Letting summers pass,
As if waiting
For something.

The folded grass
Reminds us
Of familiarity.

Salt, grass, mud,
Water, earth, air.

The wind
whispers these things
With a steady hand,
Brushing the grasslands
With water. Gently
Leaving its fingerprints
In us.

The shallow pond;
The way it mirrors the sky
Kept us pondering.
Perhaps the sky meant for us
To be more than just lions.
I look into it sometimes to think
how I was unable to see
the stars that night
we drank from it.

Maybe, i'm just not thirsty.

Outside our hill,
the winds
from the White Mountains still blow,
Singing their last verses.
I am starting to forget
the thought of us
being more
than just mere lions.

For T. S.

(Paolo Jerome D. Cristobal - 01/11/14)
Version three. The second one seemed rough. But i'm finally happy with this one. I was able to convey the message i wanted. Kept me smiling the rest of the day.
Paige White Jun 2020
Uncovered rooster
Quiet; sliding frog retrieved
Storm front tails collide
Small observations during the storm
the ruffling of
wet leaves, dews
dance on rain wept
petals, or on ground
-bore-earth. In her
rootedness
they sought, in her
peace
they found
Solace.

(Paolo Jerome D. Cristobal / June 24, 2009)
i wrote this one for my mom who had remained a strong pillar in my life. I remembered the first time there was an earthquake in las pinas. it wasn't strong, but i noticed that i felt very nauseous and that the lights and water glasses were moving. We all laughed when i pointed it out until our mom held our hands up close and prayed aloud for us. That scene was only so short, yet she was filled with an unspeakable joy i could not comprehend as if her spirit had not been shaken by any possibility. This is her, how something so fragile as a flower could live under such a storm and be a symbol of hope, or solace. How mothers can be so reassuring. - So for a poem, i wrote instead an image. Hopefully, next time i would write without any explanations. The poem would finally speak for itself.
You come to me as a goat
among flock of sheep. You
offer words I do not understand.
I neither welcomed you
Nor offered any reply.

Words.

They scare us. I will not offer
Anything except what the  poets,
Juvenile writers of love want.
A forced smile for something
We do not want nor have
Any interest for, an awkward
Conversation where we tell you
“Profound! Profound! Profound!”
And pretend that all this is
Heart felt.

(Paolo Jerome D. Cristobal / December 20, 2012 - Pasay)
A note to my younger self. It's an expression every poet knows, that look from people with "do we have to comment?"
The rain;
Flogging our roof’s heads with sound.
‘Tchssschschschchchcshshcsh…’
like unplugged cable.
Smudges our screens in monotonous tone until
wire is cut, or lightning struck.
A veil of silence
envelopes eyes, off-color.

We stop to think of what might happen.
To stare at endless possibilities
of rain falling
to a stop.

Unless the flood comes uninvited,
Offers things for sale; usually you’re left
without a choice.
Barters a few Armani clothes or a few Dolce & Gabbana
For a sack of rice and a few cans.

Sometimes the flood throws you freebies,
like exotic pets bigger than a cat
Or throw in a few Pesos and get a broken tire.
But mostly they just give you mud and dirt. Mud and dirt.
They fill you up with it
and cover your eyes with it too.
And if you get lucky, they’ll throw you
the essentials like refusing to take your children,
The recovery of a dead faith and you start praying again,
Or they give you an orange boat.

Sometimes the rain comes in to see if you’ll sink
Or learn to walk again.

(Paolo Jerome D. Cristobal / September 13, 2010 - Alabang)
2nd Prize Winner - POETRY CATEGORY - Cesar S. Tiangco Literary Awards 2011
It is Monday and you hover above me
Like a thunder cloud signaling rain.
You shake the slumbering trees
Motioning them to awake.

It is Tuesday and I do not kiss
you. Night turns to day.

Sky is father to earth
and gathers rain to nourish the land.

This morning you kiss the imperfect earth
Goodnight. It has its back turned to the sky.

Outside my window
The wind cools the rain on my back,
The new grass births.

(Paolo Jerome D. Cristobal / September 21, 2010 - Parañaque)
2nd Prize Winner - POETRY CATEGORY - Cesar S. Tiangco Literary Awards 2011
Qualyxian Quest Feb 2023
The sadsack Catholic Church
Priestly pedophiles
Excluding women
Both ******* and homophobic
The Knights of Columbus
Cristobal Colon-izer
A (possibly Jewish) sadist
Who did not discover America
Ruled his colony as a tyrant
Was gold obsessed
Had women *****, their tongues cut out
Paraded naked in public
And inaugurated genocide
The slave trade, a legacy of Hate.

             Crush the Infamous thing!
Danielle Freese Nov 2014
I love him. That's the first thing that my thoughts tell me whenever I do something involving you. I love you. That's the first thing my thoughts tell me when I look at you everyday. For the first time,and every time until we have to say goodbye for the night. I love you. Those words roll off my lips so often, because they fill my thoughts more than my memories could ever fill up buckets, if they were a material object. My favorite three words, right after your name. Because whenever my lips day your name, I fall more in love when them, more in love with you. And I don't know what to do.
August
-I saw you. "Wow he's so pretty"
September
- I kept seeing you. "I wonder what grade he's  in"
October
- I talked to you for the first time. "Wow this kid is awesome"
November
- I really started to like you, a lot, and we started dating. "Wow, happiness, this boy is amazing"
December
- We got a bit closer, we had *** for the first time. "This boy, wow, I'm lucky he's mine. Best *** I've ever had, plus he is so sweet. What more could I ask for?"
"I won't give up on you if you won't give up on me"
January
- We got closer and started hanging out more. "I love spending time with him"
February
- We started to fall for each other. "I will be here to catch him, I hope he will be there to catch me"
March
- You told me you loved me. "This is the happiest moment ever, I love him too, I really really love him too, and I can't believe he loves me, this is amazing"
April
- We broke up for the first time. "I will do anything to get him back. I love him. I need him."
May
- We got back together, and really became best friends, we knew almost everything about each other. "This is the best relationship I've ever been in"
June
- You bought me my tiara, I was officially your princess. "He has already been my official prince for a while, I love this boy so much, I've never gotten gifts from a boyfriend before"
July
- I spent the Fourth of July with you and your family "I feel official, like I belong here with him, with them"
August
- School started again, it was weird not having you there. I missed you more than anything. "I miss renzo, I miss him so much, I need to see him"
September
- I saw you every single day. "I love you so much Lorenzo, you're my everything"
October
- You told me you were in love with me. "I've never heard anyone say that in my life, I'm glad it's him, I want it to always be him"
We broke up for the second time. "I'm so ******* hurt. So ******* sad. But he is doing this for us. I'm going to get him back. I'm going to get him back, and it's going to go better than it ever has been. He is doing this for us. I hope I can do this. I hope he can do this."

You are my best friend. If something happens, even if it's something small that doesn't matter, you're the first person I tell. You're the first person I go to for anything. If I don't spend my money on you, and I buy something for myself, I feel guilty. Because I don't ever want to live my life alone. I want to live it with you. My heart belongs to you, and I can't see it ever not belonging to you. You are my best friend. My best friend. My only friend. The only person I trust, the only person I want to be around, the only person I love. For the past 10 months you have been my life, you have been my entire life. And I don't know what to do anymore. So many thoughts run through my head, and I'm always wondering when I'm going to get you back. When will you be mine again. It's been 3 days, and I always feel like I'm dying. I don't want this to last weeks, I don't want this to last months. I can't not kiss you. I can't not cuddle you, I can't not call you babe, baby, I can't not do it. And restraining myself is the hardest thing I've ever done in my life. You have no idea how much agony this is causing me, not being your girlfriend. It's awful. It's absolutely awful and I honestly don't know what to do. Being hurt by you was better when we were together, but I'm still hurt, but even more that you're not mine. I want you back so badly, I want you back so badly. I can't not go s day without seeing you, I can't do that. We have gone three months without missing a day of seeing each other, and I don't want to break that. Come back. Come back. Please come back, I need my best friend, I need my boyfriend, I need Lorenzo Ruiz, I need him more than anything. You make my life better. I am so in love with you. I will walk to you if you need me. I just don't know how much I can do without us being together. I want to be able to do this for you, I want to be able to do things with you, I want you back. My heart wants you back, my brain wants you back, my body wants you back, my lips want you back, my eyes want you back, my nose wants you back, my hands want you back, my arms want you back, my tummy wants you back, my legs want you back, my feet want you back. I love you Lorenzo Cristobal Ruiz, I love you. So ******* ******* much, you have no idea, even if you think you do, you have no idea. No idea. I really hope you're trying has hard you can, you can do it Lorenzo. You can do it. We can be happy together again babe, we can do it. I will be the only one in your heart. And I won't drop it. I won't drop it, I couldn't possibly. I will treat you like you deserve to be treated, I will make you happy, I will make you happy. I will love you, I will love you more than anyone has ever loved anything. I already do. I need you back Lorenzo. I need you back. I hope this doesn't take long. I really hope it doesn't take long. Because even though it's only been three days, I don't know how much longer I can be without my baby. You are my baby, my prince, my everything. I love you. I love you so much. Please try as hard as you possibly can, please, for us. You're doing this for us. For us, and for me, and for yourself, you can do this. You can do this. Because I need you back, and you need to have that weight lifted off your shoulders. I need you back. We need each other. We both know it. You can do it. You can do it. I know you can.
Kurt Philip Behm Jun 2024
It had been a long idyllic two-day ride from Taos to Jackson Hole.  The bike had been running well, in spite of the altitude, and the 1600 C.C. Yamaha Venture Royale handled with ease whatever the mountains had in store.

This was the second extended tour for Kurt and his twelve-year-old son, Trystan, who everyone called T.C. (Trystan Colin).  They had started in Long Beach, California, and were making a long semi-circular loop through Arizona, New Mexico, and then back to Wyoming.  After hiking and riding through Grand Teton National Park, they would head North through Yellowstone to Missoula Montana and ultimately reach their final northern destination — Glacier National Park.

This morning though, they would be traveling into an unknown world on the most proven and time-tested forms of transportation, horses and mules.

Teton Scenic Outfitters was the oldest guided tour company in Teton National Park.  Today’s route would take four tourists on a twenty-five-mile ride deep into the park.  At its highest point, the trail would be over 2000 feet above the Buffalo River. There would be two professional cowboys leading the tour.  The lead rider, and boss, was a 6’ 3’’, 200 lb., ex-college football player and rodeo bulldogger named Russ.  At the back was a diminutive, bow-legged, journeyman cowboy from Miles City Montana named Pete.  In between there was Kurt and his son T.C., both riding horses, and two nuns from the San Cristobal Convent in Cody Wyoming, riding mules.

There were two additional mules, between Russ and TC, that were loaded down with a week’s supplies for the Teton Art Camp at the end of the trail.  The Art Camp was a popular summer destination for both experienced and budding artists and depended on the supplies that Russ’s company delivered every Saturday.  At 8:30 a.m., four mules and four horses started the arduous and steep ascent up the narrow trail that was carved out of the east side of the mountain.

Before leaving, Russ had said: “In some places, the trail that’s cut into the rock is less than six feet wide. Don’t let this upset you.  The horses and mules do this almost every day, and they are more surefooted than any person walking.  Whatever you do, DON’T try to get off along the narrow trail.  We will come upon four open meadows, as we climb higher, and you can get off there, if need be, to walk a spell.”

Russ reminded everyone that they had signed a form acknowledging the risks of a mountain trail ride and that they were not afraid of heights. “Whatever you do, make sure to give the horse or mule its head.  Don’t try to guide it or change its direction, it will be following closely the animal in front of it and will become upset and disoriented if you try to change its forward motion.”

Pete, who was riding in the rear, had heard this speech a hundred times before.  He knew Russ would repeat it several more times as they continued their climb.  He also knew something that he hadn’t shared with anyone yet.  After feeling poorly for several weeks, he had traveled to the Medical Center in Idaho Falls for tests.  Two days later he had the results — Cystic Fibrosis.

Pete was only 26, but his doctor had told him that with treatment he had a very good chance of living into his fifties. “What can’t I do, Doc?” Pete had asked.  “Anything for right now,” the specialist advised. Just don’t get too far away from a good Medical Center, just in case. I wonder what he would think if he saw me today,” Pete mused.

The two nuns seemed to be enjoying themselves, but the one in the back, Sister Francis, directly in front of Pete, kept pulling on her right stirrup.  “I’ll have to adjust that when we stop,” Pete said to himself.
At 10:30 a.m., they came to the first clearing and Russ called everyone to gather around him. The meadow was a naturally formed pocket that carved into the mountain for about 100 yards.  There was tall spring grass growing as far as you could see.

“Hey T.C., whatta you think those two things are sticking above the grass about fifty yards ahead?” “I don’t know, Russ, they look like sticks.” “Well ... those sticks happen to be antlers that belong to a resting moose.”  Before Russ could say another word, T.C. had spurred his horse and was headed in the direction of the moose.  As T.C.’s father started to head after him, Russ grabbed his reins and said — “watch this.”

T.C. was still thirty yards from the antlers when an enormous moose stood up out of the grass. Seeing that, T.C.’s horse slammed on the brakes and T.C. went sliding off the right side of his mount.  Time seemed to be frozen in place until ... BAMM!

When Russ saw the moose stand up, he withdrew the Colt Peacemaker (45) from his holster and fired a shot into the air.  The horses and mules never moved, they were rifle trained, but the moose turned and ran into the woods at the far end of the meadow.

“Those things can get ornery when you take them by surprise.  I didn’t think your kid had the guts to charge a moose in the open field.  It’s one of the damnedest things I’ve seen in a long time.  With ‘try’ like that, he’ll make a good hand.

Both cowboys dismounted and went over to where T.C. was still sitting in the grass.  “Here, take this,” Russ said, as he gave T.C. a Snickers Bar from his vest pocket.  “The way you got off that horse would make any bronc rider proud.  Sister Marcella was filming you with her camera.  It you’re nice to her, I’ll bet she’ll send you a copy of the tape.”

Hearing Russ’s words were like his birthday and Christmas all rolled into one.  His rear end was a little sore, but his spirits had never been so high.  “Hey T.C., if your head hasn’t swelled too much, try this on,” said Pete.  Pete handed T.C. a baseball cap from his saddlebags.  It was a watershed moment for both father and son as T.C. took a giant step toward manhood.

Back on the trail, Russ repeated again: “Don’t try to guide your animal, they know where they’re going.”  In all the confusion, Pete had never gotten around to adjusting Sister Francis’ stirrup.  It was still bothering her, and her squirming was starting to affect her mule.

“Don’t mess with that stirrup anymore, Sister.  If you need to, just let your right leg hang down straight until we get to the next clearing.” Pete hadn’t finished speaking when Sister Francis pushed down again on the stirrup until it came loose and was dangling free.  The momentum of her pushing down with her right leg had pulled her body across the saddle, and she was now off the mule and standing — screaming — on the right side of her mule.

Less Than A Foot From The Edge ...

“Stop screaming, Sister, and I’ll try to get to you.”  Pete knew there wasn’t enough room on the trail for him to make it to the panicked nun, and he also knew he didn’t have enough strength in his upper body to pull her back if she started to fall.

Russ had heard the commotion and stopped the lead horse. He was too far in front to be of much help.  Pete’s best cowboy skill was that of a header in the team roping event.  The hat he had given T.C. was from the last rodeo he had won in Calgary, Alberta.  Pete instinctively took the rope from his saddle horn and formed a loop.  Just as he started to swing the rope, Sister Francis’ mule panicked and moved to the right pushing the nun toward the cliff.  As she started to fall, Pete managed to get a loop around her head and under one shoulder.  He pulled ******* the rope as she fell over the side.  He quickly took three turns around the saddle horn.  Pete knew he could hold it for a while without his horse moving, but if he tried to dismount, there’s no telling what the horse would do, and all three of them might go over the side.

It was just then that Pete saw something crawling between the legs of Sister Marcella’s mule.  T.C. had slid off the back of his horse and crawled between the legs of his dad’s horse, the two pack mules, and Sister Marcella’s now stationary mule.  When he got underneath Sister Francis’ mule, he started to talk in a gentle voice as he worked his way back to the rear.  Once under Pete’s horse, he reached over the side and grabbed the rope. Luckily, Sister Francis was only three feet below the rocky ledge. With T.C.’s help, and a lot of adrenalin, she was able to get her elbows up over the edge and slowly inch her way back onto the trail.  Pete held firm to the loop to make sure there was no backsliding.

T.C. and Sister Francis sat there for a long time until T.C. said: “Do you trust me, Sister?”  She said that she did as T.C. said: “Ok, follow me.” Together, they crawled underneath Pete’s horse to the very back of the train.  “How far is it to the next meadow, Pete?” T.C. asked.  “It’s only about a half-mile, “Pete called out.  “Ok, Sister Francis and I will walk the rest of the way, and we’ll meet up with you at the meadow.  Pete waved ahead to Russ, who was sitting there in a mild state of shock, to get going again.

It was a hero’s welcome when T.C. and Sister Francis arrived at the meadow.  “How did you know you could crawl underneath those horses and mule’s legs without getting trampled?” Russ asked.
“Well, it’s like this,” T.C. said.  “My dad was raised with horses and said that a horse would never step on a man.  I just figured it was the same with mules.”  “And where did you get the guts to try?” asked Pete.  “It wasn’t guts, I was just trying to finish what you had started.  If you hadn’t gotten that rope around her, nothing that I did would have mattered at all.”

“That rope was thrown from the hand of God,” said Sister Marcella, “and today, we were all blessed to see one of his miracles in action.”
The rest of the ride was uneventful.  Pete readjusted Sister Francis’ stirrup as Russ started to sing an old cowboy song.  “What’s the T stand for in T.C?” asked Russ.  “Trystan, my first name is Trystan, T.C.  answered back. With that, every Ian Tyson song they knew was being sung at high volume with the name ‘Trystan’ interjected into every one.

T.C.’s father had never been so proud.


Kurt Philip Behm: June, 2024

— The End —