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"cristobal" poems
In Nero’s private stage, Disaster was His audience. Rome mimics fallen Troy in play. What was reflected in Nero’s eyes when he sang of the swirling patterns of fire? When Rome was caught burning; When conspiring led to its fall. Fire engulfed Rome with fiery teeth. The clouds hide or faint into black smoke. The skies bleed heavily with rust Its brassy color mixing with the *** of burning seas, like oceans melting Could you not feel the sun’s weight? Now it is incomparable to Molten seas and softened lead! Blood spilt from sea-point, waves wallow the cries Of the fallen. Like a bellowing sound marching Against caverns of ears, Copper soldiers Melt into clouds oozing with emotion, Shattering their now empty metal hearts, Hollow hearts that outlive the muteness. It is awakened when Spark and light is absent. (Paolo Jerome D. Cristobal / June 26, 2009 - Alabang)
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Aug 11, 2014
Aug 11, 2014 at 7:09 AM UTC
In Neros private stage
Half man, half tree: Describe limbs with leaves And when the reader reads, looks only at One part: wood but not sees (Paolo Jerome D. Cristobal / 2010 - Parañaque)
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Jun 10, 2012
Jun 10, 2012 at 2:00 AM UTC
Pinocchio
The Albatross Lone de-odorizer of the toilet Its smooth contour covered in a clear blanket Wrapped around with cheap plastic, Adorned with cheap silk, the semi-lucent plastic Like unwrapping a yema It smells very sweet. Very, very. You seldom notice this white bird In your long hours of comforting, brooding Hungering for attention beneath the swollen toilet Asking for unwanted pleasures The toilet asks "why must I feed?” The Albatross mums in its silent reprieve. Still you didn’t notice the wounding Of your smooth oily toilet In long comforting hours of sleep; No, only excretion is wanted here. The albatross takes away the scourge The scourge beneath your noses And still you didn’t notice The glory in its inexistence (Paolo Jerome D. Cristobal / June 28, 2008)
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Sep 17, 2017
Sep 17, 2017 at 12:00 PM UTC
The albatross
It no longer exists. The wind; a passing gale sweeps my laurels. The desert is filled, too many my voice. Origin, a return to birth. A sword of blazing fire, winged halts me. Where are you Eden? I look and look, the desert is filled with voices too many, which is mine or do i have any? The sun no weeps, I sing. Myself, I find, thick of leaves I carry, it sings no longer green. Winged fire sword ablaze, use I, leaves dry. Outstretched, brown, my arms, fail to sky afire. Feet my burns, I no walk longer. Stiff, I root my tree to flower. Fragrant white flowers, settle. Pray I to you, of hope I joy. Bring life to water, Frame of sky Bring, Abba, Father. (Paolo Jerome D. Cristobal - February 1, 2011)
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Jul 21, 2012
Jul 21, 2012 at 12:43 PM UTC
Garden: Eviction
She visits us every time The building needs repainting And every time she visits us We ask her: “When will you be back?” You say you will only be A jeepney ride away. We sing; the choral chimes with the wind. Dry leaves always settle down Where the wind stops. Only it does not. But, it settles, and always Wherever the wind leads them to grow Apart. Maybe that’s the purpose of apartments. Always seeming to leave, to stay only For sleep, not rest. We kept talking every time How our phones ring each other. You answer questions, always you do so Not with a no, it was difficult for you; Nor a yes; but always you say: “I’m right here” “5 minutes” passing through regular public commute; you are always nearby, always stuck in heavy traffic. I can even see you every time, Always there, And always smiling. The last time we smiled together You told us: “I am always here – a whisper away” Only you are there Not here. (Paolo Jerome D. Cristobal / July 25 2013 - Parañaque)
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Jul 24, 2013
Jul 24, 2013 at 9:44 PM UTC
Apartments
The gods of fire and storms seem to call. Do you not hear that his end is near? The deep is swallowing up the light. Skies burn, winds drip emotions. But unlike Fishes, multitudes of clouds Dissipate like crowds, oceans darken with grief as sun seems dulled. Stars move with the procession Of boats with floating lamps. Fishermen’s vessels cross, slicing waves underneath, spraying salt water on eyes. Crisscrossing nets spread Like wings of dove. Overbearing waves heavy with boats answer call of coming School of fish. Pained hands blister the night. With Eyes that flicker like lamps. They Be still and know of Sun’s promised light. (Paolo Jerome D. Cristobal / June 25, 2009 - Alabang)
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Aug 11, 2014
Aug 11, 2014 at 7:44 AM UTC
The Sun sleeps
So should a seed does grow must leave its home: Earthly walls, empty shells he covers himself with. In nakedness must Adam gather up sewn up leaves. While surrendering into the dark and foreboding earth: Miles wide and miles deep. Alone, into the sweltering and blistering heat of the sun. Armed with but a leaf for Mercy! cries his clothelessness to the wind. So must a flood pass once, twice, over and endure in callousness and tenderness. (Paolo Jerome D. Cristobal / August 5, 2014 - Bulacan)
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Aug 5, 2014
Aug 5, 2014 at 8:42 AM UTC
garden IV
I say it the ocean that it runs deep. But water it is not, quickly swept up by the wind. Nor is it driftwood that rides the tides undecided. I Say it is the rudder that steers the ship. Not the sail that the wind does blow, but the ropes which carefully guide us to which direction we choose to go. It is the rope that binds us not against our wills, but that of which we hold on to in the darkness of our minds where light does not our eyes show nor in winds that tell us No. For M.D.R. (Paolo Jerome D. Cristobal / 06/10/14)
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Jun 9, 2014
Jun 9, 2014 at 2:24 PM UTC
I say it is
And here you are Child, come to me. This. What it used to be. The entrance to your Marble home. The pillars. the four corners that held your baby clothes, old toys. Like a wicker basket In flames, now blackened And covered With the thick vines And mired in green. Nothing withstanded The once and Great war. The nights lit up like fire-flowers blooming in summer. Every thing Burned away. Nothing sacred was left. Doors and Walls no longer stand. You touch what is left Grazing your fingers On the roughness of This old, old skin. Tired. Now. Only the stairway Is  left. The only portion left Clothed with marble Not carved away by scavengers. It looks sad now that it leads nowhere. It led only to sadness If you try to remember What is no longer there. With finality You pick up your things And go. Content with the past That it once held you In its brown, But now white and bony arms. For Nick Joaquin (Paolo Jerome D. Cristobal / Augsut 12, 2014 – Bulacan)
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Aug 12, 2014
Aug 12, 2014 at 1:08 AM UTC
About Two Navels
Last night you breathed on me. The grass reminded me of the faint color of the sun on your skin. I remember, how we treaded lightly on folded grass; a reminder of how we stayed behind for each other. "Like friends" We would say together. How our own weight carried our sentences to each other almost touching. For T. S. (Paolo Jerome D. Cristobal / June 8, 2011 - Parañaque)
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Jan 13, 2013
Jan 13, 2013 at 2:09 AM UTC
On a postcard for T.
This October, the rain speaks pebbles like the sound of static. Watch the patterns the wind points out: the drifting rain, a question marking a crossroads path you keep asking to yourself. "if the rain keeps pouring, will our questions only pile up and up?" Gathering huge puddles under our doorstep reflecting an expressionless sky, or a sudden murkiness in it. how the rain touches the roofs of old gray houses sitting in silence. watch as a huge puddle gathers all other puddles, gathering minutes the seconds even, lost in counting. the rain starts drifting faster and faster, see how counting no longer counts, we feel a certain disconnection, again the sound of falling pebbles. Still, the rain keeps pouring its numerous what if's how it pins needles to our heads you ask and you only hear the long 'tchsssssh'-es filling up the empty spaces of my mouth, of our long silences that still count, to me. You slightly move your hand above your hair in a futile attempt to lessen the question of rain. (Paolo Jerome D. Cristobal / October 1, 2010 - Alabang)
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Jun 10, 2012
Jun 10, 2012 at 7:30 AM UTC
The Question of Rain
I hope you know that this is foreign land. I hope you know that when the men and women of home told me, “You are a fool to dream”, I grew to despise their voices. That when they told me travel was ludicrous, black was sin, and I a devil because I was a 12 year old autistic child, I grew to despise their land. It was not my land, I’d say. It was theirs. It was their rotting green, their putrid sand, La Isla Del Encanto. I hope you know that this is foreign land. I hope you know that when I left the Island, I left that house. It was all I knew; the house, el pueblo. The men who saw me with hungry eyes. The moriviví sprouting from the wood. The church whose women scorned me. The grave my father slept in. I hope you know it was a terrible thing, the bone thrown at me, the thing I had to eat because nobody knew to give me meat. Marrow. The only love I’ve ever known. You must know. This is foreign land. This place you call free, this place with flag blood-stained and heavy. This place I cannot seem to breathe in, where I cannot sit without first buying coffee even if my voice cannot come out, where my head is wanted because my mind is a darkened white, my skin is muddied by race, my eyes are black, black like your wood deer and owl– and I hear the voices of the men and women from home who learned from the white man to say— black is sin. My skin was made to be loved by the sun, my nails were grown from the bark of the tree en los montes. I am carved from the stories my teacher told me of los Taínos, and slashed with the lesson that Cristobal Colón was a man to be celebrated. I hope you know your land is foreign. I hope you know your flag is bloodied. I hope you know that when I stand on your soil, my body knows it is not free.
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May 18, 2019
May 18, 2019 at 4:13 PM UTC
Foreign Land
I hope you know that this is foreign land. I hope you know that when the men and women of home told me, “You are a fool to dream”, I grew to despise their voices. That when they told me travel was ludicrous, black was sin, and I a devil because I was a 12 year old autistic child, I grew to despise their land. It was not my land, I’d say. It was theirs. It was their rotting green, their putrid sand, La Isla Del Encanto. I hope you know that this is foreign land. I hope you know that when I left the Island, I left that house. It was all I knew; the house, el pueblo. The men who saw me with hungry eyes. The moriviví sprouting from the wood. The church whose women scorned me. The grave my father slept in. I hope you know it was a terrible thing, the bone thrown at me, the thing I had to eat because nobody knew to give me meat. Marrow. The only love I’ve ever known. You must know. This is foreign land. This place you call free, this place with flag blood-stained and heavy. This place I cannot seem to breathe in, where I cannot sit without first buying coffee even if my voice cannot come out, where my head is wanted because my mind is a darkened white, my skin is muddied by race, my eyes are black, black like your wood deer and owl– and I hear the voices of the men and women from home who learned from the white man to say— black is sin. My skin was made to be loved by the sun, my nails were grown from the bark of the tree en los montes. I am carved from the stories my teacher told me of los Taínos, and slashed with the lesson that Cristobal Colón was a man to be celebrated. I hope you know your land is foreign. I hope you know your flag is bloodied. I hope you know that when I stand on your soil, my body knows it is not free.
Continue reading...
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Clouds overcast; Light of sun Seep out. Atop this hill, us Below a height Of canopy-sky. Thought dreamt. It drank long And deep in sleep. Sun folds into a blanket Of glaring eyes. As if the stars seemed To question me: "Where have you been In this long dream?" Always, we have been here Watching trees grow, Letting summers pass, As if waiting For something. The folded grass Reminds us Of familiarity. Salt, grass, mud, Water, earth, air. The wind whispers these things With a steady hand, Brushing the grasslands With water. Gently Leaving its fingerprints In us. The shallow pond; The way it mirrors the sky Kept us pondering. Perhaps the sky meant for us To be more than just lions. I look into it sometimes to think how I was unable to see the stars that night we drank from it. Maybe, i'm just not thirsty. Outside our hill, the winds from the White Mountains still blow, Singing their last verses. I am starting to forget the thought of us being more than just mere lions. For T. S. (Paolo Jerome D. Cristobal - 01/11/14)
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Oct 29, 2014
Oct 29, 2014 at 2:47 PM UTC
Grasslands III
the ruffling of wet leaves, dews dance on rain wept petals, or on ground -bore-earth. In her rootedness they sought, in her peace they found Solace. (Paolo Jerome D. Cristobal / June 24, 2009)
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Jun 10, 2012
Jun 10, 2012 at 7:01 AM UTC
petals
The rain; Flogging our roof’s heads with sound. ‘Tchssschschschchchcshshcsh…’ like unplugged cable. Smudges our screens in monotonous tone until wire is cut, or lightning struck. A veil of silence envelopes eyes, off-color. We stop to think of what might happen. To stare at endless possibilities of rain falling to a stop. Unless the flood comes uninvited, Offers things for sale; usually you’re left without a choice. Barters a few Armani clothes or a few Dolce & Gabbana For a sack of rice and a few cans. Sometimes the flood throws you freebies, like exotic pets bigger than a cat Or throw in a few Pesos and get a broken tire. But mostly they just give you mud and dirt. Mud and dirt. They fill you up with it and cover your eyes with it too. And if you get lucky, they’ll throw you the essentials like refusing to take your children, The recovery of a dead faith and you start praying again, Or they give you an orange boat. Sometimes the rain comes in to see if you’ll sink Or learn to walk again. (Paolo Jerome D. Cristobal / September 13, 2010 - Alabang)
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Aug 11, 2014
Aug 11, 2014 at 5:26 AM UTC
Storm surge
It is Monday and you hover above me Like a thunder cloud signaling rain. You shake the slumbering trees Motioning them to awake. It is Tuesday and I do not kiss you. Night turns to day. Sky is father to earth and gathers rain to nourish the land. This morning you kiss the imperfect earth Goodnight. It has its back turned to the sky. Outside my window The wind cools the rain on my back, The new grass births. (Paolo Jerome D. Cristobal / September 21, 2010 - Parañaque)
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Aug 11, 2014
Aug 11, 2014 at 7:02 AM UTC
Rainy Season
Uncovered rooster Quiet; sliding frog retrieved Storm front tails collide
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Jun 9, 2020
Jun 9, 2020 at 11:48 AM UTC
Cristobal (haiku)