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Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria

They passed each other on the outskirts of Archangelos to go to Tsambika, going to the Necropolis of Helleniká where he was waiting for them more than 400 kilometers to the west of the Cyclades, precisely in Kímolos where they would do the colloquy with to do the channeling with the Necropolis. Etréstles had traveled with Kanti the steed; on his back, they saw the distance before they arrived at Mandraki in Rhodes. They all headed down the coast towards Archangelos, but Etréstles went to Helleniká, the Vas Auric was landed on Mandraki for the purposes of the Creation of Vernarth together with the Apostle Saint John. Kímolos, it is on this island that the famous beginning of the procession towards the outskirts of the cities was to deposit their sacred remains on the way to a better one, here were the martyrs who were used to Etréstles since he cohabits in delay with Drestnia for the new millennium (His female of hers) with which he resides in the Koumeterium of Messolonghi in the ninth vertical cemetery. Having a chapel and altars this place was propitious to create between Kimolos and Tsambika which was so many kilometers away, so the meeting performance between villages would be seen in its entirety to be resurrected and worshiped between the Cyclades and the Dodecanese with pious exercises between both latitudes precisely in the chapel of Theoskepasti, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands some matches of some population dowries with laws of affability and generations lived there without knowing each other between the two islands and tabernacles, arguing canons of burial and exhumation. In this case of performance refer to the Vas Auric of Limassol that brought the construction of a world of the right angles for the neat reconstruction of multi polygonal spectra, adopted for the first time in Kímolos to be retransferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and the west of Kímolos re-installing themselves among more than a third of the venerable ones who rested in Helleniká, in syncretic neatness with dissimilar populations and creeds.

Saint John the Apostle with Vertnarth, Raeder, and Petrobus plus Eurydice would bring from the rubies of Alexandria the incorporeal honor of Alexander the Great, turning both island sites into palaces of the Muses of Helleniká for the scholars who would be at the canonization of Vas Auric. Being the precursor of the chapel of the Theoskepasti, this performance of erudition will be endowed with the new status for Philo of Alexandria present here, now being a co-demiurge who will convert this necropolis city into duality with Tsambika for distinctions of the rituals and homilies, reducing the inputs basics in ceremonies. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote in La Legatio ad Gaium, the Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him to be built as Jupiter in the Temple of Jerusalem, which sowed desolation among the members of the delegation. Finally, this purpose was not realized thanks to the intervention of Agrippa I and the death of Caligula, Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily the spiritual custody that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to Panagia de Tsambika, in the frameworks that feed the Hebraic and Hellenic boundary “translating Greek into Hebrew, but in two universal sites of creation in the Theoskepasti chapel and Panagia de Tsambika, about the magic of the meeting of omniscience and grace. Says Vernarth: “with the interpretation of Philo of Alexandria and his exegesis, I will rub the tract of the successions of infinity legitimately stored the creation thought of the ZigZag Universe with the Parapsychological Regressive authority now circulating in a sniffing universe with a Verthian genealogy, tempering with my Falangist disciples but being biblical when it becomes the occasional emaciated mob of a world that falls degrading with its last pieces and challenges of the world associated with an allegorical spirit, contracted to wings of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and in Helleniká, making delights of pleasures in these ceremonies to create the world’s ignored in the office of the super compassionate language, in more than seven days that add up between the Sun and the Earth, in a sub-mythological world being ourselves our own executioner established on the ***** that falls from the match of the wick of my Lucerne in its own mood. I still have a memory of who and of each one who will always be in my prayers, reopened in a sacredness less than my own end, here I will not continue to be stored. Rather I will continue to fall, exhumed from the very storehouse and from the struggle of the thistle that falls from itself rounded up to be competent to explain himself biblically as if he had never before been read ad limit of the doctoral, and sacred in the work of Philo of Alexandria here with us leading and there in the Necropolis on another thorn; as a perpetual creeping species growing here as an unvarying summer plant in cooler climates, which would usually be prostrated on the Helleniká slab with radiating branchy stems extending the fractal distance between Kímolos and Tsambika in thistle´s ceremonies. The hirsute silts will come from the genesis of their spiritual temporal being the same wool of the whirlpool of all the weeds attached and oppressed to the lamp of the gargoyles that are tuned together with the Gulpers of Archangelos in a happy diet following patterns of even, and odd thistles spring in the Cyclades and the Dodecanese. The Parapsychological regression XIV century - Saint John the Apostle says: “from Filerimos a sidekick monk of Philo of Alexandria has come with the image of the blessed Immaculate ****** and painted by Saint Luke the Apostle. The Knights of Saint John built the Monastery of Saint John in Rhodes with this image; everything comes from there on the Miraculous Hill of Filerimos, and the temple of Athens Polias was converted into a proto-basilica with a three-bay nave dedicated to Her. The church is known since then for housing the figure of the ****** of Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John a monastery was built here surrounded by cloisters cells and a series of chapels, that is where the figure is the miracle worker and is reverently guarded. Being a Capuchin order after the Ottomans destroyed it; it was rebuilt by the Italians. With this image we canonize the Vas Áuric in the homily prior to the spiritual link with Etréstles in Kímolos, before every morning they illuminate the sacred Earth of both latitudes in the mystical house of Saint John the Apostle with the herbalists on the wind to fight for the Somnia in Hortum et Flos Herbarium in Kímolos, Garden of Flowers and Dreams in Herbalist in Kimolos. Knowing that the Universe is approaching the Vernarthian Duoverse, Saint John the Apostle decided with the Birthright to establish a Duoversal Garden in Kímolos with the aim of laying tremendous foundations on the base of the pre-Christians and apostolic who enlisted in the Greco-Hebrew world with the addition of compression, and medicinal valences for the herbalist of Kímolos, in such a way to reissue it in the monastery of San Juan in Rhodes and the Panagia of Tsambika. Since the grains grew and germinated they became thickets of great predestined forest in Rhodes, aspiring to continue being a well-known theology in Greek also being sufficient testimonial about its Aramaic originality, being addressed to the Sanhedrin, 37-42 AD Before Caiaphas and redirecting it to his brother-in-law Theophilus of Annas. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls, found at Qumran, with notable early messianic mention of the Son of God. Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Highest, the Messiah as a messianic voice, being able to be confused with the Beast or the Messiah but Philo of Alexandria will be there saying “I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has, and will reside forever and ever in his Messiah” Given this situation, the commanded expressions were those of astragals mysticism in herbalist and botany in this manuscript, since the unfortunate leftovers are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; in regard to the wind of the Anemoi being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena, but he heralded the excitement of the Cyclades, like Sound of Sounds between Narcissus of Sharon and Lilies of the Valley. The audio-images were avocados forming the deep thickets that will move according to the inclinations of the planets, each time the Universe approached Greece among all the cisterns with water for the flower meadows that Vernarth in litanies was assigned to the paths that lead to the Vas Auric.

Vernarth says: “With these titles “Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystical, and Regina sacratissimi rosari”, I have to transform all the astragalus, and shrubs into the consorts with the presence of the jacaranda vase of living human nature in virtue of the meeting of the Universe-Duoverse, for the herbalist of Kímolos now imprisoned in the Vas Auric of Limassol. "Sweet Nectar of the dying, eager for eternal hunger and sweetness in withered flowers"
The end of Parapsychological regression XIV century
Saint John says Apostle: “Helleniká and Tsambika, will be the lily, the saffron, the rose and the violet but also new ones, like the marigold and the chamomile making of all a diadem crown to place the world of the Duoverse in all its radius, for the star that illuminates par excellence as a white planet without thorns, which is perfect among the perfect, anti herbicide of language and of incarnation as in the Empyrean the medieval sky in the highest of heavens. It is likewise in the place of the physical presence of God, where angels and souls reside in Paradise between caltrops and Rosas towards the alimentary plane of conventual voice, and tonics of the glycogenic Milky Way sipping third-grade milk to curdle in the children who have not been a Messiah yet. Paths of thorns will guide visitors to this gallery of flowers and plants through the Panagia monkish for the holy homily with the Lilies and through low valleys, where no more Lilies can escape from their chains of the Liliorum genome in the valleys of the galactogenic virtue. Like Mother Rosette and son Lirium, being the mother of everyone and of that…, there… your son, “Myself in the path of the three Mary’s”. Over there in the desolate place, a columbine carries me imprisoned on my heels as a bond of a son who makes my steps with the Columbine of my saving feet” At 320 meters of altitude Still, Life appeared concealed behind the Vas Áuric descending…, here everyone approached the auric circle of Moral that made them authors of the proximity of the Universe falling on Greece, and the Herbolaria that fell with all its reliable structure in the foliage where many more species appeared such as thilts, Laurel, Olive, Linen, Grenade in a simple and nuanced devotional with the pro status of the delegate; the same Hexagonal Primogeniture to make the cinnabar fistulas that were elemental by the different associated colors, and by Grail tutorials that looked indigo on top of some Rhododendrons. If it is eschatological, it is in the mystical nets of the Empyrean further from a form that is said to be called a form of antagonism, between Cardinals and their dead Lilies. As first among the last, the bulbous and clayey Tulip of the orbital and basilica symbology, peacemaker and philosophical Eritrean for spiritual quests that toil outpourings from the Empyrium, reaching the Messiah on his Colt on his way to Bethany. Around the Monastery, everyone could be seen as they arrived to the beat of the cymbals and aulós, among lyres that prowled tickling the inquiry to rest their fingers, or perhaps dressed by some Trojan villain augur in those of "Daedalus". Being the latter, here a tulip with flames of a true seeker trying to sacrifice subsistence daring over the risk of the resole of salvific death or perhaps dressed by some Trojan villain augur in those of "Daedalus".
Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Thalos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster; the labyrinth was a building with countless corridors and winding streets opening into each other, which seemed to have no beginning and no end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave of Minos in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth, I have to lament for the ****** of Perdix, now turned into Partridge who now carries in his claws the creation of the Universe-Duoverse, turned into his own, and myself in envy neither harassing me about my endings, and neither starting nor finishing. That is why I appear here coming from Crete, to wrap myself in the garden and its mystery closing all the madrigals and hedges, like a world that has created me, in its splendor, seeing the humility fragrant with violets grafted onto lavender with my soul now, of a somewhat syncretism Hebrew-Hellenic and Mythological sub-Mythological, like a nobleman who walks free and without chains… passing through the Parthenon to put on tiaras in dresses that are adorned with Linens, but of evangelical lineage here in Kimolo.

In Kimolos; Helleniká Necropolis, Etréstles was suspended in a columbarium equivalent near the lapidem of the necropolis. There was a great amount of accumulated air enclosed in the musty cinerary walls, with the translucent specters that fluttered through other metropolises that transited inconsistently in their proto-masonry, and some resembled pink jaspers on some grooved slabs, letting pale dovecote rhizomes slip away under an oblique columbarium domain that manifested itself meagerly on an unstable podium of Folegandros. Adhering to this enormous exteriorization were Kanti, and Etréstles in their hydrothermal genesis, lying as a petra forms at a wide range of heat towards periodic effluvia of their Devonian geology, manifesting discreetly until a carbonization of sedimentary rocks attributing their curiosity when they continued to remain in areas favorable climatic conditions, simulating to be exordiums on thermal hydro sediments, leading to the carbonization of the surface of the necropolis with micas and serpentines, to cool down in the selfless natural fields that resisted the effect of the heat generated by the ZigZag Universe, etching each other on pyrites and graphite’s with the compactness that increases, and extends the widening of the mournful enclosure attentive to channeling emanations and traces, that will be the first loads of exegesis from Tsambika for prompt elucidation from Mount Hymettus in Athens, and continue to proliferate in hives of bees libating in its thickness towards the good-smelling necropolis causing its magnificent flowers and herbs to steam; so much so, that from the paved lipoids of honey astragalus and spectra will come out deposing to be toxic, yearning the strigilas or curved striaeons (reverse or straight), imitated from pagan sarcophagi.

Thousands after Thousands of Centuries after centuries, adorning themselves in the lapidem glossaries on the exterior fronts of tymbos that were embedded in the tholons, almost as in outright Constantine-Hellenic brilliance towards an unarmed cenotaph with their flat covers, pouring over them the devastated trisomy of Kaitelka, of whose diploid organism extras, aberrated by being parity triplicates of their greatest chromosomal and homologous hereditary complement. The vestiges of fossil whales here were generating disproportions of execrable variation, being destined to the patio of fall on them in three additional courtyards of marbles at the rate of inverted strata, revealing only some of their extremities appreciating them with semi-covered figures, and on reliefs filling again by genetic trisomy for gentile practices and lead them to the Christian Vas Auric. Faced with such a famous disproportion of fossil reliefs, they turn to the scourges of the Universe.

Panagia Theoskepasti Parapsychological regression Etréstles in Kímolos: The church of Theoskepasti, due to its position could be easily recognized by the invaders during their raids. However, according to a legend the church was veiled by dark clouds of mist and became invisible as soon as the assailants approached. Due to this legend the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" meaning "God" and "watch" respectively. So, the name is 'God Veiled'. According to another tradition, when once a foreigner managed to get into the church and tried to steal the golden candle divine power cut off his hands. Also if it is watched over by God, so it is divine for the Creation that it will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese. Etrestles After staying together with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of Kimolos, here in the necropolis there are ruins of ancient tombs that would form part of the new humanity in the creation of the Duoverse, existing since Mycenae and the Cyclades next to the small islet of Agiоs Аndreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Elliniká with some stones still in the sea between Kimol and Milil, in the vicinity of Psathi on this island located on the southeast coast. Kímolоs to Chοrá is 1 km away on the hill above the Psathi port from here the foreign ships trying to come to the Bay area sighted, for the advent of the Cinnabar on the scapulae that hold the Gates of the Necropolis for the effect avant-garde, and regenerator of souls that will resurface with more universal chromosome tints mutated from trisomy, more of extreme longevity. In the homily, an archpriest of the regional deanery will make a pastoral criterion for this gesture by virtue of eminence, and guide them through the orthodoxy of the chapel to the Episcopal organizational procession of the Vas Auric. It was already twilight and Etrestles was climbing onto Kanti's pony clutching the utensils of the homily, in the customary ritual before incensing and setting fire to the laurel and rosemary in the fords of Leto and Koumeterium of Messolonghi, it rotated in ellipses sprinkling crumbs of the purest loaf from Arcadia on a gray Monday with hummus to attract sour souls that they were in a catatonic state making them more esthetic or aesthesis, of reactionary rebellious natural aesthetics with nuances, then reincorporate them into the three courtyards in a magnificent concordance with Rhodes. When the Archpriest begins the talk, he derives his prayers from semi-inert materials that were made in communion with the chromosomal dyes; with the worms with absentmindedness of progenitor snakes that were grafted undulating, being in reality only worms that were amazed at the exhortation of the Archpriest in the ritual, circulating universals destined for his elegies and celebrating from an ambo or pulpit with classical Latin pronouncing the archpriest the way it died lunae, mutating it ****** to dies lunis by analogy with dies, on a dark Monday day but full of grace for the assistants doing the sermons to interpret the alabaster patios that will lead to Tsambika. The first worms were persecuted by Kanti, he believed that they were scatterings that emerged from the ground, such an earthly ecosystem was beginning to disown him due to the metamorphosis of annelids which seemed to increase their ultra-grave texture with the same remains of an irresolution without a sarcophagus, turned into sharp curves intestinal that were depressed breathing autonomously on consistent folds of the dermis of the oldest caste of the subsoil of Helleniká. Preexisting the distant origin of the Arcadias and they're dissected that silently followed the hummus and bobota, not to digest them with their suckers, but rather surround them and delegate them to explore the surroundings that would encapsulate the ground with the proximity of the transfigured universe to Vernarth's Duoverse, to phosphorus and emit the will-o'-the-wisp nitrogenous fires before the Archpriest, Etréstles and Kanti disquieting by an arcane movement. Being a full act of the herbaceous phagocytosis, they continued ascending in the curvilinear procession with their traces weaving moment without time, which was added to the sub-mythology and a finite sub-time, like unicellular procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of the organic material on the hummus and exudation of propolis rhizomes. In this way, they resign when falling with serious cramps cleared of the digestive world, which no cell has tasted ******, but rather direct when breathing from Hellinika's lung lobes, comprised mostly by the alabaster sheepskin that was suspended to other colonies of worms that sailed to lean out towards the surface of the altar where they regenerated from the flow of the annelids. Archpriest says: “The frame of the Vas Áuric arises from the nuclei of the medallion, pending a high presence of insulation. With high mobility between the tissues and amino acids of the annelids, new basal cell functions even being visible for Etréstles and not totally for all yet. The image of the medal had a classified functionality and concrete information, but imperceptible chronological possibly being the first function of the icon in its justification with religious symbols and manifestations of the divine, and semantic still removed from a theoretical auto-iconic. When reading in Vas Auric, "What two men do not see, a man sees who does not see..., what the creeping animal sees, self-prisoner of his lack of vanity..., He will see it". Being epistemic images that provide more distant knowledge of the sub-divisible organic matter in finite mortality towards the other eternal inorganic, contributing to the super complex neuronal development, in a veiled sensation that is lost between itself and its own bodies, being able to take them with its own differentiations”

Panagia Tsambika Monastery - Channeling Cinnabar: Vernarth commanded the three architectural courtyards of Tsambika for the Cinnabar layout. They climb the steps that lead to this monastery at the top of one and to the very connection of the homily with Helleniká. In this monastery they will have to censor three courtyards, all pointing towards the west of Mandraki Bay, on some pine trees all surrounding the virtual stained glass window of the portal that joins the main avenue with the ascent of the monastery, until very close to the Virginal Marianus icon and very close to the dividing wall from where Lindos can be seen. The Tsambika Monastery is four kilometers from the city of Archangelo, the height of the monastery is leveled with pebbles on its bare floor that led everyone barefoot, towards the three nearby patios. Cinnabar as a polygonal crystal would be specially used for the perpendicular ceremony of Mercury, to sensitize the climatologically the variation that would be appreciated once it began to sponsor the bones that would spread in the extreme longevity of annelids exchanged from the moldy alabaster arcades, and carried by alluviums of crystallized mercury, granting together with the Panagia of Tsambika fertility, and parental conception for the new Universe-Duoverse of Vernarth, extending life farther than the first-born descendant's first ancestor, being the cinnabar the diversity of versed uses now been given in the upright channeling with ultra vital extensions with Helleniká. The alabaster and the three columns of these sulfated stones form compact would dare to hydrate in the silos where the windows will be poured, this is where the sub-mythological specimens detached from any temporal dimension will be used, leaving sapiens annelids free will recombining the diploid chromosomes, and profiting from molds of exact erratic aberrations to be vindicated in the dispensaries of Saint John the apostle. Thus adorning the perfumed areas intervened three cinnabar patios, for the sermon of the Vas Áuric. Thus inspiring the chair with the verses of Saint John on the immanence after the fifty days of the Messiah in epistolary verses and the evangelizations, elaborating vessels of the low rank of Faith to opt for expectations of moldings with new consciences of selenite clay, and refine them in messianic faith. Middle-range pebbles were subtracted for the interior and extramural floor of the Monastery, being rather Biblical Calcite for the Egyptian-Hellenic Alabastron psalmody praise perfume. This typology will be the quilt for the magistracy with a canopy glass exhibited near the tulip lamps, and ceiling lights of the monastery for the use of the diamantine sphere of the opaque panels that flamed from the intersection of the arachnids re sprouting from the current wind of cinnabar. Vernarth says: “Suitable for our consciences, we will open the channels in Kímolos before our subtle bodies that will make us divided just as we parabolize ourselves, before the airs of St. John the Apostle in the headdress of mediumship to reach the wavelength to Helleniká, the interactive vibrations will leave with the expression of deep reasoning after pontificating the Mandylion with the Vas Áuric, for the effect of its icon and idiomatic monologues for the edges of San Judas Tadeo and Veronica, for such a faced event in foreign forces before the Messiah, a coherent gadget will be made in the intermittence variants. The channeling to the Cyclades will go from east to west wading the Aegean and Mediterranean waters, through the channel of the Universe-Duoverse for inter consciousness between the Hexagonal Primogen in Tsambika, and the triad of Etréstles, Kanti, and the Archpriest in Helleniká, with high degrees of the light consciousness and conclaves between both synchronous homilies. With drowsiness before the Anemoi winds that will be crossing near the voyages of the Trojan chthonic ships, and before the fateful chthonic divinities for such deities in the Mediterranean substratum identifying more obviously with Anatolia which since prehistory has followed to the site of Troy, in a cheesy union plan for Agamemnon's loyalists, to defeat Hector between farms and revolutions of agriculture, and Akkadian worlds b.C., in peripheral outposts to influence the central regions of Greece and its maritime trade. Hydro-physical influences, for the cycles of the solstice and nature with life and survival after death that is at the center of concerns that are not translated. In Crete, the supposed cult of great Gods is transformed during the second millennium BC as new actors appear: various animals, plants, etc. Given the consciousness, it will be the channeled light in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the Cyclades channels, which go from Rhodes and Kimolos, for discernment. Sometimes it is more gratifying to hear what you want to hear and not the real message, the egotistical mind that does not come from a series of daunted egos..., or signs of the technological shamanism, intervening artificial intelligence from maniacal administered consciences, being shrill for worlds of appearances and illusions. I Vernarth with our own Khaire Fíle…, in my mind I go to the vessels that sail through the landscapes of the elusive identity, trapping her in the totemic stratum, and tracking psychology, but a seer of her present ego. Today I will wear my Leonatus cap, to separate his anger from such a shadow that clouds my grief, and my own victimhood of reduced and meekness which spurns violence, blaming it on a ruthless kind of depression and excluding shame from everyone's own fear of everything. I will bandage my eyes against diseases that will heal after three days, to straighten the ecstasy that thickens towards the scaffold, staying in Golgotha with nothing, I will create the framework of cinnabar for the pain of the skull that trembles in my claws, until sleep becomes vaporous with anger and the harmless destroying itself before your egos, colorful throbbing towards your alien beings and scarified host. I will be waking up from my subtle and anthropomorphic subconscious dreams, with sentences that hurt my worst self-destructive delinquencies before the new memorial, on the veil of Theoskepasti with its science sheltering itself by giving in on the vanquished springs and inaugurating new miraculous courses where I will surrender, full of forgiveness and more distant from the veil that does not act as a viewer.

Duet time, Duet space, one with the other illusion unreal elements and epistemic images ignoring them in expeditions crackle my Duoverse, and temples of Tsambika with the decoded annelids mutating in trisomy with flat doors towards the Olives Berna. We look at what gratifies basting and plotting the positions of the stars of the universe that are attached like sheets worthy of almighty serials, and redoubled humor on the chthonic embracing tridents, before skewing Xyston as an original replica of the dream of a night in Tel Gomel. The counterweight of the message of light lagged behind the high astral like the little bear, bustards, and her angelic breath retreated in dissolution..., now if diva emotion I have my daring, and courage towards the binge of my omniscient prosopon, similar to omniscient telepathy, my soul lies and my emotion too because in this way I will treasure the value of panic by surrounding myself with the fears of resting, against the poles and sights of a peaceful energetic confrontation that will make them in Rhodes and Kimolos, channel the consumed human finitude and not eternal ad portas of his Áspis Koilé.

Unconsciously they will continue halfway with their bouquets of flowers for Valekiria, and may they never really take the time to tell her what time of eternity will make them more crowded for her, and her reliquary poem bursting into flame with its insidious outbreak and fear of telling him that if they revive they will be other Hellenic Hetairoi towards the vermilion light of the embodied sacrificed loop state as a "Being of Light". Oh ghost phenomenon that doesn't scare me... rather disappoints, clinging to the skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me... As conjecture and presence of Greek life..., having to be promoted and involved where they should be tempered to the contribution of biodiverse, and species for island life and its balance in the Aegean. The theorem will enunciate in the image of the Vas Auric as sounds of homeostasis in classrooms, properties of intervened annelids consistent, capable of maintaining them in a certain internal and stable condition, compensating for the changes of the explosion of the intervened patios, towards an environment through regulated exchange of matter and energy with the outside towards its (comparative metabolism), in the case of a form of dynamic balance with properties of Cinnabar brilliance, as a self-regulated biosphere in the conditions of the planet to make its environment (especially temperature and atmospheric chemistry) nobler with the species that make up life in the compass of two unmanned islands by beings from Gaia, rather as entropy in physical magnitude for a thermodynamic system in equilibrium, inhabited by dynamic beings that associate nobly for adaptations of worlds that are not born. It segregates them towards a departure measuring them from heightened numbers in states of zero compatible with the laws of that physics for the purposes of watchful guardians if Gaia's engine is turned on before this psychic and spiritual combustion. The laws of this system with closed circuits and brought will tend to maximize the entropy expiring inhibitory reactions for the traces of oxygen and nitrogen of the worms, making a sign of the levitated carbon dioxide to take it from Tsambika in two converged energies of Leviathan and Saint John the Apostle in moles of carbonate dioxide, battling surviving the impostor necromancers adverse to their conditions and reproduction, keeping these habitable for many who do not they enjoyed the life-death-life cycle. Greece, as it will now look regenerated and appropriate of laws and extensive fibers concerning moles of molecules said to be equal of said Vernarth hypotheses by way of sub-mythology, rather perching on the growing ivy and strangling the signs of satiety of life with properties in consonance with severities that hurt even to the sound of the rattles before the passing of the millennia! Fear, insecurity, and frustration did not fit because they will cut the Diospyros abenuz, with its stamens usually sixteen more hypogynous or inserted at the base of the corolla; as female flowers being greened or being converted into staminodes, Diospyros with generally tetra-locular ovaries or with eight locules due to false divisions, will make us channel by inseminating Itheoi demigods, under the staff of sub-mythology with Zefián, before the migrations in Helleniká begin, just as in this pact with silence and meditation and a burning flame, below the vulnerable and high insolated frequencies..., waking up in Gaia as a dozing fairy. Shamanic vested will grade synergy and simple science.
The Homily in the natural lassitude of the created, the Duoverse presented IHΣ, falling in the eighteenth letter of the Greek alphabet and in the duo hundred changes of physical remembrance. The PH (Hexagonal Primogeniture), is conceived in the presence of the Crismón, more Hellenic with the Vexillum banner and the Kantabroi to rescind the tired depressed zephyrs, since the quantum of memory was lost in the integrity of an earth acrophobia for the subsequent it would be air-water for this reason, preceded by the ceremonial that begins with the trimming of the abenuz Diospyros with its stamens usually sixteen plus it's hypogynous or inserted at the base of the corolla; like those of the female flowers having part of the gynoecium in the part of Tsambika, and of the androecium that will be of the Diospyros in Theoskepasti; usually tetra-ocular ovaries adapted to be inseminated for the raids of the demigods Itheoi and Duoverso, with the monogram HDD (Horcondising-Duoverso), tracing the bifurcations with Zefián; the chaos ordering up to modulated Theoskepasti. The changes have to be reborn in the stamen, being almost sterile and aborting in the chronicles of Galilee personifying the pollination benefit of the Diospyros resprouting in the same stem of the whorl even more so in each stigmatized part of Vernarth and Etréstles, carrying the IHS candles with the monogram and the Mandylion-Vas Auric, pointing to the Olives Bern. Before the seams of the carved heels and the canals of the annelids rise up through the alabaster up to the calyxes with the Chrismon hat. Filling the warehouse of Anemoi himself struggling with the roof, and forgetting his deposit of the breath on synaptic abbreviations continuing to argue with Saint John the Apostle in the network of Rhodes and Kimolos, in the bark of the sensory past and consequence of fallen gushes, and affecting being restored on the basis of oxygen-nitrogenated Nemo-genetic activation to summarize loss and gain of channeling between the Cyclades and the Dodecanese. The memories of the stuck Vernarth cerebellum will be loaded, trembling towards the marsh of the hippocampus where Zoroaster led the Magi to the end of the span and first-last border in the vicinity of Ein Karem. This evolutionary scale fluctuated in weak air masses with the increasing rise of the Meltemi over the Aegean taking them to Dekas Bay, on the knees of the colossus that cursed to avoid some delirium that could replace it's joint, remaining like this on a scale of reminiscent and unspoken emptiness..., it continues to be stated and not occupied and not, but raised towards the colossus from the ground of Vernarth which had unfolded bipartite from Rhodes to Kimolos, by way of the Verthian neuroscience whose prose emanated in the submissive glaciers of hyper-intuitive meditation (as a technique of knowledge and abstraction for functional links of improvisation, purgative discernment and yogic memory). All the nonsense is alluded to infringing the rationality of the Vas Áuric ceremonial in its phenomenology making curvilinear pauses to re-captivate phraseological, and diminished keys in the condensed equivalents to approximately ten terabytes from a homologous half surrendering almost when exhausted before both scholars, and their debts exchanged by driving..., thus recovering wave descents before reaching the bay of Dekas; Kímolos and final in the necropolis of Hellenika..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos to finish in Tsambika, Rhodes. As a parallel response to the archpriest not to alter the IHS monogram of the homily and the association in remembrance can affect the conduction of the mediate trance, almost prostrating it in the house of omission and frenzy, if it has to recover unstabilized. The sulfurous mercury component of the Cinnabar, came acidifying from the essences of the Vas Auric, already prospering in the tutelage of each auric conductor..., Archpriest and Saint John the Apostle, each one with the sulfurous of the Greek mountain and the arch of the Aegean Sea as a former karstic foundation for its diametric towards a change of reaction of chemical prisms up to the multi-angular of the topaz that Saint John the Apostle carried in his bag near the reliquary, hanging off some fringes of the Vexillum that had been placed near Vernarth. Immediately from the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos who came on another mission to be taken to the cinnabar, more on top of an encourage observing the quarters stationed in the sandbanks of Rhodes, Petrobus the pelican circling the ledges of the monastery, marking out the apparent slackness of his body and entreaties in case they ventured into Kalymnos for a good portent, in waters for tenth seeds and for all the rodines. From the cloister with one of its necessary dependencies, all were with white candles aggravated between the steps of each cell and attached friars they made an antechamber in the nave near the church on the hexagonal floor, being screened by the center of the garden where everything was dominated by the limits of the alabaster arcades, which only now pointed to the closet of the books, this time with plenty and saved voices with devotion. Chapter by chapter it was won..., for each cell, identifying each portion in identity up to the scriptorium and refectory, where this ceremony books were distributed to the infinite world of the Duoverse near the locutory to witness where Saint George and the Dragon raged, souring winepresses for the missal wine.

Sequence shot in Kimolos, Panagia Theoskepasti- Etréstles says: “according to what has to be said in this dimension, the word will be the Duoverse. Synchronically it will be aligned with the monastery in the Tsambika for the third hour after noon, reflecting on the unrevealed walls of the chapel on all the radiosities of the cinnabar, entering in electromagnetic lassitude through the trusses of the pulpit anchored in the Vox and mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, which collided crashing many times until by the glow of Cinnabar somewhat sulfurous, was mixed with the interlocking of some novas which also acted as a decoy for the Chrismón that Kanti carried the steed adjusted in the saddle on his back, as a mount in syntactic esotericism speaking with intangible brown colors of the Cinnabar.
Vas Auric
Look!  The state of Israeli has taken us to dark caves,
Left us hanging between western drones
And pious chauvinism of the Islamic state,
We only harvest terrorist bombs intermittently,
As true benefactors are turfed in tight security,
Where mankind linkers an actuary determines not
Only God’s shrewd calendar has salvaged mankind
From the land based time bomb ready to trigger,
But Israeli’s avaricious eye on the lands of Palestine
Wavers not in any tincture of measure,
And western appetite for the Arabic oil wells
Has now gone fluvial spilling the moral brim,
Both have sandwiched us amid delicate edges
Tracking us down to the dangerous courtyards,
Where humanity forlornly gapes at the gathering storm,


Islamic state here comes newly fangled
Fully amoured like Arabian knights
In the dhow of Sind Bad the sailor
Sharpened to date by eastern wisdom
Where China hovers like scavengerous vulture
Waiting for sweet dish of the war plunders,
As Israel giggles at the western folly
Ever jumping into war on a simple trigger,
Evinced in the war on Iraq eked on twin towers
When the true bombers were not Arabs
But shrewd Jews who ployed and stunted
For Islamic fate on the American guillotine,

Israeli state was faked in the formation
Allowing the oil venturists to flock
Menacingly flock from America to Palestine
To usurp land that belongs to the least armed,
On whimsical claims in the  fables and rituals
Skewed to favour the tongue of Ptolemy,
Otherwise, who among us has useless history?

The state is formed by identical population,
Definitely numbered for reasons of law,
How many Israelis formed the 1948 state?
Where were the Jews coming from?
How long had they been away?
No good answer will come than drones,
It is folly to claim land you never owned
Because your foremen hailed it 14 centuries ago,
You forcefully encroach on it with force and terror
Killing and ****** the genuine land owners
Israeli!  Listen to my voice of vision;
Soon God will withdraw his favour from you
For you have ***** the weak and the poor,


Which way Africa! Which way?
Will you take to cross the battle field?
Of the possibly coming horrendous war
Between Islamic state and West backed Israeli,
Don’t go to the West in support of Israeli
For after the war Israeli will become a lion’s cub
That eats the dog foster-mother on its maturity
For a Jew prefers an Arab a thousand times,
More than he does to a black and gentile African,
Let us go east and do business with the yellowmen.
Ders Jul 2018
Timing rhymes
Does it heal
Proximity
Close to feel
And this crutch
It’s a spinning wheel
Imagine us getting killed
And then you see it in your sleep
It just repeats and repeats
Sometimes I'm the only hero
And sometimes it's you who's saving me
We watch it on tv
Getting killed in societies across nationalities, we catch you screaming in your sleep
Sometimes you gotta bleed
We'll leave you to patch it up yourself 'cause
You're all you really need
This is what it means to be free
We catch you getting help we lock you up, it's the rules of the games, money paper book tree
Paper cures us all the time in the schools, the libraries, and outdated trees in the courtyards
They say nobody reads ours
Nobody has gotta breathe trees for any hours unless you breed ours
Gotta pay to breathe
Repeat repeat
First breath I'm writing on paper
Breathe in again we on the crystal
Square shining on my face
We're mentally chasing the sun that never satisfies
Looking for light in all the wrong places we're constantly mystified by how it never seems to last

I'll chase the light in your eye a day before I die staring at the fire of the sun as it slips to early morn where Luna's shining in the storm

So fierce but lonely does she seem without the fire burning her soul to gleam so clean

We scream fire ****** bathroom sinks filled the graves the shining metal gleams gory ****** are sipping tears from powder quakes

We rake the crowds with raining sun so one day we pray we'll see the light of glory goddesses to be won

We’re shambling ourselves
We're lying in the muck
Crying ghostly in our sleep trying to beat the sound of screaming sheep

One side of me growing closer to the sun, she weeps, I'm drowning in these sheets
She pulls me closer and questions me
My split soul is a far reach

Why even ask why you're trying
I know what we’re finna keep
I'm glad who I meet
We should shatter in these streets

I know what you're asking me
But I don't think you're saying it quite right
I don't think we have the time
I'm riddling you and me we're questioning

I don't know how to say it fine
How to finesse the letters to make em mine
Dancing phrases of better days but I know I haven't yet paid the price to pay to shave the way of better feelings

But standing in this storm I'm reeling
I'm hiding, cover, summer stealing smiles from off the deep end brothers flaked and waked you out you baked in heat from another paper so timeless easy smoking

Like my father, a toking fighter lighter laugh on the wall to appall and adore show us more the universe is sure that we're lurking for a cure

Lurking in the hard to reach forbidden injustices in the back of memories of these contemplated possibilities rolling over thots like a crusted raw prince’s

Tongues never seem to think of where their words travel whether they keep their mouth shut or mind open maybe closed like the door to this blocked soul

I want to write and I do kind of sometimes get something out of me that I haven’t seen before.
Times like these I can’t get more.
I’m bore such a sore grasping, letting go in the face of someone I adore.
I need you.
I can’t do this without you I need somewhere to keep my heart arrest while I dive into these depths of ***** streets, dungeons in the roots of mind where lies me dead and stagnant.
Disgusting ******* written on walls in these tunnels, gulping all love, dear please spit out your fears you may never know the destinations of your timeless travels.
But I yearn to, I dig deep scratching at my skull trying to figure out who I am and why and who I am supposed to be in this world, I twitch at thoughts of happiness while dreaming of death I plead, for better days and understanding I’ve never been fond of this blissful lie.
We all die we all live we all run to jump to fly as high as we can possibly imagine knowing that one day we will fall only to be picked up by lovers still floating in the trees.
My guardian angels of my soul.
We speak to the trees of ancestors of these trying again to win our hearts back from these time never healing devil memories.
We only sleep to name the trees our memories.
They say our hair contains our memories.
If that’s how you really feel, squeal.
Anna Jordan Mar 2010
The God of War sat upon his throne
In a wing of the Olympus palace
Under the sun his bloodied-eyes shone
Setting atremble his servants, Discord and Malice.

The wars below, as he viewed
Were hard fought and stalemates, it seemed
He sighed and spat, quite bemused
Why could no winner be deemed?

His bed of flesh from enemies gone
He rested within its dermal folds
The howl of the dying, singing its song
As Apollo’s chariot grew far and cold.

The roaring clamor of vicious scandal
Woke him from a bloodlight dream
And he looked below at victim and vandal
Appalled at the disastrous scene.

And Now, with Eos rise to morn
As the dew mixed with blood and sweat
Discord arrived to comfort her lord
Her company he did not regret.

“You have seen my battles
Look now below and explain
Mankind has become brainless as cattle
Look how they are, vile and maimed,”

“Milord, I see,” she spoke with grace
And her eyes did glint with fire
“Perhaps if you showed another face
The battle would be what you desire.”

And though her words were softly spoken
The answer they did present
And Great God Mars felt, at once, heartbroken
A message had to be sent.

Mercury, the winged messenger
With winged sandals and helmet
Arrived to be the harbinger
And was told to fly beyond the sunset.

“Beyond the sun and stars
There is a palace where a woman sits
Tell her that our Lord, God Mars
Invites her here, if she permits.”

Discord and Malice saw him off
And sweet Hermes, how he did fly
For the sound of war was not far-off
And nightly he heard people die.

The palace beyond the heavenly sky
Was one of silky web and silver
And within its courtyards did lie
A splendid woman that made him quiver.

This woman was Lady Nike
The very Goddess of Victory
Sister to Strength, Force and Rivalry
Who had fought the Titans in day old Glory.

The fair-ankled Nike heard the message
And smiled a fair, rosey smile
“Tell your lord that if he has the courage
to come and woo me here in my exile.”

When Ares heard this, he maddened with rage
and tore through Olympus with sword
and threw rocks down on the world stage
and sent hiding the servants, Malice and Discord.

Soon after saw Mars chariot race
Flying twice the pace of the sun
passing Mycenae and Athens face
to where the wooing would be done.

Aphrodite flew at his side
“God of War you’ll need  Beauty to aid
in wooing the Victory that hides away.”
The God of War grew weary and sore
and by the time he arrived at Nike’s door
his mood had taken a turn for the worse
and he muttered colorful curse.

Lady Nike was patiently waiting
For Victory is always calm
Her soft white dress billowing, baiting
An almond blossom in her palm.

At first Ares was rough and coarse
And Aphrodite grew red in the face
Seizing the reins, she stole his horse
While Nike kept him engaged.

The Goddess of Victory never made answer
Her voice quietly humming to the bloom
And though Ares voice cut like a cleaver
She paid it no heed, fearing no doom.

Ares grew tired and finally rested
Beneath her feet as she sat on the wall
Victory obviously had him bested
This had been a fruitless call.

Finally, Nike climbed down to join him
Her dark hair loosed from its plates
And in the dawns coming, the darkness dimmed
And she motioned beyond her gates.

The battle below was louder still here
And Nike gave him a glance and frowned
“Every night I listen and shed my tears
for no victory can be achieved on this ground.”

At hearing her voice and seeing some hope
Ares let a rough smile play on his lips
Finally she was going to put things in scope
But rather, she moved and gave him a kiss.

“Lie with me and perhaps...”and silence then
Ares agreed and the two made a retreat
And there, in her palace, deep within
Blazed a terrible and passionate heat.

When Ares awoke in the middle of the next day
He found Nike gone from her home
Cold and angry he rose, intent to be on his way
but Goddess Aphrodite had left him stranded, alone.

But then he heard the softest sigh
the sound of a babies voice
and stealing to the sea, there Nike lie
holding the prize of his choice.

Within her arms was the smallest of creations
A child so pale, so weak it might barely survive
But there was Nike, crowning it with starry carnations
Sure, it seemed, that the babe would stay alive.

“This is my daughter and yours”
said Nike of this newborn miracle
And slowly stepped forward the God Mars
And took the child, his rough hands careful.

“Her name is Ireni, Goddess of Peace
she will bring calm to the wars below
and be the most coveted in all of Greece
hair dark eyes brilliant, skin as snow.”

Nike smiled her wise smile and stood
Holding Ireni as gentle and kind as the child
A silence spread under evenings hood
the ****** scene turned serene and mild.

And though Victory was not claimed
The battles ended for the stress and fear
And from nights cloak, Ireni’s tears rained
wiping the blood and sweat and violence clear.

And peace remained upon the land
Until the great War of Troy
When Aphrodite and Zeus would play their hand
With fair Helen their devious ploy....
Epic Poem
Thou and I                            

Joyful the moment when we sat in the bower, Thou and I;
In two forms and with two faces - with one soul, Thou and I.                      
The colour of the garden and the song of the birds give the elixir of immortality
The instant we come into the orchard, Thou and I.
The stars of Heaven come out to look upon us -
We shall show the moon herself to them, Thou and I.
Thou and I, with no 'Thou' or 'I', shall become one through our tasting;
Happy, safe from idle talking, Thou and I.
The spirited parrots of heaven will envy us -
When we shall laugh in such a way, Thou and I.
This is stranger, that Thou and I, in this corner here...
Are both in one breath here and there - Thou and I.

Jelaluddin Rumi*

                                              

By the waters
of Babylon the
beloved weep;
mourning the
loss of our
brother
Rumi.

We have
forgotten
Rumi’s
example,
we no longer
speak his
language
of love.

The beloved
have discarded
his virtuous
entreaties
as useless
historical
relics.

His compassion
is mocked
as a sign
of weakness.

His empathy
is considered
a seditious act.

The
beauteous
poems
bespeaking
ecstatic graces
found in the
resplendent
embrace of
unity in the
holy spirit
are shattered,
like a worthless
vase, its
shards
scattered into
a million
splinters that
****** our feet.

We no
longer
sing the
blithe
words of
his love
songs.

The
rapturous
melodies have
evaporated
along with
our joys.

We have
destringed
our harps.

Our songs
of joy have
become
dirges of
lamentations
moaned in
the streets
of our
desecrated
cities.

Our people are
in shambles.  

We are
refugees
fleeing our
besieged
homelands.

We are
prisoners
in the
basements
of our homes.

We perpetrate
crimes against
humanity by
willfully defiling
ourselves.

We dash
the heads of
our children
against
blasted
rocks.

We are
desperate
to find you
dearest
Rumi.

We hope
your sweet
reminders
of love will
bind the
broken
people;
leading us
to forsake
the diet of
acrimony
that has
become
our daily
bread.

I wander,
the streets
with open
ears
listening
for a hint
of your voice;
hoping to
follow it to a
rendezvous
with the
Divine One.

I open
my heart
to discern
a tiny note of
your songs,
winging on the air,
the sweet chords
of agape love
is our hope
to salve our
deep running
wounds.

Only
deafening
silence
returns
to my
saddened
ear.

The elegant
magic of your
voice are
angelic fingers
plucking strings,
evoking  a
heavenly
chorus
of love
and divine
reconciliation.

Your voice
rolls through
the ages
beckoning us  
to transcendent
peace; your
whispers
dance
upon the
face of hatred.

The marching epochs
have dissipated
our memory of you,
beloved Rumi.

Your verses
are ancient
dialects we
can no longer
decipher.

The urgency
grows for us
to speak in your
tongue once
again.

Our besieged
cities are
filled with
the cacophony
of distress.

The beloved
tend lamps
to light the paths
of reconciliation
but few
step forward
to sojourn
the pathways
of peace.

Some ecstatically
turn willing cheeks
to the nasty slaps
of adversaries;
daring to let
flesh absorb
the totality
humanity’s
pain.

Hostility
spills over the
lips of stormy
volcanoes
like gushing
lava flows
of destruction
covering
all corners
of the globe.

Can the
forgiveness
offered by the
aggrieved
blunt the
world’s
acrimony?

Oh Rumi
where are you?

I offer prayers
that your spirit
still moves
among us,
with balm
in hand
you anoint
misspent
love
wandering
amidst the
desolate cities;
daring to spark
life back
to the dead
stones,
your
miraculous
palms
warming
the cold
rocks
with extreme
humanity.

Your love
rises to answer
the intractability
of indifference;
defeating the
crucifix
of empathy.

Your love
rolls away
the bloated
stones covering
compassion's
cold dead tomb.

Your love
breaks the
omnipotent
cycle of
unrequited
vendettas;
laying it
to rest in
the solitary  
oneness
of spirit;
freeing
the beloved
to live in the
liberty of
unconditional
love once again.

We evoke
the presence
of your spirit,
imagining you
levitated
by Allah’s
slightest
whisper,
floating
among us
in aromas of
spring violets.

We hope
to detect
your soft
footprints
on the
open hearts
of the
compassionate.

We invite
your tears
of joy to water
flowers that
bloom into
luscious
groves
offering
the bread of life
to all.

Rumi, return
to teach us the
lost language,
remind us
of the songs
we have
forgotten,
unite all hearts
with dervish spins,
turning the world
in circles of love,
conjure an
avenging
tornado to
route the
despoilers.

We are
battered
exiles
seeking
refuge
in the nape of
your scented
neck.

We wish
to hide in the
embrace
of your
warm *****
and become
medicated by
the perfume of
life’s gardens
chasing away
the stench
of graveyards
alive in our
memories.

Has the music of Rumi’s words fallen on deaf ears?
Has the rhyme and reason of Rumi’s poetry been misunderstood?
Has Rumi’s example been forgotten?
Has Rumi’s revelations of love evaporated into nothingness?

Rumi, I look for you in the market.
I hope to see you saunter down the street biting into a fresh apple.
I crane my ears to hear your voice incant poetic prayers.

As the sun
sets on
another
violent day
I cannot detect
the gentle taps of
your joyful dance.

I remain starved
to join you at
the Lord's table,
to fill myself with
Eden’s Feast.

Rumi
as you once
came to seek me,
I now come
to seek you.

Panting,
I run through
the streets
in desperation.

I become
a callous
****** spying
through every
window, hoping
to catch a
fleeting image
of your shadow.

I throw open
every last door
leading from the
barren streets
in vain attempts
to track your
footprints in
the dusty
courtyards.

My search
only reveals
bare rooms.

Not a single
trace of you
is discovered.

The empty
corners
once lit with
the resonance
of your spirit
are dark, blinded
by the midnight
worries of the
refugees that
have escaped
these black rooms.

I scavenge
the piles
of concrete,
rummaging
through the
the skeletons
of fractured
buildings leveled
by war.

I am covered
with the dust
of destruction.

I scatter the
bones of the dead
frantically looking
to find a single
footprint as
evidence of your
presence.

I find nothing.

I prophesy
to the bones.

I prophesy to
the disconnected
sinews.

I cleave my sinews.
I bleed my veins.

I drape the sinews,
I drain the blood
onto these decrepit
dry bones.

I scream prayers
to breathe new life
into them.

They do not reassemble.
They do not move.
They do not stand.

Where’s Rumi?

Music selection:
Zikr Call of the Sufi
The Divine Union

Suffern
3/28/12
jbm
Marieta Maglas Aug 2013
(Frederick entered the room. He told them that he found a treasure into the castle’s cave.)

'I found the rarest treasure of all today. What can I do with that gold?
'Surah hid it.'Mary said,' hence, some mining activities are uncontrolled.'
'The finders and the landowners are entitled to these valuables,'
The cleric said,’ hence, it may help John to adjust the budget balances.'
(Mary wanted to tell Frederick the truth about Surah.)

'Surah is an alchemist, and she loves to do this with fierce intensity.
Her studies about substances, their composition, their density,
About purification by dissolution and by crystallization are rife.
She hopes to discover, someday, the formula for the elixir of life.'

'Summa Perfectionis and the emerald tables of Hermes', said
The cleric, 'this alchemy explains why her statues have lizards on head.'
'Maybe she gave Jezebel a strange substance to drink,' Frederick
Said. 'Go to her castle to search this substance, dear. I am so sick.'

(It was Mary, who told Frederick to go to Surah’s castle to find the antidote. Frederick and Matthew went to the castle. )

The turrets of the castle crumbled under the slow pressure of time,
Their glory has disappeared because of poverty and cold clime.
The falling wall stones, the ill-paved courtyards, the dusty moat,
The sagging floors, the worm-eaten wainscot had a blue note.

The faded tapestries within, all tell a gloomy tale of fallen grandeur.
The alchemy chamber in the remaining tower showed Surah was poor.
She spent the hours of her life in poring over the ancient tomes.
The occult studies made Surah first focus her attention on fomes.



Her belief in all the dark power was firm and deep-seated.
With burning small peasant children, the demon she greeted.
Many times, she was busy over a violently boiling cauldron,
Where many substances spewed out their thick concoction.

She searched a spell to release her life from its terrible burden.
She used to work only when the alchemy room began to darken.
She should never wed, she might, thus, end the curse with herself.
She kept cobwebs and bats. Strange things were on her shelf.

Frederick entered that room and saw her manuscripts and studies
In the field of alchemy. She had bottles, their colors being so muddy.
He opened those books, where it was written how to prepare
Elixirs from herbs, gems, and metals while using a devilish prayer.

The books instructed in the casting of spells, invocations, rites,
Talismans, amulets, and sigils. He found how she spent her nights.
On the altar, a doll-representing Jezebel had needles in her head.
There was a paper, where it was written, 'nor alive, nor dead.'

Near it, he found Kratom leaves and bottles-containing naloxone.
He took the bottles because he understood what Surah had done.
While feeding the horses, Matthew was waiting near the castle.
Clayton was in a stable, but working there became such a hassle.

He thought that something happened, when tools dropped on the floor.
A bottle dropped over another one, when Frederick closed the door.
An explosion was heard in the castle, which sounded like a sonic boom.
Surah was in a hurry to see what happened into the alchemy room.

Another explosion was heard being more loudly than the first one.
Surah gazed at her reflected face within the mirror instead of run.
Huge deformations of her new face formed a monstrous being.
An illusion shifted her identity. Believing is not always seeing.

She had sensations of otherness, when her new face appeared
To be a stranger looking at her, beyond the mirror, then disappeared.
A monster was watching her, and smiling with an enigmatic expression.
Clayton embraced her while crying, 'My dear, you have an obsession!'

Frederick told Matthew, ‘I took the potion, let's straddle the horses.'
'The castle is burning. To get out of this wood, we need strong forces.'
'My horse sped up. ‘What does he feel in front of fire and crack?
'He's fearful, because he feels trapped. Don't pull him back!'

'Being scared, his reaction is flight and run away from the fire wallop.
'You're scared, and instinctively you urge him to go into a gallop.'
'The horses are not thinking. It’s all out of the instinct to survive.
You can help your horse, when you know how to ride and to drive.'

(They rode their horses to the castle of Jezebel.)

They entered the castle, and climbed up the stairway to Jezebel.
'I came here in a hurry to save you, and my way to you was a hell.
Drink the potion, and wake up. I wonder how you feel in my arms.
I'm in love with you and still so deeply captivated by your charms.
(Jezebel had opened her eyes for the first time since being asleep. ‘I know that you love me!’ She told Frederick.)
(Clayton had managed to extinguish the fire. After that, he held his precious Surah in his arms while crying. Her face was burned by acid during explosion.)

'Nothing happened to your face. You're the same beautiful woman.'
'Why my face is in pain? ‘It’s because of the heat. Lie on the divan.
Let me take off your clothes, and flush your skin with cold water.'
'You're so gentle, Clayton. In your arms, I feel safe like a little daughter'.

'I lost the potion I prepared for Richard. He's my last chance.
It was destroyed by the explosion. I feel like I am in a trance.'
'I gave you morphine for treating your pain. He wouldn't help you.
Richard is like John, and you cannot change their point of view.'

(Clayton loved her, because he thought she was vulnerable and incapable to adopt the situations. Her soul was very fragile, even she masked this so well. She wanted to be more than she could be in life, and this was the reason her ways weren’t always the best chosen ways. He hoped someday his love would change her. He wanted to save her life. Surah closed her eyes, and fell asleep.)

To be continued...
C Jul 2010
I wish to peer at Paris, under-dressed and ***** in all of its neoclassical splendor.

For that, there are things I would give up.

I wish to see a prehistoric forest, verdant, overgrown and jumbled.
Before evergreen mysteries I would be ever humbled.

For that, there are things I would give up.

I wish to see Rhodian gardens and from them, smell the flowering fig and taste succulent honey suckle.
I wish to glimpse zaftig temptresses dancing twenty thick amidst courtyards of ancient Persian palaces.

For that, there are things I would give up.

I wish to be blessed into an inenarrable life on an unalike mysterious planet.
I wish for an Atlas resembling and proportionate soul.

For that, there are things I would give up.

I've demanded an even temperament from my unruly emotions.
I've settled for continuous disbelief at the loquacious ignobleness of humanity.

For change, there are things I would give up.

I've sequestered my innocent dreams and bloomed monetary means.
I've avoided death narrowly, my fingers gripping, fear will always transfix, while barreling down 36'.
I've inhaled profits and installed transformation.

For change, there are things I would give up.

I've burned my midnight oil, taken offensive slander, and burned bridges with gratuitous candor.
I've witnessed coal falsify a beautiful gloaming sky.
I've had gasoline dreams filled and fuming with intensity, all drowning under an ocean of oil.
I've envisioned bleached beaches to hide stained soil.

These are moments I would give up.

There are things I've realized outside my reality, outside my internal soliloquy and physical tactility.
I've come to understand my words are nothing more than symbols on a closed door.
The red-capped ****-Man has just announced morning;
The Keeper of the Robes brings Jade-Cloud Furs;
Heaven's nine doors reveal the palace and its courtyards;
And the coats of many countries bow to the Pearl Crown.
Sunshine has entered the giants' carven palms;
Incense wreathes the Dragon Robe:
The audience adjourns-and the five-coloured edict
Sets girdle-beads clinking toward the Lake of the Phoenix.
Wisdom permeated all over Spinalonga, needs were supremely supplied, Wonthelimar was together with Vernarth in the endeavor to honorably defer the Manes Apsidas converts who evacuated the cells of the leprosarium, after the Ottomans and Orthodox priests had left them, the custodians arrived at its end. Now everything has the life and the will to touch the lightning bolts of the blue sun, with the personal image of the Saint's devotion from the origin, and the new lives that rose up through the complex of the sectional rampart. The Palmario Apófisi de la Santa was made of a great awakening semblance, with the Panagia Theoskepasti, in Kimolos. From this labyrinth of the skepazo or "velar" that the Saint smudged from afar the counterweight pallets so that they are not returned through the axon tube that will take them far to this region of purgation, in the Cyclades and Dodecanese. In the bay of Dekas the archpriest of Kimolos would wait for them, receiving them near the small islet Agios Andreas, similar to Spinalonga, where they will live until Vernarth goes, after speaking in Kimol and Milil. To arrive at Psathi with his entourage to exhume them definitively in Court V of Elleniká, seeing the extreme longevity of the fallen of Spinalonga and their leprosy cloistered in a fleeting substance.

Iteration of Marie Des Allées: “The Vas Auric will rotate in all ellipses from here to Elleniká sprinkling crumbs of the purest bread of Arcadia, on a gray Monday with hummus and bobota, to attract the vinegary souls that were in a catatonic state, thus doing more esthetic or in Aisthesis in the reactionary when reincorporating them in the three courtyards in magnificent concordance with Rhodes. At the beginning of the Archpriest the talk derives the prayers from him to the semi-inert matters that were made in communion with the oratorical dyes; with worms and with the distractions of larger snakes that were planted waving, being, in reality, Vermes that were amazed at the exhortation of the Archpriest and the protocol, who circled the universal destination of his elegies to be celebrated from an ambo or pulpit, in classical Latin to propheir the archpriest the form of Era Dies Lunae, mutating it ****** to dies lunis by analogy with dies. On a dark Monday, but full of grace for those in attendance, they would give sermons, to interpret the alabaster courtyards that would lead to Tsambika. The first worms were chased by Kanti, believing that they were games that emerge from the eternal ground. Of whose ecosystem the earth was beginning to ignore them due to their annelid metamorphoses, appearing to increase in their texture, more ultra hadic than the same remains of doubt without sarcophagus, turned into sharp intestinal curves that were depressed breathing autonomously over massive folds of the acquiescent dermis of the oldest caste of the subsoil of Helleniká, further away from all sub-divisible organic matter of finite mortality towards the eternal other, contributing to a neural complex of tremors, and in veiled sensations that are lost between itself and that of its own bodies being able to take them with their own disorders "

Vernarth indicates: “long are the hours, and doubt overwhelms me, only my instinct follows me, and then I follow him. Khaire everyone and may the light of Mashiach be with us "

Etréstles reiterates: “my spirit has met Marie des Vallées, my spiritual hers, and my mischievous spirits play with them. Divine thanks, O venerable St Marie, here we are to honor the labiernago that have brought her Marian lattices, their dark green that blends with the layer of her attire, in margins that are found out in their change of shades "

Wothelimar answers: “what fire will extinguish the similarity of the Labiérnagos with the Astragali of Vernarth, when they meet those of the Santa Marie?

Theus replies: "We have been redeemed by his spiritual fire, whose conscience has placed in us in the Apophisi that reproves him, under the joint weight of beatitude"

Vikentios answers: “the Matakis of redemption will filter the doubts of his third person for an inextinguishable, to the degree of the second character that could divert his prerogative. Thanks to the spiritual fire that burns in the brambles that result in martyrdom by already being free from the torment of *** Bei Hinnom and Spinalonga fully expiated "

The protocol is broken and Theus, once freed from the last link of the Apophisi, goes to hug his brother, together they hug and kneel down the rough *****, after the ghostly chairs run wild for a prebend of Mother Marie that from The sky presented them weightless, with the effective of the marvelous Logos of God, and the Rhema of Vernarth, who would make the plate in the aromatic herds of Myrrh, Myrtle and Marjoram, to aromatize the appearance of the Saint and to bat the world of the Howls Kósmos with this triad of balsams for the foreground of the bigamist horizon in bloom, which sprinkles the talc of the resinous species when falling from the serene on this great day. They all looked at each other for more than three days in a row without moving, nobody did it from where they were. Leaving sticky resins, deserting the greased bodies of eternal days, some looking at each other in the infinite time that anointed them with different minutes, and monuments that released their souls moistened with Myrrh and carmine for the muffins of a Hellenic piece, with properties healing for mythology that was reborn in the sub-mythology of Vernarth and the essence creators Myrepsós. Or creating essences for the Saint, condensing from the perfume on all the alabaster containers, smelling of the insurmountable effects of Alexander the Great who appeared before everyone, to support and even in the ferrous breath of the stratosphere, and the island that was reconverted by the trampled waves, which were made to fall on all the megatons of Hellenic incense, which does not lead fights or disputes, only entertained everyone here united in the order and temperance of the frenzy, which follows the fields of fragrances directed towards everyone, also for the Manes Apsidas to Theoskepasti. Supremely Marie des Allées poured Rose concoction, ordering them to have their mouths open to receive their fragrances, and then to be able to expel them to the nauseating winds of the east, where the Beit Hamikdash was free of Gehenna, transferring the Apsidas to Dekas and then to Helleniká.
Apóphisi Palmario from Marie des Vallées
Facades rise in memory.
Paint peels, marble columns lean,
Rain drowns piazzas.
The bridge of sighs moans in sorrow.
Windows stare sightless into the past.
Cats remember the rustling of silk,
jeweled hands tending morsels,
magenta robes, the cloaked,
the caped, flash of daggers in starlight,
the glory on sun drenched Sundays
when church bells summoned the faithful.

Morning sun bounces off golden domes,
water shimmers a crisp mother of pearl.
Gondolieri untie boats from painted poles,
swiftly ferry their fares in narrow vessels,
pass through the shadows of bridges.
Navigate the water webbing the city,
pass slow laboring barges with overflowing loads.
White seagulls crisscross an expanse of blue.
Shouted greetings echo.

In the white palace, laced with marble columns,
painted ceilings in wood paneled rooms tell stories.
Rich and poor bow to the Republic’s justice.
Doges in pointed hats, crimson robes,
cast fate from bejeweled hands.
Ornate basilicas, simple stone chapels, ensnare sinners.
Priests give absolution behind velvet curtains
in musty confessionals reeking of secrets.
Jews marked in red hats hurry to the ghetto.

On the dock fishermen spill their iridescent catch
from hulls of brightly painted boats.
Merchants shout of silk and salamanders in markets.
Women fill woven baskets with foreign colored bounty,
peaches beckon with pink cheeks,
grapes make sweet promises, purple plums tantalize.
Sun inhales musty smells, exhales sweet scents of basil
jasmine, mint, a woman’s sweet odor of lavender lingers.
Dogs lick cobblestones, savor every rancid morsel.
Window sills host lazy eyed cats.

Goats bloated with milk make their way,
pass baying sheep herded to slaughter
by burly men in soiled leather aprons.
Top sail schooners from far away shores,
carved bare breasted mermaids at their bow,
unload treasures. Silk and spices, chained trunks,
casks of sweet wine, gold will fill coffers.

Vines dig roots deep into walls, cling in crevasses,
perfume courtyards with intoxicating smells.
A flock of small yellow birds alight from rose bushes,
drink from a tiered fountain.
Cascades of faceted crystal spills
from the mouths of carved fishes,
stone maidens’ urns. They display their charms,
smile wistfully, wish away pigeons perched on their heads.
Lovers pass, exchange furtive glances, dream of night.

Dark sweaty men push a barge with a coffin
draped in gold threaded brocade, blood red roses.
A priest at the bow, a cross encased with jewels
catches the light in a blinding reflection.
Altar boys swing shiny vessels, incense permeates the air.
High voices intone monotonous chants.
Mourners follow in gondolas, sway in a rhythm of grief.
Black silk shines. Under veils tears streak
white chalked faces, red lips know of secrets.

Celebrants toast a newly wedded couple
with sweet scented deep ruby red wine.
Boar roasts, seasoned with sage, rosemary and thyme.
Round loaves of bread crust in a brick oven.
Pairs spill into the street, dance a joyful pavane,
pounding the cobblestones to the sound of tambourines.
They freeze in a moment in silence,
watch the funeral procession,
make the sign of the cross, return to their feast.

Now canals choke in mud.
fight ruin in oil slick stagnant waters.
Palazzos put on a false-face,
prostitutes heavily painted.
Greedy currents lick at foundations,
slowly swallow remains,
**** them into hostile marshes.

The Campanile rings the hour.


Cristina Umpfenbach-Smyth     July 2010
I ponder over my true goals
in deep solitude of your laughter
to the inner courtyards of my heart
I will always find you there,
I know life can be so unfair
when it comes to love from different breeds
I will always stand up for you and me
when love is among weeds
never take from me your laughter
even among the the people perfuming the night
with so much hate, keep standing in faith of Love
if the waters suddenly wash the land clean
I pray you will be standing by me
know that God Jehovah is judging the land of man
as for all the hands, they keep dropping down
and all knees, keep dripping with water
in tears of true Love is among all .

Poetic Lilly Judy Emery (c)
K Balachandran May 2013
1
Like the  turning sheets
of a monthly calender,
life has layers after layers.

How would he know that ,
just a callow youth on  sea shore
playing with  smooth pebbles,
that was when he saw her first.

She was the woman who
taught him, whole cities lay merged
within a woman, like wave after wave,
of inhabitants over time, leave their
archaeological markers of periods,
she was a mystery like life itself.
There is no way to decipher.


2
They first met
in the city of light,
Diwali lamps were lit
in all courtyards,
It was an immortal moment
in his  life, he realized,
leading him gently to the light
which evaded him though he assiduously sought,
she parted without a word
Did she belong to someone else?
3
The city of sorrow,
yet again brought them  face to face
Ridden with angst of existence
he stumbled, was about to fall, then
he  could experience her iron will
more than a woman, she stood, like a pillar of strength,
she took his weary head in both hands, pressed to her breast,
pulled out the crown of thorns, their paths
diverged again, inexplicably complex, was their relationship.
4
In the city of guilt,
an unexpected meeting again,
they were surprised. Here, they were on their own.
They  wanted to take their lives in their hands,
in spite of the currents that pulled them to different directions.
But he knew all the while that her self, was divided between
three cities within her.They co-existed, Light.Guilt.Sorrow
will their love survive? Not all loves are intended to live long,
a parrot in his tree of loneliness always whispered.He pretended he didn't hear,
A game of dice, almost was their lives, mysterious forces did bet on their love,
Having traveled through fire and water, she was beyond pleasure and pain,
Kali with a fiery nose stud, female power that overcomes all pain,
she became, that shattered his dreams for them.
He was thankful, to be awakened by her,
the light she lit, burned bright, within.


Now or never.He crossed the river.
Deliverance comes from an inner source,
otherwise all will end as an idiot's tale
signifying nothing.
Her flame lighted his wick, liberated him.

5
Fire spitting dragons one can tame,
but in the duel with demons of life,
it could be a blood letting end,
call it play of chance or what ever
they are the  easy game here
He  packed his backpack and
started to move eastwards,
Westward bound was she, invariably,
her heart had still a song left for him,
the void was filled, the pain was stilled
with anesthetics of mind.
Just for one last time they went to the beach,
watching the sunset was their good bye to each other.
They never met again.
K Balachandran Apr 2016
Sky is a taut, grey net spread,
at its  best in creating panic,
relentless day a brutish marauder,
drained of color of every kind, bleak,
even thought of you distant, my nectar
plays hide and seek, I am plunging
in a hallucinatory spin, down, down.

From inside a furnace closed
with a tight lid under which heat
in it's fiery glory permeates
like never before, a full- throated roar,
without any sound it travels around,
in waves after waves after waves,
to scorch every single thing under
the blood thirsty sun, on a hurried
march for revenge,green turbaned
trees and scarf adorned branches
changed all those embellishments
gone bone dry,now stand apologetic
like kids that made bed wet and caught
red handed, shrunk in shame and pain.

Narcolepsy reigns, drowsiness
day and night, like marijuana haze
follows.
            This summer makes its name stick
in bad books,making T.S.Eliot look
shame faced for calling one past tame April,
uncharitably the cruelest of it all.
But this, this is an unbridled wild horse
none can in no way do anything to stop.

When even the last drop of water from
the pond evaporates,sunburn peels the skin,
sun stroke down people, who are unaware,
cruelty of April, becomes monumental.

Perhaps in few days time May could barter
that bad name from April,I'd easily guess.

Buildings , in rows and rows lie, til horizon,
like blood drained corpses all though the day,
the  appetite for life, they evidently has lost.
Song birds on flowered trees, have gone mute,
doves scamper, dart in to the air, with hope
to get few drops of water  from somewhere

Kindhearted few fill water and feed on containers
for stray birds,taking cue from the practices of forefathers.
Change in climate is an ogre, that could with bare hands
smash pompous attitudes  and other human constructs!

Will there ever be a limit, to the red eyed monster,
avarice, we all pamper, within our inner courtyards,
that forces human beings to to do "Harakiri"
like a proud Samurai does with his own sword.
Harakiri-Ritualistic honor suicide by the Japanese "Samurai"
warriors who  value honor above any thing
Tim Knight Feb 2013
It’s been 5 months
since I walked his grid, they're
precise measurements now
polished, so not to skid.

Past the shop selling grapes
in bags, bunches split apart
for profits sake, when
really it's all a mistake-
as the person they’re intended for
will slowly slip away for sure.

Gangplank corridor, a bridge
across the restaurant. Through
double door vending machine island,
cups of tea- only a fiver.

Haematology is down there
in that extension,
but first the window walk-
double glazing, heat protection
convention.


The architect’s rounded bays to
either side bubble up and out
from the courtyards below. Death
waves from every window, but
curtains drawn so not to show
why, what, who or how.

We wait to be let in the ward;
treading ground so not to drown,
nervous carol singers waiting
to see what audience shall applaud,
airport carousel baggage claim for
luggage from abroad-

“Room 4 on the left” nurse
1 admits, like a lie held
between pale, rose lips.
“Room 4 is open to visitors” both
nurse 2 and 3 say,
*but I’m family, I’m here to stay.
from the Coffee Shop Poems blog.
Dreams of Sepia Sep 2015
I found you in moon-lit courtyards
amongst whispering statues of angels
& broken queer bottles

punk wind roaring in time's freefall
& Tagesspiegel newspapers
read in grave graveyards

the Plötzensee
now a pleasant place
to walk by

past the carefree
nudist sunbathers
in blissful summer

the Olympiastadion
almost forgetting
who it's maker was

but no not quite
nevertheless, good days
far out-weighing the bad
Plötzensee - a lake in Berlin near one of the former **** prisons of the same name

Olympiastadion - the Berlin Olympic Stadium which was first built on ******'s request for the 1936 games.


Berlin is a controversial place, still  in the process of overcoming it's past but it's a brilliant city.
James Medley Sep 2010
clockwork
soda ****
sticks up spindly
spiderwebs
terms crossed out
brittle binge hurts
shout little
desperate beds
sparrow colored
courtyards ablaze
abounding insane
fake amputees
recording
fish brains
Naughty Bougainvillea
flash
their gypsy red burgundy parasols
like Creole maidens
from New Orlean French Quarters
their wild beauty
adorns Floridian gardens and
ocean courtyards

But, they are no match for
the Queenly Gardenia
Her soft, ivory, alabaster *****
exudes a scent found only in Paradise
As she unfolds her exquisite, royal,
Saraswati petals
I wait blushing with bated anticipation
for a whiff of Heaven itself
Etréstles parapsychological regression in Kímolos:

Theoskepasti church, due to its position, could easily be recognized by invaders during their raids. However, according to a legend, the church was veiled by dark clouds of fog and became invisible as soon as the raiders approached. Due to this legend, the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" which mean "God" and "watch over" respectively. So the name is 'Veiled by God'. According to another tradition, when a stranger once managed to enter the church and tried to steal the golden candle, divine power cut off his hands. Also if it is veiled by God, so it is divine for Creation that will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese.

After staying with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of KÍmolos. Here in the necropolis and ruins of ancient tombs, they would make up part of the new humanity in the creation of the Duoverso, which will exist from Mycenae and Cyclades next to the small islet of Agiоs Andreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Ellinika, with some ruins still in the sea between Kimol and Milil. In the proximity of Psathi, on this island located on the southeast coast. Kímolоs Chοrá is 1 km away on the hill above the Psathi port, from here you can see the foreign ships that try to come to the Bay towards Hellenika, for the advent of the Cinnabar and the scapulae that holds the Gates of the Necropolis, for effect of the avant-garde Trisomy, regenerating souls that will resurface with mutated more universal chromosome dyes, but with extreme longevity.


In the homily, an archpriest of the regional deanery will make pastoral criteria for this gesture, by virtue of the eminence of guiding them through the orthodoxy of the chapel to the Episcopal organization of the Vas Auric procession. It was already dusk and Etréstles was putting the homily utensils on Kanti's pony. Before incensing and lighting fires of laurel and rosemary from the fords of Leto and Koumeterium of Messolonghi, he would rotate in ellipses sprinkling crumbs of the most pure bread from Arcadia, on a gray Monday with hummus and bobota, to attract the vinegary souls that were in a state of catatonic, thus making it more esthetic or aesthesis to the reactionary reincorporation of the three courtyards in magnificent concordance with Rhodes. When the Archpriest begins the talk, you refer his prayers to the semi-inert matters that were made in communion with the chromosome dyes; with worms with forgetfulness of larger serpents that were planted waving, being in reality only worms that were astonished at the Archpriest exhortation in the ritual, that they circumnavigated universally with the destination of their elegies to celebrate from an ambo or pulpit, with classical Latin that uttered the archpriest the form was dies lunae, mutating it ****** to dies lunis by analogy with dies. On a dark Monday dies, but full of grace for the attendees, they would do the sermons, to interpret the alabaster courtyards that will lead to Tsambika.  The first worms that were chased by Kanti, believing that they were games that emerge from the ground. Of whose ecosystem the earth was beginning to ignore it due to its annelid metamorphoses, appearing in the increase of texture, further beyond the grave of the same remains of doubt without sarcophagus, turned into sharp intestinal curves that were depressed breathing autonomously over massive folds of the acquiescent dermis of the oldest caste of the Hellenika subsoil. Being of distant origin from the Arcadias and its dissection, which silently followed the hummus and bobota, not to digest them with its suction cups, rather to surround them and delegate them to explore the surroundings that would encapsulate the soil with the proximity of the universe transfigured to the Duoverse of Vernarth, to phosphorylate and emit the wispy nitrogen fires before the Archpriest, Etréstles and Kanti disturbing by an arcane movement. Being a full act of herbaceous phagocytosis, they continued to ascend in the curvilinear procession, with their traces weaving together a timeless moment, which added to the sub-mythology and a finite sub-time, like single-celled procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of organic material on the hummus of the bobota bread. Dropping with only clears wrinkles of the digestive world, what no cell has tasted ******, but rather, directly when breathing from Hellinika's lung lobes, comprised mostly of alabaster sheepskin, which were suspended even the bottoms of other colony of worms that sailed, to peer out towards the surface of the altar, where they regenerated the flow of the annelids.

Archpriest says: “The framework of the Vas Auric, arises from the nuclei of the medallion, being pending of a high presence of isolation. With high mobility between the tissues of the annelid amino acids, as new basal cellular functions, even though they are visible to Etréstles, and not totally for everyone yet. The image of the medal, in the classified functionality offers concrete, but microscopic information in a chronological way, possibly being the first in the function of the icon in its justification with the religious symbols and the manifestations of the divine and in the semantic even of the self-iconification , reading it in the Vas Auric, "What two men do not see, a man sees who does not see ..., what the creeping animal sees, a prisoner of its lack of vanity." Being epistemic images that provide knowledge beyond the sub-divisible organic matter of finite mortality towards the eternal other, contributing to the neural complex of tremors, in the veiled sensation that is lost between itself and that of their own bodies, being able to take them with their own emotions”
Panagia Theoskepasti
Prabhu Iyer Dec 2013
Night, the oldest of mysteries
settles, spreading like hunger.
A pall of mist
shrouding over the world.

Siren sounds and firefighters,
drunken brawls, and
receding beats.

Eyes of wonder asleep,
emerging out of
the network of shadows
growing creeper-like.

Stray nuggets of light
also reach the eyes shut
in meditation.

Furtive shadows of passion,
elsewhere. Muffled joys;
Shades of bottle-grey.

Cricket-song. Ululations
faint.  Raspy owl-calls,
intermittent.

In the deep, secret
rites of initiation.

Somewhere in the far
highlands
the stars and
the broken moon peep in.

Old song on a highway truck.
Little lamps adorning the hills,
courtyards in the distance.
Wandering thoughts on disparate events in the span of a night...

Still developing this piece, more abstractions needed...
.
I saw you with her,
One day in the sun,
I was only shadow,
Blankness overrun.

Rains fell as I flew,
In greyest courtyards,
Hard as stone set low,
I was but a lone shard.

You looked so happy,
So tame with her light,
I felt a shudder growing,
Held back with all might.

There you were together,
My past one dead page,
You two so happy there,
And my life all the rage.
A Thomas Hawkins Jul 2010
And the music fell like rain from an unseen apartment somewhere in the quarter.
Warm summer rain.
Light and refreshing.

The kind of rain you didn't mind getting wet in and soaked to the skin with.

A single Saxophone.

A single Saxophone played not just with the lips and the fingers and the lungs, but with the soul.

Its delicate melody trickled down the rooftops and overflowed onto the streets below.
Somewhere in this labyrinth of alley ways and courtyards and balconies was a poet.

A poet in love.

A musical poet.

A musical poet creating rhyme and rhythm and feeling with just a handful of notes and a heart full of passion.

For though there were no words to accompany this music you knew, you just knew what was being said.
Every drop of rain, every note had a purpose, a message. A message that carried you off and made you forget. Forget where you were, where you were going and all the things that made life not so good. You forgot all that and let it be washed away by the rain.

And you closed your eyes

And you smiled

And you felt like dancing, right there in the street, a slow dance, a gentle sway.

And as quickly as you noticed it, it stopped.

Then you felt the chill

The first drop, the second.

Then it really did rain, the heavens truly opened.

And you closed your eyes

And you smiled
Lee Dec 2012
I often find myself in dreams;
in beautiful or haunting scenarios.
Cold and sparkling places filled with the most magnificent sunlight,
rays shoot between pillars and dye entire courtyards calidoscope cream colored majesty,
flowers burst spontaniously on walls, I breathe crystal clouds into the brisk air around me.
The wonder before my eyes bring me to my knee's
and my throat is run dry with exhaultations of pleasure.
Dark forests surround me,
with wet leaves that stick to the ground, the trees, my feet;
unnamed and unrecognized creatures screech in the trees;
my eyes dart back and forth to find a safe place to hide;
sweat runs down my hollowed cheeks;
my jaw locks my tongue between a painful cage of grinding teeth.
I can never succeed in finding anywhere comforting,
as quick and panicd as I fly.
Like a drugged rat in a circular maze my every sense is alive with panic.
The air smells rank, thick with decomposure and earth.
I know it, but the smell itself evades me.
Such unreal and haunting scenarios.
I feel life itself has become unbelievable.
Every clock I read scrambbles itself,
numbers twisting and contorting uncontrollably
like the strange uncomfortable shapes I bend myself into upon waking.
They are just as tired as I am.
They try to evade there duties and posts,
before I can figure out when the **** I am.
Then of course nothing is forever.
Time is only relative.
Infinity is just a sideways 8;
just like god is only real with a capital G.
The walls know these things just as well as I do,
afraid of there mortality they aviod being used,
and when I lean againt them for support they become unwilling,
dissolving against my touch and leaving me to fall perplexed to the other side.
To the unknown things that await me there.
In transition I picture them,
("them" even are an abstract
fuzzy features barely recognizable as human
but still formed enough to inspire fear, or love)
smiling or licking there lips,
forks and knives and plates at the ready,
to tear me open as I land.
I feel fuzzy as I glide or crumble through the wall,
pieces of me wanting to interact with its substance,
but no one of them is strong enough to hold me in or up against it,
and so I complete my way through at last.
My fears and pictures of the other side are null now.
They scurry and dissapate like cockroaches at the flip of a switch;
like drunken minors at the sudden sweep of a spotlight;
like the leaves of a dieing tree in a wind storm;
like the morals of an insane man;
like couples at last call.
I land with a soft thud on the snowy ground outside.
Even with all of this being so unreal, it couldnt be a dream.
Who would dream such mundane things?
Who pictures themselves as such a grotesk figure;
when the world awaits them,
and they could embody every image or hero they ever admired.
Who would create a place like this.
I suppose I would.
With a smug sense of irony I dust the snow or ashes off of myself as I stand
and wander off into the uneventul landscape before me,
but uneventful isn't appropriate to decribe this place.
It doesn't fit.
Just like entertaining doesn't quite fit a clown.
I walk like I'm on the moon
and with each building step and effort I float a little higher
like niel armstrong conquouring that awe inspiring ball in the sky.
I bounce light footed and bewildered through the desolate landscape
untill finnally I level off and soar up,
up above the buildings.
Forward,
forward through the wind and the trees.
Over,
over the slopes and the hills and the clouds.
Into,
into the stratosphere, and beyond the earth to where there is no air for me to breathe.
But I can breathe
and I gulp down sweet nothing with willful and unexplored ignorance.
Freefloating through space I find myself next to that american hero's immortalized steps
finally centered and landed on the surface of that cold rock.
People fear this orb as magical, or controlling
but i stand on it, and feel nothing.
I look down at my home
  at my planet;
   at all of the people I could ever know;
     at every experience I could ever hold dear;
at all of existence.
And my throat tightens up
my heart pounds like a fightened bird
trying to escape from the cage of ribs its trapped in.
I feel myself drifting off
becoming light again
falling asleep
or waking up in a cold sweat
wrapped lonely in my blankets;
but who dreams of these kinds of things?
Its a work in progress and I'm open to suggestions.
Vernarth says: "ideal of our consciences, we will open the channels in Kímolos, before our subtle bodies, in which they will be opened to us, and how we parabolize, before this pretense of Saint John the Apostle, in the head of mediumship to reach the longitude wave to Hellenika. The interactive vibrational ones will go with the expression of deep reasoning, to pontificate the Mandylion with the Vas Auric, for the effect of the iconification of the idiomatic monologues, for such edges of  Saint Jude Thaddeus and Veronica, and for such an event facing alien forces before the Messiah, that they are like a coherent gadget before the intermittence variants. Channeling to the Cyclades, they will go from east to west wading the waters of the Aegean and Mediterranean, through the channel of the Universe-Duoverse, for inter-consciousness between the Hexagonal Primogeniture in Tsambika, and the triad of Etréstles, Kanti and the Archpriest in Hellenika , with high degrees of awareness of light and the conclaves between both homilies synchronous. Of great drowsiness before the Anemoi winds, they will go through near the voyages of the Trojan chthonic ships, and before the ominous chthonic divinities, for such deities in the Mediterranean substrate, identifying themselves more obviously with Anatolia, which from prehistory has continued to the site of Troy, in a cheesy plan to unite loyalists of Agamemnon, to defeat Hector, between farmland and agricultural revolutions and Akkadian worlds BC, in peripheral outposts, to influence the central regions of Greece and its maritime trade. Hydros influences, for the cycles of the solstice and nature, with those of life and survival after death that is at the center of the concerns that are not translated. In Crete, the supposed cult of great Gods was transformed during the II millennium BC. C. as new actors appear: various animals, plants, etcetera. Given consciousness, the light will be channeled, in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the retro channels of the Cyclades, which go from Rhodes and Kímolos, for the discernment. Sometimes it is more gratifying to listen to what you want to hear and not to the real message, the egoic mind that does not come from serials of daunted egos ..., prays with signs of technological shamanism, intervening artificial intelligences, from egomaniacal administered consciences, being strident and iconoclastic for worlds of appearances and illusions. I Vernarth with our own Khaire…, in my mind I go towards the vessels that navigate the andurriales of the elusive identity, trapping it in the totemic animal stratum, in its tracking psychology, but seer of its present ego. Today I will use my Leonatus cap, to separate the anger from the large shadow that clouds my sadness, and from my own victimhood of reduced meekness, which spews violence, blaming it for a ruthless sort of depressive shame and exclusive of everyone's own fear for everything . I will blindfold my eyes against illnesses that will heal in three days, to straighten the ecstasy that grows thicker towards the guillotine, staying on Golgotha without Golgotha, I will create the framework of cinnabar for the pain of the skull, which trembles in my hands, until the Dream becomes vaporous with anger and harmless destruction before your egos, which throb rozagant towards the host entity and the scarified madness. Awakening my nuanced, subtle and anthropomorphic subconscious dreams, with sorrows that hurt my worst self-destructive amorousities before the new memorial, on the veil of Theoskepasti, with his science sheltering itself when yielding over the defeated springs and inaugurating new miraculous courses where I will surrender, full of sorry and more distant from the veil that does not act as a viewer.

Duo time, Duo space, in one I get excited, in the other I retro project, in unreal worlds of epistemic and channeled images ignoring them, in free astrolabe when decrypting my Duoverse, between the Tsambika templets, with the decoded and mutated annelids in trisomy , in ancient trees of plain doors of the Bern Olive Trees. We look at what gratifies and weaves together what weaves the positioning of the approaching stars of the universe, like leaves in psalms, worthy of all-powerful serials, in redoubled humors on the encompassing intraterrestrial chthonic tridents, in tricks of intuition, before skewing my sword Xifos, as an original replica of a night's dream in Tel Gomel, full of alerts that make me laugh chew it in the middle of my mouth on the jerky and the strains of the bear, towards the counterweight of the message of light and lag of the high astral as a bear less. Bustard and angelic breath in withdrawal and in dissolution ... unfinished planet ..., now if I see you channeled and incarnate! Diva emotion, here I analyze my audacity and courage towards being fed up with my omniscient prosopon, such an omniscient telepathic. My soul lies, and my emotion also, because in this way I will treasure the courage of panic, by surrounding myself with the fears of carrying the universe that is resting on the underside of my back at a cost "
Harassment of psychological channeling, against the horns and sights of a peaceful energy confrontation, will make them in Rhodes and Kimolos channel with the stark human finitude of life and finite and non-eternal existence, ad portal with their Aspis Koilé. Unconscious they will continue halfway with their bouquets of flowers for Walekiria, without ever really taking the time to tell her, what time of eternity will make them more crowded for her and her reliquary poem, from deflagration in flame, to insidious break of commitment of fear by telling him that if they revive, they will be others, but if Hetairoi extra Hellenic towards the light of the incarnate vermilion ..., and in a state of loop as "Being of Light". Oh phantom phenomenon that does not scare me ..., rather it disenchants, clinging to my skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me ... As conjecture and presence of Greca life ..., having to promote the matter and atmosphere involved where the valuations, should be tempered in the pressure regulators and the contribution of biodiversity, of the species for the insular life and its chemical balance in the Aegean. The theorem will state in the image of Vas Auric, as sounds of homeostasis, in classrooms, properties of the intervened annelids are consistent, capable of keeping them in a certain internal and stable condition, compensating for the changes in the noise of the intervened patios, towards an environment through the regulated exchange of matter and energy with the outside towards your (metabolism), trying a form of dynamic balance with the sparkling properties of Cinnabar. As a self-regulating biosphere in the conditions of the planet to make its environment of physicality (especially temperature and atmospheric chemistry) more noble with the species that make up life in the compass of two islands unmanned by beings from Gaia, rather as an entropy in magnitude physics for a thermodynamic system in equilibrium, inhabited by intra-dynamic beings that nobly associate, for adaptations of worlds that are not born. It segregates them towards a departure, measuring them in numbers with Gold in their population, from high numbers in states of zero, compatible with the laws of external physicality, for the purposes of watchful guardians, if Gaia's engine is turned on, before this psychic and spiritual combustion?

The laws of this system of closed circuits and channeling will tend to maximize entropy, expiring inhibitory reactions, for the traces of oxygen and nitrogen from the worms, making an express signal of the levitant carbon dioxide, to carry it from Tsambika, in a sigh of two converged energies of Leviathan and Saint John the Apostle, for the clouds in mole of carbonate dioxide, battling over the surviving necromancers and their conditions of activity and reproduction, maintaining these habitable conditions for many and many, in classes that did not enjoy of the life-death-life cycle. Greece, as it will now look like a turbo generator and appropriate laws underlining the extensive fibers concerned, a mole of molecules, in said of equality, of said hypothesis of Vernarth as sub-mythology, rather resting on the growing ivy  to its setbacks, and strangling the signs of satiety of life with properties of open skylights, and properties in tune, with the severe penalties that hurt, even the tolling of the bells and their pain as the millennia pass! Fear, insecurity and frustration will not fit because in the cavity with them, they will cut the abenuz Diospyros, with its stamens usually in sixteen plus its hypogines or inserts at the base of the corolla; like those of female flowers, being greenish or being converted into staminodia. Diospyros with ovaries generally tetralocular, or with eight locules due to false divisions, will make us channel inseminating demigods, under the staff of sub-mythology with Zephian of Horcondising, before the vibrational migrations begin in Hellenika. Just as in this pact with silence and meditation and burning toxic flames, under vulnerable high frequency insolation ..., waking up in Gaia like a sleeping fairy, and invested with extra light shaman, with degrees of synergy and with the simple science of blizzard ... , with low puffs of air of bread and cinnabar burning in the first hosts of hummus, as the homily began.
Diospyros
irinia Jun 2014
Old courtyards with tubs of laundry:
‘Go to the washerwoman and do your own washing’
I whisper to you, and the wild apricot trees
all turn suddenly white, the sky pales,
the world is ****** in a drenching buzz.
There΄s a smell of bluebags and a sulphurous bubbling.
You΄d hardly believe it — so much steam rises
that only dirt is left in the copper.
The wild apricots petrify into coral.
It΄s so easy — easy in a woman΄s way —
to wash your soul, to rejoice in the spring wind
shaking the scales on its dragon-tail
so that you΄re looking at soap-bubbles
it blows for you between your fingers.
Two children pass by, holding on a string
a balloon transparent as a bubble.
For a moment we are crouched inside it.

Grete Tartler

[Translated into English by Fleur Adcock]

New Europe Writers Bucharest Tales, Contemporary Literature Press, Bucharest, 2014
Grete Tartler (b. 1948, Romania) has published 12 volumes of poetry in Romanian and German, and literature for children. She lives in Bucharest.

I dedicate this post to someone dear.
Hannah Beth Oct 2014
Some say
That with victory – a continuity is required.
To win, you must, win, and win again
You claim each battle as your own ‘til life
meets its end.

I bask in these triumphs as much as the next
Relish the sick clang as the hilt gripped between my fingers
Wobbles with each and every blow
To an enemy’s weakened defence

As I watch rival fortresses vanish
In the smouldering chimney puff
That follows the blaze of the bomb

                        just like that.
Boom. Do you see that? Look. It’s gone.

Last moments in castle courtyards
As medals of valour are draped
Round the veins of my neck.
(Look what I can do. I am powerful.
                                                       ­  Or so I thought.
)

No soldier is prepared for this.
The battle of the mind
Sharpened sword is useless
Throw your armour to the floor
No protection can be given
Clouds swell like balloons and blacken the corners
Of your brain
Eating from the edge like parasites
And this, I fight unarmoured.
Unarmed
And petrified.

So no.
I can’t say I agree.
To me
A victory
Does not entail an ounce of continuity.

For myself, any achievement
Is a success
No matter how large
How small
How scattered or random
Or spaced over time
If I can make it through the day
With a smile on my face
Sweet Victory, it’s mine.
Perrrrrrrrrsooonaaaaaaal shiiiiaaaat.
Mickey Rat Mar 2013
In an otherwise quiet snowlit night
the chelloveck ahead has shuffle-skitch shoes.
I have clock clock boots.
The fog train to Voksal at this distance
hoots like a toy. Some meters trailing
someone’s step is a sticky squick-squick.
As I turn left, I think of nothing
save cognac, cognac and koshka (Marusya),
the mild entertainments of loneliness so far removed
from my mother tongue:

through snow-covered courtyards the dogs hours ago abandoned.

What good is it to be fluent in one’s own language
when the mashrutka slush and hiss
down Yulitsa Kikvidze in the distance?
At home, the cat chews the cords to the blinds
of the kitchen window, her wants
more important than mine.
Outside Words Jun 2019
Deep in my soul
     I felt weak and weary
And knew that my end
     Hung silently near me
But on the wind
     And through the trees
A sound fluttered down
     A nearby breeze
It danced along
     A deviant path
Bending and phasing
     In a joy filled wrath
My hollow bones
     So light and enchanted
By that colorful tone
     Not evil nor slanted
Pushed ever onward
     And looked out below
The source of this song
     I was thirsty to know...

I came upon a white city
     Shining in the distance
If it weren’t for the music
     I would have missed it
Eagles soared above
     From mountaintop trees
They flew with grace
     Together on a breeze
I felt myself hopeful
     And drawn to their course
To that faraway city
     Far off to the north
With haste I dashed
     Down rocky plateaus
For I felt at home
     From my head to my toes
Like a child I raced
     As the sun finally set
Until I was caught
     By a rope-wound net!

It was forever as if
     I floated across those plains
My captors carried me
     With grace so strange
As the music got nearer
     Eagles sang with flutes
Piecing together a melody
     Known by trees and their roots...

I was placed in company
     Of a magnificent king
His crown was white
     And his robe, and his ring
He bid me welcome
     To live among his people
In his white city of courtyards
     Towers and steeples
As I opened my mouth
     And my heart to say yes
He stopped me before that
     With one lone request
I must dwell in this realm
     Until the end of my days
For in hiding, he said,
     We all must remain
Hidden from the darkness
     That dwells beyond the mountains
Hidden among fairies,
     Family, and fountains...

So there I dwelt
     Until the end of my life
In that shinning white city
     With my children and wife
I’ll never forget
     That most fortunate day
That by music and eagle
     I was once led astray...

6/25 - Fixed structure.
Matthew Jul 2010
A heartless realm we live in.
This place we call our home.
We are here-this realm of hell,
But to each shall hold his own.

The statue stands, it stares at me;
tormenting me with its soul.
This place I'm in, this evil land,
a place I never wanted to go.

The Raven hears my hollow words,
and mocks them back at me.
The statues cold, they stare at me
for they will never let me go.

This courtyards' dark, the buildings cold.
The statues' stares are of ice.
A glance so cold, a glance so frail
It sees and yet it cannot.

It's mourning me, my forgotten soul.
For this much I am aware.
It's eyes are cold, they stare me down
I begin to lose control.

The statues wings, I didn't see before.
I watch as the shadows grow.
The land grows darker; the land is cold
and yet I stand alone.

My cloths of black, my heart of stone
I feel without feeling.
I see myself, a reflection in water.
I now understand their glares.

This place I'm in, I'm one of them
A statue that is so cold.
I will see myself, never again
for I now belong to them.
Copyright: 2010
Atlas Rover Jan 2014
Strands of sunlight breeze into quiet courtyards,
Swaying threads of crimson spring.
Pausing a while, you fix your hair,
Contemplating the mirror which steals your silhouette.
Cloud like tresses trail to one side,
Dare you step outside?
If you don't come to the garden, how would you know that springtime is like this?
Due to your reluctance, such splendor is abandoned.
Where are the sounds of joy in this garden?
Your beauty is concealed in the hall of your words.
Like the early spring which no one sees.
For your beauty is like the flowers which sway and float on the river of eternal time.
This brief moment, when our fates collide,
Is made in heaven,
Pillowed on grass, bedded among flowers.
This annoying strong wind of my troubles,
Messes flowers, and betrays the beauty of springtime.
Ah.
Thus, the view is wasted.
Edward Coles Feb 2014
My old teacher, she taught me of sunlight.

She taught me
of the energy waves,
crashing through the window.

She browsed
over distorted polygraphs
bleached in daylight;

oh, crashing black mark.

She wandered
through the courtyards at break,
eyes off and into the distance,

and always she,
the bleak reminder,
of memories turned to black.

She read in down-turned whisper,

lips twitching
the words, all for herself;
making sense of life

through ornamental verse.
A rapture of cerulean eyes,
she took my teenage heart

to town, just to pay the fare.

She taught me
of impossible love,
of all beyond the walls.

She taught me
of the paradise-life,
where memory unfurls.

She taught me
of matriarchal health,
in the strength of her stare,

explaining in her youth
eternal, that is etched
into my mind;

that not all that is loved, is fair,
and not all that is valued, is mined.
©
A mix of many teachers over the course of my life. Both academical and aspirational.
Dreams of Sepia Jul 2015
You write of the Faroe Islands
of whaling & girls with red hair
I wonder if you've ever been there
or if it's just a writer's fantasy

Can a poet write
of what he's not seen
with his very eyes
or does he always have to live it

feel the blessed fire
of experience
burn his soul & skin
still, I give in

to your vision
of a place I've never been
in return, I offer you my Berlin
pristine lakes & secret courtyards

a City that's fought to be free
showing it's pride in art & grafitti
& international flair
yet you scorn it


just as you do me
turning my heart
into droplets
of Alice's tears

that moment
when she can't get in
through the tiny door
to the garden in Wonderland

why doesn't my world
entrance you, Islander
don't you know we share
the same sacred loves

look closer,
draw near
we are similar
we are poets

we know
God is a Beatnik
& we read
the same books

My Soul
sings of you
open this door
let me love you

let us
fold the stars
in two
& dance

tell me of Yorkshire
don't judge me for my past
let our differences bring us
together sparking desire


& let my love last
until you finally see in me
what I've already
found in you
Imran Islam Oct 2017
The moon rises upon your face
And shine falls when you smile
Your silences like conversations
Often you unfold the emotions,
You're happy with your dreams
Though they're many miles away.

The ocean slows down for you
And waves play with your mind
The spring gives you green days
Cause maybe you are loveable,
The moon rises up to your face
Your shine falls when you smile.

The flowers smell pretty in your courtyards
To help you sleep at night
The birdsongs wake you up happily
Every day in the morning,
The moon rises up to your face
Your shine falls when you smile.

The morning takes away your sleepiness
To make you ready for the day
The evening shadow makes you blue
To give you a good sleep night,
The moon rises up to your face
And you shine when you smile.
Death-throws Mar 2015
Grief.
Drug me
Fill me
Because I’m tired
And I scream
I writhe with my head, the hammers in my ears pound against my skull,
And my balance. is upset, drunken stumbles through broken courtyards…
At least I thought
Agony ripe within myself,
Ive lost!
The war stood hungry at my door step and like a beaten dog I turned with  tail between my legs,
How poorly I’ve lost..
I had spears to withstand a charge,
I had men of which to bear arms
Friends…
my soldiers
I had friends of which to bear arms against my foes.
But addiction defeat me
Addiction wear them thing
Addiction wears their skin,
Lie to me, tells me I’m fine,
My friends have dissipated to drug fiends after their angry fix,
Prowling my bedroom
Prowling my dreams
I have failed my war, I have lost my fight, and darkness has stolen away my light
Yet I will prowl too
Carrying the baggage that has broken my back, dissipating the agony of my heartbeat  
In the effort of motion
Crawl on four wheels to a location not so far from my home, but to far to call home,
Loose myself in the winding streets
The black lit paths
And parks without playgrounds
I will wonder after my missing soldiers, following in their wake

*L.G
Hal Loyd Denton Jan 2012
The Stand They Made
The great oak wields great power he sends his roots deep financial social religious he stands at the edge
Of the family’s domain has endured many lightings and thundering outburst under the savage wind
Many have been the groans that were uttered this was not sadness being brought forth to cover the
Ground and then what waste it would produce no this is noble sacrifice all encircling love being
Projected not one blade of grass exists without showing this uncommon glory the house the property
Glows over the faces of the dependent little ones it shines. The Oak has a partner in this great enterprise
Best to describe these capabilities in three timbers of renown the Maple the Elm and the willow from
This convergence and the intertwining of the three into one piece a masterful work of art herein lies the
Lines that flow in unbroken symmetry the oak of might the creation of his delight. When the journey
Demands you climb unbroken hills onward to dry unkind dispositions the maple decidedly smaller and
Has its name derived from sharpness of its pointed leaves and its breathless beauty in four colors in the
Heavenly autumn do you know anything that could make the oak bow more quickly. Oh the Elm has
Stepped to the helm woman hood I speak of you softer kinder the breeze seeks your tendrils for its
Proud moments for gusts and raw display you spellbound all that look your way. The Oak tells his times
Of gladness by your beauty voiceless reminder of why we endure life’s slights and backward turns. One
Long lasting look please willow move touch the core of the Oak that only you know the wisp of your
Branches touched me above my minds ability to comprehend the feelings I feel. The Oak grows in
Terraced courtyards that angels frequent but he is looking beyond the brightness of their Glory to that
Day when you spoke I do no one saw but the mighty oak fell that day under your spell. This is what I saw
When I looked into Donna’s father and mothers face.
Anais Vionet Apr 18
Winter’s releasing us from its perpetually gray and gloomy grip.

Who can study in their room, on a beautiful spring afternoon?
Azaleas assail ya, with champagne petals of bubblegum fuchsias,
they blush in near neon reflection, with a mathematical, fractal perfection.

Courtyards that were once dark and uninviting, frosty scenes,
sport impromptu manicured carpets, of flawless, vibrant greens.

Dogwoods explode, abruptly overnight, with cherry blossom whites
they blush like brides on parade, they sachet, swaying flag-like bouquets.

Ordinary maples become emerald queens by unfurling avocado, hunter and chartreuse leaves,
accented with vibrant electric limes and honeydews, as if to say, ‘We too can please.’

New life stretches, almost yawning, in the seemingly reborn sun, insects hum as they cultivate,
birds flit excitedly, as if to say,  ‘Why’re you inside? Come out and play - why do you even hesitate?’

I know there’s something in spring that’s irresistible, pheromonal, hormonal, surfeit and emotional.
Is it the solar zenith angle or the sun’s declination that produces these delightful inclinations?
.
.

Songs for this:
Funky Galileo by Sure sure
You get what you give by New Radicals
New World Coming by Cass Elliot
BLT Merriam Webster word of the day challenge: Surfeit: too much, excess, more than you need.
mandala lama May 2014
the time eater

who is a friend of mine

climbs into courtyards of giants on twine

on a limb of the future

a creature divine

the time eater tips the grim reaper with gold

a moment, three winks, tick-tocking untold

the eater of ages rocks up on his toes

time eater flying, the time eater runs

a second, a twinkle, a century gone

his breeze of a coat tail holds eons and all

must follow his lead back over the wall
you will only look for which road i have
  passed, with girth of oceans startled
  to hip-curve, bow-legged darling
  hiding behind pretense of rose frailty.

when words ripen, they fall.

from vaudeville of fools to silence
in all its exactness, i take my place
amongst people in stations, machines
adorning rotundas, courtyards to a flourish of twilight-bells, the men with retinas spry behind cloaks of smoke—

        plain, **** drunkenness assaults
the billion-blooded sea, each line fraught
with inebriation: a god is borrowed with
what light fruits from a slow nature, quick
to burst and torturously maimed in stride.

fated to arrive at one morning —
being in total placeness and making merry
once again, the dreary face waiting at
the portico of days collected.

when these words start to wind-hover,
a string of birds will appear clearer,
mounting umbilicus of lines.
as in hounds shear the metastasizing dark,
going back to chagrined kens,
i make truth out of the tragedy:
trace the source of this stream and find
my trampled body, floating with
   the sandalwood. when the still, clenched hand clock-punches,
   make real the insignia of my arrival:

words start with limbs to cross
  this scalped Earth which moves suddenly naked, leaning in, gropes you
in stillness, resuscitating the moon from
the working of insolvencies we rear
in derelicts of days.

drags it closely to ends — left trundling
in woe's wearisome vessel. and if in
this newly thatched home it screams,

let this voice deftly shred
so i may once more lie straight to your
half-illuminated faces, a call i
only hear.
A poem about getting off work, writing and drinking. This was read last night at a poetry reading in Makati.
Atoosa Sep 2017
Ancient stone vibrating with life sighs deeply in my memory
In my mind my feet still explore
The hidden paths of that fair city
Peace permeates my spirit as I lay dreaming
Of broad greens and cloistered gardens
Shaded courtyards of quiet blooms
Of wood-worked halls and book lined rooms
Her subtle charm, her poised beauty
Warm heart beating even beneath the snow
To inspire , to teach and to sow
In the hearts of all who know her
The seeds of joy, of love, of loyalty
Reaped in measure from us all
We who have walked her cobblestone streets
And awakened to her tolling bells
Even across the miles and years
My soul resonating in time with hers
And I am there again, walking out of mist and woods through slanting sunbeams
Curving around carved towers
And all around and within there is light
"And that sweet City with her gleaming spires, she needs not June for beauty's heightening."     Matthew Arnold

http://i.telegraph.co.uk/multimedia/archive/01252/oxford-skyline_1252209b.jpg

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