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tonight we gather
to mark a
commencement day

four decades on
from a late June
afternoon

exchanging
embraces and
bon voyage wishes

departing a grand
chandeliered Rivoli
embarcadero

bound
to glorious
destinations

our bold sails
welling with
youthful
exuberance
in pursuit of
dreams
and intrepid
endeavors

our life
journeys
are blessed
with rich
abundance,
the grace of
challenge and
the gift of days

this evening
as we reconnect
to share the joys
and wisdom gleaned
from well lived lives
we will also celebrate
in multicolored splendor
the lives of classmates
who have commenced
journeys to other
destinations

though their
earthly sojourn
is complete
passed friends
remain alive
in our memory

surely the spirits
of the beloved
will walk this
room tonight

forever young
their quiet presence
will gently touch
tender hearts

they’ll appear
as they once looked
on their finest day

and as we relive
the bits of our lives
we shared with
one another

we may feel
the grasp of a
warm hand
as we once did
during that
snowy evening
west end walk

we’ll dance with them again
around Tamblyn Field bonfires
gyrating in a shared
ecstatic ebullience

we’ll applaud most likely
to succeed lives
most beautiful smiles
and crack up
to the hilarity of
class clown jokes

we’ll taste the kiss
of an after dark
Lincoln Park
rendezvous

groove to the
rock steady
beat of a
bad company tune  

we’ll submerge again
in a Yellow Submarine
to embark on an epic
Greenwich Village
journey

we’ll roll down
the shore on old
Thunder Road
windows open
hair blowin
radio blastin

we’ll taste the sweet sip
of Cherry Cokes
and Root Beer floats
at Roadrunners

chasing lost love salty tears
spilled over ***** upperclass home boys
and the soft blush sentiment of a
first French kiss

wouldn't it be nice
to swoon to the
fantasy and
winsome yearnings
of favorite
summer songs

filling our head’s
with mind
blowing collages
starring
team mates
drama club
second takes
heady chess club
checkmates

we’ll marvel at the disruption of
premillennial breakthrough science projects
created by pocket protected slide ruling
entrepreneurial math wizards

we'll recall droll gossip
by drab hall lockers
dim gym showers
awkward dances
Yippie people power

patriotic assemblies
cool sharp dressers
right on brother
Que Pasa lil sista

rock and roll album covers
Simon and Garfunkel poetics
Go Go Boots kickin
FM radio psychedelics

Midnight Confessions
emphatically blared
from the cafeteria jukebox
Civil Rights, Earth Day
and righteous
anti war activism

tribes of hoods, Ra’s,
jocks, artistes and tie dye hippies
everything is groovy
lets get a sandwich at Ernie’s

first carnal explorations
Moody Blue Tuesday trysts
man could she speak German
boy do I dig her dress

we did hard time together
at split session detention centers
ate chocolate chip cookies
cracked up to Mr. Thomas’s
Ides of March tragedy

took first tokes and
sips of Boones Farm
we partied hard
and did no harm

admired academic brainiacs
and the civic commitment
of student govie reps
shut down the gubmint
was never a threat 

basketball rumbles
Bulldog football
**** Ludwig soccer teams
nimble cheerleaders

leggy majorettes
kick *** marching band fanfares
compelling masquer presentments
Park Avenue wayfarers

they were
crew mates
on The Soul Boat
rode shotgun
to Midnight Rambler
Doobie Concerts

cruised hard in
the Root Hog
Rat Raced Louie
in tiny white Pintos

we booked
many a mile
with our lost
friends

on the road to
this evening

authoring
volumes of
fabled odysseys
and fantastic
recollections

their stories
are our stories
telling our stories
keeps them alive

some may say
gone too soon
but the measure of
a well lived life
is not counted
in days, nor
accomplishments

but how one has loved
and how much one was loved

quietly there
always with us
forever to be
a wholesome
part of us

as the brothers
from Cooley High
would say

lets tip a sip
for the brothers
and sisters who
ain’t here….

God bless
Godspeed
enjoy the evening
vaya con dios mis amigos

Music Selection:
Pat Metheny
Mas Alla


RHS 74
Class Reunion
Elks Club
Rutherford
11/29/14
Martin Narrod Feb 2014
The Checkout Line

I wish to speak with you
ten years from now, you'll be ten years behind.

The words and meanings you carry in your pants, the pick-pocket steals your hopes from time.
and the visions of empty trash receptacles
with their late evening drunken lovers' bouts, at restless end tables. And the bums with their ******* attitudes **** covered clothes, and soiled minds

the clarity of the curbside drunk, picking up shades of filtered cigarettes of twilight scandalous
pickup lovers in their evening best.

And to talk with you ten years from now, you'll be ten years behind.

They're Green Beret head ornaments
detailing the porcelain platforms of Delft
Lining up for one last line to carry them into another faded sunrise at dawn's forgotten memory of yester night
and they walk their gallows holding pride fully their flags of exalted countrymen.

The republic of teacups of literary proficiency.
Wearing the necklaces of paid tolls to an afterlife they find in the miniscule car crashes of engagement with a grinless driving mate in a neighboring car in its pass into the forethought of turned corners.
Where they befell the great disappointment of failure in the frosted eyes of their fathers' expectations.

Who carried the shame of their mother's incessant discontent through short skirts, and high heels.

Who disapproved of the **** whom wore the sneak-out-of-the-house-wear clothing line, and traveled by night over turbulent asphalt by way of sidecar through turn and turnabout hand-over-hand contracts of lover's affection, and slept in tall grasses of wet nightfall with views of San Francisco, and were trapped in the inescapable Alcatraz and Statesville of unconsenting parents and their curfews,

through trials and trails of Skittles leading to after school Doctor visits in the basement of a doting mother, whilst she sits quietly in her exclusive quilting parties with noble equities of partners in knowledge, listening to Edith Piaf and the like,

All the while condemned to time, trapped in the second hand, hand me downs of the 21st century, decades of decadent introverts with their table top unread notebooks, and old forgotten score cards, and the numbers of scholars of years past,

and to talk with you ten years from now will be my greatest pleasure, for you will be....ten year's behind.


They push the sterile elevator buttons, and descend upon the floor of scents flourishing from their crowded family rooms, only aware of distinctive flavors, in their middle eastern shades of desert gumbo,

Who speak ribbit and alfalfa until midnight of the afternoon, sharing fables of slaughtered giraffes and camels that walked from Kiev to Baghdad in a fortnight,

Who are aware the power is out, but continue to scour for candles in a dark room where candles once burned, where candle wax seals the drawers of where candles can be found. Where once sat gluttonous kings and queens in Sunday attire waiting for words of freedom from the North.

of Florence, Sochi,Shanghai
of Dempster, Foster, Lincoln
of Dodge, Ford, Shelby

Of concrete fortune tellers in 2nd story tenement blocks with hairy legs, and head lice, wearing beautiful sachets of India speaking ribbit and alfalfa.

On their unbirthdays they walk the fish tanks wearing their birthday suits to remind them who serves the food on the floors of the family room fish mongers tactics.

The old men wear gargoyles on their shoulders.

Lo! Fear has crept the glass marbles of their wisdom and fortune, blearing rocket ships and kazoos on the sidewalks of their Portuguese forefathers.

Where ancestry burns cigarette holes in the short-haired blue carpet, where Hoover breaks flood waters of insignificance across hard headed Evangelical trinities.

Who share construction techniques one early morning at four, where questions of Hammer and **** build intelligence in secondary faces of nameless twilight lovers, who possess bear blankets, and upheavals, finely wired bushes of ***** maturity. Eating *** and check, tongue and pen.

Where police caress emergency flame retardants over the fire between their legs, wielding the chauvinistic blade of comfort in the backseat of a Yellow faced driving patron.

With their innocent daughters with their nubile thighs, and malleable personalities, which require elite words and jewelry. Wearing wheat buns, Longfellow, and squire.

Holding postmarked cellular structure within their mobile anguish.

Who go curling in their showers, pushing afternoon naps and pretentious frou-frou hats over tainted friendships with their girlfriend's brothers with minimum paychecks'.

Through their narcissus and narcosis, their mirrored perceptions of medicinal scripture of Methamphetamine and elegant five-star meat.

Who amend their words with constitutional forgiveness, in their fascist cloth rampages through groves of learning strategies. And the closets, cupboards, and coins
with rubber hearts, steel *****, and gold *****,

Tall-tales of sock puppet hands with friendly sharing ******* techniques, dry with envy, colorful scabs, and coagulation of eccentric ****** endeavors, With their social lubricants and their tile feet wardrobes with B-quality Adidas and Reeboks gods of the souls of us. Who possess piceous syndromes of Ouiji boards in their parent’s basements.

When will fire burn another Bush? Spread the fire walls of Chicago, and part grocery store fields of food. Wrapping towels under the doors of smoke filled lungs, on the fingernails of a sleepover between business executives with the neoprene finish of their sons and daughters who attend finishing school, with resumes of oak furnishings,

And I long to talk with you ten years from now,
For you'll be talking ten years behind.

Who profligate their padded inventories breaking Mohammed and Hearst,
laying the pillows of cirrus minor
waiting for the rain to paint the eyes of the scriptures which waft through concrete corridors,
and scent the air with their exalted personas,

With the different channels of confusions, watching dimple past freckle, eating the palms of our tropical mental vocations to achieve purity from the indignation of those whom are contemptuous for lack of innocence in America,
this America, of lack of peace,
of America hold me,
Let me be.

Whom read the letters off music, blearing Sinatra and Krall, Manson where is your contempt?

Manson where is your manipulation of place settings?, you deserve fork and knife, the wounded commandments that regretfully fall like timber in an abandoned sanctuary of Yellowstone,
Manson, with your claws of the heart.
Manson, with your sheik vulgarity of **** cloaks exposing your ladies undercarriage,

Those who take their pets to walk the aisles of famished eyes,
allowing the dorsals of their backsides to wonder aimlessly through Vietnam and Chinaman,
holding peace of mind aware of their chemical leashes and fifteen calorie mental meals, holding hands, unaware of repercussion,

With their vivid recollections of sprinkler and slide, through dew and beyond,
Holding citrus drinks to themselves, apart from pleasure, trapped with excite from sunsets, and in-between.

Withholding reservation of tongue to lung.
Flowing ribbit and alfalfa, in the corridors of expected fragrance.

and to speak with you of ten years from now, will be a pleasure all my own, for you will be talking ten years behind.

They walked outside climbing over mountains of shrapnel, popped collars
and endless buffets of emotion,
driving Claremont all the way to art gallery premiers
and forever waited for plane crash landings
and the phone calls that never came

Glowing black and white cameras
giving modelesque perceptions to all-you-can-eat eyes
giving cigarettes endless chasms of light

Colored pavement trenches and divots
cliff note alibis
and surgery that lasted until the seamstress had gone into an
endless rest
and
empty cupboards

Classic stools painted with sleepless white smoke and bleached canvas rolling tobacco with the stained yellow window panes of feral tapestry and overindulgent vernacular

Like a satiated cheeseburger weeping smile simple emotion
on November the 18th celebrations
and Wisconsin out of business sales

Too much comfort, stealing switchboards from the the elderly, constantly putting gibberish into
effortless conversation.

Dormant doormats, with the greetings that never
reached as far as coffee table favelas,
arriving to homes of famished
furniture, awaiting temperate lifestyles and the window sill arguments from pedantic literacy

Silver shillings and corporate discovery clogged the persuasive
push and shove
to and from

Killing enterprise
loquacious attempt at too soon
much too soon
too soon for forever

Wall to wall post-card collages
happy reminders of the places never visited by drinks in the hands of
those received

Registered to the clouded skies of clip board artists
this arthritis of envy
of bathtub old age
wrinkled matted faces
logged with quick-fixes, anemia, and heart-break

disposed of off the streets
of youth, wheeling and wailing
rolling down striped stairs
of shock and arraignment
holding the hand rails of a wheelchair
suitcase
packed away in a life

Down I-37
into the ochre autumn fallen down leaves
and left memories behind
their green Syphilis eyeglasses

weeping tumuli
recalcitrant
mulish, furrow of beast and beyond

yelling, screaming, howling
at the prurient puerile tilling
of sheets

****** the voices of words
and vomiting the mind into the pockets of the turbulent perambulations
expelled from meat-packing
whispering condescension
and coercing adolescent obsessions
with fame, glamour, and *****

Creeping out into the naked
light of the Darger scale janitorial
closets, carrying the notorious gowns
of red wine spells, backpacks, and pins

henchmen, plaintiff, and youth

All the while
ripping at the incantations of the soul
whispering ribbit and alfalfa
in the guard-rail scars
of the dawns decadent forgotten
Mateuš Conrad Feb 2016
fashion magazines are the best
material for collages...
i just took a skirt with legs and high
heels, put it on top of karl lagerfeld's
head, cut out a pink dress
and put it on his signature style...
then i put a ******* bunny
with her back turned against the cast of
zoolander no. 2.
LDuler Dec 2012
ok so here is what we are going to do
i'm going to get a bout de souffle
what was i gonna do..
one thing getting to nether still need you
are you all here
one thing getting getting to noter
288 guitars 
i've been hoping  don't get much dumber 
and getting to noter
this movie is not yet rated
i'm kind of trying to decide
i will send an email to your parents
so… just off the bat 
your parents are not ok with that 
kind of thing
she was out there interviewing her?
right there… have you seen that? ok good
movie theater to hide
c'est rare
reste avec moi
ciao petite fiiiille
elle est la bas je crois
vous parlez français? yes
attention ma petite fille on ne plaisante pas avec la police parisienne
you think i'm lying? you are
i didn't see you
you don't believe me
bonjour mignonne
qu'es ce qu'il dise
les flics me recherche
parle le moi quoi? ca alors
tu es marie
c'est trop **** maintenant d'avoir peur
bonsoir madame
il faut absolument que je trouve antonio
accelere minouche
il est alle a monpellier
why don't you smile
it would certainly surprise me
sourrrit sourrrit
je pense a quelque chose?
je ne sais pas
je voulais être seule
c'est finis
tu m'emmene au champs elysee
au revoir 
tentez votre chance
un cafe alors
moi je peux pas partir
et puisque je suis méchante avec toi c'est la preuve que je suis pas amoureuse de toi
ahh c'est trop complique
j'ai envie de dormir
c'est vraiment dégueulasse
how would you relate
destroy the rules
young actors
....sommes seuls, cette certitude de nous-mêmes dans la sérénité de la solitude ne sont rien en comparaison du laisser-aller, du laisser-venir et laisser-parler qui se vit avec l'autre...
audition for the leading character
interesting combination
the criminal
just the edge of his frame
she seems innocent at the beginning
looking at his notes
just fyi i throw out someone
loving and desirable
playing off of that very consciously
you just not be working
archival stuff is on Facebook
c'est l'heure du gouter
de la glace au chocolat
working on your transcripts/ paper edits
that's probably not a smart thing to do
t'y va
Not this sense
that I don't know what the hell
a human girl is...
where’s the coast guard? 
just a spotlight gimme something
ca commence a 6h 
t'es cool
quickly
i smells like **** did you ****?
you are the love de ma vie
he talks like that he is french
she is like ze morning sun in ze...morning 
beautiful
ze temps is in ze essence
muaaah
is our classroom
i can sense the connection
the connection? 
the connection entre nous
so madame alezraa give me this much
i heard boss
he is not doing anything
to give me a kiss 
it's in the 1st tab
it's still there
you don't have to click
i can't save it, just stay with me
there is no word on this ****
i need the inspiration
you are my muse
c'est pour ca qu'ils sont si petit
small
je vais m'occuper de
the whole point of life is to rearrange it in a coherent running story
people don't talk in stories
cut each section
some sort of a story
nice
tu veux que je mette
ouai ok attends
elle est l'autre feuille
permien tu veux que je colle recolle decolle coupe recoupe decoupe
how do you feel about solving…I mean it's an interesting way to solve it…
〜flowed〜 nicely
it was sort of an ingenious solution
she's in the airplane, she's in the sofa
try to transition between the two subjects….where does your friend come from?
what it was like landing in New York, looking out the window...
the process of arriving
not really fair to say that
in the future, if you're going to try to tell a story…in their minds….what's the story she's going to be telling me?…..coming home
fill in the blanks
don't go shoot blind, that's the biggest mistake
does that make sense?
great!
wubwubwububwubbbbbwubwb
gloving is......flowing lights in sync with the♩music ♫
flowing in gloving is broken…
liquid
finger rolls
tutting
figure eight ∞
wubwubwubBAMwubwubwoosh
wave-like movement…basic thing….wrist in a motion
tutting is like the angles…. not um 〜flowing〜….like tetris
you want to more, rather than following
solid ⸪lights, ⸫single⸭ solid lights⸬
pink to green to orange to yellow to blue
advanced strobe, solid line of color [...] streak of purple
electronic, dustup, elector, house, trance…
you’ll probably never see anyone gloving to like, classical music ♬♪
my name is Henri Geneste and I'm a glover WUBwubwubwubbbWUBWUBAHHHwubwubWUBWUBWUB[ONE][TWO]WUBwubwub[THREE­]
putain c’est magnifique
je me demande si il fait ca la nuit, quand il arrive pas a dormir...
window thing, kind of dumped
either the ours magna or the I equals me squared²
like language, like art, there are rules
go out and break them, just mucking around
fix it, wanna make one, totally your creative decision
how awkward
a bout de souflle
totally revolutionary
ainrr
radical, argue truer, but it's jarring, that's one way to do it!
aware that they're there but not ⑈jarring⑇
close to wide…..there's a cut there but the eye can follow it
um i have to go...
bye henri!!!
bye!
bye man.
see ya monday!
the hair!! im gonna shave it this weekend
I've been to raves
is he, like, a straight-edge?
there's drugs…do you guys ALL go to raves?
how the audio?
looked cool, the rain in the background
DUHDUHDUH that's hard to do
a huge amount, i'm sorry but gloving without the music?
if he does drugs OR NOT, how he's enjoying it OR NOT, if it interferes with his studies OR NOT..
just FYI we were all young yesterday
two bodies
he's here cause he's not going, right?
are you interested?
oh i would be very interested
yeah i see what u mean
you could come with me….i could always take the bus
it'd be cool
moi elle sera belle
here we go!
woah
their audio visuals are not very HOT
hours per day?
1…2 hours a day
sometimes 30mins
mostly people, sometimes like little animals
mostly people
i look at their art a lot
really interesting style
environments
if i want to…how I see them in my head
stuff like that
usually kinda random
i pretty much self taught
mostly from practice
everyone draws…but i got serious about it, like very…6th grade
i don't like the idea of competitions
and mum drawing is like, something that's kinda important
a passion
not sure i would want to go into it as an industry
more than just art
for now im not really sure
alright
so our usual questions
eyeline! thank you
on the couch….at the end it was really weird
who was…sitting where?
where were you?
she didn't really even really look, she was too far away, she just kind of….looked
much…she might not have ever looked
with the eyeline…it was pretty steady, no jerky-herkys, there were several edits
forgive it cause there's enough change
you could follow it, you could see that time had shifted
the content demanded it
WOAH okay now i'm really curious
we could see it, but then it was on the something else
process the image
now we're trying to look at the art, now we need more time
arc? did u feel like there was an ◜arc◝?
umm yeah…..
how many hours a day do u draw?
try to make sensible out of that
is that they use 2 3 four…
uh...cut..i did….cut
the cutting itself is like a commentary on her
since i was little. when i was little
when i was little
but my parents, my family don't
hands and arms
collages, magazines
photography
big part of photography
San Francisco Art institute
graphic animation, we only had like 3 weeks
still lives, models we would draw them
we had like an exposition
the person my mom works with's husband
wanna do an artistic career
alright so
not the greatest projector ever
too much head    space    
a lot of nothing
it makes it a lot more interesting
i think it was okay in the video cause
what she was saying and stuff like that
fair enough but I don't agree
lost in this big sea of wall
you're totally forgiven
no questions
power of a well-placed microphone
fantastic
the beans!
alright
you guys are the wrong audience cause you all know each other's stories
good feedback
movin' on, okay
very frustrating
and now.....surfing! woohoo!!!!
30 loooooong minutes, it's a nightmare!
7 minutes
3 minutes
it's a 10th
there's something fascinating about listening to people…you can do it yourself later
bolinas, del mar, sometimes surface, livermore, ocean beach
......riding the waves…....man….....it's the best feeling
you're walking on water you know? that feeling…….i love the ocean
i love the water, after you get that perfect wave you just feel accomplished
that feeling…..is awesome
surfing, it's all about having fun..
you surf once, and….you know?
if you're a surfer, you have a love for the ocean
my, my grandpa always loved the beach, we would go there at two in the morning and just….
my grandpa died and he asked to be cremated, he wanted his ashes to go in the ocean, so we took his ashes out to the ocean
I remember walking out to the ocean with my dad, we threw his ashes into the ༇wind༅ above the ocean, and we looked down….
we want to get the pain!! and the sorrow! because we're vultures you know? we just zoom in to get his expression
little bit weird
i do, i like it
it's black and white
it's just a surfer, it's not movin', it's there…it's not always the same
sort of echoey
…the ocean, and so i remember my dad taking the….
too much archival? too much? not long enough? both.
there was sort of a disconnect at times
her story, you have to cut
when she says "CAT" i want to see a CAT, when she says "FIRETRUCK" i want to see a FIRETRUCK!!! i was like, okay, i  just went to school…
and now this?
or you see a woman that looks like a cat
it's hard, it's complicated, it's not given
so they just kind of ended
you guys im trying to help them
oh okay
hey you know what no no no you know what don't take any of this personally just be like oh okay
he's got a funny manner of speech
any thing else?
arlo says no
"it would not go well"
what IS the really great ending?
amazing feeling one can have…..
you feel like you own the ocean, like it's heaven on earth
this technique it's called killing your babies…i love that
uh what
he says "uh no no no this is a 3 minute film"
sad but true
we all get attached to things, we don't want to cut them out
just play with it, if you decide
we can schloop
can we watch
not exactly…here's..uh okay a quick heads up
oh
for this summer
advanced lab, art advanced films, screen-writing, animation and more
field trip!! i need to contact your teachers
what day? a thursday
almost all day…nine to three
we would leave here
now im gonna erase this
Brett Jones Jan 2013
The moth with newspaper wings sat under the arrow lungs of the eyeless
blood dripped falcon, more whole than the super-glued roman sculpture.

Next door a 50’s con held up church with a roulette table in the kitchen,
and boarded up the massage parlor
downstairs.

The eye of the man was a centrifuge of ducks, mallard and hen, spiraling
outward into evaporated roach-ground
asphalt.

Next door, slits in the picket fence displayed perfectly formed **** & broach,
empty shoes made of feet below, blending
fields.

The marble foundation formed from twine lollipops and fuzzy candy tabs,
ice-etched to the frequency of splintered seashell
angels.

Next door through the forest of knives a spaceship bearing gargoyles peaked
bodies through collages of faces in technicolor sepia
mitosis.

The heiress molted into tiled pieces, her own dog and sunhat caught in blizzard
cuneiform, kaliedescoping again to fractalled inchworms cemented in motion.
Dreams of Sepia Aug 2015
He finds the clues
come to him like fireflies
swarming around him
in the air

murderers all have
long shadows
& some were born
with silver spoons

in their mouths
& others not
He assembles collages
of cases from newspapers

to see which ones
remind him of which
& drinks too much
as the night holds him close.

He's got a Dame in town
he knows she's bad news
He knows his whole life is
a case of Win or Lose

A card trick
played by a blind man
he has too many regrets
& yet none at all
alice Jul 2014
The sad day was soon to come
When voices forever fall dumb
The bell will chime but one last time
And I recall that last sad mime

To write a speech I was requested
Or at least it was suggested
but on looking back all that I saw
was shadow memories, ever raw
Happy times it seemed had faded
Smiles not again paraded
Since I was a child of six
And what happened then betwixt

Twenty-three years had passed
And the thought made me aghast
Because through the time I could not recall
Happy memories at all
Threads of memory imbued with sadness
Even better times I still felt downcast
For you are a family of five, and I am one alone
With no place to call a true home

I have lost something that I never had
Could I really be so bad?
The collages show the five of you smiling out from luxury
The five of you, but never me
Holidays to far-flung places
Happy looks upon your faces

Where are my shared memories?
Dig through the ephemories
Now they will never be
From the blacksheep of the family, following the funeral of a father-who I wish had actually wanted me at some point over twenty-three years-and never really did.
Now I must decide whether to retain painful contact with the rest of the family (a route to depression) or to dissolve further contact
You used to paint pictures
with me. You were always smiling
when the brush glides on paper
as the colours spread everywhere.

Patiently, you'd recreate every
bit and impression of reality,
and add a version of your own,
until the picture will be perfect
with magical meanings
only we would have known.

But patience is a virtue
your self never learned.
One day, you were snapping photographs,
capturing moments, developing pictures,
pasting collages -- a panorama of
life you chose.

For weeks and weeks on end,
I went to those places where we used to paint;
Time is such a mystery to have put distance in a memory.
I would trade my whole life just for you
to colour it again. Like old paintings,
bring back its vividness; restore it.

And now, I am on this bus.
In transit.
A gift-wrapped box inside my bag.
I am sending it to you personally.
Take pictures with it and
live a happy life.
I'm letting you go. Please set me free.
Matalie Niller Jun 2012
Let's go for a naked dip-
my bathing suit is cute but so is my birthday suit-
oh egg head
don't fall and crack
spill brains and embryo everywhere,
not good for the kids at all
might leave mental scars on long-term memory
let's get tatted like good old native americans
I am Chief Awesome
you are Franchise Emperor
pouring fries and salt into my arteries,
slow, delicious death
why must thou be so appealing?
Don't be so stupid
taste buds are my best buds
blooming like beautiful bulbs in berry season
blossoming
absorbing flavors and releasing neurochemicals
oh so sensible and seductive
get a hair cute Mr. Scrutiny,
you are outdated and overrated
Power-aded lemon-tossed
concluded in cuddling under stars and blankets
blame the infantry
they couldn't save themselves
poor things
just doing duties
just not all appreciated
but we do the appreciating
graphite collages and collagen fills
spill orange juice on tables
perpetually sticky
dodgeball eyes
yes we will be friends.
Simon Obirek Apr 2016
Hanging in space,
suspended in nothingness,
tiny little cubes
with rounded edges
glistening brightly
like bulbs;
they're moments.

Some moments are nice
and some worth writing about.
The best moments **** time;
Earth spins slowly,
your bones tilt
your guts twist
and then it's over
like blown-out candles
just like that.

The tiny little cubes are snapshots,
they capture the moments
and they won't shake them after they come out.
The cubes are collages
of your entire life
of the feelings you've felt
the experiences you've had
and your love wrote a cute note at the bottom of the picture.

The tiny little cubes go unnoticed
by most people
but you.
However,
the moments still exist
as long as there are someone
to remember them.
Faeri Shankar May 2012
Stomach full of liquid.

Black eyed peas

And obsession with relish

Finally paying off.

Trees

Collages

Dancing

Seductress.

Knowledge

Healing

­Three small boys dressed as their fathers

Playing checkers

Giggling

Marimba chops

Echoing

Twice stolen earphones

Volume control

Old south

1933

Shallow grave

Shallow sleep

Fresh cars

First to drive

Survive.

Sonic

Pescetarianism.

Cherry Lime-ade

Walking on the

Green grass

REM interrupted

Curious hands

Laced between

Fingers

Three sizes smaller

Sinking

unbiased truth

peeking an ugly face

around her corner.

Talk of mustaches and

****** orientation

The price of documentation.

Embrace

certainty within confusion.

Tuesday.
Alice Curtis Jul 2012
It is so much fun making things.
Cutting construction paper,
and printing pictures from the computer,
and making solar system posters,
with colorful comets, and nebulas.
But without my good friend Elmers glue
I don't know what I would do.

Just a dot, and spread it around,
and you can stick Ganymede next to Jupiter,
and make all kinds of cool collages.

You can make little game pieces,
and play galaxy battles with grandpa,
but without Elmers glue
everything would fall apart,
and all the papers would seperate,
and nothing would work!

That's why I love Elmers glue.
Its like love,
because it fixes little broken plastic hearts,
and keeps beautiful pictures, and strong paper together,
so that you can make beautiful and strong things,
which is what love is.

So you can sort of say
that Elmers glue, kind of
is love.
Which is why I love it!
Senor Negativo Sep 2012
Is it true
what you said,
in the grip of the plague?
That you would love me and my broken musicbox.
I said the worst thing I could, to save you from pain...
Oh the pain it must have
caused,

Accusations,
allegations of my limitations,
I know something in you
still feels my wet tears on your hand.
Twice from the chasm edge you recalled me.
Now I wonder,
if there is a miracle left in the bag of light.

Didn't I bring a sparkle to your laugh
in the days before I tasted poisoned honey.
I built collages for what I thought was you.
I see the weariness in your words,
shake me from this world.

Once,
you made me smile through agony,
when I fell from the greatest height.
Now,
the very thought of your smile,
drives a thousand pins into my head.
Tomorrow,
another piece of me will be missing,
never to be recovered, permanant loss.
Glenn McCrary May 2012
Collages diffuse vanilla vistas
such effulgence waltzing to violet tempos
though the forestalling of waterfalls
evolves into a gargantuan war
weapons whistle from the mountains
beatitudes of mirth shan’t ever be eradicated
Smiles Apr 2014
Here's a lovely story for the boys back home
About a crying little boy in a room all alone
He's sitting and he's screaming just to breath
While the love of us life decided to pack her bags and leave
So now here he stands banging his poor little head
Because his loving parents didn't want him dead
So they hid all the pills and they locked him away
Where he'd never see his friends or the light of day
While now his love and his muse is off with another man
He sits and conjures up a nice little plan
He sits and he lies with a smile on his face
So he may soon reclaim his love and his rightful place
"The voices are gone!" He began to explain
"I feel so much better now. I swear that I'm sane!"
So instead of a month he left within the week
Because of that silver tongue of his so sharp and so sleek
He packed his bags and was on his way
And he left VCU the very next Sunday
Well he got home and realized no one had called
"What of my love? had she missed me at all?"
"Sorry honey but you were truly a monster."
The first text he received; He knew he surely had lost her
"Baby please I assure you. I'm better now see. My scars, they are faded. They no longer bleed."
"I can't have you bring me down. I cannot support you."
"How could you abandon me? You know that I loved you!"
"I'm sorry but it's over. I love someone else. Someone who's confident. Someone who loves himself."
"I never mistreated you. I gave you my heart. Now swallow all the pieces and choke on these shards! I fought the war and you weren't by my side. Drank too much that one night and that night I died. Woke up the next day soulless and cold. Sick of the feeling of expressing as I'm told. I can't hold it in. This darkness I posses. This darkness that doesn't ever let me rest.
The things that I see.
The wounds that I bleed.
The voices I hear
Oh how they deceive
They pushed me everyday as you sat idly by
Now that I look at it maybe it is time to say goodbye.
You've done me a favor and for that I must thank you.
I'm finally free and now I must bid you adieu."
He may have turned off his phone but this was not the end of this tale
For sometimes evil truly does prevail
Very manipulative and cunning at best
This harlot was going to put his heart to the test
The man of her dreams didn't show interest
No he didn't give her jack
So in fear of being alone she took that poor sucker back
"Oh baby I don't care about your illness. I love you all the same. I could never love another man. I know you're not to blame. You gave me everything I wanted. From *** to back massages and even your lovely art collages. You brought me breakfast every morning and rubbed my aching feet. You'd write me lovely letters oh baby your love can't be beat. I need you oh so badly. Please don't let me be alone. I miss your soothing voice when we talked all night on the telephone."
"Oh honey how I missed you. I love you oh so much. From the way that you smile to the way that we touched. I need you back in my arms    please don't leave me again. I don't think I could handle seeing you with another boyfriend. I can only blame myself for how I mistreated me. I know it only hurt you but baby can't you see? I'm finally better and I'm as happy as can be! I don't have those voices telling me what to say or do. I really think that we can put the past aside and really start a new."
"I want that more than anything I really really do. If you ever decide to leave me in the end just know that I will always love you."
Well it wasn't too long that he saw the error in her ways and with some help from his friends he decided not to stay.
"Baby please we had a future together. We're practically the same person. Two birds of a feather."
"You sound like a broken tape recorder. You've put me in the hospital more times than the person responsible for my post traumatic stress disorder. I'm sorry but I can't stay. What kind of person claims to be my friend and throws me away. You abandoned me in my time of need. And now watch from a distance as these open wounds in my heart begin to bleed."
"I feel so awful. What have I done? Should I end it now with these pills or this gun?"
"Don't even think about it just live your life. Own up to your mistakes and throw away that knife. Be the better person and don't do it again. I won't be your lover but I'll try to be your friend."
"Oh thank you I lov- oh sorry I forgot.
Being without you is going to be harder than I thought..."
"I'm sorry but it's the way it's gotta be. You're gonna have to grow old with someone besides me."
So now as this story is coming to an end
It appears that out of fear he had to be her friend
He couldn't deal with her blood on his hands
So now till the bitter end this is where he stands
ConnectHook Sep 2015
♠ ♠ ♠

Pseudo-Oriental visions
Haiku, Tanka, exotic terms
Vapid New Age vibe-transmissions
proliferating eastern germs…

Anarchistic thought collages
Existential lacerations
Nihilistic heart-massages
Incoherent lamentations,

Communism on a mission,
grievance-mongering, stewed in hate;
pounding Fascist fusion/fission
chanting harshly “ours the state”,

Hymns to Gods who choked on *****
undertaken in overdose;
rocks that never rose to comet
rolling – but ending comatose,

Hipster ironies, tongue in chic
Metro-wimps who feign the normal,
Redneck rantings up the creek
semaphoric,  semi-formal,

matron’s maudlin observations,
motivational hypnosis,
(sentimental medications
offered prior to diagnosis),

coldly abstract neo-nonsense
read (by dullards) as cutting edge,
letters void of correspondence;
well-trimmed words’ linguistic hedge.

Climate whining (tried untrue)
with eco-prophecies warning doom,
Wiccans and tree-sprites trying to
undo the curse and lift the gloom,

Feministic tribal ranting,
Race-complaining, agitation,
GLBT gallivanting –
all are blights upon our nation.

Boring modernist excess,
(no longer daring  –  formulaic)
confounds –  yet never can address
what’s wrong, and so becomes prosaic.

Lists like this are perhaps  the worst;
another symptom of our times:
we who are woefully unversed
in rhythmic complaining that rhymes.
https://connecthook.wordpress.com/2015/04/01/stuff-poetry-hates/

WHY? Because POETRY STINKS.
Sa Sa Ra Jun 2012
O yesterday,
you hold on dear
I, the all you know

Of collages unto kaleidoscopes
Images breathe on their own

Then go they dancing
Whirlwinds and prancing

O dare be what you are
You are you, loving me

All the day are enchanting friends
Who want their Star,
in the Loving sea

She’d be swimmy splashing, laughing
All Loving and power

Seeing you seeing,
my eternal tomorrows
Painting destinies

In breath,
in love all can be

I know I am that I am
And you are knower of all of me

Would I hop upon the mountaintops
And toil the toilings of your depths

Into the night,
you are the consoler of consolidations

Then they are dancing
Whirlwind and prancing

What of this day,
that tomorrow I don’t see

Tis this the time for wooing of me
Where is the love I give by day

That I doubt in the night
By morn she waits

Am I not form imagined as Love
Giving thy Gifts within thee boundless

I am knower of  knower,
that Love I am and ever shall be

Where are my echoes,
is there anything real,
in what I think I see

Woe the tree who falls,
they say does not be
Woe her squirrels,
woe is me

Do I,
or shall I live a fantasy

For what of time,
would you behold of me
If Love I’d rather be and see

Through whirlwinds,
and in my Garden,
they’d say I be

Just a day away,
tomorrow I’d be dancer

In love,
thee prancer,
every color of thy need

Who hears drumming,
every Heart weaves

The yellow brick road,
where all Rainbows

are

Singing and dancing,
loving and laughing
All Hearts and Hands
of form of dust, a Glistening sea

Today’s thy day
Emerald City be

With the Courage of one foot in tomorrow
Allow yesterday to be but prophecy

For this is the day the All You Know too Sees All You Need

For I am Rainbow dancer, Whirlwind and Love
Delightful prancer, tomorrows beholder

One who would bid your Love Dream be
One of One and Infinite Sea
(Winter 2010)
This I wrote thinking of a dear friend whom was just not able to pipe down for bed so easily and stayed up till near dawn so often!! Say yes about insomnia and I too wrote this from delving into my own experiences thereabouts!!!

This was a close follow!!!
http://hellopoetry.com/poem/into-all/
Mary McCray Apr 2015
(NaPoWriMo Challenge: April 26, 2015)

The tendency to want to finish a given unit of a task or an item. Strong effects on the consumption of food in particular.

The small bag of corn chips, the can of soup,
the box tray of pasta, studies of portion

marking progress through existence.
Units move from your hands to your body

whatever the form of consumption
like track loops, pudding trays and poems--

they all have their metrics, even nostalgic
collages hiding behind miscellany.

Even improvisation has its forms; every mess
and message has its borders like nuclear meltdowns

moving in waves to the California coast,
Nepalese earthquakes and the avalanche of Ever

through years of tremorfications.
The corner diatribist can always tell you

there's a horrific endlessness to it all
and many, many happy ends.
Nepal earthquake, an avalanche on Mount Everest....looks of earth talking today.
Where have you been with your words
that you vowed to whisper softly
until they tumbled over the moon?
Tranquil images are all I can see
in your rhymes
that sank deep into the night
too soon.

Where are the eyes that lit up my world
and filled my pockets
with dreams of a life that shines?
I am realizing now
that what I once was
you have steadily changed
as you exhaled your lines.

Is my hope a golden thought
I love because it dwells
in my emotions
becoming a journey
where I drop to my knees,
spelling out words
then wonder where they lead
into my own circumstances?

Sometimes, when I sleep,
I glide over shells,
holding the hand of life,
forming collages, I could never forget
even when I am weary and I speak
of past things I should have forgotten
over the years.

Where have you been with your words
that make me smile in knowing
I have found my safe harbor
where I can be quiet
and revel in the tranquil images
you create
in my heart and soul?
Chad Young Feb 2021
What is quantifiable are the symbols. What isn't quantifiable are the zones between the symbols, unless there are many symbols present that form spaces.
There are partial symbols, i.e. a gesture of an animal is present but not the form of the animal.
Reality stays more abstract with partial symbology.
What is known about the symbol gives reality meaning.
Speaking of visions as symbols separates the meaning from the visual experience.
The person who doesn't see the symbol as the reality has not been exposed to reality which is somewhat hard to ascertain.
When, in dreams for example, there are just collages of things, it is hard to say that it is more than a collage. But if I recognize symbology, it allows me to see every part of the picture.
Symbols are more for the artist than the scientist who simply wants to verify what happens in reality. While transcendent of verification of meaning is reality "filler", yet it attains to meaning only if it is seen as symbol.
The filler is more abstract because logic only exists here if we consciously give something meaning. Otherwise a huff of a dog, for example, is merely a passing image.
Since concrete objects already have existential meaning, they cannot constitute as filler.
Visions, because they only partially exist, calls into question existence itself.
In filler reality, it becomes participatory as to giving reality meaning or just enjoying the visions.
What separates this filler world from normal mind is that meaning is no longer the key to reality.
Simply experiencing the visuals explain reality in an easy way.
Meaning almost ruins the mode of experience.
laying in contemplation
~
April 2024
HP Poet: Pradip Chattopadhyay
Age: 63
Country: India


Question 1: A warm welcome to the HP Spotlight, Pradip. Please tell us about your background?

Pradip Chattopadhyay: "After graduating with honours in Geology, I worked in various sectors including railway, banking, teaching, accounts and audit, consultancy and advertising. I feel working in diverse fields have helped me to come across people and characters of many shades and hues. This probably broadened my perspectives and laid the foundation for my poetic creativity. I have a wife of 40 years, and we together have raised a family almost from scratch. We have our son, daughter in law and a granddaughter 5 years old. They have been a source of many of my work."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Pradip Chattopadhyay: "I have been writing poems since I was in 8th standard. Initially I wrote in my vernacular Bengali before experimenting with writing in English from the early nineties. There was a hiatus of nearly two decades when I didn't feel like writing. From early 2011, I have been among words regularly snatching time for creative pursuit from my work in advertising. The ***** went up till 2018, my most prolific period, before the curve went down. I admit I'm not writing as much as I would have loved to. Arrival of my granddaughter in early 2019 both added and eroded my urge to write. Most of my time was for her. I started with posting my work on Poem Hunter before coming to Hello Poetry on March 22, 2013 where my first post was 'My Name is Bond'. I post on no other site."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Pradip Chattopadhyay: "The spark that begets a poem is hard to explain. For me, it can be a momentary emotion, an impulse that's too compelling to ignore, a character or relationship, intimate or distant, an event or incident that might appear mundane on the surface, even a sight fleetingly seen. I have been an avid traveller, and moments with my wife during such excursions have produced many of my poems. The river has always been an inseparable part of my life possibly due to my growing up and living in the riverine areas. So the river silted or flowing has been a constant inspiration for my work. There are also other places for my poems. The daily market, slum, a pavement dweller, a daily wager, a salesman, religious beliefs and practices, faith, a journey, ruins, fairytale and so on. I place no limits on subjects; love, relationship, humour, horror, mystery, memories. Often they take the form of storytelling through a blending of experience and imagination. All said, what satisfies me immensely is to be able to write poems for children. I have tried a few trying to fit into a child's mind, a difficult process. Most of the poems rise and sink in my mind. Only a few see the light of ink and paper. Of late I've been a little lazy or maybe a little too busy for retrieving the ones that float for only a while."


Question 4: What does poetry mean to you?

Pradip Chattopadhyay: "For me, poetry is painting collages of life from within and without. The stimuli arise from the interaction between the external and the inner world. It is not to preach but to present what is seen and perceived by the poet, and leave the rest to the reader. You get down at the wrong station and see a reflection that you never thought existed within you. It becomes a poem. For me, poetry is touching upon the entire gamut of human emotions culling them from the simple happenings around us. Bringing out the hidden "more" than what meets the eye. Poetry is making meaningful an apparently simple happening. Even a mundane occurrence may contain the seed of a deeper realisation. For me, poetry happens for all that happens in our surroundings, be they conspicuously visible or not. The poet is an explorer and discoverer."


Question 5: Who are your favorite poets?

Pradip Chattopadhyay: "Rabindranath Tagore occupies a pedestal. He is universal in his dealing of all aspects of humanity. I also love to read Wordsworth, Shelley, Frost, Macleish and Neruda. I am not very familiar with contemporary poets in English language."


Question 6: What other interests do you have?

Pradip Chattopadhyay: "I love travelling and take interest in photography. Mountains attract me more than the sea. I have been to the higher altitudes of the Himalayas including Ladakh and Sikkim. Once I was a good reader but now I have fallen out of that habit."


Carlo C. Gomez: “Thank you so much for allowing us this opportunity to get to know the person behind the poet, Pradip! We are honored to include you in this ongoing series!”

Pradip Chattopadhyay: "I am thankful to Carlo for providing the opportunity to talk about myself and share my views with my poet friends on this site. The Spotlight on Poets is a greatly admirable effort to showcase the work of the many great poets here. Thanks to Carlo again for this truly encouraging initiative."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Pradip a little bit better. I surely did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #15 in May!

~
marriegegirl Jun 2014
Thèmes

Choix d'un thème pour un album ou une carte vous aidera à affiner votre choix de materials.Who est le public visé? Est la carte ou un album lié à une fête ou un événement important? S'il n'y a pas une personne en particulier ou un événement associé au projet, l'adoption d'une couleur ou un motif régime prévoit unité et balance.Examples de thèmes populaires incluent: vacances, bébé premier, anniversaires, obtention du diplôme, animaux, années scolaires, les anniversaires, les mariages, roman, prix, favoris (cadeaux, livres, films, émissions de télévision, des jouets ou des modes), le



jardinage, les vacances, les partis, les sports, souvenirs et mementos.After choisissant une conception unifiée, trouver des documents qui illustrent votre message. Matériaux
Les matériaux les plus indispensables sont cartonné, papier, colle, outils, stylos, et des embellissements de coupe ou photos.Cardstock robe soirè peuvent être achetés individuellement ou en packs de valeur; packs de valeur sont utiles si vous créez plusieurs albums et cards.Cardstock et du papier ordinaire est disponible dans des couleurs unies ou du papier patterns.Patterned peut être utilisé comme arrière-plans, des bordures, ou du papier de coupe embellishments.When, sauver les restes pour des projets ultérieurs, vous pouvez embellir d'autres projets ou utiliser de plus grandes chutes en photo mounts.For une aspect texturé, papier de déformation;. carton est plus facile de se froisser si vous appliquez quelques gouttes d'eau adhésif, des outils et des stylos coupe sont très variées. Les types de base comprennent liquide et le bâton de colle, du ruban, des ciseaux, tondeuses, des marqueurs et des albums de pens.For de pigments, toujours utiliser des matériaux sans acide qui ne traverse pas le pages.To créer bords bordée sur les pages de scrapbook ou des cartes, utiliser des ciseaux spéciaux, comme puncheurs. ondulées et de la vallée de pointe, ou en forme embellissements

améliorent le thème choisi albums et cards.Cutouts, des autocollants, des rubans, papyrus, vélin, les timbres et les citations sont des choix populaires, citations peuvent être employées par achetées quote-livres, manuscrites ou tenue mere de la mariee imprimées à partir d'un ordinateur Photos personnaliser n'importe quel projet de robe soirè métier;. ils peuvent être imprimés à la maison, ou développés par des boutiques et drugstores.Photos d'impression en ligne sont généralement organisés par ordre chronologique, en collages ou categorically.Categories incluent, mais ne sont pas limités à: des événements, des activités, des familles, des couleurs, des particuliers ou actions.Although ce sont des techniques de mise en forme les plus populaires, vous devriez Étalez vos photos seront cependant mieux s'adapter au thème de l'album ou carte.

http://www.modedomicile.com/robe-de-soir%C3%A9e-c-5
john oconnell Jul 2010
Electric neon
collages;
multi-coloured,
flashing, successively,
on and off
through the night's
empty
desert of ever shifting sands.
Anna Oct 2013
Please forgive me for my lack of meter and form of a paragraph. Let me take you to a day in my life, of what was supposed to be the conclusion, on February 9th, 2013. I was on the floor of my bedroom, the cold wood no match for my fevering body. My hollow gaze melting into the green walls, the picture collages of magazine cutouts I spent whole weekends arranging. There were no tears. No feelings beside this hungry ache of emptiness. The clenching grip of depression enclosed around my ribcage.

There were no tears because my mind was made up.

I drew the razor blade  across the fair delicate skin on my wrist, perpendicular. I just wanted to feel something. One. Two more times, crimson paint flowing down my arm, onto the wooden floors. Steady stream, throbbing pain.

It wasn't until my head was light and vision blurry that I noticed my mistake. I cut too deep. But there were no tears. No feelings. Besides acceptance that my time has come. I slowly closed my eyes involuntarily, giving into the soft waves.

Feeling the grip loosen.
Zoe Mae Oct 2021
Dying maple leaves
collect in shallow puddles
Autumn collages
Miss Honey Aug 2012
There are some people whose worn and wrinkled skin only tell stories of horizons at the end of suburban streets and modern collages of white paper. There are others whose creases seemed to have transferred from dry soil that was cracked preceding water falling from the hose in that hand. American spirit was lost in those who spent their days nodding to a television behind them. Disconnected from hands that once felt the soil where nourishment sprouted now used only to unload cellophane wrapped vegetables from plastic bags. That spirit was carried on by a man born in Kentucky not fooled by artificial colors for he knew the full spectrum of letting the sunlight arch from ear to ear.
Poetic T Apr 2021
We had a shelf life,
an existence that we
        played like a broken

fiddle, out of tune...

But now every string is either
          broken, worn beyond its
reproductive rhythm.

Were not creating  vibrant
        versions.

Just broken, collages that
are just not a complexity

        more a diluted, infertile

copy
        broken and substituted

never to be the real thing..

humanity is just a fading shadow,
    fading under the unrelenting

sun of reality....
Roberta Day Mar 2012
Sleep; an essential part of life--
a non-essential part of my night
I shall not travel to the land of slumber and
imagery that leave me to ponder and
decipher the undertone of my unconscious desires

Sleep, you will not store my memories tonight
You play as something illusory occuring past midnight
You vanquish the beginning of my day
and I fall victim of the bed to lay
for hours and hours when there is much to do,
much to ignore, and to fail to follow through

Sleep, I won't succumb to your relieving wiles
You interrupt my mind's process of files
and collages of information
Admittedly, you aid in the retention
of the aforementioned,
but I'd rather learn than burn away
precious time improving myself--
documenting my imbalanced mental health
or recreating art I wished I produced

Sleep, though I love the lucid dreams you induce,
sometimes they make me become more of a recluse
because I never want them to end,
so I stay alone to reenact and pretend that
for just a little while longer,
I can feel passion again

I've been desensitized in a chimerical fashion
I cannot endure this now so I'm commencing action
Sleep, I'm taking a break from your comatose spell
and the ephemeral dreams you compel
Shiny Star Jul 2016
I am envisioning a world of bots,
pulling us into the black hole
of innovation and technology,
with no trees, no schools, no collages,
nothing that is bricks and mortar.
Can you envisage a life on man-made oxygen?  
Can you imagine the fantasy world
in movies becoming our real world?
I'm being ingenuously curious,
how long before
a plethora of machines and bots,
a metallic universe created by man,
replaces everything we have lived for?
A few more countable years perhaps.
Just the thought sets me off in trepidation.
I wish to somehow freeze and slowdown
the evolving era so the living flesh and blood
could be prepared for what they are about to face.
Martin Narrod Oct 2015
acknowledge me. seething with tumultuous needs, the crispness in your cocktail dress sways fingertips, interstices of unscrupulous overuse, the deep accreditations you accreditted to our use. The oral collages of fogs synthesized sacrilege. Organics and the ultramodern. Speak ballet with me, turn your head sideways while I look at you a new amazing way. Write your future in the dna of my hands, I read the secrets off yours.
Delmo Druthers Feb 2013
I have been trying to socialize with more craftspeople
There are lots of color collages around here and I want to trade them for home improvement work
Like my bathroom tile is totally messed from all the cat litter
If one of my new acquaintances were able to fix it, I could give her/him a personalized wish board
I go to the bar by the lumber yard every weekday at 4:45pm with at least $8 in quarters
On full and new moons I come a little earlier and help them set up for the night

If Janky Mike comes around will you please tell him I'm just using the bookstore's payphone?

May your sons excel at binge drinking while simultaneously avoiding addiction issues
Del Maximo Mar 2012
she reaches deep inside me
with her whisperings
sometimes when I feel her presence
I close my eyes to watch her phosphene light show
an electric ultramarine grid against a black field
capturing glowing molecules floating in the sea inside my eyelids
like a cast out fishnet catching tiny bright blue fire flies
perhaps blue is the color of her music
change overcomes me
calmness and clarity
free from fear and pain
I arrive at joy and creativity
moved to play flute, write poems
or work on paintings or collages
enjoying the stillness of the earth
realizing the oneness of existence
at times I’ve wondered where she was
quaking in abandonment's corner
growing older, I’ve come to understand
she never leaves me
I just need to listen for her subtle voice
and close my eyes and see
© March 1, 2012
Damaré M Apr 2013
Well organized and tidy
Murals, collages, trophies, crafts
Feelings, emotions, blood, sweat, and tears all captured , saved and put on display

Studiedly  I walk station to station in amazement

Recalling and recollecting, but hesitant to reminisce on the bliss and carefulness that's swept and swift

Taken out of humanity to share, and placed into a strategy for only eyes to stare

So the only way that we can become engaged is on field trips or when we vacate?

Hands off the glass , and please no pictures sir!!!
Is the blockade

Well may I at least purchase a souvenir?

But I Thought love didn't cost a thing?

I also thought love was suppose to be balled into my heart , not placed onto the wall for art.

This museum has artifacts that date back;  way back , prior to the common era in fact

Love was used all over the world, evidently it didn't discriminate , but it separate ones from others, sometimes it hesitates because of it's density , because  if no reciprocity then the love become logically lessened

Love taught a lot of lessons , and raised a lot of personal questions

Hearteologists seems to have it all figured out

They say centuries ago love evolved with a color , a shape, a phrase , and a holiday.

An image
More so an image and no longer a feeling
The image that allowed Hearteologists to dig up, find and study any evidence , empires, households... the culture of love

The past half of a century the television developed and became everything except supplementary

So as viewers look at the screen they witness love as only being inside the characters jeans

When really love is hereditary, a trait that we all carry in our genes from the first beings

Now to be placed on the wall, behind plexiglass

Only to be put into perspective from 10am. until 6pm.
Mondays through Saturdays

As for the human race
You, I and true love can never link

Love is in a museum because love is extinct
Jade Apr 2020
Spinal column
a stairwell of books,
rungs of untouched vertebrae
avoided by the bibliophile herself

[myself].

Brain is wired differently
than the rest of them.

At first,
I thought it was a matter of being
****-retentive.
A veteran perfectionist
who strives to imagine every detail
as intricately and accurately
as the author must have intended.

Character's faces morph into
sloppy, patchwork collages,
features copied and pasted from
beautiful strangers and
celebrities who played
in the movie adaptations.

Their appearances are both
cliche
and
incomprehensible.

I am told a character is pale,
but can only manage to visualize a complexion
the colour of notebook paper,
penetrating blue eyes mere apparitions
against a wintry terrain--
her ears
nose
lips
misplaced beneath the tundra.

I lay the book atop my collarbone,
its cover pitched into a make-shift tent.

(Cautiously).

Almost as if I am
afraid to disturb
the seriffed constellations
that flicker above my heart.

I stare up at the ceiling
(vacant, as am I),
my eyebrows scrunched
into nooses of concentration,
several minutes passing before
her cheeks gradually begin to thaw,
warming over in an ombre
of pinks and olives.

And I rejoice!

Strike down the tent,
pupils hungry for prose.

But there is always
another character.

In Valley of the Dolls,
a handsome man,
whose hairline I cannot
properly envision

(this makes him less handsome).

This time,
when I lay my book down,
I do not proceed with caution,
the corners of its pages
dog-earing against my body.

Google:

men's hairstyles, 1940's

(I need to commit to memory
three different styles
so the three different males
I am working with
are not trite clones of each other).

I can only manage three pages
at a time
before having to take a break.

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is an exponential task,
as I pause to formulate
images befitting
Jaqueline Susanne's vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

Three pages for me
is strenuous,
as I pause to formulate
images befitting Jaqueline Susanne's
creative vision;
as I look up every word
I don't know the meaning of
in the dictionary;
as I repeatedly deliberate
the same passage
because of my incapability
to thoroughly process the text

on the first
(second...
third...
I don't know...)

try.

Turns out
this is more than just
being ****-retentive.

This is Obsessive-Compulsive Disorder.

I yearn for times of old
junior high
when I could finish a novel
in a day--
ramona and beezus
butterfly lion
the silver donkey.

But even then,
the obsessions were there,
one substituted for another:

the ceaseless gushing
of the soap pump
and dizzying rotation
of the faucet taps.

Could barely hold literature
between my palms
without aggravating
the rosettes of eczema
that had sprout
along my hands,
scoured clean and raw.

Eventually,
I outgrew these harrowing baptisms.

Am still waiting to outgrow
the laborious nature of my readings.

My only antidote poetry,
for it heals me in
every way
fiction could not
[cannot].

The poems do not trouble me,
do not burden me
with overwhelming arrangements
of ink and letters.

Instead,
I confront the English language
line by line,
sedated by the simple
fragmentation
of each stanza.

Because even when fragmented,
these stanzas offer up to me
the written word
like it is ambrosia
when I am starving
for intellect
but cannot feast.

I am spoon-fed words
until I am full--
am reminded that
I am not the stupid girl
I believe I am,
courtesy of my
obsessive, compulsive short circuits.

I do not relate to the cohesion of prose,
cannot deny the brilliant likeness
that exists between the reader
and her enjambment--
both fractured mosaics of metaphor.

I am
as broken
as these verses.

But

it is only as
I shatter
that I am freed.
Don't be a stranger--check out my blog!

Desktop Site: notapreciousgem.wixsite.com/tickledpurple

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Allen Smuckler Sep 2010
Flaming ember nights
clashing against
peace ridden skies.
Ancient, endless thoughts
echoing in those
meager times
we once knew,
and once loved,
a long time ago...

Silk covered days
on the streets
and cow pastures
of life’s distractions.
Stopping on the way
for a cup of tea
at a sidewalk cafe
that we once shared
a long time ago...

Broken, sleepless nights
on the edge of
our drifting past.
Collages of lights
on every corner
telling us it’s all a play.
Remembering when we were one.
Remembering when we were young.
Such a long time ago..
April 8, 1972 (Boston MA)
Revisited: January 12, 2010
allison Jul 2014
Becoming an adult was more like
reading an extremely long book
that takes a few pages
to get interesting enough
for you to read more
than ten pages at a time.

Each flip of a page
was each step
into becoming a woman.

At first, it was slow,
like when a book caught your eye
but you haven’t memorized
what each character would look like
first thing in the morning
or what their sense of humor is like.

Then, all at once,
your eyes are glued to the page
and even though they droop with exhaustion,
the pages flip fast
with an eagerness to know more.

As for the trek into independence,
each change to décor and organization
happened all at once.

Childish trophies were chucked,
zebra print comforters were replaced
with tasteful black and white
and blood red accents,
the clutter of collages and magazine pages
was torn down leaving my walls
more mature and bare,
espresso soaked furniture was ordered
on express to compliment
both the dresser and the desk.

And as I introduced
my newest person of interest to my house
and I surveyed my room from his eyes,
it was the ending I had imagined.

*July 10, 2014 5:03:37 PM
Patrick Kennon May 2011
Stains on the concrete like blooming brown flowers
Piles of wild grass, dry as sand, tracing a path up the curb
Potholes brimming with ***** water, a gleaming sheet of oil
Rotten houses, with all the windows smashed into collages
of razors
Stinking in their own slow decay, eaten away by time &
termites
The trees in the yard have shed their leaves, blanketing
the ground in fading brilliance
Fingers of breeze shift them, rustling with the sound of
a thousand roaches
Shedding the mornings condensation on the boots of
two legged insects
A pile of walking guts, giving nothing, taking everything
Vomiting their poison on the soil, reaping their foul
harvest
Wielding guns & machetes, cannons & swords, sticks &
stones
It's bone against bone, hand against hand, man destroying
man
Because the definition of war is many men dying for a few mens
interests

— The End —