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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Nigel Morgan Nov 2012
She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer
Marshal Gebbie Nov 2012
Strange how the dank hand of disaster clarifies the thinking,
How all irrelevancies are scoured from the frontal lobe,
How, strangely, should you look into the morning sky, the blueness is of a brilliant, startling intensity.
How biting into a piece of fresh fruit reveals the new mouth watering,  exquisiteness of clean sweet,flavour.

Strange how the dank hand of disaster allow us to consolidate our values.
Where suddenly, the drabness of yesterday becomes the brightly,beautiful now.
Where miserable mindedness adopts an abrupt re-evaluation, in that the sour faced neighbour is embraced with passion as being a fellow survivor.
Where the rich and the poor are thrown together to work willingly, cheek by jowel, for a common cause…Tomorrow!.

Strange how the dank hand of disaster brings out THE VERY BEST IN US …isn’t it ?**

Marshalg
A commonality observed In having survived many disasters over the years.
1 November 2012
Mateuš Conrad Feb 2017
when i was born within the Chernobyl aftermath, and the nurse tried to **** me, in that she almost choked me, enlarging my heart, and when that didn't **** me, and they attempted to befriend me, and gave me a brain haemorrhage... and that didn't **** me... i started to think: what will? i can't say i'm in hell, i can only assert limbo: i'm not a monster, just yet... it's only later that i became *******, when they wrapped me in a blanket of denials, to ensure their society was a beacon of false hope and even more false love... that last bit is the cherry on the top... i once hated ridicule: now i started to loath playground like games of lies... i just started thinking: these people are a bit worthless... how could people i once respected become so... so... pointless? it's not a case of: oh poor me... i'm laughing... asking for the next quickened allotment of epitaph in marble... i prefer the pain rather than this kiddy game of denying something being true... that sort of **** just makes up for being thought about too much... it exhaust my mental capacity... limbo is quiet fine, i'm apprehensive where these people think they live... utopia isn't exactly a best-described vicinity... but when did people start to become so ugly? it's slow down here, the big bang just happened, or as i say: with the kettle boiling water... biology's darwinism timescale for a reaction, and physics's timescale of the big bang theory are not exactly fascinating for me, boiling my water to make a cup of tea... i am literally split-mind concerning these two "barometres"... it's just hard juggling these two (0, 0) coordinates... to stress a beginning... evidently juggling these two narratives leaves us living our lives on amphetamines... insect like... it's hard to even make time or emotional investment in: a death in a village... it's doubly hard to make adjustments for a tomorrow, giving our input in beginning: no one knows, billions and billions... years... and then back toward the befitting cranium... it really is man with an omni-characteristic, well... at least one of them... which clarifies itself in a way: given that we're no longer exploring this orb, globalisation ensured the tribe died... we can go in circles: round and round... there's never a clear vector in sight... no real unknown land to challenge... it's all been tamed... once the savannah, now the zoo... as one german noted: the melancholy of the completed house... all the work gone into constructing it, the thrills, all gone... it just stands as perfect, as it is already derelict... hard to keep track of a two-beginnings system... it's hard to find awe these days, i mean awe that might allow an Aristotle, rather than just looking stupid... i think that England really does require an invasion to shake it up a little bit, it looks so docile in its arguments... so certain: "poised" to conquer... i can get (0, 0) of the big bang, a big blank... my brain just became scrambled eggs... i store that **** in my head: i'll see forever-never-tomorrow... i store the monkey-suit in my head (the other (0, 0) beginning) - i'll begin to wonder: but the monkeys have it so easy! me panda! me and bamboo! darwinism has either killed of history that we made in the centuries a.d. / a few centuries b.c., or what they're prescribing us really can't fit into one head, or into a few, to make it into a crowd... because when a few ditto-heads ingest one wise monkey talking over another monkey... the atheistic crowd is the quickest to disperse... as with the constant banging on about the number of stars in the universe... i like to look at the number of carbon dioxide bubbles in a glass of Perrier water.

well, maybe because they aren't
my contemporaries... but i despise Chopin
like despise Liszt... the fact that the latter
smoked cigars is just asking
for me to abhor him... and that a poet
   succumbed to his virtuoso skills
with dire tears of
       a jealous thread (matt arnold)...
for me Liszt and Chopin battered the piano,
literally, battered the piano...
     could have slaughtered a cow also...
but then again there's a part of my that says:
well, if the god argument is infantile,
how about the nation argument, is that infantile also?
are we to be bleached entities,
or merely abstract pronoun users? you see,
   they stole Copernicus from the Poles,
and Mickiewicz, and evidently Chopin is no Pole...
but a prize nonetheless... so they keep him
as that rare thing: something born into an almost
inescapable state prone to disintegration...
   what with the monarchy being
     one of import, either a Swedish electer ruler,
or a Hungarian, or a Russian, or a German (e.g.
house of Sas) - a monarchical brothel,
   otherwise known as an aristocratic "democracy"...
    it's just a good thing i don't like him... i don't see how
a piano can be ***** as it has been by either Liszt or
Chopin, sure enough, nimple fingers,
joseph ii hapsburg, mozart, the film amadeus citation:
                                                               too many notes...
    a bit like me... for its worth, the piano is so delicate,
    so so delicate... how it becomes an instrument that
requires competitors, how you need more virtuosos
who can play the **** music than original from-scratch
composers... piano: it just asks for gliding hands,
it's not asking for these megalomanic
tunes that might leave you with a wish from an audience
memember: to break your fingers...
evidently nothing more than a death / ******* stare...
or why the true resting place
of Chopin is Japan... as odd as it might seem...
           plays the piano great... plays a woman
  like a bagpipe...
                  aren't the two related?
     and when i first heard *ola gjeilo
on the radio
i was a woman watching a romcom...
                              the whole northern lights album...
my: a feast!
         just one of the few contemporary composers
that i can invoke...
     so coming back to the piano:
   me more of a Debussy and Eric Satie palette...
they just glide... i can only imagine
       a flight of migrating swans,
   or ice-skating...
    Chopin and Liszt is a mathematical headache...
        solo piano and the gentleness of approach...
    and only today,
   a lesbian couple travelling to manchester...
one of them phoned the radio station
and asked for a request...
      i've been dying to note this song / composer
down for a year or so... always heard the song:
never the composer's name...
                   ludovico einaudi,
much to my taste: the piano still remains
   a wardrobe item of the orchestral architecture,
rather than a door of your fridge...
constantly yapping for: more, more, more.
you glide across it,
tease it, rather than taste it,
  or subject it to a rubric of quickened calculation,
it stuff the room,
the best you can do is make it sound airy,
    make diacritical echoes from it,
than actual letters...
           say: the acute above the o, rather than
the o and acute in ó....
such a delicate thing: the piano:
which is why i never understood Chopin,
or felt a need for a national argument
       needing him, propping him on a peddlestool...
having him as a national treasure...
                  i always remained true to
those who settled for gliding over the alphabet...
    rather than immersing themselves in it...
that kind of composition, that simply fakes lazy...
     they are the ones i admire...
     and yes, given that dialectics has been
completely forsaken,
   the best we can do is give an indulgence
in an opinion, and make comments of
diacritic...
   women, chocolates,
men: dialectics...
                    or at least that's how i find myself,
making diacritic comments...
   akin to piano (contra chess,
    white notes consonants,
black notes vowels,
or should i say: any letter with a diacritical
distinction is the black note,
vowels and consonants are uniform in white)...
1714

By a departing light
We see acuter, quite,
Than by a wick that stays.
There’s something in the flight
That clarifies the sight
And decks the rays.
Nat Lipstadt Jul 2013
A true story of a chance gathering of strangers in the back room of a Gelato Parlor *** restaurant, two years ago, in a little village near the bay, on a land surrounded by vineyards. Come visit.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~~~~~~~~~~~~~

Gelato Nation

There is a place,
location secret,
mine to keep,
mine with which
you to tease,
make you envious,
a back room 'office'
jealous guarded
by a barkeep,
whose chosen invites sweeps
you into a reality that is
what you will it to be.

But nota bene, note well,
remembrances of things swell
from your past be the
only tongue spoken here.  

Code word entry only,
a shared whisper.
Perhaps One Woman,
may reveal its pleasures,
if she so chooses,
which are:

gelato laughs, poetry snaps,
Beatle songs sung ensemble,
by rag tag strangers
self-collected accidentally,
sung de rigeur off key
by voices lubricated by
cognac, laughter, and
the coldest of white wines,
issue of the very soil
upon which we sit.  

Words to value properly,
not in my possess to capture
the few moments in time when;

Strangers transform themselves
into a triple A nation united,
that will never be
S&P; downgraded.

A holy alliance
celebrating July 4th
all night long,
all participants
signatory witnesses to
its gelato conception,
as well as pallbearers
to its last drink dissolution,
the fullness of its lifetime
a vintage of a few hours extant,
a vintage, once drunk, is
a history, forever gone.

Mixologists please record:

One playwright, a psychologist, bond trader and a social scientist
with a dash of museum director,
and do not forget the
Hundred Year Old Woman,
whose Dowager Princess Daughter
(she, a mere eighty)'
from Central Park West
clarifies all of life dilemmas with
the singular analytical tool of:

But is it good for the Jews?

But t'is the barkeep
who is the leavening
in this evenings human
pastry-petrie dish.


He makes the pastiche,        
the ions of personalities,
coalesce best,
guitar strummer,
singer of songs that were our
multiple national anthems
when we were pseudo-rebels
starting out on our
long and winding roads.  

Long the King of the Keep!
Long live the memory of our
Gelato Nation,
may it stay sweet in
our antique collection of
the best moments of
our intersecting lives.

July 2011
You couldn't make this stuff up...it was an Amerian moment....Frank the owner instigator passed away in 2019.  we  take the grandkids to his gelato place very time they visit
Nat Lipstadt Apr 2023
tattoo ourselves in electric ink memorializing calendars,
diaries of observantional digits, black on white, no gray,
birthdays, anniversaries, dates of passing, starting lines,
occasional achievements, departure dates, even glaring failures,
sundial mundane records of diurnal habitude…even
defining self by, bye, byte marks upon flesh, upon our calendar

not my first trip-tracking, he ruefully rues, wry smiling,
many voyages of indeterminate measuring length,
leaving litter of arrays of hopeful estimations & destinations,
each unequal, any or all possibilities, each day notated,
without critique or commentary, the numbers are the
gaols (jails) of goals, target, indeterminate determination,
terrific, horrific, introspections, inverse images resolve, resolute


a year ago, +/- a few days,, new travelogue commenced,
notated but not annotated, just  numerical truths,
(sans comments for the divine nature of numbers don’t lie)
and today my calculator app informs, that I am now
19.4 % lesser, but that clarifies less than expected

naturally this provokes a natty,
spirited, self-inquiry, lessened,
lessor, for better or for worse?
have the physical alterations
accompanying this reduction
mean exactly what,
if, it should be, a greater lesser?

here is the hard part.

your have always been a mirror~poet,
laughing, bemoaning the unvarnished, unshaven
AM sightings of a human perpetual dissatisfied,
the external never denying the interior “less~than,”
a J Peterman catalogue of weathered ****** expressions,
counter-parted by multiple Venn diagram intersections,
of experiential labeled bits & pieces of emotional empirical
less than good, not even close to perfect, so now that I am

gaunt, spare, lean, grayed, narrower, again ruefully rue,
the even more visible truth reflection eye~hidden:


I,
am the sum of the weight of my history, my deeds,
my disbeliefs, murderous deeds, weak choices
and that hasn’t changed nary an ounce, no matter
many times examined, indeed I am forever a lesser man,
there, internal infernal
too…
early April 2023
NYC
Nat Lipstadt Jun 2023
The Picture Window

The vista view never changes but daily.
The naked eye, registers the same distances,
resting objects unmoved, modest alterations
by wind and water are noted, but for intent,
for purpose, the watercolor one would paint
be invariably unvarying as a Swiss Alp.

The  subtle nuanced worldview, where the sky
stretches from ceiling to a foot above ground, as
I lay prone neath the coverlet, vista always subtly differing,
from its prior reincarnation, self-reflection demands to know.

Alive & Awake? Yes.
Breathing steady? Yes.
Toes? Still can wiggly to & fro.

My soul?

Presumably ok, as I write, because I write, the
picture window into to my insight, though oft blurry,
yet intact, making discernible the changes in light,
temperature  and heart rate, as the body/soul contraption modulates, just as the gradient of daylight shifts lighter and higher, with a rising sun bringing more clarity to our interactive encounters with our environments..

The picture window internalized, much the same,as
the vista, subtle modest changes, colorations variegated,
are registered. Today is mostly cloudy overcast, and shall remain so for the foreseeable future, which be about two days hence. Not unsurprisingly, methinks, the future tends to be cloudy.

Beyond that peripheral, no one can say, our macular envisioning only gets weaker,time is a tough taskmaster
and uncertainty is it’s own principle.

But I can say, forecast from well under the comforter,
that more than less, where less is more, this picture window,
ex and in, shall remain, unchanged for the remainder of my years that fortune shall provide, and will & would grant me awakenings to the ex-sight and in-sight of a sculpted landscape, of negative entropy,  where disorder minimal.

My musings end here, unless you still wish, come the morrow,
what the marrow the day reveals, what the window will spill,
new and exciting, subtly unchanged, and always different.

Caution: The injection of caffeine may dramatically alter
the windows perspective, as the exogenous always trumps the
endogenous.

5:50 AM

P.S. Making coffee clarifies: If the vista in +/- unchanging,
then, all my personal, own horizons are immortal as well.
Sun Jun 4
Nat Lipstadt Sep 2013
Composing Hallelujah

Fractious lines crack,
holiday decorate the spirit inferior,
while each note upon the priest's guitar
penetrates the aspirin roughened interior,
face slaps me, daggers and accuses,
you're not composing hallelujah.

So I mislead, big deal,
composing the anti-hallelujah,
yeah, I was ******* with you,
as you sit across from me electronically
pretending, me to you, you to me.

Lie to each other with smiling faces,
you too have reaped,
been emotionally *****,
by what our minds see and sow,
scowls and howls,
we've both grown our own demons.

My secrets, maybe are all there,
maybe, writ loud and clear,
in the songs I choose to share,
and in the unrevealed ones,
buried alive, held in reserve,
but not, for your average, rainy day,
could be today, you have no say.

Are we not all veterans of a kind,
don't we all have ribbons on our chest,
stripes and stars on our khaki blouse,
a record of our own great campaigns,
including the war to end all wars,
the never ending one,
the one the ******-historians renamed,
"The 24/7 Year Conflagration"?

It used to be just my secret, no more
don't need a cartoonist to tell me that's
the enemy is us, and there are moles, traitors,
hidden deep in our intelligence organization,
planting seeds, urges, pushing to
out the identity of our communist friend,

Depression

I don't mean the ordinary, garden variety,
a mere moody blues recession,
when funk is sourced from gray clouds,
served up proper, cold and wet,
then travels on when sun warmth
clarifies temporarily, the aspirin kicking in.

So I misled,
composing the anti-hallelujah,
yeah, I was ******* with you,
sit across from me and lie to me,
lie to each other with smiling faces
we reap what we own,
scowls and howls.

A chorus of harmonious poseurs
inside your own City Center,
vocalize the lyrics of the anti-hallelujah,
a composition of questions directed at
whomever in tonight's audience deserves it,
asking, nerving, to sing too loud, at decibel speed:

Are these verses, curses
about D,
our mutual acquaintance,
or just research notes for further followup,
part two of a pas de deux, and,
did you go this time, too far,
or still not far enough?

-
A old composition.   Needs work,  clarity. But you will gist it, I'm sure....
Nat Lipstadt May 2017
~

who knows the definition of a poet?
~
for my friend, S.Y,
who I will embrace with both hands,
both eyes, when he hands me a signed copy of a book
that answers the question


weighty subjects deserve your best work,
expressions of affection and introspection,
need careful reflection, a proper set up for the
tumult inevitable when delving in the unopened recesses
where the answers kept

so, of course, the writing commences well after 1:00am,
when the darkness of night clarifies the process,
for I work by day but live by night,
when summoning up my one tool no one can take away,
the joy, the relief, the spectacular exultation  of
rearranging the aleph bet in new ways,
when the quietude of reflection transports me
across the continents in visions of what will be

I don't know if I know the answer, perhaps, any answers,
but when this man demands
the ebb tides of soul to depart,
to make him stand alone on the shore of endings,
forcing  him to acknowledge his reckonings,
lonely, only humanity and frailties

I hear a voice gruff growling and me laughing-
"cut to the chase, make your point, get out of people’s way"

so in your honor, this simp fool who asks questions
no human has any business, the answers knowing,
will one last stanza grant and give and
yours to keep,
and commence countdown waiting for that day of welcoming

from the underground comes a chorus of voices,
in one voice but many languages, chanting:


all humans are poets
who acknowledge and freely confess that the
blood and stuff, the kisses and the touches of family and friends,
parent and child,
are the ***** and the egg,
the beginning and the circulation of the never ending,
the open entrance that penetrates the berm surrounding real life,
all these are the root and the stem and the blossoming,
of poetry writ large, for they who have these in their possess,
are surely by definition certainly

humans, poets


~
5/14/17 2:05am
all poets are human,
all humans are poems
Happy Birthday Steve!
Nat Lipstadt May 3
It’s good to be hated!  But I know my name…


hate, blackened, misshapen, ugly, unnatural,
yet
how it clarifies the mind, like a cupped hand
carrying clear, cold, brook water to dry mouth,
to shock, enliven, resets resets, all your priorities
with alacrity, a word I prefer cause it is an intuitive
combo of eagerness + alarm, suddenly much of the

trivial is no longer worthy of your  ‘to do’ list,
you, without thinking, DNA filter your filters,
those screens that digest, then reject & reflect
the inputs ongoings around you, and you are now
reclassified! by the hate surrounding, it declassifies
the time wastrels, reinterpreting most everything 
on a bipolar scale of  1  or  10, there are no shades,
the middle ground of gray be fully eliminated,
just like those who wish to
eliminate
                                                                ­                   me.


in a palette of black or white, your
e +e,
(essence and existence) cannot be ever
a gray area, yes, of course, the sunshine
is yellow bright, and the grass is spring
flushed green, the multicolored daffodils
newly define colors varietal, and the waves
of the Sound, roll relentlessly, but hate can be
coated, camouflaged and subtle disguised, but
we  know, oh how we know, and how we wanted
to
forget, our “sins”, our original liabilities of
our multi colored skins, our religion, our race & ethnicity,


but NOT our names!

the Rabbis tell us that God nearly did not keep
his promise to Abraham, to rescue his progeny
from slavery in Egypt but saved them only because:

‘On account of four things Israel was redeemed
from Egypt: they did not change their names, they
did not change their language,  they did not speak
slander and not even one of them was found to be
promiscuous.’^

I know my name; and though you cannot distinguish
me by dress, know not my moral life, but now you
know my name,
given to me by my parents, in the language of my ancestors:

Mordecai Netanel ben (son of) Eliyahu Chaim**

Per my family lore, as told to me by my parents, our
family fled from Spain because of the Inquisition (1478),
settled in a small town in Germany on the banks
of the river Lippe; and from the shtetls of Poland,
and those who survived or avoided the Holocaust
ultimately left Europe, came here, to the land of
the free, the United States of America with names,
in their language, with memories intact.

I will not flee this country,
for I know my true name,
inscribed in my pores, in my
DNA

<>
(but should I have to…there is a sanctuary.)
May 2 2024
^ https://jewishaction.com/religion/jewish-law/whats-the-truth-about-the-jewish-in-egypt-keeping-their-jewish-names-language-and-dress/
Invocation Jul 2014
Have you ever spoken with someone in this deep manner? The pain clarifies, sharpening and focusing into
wait where is my mind
Delaying the spoen inevitable truth spit
*spoken
Can't type when I'm shaking with emergency
It's true. But I can keep it to me and myself
My life is like a poem;
And a pure sleep that lasts forever.
Ah, sleep-sleep that is more flamboyant than the stars;
But for which I have not prayed; about which I have not even started.

My life is like a wind;
A wind that grows, within a pair of wings unseen.
My blood groans and roars as it steps forward;
My heart flips and leaps as it falls in love.

Ah, a love that arrived between roads foreign;
A love that slayed me, and tasted my juicy kiss;
Like a tame note, like a flood of roses;
Love that lights my rocks, and burdens my abyss.

And when everything is deaf and purely abysmal;
I shall bloom still, and glistening as rainfalls.
I shall listen to its greedy calls;
I shall begin my poem-as I'm thus hiding, behind the walls!

And the rain shall pour but bleak water;
A water so small, and thereby impure.
But thy eyes are like its earth-that stills and clarifies it;
And thy charms are magnets that charge-and wondrously cure!

As though I have ne'er been mystified;
When I am heartily scared-palely challenged and petrified.
I am but burnt, within this unmuttered torment;
But to my praise I stay loyal, and defined unbent.

Ah, Nikolaas, shalt thou be mine-and be my shield?
Shalt thou rewind my bones that have slept?
As far as I know, this poetry can no-one build;
Loves that other hearts shape; loves that their doubts have kept.

Ah, Nikolaas, shalt thou melt my, my very insane heart?
Of which thy breath hath owned a part;
I shall kiss thee; through thy mint arms-and thy cold sleeves;
I shall be the prettiest goddess God'll ever give.

Oh, Nikolaas, and shall thou purify my rain?
And liberate these tears-and their art of pain;
And let thy heart be the one I judge;
Make me all over sweet-like two twin bars of silky fudge.

And shalt be thou ***** by my shy verse?
For thou hath freed, and forgiven my bare universe;
I am in love, I am riding its wheels;
I am on the moon, no-one knows yet-how grateful I feel.

And Nikolaas, but shalt thou be my moon itself?
Over my darkness, thou shalt stay gripping and smiling;
And to my touches, thou shalt be forever truth;
Unlike this lone stranded poem-which thinks but stays mute;
Thou shalt be mine-on this wan land and in the keen hereafter;
Even when death is dubious-I shall remain and love thee like this; just as I do now-and perhaps forever.
TOD HOWARD HAWKS Oct 2021
Is life a course
or a curse,
a path
or a pathology?
Is living a blessing
or a lessening,
a miracle
or a mirage?
Is it a kiss
or a miss,
a tender touch
or simply a come-on?
The opposite of love
is not hate,
but uncaring,
simply not feeling.
Are all illnesses
psychosomatic,
a disguised, silent way
that we take out
our unconscious anger
against ourselves?
Love both clarifies
and resolves these ambiguities,
seeking always the better
over the worse.
Life can mean love,
but too often
means meanness.

TOD HOWARD HAWKS
Nat Lipstadt Nov 19
~a companion to “A Flawless Poem” (1)
<>
time is truly never on your side,
but it lends an assist
with a continual grinding inexorable steady draining,
but that narrowing perspective, clarifies, opens eyes wider, and yes,
simplifies and prioritizes

there is an elegance in simplicity,
and write this as a reminder
to self,
that the beauty of
straightforward brevity,
with a honed tip
is likely the fastest path
to the sticking point,
and there, and here,
will I leave you
to it,
flawlessly
Daisy Chain Nov 2012
Awake in the night
and who to call?
The one owl
watches my soul.

It knows silence
Like I know words
it knows smiling
humouring my slurs

Shoo it off I may
With my five fingertips
A stretched hand
once open, now stands.

Denial is funny
the river that never lies
slowly eroding, quietly
painfully clarifies.

Lifetimes and lifetimes
the truth floats by
caressing that simple answer
over the lids of my eyes.

Open them I mustn't
refusing so much to see
Once the water rushes in
  there will be nothing left of me.
Kelly Rose Oct 2015
Words
So many words and languages
Often confuses more than clarifies
I pull words from deep within
And am left
        Inadequate
        Voiceless
        Wordless
Sil­ence reigns
Meaning is lost
As words pour forth
        Then,
In an instant
A moment is perfectly captured
And I feel I finally know myself
       Then,
Silence reigns
Meaning is lost
As words pour forth
          And I am lost

Kelly Rose
October 6, 2015
Helen Murray Jan 2014
Black holes in the human psyche –
Depression in the laughing space –
Hopelessness amongst us rising,
Shadows illustrate disgrace.
All we’ve put our faith in fails us:
Reason brings its power of war,
Unity of hearts eludes, thus
Severed isolates we are.

Most of western humankind
These days prefers the company
Of dogs or cats to people bonds.
They do not bite.  Well, not many.
If nothing else this observation
Clarifies the entropy
Of this rational thing called reason.
When, of such, shall we be free?

One tenth of the human brain power
Is the maximum we use
If we are to credit science.
“What if…”  What is our excuse?
We can wonder what if we had
All the other nine tenths  too.
Would we not be chuckling, die-hard,
“Just Neil Armstrong on the moon?”

Where would lie the great credential
If a man could understand
How to implement potential
Past this morbid limit land.
P’rhaps we’d learn to live together.
War would now no longer rule.
No starvation, lonely fever,
Intimacy no more a duel.

Man has known, since history
Began to make its mark on time,
Of the other world of spirit.
Some are terror, One sublime.
One there was, who visited
This planet in the days of yore,
Astounding elders with His wisdom
At the age of twelve – no more.

He grew on, no less inspiring
Thousands with His repartee.
Everywhere He went they’re gathering
Immeasurable compassion He.
Miracles his feet accompanied.
Where He trod served love profound.
Yet His voice sliced through the need
To self-promote with loud resound.

What had He that every other
Man throughout the history
Of humankind could find no brother
Quite like this?  Who could He be?
People fight, Him to discredit.
“No man could perform like this.
**** Him off.  We’ll simply edit
Him from all our histories.”

So they did.  Or so they thought to.
But the grave could not defeat
This super human. Think we have to.
Human brain is now complete.
Jesus had the Spirit intact -
Mind and Truth now entertwined.
Change to holy human impact.
This is HOW WE WERE DESIGNED!

If we ask He gives His Spirit.
We can entertain His heart
Overflowing with the wisdom
That the Spirit can impart.
Yes we too can yet experience
Life in full 100%.
Well, nearly.  Falling short of holy
Puts a smudge on every sense.

He empowers with His Spirit
Settled in a human heart,
Livening up the old grey matter
So it works in every part.
Exchange misery for gladness,
Shadows for a radiant light,
Thrown those lies out with the garbage
And the long depressive night.
I'm seeing so many poems about depression, misery, suicide on this site.  Believe me I understand this scenario but there is a way to deal effectively with it.  My destiny is not depression, or the black dog, but the Light of Life.
heaven Oct 2014
ابن أبي داود السجستاني - حائية

تمسك بحبلِ الله وأتبعِ الهُدى ، ولا تكُ بدعيا لعلك تُفلحُ
Hold tightly to the rope of Allaah and the guidance,
And do not be an innovator, so that you might be successful.

ودنْ بكتابِ الله والسننِ التي ، أتت عنْ رسول الله تنجو وتربحُ
And practice your religion based on the Book of Allaah and the Sunan which
have come from the Messenger of Allaah so you will be saved and earn reward.

وقل غيرُ مخلوقٍ كلام مليكنا ، بذلك دان الـأتقياء , وأفصحوا
And say: Not a created thing is the Speech of our great King,
Such was the religious position of the pious ones (before us) who spoke well.

ولا تكُ في القرآن بالوقف قائلاً ، كما قال أتْباعٌ لجمٍ وأسححُوا
And do not be a person who takes no position on the Quran,
As did the followers of Jahm, and they had been too lax (to take the right position).

ولا تقل القرآن حلْقٌ قرأْتُهُ ، فإن كلام اللهِ باللفظ يُوضحُ
And do not say that the Quran is created, meaning: its recitation,
Since the Speech of Allaah, through its recitation, is made clear.

وقل يتجلى الله للخلقِ جهرةً ، كما البدر لا يخفى وربك أوضحُ
And say: Allaah will make himself visible to all the creation, openly,
Just as the full moon is not hard to see, and your Lord (will be seen) more clearly.


وليس بمولدٍ وليس بوالدٍ ، وليس له شِبْهٌ تعالى المُسبحُ
And He was not born, nor has He fathered anyone,
Nor is there anything similar to Him, exalted be the Glorified One.

وقد يُنكِر الجهمي هذا عندنا ، بمصداقِ ما قلنا حديثٌ مصرحُ
A Jahmee rejects this, however, we have
As a testimony to the truth of what we say – a hadeeth that clarifies it.

رواه جريرٌ عم مقالِ مُحمدٍ ، فقلُ مِثل ما قد قال ذاك تنْجحُ
Jareer narrated it, from the words of Muhammad,
So say what he said about that, and you will be successful.

وقد ينكرُ الجهمي أيضاً يمينهُ ، وكِلتا يديه بالفواضلِ تنْفحُ
And perhaps a Jahmee might deny His Right Hand as well,
While both of His Hands are giving out all kinds of bounties.

وقل ينزلُ الجبارُ في كلِّ ليلةٍ ، بر كيفَ جلَّ الواحدُ المُتمَدحُ
And say: The Ever-Compelling descends each night,
Without asking for exact details, magnificent is the One God and most worthy of praise.

إلى طبقِ الدنيا يمُنُّ بفضلهِ ، فتفرجُ أبواب السماءِ وتُفتحُ
Down to the lowest heaven, granting bounties from His Grace,
As the gates of the heavens are opened and spread widely.

يقولُ أَلا مُستغفرٌ يَلقَ غافراً ، ومُستمنحٌ خيراً ورِزْقاً فُمنحُ
He says: Is there anyone seeking forgiveness who would like to meet a Forgiver?
Or anyone seeking bounties of goodness and provisions, so he could be given (what he requests)?

روى ذاك قومٌ لا يردُّ حديثُهم ، ألا خابَ قومٌ كذبوهم وقُبِّحوا
A group have reported this whose reports are not to be rejected,
But sadly some have went wrong and did not believe them, marring themselves.

وقل: إنَّ خير النَّاسِ بعد محمَّدٍ ، وزيراهُ قدَماً ثم عثمانُ الارجَحُ
And say: Indeed the best of the people after Muhammad
Were his two deputies of old, and then ‘Uthmaan, according to the most correct position.

ورابعهُمْ خيرُ البريَّة بعدهُم ، عليٌّ حليفُ الخيرِ بالخيرِ مُنْجِحُ
And the fourth of them was the best of creation after them,
‘Alee, the companion of goodness, through goodness he was successful.

وإنَّهم للرَّهطُ لا ريبَ فيهمُ ، على نُجبِ الفردوسِ بالنُّور تَسرحُ
Those are the people, those who we have no doubt about,
Upon the great camels of Firdows, shining brightly and roaming about.

سعيدٌ وسعدٌ وابن عوفٍ وطلحةُ ، وعامرُ فهرٍ والزبيرُ الممدَّح
Sa’eed, Sa’d, Ibn ‘Awf, Talhah,
‘Aamir of Fihr, and Zubayr the praiseworthy.

وقل خيرض قولٍ في الصحابة كلِّهم ، ولا تك طعَّاناً تعيبُ وتجرحُ
And speak with the best terms about the Companions, all of them,
And do not be one who speaks ill of them, pointing out their faults and criticizing,

فقد نطقَ الوحيُ المبينث بفضلِهم ، وفي الفتح آيٌ للصَّحابةِ تمدحُ
Since the clear Revelation has spoke of their excellence,
And in (Soorah) al-Fat-h are verses about the Companions, praising them.

وبالقدرِ المقدورِ أيقِن فإنَّه ، دعامةُ عقدِ الدِّين ، والدِّينُ أفيحُ
And regarding the pre-ordained Qadr, be convinced, since it is
The pillar that combines many affairs of the Religion, and the Religion encompasses much.

ولا تُنكِرَنْ جهلاً نكيراً ومُنكراً ، ولا الحوْضَ والِميزانَ انك تُنصحُ
And do not reject, out of ignorance, (belief in) Nakeer and Munkar,
Or the Pool or the Scales, surely you are being advised sincerely.

وقُلْ يُخرجُ اللهُ الْعظيمُ بِفَضلِهِ ، مِنَ النارِ أجْساداً مِنَ الفَحْمِ تُطرحُ
And say: Allaah, the Great, will remove, from of His Grace,
Out of the Fire, people, burned severely, who will then be tossed.

عَلى النهرِ في الفِرْدوسِ تَحْيَا بِمَائِهِ ، كَحِبِّ حَمِيلِ السَّيْلِ إذْ جَاءَ يَطْفَحُ
Into the river in Firdows, wherein they will regain life by its water,
Like a seed taken by a flood that comes and wipes things away with its abundant water.

وإن رَسُولَ اللهِ للخَلْقِ شَافِعٌ ، وقُلْ في عَذابِ القَبْرِ حَقّ موَُضحُ
And surely, the Messenger of Allaah will intercede,
And speak about the punishment of the grave, that it is the truth, made clear.

ولاَ تُكْفِرنْ أَهلَ الصلاةِ وإِنْ عَصَوْا ، فَكُلهُمُ يَعْصِي وذُو العَرشِ يَصفَحُ
And do not make takfeer of those who pray, even if they commit sins,
Since all of them commits sins, while the Owner of the Throne forgives graciously.

ولَا تَعتقِدْ رأيَ الْخَوَارجِ إِنهُ ، مقَالٌ لَمنْ يَهواهُ يُردي ويَفْضَحُ
And do not hold a belief like that of the Khawaarij, for it is
A position held by only those who desire it, and it is destructive and disgraceful.

ولا تكُ مُرْجيًّا لَعُوبا بدينهِ ، ألاَ إِنمَا المُرْجِي بِالدينِ يَمْزحُ
And do not be a Murji’, one who plays games with his religion,
Surely, the Murji’ is joking about the religion (ie. not taking it seriously).

وقلْ : إنمَا الإِيمانُ : قولٌ ونِيةٌ ، وفعلٌ عَلَى قولِ النبِي مُصَرحُ
And say: Eemaan (faith) consists of statements, intentions,
And Actions, according to the explicit statement of the Prophet.

ويَنْقُصُ طوراً بالمَعَاصِي وتَارةً ، بِطَاعَتِهِ يَمْنَي وفي الوَزْنِ يَرْجَحُ
And it decreases sometimes, due to disobedience, and sometimes
Because of obedience it grows, and on the Scale it will outweigh (other things).

ودعْ عَنْكَ آراءَ الرجالِ وقَوْلَهُمْ ، فقولُ رسولِ اللهِ أزكَى وأَشْرحُ
And keep yourself from the opinions of people and their stances,
Since the stance of the Messenger of Allaah is more befitting and easier on one’s chest.

ولا تَكُ مِن قوْمٍ تلهوْا بدينِهِمْ ، فَتَطْعَنَ في أهلِ الحَديثِ وتقدحُ
And do not be from those who play games with their religion,
Attacking the people of hadeeth and reviling them.

إِذَا مَا اعْتقدْت الدهْرَ يا صَاحِ هذهِ ، فأَنْت عَلَى خَيْرٍ تبيتُ وتُصْبِحُ
If you keep this belief all your life, O holder of this (poem),
You will be upon goodness, day and night.
Al-haa iyyah
by Ibn Abi Dawud Assijistanee
Jimmy Hegan Oct 2015



Where we stand in the World,
Do anybody knows,
Where we stand in the Universe,
Do anybody feels it;
Where we stand in the space station,
Do anybody reaches it;
Where we stay's in the beloved one's
Do anybody clarifies it;
Someone  who reject us from our heart,
Do anybody fulfill it's heart.
Someone who reject humanity,
Do you know where he goes;
Why everyone of us is not  rejecting  teacherous minds,criminal minds, terrorist acts,
When we will open our minds and eyes.

NARRATED BY JIMMY
these are the scientific observerations I’ve
witnessed, recorded, tallied and allowed
to impact my judgement

compiled upon my diurnal voyages in the sea of humanity across the cityscape of my birthplace

this not a disclaimer, for I neither disclaim
or claim anyone, as my own, more a clearing
of the chest, that also clarifies the senses, to better observe, interpret and weigh subject to
human biases and frailties, which makes for
better poetry
<>
A women. a mother, beside her a daughter,
of the horribilis annos age of early teenhood,
her face  a dull rose~pink, obvious tear streaked, but what strutk me odd, the mother
sits at a 90 degree angle, face turned down and away

and I suppress my urge to comfort the youth,
that things will by law custom history and
natural law of the philosophers, perforce
she~teen will survive, even prosper, as I speculate what ailment specific has caused them to sit on this bench, by my river shared, and find no comforting by its majesty, it’s current sweeps away the debris of worried fears, returns wisdom perspective,  and all this will pass by my inpressed guarantee upon the air we both share full of
promise

but i am puzzy by the mother, who drapes
not her arm around, nor speaks as if she knows that volumes, pyramids of words have a pointed top, past which they can go no
further

sympathetic for I have comforted many,
and well cognize the tipping point when
the intersection of frustration, exhaustion,
and love succumb to the knowing point,
that only antibiotic soul salve is time,
and the silences of caring even when
unspoken

but I walk past, for in new york city there are
big boundaries one rarely crosses until and
unless invited


as I travel my well worn path on a sunny chilly October day, when one is capable of
delulding oneself that summer gods and
light
and warmth yet exists,

see many; the handsome and the overwhelmed, who move in vacuum tubes
of isolation, observing the First Rule:

Make No Eye Contact!

a safety device to preserve you in a protective bubble of safety from the uncontrollable,
the risks of possibility, for failure has so
many imagined risks, and it is so much easier to imagine the worst, rather than finding tokens of the best humanity can offer

I know this rule well, for my experimentation
includes my walking with an always smiling
face, that ranges from whimsical to fantastical,
but for the little children who give me an unutterable joy, as they explore the world
with no hesitation and are yet unaware of the First Rule, not due to arrive to another decade

once in awhile other observers, see this well,
handsome,well maned, old man with the
fixed smile from the tiniest corner of the nearest eye, and cannot help, but instinctively
return this breach of the lonely peace the
river ample provides

and you tally this reactionary outcome and
well versed in statistical theorem, can safely
report that the frequency of said occurrences
is .01%, with a degree of confidence after numerous walks, that 99% this the best this occurrence that can be obtained

and you ask if this is a poem?

as you ask so often, when I lead
you down this gated garden path of my
envisioning walks, where I pluck  poems,
good footed or bad, from the steady
breeze that whisks away my tears,
from whatever source they be triggered
sorried dad, or glad, joy or the Oy! of pain,

and apologize to old codgers with too much time on their minds, about its failure to be be brief, but grief is never short or  sweet,
and when I'm on my knees still trying
to understand the ticking mechanism
of the human heart, there just never
seems to be enough letters in the alephbet
to say all that needs saying…
after I-deliver a real cup of
strong, no milk to the barely
roused woman, will dandy don
safari hat, binoculars, freshly scrubbed face, attach that grin to my outerwear, go forth and catch one or two stripers, perhaps a catfish, or
a porgy, a smile and even a poem too…


oh,
and yes,
this too, an only love poem
for us all
8:40am 10:/9/twenty four
nyc
Olivia Conlon Dec 2013
Please grasp me,
press me to your chest.
Hush my frenzied inhalations,
I can bear this pain no longer.

Dip your fore-finger,
across the roughed wake,
of my cheek.
Blot away the trauma.

Rest your chin
dangle its weight
my head -jeering-
screeching
little girl-
clutches her temples.
It flickers, clarifies.
Back and forth,
Rocking, in fragmented, jerking
motions- her underweight
figure slammed along.
Blood purges with each
maddened- hoarse gurgles
the spittle deposits at
the overhang of her lip.

Snagged in the animosity,
of gnawing, writhing inhumanity.
TASTE IT rusted copper
An ashing purple, crusty
and running over engorged rims
of milky cocoa.

Darling, tip out your tongue,
lap up the shrivels
of failed organs and deprived marrow.

Images, flicker.
Pulse, with the steady
throb of an aching yawn.
shift
Reality sweltering
Chilled moisture scoffs-
the nape of your neck.

Muddled, focus,
focus.
honing in
back-
and-
forth.

Rocking back and forth,
no good.
Not good enough.
No help.

Flicker
malicious snarls.
Fluctuating horror,
impales your upper thigh.
-SILENCE-

Whispering -hush-
-hush-
don't
let him hear
hush
whispers

Make it STOP
whispers
-hush hush-
help
*ME
Vernarth passed his house, opening his skylight, he soon felt that his parents were fighting, being able to realize that those aggressive words came from generational hindrances that anticipated the luminous tubular Omega, in the global level split from its lower part, (ω) above and it happens at the beginning of a beginning based on the end of a beginning a thousand times more than a threshold based on hundreds, appropriate from the metric unit of the numeral Myriaz = ten thousand, three times more than the Falangists, one thousand less than the Peltasts and three thousand less than the horsemen, total thirty-seven thousand less than the fighting forces in Gaugamela out of a total of forty-seven thousand, under the myriad Myriaz of Falangists undermined by their Xifos in the area of the right instep of each man faithful under his command, before facing the Achaemenides. Being Omega and Micrón in the warlike primer of their cause, within the prophetic in all necropolis of tiny omega (ω), towards an Omega that reaffirmed the upright hand in Saint John the Apostle to rewrite the Apocalypse twice, being the same one but with the voice of Vernarth commanding the ten thousand Falangists, who made up the inter-generational gaps, but of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride chloride, at solid angles of Ω, in what was Virgo institutionum / Oarion-entity that was intruded by the projections and leaks that converged on the strut of the omphalos of his celestial father dealing in frequency and bleeding of immortality, becoming from a helper to the planes of subconscious reprogramming and perspective. With his arms raised, and in each hand a sword raised to pierce the vanishing point, between the spaces that were assigned, under the solid projection, from an observer that inhibits ad limit the biomass in all the masses of aqueous filter and lumens, towards the throne of the angelic guardian of avant-guard by the stereotype and the sclerosis of Zeus in dissociated physicality, even though it is an amorphous entity and with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in his humanoid apocalypse transfigured from a solid point in Hyperdisis as a direct escape settlement to Oarion, towards a conical vestige surface in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse.

Vernarth distracted the emeritus stars in the corner of his room and in the convexality of the points of his celestial parents in conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from his common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions as a culmination of imagination and apparent angles, viewed from any point the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth sang with Sophocles in choruses after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing the hemo-verses with his own blood, which traveled meters and that shrunk from the anti-verses, scarring their declaimed intra-breath, in choruses that only the wind clarifies of what precedes and happens towards suffering, in the metrics of the Areimos chorus that lectured anti-verses, which they tried to ****** from his hands to Sophocles, in the immortality that refined him by abandoning him in sub-units. With masks and mythical cycles he mixed the metaphorical facsimile of the momentum of separation of friendship with him, seeing it in an episode of his works, and instead of Vernarth's transcript, sheltering origins of volatilization in his choirs, converted into physical waves of a dramatic order -oracular. Gods re-transformed into divination and futuristic germination, who hid asleep and forgotten in a time of subconsciousness of the Selenite heritage, felt in Colossi of signs of parliamentary, where the oracle leans on the lines of the vibrational words and how they cough their " páthis ”in the place that speaks the language dissociated from the heart nucleus. In misguided divination, the oracular mantic brought the cold of solitude and the heat of fire that divines the forests on laurels of oracular daphnomancy, towards the ironies that banish the degrading systematized of frantic nervous suffering, burning in defaults of neurasthenia, before an omega elixir and neuro-analysis, given the ontogenetic passions, before cutting the nasal protrusion that crosses the fallopian tube, for the healing by fragmenting with the smell the existence of other genetic amphibologies of myth-genia, and that bifurcate the challenge of anger and disappointment of taking him with him in this suffering, taken from smell to disenchantment after thousands of unfortunate lunations against the tósigo that fills with appetite and perfidious reptile, on who walks on our destiny without knowing who it is that creeps.
Vernarth omega sets himself up as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein on the alert of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography of ancients traveling in disintegrated emotionality and ****** Hellenic neurotransmission, “Two men omega in omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure for tripartite meso-form and roughing of routine Alzheimer's losses, lost in routines of the sympathetic and para-sympathetic, with the probability of loss of Hellenic gray matter; that is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours and hours of vehemence, with brightened dangers of reliving umpteenth times in the twilight of omega, transcript and biological bend towards the man heavy with anguish, and more distant in all the lacerated ones that have mutilated or almost mutilated the conversion of the sternocleidomastoid, crushing the shoulders and the magical healing on the nasal sinuses, which strangle the pains in the face of selective suffering, indicative of rational martyrdom and temporary unhappiness in " extreme combat of dissatisfaction ”, allowing to channel resilient neurons that transit towards the neck for reasons that not even the neck understands, lobbing as it is not foreshadowed, neither in oracle, nor in its frustrating focal matter.
Vernarth, was already narrowing on the tracóntero Eurídice, to save his pains, deposed in terms that would renew anti economies of supplying unsustainable liquefactions and synaptic melts, extra energized of molds of purely natural law of the eyebrows and lunation that rests in the inter millennium, beating with ecstasy in the Buddhist Suttas, and in the adaptation of the flesh in the hypersonic fissures of the Metelmi and in the attachments that still beat on the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and cuts it over the Sutta or sermon that imitated the lunation to the compass, making this a sabotage of redemption and anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overestimating the tricks of the same utilitarian tragedy, defeating itself in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of joy.
From here Vernarth opens the gates of hell, eight hundred times going mad with omega value, which by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and in a body-only Asleep of omega concavity, superimposed on golden transfinite chests, which rearrange the natural numerals with those of transfinite ordinal omega, but on frictionless wheels of other omegas that break the recirculation rules on Alpha, on supra Omega levels like Parados -Estásimos- Episode and paradigmatic Exodus Vernarth-Omega.

Prologue Omega I:

Once upon a time, amidst the rain of clouds full of drama, in a time that was of the oriented regime of the Subacal of Betelgeuse and Aorion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternating event of imprisoning past and future in an episode of the present act. The expectant was curious about the retouched makeup and superlative consonant of the drama, in a disembodied place, but with a good narrative source to bring it to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Isimous.

Párodo I: "For the submissive words in the proscenium of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames by unequal numbers, peoned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers
and Dionysian dances holding on to the Pufios; in Baquiana and ceremonial liturgy near Vernarth, taking every seven minutes a glass of animadversion, in the tasting of his little finger, which screamed of organic pimping, together with the dancers raising one arm and directing the palm towards the sky, while the other remained down with the palm facing the ground; in this position that was already like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter and from autumn to winter in fifteen times agreed with Sophocles, hanging from the third to last towards the entrance with his trembling voice desalted..., swallowing in his own tragedy)

Esthasimo II: "Through the right half body, Vernarth intoned what his laterality exposed him in harsh gloom, as Hera brandished oats and sweets clouds over his existentialism, which in the homily liturgy personified the stasis, in between coral bearing his hands enraged with tragic passion in his frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes of stirring up "

(Vernarth says: “submitted to parts that are not its parts because my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as an applauded public are invested, who sentence the opposition of other lesser stars than They cheer what does not shine. The principle of the voice violates the normal parenthesis, which is governed by the omega voice, mocked in a modal by four magistrates, in the martyrdom of an idea of the procession, each one wearing his toga of super deprivation, before me that I will not be the one who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of the judgment, of him that they annul the first, the coryphaeus directs his promenade from the countryside on his Alikanto Horse"

(Vernarth says: “I have instantiated the steps that in the future my chestnut crossed with you if I am to sing with a sorrowful voice, no choir will be able to follow me when you are no longer there. However, I have to guide what personifies who more than a thousand miles carries with him the chandelier that opens the light of your gazapa gaze... "

Alikanto wailing says: "From the luster of your heartbeats, I dazzled the jailer from your ribs, for the preference of those who take you even further in stormy prose pro-agonist"

Exodus I: “Sometimes the endings smell like lavender fields, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the afternoon dialogues with their twilight, as well as stanzas that smell of anointing of lavenders, separated into syllables and tonic that arch my charm, not to say that I was anointed with Lavender as a child "
(In fifteen times, and syllables and rakes, they are sterilized in the sentences of their paragraphs, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the stasis that never purged the omission of the syllable that is not proscenium or trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)
Vernarth Omega (Ω) - Preface / Part 19
The grave thunders were of great coexistence in the mystical legions that turned around the nocturnal advance since the kingdom of the Subclavia and the Macedonian Psiloi began to raise the active groups that had to continue above the dusty silica, speaking no more than another doctrine that the tree of life in the geographical diameter of the town of Sapsila and Grikos on the war route to Skalá, but rather of epigraphy that was kept anonymous until they really saw each other face to face, fading from everything that will remain of the body that lies steep from the specters that will fight in the roadstead of Skalá.

Azrael "the help of God" began to be characterized with thousands of crowds that began to settle to witness this phenomenon of the military forces that had been annihilated in Arbela, and now revived were taking compensation for a credible epigraphy, more than people who were also crowds of souls that competed when contemplating the axon between Grikos and Skalá, attributing shared contemplation with the visions of the fragmentaries and the surplus epidermis, which were abandoned by both sides with the complexions of the same Angels that they left to reside and renew after the splendorous light that was dissimilar to their interests, and escorted them to define the strength of Baal prostrated to the Primordial Ether between all the opposing explosions that obviously divided the Mashiach, which was weighted with the gear of Light that was mediated in infinitives colors, between the banners to the source of Light of the Lights of the Kassotide as the o mphalo of aspiration in the Awir Qadmon of the Zohar, or explosional source of Light from where the Sybillas would descend from their vortex of admission that electromagnetically surpassed them from Hyperborea, and from where it looked like a millennial bleached that was reinserted in the ultraviolet, until degrading even in the pale celestial light from where the infinite playful colors of Raeder and Petrobus are divided, once again characterizing the families in their oikos, giving them holy water on the peaks of the Pelicans to be scattered in all the spectral figures of the Hoplite military forces that are they made upright and humble pro-courtiers who augured the strong influences of their eschatological, which would bring water and bread to all the regions of the Dodecanese after the Mega Seismic of Agios Andreas, from an orthodox rationalism instituted with super munificence withdrawn by the oppressor. The inclinations of both sides were different, those of the Persians were adverse to contemplations of greater emphasis and in the repairs of the medical battles of the past, since Bessos after the flight of Darío and his subsequent crime, he assumed as his Satrap car proclaiming himself as Xerxes' successor.
Fundamentalism brought the anxious troops in the Kabbalah of the Emotional Subclavian since it raises a colossal anthropological remnant of the spectral silica that unites Grikos and Skalá, arguing that from there in this subclavian the hormones of corpse mummies roar, with the greater flow than those that They are destined to die several times without having compassion for their ancestors, turning to the dust brooms that leads them to impieties that contradict the pietism that still did not lie in treasuring them, but wrapped themselves in their own syncretic sarcophagi, to praise the revolutions of woodworm. of dust with the hyper kinetics of Kabbalah that will bring light in meadows, and waters in streams that will be visible by the human eye towards the ecstatic, leaving them uncertain in the reality of joining the Merkaba as a coalition that has consonance, quality, and evidence with all the currents of thought and scholarship of irrational imperialism not adhered to the holiest and most generous to the action of service of Saint John the Apostle.

The strings were seen from great height like chains of Prometheus adding more links for those who made the syntax of Jakob when he came back from the lands of Laban leaving behind the cornered voices of the desert that clarifies everything, and leaves them in the spaces of the graphemes that make up the phylogeny of those who have walked day and night in the desert, at the expense of consonants such as Alpha and Aleph to develop the tracheo-laryngeal voices of Aramaic that were pronounced by all parts of the flint, and of deproposited inclinations of those who are paired by the coveted desire of the virulent result of the temptations by wanting to take all the material gains beyond the grave with Asmodeus or Lilith, if it is very broad to capitulate to the theories of the mysterious becoming, and how this colossal image will rise among all where the figure of the anthropological being rests that was flat in the subclavian, throbbing with so much flow of red blood cells, and Letters of Light where the Eagles and Oxen of Apollo will have the same inspirational wings of one who becomes divine after having been a mythological prototype, prostrated in all the powers of the Lion and the Gerakis as a master of the air and of the lion like the Cherub who he is jealous of the syntax and coordination so that the world began to speak of the common language with a language and its vibrations that rehabilitate the cosmos that had been twisted cabalistically since the Kassotide pit had been sealed. The communities made their souls cultured and genuine, allowing these militia networks to collide, claiming to sustain possible escapes before a body without a soul, being only specters that decomposed as time passed in the heliacal rise that made the pseudepigraphic alerts, to re-contribute to a literary reality that can be incorporated into the elite of anthropological literary works where spectral rooms can themselves contribute and build foundations, that are diligent succumbed parties having to go in the Zohar Light exhibition who stands indoctrinated to rise in these spectral posthumous Battle of Patmia.
Psiloi
Robert Ronnow Aug 2015
On last night's news I heard
of an engineer named K_ who
invented the microchip and changed
our lives. How the chip now contains
a billion circuits which I still don't get
but what I do perceive is this engineer's
(a man modest in pride, fame and wealth)
achievement of Teilhard de Chardin's vision
of a world that is one organism and a single-
minded mankind.
                                 Also mentioned
were Edison, the Wrights and Ford,
oddly not Einstein, Galileo, Copernicus, Newton,
Hamilton or Jefferson, Christ or Buddha,
or the unknown gatherers and traders
who invented agriculture, money.
8,000 generations and each individual
an experiment gone well or wrong, a chance
to respond with love or grief to the universe's effort
to extinguish us.

Family of weasels, young ones playful.
One reference says they're vicious murderers,
killing for sport. Absurd, I think, in the wild.
Another clarifies they eat ½ their body weight daily,
extremely active, high metabolism, hunt all their caloric needs
before eating. And, like the raccoon, ferocious defenders
of their young.
www.ronnowpoetry.com
Poetoftheway May 2019
the instant, the instance, is that your body?

the clear cleansing storefront windows
ask for clarification.

is that your body, presently?
is that your body presentably?

just in that secular instant, again, over,
the body’s inquisition clarifies, asking,
requesting in a babel of foreign languages,

repeat after me!

each window pane that follows repeats the query,
the themes in each, tiny variations,
the variables of rhythm, timbre, harmony,
engine timing minute minutiae alterations,
in that passing milli-instant,
each a separate instance for each separate pane.

in every instance.   in every language.

the accusations tonality oscillates in wavelength pitch.
quest nonetheless similar,
     is that your body?

all the replies are mirrored reciprocal.
that was my past.
this my present.
the next, a future vision.

the here, the now, all of it, each a flashcard.

the insistence!

when your body falls finally upon
the sidewalks concrete filthy city Persian tapestry,
the shameful answer tastes always the same.


always the same.
may21
Patrick Diaz May 2016
a vast celestial sphere
face of the earth looks perfect from up here
and as the stars begin to appear,
one that clarifies the nightfall
the sky is connected after all



you're a combination of harmonious elements,
a combination of colors; a symphony
the pieces of music you have created in every photo,
it reached me
your smiles sprinkled like a glitter
of purple flowers and raindrops
your eyes' braided with a collection of thoughts you never say
waiting to be lit like fireworks display
and your hair's a little tousled like a river
singing and swinging between joy and sadness,
it reached me

I hope this poem reaches you too,
I admire you from afar
from a different place, different language, different culture
and I may not know you and you may not know me
but the sky is connected after all,
the moon will always look back at us,
the birds will leave footprints of pathway
and the sun will always shine like you do

and maybe, just maybe, I could take a step
from that thousand miles of linear extent of space,
of interval between two points; the distance
with a simple hello
"a girl from Thailand"

© Patrick Diaz
Anais Vionet Mar 2022
I’d just sat down for lunch with a tray loaded with pizza slices when an attractive redhead plopped down in the chair in front of me. “You’re trying to steal my guy,” she said, clutching her purse close, like it was in danger.

“I’m sorry?” I said, searching my book-bag for the small garlic powder I carry everywhere in case I encountered a pizza.

She inspected my tray, piled generously with a selection of pizza slices and said, “You know, you could just start with a couple of slices and then go back later for pieces that are HOT.”

I nodded thoughtfully at the idea but countered with, “Now I can just sit right here and eat them all.” Which was a lie because I was planning to take a few slices back to my room. Then I followed up with, “Your BOYFRIEND?”

“Peter,” she said, “he’s my longtime boyfriend,” she seemed excited to deliver this news.

“Well, Peter and I are just friends - so far - What’s your name?” I asked.

“Shirley,” she said, not offering her hand.
“Hhmm, your name hasn’t come up.” I reported.

“You need to pump-those-breaks,” Shriley said, becoming suddenly serious.

I thought I’d offer a distraction since she seemed to be winding herself up. “I wonder if Amazon sells a little, battery operated, heat lamp I could carry with me to keep my pizza warm?” I touched my phone, lying face down by my tray but decided looking it up now might be rude.

“It’s actually a whew,” Shirley noted, “being faced with the thing I’ve been absolutely hyperventilating over.”

“Peter and me?” I ask for clarification.
“Peter and ANYONE,” she clarifies and puts me in my place with one sweeping comment.

“Again, Peter and I are friends-without-benefits, but he hasn’t mentioned a wife.” I said, giving as good as I got.

“Peter and I are.. taking a break,” she revealed, “but we’re getting back together.”
“You should talk to Peter,” I said, my mouth finally full of pizza.

“You need to **** YOURSELF!” she snarls. I was shocked by her sudden force. I went into self defense mode, wondering if I was going to be physically attacked but I chose to disassemble and not give her any energy to feed off of.

“I’d LOVE to, but this lunch isn’t going to eat itself.” I said apologetically. “It’s not like I haven’t thought of THAT before,” I confide, leaning in conspiratorially, “my parents bought me an electric toothbrush when I was twelve” I entrust.

Shirley snarled like a panther and left in a huff. I noticed several people furtively looking at me, like I’d been caught in the act of something, and I felt besmirched.
“Nice meeting you!” I offered cheerfully to her back but I don’t think she heard it.

Lisa immediately sat down next to me. “You homewrecker,” she offered. “Who's arianna?”
“Ha! Thanks for THAT” I laugh. “I never had this play in prison.” I said, shaking my head.
“Better late than never?” Lisa offered.
BLT word of the day challenge: Besmirch: "to damage the purity or luster of something."

Slang:
whew = a relief. ……. arianna = a girl better than you
play = drama ……….. prison = high school
The river flowed fast in its shallow shadow
Cluster of primroses and wild daffodil waves
As they bloom in undying joy and awful laughter
Caressing breeze forms a ripple in my body

As my eyes caught the shining leaves
as a glass in the sun my ears listen to my heart
How beautiful, beauty clarifies one heart desire to fall
As I walk on the shape, color and texture of her skin

The quiet sound of rippling water screamed
Her mind stirred thoughts of happy love
Is this the lost rib, my heart so inclined
That lifted the river of warm thought in me

Silver sheen of admiration
grows like ***** willows
As I leaned out of the water of thoughts
love sheltered the valley as winter sun

****** of first flowering green so visible
love introduces so much pain in my heart
For it is an empty path that tempts a heart
To climb so fastly instead of slowly

Written by
Martin Ijir
Anais Vionet Nov 2021
It’s Saturday morning, and even though it’s Thanksgiving break, Lisa and I are in her bedroom, in NYC, studying.

“Ok,” Lisa stops, looks up and says, “give me a *** symbol.”

“I.. I don’t have one on me.” I say, apologetically.

“NAME one.” she clarifies.

“Are there “*** symbols” anymore?” I say, with air-quotes, “Who’s “Marilyn Monroe” today - Kim Kardashian - oooo - or Kendall Jenner?”

“I read Emily Ratajkowski refer to herself as a *** symbol the other day.” Lisa says.

“Is that the model that said she was groped at a naked photo-shoot?” I ask, as I google her.

“Yeah,” Lesa nods, “but it was a naked music video shoot.”

“Do you think I could model?” I ask, as I pose vampingly. “Be unflinchingly honest.” I request.

“Hhmmmm,” she considers, framing me in a finger rectangle pretend camera. “You’re like Marilyn Monroe,” she says, “in a training bra.” We burst out laughing

“Back to the subject,” Lisa says, “name a guy you think of as a *** symbol.”

“Humphrey Bogart!“ I say.

“Humphrey Bogart?? No!” she rejects him, wrinkling her nose, “too old-timey and dead, besides, he was a MOVIE star - come ON, a real one - SAY!”

Michael Gandolfini!” I offer.

“​​Michael Gandolfini??” she says, sounding stumped as her fingers google him.

*I make a dreamy “mmmm,” yummy sound.

“Oh, my GOD,” she says, and looks up for confirmation. “Humphrey Bogart and Michael Gandolfini - HONESTLY, you have the WEIRDEST taste!”

I was shocked, “No, seriously, don’t you think Michael looks kind of soft, cute and.. LUVable?”

She groans, “You’re going to marry an ugly man someday - aren’t you?” She pronounces, shaking her head.

“AM NOT!” I responded, throwing a pillow at her head (a pillow fight ensues).
deep university conversations.
Invocation Feb 2015
Feet don't fail me now
Just pick up and turn around
putting pressure against the ground
twist torso with all of focused might
heart hammer against bones
Breathing back and forth, ragged
gasping and I feel stronger
when I put the pressure to the ground
shove the earth away
I'm pushing down
I'm thrusting my body
pounding the ground now; time has quickened and everything clarifies
I don't dare turn; I know you're still there; I'm aware of your presence
You are heat burning my skin when you draw near
You are chills that run thin metal fingers along my spine
You are flutters of passion that grab my wrists and pin me
You are the nicest person I've ever met
Your generosity is killing me
So I run
I'm a wild fox, how I do?
Skendong Apr 2015
The pale smoothness of your skin;
sleek face and pointed chin,
clarifies, enhances dark and oval eyes
an oyster shaped mouth smiling –

red lips, opened – an interesting twang
springing from the larynx, compels
me to wander to  The Muir Éirean:
a fierce wind whistles over my shoulder

at dusk; your embroidered headscarf,
a wild element decorated with tiny shells,
cloaks my head on the shoreline,
keeping me warm until you get home.
Kristie Lewis Sep 2011
Risk is a funny thing.
Sometimes it's worth it. When it's not, it hurts.
It terrifies, electrifies...even sort of clarifies.
The thing is, how do you know what could be,
If you can't choose a dream and set passion free?
Love can die and so do dreams.
But if neither are given a chance,
What could it possibly bring?
I know that you're worth it,
Because even if we should fail,
Not trying (by comparison) only pales.
I'd rather say "It didn't work." than simply "I never tried."
Because the way I feel with you is worth the tears we might cry.
So I'll take this risk, not just for you, but so that I can live.
I won't ask a gaurantee. I know your all you'll give.
Let's see what happens. It will all be okay.
Because even if it doesn't settle as I'd like,
At least we made each other smile along the way.
Much like a sestina repeats it's hook
Our lovers and idols, ever prophetic,
Sew meaning into quivering arcs.

Desaturating the still, all becomes clear
Unscramble the motion in the film
The cover image foregrounds.

Remove the chaos of every day
Plot points pinned to a story-line
We spin ourselves back in time.

As one song may last a lifetime
Churning the same harmony,
Of the few who never leave.

Worry changes no forking paths
So worry not and sonder still
Time clarifies, distilling all.

A viewpoint in the stratosphere
Changes the night sky forever
Yet, the seasons remain the same.

One prolonged glance into the sky
Listening to this primordial beat;
Here, true lovers, idols and myself
Glide through space eternally.
Nascent and emerging
Yet growing every day
Bitcoin’s only dawning
Come join without delay

Incipient, forthcoming
With still some way to go
Like a constant drumming
Measured, strong and slow

Budding and beginning
In young and infant stage
Yet nations it is winning
As it slowly comes of age.

Changing us while growing
More freedom and more hope
Still small - yet never slowing
In numbers, and in scope

Original, advancing
It clarifies our view
Bitcoin - worth defending
Continues strong and true
This is Bitcoin Poem 023 at BitcoinPoems.pro and you can see it displayed on a background when you (copy and paste the link below).
https://www.bitcoinpoems.pro/delivery023Beginning.html
Mateuš Conrad Mar 2019
.seems like the asian dub foundation lyrics came true: the lunatics will lead the blind... counter-metaphor, like i don't know how the mainstream doesn't exploit ascribing metaphors akin to psychotic or schizoid to slander their fellow "sanity" hives... and then, there comes a snippet, a mini-apocalypse of a one-man "army"... conflating a genuine Hippocratic observation, with your usual casual slander in all things politico: including journalism... i guess that calling someone dumb / plain outright scheming is not enough... oh but the genuine examples scare people... for all the criticism of Muhammad... ha... ha ha? he was awfully fond of lunatics, maybe i misread this, but i'm pretty sure sort of content is ascribed to the hadith... my allegiance? to the language, this is true, on other matters... hit or miss... cherry picking... the usual... in terms of England? what's there to subvert, when everything has already been, subverted? ****, bad grammar... maybe that's what can be subverted, that last bastion, oh, wait, that's also gone with the whole pronoun debacle... about time to play the Pontius Pilate role... but instead of a maddened crowd of hebrews, there's that small matter, of an enraged crowd of grammar-fetish-nazis... rigid, rigid as ****, you couldn't find a dried out piece of horseshit as rigid as this... and i'm not even a native... going out to nightclubs on either a friday or saturday used to be fun, until, this culmination of events... yawn... no, no... this is where i get to punctuate my sentences in an excess of erraticism; well: any counter to the overtly eroticißed currency / culture... if anyone told me to fixate my attention of linguistics, i'd be like: give me a break... gone are the days when a homosexual could scribble something as curiosity-worthy as a william burroughs... well: if we reached a fundamental plateau point of inertia... it would take someone from... Gomorrah... to talk about all that slobbering over sea food juice, from the flowery pattern of a *******'s *****; and that would be me.

don't ask me, how, or why,
maybe i should get in touch with
some of the airline pilots,
maybe they'd believe me,
or perhaps to anyone in close
geographical proximity,

   let's say i'm sitting on the porch,
smoking a cigarette,
mentally lacerating myself
over an outburst of unfathomable
anger requiring me to do something,
which i nonetheless do,
but the whole fiasco of a tirade
wasn't necessary...
         and... with my rigid
ontology, i repent,
    i go a step further,
            i think up all the standard
negative thinking,
  
   to a point where
the word banal,
         mingles with the word
benign...
       at this point
           these words are being
drilled into my psyche,
   they become static,
   and obstruct any decency
of a cognitive narrative...
           benign becomes a negative
word,
      somewhat closely alligned
in spelling to banal -
   well...
                        as close as B
goes...
                   strange...
how thought has to process
feeling,
      and how feeling:
    rarely processes thought...
just your standard cartesian
"quadratic paradox":
yes, perhaps a misnomer,
but err:          into air quote,
there's always a nuance
to be minded,
   and a misnomer cipher
usage...
                              i.e. metaphor...

so i'm doing all of that,
   and then...
            you'd have to be in
my vicinity to see this,
    and a night sky...
   so the stars are there,
fixed points in their constellations,
or some outliers...
then you spot one appear
in the sky, and move
in a straight line,
         a slightly dim star...
copernicus:
     but i thought stars
weren't supposed to do that?

and then? a star so brightly lit,
also moving in a straight line,
so, so bright,
   and as it moves into the distance,
it starts to wane,
fade...
    a plane flies in its direction,
i'm strapped to the earth,
but i'm hopeful
    that the airline pilots
have also spotted it...

                this is not supposed
to happen...
   i don't know if i'm freaked
out, or just used to it,
years prior, i did my occasional
star-gazing...
   somehow detached
from the usual curiosity of men,
i knew that i hard to return
to the hierarchy of metres,
miles and centimetres etc.,

          someone else did,
whatever they did,
   to orientate themselves with /
around, the current capacity
of communication,
    but no one could say:
the guy who created the piano,
     could play like a Schumann -

my predicament comes
with this language,
      acquired, self-taught,
   perfected,
                i remember the day
i was thrown into a class
   at primary school,
   mute...
          cartoon network wasn't
exactly a teacher back
in post-communist Poland
in the early 1990s...
  
          i was... without a play
on words: thrown into the deep end,
told: ******, now tread water.
  i still sometimes help my parents
with legal paperwork,
  but i'm content that they
managed to... **** me...
    me, holiday, to the Maldives?
hard work, i almost enjoyed
doing roofing on an industrial
scale sized roofs...

             now, i drink,
and if i didn't...
   i'd writing with a sense of
urgency that's more erratic than
imbued with a sense of urgency
of, imminent death,
  and i'd be running paranoid,
7 trips back and forth
between London and Edinburgh
and Glasgow in a short period
of time,

        then to Athens,
           brief interludes of calm
like a trip to Venice...
   mind you: if the diagnosis
is correct, i.e. psychosis,
and for all that time,
  i didn't behave like your
tragedy psychotic,
               well...
               is that... responsibility?
the knowledge of a condition,
tamed,
    rather than walked into blindly...

apart from the usual
historical literature,
                       what could possibly
top philosophy as a genre
of literature?
          d'uh... theoretical psychiatry...
notably from the 1960s...
precisely because:
    prior to that time reference?
psychiastric conditions
were, grotesquely enough -
                      luxury ailments or...
the other kind,
         the ones were they throw
you into the asylum
      and... god knows what...
now?
            they drug you...
  pacify you...
                        but what if there's
still something hidden
within you,
                               to counter?

i probably the only smarter
thing available...
                      if i didn't turn to
philosophy...
        or psychiatric literature...
yes, it would take you a decent
3 years to read the two volumes
of Kant's critique of pure reason,
to be able to move forward
your own narrative,
   without having to: read it,
only in order to regurgitate /
teach it...

                   no one is going to talk
Kant to you,
    you will, most likely,
be talked Kant to you / taught,
yes, more like taught rather than
talked (down)...

                 for all the sins of alcohol
consumption,
   well: what other sedative
is there within the same price-range?
i'll always be unrepentent
about the drinking,
           how much of a *******
******* would i have to be,
     to repent for something
that, somehow, clarifies my head
and allows me to
spew out, something akin
to this?

            no, stars aren't supposed
to do, what they did,
and keep on doing,
        in my presence...
   only one person has shared
this spectacle with me,
my grandfather...
   'for the stars to be moving?!'
just my luck,
   that he suffers from
a mild dementia...
           cul de sac of convincing
someone...
    so back to the secular
game of juggling negation,
and lying -

     at least doubt can mingle
with belief,
   at least doubt
       is, akin to belief,
   a plethora of emotions;
i never understood the criticism
of emotion,
   esp. in the secular west,
i just can't turn into
   some emotionless
apathy-zombie,
    or some,  brain
and a spinal cord in
a ******* pickle jar,
semi-autistic:
but that still implies
   channeling your emotions,
rather than giving into
outright, shallow and not
premeditated calculation.
Elioinai Oct 2014
I at birth,
was like a lump of ambiguous carbon,
inside there lay a code,
for building a beautiful person,
but that was just the plans,
they didn’t have to be followed,
pick and choose,
add your poison,
A thoughtless word,
here and there,
will change countless Directions,
But,
Diamonds,
began to appear,
for what is Life,
on earth,
or really,
Time?
Pressure,
added to Love,
quickly equals beauty,
and those rules they didn’t obey,
the mistakes you made,
even They,
are used,
to add more pressure,
and uncover Love,
though the pain here,
Must be increased,
my Melody,
clarifies in Hardship,
and my hands fill,
with the sparkling Glory
Feb 15, 2014

— The End —