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Gerry Sykes Nov 2
Abandoned, Still, Silent,
only the dust is moving
dancing a noiseless perpetual waltz.
Here and there a mote
intersects the silent sun,
(that slips in through broken glass)
picking out the rainbow rays.
Just the quick perception
of mouse and bird
to observe the shafts of coloured light
that they do not comprehend.

Above the pulpit
marble eyes look out,
and stone lips
caught in the act
cry out
"Why have you forsaken Me?"
Immobile hands are pinned
out wide,
to receive the world.
They cannot open the door
but wait
for someone to come.
One of the first I wrote, sometime in the late 1980's. The first one outside English lessons in school.
Gerry Sykes Nov 19
He is like a god to me
    alpha of my pack, my rescuer and my rock:
his breath like beef’s bouquet
    his words like brittle bones breaking in my mouth.

Our touch like summer
    as I rest my head on his strong thigh:
gazing adoration
    staring petition.

I stalk him
    for the crumb that falls from his plate:
and wait patiently
    for scraps of skin from his repast.

When indecision strikes
      to eat or not to eat:
He nobly leads me to the door
      and tethered takes me out.

He leads me through
    musky canine
          saffron sage
              scented pastures:
and corrects me when
    squirrels like sins
          tempt me to stray.

We romp through rugs
    of red and russet
          fallen fronds:
foraging for
    foully fragrant food
          delight of doggy dentes.

I am his humble hound:
he my mighty man.
An exercise in personification. The poem uses the metaphor of a dog's devotion for our relationship with the divine.

I thank Kareneisenlord Klge for her feedback,  especially the image of yellow scented sage that allowed me to improve the 5th stanza, and the suggestion of more visual imagery that lead me to add the 6th stanza.
Gerry Sykes Nov 6
I was called to walk on the water,
but I ****** in the lake instead,
polluted the whole of creation,
until all its creatures were dead.

I was called to heal all the people
with hands that are gentle and kind
but I couldn’t turn round a profit
so I shat on the lame and the blind.

I was called to bring peace to creation
but found it better to sell,
weapons of mass destruction,
and condemn all the nations to hell.

And if I complain that the world,
is *******, unfair and unkind,
it’s because I ****** in the water
and left all my refuse behind.
I has the first 2 lines in my mind but they needed more so the rest is just to support them. I hope it makes you laugh and think
Gerry Sykes Nov 29
Caught in our wild sweaty wickedness,
he hastily withdrew,
left me like meat:
dragged, debased,
exposed and butchered
on ***** ochre soil.
Old men’s lewd burning eyes
******* transgression
spiced with rectitude.
Young men sniff my adultery
and swell like figs
succulent with stricture.
Women boil the oil of resentment
and anoint my skin
with blistering imagination.

Ringed by scorn,
I kneel before a judge
who bends down and
draws in the dirt.

Guilt lusts for sacrifice, but
no one is worthy
to light the refining pyre,
except the one who draws
in the drab yellow dust.
Impotent and muttering
my accusers sulk into the sand.

His cool clear gaze
looks at my filthy bitterness
without grimace.
His living words
whittle my trespasses away
sculpting a cleansing change.
A meditation on the women caught in adultery John 8:1-11
Gerry Sykes Nov 4
As the solution cools
the molecules slow their stochastic dance
and the liquid is less able
to keep the substance dissolved.

As a threshold is crossed
the power of solution fails
and atom by atom
molecule by molecule
the substance crystallizes
plane by plane
layer by layer
the form of the substance
gives rise to a growing crystal
revealing in its structure
the nature of itself.
Gerry Sykes Dec 1
God dances
cheerfully
down the wide
Grand Canyon
at sunset.
DDT
Gerry Sykes Nov 5
DDT
The drab
brown butterfly
sits on a white blossom
incautiously drinking honeyed
poison.
The darker side of our relationship with nature isn't always visible – a metaphor for our relationships with other people.
A mendacious murmuration
  of black pixels dance a fractal fandango
  against the pale pink sky
telling you that all is well with the world.
A susurration of complacency–
  above the exhaust-scented streets
  of Birmingham’s melting asphalt–
whispers, “Don’t worry,
ignore the heatstroke starlings
dropping from the sky
onto viscous pitch dark bitumen”.
The original idea for this poem was the phrase "mendacious murmuration"
Mendacious - lying and
murmuration the word that describes a flock of starlings swirling randomly at sunset.
I chose the word susurration because of the consonance with complacency - I think the meaning of susuration - a hissing whispering sound is not only onomatopeic  but also suggests something sinister.

The underlying narrative ids not that nature lies - but er choose to be misled into thinking all is well.
Gerry Sykes Nov 16
Sitting at a stained desk
superfluous space for ink wells,
groove to place my pencil
I dream of rockets, submarines and spells
as the sixties swing by
                                  out of sight.

In the lowest English sets,
there’s no dyslexia
only dumb slackness, scribbling misspelt words;
scrapped, I scarcely scrape a pass.

What bare faced side I display
attempting to write a poem
when the system says
You ****.
I went to school early because the local authority needed to make up numbers. I was probably dyslexic as well. I wrote this for the staff of a school I work in, and it's interesting that it engaged teachers, assistants and site staff.
Gerry Sykes Nov 12
Rubble and dust
spinning in swirling disks
around the fire
until one place
of greater attraction
draws debris to itself
and coalesces into an incandescent planet.
Earth and sky begin
full of promise.
Gerry Sykes Dec 6
McKenzie sat, the feral cat
a ginger tom, a ***** brat,
he’s on the slab, he's at the vet,
he's innocent of the threat;
as scalpel steel –prepares to lop
his precious assets – for the chop.

He smirks and thinks of bowls of cream.
An instrument now stops his dream
while measuring his body’s heat:
a gross insult to his seat
that turns his grin into a pout
as he pushes the probe out.

This wicked cat – who seems serene,
his outward visage  looks so clean
external dirt can never stick,
but succumbing to his lick
it passes through that moggy’s gut
and out of an unblemished ****.

The player fears the game is up
he sees the proffered poisoned cup,
now he's exposed: the ***** rat.
Dies Irae for that cat –
the stoneless subject of our mirth –
as ball-less he departs the Earth.
A metaphor for ****** politicians, hoping they get their reward. The rhythm of this poem is meant to be like two bars of music or two pulses in a line. The beat on the last stresses syllable of the bar. There needs to be a pause in the middle and the end of each line.
Gerry Sykes Dec 13
When God wrote me, she didn't write a cog —
as I was knit together in the womb —
a brass serrated wheel, escarpment tooth,
or part of the machine that moves the wealth,
of poor exploited people to the rich.

She did not see a lever in the church
a fulcrum in doctrinal power play:
preside at Masses - tick; play nicely- tock;
and lead the parish council meetings- clunk;
then grow the paying congregation – thunk.

She painted me a seed, organic, whole,
to grow in a lush forest, green and tall,
a tree to crack the strong foundation stone:
I'll smash the rock and sow a Kingdom’s germ.
A poem about our purpose in life from, putting a previous free verse poem into blank verse.
Its content deals with similar themes to Swinburne's "Beneath a crucifix" but from a very different perspective.
Gerry Sykes Nov 15
Field of overnight oats
so full of hippy goodness
I might live forever.
Just thought of this when I made my overnight oats. A comment on health fads.
Gerry Sykes Dec 3
In the Himalayan mountains,
bordered by the Chindwin River,
bordered by the humid jungle,
      sweaty, musky, monsoon scented,
East of hot and sultry plainlands
      climbs a cooler verdant forest
      to a green and vibrant woodland,
filled with mossy bamboo thickets,
filled with silent trees that listen
to      the Naga log drum beating;
          shrill cicadas’ night-time trilling;
          waking hornbills, evü, goking;
          and the flashing fireflys mating
              like a white-hot viper chilli
              spreads it’s burning incandescence.
There, amongst the hilltribe people
      is my centre, is my focus,
      separated by a journey,
      many days by air and roadway,
but my most important person
      from that place so far, so distant,
lives and loves with me forever,
      in my home, my hearth, my heartland.
1. Nagas are a tribal people who live in hills of Nagaland, and parts of Manipur, Arunachal Pradesh (North East India) and Myanmar.
2. Log-drums are a traditional Naga instrument and an important part on Naga culture.
3. Evü is a hornbill in the Khezha language (of my wife’s tribe). It has an ev-ur sound but the final ur is in the front of the mouth
4. The Naga viper chilli was the world’s hottest chilli  (Guiness book of records 2011 but now surpassed)
Gerry Sykes Dec 9
Cracked sienna and burnt umber bark
on trees fuzzy with blue green lichen,
like the stark, leafless, winter clothes,
of Highgate’s denizens.

Hazel branches stripped bare by squirrels
a foodless frosty park,
it’s Victorian bowling green surrounded
by golden paths and benches is
wild, broken, neglected
grass and concrete.

Exposed on the grass
a hungry squirrel gnaws her nut
sees danger and runs up a tree.
A dog barks and tries to climb,
loses interest,
and sniffs the inner city's air.

The park whimpers deprivation.
Another version of the poem about Highgate park this time in free verse.
Gerry Sykes Dec 8
The cracked and umber, cyan, lichened bark,
its wintry deprivation echoes stark
impoverishment: the denizens live their
neglected, leafless lives, in Highgate Park.

The winter icy earth’s, anaemic fare,
enough for hungry birds and squirrels, there
is insufficient food for bigger beasts,
who huddle, famished, in the frosty air.

A grassland’s faded, green, uncut, now greets
all walkers down its dwindled concrete streets,
replacement for old honeyed flags: new flaws
displacing golden pathways, lined with seats.

The squirrel, hungry in the cold still gnaws
her nuts: she holds the winter food in claws,
and quickly looks for danger, then a pause,
and runs, avoiding snapping canine jaws
rubaiyat about a park in a deprived area of Birmingham (GB). I have a free verse version of this poem in free verse that I will post later
In musky bamboo jungle, damp and tall,
a wet and humid monsoon scents the air.
The forest hears a hornbill’s gocking call
its woodland eyes are watching and aware.

There, soldiers shoot Kalashnikovs and spread
a cordite quick collateral sharp death.
She wears a Naga shawl warm, black and red,
and watchful says a prayer under her breath.

My centre’s there where tribal logdrums beat
among the soft cicadas nighttime trill
as fireflies dance their tango down the street
and brightly coloured birds sing loud and shrill.

My most important person waits for me
under a shady verdant alder tree.
This is the first sonnet in my attempt at a sonnet sequence. The rest will follow.
The whole sequence tells the story of our wedding and the hurdles we had to overcome to get married. I wrote it as part of a course bur more importantly to celebrate our silver wedding anniversary.

As the narrative is a real event that takes place in an unfamiliar land with its own culture there are some places and few words that might need elaboration.
a. Hornbills are birds found in tropical and subtropical Africa, Asia and Melanesia of the family Bucerotidae. It is important in Naga Culture.
b. Gok/ gocking is an onomatopoeic representation of the sound a hornbill makes.
c. Nagas - the indigenous people of Nagaland (and some parts of surrounding states) in North East India.
Gerry Sykes Nov 11
No one saw the hooded man
in the grain of the wood:
every night I slept face down
so I didn't have to look at him.

I'm grown up:
there are no figures
on wardrobe doors,
but some people make me hide
under the bed sheets.
I was just watching an halloween movie and it brought to mind my childhood fear of a figure I was in the grain of the wood of my wardrobe.
Gerry Sykes Nov 25
Steaming chocolate scents the room
    coaxing me to sink into
          a soft warm woollen russet blanket
    with the promise of
            spicy sienna cinnamon biscuits.
Outside the trees prepare to hibernate
  discarding yellow ochre leaves
        onto the brown damp forest floor.
Crackles from a fire-pit
    penetrate the window
        and remind me of the autumn cold.
The finest part of a wet, chilly fall day
        is watching through double glazing.
Gerry Sykes Nov 1
.                                                  Inch by inch,
                                            cruel word,
                                      indecision,
         ­                       pressure,
                        spin an avalanche
                    around my grubby life,
              cocooned, cold
          my sight
        goes
      black.
A crack, amber light bleeds
into my shrouding chrysalis.
      I struggle,
        tearing silk,
            escaping
                to smell the sun
                      taste its nectar
                            and
                          ­        see
                                        I am
                                              a
              ­                                      butterfly.
Gerry Sykes Nov 18
Spent silverfish, massed on black
whippets at        the end of the track
cracked nut shells, lying
inflated balloons, dying.

Steel mosquitos that    tattoo poppies
shot up cartridges by    the school gate
in new mown grass    that stinks      the street.
The poem is about drug use in the area I live.
The silver fish are nitrous oxide canisters left discarded on the black streets - also known as whippets.
Steel mosquitos are syringes.
Gerry Sykes Dec 12
A dampness spreads across the duvet - plop,
the rhythm ticks away in sleepless drops
of time, until my clock bell rings out loud.
Then groping, reaching, fumbling, I find stop.

Surrounded by my polyester cloud,
its cozy white insomniac soft shroud
turns starkly freezing, waiting for the light.
Another rocky field waits to be ploughed.

Against the bed’s warm gravity, I fight
to rise and face the early, bright sunlight;
still sleepy, battle to the bedroom door
and end my long and wakeful, antsy night.

In stretching daylight hours, I fight a war
to keep the grey at bay, using my store
of energy to keep me swimming, or
exhausted drown in waking sleep once more.
Trying a Rubaiyat in iambic pentameter.
Gerry Sykes Nov 21
Deep
    liquid rock seethes
          pressure builds
                molten fingers *****
                        probing
                              searching
                        pressed down
                        resisted
                        suppressed.

                        Incandescent lava
                            finds weak points
                                  pushes
                                      forces
                                      the mountain bends, buckles, swells
                                      strains, contains
                                      furious fire

                                      until

                                at supersonic speed
                      pyroclastic ash
                  rushes
            burns
        clears.

Quiet
    death has passed                                                          
          black cinder slopes
              and
                  a flower
                      blooms.
I wrote this when I was depressed and it is a metaphor for the stress that lead to my depression and my recovery.
Gerry Sykes Dec 7
I sit and rest beneath the ripening figs,
their pregnant bulges swelling on the tree;
a heavy yoke deforming laden twigs.

In nearby streets a man is walking, he
observes me without line of sight. I’m known
below those purple fruit, in Galilee.

He speaks my life, and secrets I alone
should know; the silent whispers of my heart.
He understands my very blood and bone.

The orchard's dripping fragrance, sweet and ****,
might draw me from the living words he gives.
I measure what’s the cost if I depart
for lighter yokes: reform my bending sprigs
and set out from beneath the ripening figs.
Based on the call of Nathaniel John 1:43-51.
"Gives" is an imperfect rhyme with sprigs and figs, the last rhyme and echoes the first but has the contrary meaning.
Gerry Sykes Nov 23
Soot darkened ***** drizzled damp sandstone
    grey like depression.
Dull ochre leaves squelch wetly under foot
    rotting and foetid.

Scaffolding covers faded elegance
    dims its fame.
Water trickles down umbrellas, hats and
    drenched clothes

Cars spraying water over the pavement
    saturates pedestrians:
soaked blue jeans stick to frozen legs,
    soggy like a graveside.

Greasy spoon tipsy waitress swerves
    spilled tea;
cracked cups, saucers and sweet generic cake
    disappoints.

Stove radiates a red smoky welcome
    like a warmed bed.
Crafted draught pints served foamy and savoured
    sparkling and bitter.

Locals drink, eat, play board games and throw darts,
    laugh at the rain.
I read poetry books to my girlfriend
    by the snug fire.

Buxton will bloom, golden again
      when summer comes,
its octagonal pavilion teem
    with street bustling life.
Gerry Sykes Dec 4
The grey ghoul masks, tan mummy wraps,
    black witch's hats and corpse green Frankenstein faces
    haven't hit the bottom of the bin before
mince pies jockey for a place beside the hot-cross buns.
Halloween and Christmas are squeezed together
    tighter than a coin’s width.

Tinsel boy band advent calendars
    sell 24 chocolate milestones
    on the road to obesity.
Supermarkets offer a sanitised Christmas
    religion rinsed away
    like bacteria on a chlorine washed turkey.
They trade a childless nativity like
    pies without mince;
    sultan-less fruit cake;
    plum-less pudding;
an unstuffed winter holiday roast.

People wonder where our culture has gone:
      we sold it for a midden
      of conveniently packaged banality.
Reflections on the commercialisation of Christmas and the loss of cultural capital that results.
Midden - a ******* tip
Gerry Sykes Oct 29
The fly,
drawn by its addiction
to sweetness,
enters the pitcher plant.
Tired and drugged,
slipping on downward
pointing hairs
it falls into
the digestive juices
that dissolve its goodness
leaving only
its hard
chitin
skeleton.
An oyster’s grit accumulating
new layers of aragonite
and calcite, contributing, plating
the growing bright translucent white
and crystalizing hard, pellucid
wan pearl – that forms within the mucid
molluscan slimy dank inside –
a creamy gem is calcified.

Diaphanous and lustrous jewel
or septic and necrotic stone
that’s like a canker which has grown
into an opulent fat spherule?
A pearl forms round a piece of grit,
my childhood at the heart of it.
An attempt at a Pushkin's Stanza. I think this is the hardest form I've tried so far: it was quite a challenge to get the female/male rhymes in (more or less) iambic tetrameter (obviously an extra syllable  for female rhymes). Never thought I would use "aragonite" in a poem.
Gerry Sykes Oct 29
Pale pink petals dipped in blood
surround my yellow crown
  and painstakingly painted stigmata.
A  fragile, fragrant DNA poem
  perfectly expressed.
An immaculate lily – not a failed rose.
On a recent Ignatian retreat I saw a Peruvian lily (Alstroemeria) and it made me think about what I am rather than what people would like me to be. The photo is my own and is of the lily that inspired this poem.
Gerry Sykes Dec 10
His hands encompass: pulling me from dirt
my terracotta wetness coats his palms
infusing nails and joints with ochre clay.
A ball of damp adobe, thunk, I’m thrown,
the wheel begins its spin, his fingers grasp
irregular alluvium, I'm smoothed
as digits delve into my focal point
their pressure firmly moulding, shaping me
into a vase, a ***, a water jug
to be what his imagination holds.
Based on Jeremiah 18:1-4
Gerry Sykes Nov 13
Underneath the thorn
  stinking, **** suppurates.

It throbs–
pulling the splinter–
  pressing out the ****–
      squeezing until the green sepsis runs ******.

The thorn's scar
      is permanent
            biding time,
                  waiting for bacteria.
My reflections my a lost son. I can't compete with the great poem by Ben Johnson, but these are my feelings anyway.
Gerry Sykes Nov 7
It's not easy to wash feet
    in Messulumi.
Water fetched
    fire lit
          kettle boiled
              warm water poured
                    soap rubbed
rough towel dried.
Such care
                is needed.
Then poem is about having my feet washed in Messulumi village. Messulumi is the village in Nagaland (N E India) that my wife comes from. The painting is also my work is of Jesus washing Peter's feet at the last supper on Maundy Thursday.
Gerry Sykes Nov 24
The black man – like a pretzel on the grass –
is sitting vilified because of race,
and option less, he has to let it pass;
pretending not to sense he's out of place.

Another couple point, and laugh, and stare:
fair skin and hair proclaim their easy life.
A honeyed world means they don’t have to care:
their actions cut him like an arctic knife.

Behind, the sacred stone and glass stands for
a fruitful tree of life that’s meant for all,
but cherries are too costly for the poor.
Sweet learning for the rich, though they are dull.

It’s up to you and I to fight against
all orchards that we think unfairly fenced.
This was my first attempt at a Shakesperean sonnet.
Gerry Sykes Nov 17
A dead baby
  is a baby that's died
      in anyone's language.
Not surprisingly I am thinking of the terrible things happening in Israel and Gaza. I'm also speaking from the experience of loosing a son.
Gerry Sykes Nov 10
One place, pressure, temperature,
The Triple Point,
aqueous molecules skip between
solid, liquid and gas
the salsa between states - identical.

No growth of  ice
water does not accumulate
nor vapour pressure rise
because the waltz, one to another, is equal.

So the three coexist suggesting stasis
while constantly exchanging substance;
a symmetry of balanced dancing stability.
Written as a meditation on the Trinity while on retreat at St Beuno's in North Wales. The triple point of a substance of the exact temperature and pressure when the solid, liquid and gas phases of a substance are in equilibrium.
Gerry Sykes Dec 5
Thrum.
Undulating across the cyan, sea scented lagoon,
  I watch Venezia condense like an artist
  sketching grey lines in the mist.
Murano: thump, a deeper varum,
  static air fills with diesel vapour,
  smelling of engine, tasting of oil.
Thrum away.
My eyes wash the roofs and domes with terracotta,
  till I step into the canvas
Gerry Sykes Nov 8
cobalt blue, lime green and
lemon yellow warp
stretches on a loom

the shuttle dances
back and forth
weaving my crimson weft
into the pattern of the universe

my pilgrimage zigzags
beneath the comb
as time winds the warp
which begins and ends
beyond my scarlet thread
The comb here is the heddle is a looped wire or cord with an eye in the centre through which a warp yarn is passed in a loom before going through the reed to control its movement and divide the threads.

I leave you to decide where the warp begins and ends. For me is in in the infinity of the Trinity.
Miley and I walk down the street
      ignoring the cannabis scented clouds:
      she stops – sniffing every urinated message,
      occasionally leaving a reply.

My dog passes the laughing gas canisters,
    polystyrene boxes and broken glass
    searching for discarded bones, bread and tissue paper
      to eat, rip or claw.

We stroll through the park
      once yellow smiling daffodils grin brown and withered.
Squirrels multiply – fecund rats in the trees,
      Miley too slow to control the rodent population.

Despite urban desolation
      look harder:
        see the green canopy
            grass, birds,
              sometimes even a butterfly.

The world isn’t dead –
      we still have time.
Just a few thoughts about the planet as I walk my dog. We walk through littered streets and a run down park but there are also signs of hope if humanity gets its act together.
We know that
Round the rugged rock the ragged rascal ran
  but what secrets does that sentence slyly hide from our eyes?

Who is the ragged rascal that ran round the rugged rock?
  Ralph or Mary, Alfred or Freda?

Was the rock
  amid the sandy ozone odoured, shelly blue roaring sea shore
  or the languishing lavender scented purple pastures of Provence?

Does the rock think
  why is this ragged rascal interrupting my rest,
  pausing my Requiem in Pace with their irreverent running,
  circumnavigating the penumbra of my circumference?

Is it sand or grass that feels
  the feet of the ragged rascal running fast
  or the rugged rock, whose repose the rascal wrecked?

Why is the ragged rascal running
  perspiring to meet a perfumed maid or prurient boy
  or play some fiendish prank of trick or treat on foe or friend?

Will we ever realize our desire to perceive
  why the ragged rascal ran round the rugged rock?

And if the intensions of the ragged rascal become intelligible:
  did Peter Piper taste the peck of pickled pepper that he picked
needs investigation.
Alliteration and tongue twister. Be wary of reading this poem out loud!
Gerry Sykes Nov 27
I sit
dream of tigers
orange and black, white teeth
divinely devouring man flesh
and purr.
I lie
soaking Serengeti sunshine
queen of the window sill
like a lion
 sleeping.
A butterfly cinquain.
Gerry Sykes Dec 2
A naked branch awaits the spring
    when vernal vigour will awake
      the cuckoos calling on the wing.
A naked branch awaits the spring
    like distant soundless whispering
      around the icy listening lake.
A naked branch awaits the spring,
  when vernal vigour will awake.
I write this little triolette on the winter solstice last year.

— The End —