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There  once was a boy lost in the woods, he was not lost at first, but became soon after, because you see he fell in love with a monster, It inthralled him, at first he tired to coax it, lying to it showing it gold and giving it food, pleased with his efforts he tried to take it home, but it turned and ran, but that is not when he gave chase, he waited a day, then two, then four, that would be about a week, maybe more or less, but to him it was an eternity without his monster. Oh but it came back, surprised its self the monster did when it saw the boy standing where it had left him,  the boy remained motionless, but that could be for many reasons, but he'd claim he was trying to freeze time, and maybe he did, either way motionless he remained, till the monster moved close enough to be in reach, as it reached to touch his face, he grabbed it, victory, victory, his eyes closed filled with tears, opening he looked at his capture, no longer was it his monster, it was all a dream, he had fallen asleep in the forest, and now is lost.
Hanna Baleine Jul 2014
My dear, I assure you, this was not my deed. No, my dear, I am innocent. I awoke this morning from a genius dream to darkness, as my windows were covered with grayed curtains from my mother’s gold childhood. I stepped out onto the terrace without notice of the body. Perhaps it was not there yet. However, doctors soon established the lady had been dead for more than thirteen hours. I was not aware of her presence the entire time I took eloquent drags from my cigarette, only noticing the smell of the pollen-filled wind and, now I know, mistaking the sound of her blood hitting the concrete tiles as a mild shower from the south. Had I been aware of her presence, I’d have saved her, separated the handle from the clench of her body, and called the authorities. I’d have cried if only I remembered how. I’d have made love to her while I was still alone. Let her rest in ecstasy.
          Do you understand now, my dear? Do you understand the good that lies within me? I am not a man of killing; perhaps somewhere, a man like me is, but not I, dear friend, not I. Do you believe me? My God, if only the officers believed me. Instead they tied my hands behind my back and forced my lips shut so that I can not even yell of my innocence, all while dragging me into a cellar that now I must call my home because of an action I did not commit. That I did not commit! That I would never dare to commit! Atrocious, they call me. Atrocious, I call them for engraving lies into my brain, fragile to dementia but not to crime. No, never to crime.
         My dear, please note, they say I am who I am not. Devils! They paint pictures of a filthy man unrecognizable and insist it is me. *******! I have felt my skin tingle in manners unimaginable and a sensation of a new body rise within me, a new body whose deeds I have no control over. I am not the producer of this crime. I am innocent. This was my only confession to the officers who came into my apartment due to the neighbors’ complaints of screams unlike those of ******* coming from somewhere near my establishment. Indeed, I found, along with my new workmates, a bloodied woman looking down to the floor, lipstick mouth and tired eyes, impaled. Horrific! Was written on the notepad of the chief of police. Now I am strained on electrical mattresses, obliged to believe what I never would have dared to believe, obliged to reminisce my last taste of self-government: as I stood in the doorway of my terrace along with five police officers realizing they were not prepared for this grotesque imagery, I became aware of a fragile young woman, perhaps in her early 20s, hanging upside down with a rotten handle sticking from her mouth. Indeed, around her disentangled body were the satin sheets of my bed, drenched in her brown substance that shimmered in the snug afternoon sunlight. The officers hurriedly disregarded this fact and focused on the removal of the woman’s body from the handle, only to have her legs detach and fall onto the wet concrete. An officer yelled. Another grimaced. I giggled, watched, focused, determined. Upon further distant inspection, I observed that the handle had been ferociously inserted into her soft, delicate genital, forced through her dry ******, passing along the large and small intestines, only to finally pierce her stomach and come back up through her mouth. The beauty of the crime was terrifying.
          The beauty of the crime is terrifying. It is a blissful poem written by finesse, workmanship, delicacy. There is no manner for this legendary craft to be produced by me: I am a sufferer of mediocrity and its dreadful boredom. The father of the crime was a genius, the one I have always dreamt of being. Now, my friend, since my last day of freedom, I have no beauty to witness anymore. Confined, I befriend insects whose exoskeletons allow for strength and resistance to remain a part of them. I am incompatible to these powers; I am innocent. At many times, I howl for a touch at night; I awake with cut nails and scars between my thighs. Guards insist on restraining me. They sabotage me until I see Hell. Then, I am finally able to stay calm. No more do I sporadically feel my skin tear from my bones as if it were attempting to evaporate from me as a slight sting overcomes these unfamiliar ligaments. They ask me how? They ask me why? I remain silent fore I do not recall how or why. I remain silent fore I desire to know how or why. I desire the brilliance of the unspeakable act. Unspeakable in its grandeur; unspeakable in its cruelty. The filthy man the officers paint now becomes attributed to the crime’s brilliance to me. I see him more everyday. He wanders in mirrors and speaks to me when I am not aware of time and presence.
        However, disappointed, I remain with no explanation for the officers but that sunsets are composed of separations of wavelengths that shine differently onto each ray of existence than onto any other globular star. And, as this occurs, the identical wavelengths spray themselves among the individuals who are most vulnerable to hysteria in order to reflect themselves in unsuitable manners. That is how my mother explained to me the illness her womb inflicted onto my sacred hemisphere. That is how I began to call the foul insects who dared to climb into my cellar, my sole companions.
Dakota Jun 2014
I see the peeling paint upon the wall,
Along with bricks ready to fall.
The thunder is drawing near,
Whispered words are spoken with fear.
The rain is here with all it brings.
The smell? the sorrow of forgotten things.
Taste the tension in the air?
Bitter lonliness, lack of care.
Just like marble, cold and smooth,
I reach for a heart impossible to soothe.
Can you feel the sky falling down?
But if you'd never known, you wouldn't hear a sound.
~inspired by Poe's Short Story "The Fall of the House of Usher" .
It was only days ago
In a time of a better me
The strangers lived here, sometime ago
They dwelled inside of me

I was young, and lived rather grand
In the skin that was me
Oh what times we had, them and I, I and them

I and the people inside of me
With our thoughts ever conflicting,
None were covetous of we

Maybe it's been years, not days ago
These people inside of me
Had only first appeared
Without my sanity
So they bound me with ropes,
Those people inside of me
My own body and mind my sepulchre
No longer are we who I used to be.
This was an english project. I tried to do one of my favorite poems justice!
-Instead of a story about a love lost, I put a twist to the famous "Annabel Lee". The story is of a man, who goes through a trauma and because of it, develops multiple personality disorder, who slowly recognizes what's happening and gives in, letting himself be entombed.
Braulio Romero Jun 2014
Was Annabelle just a woman in Poe’s dream?
Was there really an angel on Janet Frame’s wooden table?
Did Emily Dickinson really wear white for the rest of her life?
Was Dante just a bitter ***** to tell people about a red man with horn’s on his head
Didn’t think it was Halloween too soon on the corner of his calendar

I resembled all the traits these  writer’s made of their spoken lives just like Bukowski
If he did live in many rooms and lost his brain cells in bottles
Maybe in the afterlife Burroughs will give me pointers on drugs along with Thompson. Meeting Rimbaud ask him if he ever was in the closet. Took an eyeful of literature before high school,  made friends with boozers, losers and psychopaths. Don’t quote me because I cherish them so much I know I’ll try to make it like them soon, dead yet my heroes they remain alive
WRITE ME OFF WRITE ME OFFF Write me down there’s no pen and papers around scrawl on the wall have a purpose to write them all
Just Melz Jun 2014
Tis but a dream I scream I scream
My body weak and weary

I lay in bed with throbbing head
And thoughts dark and dreary

I sing the song, What's wrong? What's wrong?
Am I left forgotten?

This be said, face turn red
Stomach spoiled and rotten

Demons spawn, be gone, be gone
As they take my breath

Be pearly gate or hell as fate
I've come to my death
I wrote this 13 years ago when I was 12 years old, during a thunderstorm.
Said The Raven
To The Raven
Which Raven are you?


I said The Raven
Am The Raven
Of Samuel Taylor Coleridge.


And I said The Raven
Am The Raven
Of Edgar Allan Poe.


Apparently there's a rave on -
Shall we go?


Yes - let us go then you and I
As the evening is spread out
Against the sky.


But not like a patient
Etherised upon a table.


Let us like Thunderbirds
Not gentle go into this dark night.


So dressed in sable
White gloves
And whistles
They went on their way -
Not looking forward
To conversations about
Michelangelo at all.


For as we all know
Old age should rave and burn
At close of day.
And not just fizzle out.


More big shout...........................................


And rave until you fall.
Both Edgar Allan Poe and Samuel Taylor Coleridge did both write poems called The Raven. The latter's is one of the most dispiriting and disconcerting pieces of vindictive revenge in the English language.T S Eliot and Dylan Thomas did write poems called The Love Song of J Alfred Purfrock and Do Not Gentle Go Into That Good Night respectively and lines from both poems appear here in various guises. If you know niether both would make most anthologies of 20th century poetry.

And honestly white gloves and whistles were common on the rave scene in the early days.
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