I often think of the swimming body,
arms unfurling the rough afternoon lake
into smooth planks while stretching
through the catch,
carving mosaic reflections into
shapes reflecting glimpses of the sun
before strewn onto the surface like
broken pearl necklaces.
It was in this practice I learned patience,
in the process of the crossing
and perfection of glide,
the conclave with the lake and flow of
language between body and water
the dialogue of the skimming, rotating torso,
forehead below surface line, chin down
consummation of movement.
The body suspended
above the muddy bottom,
stretching through the round shoulder,
the square shape of the hand
with fingers slightly apart coiffing
currents,
surging naked anatomy forward.
In Autumn, the buoy clangs louder
conversing through fog
of the changing season
to lake swimmers, row on row,
blinded at their bow
reminding them of the turn,
the edge of the precipice
before cavernous depths
pilfer reason,
those masters of rhythm
turn attention to stroke of arms
away from blackness beyond sight,
where creatures dwell.
Pivoting parallel to the lakefront,
elongated through the feet,
into the legs, along the chest,
barren ******* cutting waters
connecting one shore to the next,
before absolute zero of winter sets in
the vein splitting East-West coursing
between inlets, skirting islands
and birch skinned canoes
dancing atop foamy plumes,
It was in this practice I learned patience,
when all thoughts are flex of body,
the slight curve of torso
and abdominal reach toward shore unseen
through glistening sheets of
morning’s mosaic surface
