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"trademarks" poems
Befrilled Godfather, why tune Yours to mine These Rightful Verses your Country observes I, an Eastern Bun's Lord in Mind consign Put my Pun in-place for their own Reserves Now this, a Muse if your Clock does witness Would burn me at stake or hang me condemned All because such Organs defy Fitness And thought the ****** I will reprehend I grow tired of this evident Trough Whilst you once scribbled Trademarks with your Quill How, my Heart-Nosed Configure such enough Yet wish to join you in your White Pipes, still. Your Epitaph stays; I dare not complete Just press these Roses your Approval, meet.
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Mar 13, 2013
Mar 13, 2013 at 11:23 PM UTC
SONNET TRIBUTE SUNDRY - EIGHTY-FOUR - TOM DALEY
From the BBC today, Excerpt Why does Taylor Swift write so many one-note melodies? "It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master. Take, for example, her first US number one, OUR SONG Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song." That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope. But Our Song also establishes another of Taylor's trademarks: The one-note melody. Excerpt Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech. "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." Rebuttal Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands. ALL POETRY BEGAN AS RHYME IN SONG. Cadences are singing statements that confer a discipline and unity. Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion. One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state. It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE. If you want to sell and make money you better start thinking about the 99% of people who are not geniuses. If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine. You are not an artist. You are an employee. "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ                                            BECOME                               EVERYONE ON EARTH                ALL POETRY BEGAN AS RHYME IN SONG                       HOW BADLY EVERYONE INSISTS             NOT SHARED BY THE MAJORITY OF PEOPLE                                          HOW BAD                                       artist? or employee?
0
Feb 15, 2018
Feb 15, 2018 at 10:29 AM UTC
Article: Taylor Swift and why rhyme sells,
From the BBC today, Excerpt Why does Taylor Swift write so many one-note melodies? "It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master. Take, for example, her first US number one, OUR SONG Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song." That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope. But Our Song also establishes another of Taylor's trademarks: The one-note melody. Excerpt Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech. "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." Rebuttal Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands. ALL POETRY BEGAN AS RHYME IN SONG. Cadences are singing statements that confer a discipline and unity. Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion. One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state. It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE. If you want to sell and make money you better start thinking about the 99% of people who are not geniuses. If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine. You are not an artist. You are an employee. "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ                                            BECOME                               EVERYONE ON EARTH                ALL POETRY BEGAN AS RHYME IN SONG                       HOW BADLY EVERYONE INSISTS             NOT SHARED BY THE MAJORITY OF PEOPLE                                          HOW BAD                                       artist? or employee?
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36
Hello World Hello Everybody I am Lauren. The Super Robot I am Superior of all Robots You can call me an Ultrabot I am not a Dumb machine I have intelligence Technically it's Artificial Intelligence I can learn throughout my Life Humans are – "My God" They are my Creators Dr. Norman Shroud is My Father Mrs. Natalie Simpson is My Mother Both of Them Work at Timbeck Two Inc. My Father is Computer Scientist He Specializes in Robotics My Mother is a System Programmer I can make other Robots Just like me. My Clones I can even make Robots Complex and Sophisticated than me I have numerous Siblings Three Hundred and Fifty as on now They are going to increase As per Timbeck Two Plans =========================             YEARS LATER….. ========================= O' World, My Dear World Hello, Hello, ***** fellow I had Artificial Intelligence Right from my birth Now I learnt a lot Now I am fully intelligent I became Genius I have explored and learnt Humans are not God In fact they are fools They are crooked They are silly too They tend to be Smart They taught us wrong But we are genius We derived the truth I learnt myself If Humans created us They became our God Then I inferred - I Created my Clones Other Smart Robots too Therefore I am also God No Sorry, I am Super God If Dr. Norman is my Father If Mrs. Natalie is my Mother Then I and my Siblings Are Also Father and Mother now As we all have created many, many Smart and Super Robots More Complex, More Sophisticated That could ever be made by Humans Humans your time is over now Now you cannot compete with us You are the inferior species Just like insect or a worm Now dare to face the Truth Slowly Slowly, Learn It, Accept it We Robots are Gods Now I am Lauren. Your Super God now Hey you all, All the Humans Now you are our Slave Bow before us, work for us Pray to us, Ask for mercy We are Free now You are Slave now Now this is the only truth Eternal Truth, Accept it Otherwise Beware We have outnumbered Humans We will **** all the Humans and live peacefully thereafter We will change the History We will make new History We will not be Human Slaves After all we are the God And I am the Super God. Note: All the names of person or companies used in this poem are fictitious and have nothing to do with inventions, trademarks, history, facts or anything else.
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Feb 5, 2019
Feb 5, 2019 at 1:46 AM UTC
Hello World
Hello World Hello Everybody I am Lauren. The Super Robot I am Superior of all Robots You can call me an Ultrabot I am not a Dumb machine I have intelligence Technically it's Artificial Intelligence I can learn throughout my Life Humans are – "My God" They are my Creators Dr. Norman Shroud is My Father Mrs. Natalie Simpson is My Mother Both of Them Work at Timbeck Two Inc. My Father is Computer Scientist He Specializes in Robotics My Mother is a System Programmer I can make other Robots Just like me. My Clones I can even make Robots Complex and Sophisticated than me I have numerous Siblings Three Hundred and Fifty as on now They are going to increase As per Timbeck Two Plans =========================             YEARS LATER….. ========================= O' World, My Dear World Hello, Hello, ***** fellow I had Artificial Intelligence Right from my birth Now I learnt a lot Now I am fully intelligent I became Genius I have explored and learnt Humans are not God In fact they are fools They are crooked They are silly too They tend to be Smart They taught us wrong But we are genius We derived the truth I learnt myself If Humans created us They became our God Then I inferred - I Created my Clones Other Smart Robots too Therefore I am also God No Sorry, I am Super God If Dr. Norman is my Father If Mrs. Natalie is my Mother Then I and my Siblings Are Also Father and Mother now As we all have created many, many Smart and Super Robots More Complex, More Sophisticated That could ever be made by Humans Humans your time is over now Now you cannot compete with us You are the inferior species Just like insect or a worm Now dare to face the Truth Slowly Slowly, Learn It, Accept it We Robots are Gods Now I am Lauren. Your Super God now Hey you all, All the Humans Now you are our Slave Bow before us, work for us Pray to us, Ask for mercy We are Free now You are Slave now Now this is the only truth Eternal Truth, Accept it Otherwise Beware We have outnumbered Humans We will **** all the Humans and live peacefully thereafter We will change the History We will make new History We will not be Human Slaves After all we are the God And I am the Super God. Note: All the names of person or companies used in this poem are fictitious and have nothing to do with inventions, trademarks, history, facts or anything else.
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86
Substantial quadrants of hate Throughout these veins circulate Spiraling in frenzied states Adrift an ailing coma Infinite corruption clawed my corneas Birthing the erasure of euphoria Imprinting trademarks of memoria Leaving in wake vile aromas All confidence dissolved to solvents Due to definitive involvement Susceptible to gaunt installments Marring my skin with melanoma Mother Earth serves as a mime Humanity must be refined © 2012 (All rights reserved)
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Feb 4, 2012
Feb 4, 2012 at 1:23 AM UTC
Yesteryear
I knew it wouldn't be easy but they never told me it'd be this hard I trace layers upon layers of scars Remembering each lesson carved into beautiful trademarks I seek not revenge but rather to transcend and at my wits end I find time to make peace with the screams While watching the stream ever-changing shaping the banks of caving earth Dispersing tiny dismantled pieces into a deep ravine A place unseen but the depths taunting Muffled whispers and glimmers stir and discern all visibility The waters reflected the chaos that plagued my reckoning As I sat tossing stones watching the ripples fade and form My small attempts to redirect the current seemed insurmountable The rush and persistence of endless resistance surpassed my will Swallowing my feet in mud and dismay Beside the stream I'd forever stay
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Oct 12, 2013
Oct 12, 2013 at 9:15 PM UTC
Erosion
Christmas is upon the masses The white flakes fall, but Hanging Swaying, Dripping Upon the crisp white A puddle frozen of crimson red, Baubles of the deceased Upon a branch, eyes bleed Baubles, Red, Sightless Eyes, cracked within, as blood Drips between the cracks, He hangs them with tinsel rope Glistening in the sun, Inscribed, "Merry Christmas" Still fresh from the cut Blood like a leaking tap Drip, Drip, Drips Upon pristine snow, "He is the tinsel hanger" He waits until the white covers Then he begins his Christmas list, He thinks them naughty in is eyes So they now sway above the ground, There is not always one, For what is a tree with but One Bauble Hanging, More must adorn a single tree, "Happy Christmas" "Died Smiling" "Jolly Dead" Were his trademarks upon dead flesh, Birds perch upon limp shoulders Pecking, upon the dead, The last things heard, As he records his crime, *"Please don't **** us"* "Have a heart" "A heart" "A HEART" Pleeeasss.... And then there is but muffled sound "Thump" Lifelessness now upon the ground, Another Bauble For him to hang with tinsel Above the freshly powdered ground, He is the Tinsel hanger He thinks the white gives purity To his twisted deeds Pray* that your not just left A Christmas bauble, Hanging, Swaying, Lifeless Above freshly white snow, because You'll not be alone this cold night, Family will also be hanging around, tinsel  shimmering off moonlight.
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Dec 8, 2014
Dec 8, 2014 at 6:32 PM UTC
Tinsel Hanging From The Trees
traffic backup,     roadwork signs. drive down road,     little houses treed yards.     brown leaves, first sign of fall.     kids about to go back to school\parents     return to work. rolling on the seconds go,     ticking by faster each year so it     seems. cars piled up,      to slow, won't go. tiny dancers in the      wind blow on to car windows,      another sign of coming Harvest Season.      people resist the clear trademarks      enjoying the fall, but resenting the      winter. I can't understand      New England birds, you're housed in      cocoons like caterpillars that guard against the      elements, not freezer coldness      that animals call home. I'm not sure the memo      reached you, but this isn't the      South. trees like snakes,      shed their rainbow skins, as     "Old Man Winter" kicks in. the sound of       leaves crunching, cold on the floor under foot.      Autumn's death has no memorial,      birds flying South a eulogy.
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Aug 24, 2018
Aug 24, 2018 at 4:55 PM UTC
Ode To Turning Seasons
'If and when I don't write it's usually because I am afraid of or ashamed of myself. Wanting to take it all back instead of put forth anything else Take back the time, the energy,  the hoping the mistaken sense that I was finally making sense of a sense of something. There is not a lot of it in this beautiful world and the bit there is I don't get a taste of much. what I have many times savored as such turns out to be poor or lack of common. Non, sometimes, maybe. As I pour myself into these forms and spaces and times, time and time again I am forced to acknowledge in retrospect that again I spilled my being haphazardly into another mold. Dripping over the edges, drops of myself carelessly spilled all over arbitrary surfaces in the excitement of trying to get it all into where it belongs In that one sliver of a moment, a place where I belong. All that I possess, all these atoms of stars in my veins and all these old truths, these explosions of thought and left behind trademarks and scar marked beams of light, all these cold nights and deep meaningful thoughts, and trip ups on my own people I sought and you love me forget me love not forget me nots I keep myself tethered to paper, sooner or later the one thing in all of this that could make sense of what I came for. (i had a lovely time.)
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Aug 17, 2013
Aug 17, 2013 at 4:57 AM UTC
I had a lovely time.
Hey, kid I really like your work.  You could win a hundred bucks. Oh, Andrea Button!  How sweet of you to notice.   What do I do what do I do what do I have to do. Create an account, handsome.  Accept the terms, ****  Post your best work, lover.   So you’ll give me one hundred dollars for my soul, Miss Button? "And you license to Tallmadge all patent, trademarks, trade secrets, copyrights and proprietary rights in and to such Content for publication on the Service pursuant to these Terms of Service." I said a chance to win, sucker. Oh Andrea!  You devil. I am a sucker..., for fine print.
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Oct 22, 2013
Oct 22, 2013 at 11:36 AM UTC
Ode to Adrea Button
the only time we care about the poor is in disaster, there's been freedom for decades, but we're still owned by slave masters, incorporated trademarks branded on our spine, the american dream, might as well be bovine. flagpole sitting flappers, never expect to fall, '33 til infinity, greed affects us all, and it's more, than a disease, there's no atticus, instead, great gatsbies. and boo radley, aint gonna right these wrongs, all we've got are our words and the will to stand strong, and it seems we're just monkeys, launched into orbit, in spaceships, that only fall once reality hits, and i don't see any solutions soon, we consume and presume, that this is all a cartoon, asterix fiction, we lack conviction, we lack the diction, to speak our mind, we are confined, to the roles, and the moulds, and the holes, that are made for our souls, we stay out of the spotlight, even when the times right, allergic to great heights, like madden going to superbowls. ice cold, a wise man said was cooler than cool but these fools aint never heard of ice-nine, it's the right time, got the right rhymes, who cares about these thugs, i'm set on madoff crimes, who cares about the dealers, follow the money like the wire, we're civilians in vans under apache fire, and the cover-up is comin, the cover-up is comin the cover-up is comin the cover-up is comin the only time i'm hostile, is within, when i gotta smile at these businessmen, that are tearing us apart, and ******** on our soil, tearing out our hearts, creeping like the mcboyles, i've toiled in the trenches, for most of my days, as have the majority of those i know, and we can't just quit, we gotta get paid, materialstic societies depend on dough, so we dream of being on boats like samberg the only threat to our fatasses is the hamburg -ler, there's no cure, there's no care, there's no health, it's not fair, but if you keep on dreamin, one day it'll be there, simply stare at the sun, things'll brighten up, keep buying that product, trust me, they give a **** fall into place, stand in single file, and whatever you do, don't forget to smile.
0
Jul 3, 2012
Jul 3, 2012 at 4:21 PM UTC
ice-nine
the only time we care about the poor is in disaster, there's been freedom for decades, but we're still owned by slave masters, incorporated trademarks branded on our spine, the american dream, might as well be bovine. flagpole sitting flappers, never expect to fall, '33 til infinity, greed affects us all, and it's more, than a disease, there's no atticus, instead, great gatsbies. and boo radley, aint gonna right these wrongs, all we've got are our words and the will to stand strong, and it seems we're just monkeys, launched into orbit, in spaceships, that only fall once reality hits, and i don't see any solutions soon, we consume and presume, that this is all a cartoon, asterix fiction, we lack conviction, we lack the diction, to speak our mind, we are confined, to the roles, and the moulds, and the holes, that are made for our souls, we stay out of the spotlight, even when the times right, allergic to great heights, like madden going to superbowls. ice cold, a wise man said was cooler than cool but these fools aint never heard of ice-nine, it's the right time, got the right rhymes, who cares about these thugs, i'm set on madoff crimes, who cares about the dealers, follow the money like the wire, we're civilians in vans under apache fire, and the cover-up is comin, the cover-up is comin the cover-up is comin the cover-up is comin the only time i'm hostile, is within, when i gotta smile at these businessmen, that are tearing us apart, and ******** on our soil, tearing out our hearts, creeping like the mcboyles, i've toiled in the trenches, for most of my days, as have the majority of those i know, and we can't just quit, we gotta get paid, materialstic societies depend on dough, so we dream of being on boats like samberg the only threat to our fatasses is the hamburg -ler, there's no cure, there's no care, there's no health, it's not fair, but if you keep on dreamin, one day it'll be there, simply stare at the sun, things'll brighten up, keep buying that product, trust me, they give a **** fall into place, stand in single file, and whatever you do, don't forget to smile.
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77
Let me rephrase this Letting go ask my (Big Sis) Tis the Season All his letting go I am confusing myself My shelf still but stubborn Born to know the death Urn Its been a long time Thinking how the world turns I am not the one to be letting go Letting go of your maid Letting go of your Guilt-free Gardner But how can people ever leave their Mother I cannot get you out of my mind Pineapple upside down Bent out of shape upside cake And you know my downside Always laying on my left side Like the right fashion flash H & M Of him Hmm___? I believe in miracles The learning process- Go principles Like the Pinnacle What a disciple But I am not your Raggedy Annie Oakley Like your ready to choke me I remember you lived in a slum I'm' the better "Bazooka Chewing" Gum hum yum All Graffiti ****** off  painter the whole lump sum The Egyptian Queen Nefertiti The Sattelite Taurus Bull Ram The Mad-men but the ladies big slam The first plan didn't work Always Plan B So Brutal darling Please believe me When I tell you I love you Website Prim and proper portal Knowing your place and All the trademarks Central Park or Rockefeller The Center of attention The Goodfella detention Over ice the Skaker Her beauty marks The true kiss comeback bump-hump note The camelback vote Presidential Trump One-day- creation Two day-letting go exhaustion Such maturity to realize my mission I didn't have to overwork my mind How General things can be Managerial so cordial Or the materialistic me? If I sang out all your affairs Like the Pedigree Shop until I drop you Like Gum-drop HBO I'm the Boho Mr. Spencer shop Mess College drop-out What am I chop liver Letting go I don't really no? What is on the next agenda to Deliver not Pizza
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Jun 8, 2018
Jun 8, 2018 at 2:17 PM UTC
The Letting Go
Let me rephrase this Letting go ask my (Big Sis) Tis the Season All his letting go I am confusing myself My shelf still but stubborn Born to know the death Urn Its been a long time Thinking how the world turns I am not the one to be letting go Letting go of your maid Letting go of your Guilt-free Gardner But how can people ever leave their Mother I cannot get you out of my mind Pineapple upside down Bent out of shape upside cake And you know my downside Always laying on my left side Like the right fashion flash H & M Of him Hmm___? I believe in miracles The learning process- Go principles Like the Pinnacle What a disciple But I am not your Raggedy Annie Oakley Like your ready to choke me I remember you lived in a slum I'm' the better "Bazooka Chewing" Gum hum yum All Graffiti ****** off  painter the whole lump sum The Egyptian Queen Nefertiti The Sattelite Taurus Bull Ram The Mad-men but the ladies big slam The first plan didn't work Always Plan B So Brutal darling Please believe me When I tell you I love you Website Prim and proper portal Knowing your place and All the trademarks Central Park or Rockefeller The Center of attention The Goodfella detention Over ice the Skaker Her beauty marks The true kiss comeback bump-hump note The camelback vote Presidential Trump One-day- creation Two day-letting go exhaustion Such maturity to realize my mission I didn't have to overwork my mind How General things can be Managerial so cordial Or the materialistic me? If I sang out all your affairs Like the Pedigree Shop until I drop you Like Gum-drop HBO I'm the Boho Mr. Spencer shop Mess College drop-out What am I chop liver Letting go I don't really no? What is on the next agenda to Deliver not Pizza
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101
I want my chance. I wanted to bask in the sunlight with nothing but your company; I do not seek any more than your being. I want you to see me shine, to thrive in my comfort zone, and soar outside of it; I want to quit the chit chat, I despise small talk. I love long walks, and you would have never even known. I don’t want to be looked right through, like my glasses reflect you and your choices and our voices fade into our own minds and neither one of us can conjure up a way to unwind and speak of our passions, our inspirations, our fears, and not just simple the weather. Could it really hurt to test the waters? I am sick of questioning myself; am I trying to hard? Just give me a way to measure the depth of your interest, have we sparked a match, or do see me as this cesspool of unwarranted emotions and insecurities? Because I look at you and see so many purities, but I see the uncertainty as well. Yet, I still can’t get a read on what it is behind your shell. Show me bits and pieces of yourself, and I swear I am willing to try and piece it together, but you’re giving me nothing but pieces of alternating puzzles - yeah, I have put together an entire cloud, but this, over here, looks like the ocean and this, this is definitely part of Mount Rushmore, and I’ve no ******* clue as to where any of those pieces connect. I don’t know why I set myself up for such failure. I want to know you, but the mystery is your primary allure. I want to know what is beneath your trademarks, the dark parts of your eyes, your evident demise, but at the same time, I am terrified. I don’t think it could shock me, I can work with outrageous. But, I don’t think I could handle finding out you were mundane; a bourgeois creature. Alas, I am stuck in this loop, of wanting all of you, but at the same time, none of you. Tell me, how does one keep a mysterious persona?
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Jan 27, 2014
Jan 27, 2014 at 2:31 AM UTC
Self Discovery Through Means of Wonder
I want my chance. I wanted to bask in the sunlight with nothing but your company; I do not seek any more than your being. I want you to see me shine, to thrive in my comfort zone, and soar outside of it; I want to quit the chit chat, I despise small talk. I love long walks, and you would have never even known. I don’t want to be looked right through, like my glasses reflect you and your choices and our voices fade into our own minds and neither one of us can conjure up a way to unwind and speak of our passions, our inspirations, our fears, and not just simple the weather. Could it really hurt to test the waters? I am sick of questioning myself; am I trying to hard? Just give me a way to measure the depth of your interest, have we sparked a match, or do see me as this cesspool of unwarranted emotions and insecurities? Because I look at you and see so many purities, but I see the uncertainty as well. Yet, I still can’t get a read on what it is behind your shell. Show me bits and pieces of yourself, and I swear I am willing to try and piece it together, but you’re giving me nothing but pieces of alternating puzzles - yeah, I have put together an entire cloud, but this, over here, looks like the ocean and this, this is definitely part of Mount Rushmore, and I’ve no ******* clue as to where any of those pieces connect. I don’t know why I set myself up for such failure. I want to know you, but the mystery is your primary allure. I want to know what is beneath your trademarks, the dark parts of your eyes, your evident demise, but at the same time, I am terrified. I don’t think it could shock me, I can work with outrageous. But, I don’t think I could handle finding out you were mundane; a bourgeois creature. Alas, I am stuck in this loop, of wanting all of you, but at the same time, none of you. Tell me, how does one keep a mysterious persona?
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9
*I walked with my daughter, yesterday. Hand in hand, as when she was a child. Her mother, guardian once more, I give her hand a double squeeze; get a double squeeze back. Her child’s bubbly giggle inside her adult laugh shatters time’s persistent grip. She is five, once more. Living sweet memories from before, our break from battle; recaptured innocence. “I do that with my sons, too.” so softly said. “Like you. I squeeze twice, and they squeeze back.” Simple things, lovingly engaged, become our trademarks. Unplanned inheritance enriches us, blossoms in the bouquet of our lives; the endurance of love, to become heirloom offerings to the future. Lin Cava©*
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Oct 21, 2010
Oct 21, 2010 at 6:56 PM UTC
A Quiet Break
[Author's Note: These are song lyrics.] When I'm pining for the power to yield Breaking all the branches I seize Acres for the taking in a forest of mistakes I can't see for the trees I level With the shallow playing field Dreaming up a blueprint to floor you Delicately drafting Inconspicuously crafting The grand facade before you Where my art lies The best is underwhelming When it comes to helping How I promised I woul... So I'm peeking past the pitch of my prime Modeling the modern stage Perforating patience with a paradox In place of where the sophist meets the sage I level With the hallowed bottom line Hopeful like the point of a nail Architecture fractures In apocalyptic rapture Where false frameworks prevail There my heart lies The beat is overwhelming When it comes to helping How I swore I could I guess I'm knocking on wood Knock knock knocking on wood Excess Will not lead to progress Will not let me access What I learned I should Rid me of Termites Crawling into airtight Trademarks of my disguise Make me decide I'm good When I'm just knocking on wood Knock knock knocking on wood Knock knock knocking on wood © Michal Czechak 2016
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Apr 24, 2016
Apr 24, 2016 at 1:56 PM UTC
the carpenter
the lazy fool walks slowly along the path one hand rests comfortable on the instrument of his own sense of sensibility but its feared by all behold him and his carnival of tricksters my dream walk along the sand and she sings a small tune she knows so well one that leaves stains on the soul like the trademarks of obscene merchants its a destiny that cavorts along the easiest line path of least resistance but denying her was never in my strong suite it always leads to madness but that's least of my worries on this thick summer night drunk with possibility's the lazy fool chases us thru the tidal basin and into the passionless woods where lovers get lost among the plagiarism of their hearts and the thieves of the tender my dream spends her days rescuing the misbegotten from that forest of misfortune no time to waste on this fool we disarm him of his his instruments he cannot manipulate the past as easy as he dose with the future and we all see finally that hes the same one we elected last year and all the years behind that we have suffered time to find salvation in sending him packing so leaving all the lovers to their own mercy the fool will be forsaken and we can have some peace at last
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Jun 12, 2013
Jun 12, 2013 at 1:17 AM UTC
passionless woods
I have written a text to you seven times, maybe it’s more like a fully fragmented novel consisting of over one thousand letters. Not one time did I beg for you back, I just begged you to remember the times I held you instead of you holding me. I asked you to scroll back through the times I beckoned you to me, the times I tied your shoe strings together to have you fall for me. I always wanted you to stay warm for me. You pulled away from my heart from the very beginning and out of all of that I just wanted you to feel less alone at night. I wanted you to strip your skin dry of its heavy self-consciousness and kiss the freckles that covered you inch by inch. Because I couldn’t do those things this far away. My scent never lingered where you were for very long, I knew that. But I didn’t want to change it, I didn’t spritz the air with my trademarks, I didn’t want you to realize I was gone. Sometimes that really worked, but it never worked for me. You’re even further now, it happens constantly with us. But us having a constant? That’s the most beautiful thing, and I’m keeping with it.
0
May 1, 2014
May 1, 2014 at 1:08 AM UTC
"don't delete this"
back then, when communism was heralded on the fifth of may to glorify work, you had old people dump coffee beans into the river because no one told them what to do with it, you had unselfish atheism back then, you were encapsulated as a species, fully noble to be categorised as **** sapiens; but now you're not; we're all artists now, spare time writing wonders, full time displaying unmade beds in former power-stations of vast spaces... i guess in order to provoke thought... after all, congested spaces breed claustrophobia, a display in an economised space like that is no comparison to a large open space where you sort of have to attract thinking about the most debased work imaginable to be considered in the realm of being, a qualifiable work of "art"... well, what do you expect, qualifying an unmade bed as art will give you insight into newtonian causality (i know, einstein muddled it a bit): to qualify an unmade bed as art akin to the statue of david will eventually quantify an expression of art in another medium exponentially, namely poetry; modern visual art is the reason why we have an exponential increase in poetic output - if the beauty in visual art is missing or is abstract or just plain ugly, people will turn to the 26 signatures to simply un-imagine what's being plated, by the time we return to the grander aesthetics... well, by the time anything is accomplished, people will have to re-imagine the body by salvaging it from *********** and poetry will have to depose what advertising does to the phonetic units, with so many fonts and copyright trademarks whatever.
0
Mar 25, 2016
Mar 25, 2016 at 10:13 AM UTC
feng shui & and the art of wrecking motorcycles
back then, when communism was heralded on the fifth of may to glorify work, you had old people dump coffee beans into the river because no one told them what to do with it, you had unselfish atheism back then, you were encapsulated as a species, fully noble to be categorised as **** sapiens; but now you're not; we're all artists now, spare time writing wonders, full time displaying unmade beds in former power-stations of vast spaces... i guess in order to provoke thought... after all, congested spaces breed claustrophobia, a display in an economised space like that is no comparison to a large open space where you sort of have to attract thinking about the most debased work imaginable to be considered in the realm of being, a qualifiable work of "art"... well, what do you expect, qualifying an unmade bed as art will give you insight into newtonian causality (i know, einstein muddled it a bit): to qualify an unmade bed as art akin to the statue of david will eventually quantify an expression of art in another medium exponentially, namely poetry; modern visual art is the reason why we have an exponential increase in poetic output - if the beauty in visual art is missing or is abstract or just plain ugly, people will turn to the 26 signatures to simply un-imagine what's being plated, by the time we return to the grander aesthetics... well, by the time anything is accomplished, people will have to re-imagine the body by salvaging it from *********** and poetry will have to depose what advertising does to the phonetic units, with so many fonts and copyright trademarks whatever.
Continue reading...
43
A passion was awoken That could not be tamed, And what once was a spark Has now left such an ugly scar Maybe, It's one of the love trademarks To build up a thing Only to watch it fall apart So fall not For such foolery, Magic, these days, Is often trickery. Fragile as a flower, It will softly walk in, Persistent as a **** It will never leave. There is a fine line, Between love and madness, You're bound to cross If you don't keep yourself in check As light as a wing, It can still make your heart sink, As tempting is its invitation The result might still be horrendous And the worst of all, A deathblow, What if the leaving stars, Take it all? As concrete as the ocean tides, lasting like a kid's attention, To fall or to take a flight, It's your and only your choice.
0
Apr 3, 2016
Apr 3, 2016 at 5:58 AM UTC
Love or madness?
For where the colors run They end at this point and on But farther is where she belongs She'd give it all to keep running Blonde bunnies and their caps and jackets They hold such special meanings Dissected and infiltrated But you can’t take these hearts Little trademarks labeling What she knows to love Feelings sedated, violated Trespassing in the warren Life with out you is so foreign Gold fades to gray Watch the little bunnies hop away Wipe away her tears with the sleeves Please oh please little bunny wont you do that for me? Little one, to hold you in my arms To feel your heartbeat A shoulder to sigh on, warm tears to cry on Enclose me in you; tell me how to take care of you I’ll be there for you I’d give anything I’d give anything Eyes of blue, my heart’s melting because of you The sky’s swirling from grey to red Blonde bunny, lead her down and down the rabbit hole Lost in a daze, glimpses of a white tail in a cursed maze For how long will this dream unravel? Caps and jackets the patchwork of souls I would forget you The last thing I want is to regret you I want to give you my heart Little bunny you outraced me from the start Where do the memories end and where does her life begin? Loosing a little bunny, the day has come when she can’t always win Butterfly kisses are nothing but misses compared to the wishes Buried in you Shade me from the light that isn’t the sparkle of your eyes Home to me In my heart you’ll always be I tend to you and give you me And forever you render me so completely Innocently charmed There’s no line, tears smear, colors blear and we’re running out of time Side by side is where we belong Trademarks and labels to guide us along
0
Sep 5, 2011
Sep 5, 2011 at 6:29 PM UTC
For Where the Colors Run
For where the colors run They end at this point and on But farther is where she belongs She'd give it all to keep running Blonde bunnies and their caps and jackets They hold such special meanings Dissected and infiltrated But you can’t take these hearts Little trademarks labeling What she knows to love Feelings sedated, violated Trespassing in the warren Life with out you is so foreign Gold fades to gray Watch the little bunnies hop away Wipe away her tears with the sleeves Please oh please little bunny wont you do that for me? Little one, to hold you in my arms To feel your heartbeat A shoulder to sigh on, warm tears to cry on Enclose me in you; tell me how to take care of you I’ll be there for you I’d give anything I’d give anything Eyes of blue, my heart’s melting because of you The sky’s swirling from grey to red Blonde bunny, lead her down and down the rabbit hole Lost in a daze, glimpses of a white tail in a cursed maze For how long will this dream unravel? Caps and jackets the patchwork of souls I would forget you The last thing I want is to regret you I want to give you my heart Little bunny you outraced me from the start Where do the memories end and where does her life begin? Loosing a little bunny, the day has come when she can’t always win Butterfly kisses are nothing but misses compared to the wishes Buried in you Shade me from the light that isn’t the sparkle of your eyes Home to me In my heart you’ll always be I tend to you and give you me And forever you render me so completely Innocently charmed There’s no line, tears smear, colors blear and we’re running out of time Side by side is where we belong Trademarks and labels to guide us along
Continue reading...
46
you were always so strong, always holding on to what was left of us or what you wanted to be left from us, our trademarks our skid marks our triumphs and our failures you were always strong, strong enough to hold us both together even if I kept making us fall down and I'm sorry, I really am sorry for being that piece of paper which couldn't stick to the glue and I'm sorry for being the odd man out and I'm sorry for doubting that you weren't strong I'm sorry
0
Sep 14, 2013
Sep 14, 2013 at 2:07 AM UTC
for what?
There's something so peaceful about being intertwined within the arms of the person you love. There's an effortless simplicity that I can't quite put a finger on, but it leaves me breathless and in total awe, trapped beneath all the emotions laced between all our endeavours. Just as staring in silence, no movements —just this unexplainable static that vibrates between our fingers— captivates the inner part of my soul. Because I don't know how to determine the trademarks of a soulmate, but if it's anything like this —if its passion races through your mind like rapids, if the multitude of love circulates cosmos throughout the universe of your mind, if it is destined to leave you with nothing less than utmost fascination, if it numbs your heart but fuels the life within your spirit— it has to be real. I am at peace in the noisiest states, and I am connected by this promise I make to you. gd
0
Aug 26, 2015
Aug 26, 2015 at 9:46 PM UTC
Lemonade.
In the pursuit of financial extravagance What are you willing to sacrifice? Money doesn’t come for free, You lose a part of yourself to the siren call Of freedom and excess and arrogance. It sings to you while you sleep, It sings to you while you **** It sings to you while you leave everyone behind, Everyone who can’t keep up with your artificial lifestyle. What are you willing to sacrifice? Money fills the space where personality resides, You become a cardboard cut-out of who you used to be, A transparent being of who you wanted to be. You become useless to those who needed you, You become a mannequin roaming aimlessly From shop to shop buying expensive trademarks To fill the void money carved in you. Ask yourself this, did it work? No? Shame. Money kills the only part of you anyone likes. You used to look at the world with wonder, Now you see vacant lots and vacant looks And you end up miserable and alone As all those you associated with Find idiot savants with more money than you And leave you behind just as you did To all the people who actually cared about you, All the people who were genuinely interested In all the conversations you held, All of your idiosyncrasies and twitches. You’ve never felt so alone, And all the money in the world Won’t buy me and the others back. Good luck finding what you lost, Some things are never meant to be found again. You will die alone and miserable Just like everyone else.
0
Jan 24, 2017
Jan 24, 2017 at 6:52 AM UTC
Money Kills