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"tack" poems
To expel the outlines piled in my mind on paper, With a light pencil in one hand, And slice of rubber in the other, I parent an impression of hope. Therein lies the potential and the excitement; A basic figure given the foundation of grandeur, Amplifying in complexity before me, With every scratch of graphite. As it evolves, a heaviness sets in. And I pause, And I stop... I've given something beautiful a half life, again, As if it was birthed human, With no flesh to cover its nerves, And no breath to cry out its agony. It remains still in my lap, Eyes blank as ever staring, maybe, at me . Out of humility, I tack it up on the wall, A space shared by its many siblings. I retreat shamefully with the promise to complete them, Fumbling with the reality of what I do; Playing God, I shape the husk of a soul, And drop it when it's still brittle.
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Nov 10, 2014
Nov 10, 2014 at 2:26 PM UTC
The Drawing
An unkind calmness that took away the solicitude An unkind calmness that made everything a roun An unkind calmness that mixed the altruistic with egoistic An unkind calmness that took an evil tack An unkind calmness that made solitude more ween An unkind calmness that made white a black An unkind calmness that after a fruitful bliss became a dark pandora An unkind calmness that became worthy of unkindness !!
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Apr 16, 2015
Apr 16, 2015 at 9:52 PM UTC
an unkind calmness
I could have gone to the cemetery, or back to my high school lab, find him lecturing from a podium, bony finger raised, demagogue of the dead. I could break him down piece by piece, cram him in a duffle, a femur jutting the zipper. Ignore the groan- Skeletons are by nature never satisfied. Instead I found myself in the carnival lot, The dog was long dead, the sign kept guard. Rusty rides slouched like tumbleweeds. Cotton candy in memory- blue tack crunching my teeth. Lewd. Skeletons fixed on poles, spiked up through pelvis and spine. Use **** Grip shoulders. twist. lift. When one slid free, he collapsed into my arms all bone-light, lovely, mine at last. I just brought him home. Sat at the kitchen table. Named him Curly. Zoom howled: WAG’s gone weird! What’s his name? What’s his name? His name is Curly, I said, but I knew his name was You. We drink wine by the pool. He never sips. Sometimes I pour a second glass for the glint. Sometimes he tells me Danny Elfman wants to play his ribs like a xylophone. Sometimes he sighs, he hates Oingo Boingo. I laugh. Obliging. So do I. When the wind kicks up he smells of sugar and rust. Sometimes he rattles the glassware. Sometimes he won’t sit still. Skeletons are by nature never satisfied.
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Sep 25, 2025
Sep 25, 2025 at 12:11 PM UTC
Curly
The end of the affair is always death. She's my workshop. Slippery eye, out of the tribe of myself my breath finds you gone. I horrify those who stand by. I am fed. At night, alone, I marry the bed. Finger to finger, now she's mine. She's not too far. She's my encounter. I beat her like a bell. I recline in the bower where you used to mount her. You borrowed me on the flowered spread. At night, alone, I marry the bed. Take for instance this night, my love, that every single couple puts together with a joint overturning, beneath, above, the abundant two on sponge and feather, kneeling and pushing, head to head. At night, alone, I marry the bed. I break out of my body this way, an annoying miracle. Could I put the dream market on display? I am spread out. I crucify. My little plum is what you said. At night, alone, I marry the bed. Then my black-eyed rival came. The lady of water, rising on the beach, a piano at her fingertips, shame on her lips and a flute's speech. And I was the knock-kneed broom instead. At night, alone, I marry the bed. She took you the way a women takes a bargain dress off the rack and I broke the way a stone breaks. I give back your books and fishing tack. Today's paper says that you are wed. At night, alone, I marry the bed. The boys and girls are one tonight. They unbutton blouses. They unzip flies. They take off shoes. They turn off the light. The glimmering creatures are full of lies. They are eating each other. They are overfed. At night, alone, I marry the bed.
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9.2k
The Ballad Of The Lonely Masturbator
The end of the affair is always death. She's my workshop. Slippery eye, out of the tribe of myself my breath finds you gone. I horrify those who stand by. I am fed. At night, alone, I marry the bed. Finger to finger, now she's mine. She's not too far. She's my encounter. I beat her like a bell. I recline in the bower where you used to mount her. You borrowed me on the flowered spread. At night, alone, I marry the bed. Take for instance this night, my love, that every single couple puts together with a joint overturning, beneath, above, the abundant two on sponge and feather, kneeling and pushing, head to head. At night, alone, I marry the bed. I break out of my body this way, an annoying miracle. Could I put the dream market on display? I am spread out. I crucify. My little plum is what you said. At night, alone, I marry the bed. Then my black-eyed rival came. The lady of water, rising on the beach, a piano at her fingertips, shame on her lips and a flute's speech. And I was the knock-kneed broom instead. At night, alone, I marry the bed. She took you the way a women takes a bargain dress off the rack and I broke the way a stone breaks. I give back your books and fishing tack. Today's paper says that you are wed. At night, alone, I marry the bed. The boys and girls are one tonight. They unbutton blouses. They unzip flies. They take off shoes. They turn off the light. The glimmering creatures are full of lies. They are eating each other. They are overfed. At night, alone, I marry the bed.
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42
I used to step on the solid ground The grey asphalt with li'l pebbles in black in it I used to walk with cemented pavement Where no one hinders me to enjoy the tack I'm in. You led me to the boat And together, we left the crowd My knees are shaking, as if I'm freezing You guided me to enter that narrow boat And I had nothing but myself to bring For it may sink with tons of extra things. We started sailing The curtained sky was the scene With lil stars painted on it And the depth of the ocean was present It bounces the crescent up there. I felt the wind brushed my hair He sounds so mad with the clouds supporting him My feet trembles with fear as my faith does. You are with me, oh Jesus And I asked you if you care For I may fall from where we are And you may not see it and forget I was there at all. Words come from your mouth And the wind listened with your sweet voice You brought peace and calmed my raging seas. I trust no one but You Even if I don't know how far but I'm ready though Oh held my hands indeed, Let my grip be frozen upon your hands. I'll sit and take a look at the vistas And move the boat as we sail You'll teach me how to act And wherever we'll go, You are with me. (6/4/2014 @xirlleelang)
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Jun 26, 2014
Jun 26, 2014 at 10:50 PM UTC
The Boat is not Sinking
WHOOSH she goes On the low seas, carried by the high winds. Where Ankles anchor, Knees tack, Back yaws, Wrists lock, and Thumb sagg. Holding on to a harpoon in my dingy, flopping against Glinting, Honed, Double-Edged waves. "**Light, ** It's the Eye of the Storm.** Fatigue steers me into its heart My anchor prodding me, To continue or to rest.
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May 2, 2014
May 2, 2014 at 12:50 AM UTC
The Ships Set Sail
Independent is the word they all use, They tack it on me, Let it hang a crooked ribbon. Seeing all the things I already knew Transcripted on the blanks of stacks of white and black, Reverberating off chapped pink lips, Takes me aback, shoves me into the corners of myself, Tastes new like bird meat ****** off the bone tastes new. I want to cut it up into little squares and abandon it in tupperware. At least for a few days.
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Nov 29, 2011
Nov 29, 2011 at 12:58 AM UTC
Independent
Lost to backdrops scrolling past, She sits knitting in the carriage of a train. The vague needles They scintillate and glimpse With the cadence of the wheels – Upbeating ceaselessly. Strips of tiny loops And eyelets like dewdrops Of condensation Grouped on the superior rim. Once in a while, She gives a heave To loosen more yarn from the skein Of Filipino-made wool, brushed worsted weave. Spun and carded from the richest fleece, Deeper in the wicker basket by her feet. The needles flash, With ancient rhythms and attack Of duellists in their chainmail coats. With little hesitation she can tack From plain to purl to blackberry. Count back by rote or slip a stitch While the fish-eyed gimlets gleam. All gather profusely in her lap, As windfall trove, rich-patterned And warm with peach-fuzz nap, All crafted from a single line of yarn. Marvels fall continuously from wise Spell-binding hands and all is well for now. (9/11/13 @xirlleelang)
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May 27, 2014
May 27, 2014 at 10:10 PM UTC
Mending Queen
The Washing machine that fits comfortably in a backpack It means being prepared and not in lack Your clothes will be clean like a tack The mission is too carefully pack Take the portable miniature washing machine wherever you go Your ***** clothes you won’t have to show The true clean puts you in the know Turn hiking dirt into a kirk The refreshing clean with the assistance of detergent Mr. Clean ***** cleans will become lean Tough on stains and dirt with after being clean Hike up any trail and mountain being confidence Refreshed clothes as your testimony in instance Pack that portable washing machine and let it turn your hiking experience into endurance Convenience in the wilderness Outdoor clean in the happiness The stains that will come out Add another detergent of Shout Now that’s what I am talking about.
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Aug 18, 2014
Aug 18, 2014 at 5:11 AM UTC
PORTABLE BACKPACK WASHING MACHINE
In the dour ages Of drafty cells and draftier castles, Of dragons breathing without the frame of fables, Saint and king unfisted obstruction's knuckles By no miracle or majestic means, But by such abuses As smack of spite and the overscrupulous Twisting of thumbscrews: one soul tied in sinews, One white horse drowned, and all the unconquered pinnacles Of God's city and Babylon's Must wait, while here Suso's Hand hones his tack and needles, Scouraging to sores his own red sluices For the relish of heaven, relentless, dousing with prickles Of horsehair and lice his ***** ***** While there irate Cyrus Squanders a summer and the brawn of his heroes To rebuke the horse-swallowing River Gyndes: He split it into three hundred and sixty trickles A girl could wade without wetting her shins. Still, latter-day sages, Smiling at this behavior, subjugating their enemies Neatly, nicely, by disbelief or bridges, Never grip, as the grandsires did, that devil who chuckles From grain of the marrow and the river-bed grains.
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6.3k
A Lesson In Vengeance
A tug of war It is the past experience and what was saw and felt A word in keeping a person in line A restriction of one’s thoughts and actions A procedure in holding one back ******* being a form beyond one’s accord Thank God there is a Lord There is a chance to survive More than a thought being a strive I dream but all I see is a nightmare I see effort, but when will there be preserver? Its like a road block with detour A method of turn back I feel as if I am trapped in bonds Maybe I am still sleep and need to wake up from my yond Perhaps it’s nothing more than a dream It’s my thinking I am in a movie stream But its truly tough being rough A different slavery oppression of the past with a theory of the present A overseer continuing in present oppression A silenced voice having no expression The downward bound with no mountain reach It’s time for a rebellion approach Oppression is real and not a joke It’s like an open wound with having a stinging poke Oppression is alive and attempting to do well Yet the world has a message in tell ‘OPPRESS AND OVERCOME, ITS ABOUT NO MOVEMENT AND BEING NUMB. IT TAKES MULTITUDES IN SUPPLYING THE STRENGTH, BUT ALL MUST GO THE MILES NO MATTER WHAT THE LENGTH” Survival is how you chose to live Its not a verb but is subjective The voice must always be objective Oppression cannot continue in terms in having its way The sunrise has risen and it’s a tomorrow being a new day These are the times to move forward and be strong It’s a matter of all personalities of creeds in knowing how to get along So shake whatever chains you feel you have on Stand up and be counted where you belong Don’t let any form of oppression hold you back You have grasped the concept of understanding in the theory of thinking sharp being the detailed tack Just give oppression one big smack Listen America it’s the various cultures that stack Oppression stand back as you have been defeated being a pack.
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Jan 23, 2016
Jan 23, 2016 at 5:18 PM UTC
OPPRESSION
A tug of war It is the past experience and what was saw and felt A word in keeping a person in line A restriction of one’s thoughts and actions A procedure in holding one back ******* being a form beyond one’s accord Thank God there is a Lord There is a chance to survive More than a thought being a strive I dream but all I see is a nightmare I see effort, but when will there be preserver? Its like a road block with detour A method of turn back I feel as if I am trapped in bonds Maybe I am still sleep and need to wake up from my yond Perhaps it’s nothing more than a dream It’s my thinking I am in a movie stream But its truly tough being rough A different slavery oppression of the past with a theory of the present A overseer continuing in present oppression A silenced voice having no expression The downward bound with no mountain reach It’s time for a rebellion approach Oppression is real and not a joke It’s like an open wound with having a stinging poke Oppression is alive and attempting to do well Yet the world has a message in tell ‘OPPRESS AND OVERCOME, ITS ABOUT NO MOVEMENT AND BEING NUMB. IT TAKES MULTITUDES IN SUPPLYING THE STRENGTH, BUT ALL MUST GO THE MILES NO MATTER WHAT THE LENGTH” Survival is how you chose to live Its not a verb but is subjective The voice must always be objective Oppression cannot continue in terms in having its way The sunrise has risen and it’s a tomorrow being a new day These are the times to move forward and be strong It’s a matter of all personalities of creeds in knowing how to get along So shake whatever chains you feel you have on Stand up and be counted where you belong Don’t let any form of oppression hold you back You have grasped the concept of understanding in the theory of thinking sharp being the detailed tack Just give oppression one big smack Listen America it’s the various cultures that stack Oppression stand back as you have been defeated being a pack.
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42
The root Of ambition Is ambivalent There's no “one cause” No one causes A man To make life decisions In a day It takes Much more For A man to be successful And real With his inner-self Accepting The cards dealt With the stamina To play through Exercising his will With the feel Lingering in every pore Unsure Of obstacles ahead Headstrong Through barricades Bearing the bruises Trampling Over your own Feet Defeat Seen in battle But the war’s on And the war zone Isn’t limited To a few Years Like ages 19-22 Whose to do Worse Who has more Money CARS Clothes And hoes And whose vision Is so small To tack them with success All in all And attack those Who lack the Wills To move forward And ignorantly Attach it With a phenomena Of Your unknowing Root of ambition Can spread Like weeds And weeds Can **** ambition Or spread Like seeds How many men Dive Head first under the influence Or rise above High From the same drug Barack Obama Michael Phelps William Shakespeare Bill Clinton Lebron James Pablo Picasso The Beatles Jay-Z Bob Marley Conan O’Brien Dr Francis Crick. (Nobel Prize Winner) Samuel Taylor Coleridge Salvador Dali Victor Hugo Kareem Abdul-Jabar Snoop Dogg Dr. Dre Stephen King Just to name a few Maybe Just maybe It has nothing to do With success Or you.
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Sep 30, 2010
Sep 30, 2010 at 1:11 AM UTC
Lack of Ambition
There was an old lady of France, Who taught little ducklings to dance; When she said, 'Tick-a-Tack!'-- They only said, 'Quack!' Which grieved that old lady of France.
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5.2k
There Was An Old Lady Of France
Still alone We are not Maybe Titan All we got Mine our way Barge ore back Build a bridge Plutonium tack Ceramic sails On solar wind Terminal shock Butterflies pinned On orbital ellipses ‘Gainst starry drops Spun light and dark Like judgment tops Spendthrift starfish Regenerate limbs From primal screams That eat our sins
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Oct 17, 2013
Oct 17, 2013 at 12:27 AM UTC
Starfish Prime
There's a keen and grim old huntsman On a horse as white as snow; Sometimes he is very swift And sometimes he is slow. But he never is at fault, For he always hunts at view And he rides without a halt After you. The huntsman's name is Death, His horse's name is Time; He is coming, he is coming As I sit and write this rhyme; He is coming, he is coming, As you read the rhyme I write; You can hear the hoof's low drumming Day and night. You can hear the distant drumming As the clock goes tick-a-tack, And the chiming of the hours Is the music of his pack. You may hardly note their growling Underneath the noonday sun, But at night you hear them howling As they run. And they never check or falter For they never miss their **** Seasons change and systems alter, But the hunt is running still. Hark! the evening chime is playing, O'er the long grey town it peals; Don't you hear the death-hound baying At your heels? Where is there an earth or burrow? Where a cover left for you? A year, a week, perhaps to-morrow Brings the Huntsman's death halloo! Day by day he gains upon us, And the most that we can claim Is that when the hounds are on us We die game. And somewhere dwells the Master, By whom it was decreed; He sent the savage huntsman, He bred the snow-white steed. These hounds which run for ever, He set them on your track; He hears you scream, but never Calls them back. He does not heed our suing, We never see his face; He hunts to our undoing, We thank him for the chase. We thank him and we flatter, We hope -- because we must -- But have we cause? No matter! Let us trust!
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4.7k
The Old Huntsman
There's a keen and grim old huntsman On a horse as white as snow; Sometimes he is very swift And sometimes he is slow. But he never is at fault, For he always hunts at view And he rides without a halt After you. The huntsman's name is Death, His horse's name is Time; He is coming, he is coming As I sit and write this rhyme; He is coming, he is coming, As you read the rhyme I write; You can hear the hoof's low drumming Day and night. You can hear the distant drumming As the clock goes tick-a-tack, And the chiming of the hours Is the music of his pack. You may hardly note their growling Underneath the noonday sun, But at night you hear them howling As they run. And they never check or falter For they never miss their **** Seasons change and systems alter, But the hunt is running still. Hark! the evening chime is playing, O'er the long grey town it peals; Don't you hear the death-hound baying At your heels? Where is there an earth or burrow? Where a cover left for you? A year, a week, perhaps to-morrow Brings the Huntsman's death halloo! Day by day he gains upon us, And the most that we can claim Is that when the hounds are on us We die game. And somewhere dwells the Master, By whom it was decreed; He sent the savage huntsman, He bred the snow-white steed. These hounds which run for ever, He set them on your track; He hears you scream, but never Calls them back. He does not heed our suing, We never see his face; He hunts to our undoing, We thank him for the chase. We thank him and we flatter, We hope -- because we must -- But have we cause? No matter! Let us trust!
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56
It’s possible to speak too much to remember what your words mean. And so is the two-fold danger faced by writers. Danger is to pace a hole in the floor. Danger is to stand until you can’t move anymore like when shallow waves **** your feet into the sand. 
So I try not to stand when I write. 
I keep a narrow tack without too many big words which pedants use to dig great holes in the ground –moats to keep others out– or make you think they think big. But anyone who reads knows about Icarus and anyone with aims must beware: to shoot directly upwards is to strike your own head when like fate the arrow returns to source. You’re only as good as your mind, your characters only as strong as you are. —at least, this is true in so far as you know. True in so far as they speak. For to test them you must torque them and twist at their cores, and make opposing forces meet– but only as hard as you can. This makes writing a hill slick with oil. Insecure. Potential energy. Potential failure seated in all of that grime that cakes your toes like grease that coats the teeth of great industrial gears. So I try not to stand when I write. But whether the better take comes when you plunge and you slide and dissolve like so much ice, I must say I don’t know, the thought seems nice. But the same It seems like those who let go Are the ones with the least to say. I can't decide either which way. All I know about writing is most sentences are punctuated wrongly. The period is certain, but writing is undecided. It is the figuring-out, a quest-bound troop that moves with all its own fanfare. Question marks curl up— invisible smoke on a summer coal fire: heat twisting the air like irons in stoke giving sign of the transformations there withheld. For fire mediates matter, so writing stands ever-between. But I’ve spoken too much and I don’t know what these words mean. And so I fold like there’s danger in writing, while danger is imagined like borders on a continent. Danger is thinking I'm dangerous enough to keep silent. Like shallow waves, given way to sand. So avoid letting voids form where the mind dismisses confrontation to more capable smiths. Writing is –at best– an attempt. Even with shallow structures in rhythmic din, the silent breaks by force of pen, and all because of the simple fact that quiet refuses to bend. All I can hope is my writing upholds these unknowns while I try not to stand. But you ask about writing?
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Apr 29, 2018
Apr 29, 2018 at 4:28 PM UTC
About Writing
It’s possible to speak too much to remember what your words mean. And so is the two-fold danger faced by writers. Danger is to pace a hole in the floor. Danger is to stand until you can’t move anymore like when shallow waves **** your feet into the sand. 
So I try not to stand when I write. 
I keep a narrow tack without too many big words which pedants use to dig great holes in the ground –moats to keep others out– or make you think they think big. But anyone who reads knows about Icarus and anyone with aims must beware: to shoot directly upwards is to strike your own head when like fate the arrow returns to source. You’re only as good as your mind, your characters only as strong as you are. —at least, this is true in so far as you know. True in so far as they speak. For to test them you must torque them and twist at their cores, and make opposing forces meet– but only as hard as you can. This makes writing a hill slick with oil. Insecure. Potential energy. Potential failure seated in all of that grime that cakes your toes like grease that coats the teeth of great industrial gears. So I try not to stand when I write. But whether the better take comes when you plunge and you slide and dissolve like so much ice, I must say I don’t know, the thought seems nice. But the same It seems like those who let go Are the ones with the least to say. I can't decide either which way. All I know about writing is most sentences are punctuated wrongly. The period is certain, but writing is undecided. It is the figuring-out, a quest-bound troop that moves with all its own fanfare. Question marks curl up— invisible smoke on a summer coal fire: heat twisting the air like irons in stoke giving sign of the transformations there withheld. For fire mediates matter, so writing stands ever-between. But I’ve spoken too much and I don’t know what these words mean. And so I fold like there’s danger in writing, while danger is imagined like borders on a continent. Danger is thinking I'm dangerous enough to keep silent. Like shallow waves, given way to sand. So avoid letting voids form where the mind dismisses confrontation to more capable smiths. Writing is –at best– an attempt. Even with shallow structures in rhythmic din, the silent breaks by force of pen, and all because of the simple fact that quiet refuses to bend. All I can hope is my writing upholds these unknowns while I try not to stand. But you ask about writing?
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74
Slap, slap, slap; she's always chatting, Maybe to the gulls up above. Winds being friendly to us both, I toss the lines and give a shove. Fix the sheets and adjust the tack, She does the rest as I sit back. Waves crashing off the bow, I'm sailing now!
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Dec 26, 2009
Dec 26, 2009 at 4:55 PM UTC
The Affair
A birth that was meant too be It was strength surrounding the solid key Our story involves Zeus He was a God who sat High His eyes were on the Earth below being living creatures such as I Yet very powerful, mysterious and magical Hercules was Zeus Son A man having strength that will conquer the odds of many The mythical uncanny But Hercules has many tasks to perform Before anyone can be considered a champion, there are feats being the norm The test of one’s strength and withstanding endless struggles Well some of the citizens of Elis had doubts that Hercules even existed and felt it was on a legend story But far more than lightening bolts being the glory Hercules proved over and over, he was more than muscles and brawn, but had a heart of gold that would always last Hercules once lifted a statue that a mire mortal could never do weighing a ton He was his own man among Hercules illustrated he didn’t have a heavy heart, but strength in aiding the weak in lifting the burdens Yet Hercules would be faced with many challenges beyond measure One task would be defeating the Hydra, a two headed Monster How does one being so small and having strength, but the challenge against something so large? It will take tack, skill and a precision plan in order to defeat the Hydra into victory So Hercules picked up a club and anything else that was available to think of At first, it looked like Hercules was wearing down the Hydra, but the Hydra kept getting its second wind It wasn’t until then Hercules then applied intense strength on the Hydra, and the Monster finally crumbled down to the ground There wasn’t any longer of the Hydra’s sound Later it became task after task But Hercules continued to reign supreme Hercules became a champion, and his own king with the deliverer of strength and the defender of the weak.
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Oct 30, 2016
Oct 30, 2016 at 1:10 PM UTC
THE PRIMAGE OF HERCULES
A birth that was meant too be It was strength surrounding the solid key Our story involves Zeus He was a God who sat High His eyes were on the Earth below being living creatures such as I Yet very powerful, mysterious and magical Hercules was Zeus Son A man having strength that will conquer the odds of many The mythical uncanny But Hercules has many tasks to perform Before anyone can be considered a champion, there are feats being the norm The test of one’s strength and withstanding endless struggles Well some of the citizens of Elis had doubts that Hercules even existed and felt it was on a legend story But far more than lightening bolts being the glory Hercules proved over and over, he was more than muscles and brawn, but had a heart of gold that would always last Hercules once lifted a statue that a mire mortal could never do weighing a ton He was his own man among Hercules illustrated he didn’t have a heavy heart, but strength in aiding the weak in lifting the burdens Yet Hercules would be faced with many challenges beyond measure One task would be defeating the Hydra, a two headed Monster How does one being so small and having strength, but the challenge against something so large? It will take tack, skill and a precision plan in order to defeat the Hydra into victory So Hercules picked up a club and anything else that was available to think of At first, it looked like Hercules was wearing down the Hydra, but the Hydra kept getting its second wind It wasn’t until then Hercules then applied intense strength on the Hydra, and the Monster finally crumbled down to the ground There wasn’t any longer of the Hydra’s sound Later it became task after task But Hercules continued to reign supreme Hercules became a champion, and his own king with the deliverer of strength and the defender of the weak.
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30
Inspired by The Mars Volta Encased in, tubular, too much too fast, written again with music in the background! Screams now or be they babies?  Here it's more with talking, psychedelic naturally! Complete the creativity contract stingy stars stealin' popcorn RIPS, and I can feel it coming to me.  Groaning, rhyming with the rather outer despite the order AND GO! Build up, build up who wants a build up? Pause. Groove to me my Ukraine tartar! Make no sense, make it so hard you can't understand where it or was she GOING, go, go, go! Membrane skin saturate thy kin with separating spin so I can't fuckin' breathe! Correct my sins or be you scared to talk to pins though they your friends. The tack is in to lift paper from she and she can't see.  Are you a man or a mouse or anthropomorphic spouse of any of these fleeing an-i-mals?!  I find in the mirror myself and beer to drown the pain or discomforting disdain I can't quite get it right anymore therefore goodbye all truly universally bleeding.  I say goodbye to my past and won't come to grip with it!  GRIP your children's ears but it is you who doesn't want to hear.  You cover their eyes because of the size of daybreak rise!  Rise to the occasional borderline street sign between Inspired by Tool I will explode into the stars, become all of them, but all in sparkle of another's eye I can't rip this mind any further, or else it'll break and snap and slow-mo crack May, may, may, may you starve, breathe, sink, rise, steep, leap, creep into my parallel like a feeling Demented in this way due to you, the closest I'll ever get Five years, apparently not enough to forget Five years, without you Five years, and you still break into my dreams Five years
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Nov 25, 2013
Nov 25, 2013 at 4:13 PM UTC
Brunette Corridor
Inspired by The Mars Volta Encased in, tubular, too much too fast, written again with music in the background! Screams now or be they babies?  Here it's more with talking, psychedelic naturally! Complete the creativity contract stingy stars stealin' popcorn RIPS, and I can feel it coming to me.  Groaning, rhyming with the rather outer despite the order AND GO! Build up, build up who wants a build up? Pause. Groove to me my Ukraine tartar! Make no sense, make it so hard you can't understand where it or was she GOING, go, go, go! Membrane skin saturate thy kin with separating spin so I can't fuckin' breathe! Correct my sins or be you scared to talk to pins though they your friends. The tack is in to lift paper from she and she can't see.  Are you a man or a mouse or anthropomorphic spouse of any of these fleeing an-i-mals?!  I find in the mirror myself and beer to drown the pain or discomforting disdain I can't quite get it right anymore therefore goodbye all truly universally bleeding.  I say goodbye to my past and won't come to grip with it!  GRIP your children's ears but it is you who doesn't want to hear.  You cover their eyes because of the size of daybreak rise!  Rise to the occasional borderline street sign between Inspired by Tool I will explode into the stars, become all of them, but all in sparkle of another's eye I can't rip this mind any further, or else it'll break and snap and slow-mo crack May, may, may, may you starve, breathe, sink, rise, steep, leap, creep into my parallel like a feeling Demented in this way due to you, the closest I'll ever get Five years, apparently not enough to forget Five years, without you Five years, and you still break into my dreams Five years
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14
Covenant park central parallel, east-side west waiting on the print defender (and Lichaten queen) he appears randomly, and distorted with a broken smile shuffling down the Smithright trail with his Mac Tack and cinnamon shades (sun bags and thrift ware stacked neck high on a rusted rat-trap) An open end panel van crashes the curb as the long-board dodges the tail and kicks up some flare the plumb tree and Sunbeam double wide hold steady in the driver's fish eye as the warehouse carny and "tire-less" 510 shine brilliantly... in the dull, dripping scene
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Nov 21, 2018
Nov 21, 2018 at 2:11 PM UTC
Objects in the mirror are closer than they appear
stand(ing) here alone in the dark like a head of tack pirouetting away to no music - only acrid scruple of this being with and not being with, one is always alone. space occupies the potteries in the garden as a steady arm of light stills in its mouth, a flowering dark. it is only 3 o'clock in the morning and the heat clambers the wall of the vacuously atrabilious moment of just plainly existing. the slender harlequin of moon, like an old lover having its own way with me, a child's yelp coming home — the hermetic air crushing the light, slivering it revealing all the ensconced phantasms too commonplace like a fork in the road that i know, or the wayward metropolitan that teems with a concatenation of roads and gutters bilious with the squall of day. a figure moves entering a warm miasma, receiving the star of aloneness, vacillating between place and placelessness telling this originary of repossessing the moon with a hand in my hand, pressing a question of where have you been all the raging while.
0
Oct 8, 2015
Oct 8, 2015 at 3:52 PM UTC
Night's Metonymy
God struck me down He did it to me because I was playing with him That teaches me a lesson not to do it again Electric eel Electric eel Electric eel Electric eel John Dillinger got killed in 1930 He was assassinated for trying to rob a bank He was carrying a gun Electric eel Electric eel Electric eel Electric eel John Pole got mad at me, and hit me with a tire iron He was so ****** off at me He pulled out his tack, and gave me the shock of my life Electric eel Electric eel Electric eel Electric eel Mitsubishi, the word is getting around
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Jan 23, 2014
Jan 23, 2014 at 10:29 PM UTC
Electric eel
abused aromas fuse the dwelling throats slacken and tighten good cooking can make a home a rooted clut of tallow home          sweaty home ignite another cigarette scrape a fingernail on the sofa a white grippy trail scrunch your toes in the deep greasy carpet and salivate on the wender of smoke from the cooking of the roast
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Dec 27, 2021
Dec 27, 2021 at 11:38 AM UTC
tack
Party like a rock star Pretend to be elegant and wear sundresses Remember to smile and wave at the desperate housewives, I choose to offend I'm inconsiderate My charismatic side makes up for everything So blow me a kiss and flirtatious wink I will ignore the fact you have a plastic grin I hate to say it, love you're not my friend Hey, don't worry I will do this again Contaminated, I hope to infect the ticky-tack world Please don't vanquish my plot of sin Don't forget to bring a bikini (optional) and gallon of whiskey
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May 11, 2016
May 11, 2016 at 6:59 PM UTC
I'm a role model
"Tout aux tavernes et aux filles." Suppose you screeve? or go cheap-jack? Or fake the broads? or fig a nag? Or thimble-rig? or knap a yack? Or pitch a snide? or smash a rag? Suppose you duff? or nose and lag? Or get the straight, and land your *** How do you melt the multy swag? ***** and the blowens cop the lot. Fiddle, or fence, or mace, or mack; Or moskeneer, or flash the drag; Dead-lurk a crib, or do a crack; Pad with a slang, or chuck a *** Bonnet, or tout, or mump and gag; Rattle the tats, or mark the spot; You can not bank a single stag; ***** and the blowens cop the lot. Suppose you try a different tack, And on the square you flash your flag? At penny-a-lining make your whack, Or with the mummers mug and gag? For nix, for nix the dibbs you bag! At any graft, no matter what, Your merry goblins soon stravag: ***** and the blowens cop the lot. THE MORAL It's up the spout and Charley Wag With wipes and tickers and what not. Until the squeezer nips your scrag, ***** and the blowens cop the lot.
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Villon's Straight Tip To All Cross Coves