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Lawrence Hall Jun 2021
Lawrence Hall
Mhall46184@aol.com
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                     Six Months of Heat and Slanting Yellow Light

Six months of heat and slanting yellow light
And heat and damp and slanting yellow light
And heat and rot and slanting yellow light
And heat and pain and slanting yellow light
And heat and pain and burning yellow light
And heat and pain and sour yellow light

Summer
A poem is itself.
Marian Apr 2014
Sunrays are slanting through the trees
While the sweet tiny bluebells sway
In sweet summertime's blowing breeze
Sunrays are slanting through the trees
While the sweet tiny bluebells sway
In the warmth of the tender day
Sunrays are slanting through the trees
While the sweet tiny bluebells sway

*~Marian~
Probably Not One Of My Best
But I Hope You All Enjoy It Anyway!!! :) ~~~~<3
Moonlight slanting
through the bamboo grove;
    a cuckoo crying.
Kiernan Norman Oct 2012
I
There is a 3% chance I'll find you here. But if in each pair of eyes I dip, I find 1/8 of you; I'll be there soon.

II
I didn't crawl here; I took a plane. I spent six hours tracing the Atlantic from my window and you rose from the sea, dry and unsalted, twice each nautical mile. I would say it was my imagination, or the California wine, but I wear glasses now and never lie about what I see. It was you. And you and you and you.


III
Stealing is easier here. Maybe it's the crowds or the way the men smile at me like I'm harmless, but my hands move without question. They don't fumble or miss pockets, my heartbeat doesn't even protest. In prayer beads, silkworm cocoons, oils and sea rings, I am in debt to a city who doesn't know it.


IV
I have no ethnicity. Deep in bone coils the apathy and flight of someone's non-heritage. But I am forgiven; in a world of paranoia, brown eyes are always trusted and the way my hair falls reminds them that I'm on their side. Even my name curls within itself, folded flat and dead before it's over. It's better this way; no allegiance, no responsibility.

V
From a curb in district nine, I see your star. It's hanging where you said it would be but I can't see god in it the way you promised.

VI
On the other side of the world you told me about a quad of green. You waxed flowers of every color, the sky I've only ever painted and the people, beautiful and dark, who will save me. I found it. In broken French and broken sandals I found it and the sun was setting and you had just left. So now we both know you won't be the one to save me.

VII
With one foot in the slanting gutter I walk until the city circles and I'm back where I started. In a daydream I found you. I smiled and quoted your book, the part that said 'When we heard the guidance, we believed in it' and you looked at me in a way that scared me. A way that translated your face into thousands of alphabets, ancient and invented. And I knew none of them. Suddenly I'm illiterate to you. Suddenly I'm gone.

VIII
I'm with a man who's made of smoke and each strawberry ring that escapes my lips is dedicated to someone that I’ve laughed with.

IX
With the intensity of archives on fire, I withdraw. You are still a body; a few hundred bones calcified and aging, a mind of words streaming like spider webs, blood you never shed, and  muscles that cross in blinding precision, but you are not who you used to be. You bound to me in a way that's irreversible and now we're both stitching. Awkward and broken we pull at flesh to remove each other. We have scars now, like stickers ripped from wallpaper. The outline of a palm stains my shoulder, a thumb the size of yours in the crook of my elbow. Small, white fingerprints tattoo your neck.


X
I might be free. Over cobble stones with broken sandals I don't trip until I realize that a city where I loved is now part of me. I can get as far away from her as the modern map allows but the red and gold bangles that crowd my wrists are not to be taken off. They're a part of me too. Like blood spilled on a cobble stone, you will walk over us every day of your life.
written January 2008. Seventeen.
ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little
Tom Spencer Aug 2018
up early to water
the garden

the cicadas are
already drilling holes

into the
leaden stillness

everywhere
leaves are drooping

I spray the shrubs
to wash off the dust

birds fly in to sit
on the dripping branches

begging for a shower
a cardinal flutters  

its wings and sings
and I oblige

jewel-like droplets splash
through the slanting light

everywhere
the world is ablaze

heat waves wild fires
everywhere anger

everywhere distraction
suspicion

leaders are faint-hearted
the wicked fan the flames

still my garden needs water
still the cardinal

flutters its wet wings
and sings

here here water here
here here water here

Tom Spencer © 2018
lluvia de abril Feb 2016
I am a solitary thought
toiling
to anchor down the heart
struggling
to keep
all sails in place
compass intact
and so I brace
as wind and current
take your side
slanting the heart
Learning to swim, sometimes against the tide.
LOVELY Semiramis
Closes her slanting eyes:
Dead is she long ago.
From her fan, sliding slow,
Parrot-bright fire's feathers,
Gilded as June weathers,
Plumes bright and shrill as grass
Twinkle down; as they pass
Through the green glooms in Hell
Fruits with a tuneful smell,
Grapes like an emerald rain,
Where the full moon has lain,
Greengages bright as grass,
Melons as cold as glass,
Piled on each gilded booth,
Feel their cheeks growing smooth.
Apes in plumed head-dresses
Whence the bright heat hisses,--
Nubian faces, sly
Pursing mouth, slanting eye,
Feel the Arabian
Winds floating from the fan.
Dreamer Mar 2015
Bright, glowing rays slanting through naked branches.
Crisp air and moving masses of formed metal.
Kept beards, tattoos, rising wisps of coffee roast.
BOY heart of Johnny Jones-aching to-day?
Aching, and Buffalo Bill in town?
Buffalo Bill and ponies, cowboys, Indians?

Some of us know
All about it, Johnny Jones.

Buffalo Bill is a slanting look of the eyes,
  A slanting look under a hat on a horse.
He sits on a horse and a passing look is fixed
  On Johnny Jones, you and me, barelegged,
A slanting, passing, careless look under a hat on a horse.

Go clickety-clack, O pony hoofs along the street.
Come on and slant your eyes again, O Buffalo Bill.
Give us again the ache of our boy hearts.
Fill us again with the red love of prairies, dark nights, lonely wagons, and the crack-crack of rifles sputtering flashes into an ambush.
MsAmendable Jun 2015
Golden sunsets glow
Slanting through your windows, cold
Lighting dust into lazy snow
Drifting, drifting slow
The blaze first to go
Then fiery Amber toes
Paint red skies bold
Then before the story is told
The colour away is blown
And melts into summer nights.
E Mar 2014
Sit in a crowded gymnasium
on a Thursday.
Basketball is not the point.

Stare at the orange speck anyway.
Silence your phone and his voice from before,
Still inside your head,
words the color of the burnt orange ball.

Find music in the squeak of the rubber soles,
Notice the referee's slanting stripes, and how they blur
when you stare, until even pictures inside your head blur.
Nod to the man wearing the red cap beside you,
whose words dribble across your mind,

They imprinting a message:
travel
next year
last year
time
killing
foul
out
losses
hope.

Maybe you miss that last word,
Or maybe you see the message graffitied on the score board.  
Maybe you close your eyes and open them again,
And notice the white jerseys gleaming in song with light,
The same light that slants up toward you,
Your shirt should also be white,
With the same light shining on those who travel
and on those who foul out.

Sit in the crowded gymnasium
on a Thursday,
and forget about what he told you last night.
I wrote this while observing other spectators at a State Basketball Tournament... It was interesting to speculate what was going on inside other people's heads in the crowd. This is not autobiographical.
There, in God’s country, the benign ruler
Had promptly burst out of the earth’s bowels.
A sea of coconuts smothered, sultrily,
The most unwilling moss-painted houses
The banyan raised its feet high enough
For hundreds of creepy monsoon-creatures.
The journey  began in silver slanting rain
Waiting for streaks of pure white sunshine
To crawl through upright areca nut barks.
As the telephone wires went up and down
A floating bird quickly froze in the sky.
First the coconut fronds ran to the hills
Then the chilly plants , go red in the face
Inside, they of the uncertain *** beat the wind
Out of their joined palms in forced cadence.
The floor-mopping boy under our large feet
Looked with money-wetness in his brown eyes.
The train went spluttering for lack of puff
While gravel stones hit its forbidden parts.
murari sinha Sep 2010

observing the ardent eagerness of the wind
it is clearly understood
that nascent pollens are overflowing
the niche of her heart  

in response to the signals of the river
she keeps on ringing
all long the month of earth-quakes

the bench of the rail-station
wants to hug her

the medicine-counter of the ***-end of the day
beckons her with the hand to come nearer

in the assembly-hall for musical demonstration
adorned with ash-trays
going on the rehearsal of her dancing and singing

she also distributes some life
to the meticulous dressing
of the magnolia

2.
let the swimming pool be fully absorbed  
with its dark-room

when the feather of your fore-finger
becomes green

the merchant of venice
will leave his business of photo-coping machine
to start walking directly
in search of new earnings

evening sets in
on the boiler of the delta

putting on yellow-dress comes
the water-vessel of the paper-balloon

there is no singing bird
shivering with cold
in the fold of the dear bed-sheet  

it is possible that the boldness of the metro-railway
may give some wood of tamarisk
on the expanded palms  

yet oh the western page of night
do tell today
why so much tamed polythene
are here in our cohabitation

3.
after so many days
published in the wind
painted in wings
the recent heart’s desire
of the doors and windows

they have rolled up their fairy-tales
from the ignorant drawing-room that wanted
to set her mind to the hill slanting downward

they did not want to know
how much rheumatism is there
in the hands and legs of the bark
to whom is delegated
the control of the mason-made bus-journey

sleep hugs the eye-lids of the rivers

though there is no postage-stamp
within the reaching-point

then what magic is there
in the hill slanting downward

why the wall does not learn
how to swim like a fish

truly it is he from whom
those negligible moments of man-ism
itch for blue candle-stand

4.
the ***-appeal of the telephone
and the bugle of the carnies-breaking ****-crows
are all harmonised seamlessly

the noon in the blood
is flowing along the river

all the dialogues are covered
with misspelling of men and women

the tailors want to increase life
cutting rightly the walking of clothes

after the vanishing of collyrium
from the eyes
there is not a single being
in the relief-camps

as far as the eyes can travel
i can notice in the ear-lob of the village-boats
the water-colour of fire-flies
twinkles

then let an agreement be signed
with the defence ministry
on the right
to enter into private bathroom

5.
in the air
on which flowers are engraved
the union of the betel leaves are making their outposts
anew

before the calling of the next pine-woods
you all the butterflies do take on board the tram
to go to the south-pole

is it well to incline so much
towards the tv-screen

who can say
the waves of the terracotta
would never make revolution

i’ve sent some full-moons of winter
and some water-bodies
into the holes of the handkerchief

the lacking of the colours
may kindly be excused

the birds that are blind from their birth
has been singing till now
the songs of the cave-civilisation

there is no question any where
this eclipsed-valley is adorned
with the answers only

6.
i am to be blown off on the first bombardment
then it is to be flown
in the crowd of  fire-flies
on the bushes of the scented-lemons

and it is to see the memory race of the grown-up girls

it is to see more
that after the opening of the sluice gates
one by one  
how the gathering in the hindu hotels
increases
by leaps and bounds

the pores of the skin of the body
whose hoods are open
and who are running up
along the spiral route
that leads to the top of the mountain

their child
due to late-marriage
now only knows
how to move on all fours

7.
under the table-glass
i  unfold the life-chronicle of one lakh year

and in the olive-cabinet
all the applications for living

from the monsoon-noon to the winter-afternoon
the lines you draw on the parchment

none of them is so condensed
as to touch the palms of a sailor  

from the numerable timber-joists
come down the swarms of personal white ants

no spring seems to become corporeal
without the spell of misunderstandings  

so of late
besides the dry statistics
with the cough
comes out grey thermometer

prickly-heats spread over the whole body  

the sticks of young antenna
shake off their wings

behind the bath-scene
lies the succulent hailstorm

8.
there is no lovely add
yet the market-value of your headache
is going up day by day

all the noon send her mad
the intellectual kisses
the coos

or is it the running about of the tennis-ball

so much pop-corns are flying out
from the draw-well

or that sound of foot-steps
in the north-east

may be
that is of some brown horses
or some horse-drawn perambulators

when the moon spreads out the platinum
does it judge the recipients

thus the bin-leaves can ring
from head to foot

it unfurls an incorrigible right-angle
in the early-evening

the troop with armours
open a shop of ******
beside the vainglory of the lake
1

Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
Or is it true that I laughed and sprang from dust? . . .
Has no one, in a great autumnal forest,
When the wind bares the trees,
Heard the sad horn of Senlin slowly blown?
Has no one, on a mountain in the spring,
Heard Senlin sing?
Perhaps I came alone on a snow-white horse,-
Riding alone from the deep-starred night.
Perhaps I came on a ship whose sails were music,-
Sailing from moon or sun on a river of light.'

He lights his pipe with a pointed flame.
'Yet, there were many autumns before I came,
And many springs. And more will come, long after
There is no horn for me, or song, or laughter.

The city dissolves about us, and its walls
Become an ancient forest. There is no sound
Except where an old twig tires and falls;
Or a lizard among the dead leaves crawls;
Or a flutter is heard in darkness along the ground.

Has Senlin become a forest? Do we walk in Senlin?
Is Senlin the wood we walk in, -ourselves,-the world?
Senlin! we cry . . . Senlin! again . . . No answer,
Only soft broken echoes backward whirled . . .

Yet we would say: this is no wood at all,
But a small white room with a lamp upon the wall;
And Senlin, before us, pale, with reddish hair,
Lights his pipe with a meditative stare.

2

Senlin, walking beside us, swings his arms
And turns his head to look at walls and trees.
The wind comes whistling from shrill stars of winter,
The lights are jewels, black roots freeze.
'Did I, then, stretch from the bitter earth like these,
Reaching upward with slow and rigid pain
To seek, in another air, myself again?'

(Immense and solitary in a desert of rocks
Behold a bewildered oak
With white clouds screaming through its leafy brain.)
'Or was I the single ant, or tinier thing,
That crept from the rocks of buried time
And dedicated its holy life to climb
From atom to beetling atom, jagged grain to grain,
Patiently out of the darkness we call sleep
Into a hollow gigantic world of light
Thinking the sky to be its destined shell,
Hoping to fit it well!-'

The city dissolves about us, and its walls
Are mountains of rock cruelly carved by wind.
Sand streams down their wasting sides, sand
Mounts upward slowly about them: foot and hand
We crawl and bleed among them! Is this Senlin?

In the desert of Senlin must we live and die?
We hear the decay of rocks, the crash of boulders,
Snarling of sand on sand. 'Senlin!' we cry.
'Senlin!' again . . . Our shadows revolve in silence
Under the soulless brilliance of blue sky.

Yet we would say: there are no rocks at all,
Nor desert of sand . . . here by a city wall
White lights jewell the evening, black roots freeze,
And Senlin turns his head to look at trees.

3

It is evening, Senlin says, and in the evening,
By a silent shore, by a far distant sea,
White unicorns come gravely down to the water.
In the lilac dusk they come, they are white and stately,
Stars hang over the purple waveless sea;
A sea on which no sail was ever lifted,
Where a human voice was never heard.
The shadows of vague hills are dark on the water,
The silent stars seem silently to sing.
And gravely come white unicorns down to the water,
One by one they come and drink their fill;
And daisies burn like stars on the darkened hill.

It is evening Senlin says, and in the evening
The leaves on the trees, abandoned by the light,
Look to the earth, and whisper, and are still.
The bat with horned wings, tumbling through the darkness,
Breaks the web, and the spider falls to the ground.
The starry dewdrop gathers upon the oakleaf,
Clings to the edge, and falls without a sound.
Do maidens spread their white palms to the starlight
And walk three steps to the east and clearly sing?
Do dewdrops fall like a shower of stars from willows?
Has the small moon a ghostly ring? . . .
White skeletons dance on the moonlit grass,
Singing maidens are buried in deep graves,
The stars hang over a sea like polished glass . . .
And solemnly one by one in the darkness there
Neighing far off on the haunted air
White unicorns come gravely down to the water.

No silver bells are heard. The westering moon
Lights the pale floors of caverns by the sea.
Wet **** hangs on the rock. In shimmering pools
Left on the rocks by the receding sea
Starfish slowly turn their white and brown
Or writhe on the naked rocks and drown.
Do sea-girls haunt these caves-do we hear faint singing?
Do we hear from under the sea a faint bell ringing?
Was that a white hand lifted among the bubbles
And fallen softly back?
No, these shores and caverns are all silent,
Dead in the moonlight; only, far above,
On the smooth contours of these headlands,
White amid the eternal black,
One by one in the moonlight there
Neighing far off on the haunted air
The unicorns come down to the sea.

4

Senlin, walking before us in the sunlight,
Bending his small legs in a peculiar way,
Goes to his work with thoughts of the universe.
His hands are in his pockets, he smokes his pipe,
He is happily conscious of roofs and skies;
And, without turning his head, he turns his eyes
To regard white horses drawing a small white hearse.
The sky is brilliant between the roofs,
The windows flash in the yellow sun,
On the hard pavement ring the hoofs,
The light wheels softly run.
Bright particles of sunlight fall,
Quiver and flash, gyrate and burn,
Honey-like heat flows down the wall,
The white spokes dazzle and turn.

Senlin, walking before us in the sunlight,
Regards the hearse with an introspective eye.
'Is it my childhood there,' he asks,
'Sealed in a hearse and hurrying by?'
He taps his trowel against a stone;
The trowel sings with a silver tone.

'Nevertheless I know this well.
Bury it deep and toll a bell,
Bury it under land or sea,
You cannot bury it save in me.'

It is as if his soul had become a city,
With noisily peopled streets, and through these streets
Senlin himself comes driving a small white hearse . . .
'Senlin!' we cry. He does not turn his head.
But is that Senlin?-Or is this city Senlin,-
Quietly watching the burial of the dead?
Dumbly observing the cortege of its dead?
Yet we would say that all this is but madness:
Around a distant corner trots the hearse.
And Senlin walks before us in the sunlight
Happily conscious of his universe.

5

In the hot noon, in an old and savage garden,
The peach-tree grows. Its cruel and ugly roots
Rend and rifle the silent earth for moisture.
Above, in the blue, hang warm and golden fruits.
Look, how the cancerous roots crack mould and stone!
Earth, if she had a voice, would wail her pain.
Is she the victim, or is the tree the victim?
Delicate blossoms opened in the rain,
Black bees flew among them in the sunlight,
And sacked them ruthlessly; and no a bird
Hangs, sharp-eyed, in the leaves, and pecks the fruit;
And the peach-tree dreams, and does not say a word.
. . . Senlin, tapping his trowel against a stone,
Observes this tree he planted: it is his own.

'You will think it strange,' says Senlin, 'but this tree
Utters profound things in this garden;
And in its silence speaks to me.
I have sensations, when I stand beneath it,
As if its leaves looked at me, and could see;
And those thin leaves, even in windless air,
Seem to be whispering me a choral music,
Insubstantial but debonair.

"Regard," they seem to say,
"Our idiot root, which going its brutal way
Has cracked your garden wall!
Ugly, is it not?
A desecration of this place . . .
And yet, without it, could we exist at all?"
Thus, rustling with importance, they seem to me
To make their apology;
Yet, while they apologize,
Ask me a wary question with their eyes.
Yes, it is true their origin is low-
Brutish and dull and cruel . . . and it is true
Their roots have cracked the wall. But do we know
The leaves less cruel-the root less beautiful?
Sometimes it seems as if there grew
In the dull garden of my mind
A tree like this, which, singing with delicate leaves,
Yet cracks the wall with cruel roots and blind.
Sometimes, indeed, it appears to me
That I myself am such a tree . . .'

. . . And as we hear from Senlin these strange words
So, slowly, in the sunlight, he becomes this tree:
And among the pleasant leaves hang sharp-eyed birds
While cruel roots dig downward secretly.

6

Rustling among his odds and ends of knowledge
Suddenly, to his wonder, Senlin finds
How Cleopatra and Senebtisi
Were dug by many hands from ancient tombs.
Cloth after scented cloth the sage unwinds:
Delicious to see our futile modern sunlight
Dance like a harlot among these Dogs and Dooms!

First, the huge pyramid, with rock on rock
Bloodily piled to heaven; and under this
A gilded cavern, bat festooned;
And here in rows on rows, with gods about them,
Cloudily lustrous, dim, the sacred coffins,
Silver starred and crimson mooned.

What holy secret shall we now uncover?
Inside the outer coffin is a second;
Inside the second, smaller, lies a third.
This one is carved, and like a human body;
And painted over with fish and bull and bird.
Here are men walking stiffly in procession,
Blowing horns or lifting spears.
Where do they march to? Where do they come from?
Soft whine of horns is in our ears.

Inside, the third, a fourth . . . and this the artist,-
A priest, perhaps-did most to make resemble
The flesh of her who lies within.
The brown eyes widely stare at the bat-hung ceiling.
The hair is black, The mouth is thin.
Princess! Secret of life! We come to praise you!
The torch is lowered, this coffin too we open,
And the dark air is drunk with musk and myrrh.
Here are the thousand white and scented wrappings,
The gilded mask, and jeweled eyes, of her.

And now the body itself, brown, gaunt, and ugly,
And the hollow scull, in which the brains are withered,
Lie bare before us. Princess, is this all?
Something there was we asked that is not answered.
Soft bats, in rows, hang on the lustered wall.

And all we hear is a whisper sound of music,
Of brass horns dustily raised and briefly blown,
And a cry of grief; and men in a stiff procession
Marching away and softly gone.

7

'And am I then a pyramid?' says Senlin,
'In which are caves and coffins, where lies hidden
Some old and mocking hieroglyph of flesh?
Or am I rather the moonlight, spreading subtly
Above those stones and times?
Or the green blade of grass that bravely grows
Between to massive boulders of black basalt
Year after year, and fades and blows?

Senlin, sitting before us in the lamplight,
Laughs, and lights his pipe. The yellow flame
Minutely flares in his eyes, minutely dwindles.
Does a blade of grass have Senlin for a name?
Yet we would say that we have seen him somewhere,
A tiny spear of green beneath the blue,
Playing his destiny in a sun-warmed crevice
With the gigantic fates of frost and dew.

Does a spider come and spin his gossamer ladder
Rung by silver rung,
Chaining it fast to Senlin? Its faint shadow
Flung, waveringly, where his is flung?
Does a raindrop dazzle starlike down his length
Trying his futile strength?
A snowflake startle him? The stars defeat him?
Through aeons of dusk have birds above him sung?
Time is a wind, says Senlin; time, like music,
Blows over us its mournful beauty, passes,
And leaves behind a shadowy reflection,-
A helpless gesture of mist above the grasses.

8

In cold blue lucid dusk before the sunrise,
One yellow star sings over a peak of snow,
And melts and vanishes in a light like roses.
Through slanting mist, black rocks appear and glow.

The clouds flow downward, slowly as grey glaciers,
Or up to a pale rose-azure pass.
Blue streams ****** down from snow to boulders,
From boulders to white grass.

Icicles on the pine tree melt
And softly flash in the sun:
In long straight lines the star-drops fall
One by one.

Is a voice heard while the shadows still are long,
Borne slowly down on the sparkling air?
Is a thin bell heard from the peak of silence?
Is someone among the high snows there?

Where the blue stream flows coldly among the meadows
And mist still clings to rock and tree
Senlin walks alone; and from that twilight
Looks darkly up, to see

The calm unmoving peak of snow-white silence,
The rocks aflame with ice, the rose-blue sky . . .
Ghost-like, a cloud descends from twinkling ledges,
To nod before the dwindling sun and die.

'Something there is,' says Senlin, 'in that mountain,
Something forgotten now, that once I knew . . .'
We walk before a sun-tipped peak in silence,
Our shadows descend before us, long and blue.
girl diffused Sep 2017
We felt the wistfulness and urging
Somewhere in the pale light
Slanting across our bodies
Submerged in a bed that smelled of our discarded childhoods
Tasted of our desperation and craving for love
Devoid of anything saccharine, bitter in the aftertaste

In the early morning I laid there, on top of you
Warmth trailing from your body,
Snaking across the smooth planes of my stomach
You cradling me like I wished my father could have
Fingers threading through my hair
Untangling the knots from my childhood

You spoke into my hairline,
Christened yourself repeatedly on my skin
Your voice was a Freudian call
Above the dirge of angry tidal water
Echoing from the corpses of our past

We felt the wistfulness and urging
Somewhere in the pale light
Slanting across our faces
Verdant green of your eyes hypnotizing me
I splayed my fingers against your chest
Felt your ****** harden against the soft pad

I remembered the taste of sweet tomatoes, plump, ripe
Bursting juice onto my tongue
Coffee-soaked ladyfingers
Dappled sunlight streaming through leaves
Blue cloudless sky
Peals of youthful laughter
The smell of your mother's car—Pine Air Freshener
Her rosary swaying back and forth
A religious sacred pendulum

We felt the wistfulness and urging
Somewhere in the duller light
Slanting across our skin
Our contrasting polarizing canvases
We mourned each other in our brokenness
And in the pale evening,
Tried to assemble our skeletons back together
ambedo
n. a kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—briefly soaking in the experience of being alive, an act that is done purely for its own sake.

{taken from "The Dictionary of Obscure Words."}
All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line
Of the horizon, thin and fine,
Straight around till I was come
Back to where I’d started from;
And all I saw from where I stood
Was three long mountains and a wood.
Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.
And all at once things seemed so small
My breath came short, and scarce at all.
But, sure, the sky is big, I said;
Miles and miles above my head;
So here upon my back I’ll lie
And look my fill into the sky.
And so I looked, and, after all,
The sky was not so very tall.
The sky, I said, must somewhere stop,
And—sure enough!—I see the top!
The sky, I thought, is not so grand;
I ‘most could touch it with my hand!
And reaching up my hand to try,
I screamed to feel it touch the sky.
I screamed, and—lo!—Infinity
Came down and settled over me;
Forced back my scream into my chest,
Bent back my arm upon my breast,
And, pressing of the Undefined
The definition on my mind,
Held up before my eyes a glass
Through which my shrinking sight did pass
Until it seemed I must behold
Immensity made manifold;
Whispered to me a word whose sound
Deafened the air for worlds around,
And brought unmuffled to my ears
The gossiping of friendly spheres,
The creaking of the tented sky,
The ticking of Eternity.
I saw and heard, and knew at last
The How and Why of all things, past,
And present, and forevermore.
The Universe, cleft to the core,
Lay open to my probing sense
That, sick’ning, I would fain pluck thence
But could not,—nay! But needs must ****
At the great wound, and could not pluck
My lips away till I had drawn
All venom out.—Ah, fearful pawn!
For my omniscience paid I toll
In infinite remorse of soul.
All sin was of my sinning, all
Atoning mine, and mine the gall
Of all regret. Mine was the weight
Of every brooded wrong, the hate
That stood behind each envious ******,
Mine every greed, mine every lust.
And all the while for every grief,
Each suffering, I craved relief
With individual desire,—
Craved all in vain!  And felt fierce fire
About a thousand people crawl;
Perished with each,—then mourned for all!
A man was starving in Capri;
He moved his eyes and looked at me;
I felt his gaze, I heard his moan,
And knew his hunger as my own.
I saw at sea a great fog bank
Between two ships that struck and sank;
A thousand screams the heavens smote;
And every scream tore through my throat.
No hurt I did not feel, no death
That was not mine; mine each last breath
That, crying, met an answering cry
From the compassion that was I.
All suffering mine, and mine its rod;
Mine, pity like the pity of God.
Ah, awful weight!  Infinity
Pressed down upon the finite Me!
My anguished spirit, like a bird,
Beating against my lips I heard;
Yet lay the weight so close about
There was no room for it without.
And so beneath the weight lay I
And suffered death, but could not die.

Long had I lain thus, craving death,
When quietly the earth beneath
Gave way, and inch by inch, so great
At last had grown the crushing weight,
Into the earth I sank till I
Full six feet under ground did lie,
And sank no more,—there is no weight
Can follow here, however great.
From off my breast I felt it roll,
And as it went my tortured soul
Burst forth and fled in such a gust
That all about me swirled the dust.

Deep in the earth I rested now;
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead.
And all at once, and over all
The pitying rain began to fall;
I lay and heard each pattering hoof
Upon my lowly, thatched roof,
And seemed to love the sound far more
Than ever I had done before.
For rain it hath a friendly sound
To one who’s six feet underground;
And scarce the friendly voice or face:
A grave is such a quiet place.

The rain, I said, is kind to come
And speak to me in my new home.
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls, twinkling, from its grass-blade top.
How can I bear it; buried here,
While overhead the sky grows clear
And blue again after the storm?
O, multi-colored, multiform,
Beloved beauty over me,
That I shall never, never see
Again!  Spring-silver, autumn-gold,
That I shall never more behold!
Sleeping your myriad magics through,
Close-sepulchred away from you!
O God, I cried, give me new birth,
And put me back upon the earth!
Upset each cloud’s gigantic gourd
And let the heavy rain, down-poured
In one big torrent, set me free,
Washing my grave away from me!

I ceased; and through the breathless hush
That answered me, the far-off rush
Of herald wings came whispering
Like music down the vibrant string
Of my ascending prayer, and—crash!
Before the wild wind’s whistling lash
The startled storm-clouds reared on high
And plunged in terror down the sky,
And the big rain in one black wave
Fell from the sky and struck my grave.
I know not how such things can be;
I only know there came to me
A fragrance such as never clings
To aught save happy living things;
A sound as of some joyous elf
Singing sweet songs to please himself,
And, through and over everything,
A sense of glad awakening.
The grass, a-tiptoe at my ear,
Whispering to me I could hear;
I felt the rain’s cool finger-tips
Brushed tenderly across my lips,
Laid gently on my sealed sight,
And all at once the heavy night
Fell from my eyes and I could see,—
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and ******
Into my face a miracle
Of orchard-breath, and with the smell,—
I know not how such things can be!—
I breathed my soul back into me.
Ah!  Up then from the ground sprang I
And hailed the earth with such a cry
As is not heard save from a man
Who has been dead, and lives again.
About the trees my arms I wound;
Like one gone mad I hugged the ground;
I raised my quivering arms on high;
I laughed and laughed into the sky,
Till at my throat a strangling sob
Caught fiercely, and a great heart-throb
Sent instant tears into my eyes;
O God, I cried, no dark disguise
Can e’er hereafter hide from me
Thy radiant identity!
Thou canst not move across the grass
But my quick eyes will see Thee pass,
Nor speak, however silently,
But my hushed voice will answer Thee.
I know the path that tells Thy way
Through the cool eve of every day;
God, I can push the grass apart
And lay my finger on Thy heart!

The world stands out on either side
No wider than the heart is wide;
Above the world is stretched the sky,—
No higher than the soul is high.
The heart can push the sea and land
Farther away on either hand;
The soul can split the sky in two,
And let the face of God shine through.
But East and West will pinch the heart
That can not keep them pushed apart;
And he whose soul is flat—the sky
Will cave in on him by and by.
Manisha Uniyal Aug 2015
My small hut of dreams
surviving all alone atop of hill
covered all around with huge deodar trees
of muddy wall and slanting roof sill

Ginger and cardamom tea
near the orange fire place
reading journals
I will live , capturing the first snow in days

freshly baked potato in oven clay
sprinkled rock salt with melted cheese
fragrant leaves of corainder
lingers on and stays

sweet and sour taste of wine
from the close by farm of grapes
friends and family gather everynight
over dinner and United prays

bells echoing mystery in the air
far from the temples on a difficult mountain
where path to heavens looks reachable
trekking the rocks in sun and in rain


Manisha
Kimberly Seibert Aug 2014
My water tower in the sun, my pillar in the dark.
Rust on a warehouse door, **** anatomy of a shark.
A hidden, naked cartoon, vulnerable and hurt.
The afternoon rays of light, exposing my empire of dirt.

Squid in a dark room, forgotten seat for you to ****.
Discovering rotten apples, the fruitless empty pits.
Far on the *****, the eye is negligent to mankind.
No on has *****, yet "American ****" isn't hard to find.

From this floor to the next, watch out for the holes.
Stalactites are forming, between the rods and the poles.
The gang is all here, each with a gat.
Questioning Detroit, wondering "where da party at."

A symphonic silence, from abandoned piano keys.
For the love of the city, the birds and the bees.
A ladder to assist you, in anything but a climb.
Wasting away the day, when all you have is time.

Where they once opted elevators, they now offer only stairs.
Peacefully residing, in the asbestos, grime, and the glares.
The walls they're all puking, a paint chip epidemic.
No chalk at the chalkboard, a failed academic.

Some sign walls in scribble, some bless us with art.
Beautiful light fixtures hang, while sanctuaries fall apart.
The debris and the rubble, wooden frames and the splinters.
A back road in the city, in the dead cold of winter.

An altar to stand at, with no sermon or expectation.
A pew a sinner can rest, with only God's examination.
A wall devoted to an *****, hymnal at hand.
Stained glass more exaggerated, with shards in the plan.

Dancing on floorboards in rafters, climbing up to rooftops.
Wandering and trespassing, trying to avoid cops.
Panda bears, pillar ****, and playing in the snow.
In the shadows and the blackest rooms, I really like to go.

Pussycats in hallways and the golden lightning kitty.
Posing seductively in vacancy is where I feel pretty.
I've seen the light at the end of the tunnel, I've found King David.
Interrogated with the whys and don'ts, though I wish they'd save it.

Picasso in the projects, Sloth and Marilyn Manson.
Fairmont Creamery Company, a view held for ransom.
Some window panes are for looking out, some for looking in.
Struggle Buggy Snow White still sleeps, forever strugglin'.

I've seen them ask for me, "Warriors come out to play."
Detroit is to me, what night is to day.
I caught Pikachu and have seen a **** elephant.
In the frost of the Fisher, I found a heart that was spent.

But the cardio made of brick, spoke with such sass.
Resting bones at the Packard, in an armchair that's trash.
Patriots are nosey and robots attack.
Never putting an hour on when I'll get back.

On top of the world, or looking up from the bottom.
Abandoned buildings, schools, churches, there's something about them.
Where a tree has a better chance of rooting and planting.
When a society suddenly seems a bit slanting.

Color a flower on a wall that's been broken and charred.
Breathe life into a battlefield, encourage the scarred.
Take away ego and vanity, glance into a filthy mirror.
Don't just listen to a person, actually hear.

Sure maybe at times I may seem a bit morbid.
And my words can be harsh and approach kind of forward.
But when you're standing alone, in a hallways that's dead.
Whose last bell has been rung and last book has been read.

Then you hear footsteps from the floor up above.
It's in that uncanny awareness.
And fear...
I find love.
Hilda Nov 2012
I hear Thy fond whisper thro' leaves and grass
E'en as my heart weeps with the mourning dove;
'Neath blazing heat of noontide sun above,
Breezes caress me as I feel Thee pass.

Sunset fades into soft, nocturnal thrill;
The full moon rises, its silv'ry beams cast
Shadows slanting o'er field and meadows vast,
Cicadas hum, blending with whip-poor-will.

And as I listen at faint hush of dawn,
My spirit soars and sails as if with wings
At ev'ry flute-like note the wood thrush sings,
My soul to Thy eternal love is drawn.

**~Hilda~
© Hilda November 9, 2012.
soft tendrils of light,
dashed blue and white,
flash their glory in my sight,
across the dark sky of night,

a wolf howl stops me in my track,
force me swiftly to turn back,
and find ye fleeing pretty beast,
ive not given up chase, not in the least.

the maze's twisted path eludes me,
the darkness, shadows do include me,
hides that which i do wish to see,
a maze this is, what a night this will be.

a fox's call carries me away,
i cant tell, to go or stay,
a ****** awful game to play,
a flaming lunar keep-away.

the moon doth shine upon the wolf,
its white blue light it does engulf.
to the fox it casts a ray,
what a painful game to play.

the winding path's taunt my heart,
keeps me, the wolf, and fox apart,
at the final edge of my last desire,
hope attempts to raise me higher.

there is another, right by my side,
he has no reason which to hide,
a spirit wolf, runs next to me,
with brothers' blood and loyalty.

he howls for his own lost one,
hopes the bad can come undone,

Taking his steps, one by one,
he will not stop until its done.

a time a go i thought i might,
have seen the moon's shining light,
but this maze keeps me from its sight.
the spirit wolf, "itll be all right."

there was a time when i was young,
when a different song was sung,
a song of passion, joy and love,
but now i howl to moon's above.

Dark wolf woken, back in the maze,
dreams of the path, though all were a haze,
stands to his feet, been walking for days,
he keeps hunting, searching for ways.

round a bend he sees her, hears her howl,
he runs but is stopped by another's growl.
out steps a purple wolf, devious eyes,
steps in his path and smothers his cries.

as he falls he sees her waiting,
for him? knows not, he's still debating.
the spirit wolf comes to his side,
and the wolf knows he can confide.

the wolf lies there, head in the grass,
lying and waiting, for this night to pass.
the spirit wolf sits and hears,
of the wolf's wonders and all of his fears.

russian water, **** with spice,
ah how that would make things nice,
if only just a little, just to forget.
the wolf lies there waiting, suffering yet.

the wolf yet awakens, hearing a call,
its again the howling, echoing all,
of past and longing, of things done wrong
she sings a tune to a still different song.

He hears a warning from his friend,
theres more than these two in the end.
they stood and kept walking,
never stopping, ever stalking.

they walked a bit, til faint blue whisp,
flitted toward them, feeling crisp.
it was a distraction, a strong desire,
lifting more than their hearts a bit higher.

each of them on different trails,
thoughts of their flames carved details,
the passion drove them to their minds,
a white escape, the release unwinds.

once the wolves had ceased their panting,
imaginations tipped to slanting,
they shook the wet drops from their fur,
it wouldnt be long for this again to occur.

they turned their heads, both aware,
of soft dead felines, lying there.
they walked on past, aware of the ****,
but love and passion, do what they will.

they kept on wandring twisted trails,
blue whisps fast behind their tails.
they kept on searching hearing howls,
stopped not once by anothers growls.

The wolves still hunted elusive catch,
but insanity threatened be their match.
The blue whisps whisper that they stay,
but they couldnt bear another day.

there was a howl, but different here,
and the wolf knew who as she drew near,
a fiery she-wolf with bushy tail,
supple curves in lush detail.

the wolf then turned his head away,
his heart shattered by her one day.
the spirit wolf sought escape,
from the blue whisps, insanity's cape.

she foxily welcomed his inner burning,
cast her affections to his heart yearning.
they howled together, to regions yon,
but the wolf in black had long since gone.

the spirit wolf sought to find him,
found him panting at blue whisps whim.
"i long for my heart, wish it entrance,
by another heart, so we may dance."

the spirit wolf knew the pain inside his brother,
longing pain, want of aching burn of another.
the dark wolf sighed and began to go,
dragging tail and head held low.
The spirit wolf wished that he could ease,
the dull throbbing pain, not caused by fleas.
he listened to the dark wolf's cry,
mourning howl, shouted to the sky.
Wolves wandering a maze... searching for that which they long for most.
The fallen leaves
are gauzing thin
as they lay decaying
on the forest floor
and the frost that formed
crystal by crystal
slowly in the night
with the morning
sparkles to become
the jewels of fairies.

She is fluttering
her feminine silhouette
flirtatious against the grass
so distorted
that your eyelashes
can not catch her
but only a gleaming hint
of gossamer wings
delicate and ethereal
is reflecting in the morning's
slanting sun.

You are tempted
into probing under a leaf
with a broken twig
seeking her soft footprints
but they make no mark
on the fragile leaves
or in the softened grass
and her clandestine space
is too elusive
for your eyes.

She is hiding
veiled and disguised
carefully concealed
and you can only see
the glittering cobwebs
formed by a hungry spider
into a intricate misted mesh
catching careless flies
and morning dew.

She is fooling you
once again obscure
and her transparent laughter
like the soft spoken sound
of a faraway subtle pan-flute
is floating with your
sheer wonderings
in the waking light.
375

The Angle of a Landscape—
That every time I wake—
Between my Curtain and the Wall
Upon an ample Crack—

Like a Venetian—waiting—
Accosts my open eye—
Is just a Bough of Apples—
Held slanting, in the Sky—

The Pattern of a Chimney—
The Forehead of a Hill—
Sometimes—a Vane’s Forefinger—
But that’s—Occasional—

The Seasons—shift—my Picture—
Upon my Emerald Bough,
I wake—to find no—Emeralds—
Then—Diamonds—which the Snow

From Polar Caskets—fetched me—
The Chimney—and the Hill—
And just the Steeple’s finger—
These—never stir at all—
Stephen E Yocum Nov 2015
It was my first Cathedral,
Cavernous and nearly silent.
Dark enough that I closed,
My eyes giving them time
To adjust to the depths,
Of it's shadowed blackness.

Languid slanting rays
Of penetrating sunshine,
Alive with moving mists,
Of floating, rotating dust,
The only source of light.

The bittersweet scents,
Of venerable age mixed,
With fodder and animal waste,
Not at all unpleasant to sniff.

Leather tack hung on walls,
Awaiting the call to work.
Long delayed, and overlooked,
Replaced by mechanical steeds,
Wheels and blades of steel.

Neatly festooned wall hooks
Displaying wooden handled
Hard-worn steel hand tools,
Flecked with rust, chipped by use.

The choir was in the rafters,
Pigeons’ and Doves
Cooing Heavenly Hymns.
Occasionally the murmur of,
Feathers flapping on high,
Like the sounds,
Of Angels wings.

I climbed the ladder,
Into the Loft up high,
Followed by a friendly,
Old one eyed Barn Cat,
I recall his name was Cy.

Old Cy who knew,
All the good places,
To explore and secretly hide.
And too, where tasty rodents
Were found in heavenly,
bountiful supply.

That lofty perch,
Among the penetrating
slanting rays of sunlight
Inspired a fathomless hush
of contemplation and inner bliss,
I'd never known before, or since.

We sat silent for many minutes,
In a state of transfixed repose,
Old Cy and I, speaking not a word.  

We crawled among stacked bales,
Of fragrant fresh cut hay,
Like a lofty Fortress built for us,
Playing and imagining,
Endless flights of fantasy,
Long into the eve of day.

Yes, my Grandfather’s
Old wooden Barn,
Was indeed a magical,
Reverent and sacred place,  
As any formal denominational
house, of any faith can be.

If ever, I truly felt,
The presence of Holy Grace
Surely it was within,
That impressionable
all inspiring place.

Even fleeing memories
of a long ago small boy,
Have not diminished,
That big Cathedral's
Prevailing, exalted space.
Spiritually overseen by,
An old, feline, one-eyed
clergyman named Cy.
Grand old wooden barns are a
disappearing breed.
Standing in various stages of
disrepair and non-use, replaced
by metal clad boring industrial
looking structures.
They are a relic of the past.
But anyone that has memories like
mine, told here will never forget how
grand they were. If you get a chance to
visit one, do so before they are all gone
and see if I was telling the truth.

I was recently in another big old wood
barn and was moved to write about it,
but found this older piece that pretty
much says it all. So it's a re-post.
fernando birlo Sep 2012
and i never said goodbye
but i don’t know where to start, anyway
though you’ve never been more at peace
apart, we just fell apart

please, please send your guidance
and don’t answer with a question
I’m just naive
don’t forgive, just forget, forgive again

I watch the evening smoke fade into orange
and the reds into black
you’ve always been a lamp unto my feet
in a blank world
give me comatose joy
like recurring memories
well the snow is shimmering in now
slanting dark colors, shading my destiny

can we just rewind time while I watch you age backwards?
forever changing the shape of memory
again, just show me how victory’s sweet,
even in death

hey, this dirt road’s empty
littered with cans from summer nights
deliver me, make me honest, make me clean
take me home, tell me where

wait, calm me with your voice
take me back to the old willow tree
make me dizzy with laughter
push me in the creek, again

like 2008 goodbye,
give me tears of pride
soft winds are sweeping away my days
as evening fades to night
you’ve always been a empty book to me,
an empty box to fill with notes
I still feel you, like a shadow on the empty plains
you’re a gushing waterfall
that’s run dry

can we just rewind time while I watch you age backwards?
forever changing the shape of memory
again, just show me how victory’s sweet,
even in death

you never judged
never condemned, cause that’s not you
and I never asked enough,
sought what I should have…
and tomorrow is here, unknown
all these changes and time—
and it’s you on my mind

like the evening smoke fading into orange
while the reds are fading into the black
oh today is just a nightmare
chaos and uncertainty
your boardwalk isn’t the same.
as I give way to **** poor dreams
like jumping out of a plane, with no parachute

I feel like you constructed this universe,
had it in the palm of your aged, lined hand
this perfect society of infinity

I lay and watch the sky get darker
the sunset through the naked branches of our tree
the stars emerge like diamonds
I remember how you always wished on the ones that
“have the courage to stay where they are”
and I retrace our steps of old to your empty room
to the datebook you lived by
you missed your dentist’s appointment,
never made it to my senior night.

but today, just hear my call
send me your voice
guide my feet as i walk away
as i take my steps into this ever-changing
presence we call life
watch over me from above with your knowing smile
and show me how victory’s sweet
even in death
CA Guilfoyle Aug 2012
The perfect slanting of sun
tundra cotton leaning northward
salmon spawning homeward
golden grass - waved in winds
The cast of red autumn's spell
Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry '**** the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty's eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of love and arms in time of old.

But there are times, when those that love the bay,
Fly from all sorrowing far, far away;
A sudden glow comes on them, nought they see
In water, earth, or air, but poesy.
It has been said, dear George, and true I hold it,
(For knightly Spenser to Libertas told it,)
That when a Poet is in such a trance,
In air her sees white coursers paw, and prance,
Bestridden of gay knights, in gay apparel,
Who at each other tilt in playful quarrel,
And what we, ignorantly, sheet-lightning call,
Is the swift opening of their wide portal,
When the bright warder blows his trumpet clear,
Whose tones reach nought on earth but Poet's ear.
When these enchanted portals open wide,
And through the light the horsemen swiftly glide,
The Poet's eye can reach those golden halls,
And view the glory of their festivals:
Their ladies fair, that in the distance seem
Fit for the silv'ring of a seraph's dream;
Their rich brimmed goblets, that incessant run
Like the bright spots that move about the sun;
And, when upheld, the wine from each bright jar
Pours with the lustre of a falling star.
Yet further off, are dimly seen their bowers,
Of which, no mortal eye can reach the flowers;
And 'tis right just, for well Apollo knows
'Twould make the Poet quarrel with the rose.
All that's revealed from that far seat of blisses
Is the clear fountains' interchanging kisses,
As gracefully descending, light and thin,
Like silver streaks across a dolphin's fin,
When he upswimmeth from the coral caves,
And sports with half his tail above the waves.

These wonders strange he sees, and many more,
Whose head is pregnant with poetic lore.
Should he upon an evening ramble fare
With forehead to the soothing breezes bare,
Would he nought see but the dark, silent blue
With all its diamonds trembling through and through?
Or the coy moon, when in the waviness
Of whitest clouds she does her beauty dress,
And staidly paces higher up, and higher,
Like a sweet nun in holy-day attire?
Ah, yes! much more would start into his sight—
The revelries and mysteries of night:
And should I ever see them, I will tell you
Such tales as needs must with amazement spell you.

These are the living pleasures of the bard:
But richer far posterity's reward.
What does he murmur with his latest breath,
While his proud eye looks though the film of death?
"What though I leave this dull and earthly mould,
Yet shall my spirit lofty converse hold
With after times.—The patriot shall feel
My stern alarum, and unsheath his steel;
Or, in the senate thunder out my numbers
To startle princes from their easy slumbers.
The sage will mingle with each moral theme
My happy thoughts sententious; he will teem
With lofty periods when my verses fire him,
And then I'll stoop from heaven to inspire him.
Lays have I left of such a dear delight
That maids will sing them on their bridal night.
Gay villagers, upon a morn of May,
When they have tired their gentle limbs with play
And formed a snowy circle on the grass,
And placed in midst of all that lovely lass
Who chosen is their queen,—with her fine head
Crowned with flowers purple, white, and red:
For there the lily, and the musk-rose, sighing,
Are emblems true of hapless lovers dying:
Between her *******, that never yet felt trouble,
A bunch of violets full blown, and double,
Serenely sleep:—she from a casket takes
A little book,—and then a joy awakes
About each youthful heart,—with stifled cries,
And rubbing of white hands, and sparkling eyes:
For she's to read a tale of hopes, and fears;
One that I fostered in my youthful years:
The pearls, that on each glist'ning circlet sleep,
Must ever and anon with silent creep,
Lured by the innocent dimples. To sweet rest
Shall the dear babe, upon its mother's breast,
Be lulled with songs of mine. Fair world, adieu!
Thy dales, and hills, are fading from my view:
Swiftly I mount, upon wide spreading pinions,
Far from the narrow bound of thy dominions.
Full joy I feel, while thus I cleave the air,
That my soft verse will charm thy daughters fair,
And warm thy sons!" Ah, my dear friend and brother,
Could I, at once, my mad ambition smother,
For tasting joys like these, sure I should be
Happier, and dearer to society.
At times, 'tis true, I've felt relief from pain
When some bright thought has darted through my brain:
Through all that day I've felt a greater pleasure
Than if I'd brought to light a hidden treasure.
As to my sonnets, though none else should heed them,
I feel delighted, still, that you should read them.
Of late, too, I have had much calm enjoyment,
Stretched on the grass at my best loved employment
Of scribbling lines for you. These things I thought
While, in my face, the freshest breeze I caught.
E'en now I'm pillowed on a bed of flowers
That crowns a lofty clift, which proudly towers
Above the ocean-waves, The stalks, and blades,
Chequer my tablet with their quivering shades.
On one side is a field of drooping oats,
Through which the poppies show their scarlet coats;
So pert and useless, that they bring to mind
The scarlet coats that pester human-kind.
And on the other side, outspread, is seen
Ocean's blue mantle streaked with purple, and green.
Now 'tis I see a canvassed ship, and now
Mark the bright silver curling round her prow.
I see the lark dowm-dropping to his nest,
And the broad winged sea-gull never at rest;
For when no more he spreads his feathers free,
His breast is dancing on the restless sea.
Now I direct my eyes into the west,
Which at this moment is in sunbeams drest:
Why westward turn? 'Twas but to say adieu!
'Twas but to kiss my hand, dear George, to you!
About the size of an old-style dollar bill,
American or Canadian,
mostly the same whites, gray greens, and steel grays
--this little painting (a sketch for a larger one?)
has never earned any money in its life.
Useless and free, it has spent seventy years
as a minor family relic
handed along collaterally to owners
who looked at it sometimes, or didn't bother to.

It must be Nova Scotia; only there
does one see abled wooden houses
painted that awful shade of brown.
The other houses, the bits that show, are white.
Elm trees, low hills, a thin church steeple
--that gray-blue wisp--or is it? In the foreground
a water meadow with some tiny cows,
two brushstrokes each, but confidently cows;
two minuscule white geese in the blue water,
back-to-back, feeding, and a slanting stick.
Up closer, a wild iris, white and yellow,
fresh-squiggled from the tube.
The air is fresh and cold; cold early spring
clear as gray glass; a half inch of blue sky
below the steel-gray storm clouds.
(They were the artist's specialty.)
A specklike bird is flying to the left.
Or is it a flyspeck looking like a bird?

Heavens, I recognize the place, I know it!
It's behind--I can almost remember the farmer's name.
His barn backed on that meadow. There it is,
titanium white, one dab. The hint of steeple,
filaments of brush-hairs, barely there,
must be the Presbyterian church.
Would that be Miss Gillespie's house?
Those particular geese and cows
are naturally before my time.

A sketch done in an hour, "in one breath,"
once taken from a trunk and handed over.
Would you like this? I'll Probably never
have room to hang these things again.
Your Uncle George, no, mine, my Uncle George,
he'd be your great-uncle, left them all with Mother
when he went back to England.
You know, he was quite famous, an R.A....

I never knew him. We both knew this place,
apparently, this literal small backwater,
looked at it long enough to memorize it,
our years apart. How strange. And it's still loved,
or its memory is (it must have changed a lot).
Our visions coincided--"visions" is
too serious a word--our looks, two looks:
art "copying from life" and life itself,
life and the memory of it so compressed
they've turned into each other. Which is which?
Life and the memory of it cramped,
dim, on a piece of Bristol board,
dim, but how live, how touching in detail
--the little that we get for free,
the little of our earthly trust. Not much.
About the size of our abidance
along with theirs: the munching cows,
the iris, crisp and shivering, the water
still standing from spring freshets,
the yet-to-be-dismantled elms, the geese.
Mateuš Conrad Nov 2016
it's almost beautiful, we created the thing called
money, in order to turn tribalism
into a myth of Eden (alone, stark naked) -
          it's almost as if we deviated from
creating it and asking for family values,
            but never got them,
       i'm trying to imagine a Russia where
Rasputin wrote a book
that might have resounded with Nietzsche's
ubermensch - but thankfully precipitated into
world war i & ii... fancy the interlude:
a cold war i, now the cold war ii...
you should be happy, to be honest, it's the best
status quo you'll ever get...
but **** me, 1970s disco craze: even i'm
like Mozart-who?
               a little notebook, and my getting
drunk thoughts in it, funny how drink intellect
knows all too well about the: diminished responsibility
white flag -
              as with the **** chokes come the
drunk-and-writing-a-poem jokes,
                                i'd say blame Al Capone!
you know how many diacritical distinctions i could
insert into that surname? diacritical marks
are ulterior forces at-be when all punctuation goes
*******, not sentences, but words -
Cá       ponè - cockney slang Capone on the phone:
        we had fun: because you really don't say
Cáponé like you might say a torero's olé, do you?!
me? i find it grand to paint syllables with
diacritical marks, i mean: it's not even a blank canvas,
shame the semi-colon isn't minded in distinction,
but still, i already know that poets are scared of
punctuation, hence breaking the lines and not
engaging in a paragraph... tying shoelaces seems about
fine when it comes to modern poets,
talk about knitting jumpers, or scarfs by grannies -
sold as doing that same activity on shredded wheat cereal:
- = a hanging pause (suspense);
       , = necessary pause (or the expected
in a rhythmic cyclone);
   then i say to all my would be assassins:
you'll be doing me a massive favour, to be honest.
at times it really is the age of trusting entertainers
and not the media and certainly not the politicians -
it's almost stating the obvious.
i was in St. Petersburg for a month, and every time
i wanted to go to a danceclub to dance she refused me....
me and my naiveness in thinking that people could
actually be seduced by good...
      i don't mean being exposed to a tsunami
among the other elemental congregations of Shiva
there goes my belief in people being good to each other...
shoom! gone... bye bi!
(origins of dyslexia? maybe).
                                 she took me to the opera and
she started her snarling condescending approach to
the new-rich girls in the next booth...
     **** me, relationships leave me so ill-equipped
i actually find it staggering that i had any...
                 i must have been really naive in believing
that people could do good that i ended up
   a hermetic pessimist or misanthrope -
i never expected to be one, or share the juices of such
a calibration of humankind:
but it's funny how a movement overstates the cartesian
sum and never the cogito,
and when you by chance encounter the actual cogito
organising a movement, you represent nothing
representative of the movement's sum,
because the cogito is actually so staggeringly
divergent from being affiliated to the (e.g.)
         French revolution's guillotine locomotive.
when utilising only one hand in writing?
a black notebooks is written into at a rhombic degree,
yep, slant.
        i have two or three decent points to make,
but, obviously, i have to utilise verbiage to state them,
let's compare that to building a thousand homes
before the leaning tower of Pisa comes along
and people say: wow! in the immediate sense i
will require compensating that exception with
enough social housing for the tower to actually be erected:
that's natural: regurgitating maxims from no experience
would be an equivalence to an exoskeleton:
no experience, no harm... and where's the fun in that?

(interlude no. 1)

almost 15 minutes in an opera house, long enough
for the march from your seat into the street and a smoke,
  i still can't understand while people adopted money
for the demand of talking to each other via pebbles,
we are in our billions and made it so demanding to
only appeal to the few for company... i mean, should
i be sad? we made our company so unbearable because
of engaging in the concept of money that we later had
adapt to books as the conversations we need to have
among people we can't even talk about the weather to.
people always think that talking about money is
shallow... as if it's some really necessary version of
the crucifix (which to my mind sounds like a name for
a charity and the need to be thankful for it being there),
then again: something so geometrically pure
hanging over us and then comes Rodin's the kiss:
that really is a miracle - walking on water can hide itself,
turning water into wine (40 days & nights in the desert would
do that to you, every time you rehydrated, any liquid
would be intoxicating).
             oh hell, i have the notebook narrative,
i need to take a break after having written the unexpected
intro, and subsequent interlude.


it seems to me that language can never be sampled,
sampling language
is anti-scientific,
because it breaches an objectification of things,
which sad,
    are the Balkan states Slavic, Christian or Turkish?
i'm asking because a Greek said
it's Byzantine, and then lapping allah illha Allah
turkish took to Istambul...
*how best to defame a god with ensnarled capitals,
each, levelled,
                                only Islam will reign under the
praise of my name, which alone, will sing my praise.

   to move mountains, one must move throngs.
          to move people you expect them to become
mountains: or sun-tanned noon
  having been charcoaled into obliteration.
     one thought: an ottoman janissary: and vlad
the lesser crucifier and the adamant
impaler, who said that homosexuality shouldn't matter....
   imagine the comparative pain...
i can't: therefore i won't.
                     thus the black scripts of notation...
better than uttering original maxims,
          as in... better to engage in transcendentalº
dialectics
     ºin ref. to Nietzsche: the masses do not hold
an opinion on sanity: hence my concordance
with "him" - and insanity in individuals (self-dividing
                      duos in calamity of one):
insane individuals are rare: but conglomerates are
the norm - thus an agreement of shared truths
that has no debate to support it, because it has been
"plagiarised",
   the transcendental aspect is the lack of dialectics
(replaced with diacritics),
     and also the historical novelty of shared observation
with a disparity of a century's worth of history:
governing still the caveman and the modern man,
            as if the two were mutually compatible.
that one could rewrite the other, and so too true in
reverse.
   i find it harsh having to relinquish the authority
of language, as my own it used,
but only when school-friends suggest it, those
with ******* family members do i foremostly
experience it as my own: well... thanks to you
i'm not a plumber because your father detonated
the atom bomb and never bothered checking what
the gorilla did next with the grand censor of fertility
to protect an aesthetic...
           but then again: you were always Irish.
oo! well: sodomite that oops... it'll be worth something
in 30 years' time. strange how it must read...
Holocaust deniers also have the same lysergic trip.
             insanity in individuals is rare,
among groups it's the norm, within a framework
of Nietzsche: thus an agreement of shared truths,
that has no debate to support it,
because it has been "plagiarised" (necessarily experienced
more than once),
   ºthe transcendental aspect is the actual lack of
dialectics, and also the historical shared novelty of sharing
of observation (the tsunami cult, the earthquake cult)
with a disparity of range toward the century-range...
   philosophy infamously aks purposively
unsolvable questions: or questions that require many
more questions... or what is known as a transcript
of Aristotelian awe: of those who commit to error
with that science of pure wording, to spur people on;
philosophers are the adventurers in error:
only because this engages them in providing a "gravity"
locus... for others to hone onto and correct...
(oh how i'd believe had there been a Koranic surah
on the mindful hoplites)...
         purposively erroring: philosophy;
philosophers are pioneers: birches... scientists
are all but oak: auburn well established.
       but what of transcendental dialectic that expands
into shared truths (as experience) within the dual-disparity
of nearing death and the dawn of the 20th century
   and never-nearing a life at the dawn of the 21st century?
excluding dialectics and diacritics has given us
such a society, where everything is nearly snowflake
lucratively dissolvable and gentle...
                   few people utter truths,
even fewer utter truths than need to be debated...
             for the over-lord truth is mono, or glue...
        but still the tactic of avoiding certain truths
for the necessity of sitting in an armchair rather than
on a cold pavement... for in their pluralism
they express as many universal traits of non-experience,
as they subsequently express enough
    particular traits of experience
(translate rhyming into philosophy and you get this...
going cross-eyed in allocating an understanding,
summarised by the word zez).
hence the unwinding: universals (x, ÷):
       and particulars (+, -):
    of time, and how to encourage abstracting
worded coordination into an advanced literacy rate,
that'll fail, because literacy is power that requires
labouring anyway.
  because you did say "encapsulating a zoo"
readied to perpetrate a staging of a freak-show.
examples: universals (x, ÷):
       and particulars (+, -)        are zeniths in
the narrative compensation to nothing -
        in literature a surprise turn of the plot,
a summarisation, as such stand-out moments,
or quotes: here is a version of encoding verbal
"mathematical" synonymity -
         i too would wish to create a language
that doesn't abide by the language of miles,
but that of metres, but then there's the thesaurus
distinction between metres in deviations of
centimetres and nano in close-proximity
          ruby, crimson, burgundy, bled throughout the week
until pale grey and with an epitaph.
      language never brings us together,
it never did, we all wished to be cats and have said
meow... but we rarely and will never say...
that's nearing toward shame...
  i absolve humanity of the original sin...
                    if sinning was so original i would suggest
other forms of compensating it rather than prayer:
i'm thinking of the original shame...
it's that story of a serial killer who believed he
had no universal traits concerning him,
he had no systematisation of conscience,
he denied having a sense of guilt...
          it's hard to believe such things,
given the ceiling is the universe...
        it's hard to become a rat in a solipsistic maze...
that's ****** had to believe...
                   to deny having universal a priori
is also to deny particular a posteriori...
                           even though nothing really happened
apart from god laughing and man yawning
and the devil crying. it's very hard to believe people
these days, even though they deserve it,
                    it's hard to summate oneself in being
able to;
  thank god philosophers didn't complicate simple words
with remnants of Latin like psychologists did,
there's the prior (a priori) and there's the after (a posteriori),
or the two within a-: without a prior (to) / priority -
                  or without an after / an imitable vogue / trend /
    zeitgeist.
          can you write something like someone disclosing the fudge
of what's technically an arithmetic summary?          
no intelligence is being undermined here,
         what's being undermined is what's critically an optical
   java transitory period.                                                    

(int­erlude no. 2)

the laziest philosophers always write about the word
philosophy without actually philosophising,
you can say as much when saying: i'm thinking about thought.
of all the professions, philosophers don't know theirs...
it's true, if you do it, you do it not-knowing / unconsciously.
modernity does in fact overprescribe the word genius
because it doesn't give practitioners of philosophy any
credit in the slightest of actually being recipients of
life... every time a thought spawns from nothing
the limitation of expressing it is: you don't exist;
soon enough you hang up having any competence in language
and say to people you thought you knew: adios amigos,
good luck: then you wonder why they're so
prematurely depressed, and then you forget about them
and think of a million Chinese carpenters:
simply because it's less depressingly so.
     do you ever write encapsulating a rhombus on a page
with your literary / wanking hand? i know i do,
write in a notebook askew - or that's what's called the
future of absurdity: i'm thinking about thought -
some later claim morality, and some later claim god -
        that should sound more simply as: ought i?
    but it doesn't... hey, here's to self-projecting ****** -
it's not even that good people invented god,
  it's that evil people did...
                  which is always a bit ****** having that
microchip in my abstract mind (the brain) i sometimes
try to get rid off while acting as an atheist for pop super!
       does that sound highly idealistic?
it probably does... have i an influential counter to it?
n'ah. thinking about thought without the either or of
ought leaves me asking outside the box / transcendental
questions about what self is ingested by that
Pontius Pilate... talk of the "true" self and talk of
the "false" self: who the **** is the narrator then?
are we all bleaching our handshakes these days to
give a handshake?!
    some men would claim to be the husbands of that
insatiable "woman" that's Sophia,
         who, after all, is better equipped to satiate 3
men, than a man to satiated 3 women:
the trinity of ****, vaginal: oral - funny that,
how perfectly that plays against all those years of
practising to a demand of the churches': kneel!
i'll just watch you **** him off while Mary Magdalene
spread the schematic that resulted in the Islamic
******* analing the "respected".

(interlude no. 3)

just can't be bothered mate...
  never did so much charity work pour into
      herr Herrman's charity chest of
the never thought of set of poems.


- and a day later, just a blank,
what a formidable evening,
why do i queue for even a trombone, violin,
       a viola, trumpet or a sax to add to my voice?
but in musicological terms: that's exactly what i'm doing.
it's hard to not see this as a cure:
with 16,713 views matta's echo babylon is
truly the antithesis of Prokofiev, or any other,
as might call it: windy character.
        classical music was bound to tornados and
zephyrs - modern music is the epitome of rhythmic
sampling, drum eroded violins,
           and other things happened, too.
rhombus within the framework of the hand-written prior,
on tiny scraps of rectangular paper,
because it's easier to write like that: slanting
and therefore for the imagery of cascading -
and as the pronoun revolution dies down,
                    and the voices go unheard,
   people will start to think about thought
and later thought per se for transcendental purposes...
     because choice will be ejected from
having competent access to it: namely?
   i can't see those **** the ***** protests seriously
if people can't take to shooting guns,
          i mean real rebellion... obviously i'm egging
on the situation and spraying gasoline on it
(obviously), but if the French give you the statue of
liberty as a present, you get to look at the appendix,
and start thinking: where are the guns, so
it looks like a genuine protest? i thought the idea of
being able to own guns (by the people), was to suggest
that if the government was electorally undesired,
people could start shooting... the tongue isn't
a
Nat Lipstadt Jun 2013
Poetry Round (find your self within)

We sit together in spirit, if not in body,
You join me in the Poet's Nook,
A few frayed and weathered Adirondack chairs
Overlooking the Peconic Bay,
Where inspiration glazes over the water,
And we drown happily in a sea of words,
Commencing:

You say unto me, whitecaps, I reply,

"Solitary swimmers, poets, arms crooked over head, in the sea of us"

I say flooded with gratitude, and Stephanie replies,

"Thou art my carved destiny-and the river that permits my blood to flood...And all this noise shall fall into poetry; Which every day grows statelier and comelier.

You say to us Moonlight, and we laugh, delighted, for she has given us

"This love can be ours,
Under the iridescent moonlight
Embraced within one another,
To live for an eternity,
Languid and soft"


Someone calls out Bala,
And Vicarpio Gale favors us with his words,

"a poetic rain, in small print, fills the white sky page"

And we pray nightly, that come next morn, he will rain upon us once again

We pretend it is night and there are
Stars to Touch,  but this poet of pax corrects us and writes, t'is but,

"late afternoon sun slanting
behold, jaune compassion
alfalfa ocherous leans willowy in wind
distance of silence yearns on
afternoon shadows lie within majestic vales"


Who is it that calls out
Have Mercie  B.e  upon us,
for she reminds us of what we B.e tasked individually,

"Provoking ideas and intoxicating imagery overflow from within and yet somehow you can't see.  There are dreams that run wild inside of this heart and there is no way I'll let them be tamed"

Sunshineflowers every where,
But even more beautiful when she coaxes us to laugh
at ourselves
when writing of true love,

"Why don't i have bananas, said the monkey.
The tiger said, because you are my soulmate"


Did you C Holmes reminding us that

"when you're certain you've
painted the next Van Gogh
with the swirls and gusts
of blues so pure,
any mortal would
stop stare & lose track of time?"


Fyi, Fyi,

"Her callous persecution insinuates,
The elusive flaws of humanity and life,
It implicitly elucidates,
The sombre reality"


About certain Angels  was writ, that both in heaven and on earth, she was garbed, for

"She wore an air of mysticism
Her memory bore prophetic visions
From ancient egyptian
And judaic traditions
She knows every star system
And every night is a mission
Where she wishes and wishes
For help from the legends"


Emily  has met an unwanted friend, familiar to all of us,

"Cemented shoes
And silenced talk
It's even hard to describe
Writer's block"


Sara B.  from B'kara, that's in Malta, gives advice most sensible,

"Times they are a changing
make everybody feel blue
just turn up the music
and forget what you're supposed to do"


Victor  claims not to be a

"poet, a musician even less
but I may be kind of a beggar
when I beg of you
don't forget me
or let your music fade out
of my rainy days"


Dare I disagree? **** right I do!

Little RedWritingHood,  from my city hails, so wise, far beyond her years, reveals that,

"people try to
make me see reason
or their definition of it
but reason is relative
as is too much in this world"


Should I go on? Why not!

Something's are ForeverMarvelous,  like

"Hurt is fading
Fists are pumping
Bass is trembling
Some are hating-
But I keep dancing"


mybarefootdrives  me forward because

"every seed of thought
starts itself out like a whisper.
Until weight behind words
allows them to stand on their own merit"


Maria GH  could be an old friend, who

"draws me near,
it's slender form bleeding into
the background.
Slowly, kindly,
it extends a hand and
I take it
as to forever hold comfort
in mine"


Andy from Mombasa, your poetry

"conspires to purge me of my sense of reasoning
Leaving me bare to suffer the perils of an incongruous world"

And I am a better poet for it...

Brendan'  I've watched your words,

"Crack the veil of tired souls
cloaked in lonely sorrows,
broken by faithless wanderings,
and feel the strings course through your veins"


I am blindsided and Blastsided  when I read

"Onomatopoeia
I love words
for their meanings
their woven tapestries
but also
for their taste"

For I know exactly what you mean

I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.

Once again, in your debt.
If I could do nothing more but write your names, I would be endowed with thousand more poems.
OOPs, occurs to me someone may not like my excerpting their work, so let me know if its a problem and will edit....hopefully not and taken as the compliment it was meant to be!
Trevon Haywood Apr 2016
The April rain, the April rain,
Comes slanting down in fitful showers,
Then from the furrow shoots the grain,
And banks are fledged with nestling flowers;
And in grey shawl and woodland bowers
The cuckoo through the April rain
Calls once again."

Mathilde Blind. 4/7/2016. ☔
I love April showers.
Skirting the river road, (my forenoon walk, my rest)
Skyward in air a sudden muffled sound, the dalliance of the eagles,
The rushing amorous contact high in space together,
The clinching interlocking claws, a living, fierce, gyrating wheel,
Four beating wings, two beaks, a swirling mass tight grappling,
In tumbling turning clustering loops, straight downward falling,
’Till o’er the river pois’d, the twain yet one, a moment’s lull,
A motionless still balance in the air, then parting, talons loosing,
Upward again on slow-firm pinions slanting, their separate diverse flight,
She hers, he his, pursuing.
Thousands of sheep, soft-footed, black-nosed sheep--
one by one going up the hill and over the fence--one by
one four-footed pattering up and over--one by one wiggling
their stub tails as they take the short jump and go
over--one by one silently unless for the multitudinous
drumming of their hoofs as they move on and go over--
thousands and thousands of them in the grey haze of
evening just after sundown--one by one slanting in a
long line to pass over the hill--

     I am the slow, long-legged Sleepyman and I love you
sheep in Persia, California, Argentine, Australia, or
Spain--you are the thoughts that help me when I, the
Sleepyman, lay my hands on the eyelids of the children
of the world at eight o'clock every night--you thousands
and thousands of sheep in a procession of dusk making
an endless multitudinous drumming on the hills with
your hoofs.
Rama Krsna Jan 2022
under the slanting rays
of the December sun,
silhouettes of this sin city
eke loneliness,
eating the timid
and spitting out carcasses.

its skies, ash gray
the refrigerated air moody
reminding wayfarers
that here is no place
to come seeking solace.

as apathy rains
sirens howl
and crime soars
the need to look over the shoulder
more pronounced than ever before.

the bottom line is
everyone’s looking to make money,
fast, furious and frenzied
in this,
my hometown- New York.
Over and back,
the long waves crawl
and track the sand with foam;
night darkens, and the sea
takes on that desperate tone
of dark that wives put on
when all their love is done.

Over and back,
the tangled thread falls slack,
over and up and on;
over and all is sewn;
now while I bind the end,
I wish some fiery friend
would sweep impetuously
these fingers from the loom.

My weary thoughts
play traitor to my soul,
just as the toil is over;
swift while the woof is whole,
turn now, my spirit, swift,
and tear the pattern there,
the flowers so deftly wrought,
the borders of sea blue,
the sea-blue coast of home.

The web was over-fair,
that web of pictures there,
enchantments that I thought
he had, that I had lost;
weaving his happiness
within the stitching frame,
weaving his fire and frame,
I thought my work was done,
I prayed that only one
of those that I had spurned
might stoop and conquer this
long waiting with a kiss.

But each time that I see
my work so beautifully
inwoven and would keep
the picture and the whole,
Athene steels my soul.
Slanting across my brain,
I see as shafts of rain
his chariot and his shafts,
I see the arrows fall,
I see the lord who moves
like Hector lord of love,
I see him matched with fair
bright rivals, and I see
those lesser rivals flee.
do you like the feeling,
walking ahead quickly,
moving forward, loosening limbs.

pushing through wind,
through water, rain slanting.

shouting, counting the rams,
shadowing shepherd. wee

mouse on the path, beady
eyed. these are the hopeful days,
weak sun aching to shine.

these are the days, the marches.

after

idly chat to neighbours, to fetch
the dog, to dawdle, to wind
slowly down.

the snowdrops are out.

sbm.
st64 May 2013
1.
white chapel on a hill

sheep dot rugged, earthy slopes

ruminate on warm, sun-kissed dale

endless lines and lines of verdant tones

late afternoon sun slanting

behold, jaune compassion

alfalfa ocherous leans willowy in wind

distance of silence yearns on

afternoon shadows lie within majestic vales

powder-blue ranges in 3D tiers

shadowy rifts, like a painting out of heaven

lone tree not alone, reaches up

blinding turns and rust-coloured bends, twisty trails

two on horseback, apples for sale

reservoir as a hold all for all

brown mud is where redemption lies.


2.
sun dips away, out of reach

beyond the eye's catch

step out car

feel the ping of silence, deeply-alive zing

crowd in and then,

into the slot of torched horizon

the orange world slips . . .




S T, 19 May 2013
feel that deep humming of the car, as we finally decide to roll along that country ride.....yesterday saturn-day :)

redemption humbly sought in the passing of hills and vales

lovely...all along the eastern escarpment of the beautiful Mercy-Valley...not far from Lake Great Bear on southern Jupiter :)

yet evening cold can sink so hard and fast in the countryside (best be prepared :)

away from all the noise and bustle - rolling, green dales and oh blue, blue, blue....






sub-entry:

'sudden cold'


1.
how dreaded that sudden coldness
press downward
crouch tight upon shoulder
drape your chilly cape over me
clench your claws into soft flesh
hover abrupt around nostrils
whisper icy whittler-words
sinking into pores, settle on
pinched nose-end, fingertips and toes
from across the chasm, silent eyes admonish
burning freeze stick so hard
hug disfavoured hart

oh cold silence, how you **** me!



2.
envelops round me
try in vain to wrap my head around this

warm heart
take this thing and throw it in the dump

(can't
just can't)



3.
blanket of love
whopping oblivion away

seek still
to redeem.
Andrew M Bell Feb 2015
It was the type of day Wellington is infamous for:

rain slanting into the pursed and puckered faces

of harried pedestrians


and I, out and about with my secret

that in the tall towers where the wheels

grind slowly


a thing not made of commerce

a growing not spurred by market forces

an investment not subject to whims and crises,


but a spark ignited by two people

laying themselves open to love

and hope and dreams and


schemes sometimes lost sight of,

was fanning the flame,

the head, heart, flesh, bone and wairua


of a life

taking root in my beloved's belly,

a life long longed for


a life

whose existence sweeps before it all petty irritations

and affixes itself on my face


as a big stupid grin
Copyright Andrew M. Bell. The poet wishes to acknowledge Valley Micropress in whose pages this poem first appeared.

For international readers, "wairua" is Maori for "spirit".
st64 May 2013
choo choo

next stop.....perdition

(no, not really...no-one believes this Stygian opacity)


1.
look how Time doth ravage thee
look what it did to thy visage
in smithereens, lies youth
it so artfully takes away
what is held so dear

rivers and streams
valleys and hills

arching to ecstatic heights
plunging to abysmal lows

into the ravine of chance
stirred by the spoon of Time
slowly around the cauldron
brews the self-same mixture
then poured into chasms of forgetfulness

using the eternal sledgehammer
it
smashes the foundation of thought
grinds the nutmeg of speed
pulps the fruit of mentality
slows the pulse of sensation

and pardons none.


2.
what was once sensuous and voluptuous lips
now are merely two dry slits on your face

once stared-into eyeballs, now glass over
vitreous cataracts steadily grow, ****-like

toned into lithe elastic bands now stretch
away into forever, a pale platform to walk on

life's morn is encompassed by years' slanting
clouded and bedimmed by mists of age

butterfly's existence outweighs a man's
by mere night-veiled windowpane of true sight

draw the curtains; close the shutters; screen the eyes
the time has come to shed all blinkers and face the sun.



3.
crimp
sag
limp
drag

mud cracks down a dipping dale
scalding pain sears sore half-foot

yes, time is but a disease
ravaging all
without fear or favour

sunken eyes
slower reflexes
tardier mind
scraggly body


hides not
condescends not
forgets not

the glimmer of ....
a time of ...


4.
cathedral invites the walker in
cool and calm recesses
sit silent
wait....

then *they
walk in, carrying
one who had but a lucky half-score lot

clear soprano note becomes a rudderless bleat
announcing the folly of stifling ego

now shorn of burning frost of circuitous fervour
beams of mercy cast a final look-see
jump the barriers of
time
to
carry thee off.



pipe *****-stops are pulled out



(art thee ready?  platform number 5)



S T,  9 May 2013
How age doth touch the brow of one and all.

Looking at pictures of and being inspired by the writing of esteemed Anglo-American writer W. H. Auden (born in 1907, York, UK - died in 1973, Vienna).


Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public
    doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.

— The End —