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"salome" poems
Come in and enjoy the Night-Light Hotel Where Pillows and Perfumes meet and relax And Therapy takes either Bond or Belle And Goldfish blow this Friday's Bubbly Sax Here upon registry your Token awaits The Flannel up-hook which you strip and wear Then wait for your turn as your Number rebates A little whilst knowing your Musk reeks there I for one made this Malicious Decide And tempt my ****** to swallow this Treat: Upper-Lower Left; Upper-Lower Right Then descend into Base - Heh! Heh! Heh! Heh! Stud or Salome, let Conscience give choose But trust me to say I am a Man too.
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Mar 21, 2013
Mar 21, 2013 at 11:12 AM UTC
THE LOTUS SPA
CAME the great Popinjay Smelling his nosegay: In cages like grots The birds sang gavottes. 'Herodiade's flea Was named sweet Amanda, She danced like a lady From here to Uganda. Oh, what a dance was there! Long-haired, the candle Salome-like tossed her hair To a dance tune by Handel.' . . . Dance they still? Then came Courtier Death, Blew out the candle flame With civet breath.
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Came the Great Popinjay
Awake to your heart beating       in your stomach, in your thoughts, in your skin, wildly       Awake to your fingers clasping your own chin      As what sounds like another man but isn't, he's you      screams aloud words you can't make out Awake to your chest in a cold sweat Only then, Awake and tell me about your so called           nightmares - salome albrecht
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Aug 13, 2014
Aug 13, 2014 at 2:44 PM UTC
Awake
Here in my heart I am Helen; I'm Aspasia and Hero, at least. I'm Judith, and Jael, and Madame de Stael; I'm Salome, moon of the East. Here in my soul I am Sappho; Lady Hamilton am I, as well. In me Recamier vies with Kitty O'Shea, With Dido, and Eve, and poor Nell. I'm of the glamorous ladies At whose beckoning history shook. But you are a man, and see only my pan, So I stay at home with a book.
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2.6k
Song Of One Of The Girls
Tap, tap, and tap faster now to the beat she’d exclaim Her fingers would dance over black and white keys as her expression screamed passionate She held herself up with ease, dressed in love Poise could very well be her middle name Patience and respect dangled, I imagined from her tousled brown hair Laughter to be thankful for in her piano lesson Clap, clap, and clap faster now to the beat she’d exclaim - salome albrecht
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Aug 14, 2014
Aug 14, 2014 at 6:33 AM UTC
To the beat she'd exclaim
The walls cry-out as they burn. A tumult of roars wreathed in the crackle of blazing matter. Which is louder?   Perspective will tell. The one who assaults, Or the one assaulted? The roar, or the crackle? The giver, or the receiver? Pleasure in two forms, two-faced gratification. One hand for dispensation, One mouth for sublimation. And do we not all sublimate? Base impulses, rank ideas, On the surface, vindicate? The residue of consequence Brusquely scrub and expiate? Perspective will tell. We espy hedonism, unbridled delight, And may envy those who bathe in these muddied pools, Focusing our most ephemeral sense on dazzling cacophony, Ignoring the estranged husband of hedonism, Shunning the divorcée of delight. Which is truly louder?   Perspective will tell. In Oscar Wilde’s Salome the moon is thus described: “She is like a woman who is dead.  She moves very slowly.” Pandemonium in the hall, the howling of wild beasts, But she remains “a woman who is dead,” And “she moves very slowly.” The divorcée of delight, A pitiful coming-down. The remnant of misuse, The scarring of abuse. One reads on a stone: The hardly-lovéd daughter of overuse. And the one who gazes overlong is warned:   “You look at her too much.   It is dangerous to look at people in such fashion. Something terrible may happen.” The walls cry-out as they burn, And they cry in desperation. What we see is conflagration. The light:  A brilliant exultation. The crackle:  A herald of termination. But when ash is blown in silence, It is dangerous to look at what remains: Scar tissue. Slow death. Residue. The head of John. The bones of Salome. Broken glass. Wilted flowers. Cracked foundation on hollow cheeks. Red lips the stain of blood on ivory cloth. Festering flies. The beating of vultures’ wings. The snoring of satiated beasts. The stumbling home. Apologies. Sublimation. Conflation. Expiation. … One’s well-mannered pause until the other’s end, So that the one may pause… And begin again.
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Mar 4, 2017
Mar 4, 2017 at 9:37 PM UTC
Even the walls cry-out as they are burning
The walls cry-out as they burn. A tumult of roars wreathed in the crackle of blazing matter. Which is louder?   Perspective will tell. The one who assaults, Or the one assaulted? The roar, or the crackle? The giver, or the receiver? Pleasure in two forms, two-faced gratification. One hand for dispensation, One mouth for sublimation. And do we not all sublimate? Base impulses, rank ideas, On the surface, vindicate? The residue of consequence Brusquely scrub and expiate? Perspective will tell. We espy hedonism, unbridled delight, And may envy those who bathe in these muddied pools, Focusing our most ephemeral sense on dazzling cacophony, Ignoring the estranged husband of hedonism, Shunning the divorcée of delight. Which is truly louder?   Perspective will tell. In Oscar Wilde’s Salome the moon is thus described: “She is like a woman who is dead.  She moves very slowly.” Pandemonium in the hall, the howling of wild beasts, But she remains “a woman who is dead,” And “she moves very slowly.” The divorcée of delight, A pitiful coming-down. The remnant of misuse, The scarring of abuse. One reads on a stone: The hardly-lovéd daughter of overuse. And the one who gazes overlong is warned:   “You look at her too much.   It is dangerous to look at people in such fashion. Something terrible may happen.” The walls cry-out as they burn, And they cry in desperation. What we see is conflagration. The light:  A brilliant exultation. The crackle:  A herald of termination. But when ash is blown in silence, It is dangerous to look at what remains: Scar tissue. Slow death. Residue. The head of John. The bones of Salome. Broken glass. Wilted flowers. Cracked foundation on hollow cheeks. Red lips the stain of blood on ivory cloth. Festering flies. The beating of vultures’ wings. The snoring of satiated beasts. The stumbling home. Apologies. Sublimation. Conflation. Expiation. … One’s well-mannered pause until the other’s end, So that the one may pause… And begin again.
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Look down From on high Lord knows How bleeds your sharp knife Incisor My pack fights tooth and nail Our brood suckles hard Gets our due from each **** Renewable Romulus and Remus Makes Mother happy Her pups engaged Zeus burst his brain making you Jupiter’s irrational exuberance Pumped up Hear me now Believe me later We guttersnipes must contend With your white largesse **** on us trickler At least give us jobs Blown handy our daily **** Rather eat *** Off a silver platter Served by Salome
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Jun 5, 2014
Jun 5, 2014 at 5:48 AM UTC
Perspicacity
I’m just a lanky lass from Wycheproof Born on the right side of the tracks Law degree and a stint at Racing Vic I’ve risen well above the backroom hacks I’m revered and I’m feared I’m Tony’s confidante I scream, I shout, I rant Back benchers quake Ministers shake I’m an armoured tank You know I outrank any one in Coo-ee of super-strong me Chief of Staff to the PM I’m the ultimate femme Murdoch grumbled, tried to call me to heel I’m never humbled, I’m totally real I am the ‘she’ who must be obeyed I am the piper who must be paid I’m the gate-keeper I’m the scythe-reaper Tony knows who makes and butters his bread I keep him happy, I keep him well fed I am Salome, when I call for a head a platter it’s given, my enemy dead. I was top of my game and top of the list of Helen McCabe’s ‘Women of Power’ I’ve never cowered, brown-nosed or arse-kissed I stand tall, over midgets I tower Natural-born killer exudes from my pores I suffer no fools, I banish the bores I mark my territory, a ******* dog Clear dry is my vision, no room for fog Some say I influence all decisions I’m an enforcer of rigid divisions There is only ‘us’ in the battle of wills Ride on my side, for the endless high thrills Of course I agree I’ve had an impact It’s true without me, poor Tony can’t act But sad to tell you, it’s still more than that I’m in charge of the ball and even the bat I know there are some who cannot like me Though I control the national psyche So come Malcolm, Julie and sad sack Joe I will decide when it’s my time to go No-one can challenge Abbot, my hero I’ll zap them to ashes, to dust, to zero I’ll huff and I’ll puff and blow their House down Forever secure and wearing my crown So don’t mess with me, you miserable crew Just you crawl away in case I say, “Boo!” I’m beautiful fearless, utterly bold Remember, I serve revenge icy cold. © M.L.Emmett
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Jan 25, 2016
Jan 25, 2016 at 10:25 PM UTC
PETA-RAP-ANEWI
I’m just a lanky lass from Wycheproof Born on the right side of the tracks Law degree and a stint at Racing Vic I’ve risen well above the backroom hacks I’m revered and I’m feared I’m Tony’s confidante I scream, I shout, I rant Back benchers quake Ministers shake I’m an armoured tank You know I outrank any one in Coo-ee of super-strong me Chief of Staff to the PM I’m the ultimate femme Murdoch grumbled, tried to call me to heel I’m never humbled, I’m totally real I am the ‘she’ who must be obeyed I am the piper who must be paid I’m the gate-keeper I’m the scythe-reaper Tony knows who makes and butters his bread I keep him happy, I keep him well fed I am Salome, when I call for a head a platter it’s given, my enemy dead. I was top of my game and top of the list of Helen McCabe’s ‘Women of Power’ I’ve never cowered, brown-nosed or arse-kissed I stand tall, over midgets I tower Natural-born killer exudes from my pores I suffer no fools, I banish the bores I mark my territory, a ******* dog Clear dry is my vision, no room for fog Some say I influence all decisions I’m an enforcer of rigid divisions There is only ‘us’ in the battle of wills Ride on my side, for the endless high thrills Of course I agree I’ve had an impact It’s true without me, poor Tony can’t act But sad to tell you, it’s still more than that I’m in charge of the ball and even the bat I know there are some who cannot like me Though I control the national psyche So come Malcolm, Julie and sad sack Joe I will decide when it’s my time to go No-one can challenge Abbot, my hero I’ll zap them to ashes, to dust, to zero I’ll huff and I’ll puff and blow their House down Forever secure and wearing my crown So don’t mess with me, you miserable crew Just you crawl away in case I say, “Boo!” I’m beautiful fearless, utterly bold Remember, I serve revenge icy cold. © M.L.Emmett
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55
She that begs a little boon (Heel and toe! Heel and toe!) Little gets--and nothing, soon. (No, no, no! No, no, no!) She that calls for costly things Priceless finds her offerings-- What's impossible to kings? (Heel and toe! Heel and toe!) Kings are shaped as other men. (Step and turn! Step and turn!) Ask what none may ask again. (Will you learn? Will you learn?) Lovers whine, and kisses pall, Jewels tarnish, kingdoms fall-- Death's the rarest prize of all! (Step and turn! Step and turn!) Veils are woven to be dropped. (One, two, three! One, two, three!) Aging eyes are slowest stopped. (Quietly! Quietly!) She whose body's young and cool Has no need of dancing-school-- Scratch a king and find a fool! (One, two, three! One, two, three!)
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Salome's Dancing-Lesson
alessandro botticelli said let there be venus (said let there be you.) you running your hands down your own curves blind; the mirrors are all broken here. it doesn’t matter if you want this. i want this dotted i (crossed t) wants this **** is this, for instance. a pear: bruised muscled like holy breaststhighs completely inmoving (outmoving) breathe— celebrate the words going upward to the sky and the strawberry-red hair cascading down it hungers (like you) to touch my back gently curl around my shoulders like your cold fingers in January **** not skeletal. let there be me. let there be—here is where the words stop mattering to me— let there be caramelchocolate skin of sunlit honey tint melting into itself on the wooden floor (we all scream for ice cream) titian and anadyomene me wringing long wet raven hair my legs are covered in salt sand once the sea goes dry. almond eyes upturned (angular) marvel at your own geometry. lips of salome drawn upward into a not-yet-smile (cherubic) to the women who give their thin pale bodies to muscular men with perfect arms to hold them down: i am for you. i with my ******* that blossom at your winter touch my thighs scarred by ivory teeth—no. i with ******* in full bloom (orchids) thighs sculpted by God himself don’t you want to make love to me? doesn’t the world want to make love? love that tastes more metallic than the blood behind my lips don’t you want to bite it out? taste the sweetness behind them? run your hands over the elysian fields of my thighs and the valley between them don’t you want my legs slung over your shoulders don’t you want your tongue on my vast skin sweat made of sugar and salt. (bittersweet) you want lips crashed against yours like w a ves eyelashes sweeping your cheeks you want don’t you want me **** with nothing to cover me but my blanket of raven hair for immodesty’s sake! perhaps i am (is) small. but the mirrors are all broke}n here
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Jul 25, 2011
Jul 25, 2011 at 2:14 PM UTC
The Birth of...
alessandro botticelli said let there be venus (said let there be you.) you running your hands down your own curves blind; the mirrors are all broken here. it doesn’t matter if you want this. i want this dotted i (crossed t) wants this **** is this, for instance. a pear: bruised muscled like holy breaststhighs completely inmoving (outmoving) breathe— celebrate the words going upward to the sky and the strawberry-red hair cascading down it hungers (like you) to touch my back gently curl around my shoulders like your cold fingers in January **** not skeletal. let there be me. let there be—here is where the words stop mattering to me— let there be caramelchocolate skin of sunlit honey tint melting into itself on the wooden floor (we all scream for ice cream) titian and anadyomene me wringing long wet raven hair my legs are covered in salt sand once the sea goes dry. almond eyes upturned (angular) marvel at your own geometry. lips of salome drawn upward into a not-yet-smile (cherubic) to the women who give their thin pale bodies to muscular men with perfect arms to hold them down: i am for you. i with my ******* that blossom at your winter touch my thighs scarred by ivory teeth—no. i with ******* in full bloom (orchids) thighs sculpted by God himself don’t you want to make love to me? doesn’t the world want to make love? love that tastes more metallic than the blood behind my lips don’t you want to bite it out? taste the sweetness behind them? run your hands over the elysian fields of my thighs and the valley between them don’t you want my legs slung over your shoulders don’t you want your tongue on my vast skin sweat made of sugar and salt. (bittersweet) you want lips crashed against yours like w a ves eyelashes sweeping your cheeks you want don’t you want me **** with nothing to cover me but my blanket of raven hair for immodesty’s sake! perhaps i am (is) small. but the mirrors are all broke}n here
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108
She danced for Herod shamelessly; She smiled and flashed her ******* Herod looked on, helpless not to, as each veil dropped to join the rest. The look of lust was in his eyes. He wanted her in bed. Salome wanted something else- she wished the Baptist dead. He was helpless to refuse her wish so was the order given- The Baptist's head upon a plate as proof he'd left the living. As she shared her trophy with her mom I overheard what Salome said. " You can say what you want about Herod, but he always gives good head."
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Aug 14, 2013
Aug 14, 2013 at 7:15 AM UTC
Salome
The moon last night with clouds for veils dancing like a gypsy maiden; moving cross the waters deep, Salome never looked so fine.
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Sep 18, 2011
Sep 18, 2011 at 1:16 PM UTC
Night Song (drunken revelry with a three quarter moon)
As she danced before Herod and Herodias, Salome waved her flowing veil, Which fluttered and whirled through the air around her And rippled like a silken sail. "Ah, your daughter dances divinely," Said Herod to his calculating wife. "She dances as though she's walking on air. I've never seen so much grace in my life." After a frenzied flurry and flash, Salome stopped and bowed to the king. "My dear," said Herod, "what may I give you? Half of my kingdom? Anything! "Tell me what your heart is set on. I'll give you whatever you desire." Salome looked at her mother, who Smiled and nodded--her eyes on fire. "Your incomparable kindness compels me To answer simply to a king so great. I ask for one thing only and that Is John the Baptist's head on a plate." Said; done. The executioner Soon returned carrying John's head, Which Salome gave to her bloodthirsty mother, Who was delighted that he was dead. What about those who keep on dancing Salome's dance? They pivot and swirl, Contemplating how to placate The wishes of others while they twirl? Do they conspire to perpetrate Division and discord--not unity and peace? Have love and kindness and thoughtfulness Given way to heartless caprice? Are they moved by seductive wiles As if compassion does not matter? Do they seek above all things Vengeance on a silver platter? - by Bob B
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Oct 31, 2016
Oct 31, 2016 at 9:49 AM UTC
Dancing the Dance of Salome
Six O’clock knocking on the shadow of an older generation He’s blind, imprisoned after a lifetime of adventure Screaming out loud through his expression, motionless Mr. Lovemore, blind grey eyes capture me and leave me heartbroken Fascinated by the walk of his past, he’s a teacher , I’ll push him in a wheelchair He can imagine I’m pushing him through Africa Six O’clock, a listener as I read out loud to him, old aged - salome albrecht
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Aug 13, 2014
Aug 13, 2014 at 4:26 AM UTC
Mr lovemore
No, I was torn naked and bleeding from the mouth of a death star and woke to find mountains laid bare by the sea. In the shallows of blood baths and craters, where the crushers of garlic and the harlots all meet and the stiflers of dreams, dream on (right up my street) that's where you'll find me. In the 'Benbow' with pirates and pieces of eight and with cords tied to timepieces (don't want to be late) and the show starts at nine when after drinking two bottles of cheap German wine Salome appears with a head in her lap we clap because that's what we do. (Lost innocents are few and we ain't none of all that) But the ship sailed at four carrying whalebones to Spain to tighten the corsets for those Senoritas who put me to such shame. What's in a name that it's spat on the floor by crimson clad virgins who won't leave the doorways of bodegas and Degas paints on. A shanty a song and the night carries me along on a wave of cheap scent where oft' I have spent a weeks earnings on unsatisfied yearnings. In the end someone will send me a typewritten note or a telegram to let me know just who and what I am until then in the 'Benbow' 'til ten and the crows crow at midnight when the lights all go out.
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Jun 19, 2013
Jun 19, 2013 at 2:47 AM UTC
Born under a wandering star?
burn me down like Babylon consume my flesh with fire unquenchable Desire Raze me to the ground scatter every brick To the four winds bury me like Osiris divided divine sectioning seconding Sacralizing phallicizing Pour your living waters down my throat into my belly and up from beneath holify me gushing, rushing Living Water sacral ******* water energize me Wholify me receive me willingly, this sacrifice please me please me pacify me resurrect me Holify me living waters never quench Holy fire Lavafy me Molten living metals running through every channel veins, arteries, capillaries, nadis Open me i, the channel, emptied eradicate me Split me up the middle reverse my topology Outside like the Inside precisely as the Inside I receive you Open me, Penetrate me lava flowing up Inside me like the infinite Outside show me the unbounded Abyss within mirror still Lake Placid reflecting Perfectly not a ripple but still vibrating Energy forever on fire Lake Salome the gushing wet birth of the twenty-four-sided Jerusalem forever on fire
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Jan 25, 2024
Jan 25, 2024 at 8:08 PM UTC
Living waters, holy fire
Perhaps it was the blasphemy of lovers and fools This dalliance of ravens and necromancy The brush of pomegranate mouths Amaranthine against the backdrop of ochre and tintype I dance the silent rhythm Innate the rush of blood in veins Salome I am your feathered death on prism wings Small consolation you cannot see the soul beneath the veil Spin a legacy of heretics starry eyed and hungry For flesh and soft skin Spills the stain on pristine canvas The palette of indiscretions Peep show intimacies Vibrant I am unfettered light And you are blind In black and white and gray You twist this myth Ropes coiled serpentine Hungry eyed you feed on dreams Cellulose crackling in the heat Borne on desert winds I rise to claim you I am the moment Pigment and poetry Alive and fluid in your mind Inescapable Whisper my name Salome 031113
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Feb 8, 2015
Feb 8, 2015 at 4:41 PM UTC
Salome
god is a woman and she is angry. her tongue is a serpent, medusas mouth, and her fists are vultures. seven eyes, seven horns, seven doors. the angels are women too because only a woman can weep so much. someone unfurl her wings, break the lock. she is a dove and this is her olive branch. in the catholic church only men can be priests. but this church, this gold and silver church, was built from the bones of sleek coated mares, of birthing cows, of cream skinned ladies in veils and jewels and wine stains. ask delilah of samson. ask jezebel of ahab. salome of john, mary of joseph and magdalene of jesus. ask the moon of the sun. ask god about her daughter, the one still nailed to the cross, still awaiting birth in bethlehem. the carpenters daughter with a wooden stake at her neck. ask god about her other daughter, the one in nazareth still breathing desert air. ask god about her sons, sweet lazarus and wild lucifer, stepping on hot coals like summer asphalt. ask god about the forget me nots pressed to gravestones in the heat of august. ask god about the magnolias wilted against gravestones in the bite of december. ask god about the lions, the goats, and the lambs. ask about yourself, if youd like. god is a woman and hell hath no fury like a goddess scorned.
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Mar 20, 2016
Mar 20, 2016 at 4:04 PM UTC
The Gospel According to God's Daughter
Before the opening of the sky where three men sat asking questions why, of where the King of men would sit among the shepherds who could pit their wits against the wolves and worriers of sheep. Asleep and yet in sleep I woke before the Oldest Magi spoke and talked to me in parables, as if I understood the riddles,being middle aged and hard of hearing. In the clearing by the burning bush as hushed crowds looked on,with fish and bread and baptist John, a Rasta man from Birmingham, stood Salome daring me to take off veils so I could see her nakedness and blood that dripped black off her hands, These Holy lands, this righteous band,these writers of a history that we delivered to the three.a triumphant trilogy that we become before the opening of another sky,another sun that burned names deeply on a cross of wood and beggars in the hallways full of Baptist John,who with no head or eyes,could not imagine what was going on but ripped out messages from the scriptures to paint pictures that he'd never see,while Salome intercoursed with Roman scribes and perfumed men and if to be as if she could, When her name was carved into the wood, as if another cross to bear would do more good and her screaming could be heard in prophecies by Galilee,as people gathered on street corners,to hear what they could never see and not believe, and lepers grieved by river banks,their thanks and blessings washed away,their only ray of hope hung out to dry as three wise men sat and wondered why, the world moved on Forgotten is The Baptist John,another prophet dead and gone and are we any better off for all of that? I put a penny in the hat that's passed around to keep the upkeep of some distant consecrated piece of ground I'll never see but hedging bets is what we do, and make lamb stew because we're all wolves with appetites to match. I ****** another bleating sheep and keep my thoughts silently stewing.
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Aug 2, 2013
Aug 2, 2013 at 12:29 AM UTC
Good Friday
Before the opening of the sky where three men sat asking questions why, of where the King of men would sit among the shepherds who could pit their wits against the wolves and worriers of sheep. Asleep and yet in sleep I woke before the Oldest Magi spoke and talked to me in parables, as if I understood the riddles,being middle aged and hard of hearing. In the clearing by the burning bush as hushed crowds looked on,with fish and bread and baptist John, a Rasta man from Birmingham, stood Salome daring me to take off veils so I could see her nakedness and blood that dripped black off her hands, These Holy lands, this righteous band,these writers of a history that we delivered to the three.a triumphant trilogy that we become before the opening of another sky,another sun that burned names deeply on a cross of wood and beggars in the hallways full of Baptist John,who with no head or eyes,could not imagine what was going on but ripped out messages from the scriptures to paint pictures that he'd never see,while Salome intercoursed with Roman scribes and perfumed men and if to be as if she could, When her name was carved into the wood, as if another cross to bear would do more good and her screaming could be heard in prophecies by Galilee,as people gathered on street corners,to hear what they could never see and not believe, and lepers grieved by river banks,their thanks and blessings washed away,their only ray of hope hung out to dry as three wise men sat and wondered why, the world moved on Forgotten is The Baptist John,another prophet dead and gone and are we any better off for all of that? I put a penny in the hat that's passed around to keep the upkeep of some distant consecrated piece of ground I'll never see but hedging bets is what we do, and make lamb stew because we're all wolves with appetites to match. I ****** another bleating sheep and keep my thoughts silently stewing.
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23
Tilt, another guilt and one more rosary will finish me. I've done with Salome, she's the dancer who knows me too well. Skipping out on my bond, let the bondsman come find me he'll find only Salome, dressed in her veils. The church bell rings solemnly I pray that eternity is quieter than this,
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Jan 11, 2017
Jan 11, 2017 at 3:12 PM UTC
Pinball
with hands made of shrapnel, i seal the door shut, hide under the bed. gunpowder perfume and gasoline showers, when i was 13 i forced my way out. i crawled back in, driven by the sound of cicadas dying. theyre last will and testament sounding too much like salome. am i john? summer is over, the hush of fall falls down like the last veil. i am salome, you are john. head sitting heavy on a silver platter. my body is jeweled, the veils, the color of violets, flow, swirl, part. i reveal myself to the king, gold melting down his face like saturated sacrilege.
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Feb 20, 2016
Feb 20, 2016 at 7:54 PM UTC
The Dance of Salome and John the Baptist
If neoliberalism has taught me anything It’s that Love is a close, slow, and cold war Of poisoned wells, proxy wars, and intel— Know thy enemy, keep them closer than allies. So close this necessary rivalry That no olive branch can pass between That, even in times of peace, The light-bearing serpents Post guard near the vaults of one’s purity Unsure whether grain or gold Actually lines the walls of ones coffers, And the thousand envious myrmidons Kept along the edges of their body’s territory And skirt the embassy within. Is there room in the hearth For pacifists like me? Or are all the rooms quartered by troops? It’s sad to say, only the words of the cynic Could truck and barter Their way through the bronze gates, What small inlets there may be, As master seeking the slave And slave, the master’s whips Is a true sign of loyalty to Monogamy’s crown. What Love couldn’t be said to be The sadomasochism of The corporate merger, Or annexation Or competitive market of ideas? *** in the time of Smith or Hobbes, Is exactly what we need— Egoism allwheres, Like so much embroidery The love of ones life Veils ********** a swallowing, a utility And undoes the altruism, Anything but all-true-ism, In favor of the fetishism of control, Flashed like semaphores in storm-beaten nights To any ship passing Seeking port and safe passage, Exchange fire, those shapes and pleas, Turned warnings to threats, Sinking, sinking deeper Into each other’s arms. In all their plotting, do they hear Andres-Salome, Ree, and Nietzsche Laughing about in unburdened skin Laughing to let the summer in, On cart-drawn pleasures And rustic, old-world habits That rub dirt in the wound Of the flesh’s censures By the cruel absence of the lash And the ostracon.
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Sep 29, 2019
Sep 29, 2019 at 12:23 PM UTC
334. Our Cities of Flesh
If neoliberalism has taught me anything It’s that Love is a close, slow, and cold war Of poisoned wells, proxy wars, and intel— Know thy enemy, keep them closer than allies. So close this necessary rivalry That no olive branch can pass between That, even in times of peace, The light-bearing serpents Post guard near the vaults of one’s purity Unsure whether grain or gold Actually lines the walls of ones coffers, And the thousand envious myrmidons Kept along the edges of their body’s territory And skirt the embassy within. Is there room in the hearth For pacifists like me? Or are all the rooms quartered by troops? It’s sad to say, only the words of the cynic Could truck and barter Their way through the bronze gates, What small inlets there may be, As master seeking the slave And slave, the master’s whips Is a true sign of loyalty to Monogamy’s crown. What Love couldn’t be said to be The sadomasochism of The corporate merger, Or annexation Or competitive market of ideas? *** in the time of Smith or Hobbes, Is exactly what we need— Egoism allwheres, Like so much embroidery The love of ones life Veils ********** a swallowing, a utility And undoes the altruism, Anything but all-true-ism, In favor of the fetishism of control, Flashed like semaphores in storm-beaten nights To any ship passing Seeking port and safe passage, Exchange fire, those shapes and pleas, Turned warnings to threats, Sinking, sinking deeper Into each other’s arms. In all their plotting, do they hear Andres-Salome, Ree, and Nietzsche Laughing about in unburdened skin Laughing to let the summer in, On cart-drawn pleasures And rustic, old-world habits That rub dirt in the wound Of the flesh’s censures By the cruel absence of the lash And the ostracon.
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Lawrence Hall, HSG [email protected]                      The High Priest Kisses King Herod’s (Hands)                          His Eminence the Cardinal of New York The High Priest kisses King Herod’s (hands) And joins him for a feast of mockeries and lies Giving the tyrant for his crimes a pass Laughing at Truth as civilization dies Over lobster and beef they pity the poor While robed in white ties and evening gowns And silken ecclesiastical couture (One of them has visions of papal crowns) Gluttony and scorn at a rented manse - All that is missing is Salome’s dance
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Oct 19, 2024
Oct 19, 2024 at 12:21 PM UTC
Cardinal Dolan Kisses King Herod's (Hands)