EFFECTS OF CHILD ABUSE ON PERFORMANCE OF PRIMARY SCHOOL IN KAPYEMIT WARD, TURBO CONSTITUENCY, UASIN-GISHU COUNTY.





BY
ERICK NYAKUNDI
KIS/03013/14




A RESEARCH PROJECTSUBMITED TO THE SCHOOL OF ARTS AND SOCIAL SCIENCES, DEPARTMENT OF SOCIOLOGY AND PSYCHOLOGY IN THE PARTIAL FULFILMENT FOR THE AWARD OF THE DEGREE OF BACHELOR OF SOCIOLOGY



MAY, 2014

DECLARATION

I, the undersigned, declare that this project is my original work and that it has not been presented in any other university or institution for academic credit.

Signature...............................................­..... Date...................................
ERICK NYAKUNDI
KIS/03013/14






SUPERVISOR
This project has been submitted for examination with my approval as university supervisor
DR. W. O. ABUYA
Signature..................................................­.. Date....................................




DEDICATION
I dedicate this work to my Dad, Mom, my sister Lydia and my lovely brother Dun who contributed in one way or another to make this project to be successful.


















ACKNOWLEDGEMENT
I would like to thank all individuals who contributed and sacrificed their time towards completion of this project.
To my supervisor, for the guidance and support in the development of this research project, His advice and criticism made this project what it is.
Thanks to colleagues and friends for their suggestions, advice and encouragement. To all of you may God bless you abundantly for your tireless effort.

TABLE OF CONTENTS
Contents Page
DECLARATION i
DEDICATION ii
ACKNOWLEDGEMENT iii
TABLE OF CONTENTS iv
LIST OF TABLES vii
LIST OF FIGURE viii
ABSTRACT ix
CHAPTER ONE 10
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM 10
1.1 Background of the Study 10
1.2 Research Questions 13
1.3 Research Objectives 13
1.4 Justification of the Study 13
1.5 Significance of the Study 14
1.6 Scope of the Study 15
1.6.1Assumptions of the Study 16
CHAPTER TWO 17
LITERATURE REVIEW 17
2.1 Introduction 17
2.2 Common Forms of Child Abuse 17
2.2.1 Child ****** Abuse 17
2.2.2 Physiological or Emotional Abuse 17
2.2.3 Physical Abuse 18
2.2.4 Child Neglect or Abandonment 18
2.2.4.1 Physical Neglect 19
2.2.4.2 Educational Neglect 19
2.2.4.3 Medical Neglect 19
2.2.5 Child Fatalities 20
2.3 How Child Abuse Affects Academic Performance 20
2.3.1 Child Abuse and Academic Performance 20
2.3.2 Child Abuse and School Image 23
2.3.3 Child Abuse and Dropout Rate 25
2.4 Strategies that Schools can Employ to Curb Child Abuse 26
2.4.1 Role of Public Regulation 26
2.4.1.1 Nurturing and Attachment 27
2.4.1.2 Social Connections 27
2.5 Theoretical Framework 27
2.5.1 Learning Theory 28
2.5.1.1 Relationship with the Study 28
2.5.2 Family Dysfunction Theory 29
2.5.2.1 Relationship with the Study 29
CHAPTER THREE 30
RESEARCH DESIGN AND METHODOLOGY 30
3.0 Introduction 30
3.1 Site Description 30
3.2 Research Design 30
3.3.1 Target Population 30
3.3.2 Sample Size and Sampling Procedure 31
3.4 Description of Research Instruments 32
3.4.1 Research Instrument 32
3.4.1.1 Questionnaire 32
3.5 Data Collection Procedure 32
3.5.1 Validity and Reliability of Research Instruments 33
3.5.1.1 Reliability of Research Instruments 33
3.5.1.2 Validity 33
3.6 Data Analysis and Presentation 33
CHAPTER FOUR 35
DATA PRESENTATION AND ANALYSIS 35
4.0 Introduction 35
4.1 Background Information 35
4.1.1 Age of the Respondents 35
4.1.2 *** of the Respondents 35
4.1.3 Education Level of the Respondents 36
4.1.4 Marital Status 36
4.2 Specific Information 37
4.2.1 Effects of Child Abuse on Academic Performance 37
4.2.2 How Child Abuse Affects Dropout Rate of Students in School 38
4.2.3 Proposed Strategies that Schools can Employ to Curb Child Abuse 41
CHAPTER FIVE 43
SUMMARY, CONCLUSION AND RECOMMENDATIONS 43
5.0 Introduction 43
5.1 Summary of the findings 43
5.2 Discussion of the Findings 44
5.3 Conclusion 45
5.4 Recommendations 46
REFERENCES 47

LIST OF TABLES & FIGURES
Table 3.1 Target population 32
Table 3.1 Sample size 33
Table 4.1 Age of the Respondents 36
Table 4.2 *** of the Respondents 37
Table 4.3 Education Level of the Respondents 37
Table 4.4 Marital Status 38
Table 4.5 Effects of Child Abuse on Academic Performance 38
Table 4.6 How Child Abuse Affects Dropout Rate of Students in School 40
Figure 4.1 Views of the Pupils on Abuse 41
Table 4.7 Proposed Strategies that Schools can Employ to Curb Child Abuse 42





















ABSTRACT
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The purpose of the study was to investigate the effect of child abuse on school performance in Primary Schools in Kapyemit ward, Uasin-Gishu County. The objectives of the study were: To assess the impacts of child abuse on academic performance; to determine the effects of child abuse on schools image, to identify the impacts of child abuse on pupil drop out rate, to investigate the effects of child abuse on pupil transition rate. The study employed a survey study design. The study targeted 160 respondents which includes; 5 Head Teachers, 40 Teachers, 70 Pupils and 35 parents of which a sample size of 48 was obtained from using 30%. Purposive sampling technique was used in selecting the head teachers while simple random sampling technique will be used to select the teachers, Pupils and parents who formed the respondents of the study. Questionnaires and interview schedules were used as data collection instruments. Data was analyzed quantitatively and qualitatively and presented in form of tables, percentages and frequency. The study helped in the understanding of the effects of child abuse on the school performance, the realization of the roles parents and teachers play in the curbing of child abuse among pupils and raising awareness on the same.
 
CHAPTER ONE
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM
1.1 Background of the Study
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The effects can appear in childhood, adolescence, or adulthood, and may affect various aspects of an individual's development (e.g., physical, cognitive, psychological, and behavioral). These effects range in consequence from minor physical injuries, low self-esteem, attention disorders, and poor peer relations to severe brain damage, extremely violent behavior, and death. In extreme cases, child abuse affects the performance of schools in the affected region (Daniel, 1978).
Performance refers to how students deal with their academic studies and how they cope with or accomplish different tasks given to them by their teachers. Performance is also the ability of a school to portray a good image which can influence the public (Decastro, 1978). There are several factors that influence the performance of a school at large, however, there is a critical factor that most researchers have avoided to discuss, and child abuse has been a crucial factor that has contributed to children’s dismal performance. Apart from children’s personal intelligence, child abuse is among then key factors contributing to poor performance of learners. Child abuse can lead to school dropping, emotional trauma or can even be fatal, hence destructing or even terminating the educational ambitions of a child. (Harris, 2005)
Worldwide, according to World Health Organization (WHO, 2000) approximately 40 million children are subjected to child abuse each year. According to Human Rights Watch (2001) about 30% of all severely disabled children relegated to special homes in the Ukraine died before they reached 18 years of age. UNICEF estimates that two million children died as a result of armed conflict during a recent 10-year period and that another six million were injured or disabled. In Canada, the U.S. and Mexico, over 6.5 million children annually are exposed to unwanted ****** materials over the internet; over 1.7 million of these report distress over exposure to these materials. In the United States, the Centers for Disease Control and Prevention (CDC) and the Department for Children and Families (DCF) define child maltreatment as any act or series of acts of commission or omission by a parent or other caregiver that results in harm, potential for harm, or threat of harm to a child. Child abuse can occur in a child's home, or in the organizations, schools or communities the child interacts with. Each year, approximately one million children around the world are introduced into commercial ****** exploitation despite this problem; these developed countries have put measures to curb the vice. Rehabilitation schools have been formed and introduction of counseling centers as well. Despite the prevalence of child abuse in this developed nations they narrowly affect the academic performance since there are organizations put in place to curb the situation e.g. child associations, guidance and counseling institutions, and school based counseling programs (Giles, 2001)
Concern for victims of child abuse in Africa expressed by the African network of the International Society for The Prevention of Child Abuse and Neglect (ISPCAN) which gave five main presentations of child abuse: child labor, street wandering, ****** abuse, child battering and abandonment (Elma, 1977). Child labor according to the international labor organization (ILO), about 10 million children less than 15years in Africa are in formal employment, working long hours with poor pay and are exposed to substantial health hazards. Wandering of children refers to children, usually unkempt and with delinquent propensities, living rough in town. The reasons for children taking to the street remain poorly understood particularly in relation to factors in the child rather than parental hostility and economic (Dubowitz, 2002)
****** abuse is another. For example, arranged under-age marriages are common in some parts of the continent and doubt was often expressed as to whether a young girl fully gave consent to being betrothed (Galdsone, 1965). Prevalence rates in Africa are very difficult to ascertain because of the fear of disclosure by victims and lack of proper documentation. Most of the girls by reasons of shame fear or surprisingly respect for their usually older perpetrators. Physical battering is also eminent. Physical abuse of children is widely claimed to berate in the third world; however, there are anecdotes from east Africa skeletal frame or localized body areas of all first attendees aged 0-12 years at this hospital during the four-year period 1 January 1987 to 31 December 1990 (Garbarino, 1975). Sixty-nine of these reports reveals evidence of multiple bone fractures wither without evidence of rib or skull fracture. Abandonment of children to roam around the streets in what we call street children is also eminent in Africa, though valid and adequate information on abandonment are difficult to obtain due mainly to failure of offending parents to show up out of guilt, shame, judicial repercussions or a combination of these. However, some euro-American missionaries identified inter alia breech birth. (Erickson, 2003)
Child protection measures in Kenya are currently not implemented effectively and fully (Galdstone, 1965). Compliance with such legislation would increase if the magnitude of the problem and better knowledge about the factors that put children at risk was available. Additionally, involving stakeholders, especially agencies charged with protection, as well as involving affected children, will highlight the issues and thereby promote adherence to protection policies. Kenyan children, child activists and children organizations are pinning their hopes on the implementation of the Children’s Act to improve the lot of the nation’s youth. The Act, which came into effect on 1 March 2002, puts in place full safeguards for the rights of the child. Its passage was a giant stride in harmonizing the national laws with international agreements which Kenya has signed such as the UN Conventions on the Rights of the Child (CRC, 2002)
There is hope that the new legislation will dramatically change the inattention, neglect and abuse towards child rights. The Act outlaws any form discrimination of children, and forbids Female Genital Mutilation (FGM), child prostitution, and child labor, among other forms of abuse. The Children’s Act has immensely improved the lives of many Kenyan children plagued with high illiteracy levels, frequent **** cases and child labor since it guarantees children the right to health and medical care, provision of which is the responsibility of the parents, the extended family and the government (Erickson, 2005).
Cases of child abuse in Uasin-Gishu region have been so eminent in the recent years ((Kenya Media Report, 2004). In the year 2010 and the year 2011, there was a program started to rehabilitate this behavior. This problem is clearly evident when you first arrive in Eldoret town, it is among the towns in the country with the highest number of abandoned children who keep on moving from one Centre to another seeking help from passersby. Parents have developed behaviors of abandoning their children and deliberately sending them to the town so that they can benefit from their borrowing. So to say this has led to child labor in this region. High profile cases of school dropouts have been recorded regarding the environs of this region. Young school children from different locations in Eldoret converge in town to persuade people to offer them financial assistance. Some attend school in numbered days and decide to spend some good number of days out of school.
The communities and societies around tend to assume this situation and term it as norm. A few who might seem concerned lack cooperation from the rest. This has adversely affected the performance of most of schools, hence leading to poor living standards of the people and a poisoned future of a young citizen. The problem has affected learners in regions like many areas in Uasin-Gishu County. It has really affected child development and affected their attendance and performance in school. Little intervention measures has been taken to advocate the holistic development of the children. It was to this reason that the researcher conducted the research in the named above region
1.2 Research Questions
The study was guided by the following questions;
1) What is the effect of child abuse on the academic performance of students in Kapyemit Ward?  
2) What are some of the proposed strategies that schools can employ to curb child abuse?
1.3 Research Objectives
The study was guided by the following research objectives;
1) To identify the effect of child abuse on the academic performance of students in Kapyemit Ward.
2) To identify proposed strategies that can be employed to help curb child abuse.
1.4 Justification of the Study
It is becoming increasingly difficult to separate child abuse prevention into separate categories. For instance, strategies on the societal level include increasing the “value” of children, increasing the economic self-sufficiency of families, discouraging corporal punishment and other forms of violence, making health care more accessible and affordable, expanding and improving coordination of social services, improving the identification and treatment of psychological problems and alcohol and drug abuse, providing more affordable child care and preventing the birth of unwanted children.
Very little analysis has been done to estimate the total cost of preventing child abuse and neglect or the long-term social costs of not preventing it. There is now a move to situate child abuse and neglect within the continuum of intervention which addresses multiple aspects of family behaviors. The efficacy of tackling portions of the problem of child abuse apart from broader societal needs is not known. And, perhaps prevention can only come in tandem with efforts to reduce poverty, improve health care and make children’s issues a national priority. However, despite these constraints, evaluations of prevention programs can be improved by coming to terms with definitions of key varia

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Oh cursed soul,
that you be,
something I dont even believe,
In, but in pain filled ignorance,
I lack the eloquency  to describe,
Even a little bit accurately,
This hateful being,
This lie of a perception, I cannot wake from,
A matrix, a coded line, I find myself,
Stuck in,
The suffering of a thousand lives and worlds,
Reaching out to you, reading this,
Lying, lying, as if the words mean,
Anything, anything, No!
Yet then, I always realize circling back,
To the histories invented by past selves,
hence, influencing who I am now,
the dark corners I look forward to in the future,
The lack of resposibility, The blissful youth,
Mixed with the pain of wisdom,
And the teachings and overview,
Of going off a cliff, only to jump back on,
And run off again,
Yet, then, again I find myself looking,
In my heart at the gun, the gun of release,
Oh that I dare say,
all humans should seek.
Crazy, crazy, John,
You are crazy you say,
Aye, aye, as all we are,
Sanity is insane,
Reason is,
2+2=4, Because.
I am the because. I am the order.
I am the chaos, that puts that electron there,
And your synapses connecting there,
Oh I'm the breath you take,
Before that **** and ***,
You faked,
Little one, little one,
I am much older now in lives
Than years, I consume throwing myself away,
The self, the soul, the non existence,
Oh it is existing and it wont leave me,
And all this because,
I saw her kissing that man,
On the cheek.
Alas, that is the bane of every God and Demon,
Since nephlium, To love a human,
A mortal, the code in the matrix,
The variables for the x,
That turns your reason and logic,
Into guess work and soulbreak,
I drone on,
Where is the end,
That is the point! Dr. Seuess,
Take your money back, I know the places I will go,
Oh I've seen it now for a while, and boy do I fear,
The blank page, the unwritten line,
The truth that I've been trying to hide,
From who?
I've lived long enough.
I would like to die.

In Spain -
where cheese-making stretches back
to centuries
is a medium sized lump of
Sweet ******* Christ

blessed is the ******
whose womb merited to carry
our small herd of
hand-milked cows
providing milk, cheese, butter, and ice

and to Christians,
the lamb is the symbol of when
the pope and all the christian leadership
will be succeeded by
Moo Jesus

The Good Shepard draws not milk
not liquid from his sheep
but
an overview over Greek pagan
and Christian pastoral deities

then Christ went and
made the exorcism and
he sold in town all his
rriegitha cheese, his curds, his milk

I mentioned that The Green Sheep
had an ad coming out
in the body and blood of Christ
how could the shepherds resist
the temptation?

I was refusing the sacraments
mysticism is cheese
Christ is cheese
better still,
mountains of cheese!

Is your cheese killing the planet?
The Wedding of the Dead:
Celebration and Restraint
Christ stopped at Ebola

Overview:

-Birthday: ∞

-Studied everything at The School of...

-Lives in ∞

-Gender: Seriously?

-Religious Views: Tolerant Chaos

-Political Views: Ambivalently Apathetic Anarchy

Family And Relationships:
-Relationship: It's complicated

-Family Members: Everyone Ever

Details About You:

I am. We are. It is. Impossible to forget but hard to remember. Remember that time you found some money on the ground? That was me. Remember that time you got so sick you thought you puked your actual brains out? Sorry about that.

I love you go to hell.

To be honest I'm still surprised I'm alive after all the crazy **** I've done to myself over the years from nuclear ****** bombs to snorting the ground up bones of warring people and all that jazz. Oh yeah, not to mention those times I've caught asteroids with my face.

Favorite Quotes:**

Wind, Farts, *******, Laughter.

Life Events:

****...where do I start?

dust can always settle
red as rouge
and in the country there is
an amber wheat
until plateaus of the thickest
evergreen trees that could ever be
like sawdust against moss
- it began a short song
that I couldn't take a picture of
that I couldn't parrot
so I left it in the breeze
to catch the breath
of another stranger:
another companion.

some things
are okay to slowly forget

Overview 20
The eye of the sun that brings protection
The Hawk of affection
Sighting of spiral mazes and puzzles
Thoughts of detection followed by perception
Correction is followed by the projection
The Owl of its reflection
Selection of the sign into one connection
Thoughts that brings exceptions
The woman that corrects the mistake that follows by elections
The explosion from his direction in to her collection
The thread of the sliver lining
The application of perfection
Letting go that brings resurrection

Everything was fine after you ripped me open and melted my bones.

I was broken but I managed to repair myself without the help of others.

I saw you once again in person like it was the first time.

You had no idea what you've done to me but I told you.

You didn't believe me.

I guess I’m really the fool
to keep tripping over beards
that have no intention of being kept,
just spreading the seeds of leftover
crumbs and dried up *** from
one pair of legs to the next
I should’ve known, I had been warned
The signs were seen miles away
but I’m an aimless wanderer in search
of I don’t even know so I missed
them by a year of ******* around
Eight in nine—a personal best
but on whose bedpost do I perch to nest?

F
  U
    C
      K
Then
       S
     P
   A
W
N
Then
G
  I
   V
     E
Birth
     T
    H
   E
  N
Yawn

There is something discombobulating about feeling a shudder and a tilt, the models in front of you apparently moving slowly sideways, as the stand with your show seat starts to move in circles.

At the same time, the models at the Céline show seemed to be going off in all directions. Popping in and out of the black holes of space were models - young or older - wearing a smart green masculine trouser suit, a striped shirt, a white belted raincoat, something furry and - unexpectedly - a tunic and trousers printed with black wheels and checks skittering before your eyes.

All this and the bodies and arms of shadowy people behind the plastic backdrop. I rushed backstage to try to make sense of the show chaos (sorry: artistic intrigue), but designer Phoebe Philo did not want to talk when I asked her the point of her dramatic presentation of her Autumn/Winter 2017 collection.

"Just ideas coming together with lots of ideas," said the designer. "Just lots and lots of ideas and how they impact each other."

Around me, Phoebe's team were hugging and sobbing and clutching each other, as if this show were their last. Overview notes provided by the public relations people seemed even more confusing, apart from telling me that the installation (that required more electric cables and wires than I have ever seen above a fashion runway) was by French artist Philippe Parreno.

''The Céline AW17 collection explored Phoebe Philo's storytelling design process of how a collection is created and the notion of how changes result in impact," read the statement. "Further, the collection relates closely to the interconnected nature of women's lives and possibilities for women."

Before I read this, I had thought of Phoebe as the English designer who has her children running around backstage and who made practical but classy clothes for today's woman. She threw into the mix a few charming pieces like the fluffy flat sandals that have been picked up by other designers across the world.

With all that on offer, why did the new Céline collection have to complicate things so much?

Take away the moving seats and impossible-to-follow criss-cross of the models and there was the Céline look that any woman would crave: the bold, floor-length tailored coat; a tuxedo with its hemline sweeping right down to the ankle. The tailoring looked bigger, oversized even, which is in tune with the Eighties-style square shoulders that we have seen elsewhere this season.

Phoebe seemed to be offering a hardened version of the serenity she once found in streamlined clothes. An example of the new severity would be a plain, long sleeved dress with a hemline at mid-calf. Its softer side was a blue shirt elongated to the ankle and worn with trousers.

Ultimately, Phoebe offers 21st century elegance with the smooth lines disrupted by a tangle of fringe at the hem or what appeared to be a big blanket over one arm.

I received an overall impression of longer - to the ankle - length, a sense of sobriety and a few fanciful things for evening. What I missed in the hurdy-gurdy of the presentation, is, as yet, unknown.

With exquisite workmanship and Victoriana melded with pop, Pierpaolo Piccioli had a new vision of romance for the digital era.

Prudishness and pop - can the two really meld together? Yes! If the Victorian-style cape is in a vivid, sugary, postmodern pink and the dress underneath a colourful geometric pattern, recalling the Memphis era.

At Valentino, the 1880s met the 1980s with sensational results as designer Pierpaolo Piccioli dismissed the feminist vibe that has reverberated through the Autumn/Winter 2017 season yet created a collection that was respectful to and joyful for, women.

Just looking at the designer's four moodboards was a history lesson, as Pierpaolo whizzed me through dark Victorian carved birds, bright Memphis furniture, coral with a religious connection to Medusa - so much from the past crammed into one collection.

Yet on the runway, the result was far from overloaded, as the history of coral was subsumed into the necklaces all the models wore and the deflated Victorian silhouette - long and high waisted, but slim where a crinoline once was, seemed perfectly acceptable as a romantic vision of the 21st century.

"I wanted to add deepness and romanticism to the modernity of the shapes, so these are absolutely items that you can wear separately - a white shirt or the skirt with your own sweater," said Pierpaolo. "I think fashion is made for dreams, but sometimes you want a dream that is daywear."

The Valentino studios are at the heart of the matter, apparently finding it as easy to toss off a tailored coat with a mid-calf hemline nudging Victoriana bootees, as it is to make a soft, light dress to flow underneath. The detail and delicacy of the dresses seemed like an extension of the haute couture, but the designer was eager to point out that the clothes came from the Italian factory dedicated to Valentino.

Whether it is so easy visually to mix a sorbet pink top with tiny ruffles down the arms that flowed into a cherry ripe panelled skirt, the result was surprisingly calm. Even the dresses patterned with Memphis pop blended in with the plainer, pleated versions. And just when you thought that the show's high romance was over blown, the designer would slip in a black top over a pair of sloppy velvet trousers or calm a Memphis patterned dress with a tailored coat. A severe black jacket could be worn with anything already in the closet from an LBD to blue jeans. Like the tailored coats, it kept ripe femininity in check.

"For me it is important to keep the lightness, otherwise it doesn’t feel confident and if you don’t feel that you don’t feel beautiful," said Pierpaolo. "I think if you feel confident you can even be able to show your sensibility and really feel stronger."

However you rated the clothes - too fancy, too froufrou, too historical - there is no denying that Pierpaolo has created a vision that is respectful to women and which makes them feel beautiful. In a churning political universe, Valentino offers a small, still voice of calm.

Demna Gvasalia revisited Cristóbal’s silhouettes with surges of modern colour, print and volume.

Balenciaga haute couture has been revived for the first time since Cristóbal himself closed the house nearly half a century ago. The last nine outfits shown by creative director Demna Gvasalia, on the huge carpet patterned with the word 'Balenciaga,' had their roots in the legacy of grandeur left by the noble Spanish-born couturier, who died in 1972.

Demna, who started in fashion by building street-smart, unadorned clothes, deliberately named just Vetements (the French word for clothing), has turned towards the grandeur of the original designs that are part of the Balenciaga legacy.

“I thought 100 years was a good reason to make couture available again,” said Demna backstage. “We're not going to do a couture line or show during couture, but these pieces will be made to order – basically for people who want to buy a couture dress from Balenciaga.”

The grand offerings – the polka dot dress with bustle back, the layers of dark pink taffeta, and a slim black gown, all with large back bows, were not the only historic links. The show opened with tailored coats which were worn with a drape over the left shoulder, reminiscent of the way that the models of an earlier era would walk with their heads up, shoulders rounded and stomachs sunk in.

“I studied how the pieces are worn and I found these images from old mood boards of Cristóbal where women are standing with their coats like this,” the designer explained. “The idea was to bring this kind of elegance, the gesture of wearing those pieces, but take it into a kind of cool and make it more modern. You can also wear it in a normal way, but it is constructed so that one part is larger and then you can also pin it up. And this is what you see basically in all these books.”

Demna's way of rethinking with his brain what he had seen with his eyes is exceptional – and the reason why he seems able to update the house as if he were growing new shoots from existing roots.

The arrival of vivid colour signalled a change of pace, as every figure stood out in the farthest reach of the enormous sports stadium. The hosiery especially perhaps, in grass green, and cut-away waistcoats like harnesses in pastel colours, took the image of Balenciaga back to the early days of Nicolas Ghesquière and his futuristic period at the house.

Demna is also drawn by the flowers that were a part of the Cristóbal Balenciaga look; by showing a patterned skirt with big, bold, brightly coloured sweaters, he gave print a modern feel.

The show was not perfect. Mini dresses in the floral patterns and bright hose looked out of place. But the overall effect was precise but theatrical, with the couture creating a dramatic ending.

Choosing Demna may have been a gamble by François-Henri Pinault, CEO of Kering, the luxury group that owns Balenciaga. But the designer has turned out to be able to answer fashion's most difficult challenge: finding the balance between old and new, tipped towards the future.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/****-formal-dresses

rare moments, hit by the unseen train
your lights, so oddly hypnotizing
beautiful, in a forbidden way
a quick and silent overview
you achieve a score of ten and adoration
beat, beat beat, beat, beat beat---
my red heart is quickly confused
forbidden i say, forbidden
much higher than all the rest
awkward love of a confused heart
awkward love of a forbidden sun
awkward love of a child.

I stare through the binoculars that border my world,
my life,
my mind.
The steel rims,
walls which encase me,
limiting my sight,
my thoughts,
my knowledge.
I yearn to reach out,
to push them away,
but without them I fear I will no longer be able to see.
I feel blind already,
stumbling through my darkened doorway
to the conclusions my narrow mind rests upon.
Stumbling to the same perch,
although the route has changed,
although the facts are different.
The same limited view.
I wonder; when will I see other dazzling landscapes?
And, if I do, will I be brave enough to relinquish the safety of my curtailed vision
for the bigger picture,
a bright overview,
instead of my fuzzy focussed spot of knowledge.
Oh, binoculars, your safety is hindering.

ich wollen ein iranischherz herauf Nörden.

or simply Njørden - often the j is a softening pronunciation -
i want an Iranian heart up north -
that's what is says - imagine why he lashed out
with the words *sheisse ausländer -
miniature form of Dostoyevsky -
at 18 he was confused - his father probably
heard the words... hearing that he lashed out...
this is the proof of the power of commandments -
take one to extreme, and all the others seems
permitted - honour your parents -
he didn't shout out allah'u akbar - he did
a little maxim veto - as said unto me one,
may these bullets turn into revisited tongues -
the west has no concern for poetry -
i wouldn't make Iran an enemy,
after all... they're the ones that appreciate poetry...
mm ha ha! so given Iran's flavour for poetics
i can only applaud at their sensibility -
i too was once duped into thinking that watching
a movie i might lie to a girl and ****** her -
poetry is dead in the west... i don't write
for the west, i write from the west, which doesn't
mean i respect the west -
thanks to feminism we're cruising into
an affair of what feminists don't anticipate:
the impracticality of old age creeping, creeping,
creeping... with large families there are at least
chances of a benevolent child who might care for
his parents - in the west with surrogate foetal-things
it's hardly a bouquet of flowers sitting pretty on
a table - the problem are already waiting...
thank **** if you're rich... if you're poor?
well... hmm what a Disneyland awaits you -
**** stained and **** smeared dying for your idea
like any Communist might; well, i'm not going to
help you... ask Oxfam while the money you donated
ensured that only a penny reached the poor poor
Africans and why 99 pence reached the bureaucracy
of keeping a charity afloat - i know where
i can find fresh water... you have to cross a barbwire
fence, feed 10 horses 20 sugar cubes and you're
at a little stream of clarity... then you do the vegan
diet and sorta'h waiting for a heart-attack...
or you take a Russian Empire banknote with Tsar
Nicholas II to Switzerland and buy yourself out
with euthanasia... either way, win win.
every ****** time i go back home there's the Krähewolke -
i'm starting to imagine myself as the boy instructed by
Barbarossa to watch for the crows and a second life -
it's a small town, used to be industrious,
life here, there, everywhere, now a town of pensioners -
a European squabbling with a European but ignoring
the massive signs MADE IN CHINA, MADE IN CHINA...
MADE IN CHINA... why you blaming me for what's
going to happen to you too? you think this is the steam-engine
days of industrial revolution? do you have an Instagram
account? no. well... if you aren't going to be a third party
advert unit you're worth jackshit -
but still that Krähewolke of summer, thousands of them
swarm the sky - i'm not saying because i'm there,
i'm saying i'm there dwarfed by such a sight...
krähe die messerschmitt - so poetry is written by
*****-whipped English teachers, or it's the medium of
the weak, it has many voices but it doesn't have a voice,
it needs to be pretty, it needs to be neat, it needs to
have a prosthetic metaphor stashed in a pile of **** flare -
some say it even has to be as coherent as an Ikea
manual for putting a table together, people all of a sudden
trash the calculator and attempt mental arithmetic in
terms of reading... what... a... load... of... crock-****...
hyphen... mm... the Germans knew the immigrant Saxons
would speak less and less German and even of lesser
quality than the Turks... the Germans invented chemistry -
the Anglo-Saxons invented hyphenation... but it's so
******* weird that the Englandish outlandish will
hyphenate a word like overt-usage but never include the
hyphen in chemical nouns, like: Hydrochloric acid...
dihydrogen monoxide (yes, the d'uh hoax),
phosphorus pentachloride - what remains of Vater Schwaben
in English is bound to chemistry's language,
where the standard use of hyphen is disallowed -
the German original took on a different optometrist -
the English revision took on yet another (different) optometrist -
the eyes of the English starring at a German word
began to dizzy-up-whirl looking through a kaleidoscope -
the Germans just saw: schieße schrapnell!
achtung! achtung! die wort ist die fondant...
mm... gobble gobble gobble - pristine smile of sharpened
teeth in a smile! klebrigzähne sprechen sehr kleine-eine-miner.
well... if you're going to write a Monty Pi Ten you might
as well desecrate a foreign language with the grammar of
the one acquired - very much interested in how grammar
is reflected by Arabic left-to-right, English right-to-left
German right-to-left,but Latin left-to-right - all the genus
names - **** sapiens: rational man - or the up-kept
(******* ***** -φρεν - alt.  hi-yo in Beijing) desire for:
the instilled continuance of the rationalising man...
rationalise this! knuckle dusters down the East End -
gotta be a **** before you can be a Cockney Wiseguy -
say ooh la la say soo - bud weiss err - say ooh la la say soo -
amphetamine George says: ethanol Scottish Gaelic means:
twins sedative and un-inhibitor - talk of Enzymes -
south and shoo, north and nothing, east and extra territory,
west and **** / Vancouver - van coup verily ******
voulez-vous volleyball aha! write poetry like a dictionary
entry - spandex, annex, fly-flex - it can really become
a tennis match after a while:
   roses are   red
                   violets are blue
             i'm so in love with everything that's dead
    that i decided to call the past the necessary glue.
an article by Bryan Applied concerning poetry -
and why all poetic hearts are bound for Iran -
karaoke the current trend in the west for one -
living at a time when cooking books sell,
and plagiarism is celebrated more than any awkward
originality, but everyone still owns microwaves
and opts for ready-meals -
the rewards of old age aren't there because families
have become atomic based on individuals -
oh right? the article, it's long, ****** me off -
"we turn to poetry in times of need, but can it really
help? and why doesn't it sell more copies?"
ah the selling questions, i forgot a capitalist thinks
of poems like hamburgers...
i'll put in a bracketed word pending in the title and give
you a brief overview of the article...

*** and whiskey interlude

i don't write poetry... what i do do is **** poetry;
why do fellow artists hate poetry?
poetry in the hands of the old and young
thinks itself ******-like, the one art form that
says no to violence, no to intolerance,
no to drastic actions of revision -
keeping the Shakespearean sonnet won't do the art
any favours, it's the art too easily accessible,
because anyone can apparently write it
as long as they get a clue than a rhyme is necessary -
alternating rhymes are not that important,
i asked for a steak tartar, instead i got
plated a shepherds' pie - i asked for raw,
all i got for nanny picked and donning diapers -
poetry is best suited for that dynamo of reaction
known to internet trolls - trolls should overpower
writing poetry, they're intelligent enough, and
democratic too - cold-stone-heartless *******
should pick up these floral arrangements and
do an iron maiden make-over with them...
poems should be torture instruments,
they should never be treated as floral arrangements...
i don't like weakness, neither does nature -
when i walk into the museum of poetry
i don't want to see avant-garde art, i want to see torture,
they really did underestimate the vis poetica -
when i read poetry i want torture, i don't need
safety pins, straitjackets and other torturous
instruments of conformity - but from what i'm seeing
that's all i'm getting - ask any man why the construction
industry is ******* - women on site, women in the
army - feminism has infiltrated sacred sites of
manly brotherhood... you don't see a man stroll into
the fashion industry... well... unless he's a ****** -
a Grimm Brother's tale: once upon a time...
you could listen to a radio on a building site...
then women came in... we only heard symphonies of
hammer and drill... that alone made us deaf...
sure... we worked dangerously, we died more often...
BUT THE THRILL! **** *** bye bye... go on, wave at it...
it's like Titanic's maiden voyage... it's not coming back!
feminism's ugly head should have shoved itself once
more under a horse's galloping hoofs - a few times -
it played with the brotherhood of man - we're no longer
men, we're insurance policies, safety nets,
no wonder the Jihadis are fighting for our libidos -
cos i honestly think they are... they want us to feel the Mojo
once more from the frivolous spirit of the 1960s liberation
that only became slavery of the fake sinner -
**** it... applause gentlemen! applause! thank **** for
me donning *******, i'd be a real loser if i had to hand it
to myself without it... these days it's called the ******* -
the monk's sheaf of chastity - reduce a man to a *****
and you reduce a father to alimony cheques.
what?! ain't that true? i told you, **** poetry, don't
bother writing it, **** that pacified ***** into obedience -
you own it... without you you'd still be crying about
what shame it is that a nation that produced Shakespeare
undermines poets while keeping this old **** ticking
all the boxes of worthwhile inspection... i wish i was
the 20th century example of when poetry had some respect...
at any other time more so in the 20th century -
but we missed that train... shame for us to have inherited
such a past and the internet - so if not so keen on poetry
why Shakespeare the celebratory idol? twilight Sir
****-a-lot is coming - or so i hope.
so this article, citations:
a. Wordsworth 'thoughts that do often lie too deep for
     tears',
b. poetry is the language of crisis,
c. poetry as peak experience constructed from
    the shabby, battered bricks of verbiage
    (otherwise known as talk with a mouthful
      of spaghetti),
d. TS Eliot: 'purifying the dialect of the tribe'
     (too many dialects to make up a tribe, to be honest),
e. funerals in particular are what's called
    poetic crashing the scene, every subject,
    every opportunity, you'd never call a poet a
    polymath,
f. the healing power of poetry... the healing power?
    i never signed up to take a Hippocratic oath!
g. a permanent record of failure... or the allure of a permanent
     record of ridicule by others, so the minor success was
     there too - as in a boy buys a kettle
     is a success story, but a boy writes a poem is a failure -
     is that vocabulary as commodity without
     a handkerchief?
h.
              a sense of abandonment looms...
              the obnoxiousness of this article is all too apparent,
      i rather be headbanging to some ***** M: Ra Ra Rhas Putin -
(even surds deserve a bit of love) -
i might finish the citation of the article... but then again
i might as well cut it short - inc. in the Culture Section
of the Sunday Times, Bryan Appleyard -
people resent poetry for stealing what comes naturally -
really? so i'm a thief? a lot of people don't invest in
vocabulary - they convene to invest in flimsy investments
of slang - after graduation from being teenagers the investment
in **** suddenly disappears - grown-up vocabulary takes
over, comprehensive English, not slang English...
people don't acquire naturally (i.e. easily without discomfort),
if i were to complain to the people for treating me
as a thief rather than a poet i'd ask them to teach me to
do crosswords... a pain-in-the-***... i can't do them!
so i guess that if you're able to do crosswords you can't
write poetry, or give poetry a freedom away from all those
dusty technicalities / identifiers as such -
for poetry doesn't make anything happen
(WH Auden), it probably doesn't, but if you choose a boring
life, a lot happens... 11/15 is the feminist ratio of poetry's
Forward prizes in the genre - k k, a fraction - 11:15 -
new testament? or the old's citation? yeah... why do they
cite the bible like making bets at the bookies?
Gospel of St. Luke 15 to 1? they're betting on the 4 Henchmen
of the Apocalypse - gambling even in the testaments.
performance poetry seldom stands up on the page -
yeah, wheelchair bound, or in pop culture lyricism -
that competition between R.E.M.'s man on the moon
(yeah yeah yeah yeah), and Nirvana's smells like teen spirit,
hello hello hello 'ola! (later the yeah yeah hitchhiker's story);
did i tell you i got barred from a pub in Collier Row for
speaking poetically? a ****-hole of a pub anyway,
walked in with a pair of dolphin flippers and a shark
fin, spoke some words, made a few friends over grapefruit
ale - then a few days later got barred, because i apparently
"threw a pint glass across the room"; that's me booked
for the Cheltenham Book festival for sure... right next to
the cookbook aisle where people will be expecting to make
humble pie and cider squint tarts.

fore you guys start reading this, I would like to give you a brief overview of what it’s about. First of all,  I think it’s extremely unhealthy and can only lead to bad things even when you’re in the happiest of relationships. A week ago, I received a very detailed message in the page’s inbox, the first words were “My Confession”. It was from a man who wanted to share his mental weight with someone, anyone. So I started reading it, and it made me tear up after each line. This is about a man (who wishes to remain anonymous), a man who spied on his girlfriend because of his insecurities and trust issues, but the way it ends is just brutal. I’ve edited a few parts out, parts that were a little too much to handle. Believe me, editing this entire piece wasn’t easy, but the guy wanted it published, he wanted to world to see the dark side of relationships, and so here it is. I hope you guys have an easier time reading it than I did while editing it. It’s going to be in his own words, exactly how he sent it (with a few parts cut out because of certain restrictions).

My Confession: I spied on my girlfriend for a month, she’s my ex now

Hey “A” and “Z”, I’ve been an avid fan of yours for over two years now. I just LOVE the way you talk about relationships and how pure they are, it kind of burns my heart sometimes because I never received that purity, all I got was trauma and hatred out of love. I don’t know you guys personally but I love your work and I know you guys help people out too while keeping things anonymous. I would like to send in my confession, confession of spying on my girlfriend for a month. This wasn’t easy, writing all of this down just reminded me of what I went through, but I badly want to share it with someone. I actually want the world to know that relationships aren’t all “happy and nice”, some relationships are straight up brutal! While I gave it my all, it just wasn’t enough, and I had to find the truth through different means, means I’m not proud of today but I’m at a better place knowing that I’m not being made a fool of anymore.

Her name was *. We met through work, she used to work in the same place as I. We started off being very normal friends. Slowly but surely, our conversations started becoming meaningful, they went from being “just about work” to “about life”. This is where she started showing me her weak side, and it was pretty weak. I believe that when a woman shows you her vulnerabilities, she wants you to be in her life. And after a few months, I started having feelings for her, they just kind of developed on their own. I started noticing the increase in the number of calls, messages, hangouts etc. It was all happening so naturally and I was falling deeper in love with her. At this point, I was still too afraid to ask her out because we had a good friendship going and I didn’t want to ruin it. But this had its toll on me, I started getting possessive about her, it started bothering me. She used to have this other friend at work, he was better looking than I was, and I’d always been pretty insecure about my looks, so I started creating a distance from her and thought she’d be better off without me (yeah, I’m pretty pessimistic about myself).

After a few days, she noticed the change in the way I talk to her and she started complaining. That’s when she showed me the first sign of “having feelings” for me. That’s when I realised that I stand a chance and I shouldn’t be afraid. So, after a lot of hours of overthinking, I asked her out. To my surprise, she said yes instantly! I was over the roof! I can’t even describe the feeling in words, I just can’t. I was euphoric, I hadn’t felt such happiness before in my life. To be accepted by someone you have feelings for is a huge feeling, more than words can describe. So we started going out. Our entire office knew about our relationship, even the “good looking guy” (keep him in mind, he is important to this). We were crazy together! Exactly how you guys describe “good and healthy relationships” in your articles and page, we were exactly like that. We used to read your articles together and tell each other how happy we are and how many good qualities match.

Things were going pretty good for us. We used to have our usual fights and arguments, but they were pretty simple and used to sort of fix themselves. It was heaven for me, I’m not kidding, heaven. It was surreal. Even after 7 months of dating, we never got bored of each other. Things were just awesome. Except for one thing, she had a habit of using her phone a lot, even when we were hanging out, she used her phone 90% of the time in intervals. I used to complain about it from time to time but it never used to work. Technology these days, it can work both ways, for both good and evil. With apps like Snapchat, Whatsapp etc. you can basically do anything with anyone without the world knowing about it, it’s that scary.



I slowly started getting paranoid when I noticed that she’s online on Whatsapp even after we are done talking and we’ve said our “goodnights” and “I love yous”. Her “Last Seen” was off so I never knew when she was actually sleeping. I never discussed this with her but I spoke to a friend about it. He said it’s nothing. He said that it’s probably a bug that shows the wrong status of being online. And I wanted to believe that, so I trusted in that statement and let it go. But deep down, my paranoia was still growing more every day. But believe me, I tried fighting it as much as I could. I even started getting “busy” tones more often when I called her. She used to tell me she was talking to her brother (who lived in another state). And I used to try to believe her.

One day, it happened. We were out for dinner and she had gone to the bathroom, this time she didn’t take her phone with her (she always used to take it with her). My heart started racing because I badly wanted to have a look inside that phone, I wanted to see if something was being hidden from me, If I was being lied to. But I also didn’t want to be more paranoid, so I tried fighting myself. But after a few seconds, I justified it in my head. I told myself that I’m probably not going to find anything, and then I’m probably going to be mad at myself for looking and it’ll all go smoothly. It didn’t go that way. I opened her phone up (it didn’t have a passcode on it), and I went straight to Whatsapp. I found a very long and intimate conversation she was having with the same good looking guy from the office. It went on and on, in great detail. They used to meet up, she used to go over to his place (while I was told that she’s going over to a friend’s house). It was all there, right in my hands, a year’s worth of relationship down the drain. A year’s worth of feelings down the drain. It was bad, my hands were shaking and I couldn’t feel anything for a few minutes. But I wanted to catch her cheating, so I got a grip of myself, held my tears and put the phone back.

And that’s when I started “spying” on her. I used to be very aware of what she was saying, of where she’s going etc. I was heartbroken but I tried my best to be the same in front of her, to not show any sign of sorrow or regret but it was killing me inside to not push her out of my life. It was disgusting. One fine day, she told me she was going to her “friend’s” house. And I actually followed her in a friend’s car. I followed her all the way to the house. It was the same house, the house I was hoping it not to be. The guy’s house, the good looking guy. After ten minutes of waiting outside, I went and knocked at the door. It was him, with a very weird smile on his face, as he looked at me in a state of shock. I forced myself inside (at this point I wasn’t even feeling normal anymore, I was filled with rage) and saw her in his bedroom. I just stood there, looking at her in silence, the tears started flowing right out in front of her and I left, without saying a word. I instantly blocked her from every possible means of communication. She tried contacting my friends, but none of them let her get near me.

It’s been five months since that incident, and I still have a lot of questions that I need answers to, but I just don’t want to spend another minute with her, I just don’t want to waste another feeling on her. I don’t think I’ll ever be able to love again, but I surely won’t let anyone play me for a fool again. So, for everyone who’s reading this, please don’t let your feelings go to someone who doesn’t deserve them. Please don’t get cheated on. And for those who have similar experiences, you’re not alone.

Thank you guys for reading this, I would be very happy if you posted this on your website, I really want to know what people have to say about this. Thank you.

Talk to me

If you guys have anything to say to him, please let him know in the comments below, he is going to read them all. As always, stay blessed and keep the love alive.

I have spent the past two years disseminating my commentary, PEACE ON EARTH THROUGH LOVE (see below) to virtually all 200+ nations on Earth. I have used newspapers, radio stations, social groups, NGOs that help the poor, that help those who are hungry or are starving to death, that help those who are being persecuted and tortured by their own governments, to those who are fighting catastrophic climate change, to those who are trying first to curtail the arms race for hydrogen bombs (there are more than 15,000 of them on Earth that we know of officially) each of which is 1,000 times more powerful than the atomic bombs the USA dropped on Hiroshima and Nagasaki.

It's my observation that the vast majority of people who are deeply into the use of ever-advancing computer technology want to get rich, and after they get rich, get even richer. I see it differently. I see these advances as opportunities for all human beings on Earth to be able to live a better life, a better life not by getting richer through the increasing acquisition of "things," but of love and sharing. My commentary speaks to my values:

PEACE ON EARTH THROUGH LOVE

by

Tod Howard Hawks

PREAMBLE: All we have is our little planet, Earth. For the vast majority of my life, I have thought, "What would it be like to have Peace on Earth?" But for only two, maybe three, weeks every year, usually around Christmas, I would see the phrase "Peace on Earth," mostly on Christmas cards. But after Christmas, I would not hear or see that sanguine notion for 11 more months. The longer I lived, the more this annual ritual bothered me. At Andover, I had studied European history. At Columbia, I had majored in American history. Over time, I increasingly came to the realization that in both prep school and college, I had essentially been studying about wars on top of wars and their aftermaths: millions and millions and millions of human beings being killed. Most scholars believed only a little over 200, out of roughly 3,400 years of recorded history, were deemed "peaceful." Humanity, I concluded, had a horrible track record when it came to effectuating "Peace on Earth." And during my lifetime things have not gotten any better. 

SPIRITUAL ECOLOGY: There is one land, one sky, one sea, one people. The boundaries that divide us are not on maps, but in our minds and hearts. Earth is as poor as its most destitute Citizen, as healthy as her sickest, as educated as her most ignorant. If we pollute the upper waters of the Mississippi, then ineluctably we shall pollute the Indian Ocean. If we continue to pollute our air, the current 7,500,000,000 Citizens on Earth will die. The water and air of the world care nothing about national borders, nor does the pandemic. The imminent threats of nuclear holocaust and catastrophic climate change we need urgently to prevent. This is the truth of Spiritual Ecology.

CAMPAIGN FOR EARTH: If we can wage war, why should we not wage peace? Nations are anachronistic. Therefore, there will be none. There will only be Earth and Citizens of Earth. Each Citizen will devote a sizable number of years of her/his life to the betterment of humankind and Earth. All military weapons - from handguns to hydrogen bombs - will be destroyed, and any future weapons will be prohibited. All jails and prisons will be closed, replaced by Love Centers (see below). Automation and other technological advances will enhance the opportunity for all Citizens exponentially to realize their potential, personally and spiritually. There will be no money. All precious resources and assets of Earth will be distributed equally among all Citizens. The only things Citizens will own are the right to be treated well and the responsibility to treat Earth and all its Citizens well. All Citizens will be free to travel anywhere, at any time, on Earth. All Citizens will be free to choose their own personal and professional goals, but will do no harm to Earth or other Citizens. All Citizens will be afforded the same resources to live a full, safe, and satisfying life, including the best education, health care, housing, food, and other necessities throughout Earth.

LOVE: The only way to change anything for the good, for good, is through love. Love is what every living creation on Earth needs. Love Centers are for those Citizens who were not loved enough, or at all, especially at their earliest of ages. Concomitantly, they act out their pain hurtfully, sometimes lethally, often against other Citizens. Citizens who are emotionally ill will be separated from those who are not. Jails and prisons only abet this deleterious situation. Some Citizens in pain may need to be constrained in Love Centers humanely while they recover, through being loved, so they do not hurt themselves or others. In some extreme cases, Citizens may be in so much pain that they remain violent for a long time. Thus, they may need to be constrained for the rest of their lives, but always loved, never punished. In time, Citizens, when loved enough, will only have love to give, and the need for Love Centers will commensurately decline.

EARTH: In 1948, Eleanor Roosevelt chaired the commission that wrote the Universal Declaration of Human Rights. UDHR, with some updates and revisions, will serve as the moral and legal guidepost for Earth.

GENERAL ASSEMBLY: To honor and remember the former nations on Earth, one member will be elected by Citizens from each of these former nations to serve a one five-year term as a member of the General Assembly. In succeeding elections, Citizens currently residing at that time in areas that were formerly nations, will again, in perpetuity, vote for one Citizen also residing in that area, for a one five-year term as a member of the General Assembly.

FIRST VOTE: The first vote of all Citizens will be to establish CAMPAIGN FOR EARTH. Majority rules. Citizens will have to be 18 years old or older to vote. All Citizens will have access to Internet voting, as well as access to smart phones and other types of computers. Citizens will have her/his own secured ID codes. Citizens will be encouraged to bring before the General Assembly all ideas and recommendations, as well as any concerns or complaints, which will be considered and responded to promptly. Citizens' ideas and recommendations will be formed into proposals drafted by members of the General Assembly. Citizens will have the first two weeks of each month, every month, to vote on these proposals of the previous month. Members of the General Assembly will be facilitators who will work with millions of volunteers. Citizens of Earth will be the Earth's government. There will be no president of Earth.

ALLCOTT MOVEMENT: Citizens of Earth will instigate the Allcott Movement-not boy-, not girl-, not woman-, not man-. but the nonviolent Allcott Movement-against each multinational corporation and every mega-rich individual unwilling to abide by the democratically held, worldwide vote in favor of the CAMPAIGN FOR EARTH. Citizens will continue to use the nonviolent boycott against recalcitrant multinational corporations, and, in a similar nonviolent manner, will continue to use viable pressures against the recalcitrant mega-rich of the world.  All smaller-business wealth will be converted into resources to be distributed equally among all Citizens. All proceeds in excess of what's needed reasonably by each Citizen will be saved for future generations. Consequently, Earth, which for millennia has been turned inside-out will be turned right-side in. Citizens will take these steps because they are the moral, the right, steps to take to save all of us, all other living creations on Earth, and Earth itself.

CELEBRATE AND SHARE: If you were to take a photograph of humanity and gaze at it, you would see a beautiful mosaic of mankind of different, beautiful colors. If you could step into the photograph, you would hear a melody of languages and dialects. You could have a worldwide picnic with all your sisters and brothers and experience different customs and taste different, delicious foods. And in moments of silence, all of you could pray in your different religions, separate but together at the same time. You would also share the same human laughter and joys and feel the same sorrows and cry the same tears, all in Peace on Earth eternal. All of you would come to delight in these differences, not dread them. You would look forward to celebrating and sharing with your family, not killing them. The spiritual whole would be larger than the sum of its sacred parts. 

PEACE ON EARTH: Wealth is not worth. The mansuetude of loving, and being loved, is. When love is your currency, all else is counterfeit. Citizens will be able to go about creating their own happiness that is built on love-based personal relationships and professional activities. No longer will human beings be able to profit from another's pain. With love at the center of being and living, there will be no more corruption, no more dictators, no more wars. Finally, there will only be Peace on Earth forever.

Copyright 2021 Tod Howard Hawks

A graduate of Phillips Andover Academy and Columbia College, Columbia University, Tod Howard Hawks is a poet and a human-rights advocate.

todhawks@gmail.com


My commentary is only an overview that needs to be expanded and refined;  nonetheless, I believe it speaks to the core problems we all face and desperately need to ameliorate. It is both visionary and viable. The several billion poor, and extremely poor of the world, will join hands, I believe, with the enlightened on Earth that will constitute a majority that will vote in favor of the CAMPAIGN FOR EARTH.

The task to right all the wrongs, to turn Earth right-side in from having been inside-out for untold millennia will be a Herculean undertaking, but millions and millions of volunteers from all over the world will help make these necessary changes if we wish to save Earth and all living creation upon it.

If any of you and your friends wish to be a part on this unprecedented endeavor, please email me at todhawks@gmail.com and include your names and email addresses. I shall keep a list and will contact you all in due course. I thank all of you in advance.

Everybody needs to be loved.

We all shall love them by saving Earth, their home and ours.

He has been lying for a hundred years
and I have too,
only good on my back. The flower you never want to wilt –
placed in cement, eternally beautiful even if
you will never see her again. He
lied for us, I lay down
hoping he can drink nectar from two women at once,
I lie on him and he lies to keep me happy.

don't look at me like that
as I rise on shaking legs
and begin to push my chair up a steep hill.

I am far too tired to put my body through the hell
that self-propulsion would inflict upon me here,
and far too tired to tell you anything more than to
b a c k   o f f
as you raise a judgemental eyebrow,
or make a pointed remark to your friend
about how lazy the youth these days are.

if I could summon the energy, I would say
'forgive me; every cell in my body is giving up on me
and it is almost more than I can bear to be awake right now.'

if I could summon the energy, I might even give
a brief overview of chronic illness, before realizing
that I owe the details of my medical history to nobody.

if I could summon the energy,
I wouldn't be in this ****** chair in the first place
ducking your glares and stares and *******.

so don't you dare look at me like that,
or I'll run my wheels over your foot.