Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

I fell down in the pit
And somebody stomped on my glasses.
People nowadays have no manners or compassion I swear.
All this pushing and shoving for material gain. Just sat right there on the floor and cried so.rude.
I just wanted a nice night out you know a good meal with a glass of wine and a  little dancing.
Guess I'm going to call it a night.
Mosh Pit phobia for life.
Who knew.

<music>
<en-nan nin nin en-nan et dan>
It's the Bra-Hi STOMP,
             COME ON, COME ON, COME ON!
<music>
It's the Bra-Hi STOMP,
<music>
...a pen, a floor, A CAGE,
             It's the Bra-Hi STOMP,
<music>
ON THE FLOOR, down you go-oo,
            It's the Bra-Hi STOMP,

It's the Bra-Hi STOMP,

Caught in, caught in, caught-up again,
            It's the Bra-Hi STOMP,

It's the Bra-Hi STOMP!

COME ON, COME, COME ON!
           It's the Bra-Hi STOMP,

ON THE FLOOR, down you go-oo,
            It's the Bra-Hi STOMP,
<musical break>
.
.
It's the Bra-Hi STOMP,
             COME ON, COME ON, COME ON!

It's the Bra-Hi STOMP!

<fade out>

the thought of death is an uneasy thought
in my case it's a ****** nightmare

on the 16th day of May, 1967, Mr Youngblood took his 6th grade class to the playground as he always did, every Tuesday after lunch. The kids spread out to their usual positions. Some played catch with Mr Youngblood. A few, like Roger and me went to the basketball net and several played on the monkey bars, both of which were part of the big asphalt square. Just opposite this area was the soccer field and then some good distance between that and the Middle School. Lots of open space for a bunch of suburban kids to have fun. The Sun was bright and the wind was light and the temperature was right around perfect. We had been playing for 10 minutes or so when the wind picked up and clouds seemed to move in out of nowhere. We all thought it must be a storm coming...and it was. A distant laugh froze everyone. At first no-one saw him, but then we all saw him at once. He was walking across the soccer field towards us, long deliberate strides with long thin legs that seemed to bend once slightly below where the knee should be and again slightly above, making each stride awkwardly horrifying. Where he came from is a mystery as there was nothing but open land behind him for several hundred yards. He was tall and lanky and as he approached us, I noticed that his face was contorted and discolored...a pale, almost painted white and he had jet black hair combed back, long and greasy. His lips were thin and black and his eyes bloodshot and almond shaped. He wore a black suit, a black shirt and candy apple red tie. He looked like a mosh-up of Curry's Pennywise and Ledger's Joker, only I would have traded for either one of those ******* right now over this guy, ten to one. He came to the edge of the concrete square. Johnny ****** his pants and Charlene fell from the monkey bars, landing awkwardly on her left side and causing a compound fracture, her radius protruding from her skin leaving her hand dangling like a dead fish. She did not scream either because she was scared it might draw his attention or she was going into shock...or maybe both. He took two more steps forward and then began laughing as if he'd just heard the funniest joke he'd ever been told. His teeth looked as if they'd been replaced with shark's teeth. I swear there were rows of them and his mouth stretched inhumanly wide. His laugh slowly winded down to a snarl, and he gave a long look to each one of us, as if he was burning the faces to memory. And then he spoke..."You children just go on having lots of fun! Well, except for you Johnny...didn't your Mom just rip you a new *** for ******* your pants at Grandma's? shame, shame!" And Johnny was off...tripping twice before he got his feet under him. "You run home and ...Ha Ha Ha...oh my...change your pants, you pathetic little ****!" Mr Youngblood picked up Charlene and started to carry her inside. By this time her pretty pink dress was soaked in blood. The freak addressed him. "Nice man...but you can't save them. In a few days they will all be mine." He laughed again and every kid ran for their lives back to the school. I was the only one who stayed. To this day I'm not sure why. He turned and walked towards me slowly. "What have we here? The little man isn't running with the others. Are you not afraid Billy boy? Afraid for your life?"...and he leaned in close...close enough that I smelled a foulness that cannot be described. "Because that is what I'm here for...your life!" "Who are you?", I asked... and with that his dark black and pointed eyebrows raised and he straightened up. "Who am I...Who am I? My, my the boy has a backbone. The nerve to question while others lose control of their bladders. Well, I'll tell you who I am, child. I am God's worst nightmare. I am every ***** little secret thought you've ever had. I am evil in all it's forms wrapped up in one little package and sent to collect the souls of the innocent. All of you here today will be mine tomorrow. Roger will fall down the stairs off of his front porch and break his neck. Charlene will die from infection due to that nasty little accident and Becky will be hit by the school bus Thursday morning. That will be most nasty! Almost a decapitation. I won't bore you with the rest, but they will all die. Hmmm...you know what Billy... I like you, so I'm thinking, perhaps...yes, I'm going to make a special offer to my new special friend. I won't take your soul until you die from natural causes. What do you think of that idea? At that moment, when your family is gathered round your bedside after suffering that...well, maybe you don't want to know the details... you will see a bright light...but you won't be going towards the light Billy...at that moment I will place my hand on your shoulder and that light will slowly fade into darkness and we will meet again, and you will become my apprentice. So, what do you think of that, Billy? Do you want to be my apprentice, or do I **** you now? Come, come...I haven't much time!" I tried to answer, but my mouth was as dry as cardboard and I could only manage a weak gasp. That laugh again and he turned and walked away in the same direction..."I'll take that as a yes. Remember, you are mine upon your death, Billy boy!" The wind died and the Sun appeared again.
By the end of the week, every child on the playground that day had died...exactly as he stated they would.

And now you know why, even in my darkest days, I never, ever contemplate suicide.

the first time i went to a real concert
i thought my heart was so full it was going
explode all over the speakers.
it was a ******* patronus moment,
you know the kind of **** that’s gonna drive away
all my demons like thieves in the night on buses out of town
when i think about them now.
and you know how hard it is to find somewhere
where the people don't make fun of you
for singing the wrong words?
because listening to the same music is sort of like
instant camaraderie, all of us singing off-key
to the same beat,
even the jaded twenty somethings
who complain about how all the music theses days
just has less words and more synth.
we’re all hearts without ribcages tonight,
and i didn’t care what they said because
i swear i didn’t even feel the broken bottles
under my shoes when i was walking home after that show,
i was so far on cloud nine.
it was like the best kind of high
only i was sober as **** and i didn't need to
take anything i was offered
because it felt like i already had it all.
and i knew what to do with my pain now:
take it and dress it up in it’s friday night best,
make it into something everyone will know the words to
and suddenly it’s a lot harder to hurt you
when it’s not still rattling around in your chest
like parasites disguised as butterflies.
and maybe i’m not punk rock
enough to rock a mohawk,
because to be honest the only band
i’ve ever been in is the marching band,
but i still got **** to say even if it doesn’t have a chorus
and my pen’s bleeding ink all over my kitchen sink,
because i’m not afraid of myself anymore
and i’m not afraid of being alone anymore.
and i never had a punk rock john
or any type of pete wentz guru in my life
patching up my knuckles,
just the music
and it was enough.
so i think i’d rather watch people cough up
their hearts onstage
and come home smelling like *** i didn’t smoke,
X’s still on my hands,
than cough up mine in the bathroom,
in my bedroom, all alone like i used to.
just because i’m not afraid of being alone anymore
doesn’t mean i really want to be
and kids like me we want immortality so bad,
why else would we write?
why else would we go to concerts,
spend all our money on experiences?
so maybe that’s why
i’m spending all my money on concerts tickets
because i know we either grow up to be rockstars
or parents sending our kids to their shows.
there isn't much in between.
and i want to scream myself hoarse
before i run out of breath.
because tonight we’re all just kids at a concert,
pressed in on all sides and dancing even though
no one has enough room.
we’re all just singing about the same things tonight.
because life is a lot like crowd-diving,
it’s scary and i’m not sure i’m cool enough for it
and you can’t be sure anybody’s going to catch you.
because when you’re fifteen,
i think everybody thinks about
getting the hell out of their veins at one time or another.
when you’re fifteen,
i think everybody thinks about
disappearing at one time of another.
and i think inside we’re all kind of still fifteen sometimes,
whether we’re twenty-one or forty-five.
no matter who you are, sometimes you wake up
and you’d give anything to be somebody else.
and sometimes we’re all kids about to get trampled in the mosh pit,
but you know the rules:
when you fall down
somebody’s gonna pick you back up
if you don’t get back on your feet yourself,
i promise.

waiting, enter, music
enter, music, fans
music, fans, dance
fans, dance, mosh
dance, mosh, break
mosh, break, band
break, band, leave

These vans on my feet are *****.
Dripped on by the blood of a won basketball game.
Dirt covered from the many mosh pits.
Torn on from my longboard grip.
Rubber grey from long walks.
Bled through tie die from lots of running
Brown stains from standing in the woods
Broken eyelets from a forgotten drunk night.
Missing shoelace caught in a bicycle wheel.

Only to be replaced.
Just like my love.
Like my summer.

The mosh pit of the dammed,
They Hunger the osculation
Of life's lingering rhythm.

Skeletal remains heave remnants
Of decomposed self at the stage
Degrading what they leech upon.

But as life throws its yearning
Descending into chaos's pit.
Flesh now bone finding no peace.

we
are somewhere
in the middle of punk rock and metal
you and I

as the metal rips through your thoughts
and opens your mind
to all that this chaotic universe is
outside of this tangible reality
those eternally burning stars
allow us to touch
then explode into oblivion
to a place where Lucifer and Jesus mingle
those serrated tones, they continue ripping through your thoughts
murdering anything disconnected from the balance of chaos
they nail your body to a cross across the universe
as you have asked to die
as you have sacrificed yourself
admiting to the need of a revolution
and this
is where your soul will forever lie
until the day you die

the vibrations of punk rock
form themselves into an infinite pack of wolves
and bite down on your skin
so you mosh and mosh
ripping yourself apart
for all who mosh around you
to feed on and join
their words
the teeth of wolves
dig into you
igniting the lost connection you once had
to the tangible world you live in
and as they continue to rip your flesh apart
until you have been torn down
to nothing but bones and organs
then left with a choice
to bark
or to howl and growl
as they beg your soul
to fight
for what you have always known is right

thousands of years ago
Plato spoke of shadows
of puppets
cast upon a wall underground in a cave
by a large fire
burning behind its viewers
warning us of being lead astray
by the warmth of a fire
we never turned around to see

yet still, we are amongst the shadows
yet still, we choose to ignore
the instant burst of growth of the fire
as bodies jump in
at 27 years old
embracing the idea
of the death of death
and those willing to stay and fight
their howls and growls have been lost
within the fake copies of their brethren
wagging their tales
and ripping children's faces off

and so
we
are somewhere in the middle
of punk rock and metal
you and I
as we wonder
which is giving in
and which is not

what does it mean to die?
we ask
as we die
then rise again
what does it mean to live?
we ask
as we live
and die again
fading into
something real
something tangible

and so
we
raise the dead
and so we
raise the dead
and so we
raise the Dead!

and so
I have loved
I have hated
and to jump off a building
would be as in my dream

it is all the same

the blood of demons
drips from my mouth
as I have accepted their existence
as nothing more
than the blood of angels we were before

you can see their blood
fall down
as it shoots across the night sky
emiting such brilliance
distracting you
from the belief
that a thing such as destruction
ever truly existed

I wish I woulda run in to you in that Mosh Pit last night;
certainly not in a bad way, but not necessarily in a good way, either.

Punk Rock John introduced himself to me at my first show. He said, “kid.. protect your teeth, do NOT lick the walls, and don’t ******* the crusty’s. If you get cut, let it bleed– you’ll be fine.”
I was 15 years old, thinking about unzipping my veins. And while most 15 year olds would have done drugs or written a ******* poem, I went to ****** bars and basements and gave my best friends black eyes.

For the first time in my life, I knew that when I fell, someone was gonna pick me up. That first mosh pit was not a quiet conversation about suicide, it was Punk Rock John telling me, “Hey *******! Don’t **** yourself! Don’t waste your unscarred knuckles.” My rage bloomed. Why hate myself when I can hate parents, high school, the radio, record stores, magazines, corporations, yuppies, my parents, cops, rain, sunshine, beach days, phone books, and tiny ******* cupcakes? *******, if that first day of punk didn’t sound like Buddy Holly played back, double time, distorted, compressed into four chords.

The first time I saw Punk Rock John, he was halfway through a frontflip stage dive, and he landed directly on me. He picked me up, dusted me off, and threw me back in the pit. Punk Rock John was 6’4, had hands the size a kick drum, and he smelled like a 20-year rain. He was Noah. He was our shepherd. One time, I was getting ready to dropkick some metal kid when John got me in a headlock and said, “quit ******* around, Neil! You don’t know who this kid’s friends are, and I ain’t putting you out if they set you on fire.”

John told us, “the church of punk rock was always open. If you wanna pray, just crank up the stereo until your ears bleed. If you wanna pray, just grab your brothers and sing! Sing out of tune, sing the wrong words- just sing! Loud!”

But then some out-of-town skin dropped a guillotine knifeblade into John’s skull. The blood was pouring from his ears. He was dead before he hit the ground. John brought me into a world where I felt loved, and that world took him away. I buried my leather jacket, patched the holes in my jeans, and tried to pluck the chords like stitches from my chest.. but John still speaks to me. When the world is larger than I am, when my chest is a vice.. I put that needle on the record, I turn it up until I can’t hear ****, and I tell myself: as long as I have hands, I can break something. As long as we can breathe, we can sing. As long as I can remember, I will hear him– he says, “kid, you’ll be fine.”

"Wagons East (1994) - IMDb www.imdb.com/title/tt0111653/ Internet Movie Database Rating: 4.7/10 - ‎3,545 votes (stylized onscreen as ‘Wagons East’) is a 1994 western comedy film directed by Peter Markleand starring John Candy and Richard Lewis. The film marked one of Candy's last film appearances although it was not his last film release. His last film, Canadian Bacon which he had completed before “Wagons East,” had a delayed release in 1995. The film was notable for its leading actor Candy dying of a heart attack during the final days of the film's production. A stand-in and special effects were used to complete his remaining scenes and it released five months after his death."

And it’s Wagons East!
John Candy’s last mega-bomb,
Released 5 months postmortem.
Alas, even the sympathy vote stayed home,
Reject the we-owe-it-to-him-for
“Planes, Trains & Automobiles”(1987, IMDB).
The role, like money in the bank,
Earning diminishing returns,
Yielding interest but losing value over time.
The myth of INTEREST:
Das Capital, 2015.
The Prime is at 0%,
Yet, Inflation soars at, well,
At inflationary rates,
Digit-pounding inflation,
Higher food & shelter prices,
Masked ever so cleverly,
So deftly obscured by benevolent gasoline prices.

“Planes, Trains & Automobiles” (1987, IMDB)
Meet Del Griffith,
An obnoxious slob,
A complete schlemiel
(Also shle·miel (shlə-mēl′),
A serene shower curtain ring
Salesman and tour de force.
A film illustrative of everything
We love about farce,
(Merci beaucoup, Molière!)
And love about any
John Hughes/Steve Martin collaboration.

Needless to say,
I watched “Wagons East”
On TV the other day.
It was ten o’clock in the morning.
Will-o'-wisping in the ashtray,
Smoke from my first joint of the day.
The ashtray, a mosh pit carbonara--
Actually, an inverted exoskeleton dome--
One of dem big muthas,
I once free-dived for,
Offshore Mendocino Coast,
Back in the day,
Back when THE FRENCH LAUNDRY . . .
(The French Laundry: Thomas Keller Restaurant Group, www.thomaskeller.com. Chef Thomas Keller visited Yountville, California in the early 1990's on a quest for a space to fulfill a longtime culinary dream: to establish a destination for fine --314 Google reviews · Write a review 6640 Washington St, Yountville, CA 94533 (707) 944-2380. Daily Menus - ‎Make a Reservation - ‎Restaurant)
Back when THE FRENCH LAUNDRY
Paid beaucoup bucks for
Well-tenderized,
Sledge hammered slabs of illegal,
Black Market abalone.
Most assuredly, I digress.

So where else would I be?
My laptop was open & willing,
Legs spread, wet and waiting for
Whatever comes what may.
What came was a film
Earning pitch perfect
Dramatic chops for Candy.
We owe you, Del.
We owe you for this Anthem:
“You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right, I talk too much. I also listen too much. I could be a cold-hearted cynic like you . . . but I don't like to hurt people's feelings. Well, you think what you want about me; I'm not changing. I like . . . I like me. My wife likes me. My customers like me. Cause I'm the real article. What you see is what you get.”
But that was then,
This is now.
Wagons East:
A disastrous ****** bomb.
A vapid character jambalaya:
(1) A defrocked doctor
(2) A sagebrush *****.
(3) A queer book vendor.
(4) A Donner Party Survivor
Sounds can’t miss, right?
Or was it a classic Broadway/Hollywood sting?
Redux: “Spring Time for ******.”
N'est-ce pas?
Four *******
Heading east by wagon train;
Giving up on The West,
Heading east for Saint Louie,
Where freaks & geeks go undercover.
Down go their guards.
Camouflaging the chimera,
Transits the urban Wasteland,
Vast & nasty, as it were.

St. Louis, Missouri:
A much more tolerant
Hideout place.
THE WEST:
Just too much of
A hassle, I guess,
Too much for one’s
Flat-lined human mind,
Bored too shitless by
Buffalo turds to venture thought.
THE WEST:
Neorealismo italiano.
Complete Jolting-Joe reality,
A veritable wake-up call
Devouring any & all
Residual romantic fantasies . . .
THE WEST:
Struggle & Drudge,
Life lived west of the Mississippi.

Rangeland Romances #9 Go West For Your Man! Kindle (www.amazon.com) Books Literature & Fiction Amazon.com, Inc. Start reading Rangeland Romances #9 Go West For Your Man! Get the free Kindle Reading App or read on your Kindle in under a minute. Don't have a Kindle? www.amazon.com

That’s right: another advertisement,
Smack dab in the middle of
Of the ******* poem!
My invention, by the by,
Putting herein another plug for
A preferred memorial gravesite,
The Shrine To Me!
Situated in Scituate,
(Always wanted to say that.)
Scituate MA (www.scituatema.gov)
Knowing my kryptonite crypt,
My not-marble-nor-gilded
Princely-monument,
Had no chance to outlive
This fakakta rhyme scheme . . .
The Shrine To Me!
My final resting place:
My very tony, exclusive
Sub Zip Code?
The South Transept
Westminster Abbey
The so-called Poets’ Corner,
Of course!

Which brings me to my true purpose:
My true intentions for you this morning?
To publicize the strange Case of
CHARLES ROCKET:
(Go ahead, ******* Google him!)
“Charlie Rocket, found dead in a field near
His Connecticut home on October 7, 2005,
His throat had been cut.
He was 56 years old.
The state medical examiner
Later ruled the death a suicide.”
And if you believe the Coroner,
A Medicine Man &
Master of Self-Interest;
If you give that sharp-dealing,
Proverbial Connecticut Yankee his due,
Then you will probably also think
That millionaire Robert Durst
Didn’t **** Susan Berman,
Even as we see him
Getting away with ******.
Again.

Lately I have been thinking about reasons to live, not because I am suicidal or I am ready to die, at least not now. I have been thinking about reasons to live because I have started to take the path of least resistance. I am no longer living I am merely alive, I wake up, survive, wake up, survive, wake up, survive. I wake up and I survive, and that’s it. So I made a list, of reason to stay alive.


1. Laying in the grass in the middle of summer

2. Dancing in the rain

3. Learning stupid, pointless skills

4. You never know, My Chemical Romance could come back

5. Going for long walks alone

6. Concerts

7. Mosh pits

8. Pulling all nighters that you regret the next day

9. Laying in the grass watching the clouds

10. Driving aimlessly in the country

11. Road trips

12. Spending time with your best friend

13.Sleeping until noon

14. There is someone, even if it is one person, who cares

13, wait 14, no 15, that’s right

15, you are probably better at counting than I am...

Finally, you should stay alive just for the reason of living life to the fullest. Stay living to prove those who said you can’t wrong, stay alive to see every state every country, stay alive to prove to yourself that you are stronger than the **** that is happening around you, stay alive if not for your self stay alive for you family your friends, hell, stay alive for your dog because life is meant for living...

From caribou, sheep,
and seal skin linings,
to modern leather,
and endless refining.

Boots have come
so far in a hurry-
once thin and essential,
now stylish and furry.

From Doc Martins moving
on mosh pit floors,
to fireman's boots,
and kicking down doors.

Buckles and laces
and straps and steel toes.
Patterned, simple,
they fit with your clothes.

Each boot has a story,
a personality too.
They help you dress up,
and with the things that you do.

We all have our favourites,
our boots we don daily,
The boots that add to
our own story, maybe.

For me, it's my gumboots,
you may ask yourself, why?
Simple: they keep
my blue jeans dry.

Synchronicity -
It means all of the events
flying, WHIZZING!, d-r-i-f-t-ing by us
as we ourselves float through the world
are related, connected, entangled,
and emerge from some kind of
divine symphony.

The sounds of laughter, tears dripping,
hearts BREAKING, SMASHING, SHATTERING,
the scraping knees crawling through the rubble,
hands SLAPPING TOGETHER as heads turn
towards heaven in prayer-

The warm embraces, -sighs- of comfort, lips smacking,
bodies pressing together in the hopes of being
reunified for a few moments, the glances,
the poems, the letters, the rings exchanged
and matching cemetery plots-

The triumphs, WOO-HOOS, celebrations,
toasts, clinking wine glasses, bottles, mugs
bumping fists, patting hands drumming
confidence into chests-

They are all supposed to be
one godly plan.
Like high notes, tragic sonatas
and joyous fingers plucking
heavens strings into
gracious cords and
silent pauses between tracks
are all one concert that we're conducting.

But doesn't it all feel so fragile?
One broken instrument, one
distracted player, one missing page in
your play book, a hand swished too hard,
eyes-too-penetrating or overly
aggressive dismissal of your
prized pianist
and the whole orchestra
falls into chaos.

What's it mean? What was that lyric?
What key is it in? What is the right tempo?
Do I emphasize the earthy drums that provide stability?
Do I drag you along on a magical carpet ride of echoing
falsettos, throats tugged like the handle-strings
drawing across my violin eyes on an exciting journey?

Or do I sink into the minor keys of my pain-
Songs that I don't share, playing on headphones
now I want to blast them, sob them out, sing them in whispers
at first, let them grow in me like my apathy, swell into tumors of
fear, and hurt and eat me from the inside out!

I want to shout songs of suffering. Have my piano keys
spin you into my anxiety, guitars raising the key like water rising
one floor at a time in the Titanic that is my beating heart.

I want to watch the drummers sweat as they beat out the rage
of having my most precious friends, objects and opportunities
snatched away - over and over - despite the progressive movements.

I want to draw you back into my finale with my fear. It will have to be so disturbing that each note raises hairs on your neck. When I drop my baton, leaves you with my night terrors - so foreign from the concert I'm playing that I'll need

electric guitars, wild wind instruments, theramin and a chorus of sirens and banshees to scare you back into your seat. Songs inspired by fear, pain and sadness, anxiety and misery are all you'll find at this concert. Songs that make bowing an act of submission and never respect or adoration. My forums lack fan clubs. Covers of my songs don't exist.

Please - leave your hearts at the door. Chances are that fate,
the ultimate conductor, will rip me out of this black-and-white
universe that traps me like a suit made from
straightjacket fibers, anyhow. Because life, no matter how unified they tell you it is, LIFE doesn't get remastered. There is no deluxe version, b-side, or re-recording.

No one can auto-tune my words. The dangerous, raging guitar solos of insults and fury that have wrecked
all of the men who really cared at one point.
The friends who survived the mounting anxiety of watching me
skip like a CD in the broken walkmen we had as kids. Sorry! Sorry! Sorry! I meant to! Mean-! Mea! Meant, Meant, Meant, Meant <silence>, SLAM "Meant to call you,"

Or maybe ([SARCASM] IF YOU'RE LUCKY!) you'll hear track 4. I'll sing, "I need your help!", "Wow, *****, just come over!", "This *****!", "I didn't mean it", "Don't get like this again!". Against the anxious, building, manic tones, my panick blares while "I'm not good enough", "Can't do that", "my disease makes that hard", "Do you like me?", "**** this!!!" blares like an infernal choir pressing you to madness.

See, human symphonies aren't coherent - music theory isn't a predictive corpus. Experience shows that you can't make it come together. Too often, we don't get any rehearsal time. The death dirges that have stolen away my family, one at a time, creeping up from a silent, whispering stocatto'd-doom drown out any of the romantic, epic harpsichord solos that I still only dream of.

The angry, head-banging, 'where's that mosh-pit for grown-up children with kneepads?' beats don't motivate me anymore. They break down the walls to the studios where I was writing expert concertos. The earthquake-like blasts of my self-loathing fear have already torn down too much sound-proofing and the record studio collapsed because noone had the credentials to get in. My only dance consists of turning off the lights and yanking up the covers. Being a one-hint wonder isn't happening. Then again, can you blame me for not stopping? I don't pass this after I hit it.

In the end, the musicians don't always show up. It's like, - We've all been to that concert. Ya know, where everyone feels the awkward energy of a 4th grade Christmas Carol musical? Where, the costumes weren't convincing. Of course neither were the conductor's falsehoods, lies, omissions, or the promise that you'd enjoy this show. Cover art, like my critic's ratings, just don't do me justice . "Smart, engaging, relatable" the new listener's proclamation that "I'm falling in love! I can't get enough!" are marketing gimicks that just don't last.

Synchronicity, like destiny, has revealed itself to me as a fantasy. Reality's crumpling threads don't always find their way into skilled weaver's hands.  These strings have all snapped. In the end, I'm left smashing drums with trombones, crying over the rusted saxophones that can't croon for other hearts anymore. Just wait, my closing number is a Celine-Dion covered effort to stay afloat in the monsoon that I've been summoning for over a decade. When everyone leaves my audience, the program is either left behind or taken only by the weirdos who resonate with this kind of tortuous tune

I end each night walking the aisles of my darkened auditorium-soul now. I like to follow the echo and chase "coulda!" "woulda!" shadows across walls. I find your ticket stubs and nostalgia pulls me away from the dimming lights. In the end though, I can't counter the reviews that my show has no point. The tragedy isn't teaching any lesson and the cacophonies I birth don't generate fans. Plus, requests for autographs have become suicide invitations for an artist who can't release a polished track.

Synchronicity:A word invented and popularized by psychologist Dr. Carl Jung in the 1950s.  We all no better now that this is not a word that exists. Yet, the potential leads us all to chase after seasont tickets.

Synchronicity, defined as the false hope that it all means something. Synchronicity, the hope that you'll get to be the big strand in something special. Synchronicity - the promise of a heavenly choir, or divine symphony; of course we've already fallen from grace too often to question our unfulfillment. Sync-ro-nic-it-eeeee, like an old worn-out cassette tape, rarely comes with the equipment and support needed to hear it. Synchronicity - The jagged, little red pill that I can't take. Synronicity: the seemingly fate-driven world that we all stop believing in when the silence sets in.

Synchronicity: a series of seemingly random events that promise you a long night of unsurpassed concert sound. At least it's not alcohol I'm left lacking

Synchronicity, the artists that't leaves us entangled in distractions. Like scratched soundtracks. Synchronicity: the band I quit that has since left me wishing for buttons:

Pause. Stop. Repeat. Shuffle. Fast-Forward? Rewind!.....
..... Skip.

...................Eject.

Hoods up,
Huddled in groups,
Cheap phones blare fuzzy tunes
but we'd mosh to it anyway.

Winter months' wet weather
brought more to our shelter,
We'd skate, paint and
be anti-social together.

Our multi-story temple
to forsaken adolescence,
Smoke, drink, theft, ***.
Party for free, plan the next.

Our weekends were spent
surrounded by concrete,
We'd hide from our problems
where only we could find us.

One night at the top, nine o' clock,
A chorus of ringing church-bells knocked;
I held her close as we looked upon the city,
Skystruck teens getting dizzy.

It'd be a lie if I said I didn't cherish
some of these ******* memories.
Nostalgic ache is a beatific bane,
Good times are never in vain.

She was so, what's the word I'm looking for?
  not *****, some would say submissive.
There is no way she was that, more *******.
But she never let it show, she'd have a way of
controlling the situation to make you think you
        were in charge...

How could I explain it? more like your in a desert,
         thirsty and see a fountain in the distance.
Running towards it your strength disperses,
  and you believe what you see even though your
            swallowing the passing of time.

Even as you choke, you still believe you've
quenched your, I mean her thirst.
          If she was poker, she'd have the winning
hand every time...

So back to the moment at hand, she was so dam
         rough, I had scratches that looked like I'd
had a sleepover at Elm Street.
I'm not saying I didn't enjoy it...
I liked it when she made me trickle.


That itch while at work, as my back
was healing, it turned me on knowing
that she still lingered even though we
weren't near.
       She had this suffocation issue,
but it was kinker than just naked...
        

It was in a summer dress,
                    and only in the summer.
Like she was seasonal?
I'd lift her dress up. she was pantiless.
           But before that, my hands were even
within her thighs, she was damper than
the grand canyon dry around the edges,
       but between she flowed...

There was no finesse it was all or nothing,
     no gentle hands, deep and hard were her ways.
She knew what she liked. But like a drug,
Its strength diminishes over time,
and the thrill was now near non-existent.  
And a frustrated woman isn't one to be trifled with.

So we got others involved, ones that had
the same suffocating view on life.
Constricted on the normality of ***.
The first one, ***. It was embarrassing.
  We'd guest they were more inquisitive
         than had done it before.

We'd had them sign a waiver on the obligation
of what it entailed. A few drinks later,
Ok, more than a few and it was a melting ***
         of flesh, we were all over each other.
      She strangled my other half one-handed
constricting her flow of air, the other fingers
in her mouth being ****** erotically.

I'd never thought of how ****** this would be,
it didn't matter that it was a woman,
the fact she was arching so much.
All because of another stifling her breath.
                    I had my fun though I was deep
in the other,  **** deep as she didn't want to
be penetrated in her flower, she likes her petals clean??
   My other half could see me over the other'ss shoulder.

Enjoying the fact of both woman were in my bed,
              I was getting close, and then it changed.
She saw that I was about to pleasured by another.
Her hands clasped around our new acquaintance.
For such a petite figure she had a grasp like a clamp.

I felt her clench around my external offering,
           and the smile off my other, it was suffocatingly  
pleasurable. All three of us slumped at the same time.
The bedsheet was drizzly with the fulfillment
  of all three of us. I'd never experienced such a
moment, it was unexplainably fulfilling.

We rested for a moment, and then as I pulled myself
from this sweaty gathering, I needed to ***.
I know wow how romantic, But you open a valve,
waters going to pour eventually.
   Walking back to the bed all smiles.
     She looked at me with fear, but with a hint of
excitement.
                    
"She's dead,

                            "What dead tired?

  "No you ****-wit, as in you just pleasured
yourself up a corpse you necrophilic *****...

I laughed, as I jumped into bed thinking she
was hoaxing me. But she wasn't moving.
  Holy crap that was an ****** to die for??
  She looked at me sheepishly, no not really I got
kind of confused, she was strangling me and i
was so turned on.

But then I saw you about to lift off, and I didn't
like the fact that it was in another and not me.
So I tightened my grip, I heard her throat crunch
under the pressure, and she came,
either in exhilaration or that she'd just died...
Is it wrong that it was a multiple's!!

I've had doubles with you but that,
                                               I'm still twitching.
Oh' not to the fact that there was a dead blonde
in our bed. But the fact she had a multiple with a dead
woman on top. I brushed that thought away as we
had more concerning things,

I said to her,

"Do we phone the police,
             she signed the waiver?

"Do we phone the police!

  She said in a sarcastic manner raising her brow,
  
I could never do that dam thing, she was like
a **** trekky when she did that Mmm..
        I'd live long and **** the **** out her in
that cosplay outfit, pity I broke the ears last time.

Crap, I'm getting distracted.

I  could see where she was ******* from,
       why the hell does the dead woman have
***** *******,  whoops my toothpick just
became a great redwood again.

Are you getting stiff off seeing a dead woman's
******* you freak? They are kind of just there,
As she lent across and licked them.
         Oh, there cold, she looked at me
in her I'm ***** look.  We shouldn't waste an
opportunity really, as she opened her legs
and maneuvered her so she could scissor her.

What you waiting for, put your piece in her gob,
her mouth cold against it, but moist enough
that I face ****** her till we both got close
            kissing each other and ******* at the same
time, wow that was intense,
                                        we both sheepishly smiled.

We both got in the shower, the bed damp still from
                  when all three were breathing but her
head slumped to the side and you could see it dripping
out her mouth as if she was sleeping and  drooling
                       on the pillow.. that's gross.

After we were all cleaned up, we had to decide
what to do, the police wasn't an option.
   We'd watched enough dexters to know that
cutting her up was going to be way too messy..
And last time I got a paper cut I fainted.

Grabbing some cling film out the cupboard I started
To wrap her up, beforehand we went to the store
and brought 15 liters of bleach. I used a kitchen
a utensil  with a short straw-like funnel and proceed
to bleach the inside of her ****.. and gave here a detol
mouth wash, we put the rest in the bath and put
her in there, she hadn't started decomposing and
rigor mortis wasn't overly making her stiff like a plank
so she easily sank to the bottom.

After lunch we let the water out, god she looked clean.
But her eyes had become white, like ghost white
staring at me, like she'd known what we did to her.
I tried closing her eyelids but they wouldn't shut,
so I used a permanent marker to color them in..
   What was I thinking, now she looks ****** possessed.
Drying off was like a ritual we were gentle and making
sure her hair was brushed nicely.


Then with the 6 boxes of cling film, we wrapped
her up nice and tightly.
Crossing her arms over her chest seemed like
a nice thing to do. You never realize when
someone says dead weight, just how heavy that is.
We did that nursery rhyme as we threw her in the boot,

A leg and a wing to see the king and yeet...
    I gave her a 7.5 for landing. As we drove off
we took the map out, using sat-nav was a no, no
as we could have our steps traced back.
   There was an old coal mine just twenty minutes
away, what was cool was that there was an opening
that was so deep but not many knew about it.

I know how convenient is that. We parked up and
we knew we'd have to be quick so I slung her over
my shoulder, walking along I got really damp?

"Babe, what the hell is going on?
                     "Is she peeing on me?

I started to gag, but then the bleach smell hit!
       Phew! she was leaking bleach all over my jeans.
Thank **** for that, I knew these were going
to be burnt later anyway and had a spare pair in
the boot just in case. What I come prepared.

As we got to the opening a couple was standing there
throwing a rolled-up rug down the hole?
we both just looked at each other, what's up?
                              Nothing
What's up with you?
                     Nothing!
We just smiled and dropped our cling film roll
down the same hole. they pulled a knife we pulled
a baseball bat out.

Look, we know what we've both done,
   and if we walk away now you, we,
well neither of us will get hurt or have to throw the
others down that hole. How about the saying.
You didn't see it, so it didn't happen,?

They walked off, we walked off calmly.
That went a lot better than I thought as I laughed.
But just as we got to the car we heard a twig snap
right behind us, out of instinct I swung hard
catching him square in the temple.
as he fell he landing on his accomplice.
She was screaming Oh'my god help me..

My other half leaned over her, foot on her wrist
pulling the knife out her hand.. What were you
going to do with this then.

            "*******, she yelled.

No how about I mouth *******,
and with that, she raised the knife up
and shoved it into the hilt of her mouth.
God, i love this woman.
   As she lay there gurgling..
I mean the noise was nasty..
  So she just trod on her throat and silence.

We looked at each other, and started kissing,
    and before you knew it we had steamy windows
handprints visible to what had perspired in here.
As we got redressed and the tension now reduced
we dragged these two both to the hole.
I mean  my girl just grabbed his feet and like
luggage threw him in. She's so awesome.

You do realize we got from accidental murders
to nearly serial killers now.
And you know what it was such a turn on.
     I must admit we were both turned on by death.
We found their car and drove both down the country
lanes making sure that cameras were nowhere near.
We burnt it out, but not before doing donuts in a field
to make it look like joyriders had stolen it..

After that, we had plenty more lovers, false addresses
to entice, and snare our next lover into false security.
We got tech-savvy as well, in the car we had a scrambler
that blocked their mobiles. most didn't even notice
they lost signal, some did and were over-cautious
                   If they didn't come then unlucky them.

But we remembered that everything was to happen
in the bedroom. Gosh that coal mine is now a mosh pit
of broken voices, that crunch just as we orgasmed.
  That never got old, as everyone was different some
***, others ****** them selfs, that was new and gross.
But luckily we had mattress protectors on and plenty
more in the cupboard. To date, we must have made
love and silenced at least 12 over the last few years.

Only in the summer though,
  and the dresses, god she looks so hot...

Got to go through as our new friend
just turned up in guess what in a summer dress
of all things.
           We just looked at each other and smiled.

I remember my old street. (North Overlook)
The people there never changed, like a television with the **** broken off.

I remember my boxer, Brutus. I would let him lick the inside of my mouth to freak out the other kids.

I remember eating honey suckles in the back yard. I also ate a whole bottle of Tums in the medicine cabinet. (I thought it was candy)
I once drank a whole bottle of nail polish remover, but I puked it back up.

I remember having a jungle gym and a swimming pool. My sister and I swam naked in it once.

I remember when we touched each other’s private parts in a fort we built in the closet. She made me smell my fingers afterwards. My nose crinkled upward and I thought it was gross.

I remember when my mother came home crying one day because the hair stylist cut her hair too short and she looked like a “****.”

I remember spending mornings at grandma’s house. I would watch The Price Is Right and Days of Our Lives. She would fall asleep and I would clean the wax out from her ears with a paintbrush. I remember enjoying it.

I remember my first ****** nose (I used a whole roll of toilet paper). I could taste the blood running down the back of my throat.

I remember all the other ****** noses and calling mom from the nurse’s office

I remember Mr. Iles (3rd grade) screaming at his class for being idiots. He drove a motorcycle to school everyday.

I remember doing times tables in his class. I was always terrible at math and thought I was stupid. We watched the twin towers fall on television. I didn’t know what was happening so I continued to doodle on my times tables.

I remember in middle school being the only one at my lunch table wearing yellow.  My friends became gothic. I didn’t know what that was, but I knew I was different.

I remember my first art class in high school, thinking I was better than everyone, and I was.

I remember the first time I masturbated. I don’t remember how many times I did it that day but my **** hurt for a while and I walked funny.

I remember my mother trying to teach me about God. I never told her that I didn’t believe in him. I’ve always felt guilty.

I remember my first girlfriend. We dated for 7 months. My friends hated her, and I stopped talking to them. I remember hating them for it.

I remember the first time we had *** it was **** ***. I didn’t use a ****** and my **** was covered in ****.
She was great at *******. She once ****** me off in the backseat of her grandma’s car while her grandma drove. I forgot about the time she threw up on me.

I remember she loved Disney and nicknamed my ***** “Captain Hook” because it curves to the left.

I remember the day she found out she had ******, she told me over the phone. I cried because it was my fault. In high school health class, they didn’t teach us that if you have a cold sore and eat a girl out, they could get ******.

I remember when she broke up with me and went back to her ugly ex-boyfriend (now ex-ex-boyfriend). I cried again. Her friends stopped talking to me.

I remember it was on my birthday. (Friday the 13th)

I remember the threats over texts to leave her alone. I told everyone at school she had ******.

I remember eating lunch alone. (A lot)

I remember shutting myself in my room and not eating.

I remember when I tried to **** myself with a steak knife in the kitchen. I didn’t do it right. My mother asked me what happed, so I lied and told her it was an accident. I don’t think she believed me. We still don’t talk about it but I still have the scar.

I remember making art. (A lot)
I did nothing but art (That’s all I had.)

I remember making friends in my art class and how my teacher would dress like a Jedi.

I remember meeting Bobby, and Brandon, and Tyler.

I remember thinking that art had saved my life.

I remember the first time I smoked ****. It was in the parking lot of a Best Buy with Brendan and Kristiana. I didn’t feel “high” and we ate cupcakes after that.

I remember drinking a beer for the first time and hating the taste.

I remember, “It’s an acquired taste.”

I remember, “Drink it, *****!”

I remember the first time I got drunk. It was at my brother’s house and I almost fell asleep with my head on the toilet. He carried me to the couch, emptied a bowl of pretzels and set in under my face. The smell had me dry heaving all night.

I don’t remember the first party I went to.

I remember my mother worrying if I would make it home those nights.

I remember making friends with people from Sayler Park They were in a band with my brother, but liked me more. I felt bad for him, but I was drunk. I went to other parties they had. There were always sweaty teenagers and *****.

I remember the guy who ****** on everyone in the mosh pit. The support beam broke under us that night and the floor almost caved in.

I remember ******* in the front yard. It rained so we were mud sliding in puddles.

I remember the two girls making out in the bathtub naked. Bobby took a video of them on his phone.

I remember when he tried to get this girl to sleep with me. Her name was Lauren Luckey and it was her birthday. She found out I went to art school and had me draw smiley faces on her and her friends’ *******. She started kissing me over the sink (her hair got caught in the garbage disposal.) She bit my neck and broke skin. It was 6 in the morning.

I remember she took me up to the bathroom and we had ***. I remember her taking off my boxers with her teeth. Bobby tossed me a ****** but I lost it. Curtis (he owned the house) came in and ****** anyways. He told me I had a cute ***. When he was done, he left the bathroom door open. There was a line waiting to come in that watched the two of us **** on the eggshell colored floor.

I remember waking up the next day and finding out she was engaged.

I remember the first time I had a pizza from Dewey’s and fell in love.

I remember when I started smoking. My mother gave me **** for it. I always complained when she smoked (I used to break her cigarettes.)

I remember the summer my grandmother died.

I remember staying the night at her house the day before.

I remember when my mother called everyone into the room. I remember, “It’s almost time.”
My family crowded around her.
One of my uncles fainting while the other vomited in the corner.

I remember my mother crying. I remember crying.

I remember “Amazing Grace”

I remember when time froze.
July 11th, 2013, at 1:26 p.m.

I remember my uncle walking over to her, pressing his hand against her mouth trying to feel her breathe. His brain wouldn’t let him accept that she died. I remember him looking up at me like a lost boy, looking for an answer. (I didn’t have one.)

I remember my mother told me she was with God now.

I remember.

The shuffle of feet
to an out of time
drum beat. Sweat
and stink, shoulder
to shoulder

is what they'll remember
when they pay seven
bucks for a wrist
band stuck to arm
hair, and a marker stain
on the back of the hand
like a black badge.

Tomorrow no one will
remember how guitar fuzz
cut like a razor or the bass
burst in their chests,

because when the last note
decays in the back of the bar,
all the kids will have is a ring
in their ears, and a scratch
in the throat from a sound
dug deep into elbow bruise
and beer can crush.

Tomorrow they will hear it,
when paper tears from wrist,
when ink is washed from hands,
when feedback is faded
and speaker hiss cut.

i am abrasive
personality functionality deficit
yet i attract
beautiful women
to befriend the hermit of solidarity
will you go out with me
brought answers on no
my friend i could not lose
yet for the end of altruistic bargaining
i end up ahead
with false promises of a beginning
to an end my own personal
apocalypse
david lee roth would understand
that as i write in this
mindset
brought on by reading
778 comics in 12 hours
and a 4 day binge of  job for a cowboy
my mind wanders
as insomnia sets in
would i be one of the great
dissociative poets?
a dose of the unrequited free associative minds
free thinking form of diet coke with a side of purple strawberries no i meant blueberries
my mind wanders
and yet i look forward to pad thai on wednesdays with cute blondes whom with i stand
the chance of a bat in the mosh pits of a metal band
suckers
i win
for you all know the taste of yellow mustard
ramble ramble ramble
this indie pop poem
would it be ironic to like it
if one truly hates the wording
and yet loves the idea
one of lives greatest life mysteries
alcohol i bid thee a fair welcome
nimble bubblegum monkey wrench
how long will you read?
enough to to see my lack of coherent sentence structure
or that i am a flawed creation
going on and on about existential non existent problems
for i shall exist regardless of my best intentions
as the wheel continues to roll on despite the moss covering this ice slicked track
metal boar slayer of a thousand suns would be a good metal name from sweden
the mooring dove coos to the beat of an undead drum
boo hoo boo hoo cries the witch at the stake
i am done

O' Warped Tour

On the hot blacktop we stand
In front of your various stages

The beautiful bands grace us with their angelic,
or if they prefer, demonic, voices.

O' Warped Tour

The people we meet
Girls in bikinis

Boys with ****** noses
Teenagers sitting on shoulders

O' Warped Tour

Mosh pits in the front
Singing in the back

Crowd surfing
To running circle pits

O' Warped Tour

With your merchants
And band autographs
With your cigarette smoke
And crazy teens
With your summer days
And loud music

We never want to leave
O' Warped Tour
We love you

It’s funny how despite different tastes
we all have a taste for music
my life has never felt complete
with a soundtrack. A beat
as a kid I was told not to fidget
told to just sit still
but my person was anything but chill
I have always had a thing for rhythm
I felt it in the way people speak
the way a husband sneaks around
keeping his wife trapped and meak
whether it is weak or strong
I could always hear that drumming song
It started with a rap song I heard
Hi My Name Is by eminem
but then again it had always been with me
it’s the reason time scares me
because in the beating tick of those two drum sticks
I could see the sound of life wasted
and it made me want to get wasted
black out drunk at fatal altitudes
when I was in middle school
we were angry
and disrespectfully spiteful
so we rocked long socks and listened to punk rock
then It was about being a bad guy
a real force not to be reckoned with
so we wore black Tshirts depicting violent scenes
and joined the screaming heavy metal mosh pit
a place to fit for all the kids who didn’t anywhere else
as I got older I put the heavy metal on the shelf
if I’m being honest it was all just a little silly
angsty teens with lofty dreams which they told us
were unattainable so we went out looking for cheap thrills
rather than develop any marketable skills
The first time I felt marketable
it gave me chills
The National in Richmond Virginia
an old theatre
converted into a sanctuary for the sanctimonious masses
to forget everything they learned in their classes
a place where kicked *****
wasn’t always a bad thing
I remember I was there
in the tenth grade
to see the Atmosphere show
because the lead singer - Slug
was my hero
his words enveloped me in a bear hug
which said you’re doing just fine kid
and in that crowd of tattoos and hipsters
and the ghetto kids wearing chips on their shoulders
I was high
but not on drugs
I was high on expressionism and the loftiness of ideas
The men behind the microphone
wearing a costume of stage lighting and swaggering egos
made me feel at home
for the first time in a while
they said things like God Loves Ugly
and Every Day Can’t be the Best Day
and the DJ’s worked the turntables
like a good lover brings their partner to ******
I didn’t know anybody else at the show
but don’t think for a minute that I was alone
we were all connected as brothers by bond and spilled blood
of our heros who were cut short before they could say the things
which we all needed to hear
We respect the story tellers
because it is how we come to terms with tougher aspects of life
and I was flying high on the dreams of kids just like me
saluting the scarred, worn, souls who had made it
who were making the path that we would one day walk
with the cut of their jive and the strength of their talk
***** of the walk
chalked outlines of the end of loneliness
They called us hop heads
and we’d reply
you’re ******* right we are
hip hop didn’t save my life
it just stopped me from taking me
for granted

Manic energy
Heads ******* banging
Aggressive freedom of the senses
Happiness plus hatred

liberation of this pent up energy
Double kick bass loudly, sound breaking

Fast paced high squealing notes

Stop.

Down breaks the hellish tempo

It’s time to smash faces,
Break bones in many places

A circular ritual of anger and sweat.
A trotting stampede of mindless freaks
All of them a ball of feelings hard like bricks

Surprise!

Concussion blast
Downed metal head comrade
Near a ****** foldable chair
Bleeding through his brain dome
Coughing asking for a still
memento of himself

Music halts and dust settles.

Uno, dos, tres, cuatro
Next title cueing
Freaks all cheering
Smells like ****, blood and sweat drippings

Feedback through the amps.

wall of death opens briskly
all hell breaks loose

Feral eyes moving quickly
Our Viking hearts
Fight for dignity
Or die honorably

valkiries above the mosh pit
and a glimpse of Odin

Hammer smashed face.
club swung to my back
Whiplash.

I woke up in my backyard.
Sore back, ribs broken
And a beer in my hand.
Hell of a night man

It was a suicide.
He had gotten drunk,
too drunk.
He tried going to the bar he worked at,
it was his night off,
but they turned him away.
“You’ve already had too much to drink. Go sleep it off, pal.”
Instead he went home,
put a glock 9mm to his head
And blew his brains out
on his back porch.
His roommate found him.
There was no note,
no answers,
just questions left behind.
A week later was the memorial service.
He was an atheist,
a vocal one at that.
Had a tattoo of a rotting zombie Christ
on his arm.
But his family was devout Lutherans,
so that was the send off he got.
Standing against the wall,
in the small chapel,
the lines were clearly divided.

Seated in the pews were people
dressed in bright, happy colors.
Pastels.
Blues, greens, pinks, yellows, and lavenders.
Those were his blood relatives
and Lutheran members of the family’s church.

Then on the edges and in the back
Stood and sat his other family,
the metal heads, the punks, the ******* kids, and subculture misfits,
Dressed in black,
arms & legs tattoed with ink.

The pastels
spoke in unison, reciting prayers and scripture,
While the kids in black, stood silent
Unmoved by the minister’s words about Christ.
The pastels bowed their heads in prayer, for the poor boy’s soul.

We in black looked around the room,
studying their pinched faces
while they remained blind.
One woman apparently could feel my stare
cause she opened her eyes, and looked right into mine.
Never will forget that look she had,
like she knew something I didn’t.

The minister in the white and green robe kept talking,
saying my friend was in the loving arms of Jesus.
Guess he forgot that suicides got
a one-way ticket straight to hell.
It was typical.
A spiritual buffet,
take what you like,
ignore what you don’t.
But I don’t blame them, not one bit.
What parent wants to imagine
their child burning in that lake of fire,
never to be held in their arms again?
No one.

His mother went up and said a few words,
Some stories,
funny ones from his childhood.
Then his neighbor went up and spoke,
then an old girlfriend from high school.
And then a great silence.
The podium stood empty.
Before I knew it,
my hands were gripping the wooden podium
and my mouth was talking.
Telling the pastels & black shirts kids
about the first time I saw him.
He was in the mosh pit doing spin kicks and backflips
like a five-foot-six, blonde, ninja in Saucony jazz shoes.
And how I never saw him be unkind or mean to anyone,
that he was a GOOD boy.
My eyes began to burn,
I felt my throat tightening.
“Really gonna miss him,” I managed to choke out.
I took my place back against the wall
as the slideshow & music started up.
They were playing The Beatles.
My friend was a Black Sabbath kind of guy.

Outside I saw faces not seen in years,
not since I was a 17-year-old kid.
I saw Matty standing there.
We had just buried another one
of the boys from the crew,
Munster
less that six months earlier.
Poor Munsey.
Now Matty and I were the only ones left.
Went straight up to him and we both latched on,
sobbing & shaking
hugging each other as tight as we could.
“It’s too much, man. It’s too soon. They’re both ******* GONE.”
He was broken and I was worried about him.
Very much so.

Then we all met at a bar,
his bar.
The one he worked at and got turned away from that night.
We told stories
like when everyone was trying to **** this girl
and he wasn’t, but she pulled him into a room
at the end of the night …
picking him over us all.
Or how he could make his ***** do all kinds of tricks,
disappearing and reappearing in his red *******.
“The popper” he called it.
We slammed down shots & brews
burying our little buddy, one glass at a time.
And the last thing …
His parents showed up at the bar
cradling T-shirts on hangars, his clothes.
I saw someone pick up his Blood For Blood shirt.
It had been OUR shirt, we shared it back and forth.
We both loved that band, they sang about “living in exile” like we both did.
“****, that was our shirt,” I said to the table of drunk and grieving friends.
“Well, go get it, man. Go on.”
I went up to the guy holding it.
“Hey man, that shirt means a lot to me, can I …”
Before I could finish, it was in my hands.
The guy gave a generous smile,
“Then you should have it.”
I sat back down at the table of friends,
holding the shirt up to my face.
He lingered in my nose, one last time.
But my little buddy was gone,
a faded T-shirt and a few funny stories
were all that remained.
We all toasted one last shot.
I said,
“to the lost …”
and the table of old friends all repeated,
“To the lost.”
Rest well in your dreamless sleep, pal.
Down the hatch.
Watch it go
With a black tooth grin.

.so there's this scene in the B.B.C. drama series, bodyguard, when the home secretary, with the help of the intelligence services, uncovers several cover-up stories, which include ****** assault and addiction to substances, namely? alcohol... the report reads: 50 units per week... hmm... ****... what's mine? 2 Heineken pints... that's 3.3 units x 2... oh... and that liter of whiskey... 40 units... but that's in a single day... what's that by week? (well... sometimes it's not 2 Heineken pints...) so we're talking ~326 units per week... and i haven't been to rehab... and however much i am, drunk like a skunk... i still have the literary decency to spell correctly... even though at that point, i'm sometimes seeing double, or find myself doing cross-eyed to even out the carousel; go figure.

ah the centenary, of sorts... all sorts...
in the west...
  the mourning, sombre sobering
about the pointless war... sorry...
the "great" / "war to end all wars" world war uno...
basically just a family feud...
between Queen Vic's grandson
and son...
               bravo! b'good day ol' sport...
*******... the whole lot of it...
on the world stage, very similar
to Vietnam...
         so i'm eating my Haribo
tang-tastic (yes yes, spastic fantastic,
ha ha)
             jellies while perusing
today's newspaper...
    i almost choke...
Poland made it into the western press...
extremist try to hijack polish parade...
the far right threatened...
oh for, ****'s, sake!
   in these post-colonial countries
everything right of *****-up-your-***
and a gag-ball-in-your-mouth
is "far" right...
you get you little poppy appeal...
your little Ypres moment...
      give these people their celebration
of something meaningful...
not everyone who goes to a metal
concert engages in a mosh-pit...
savvy?
(insert snigger):
        bet those wankers in H'america
with their tiki torches are scratching
their heads, right about now...
           wankers...
                FLARES! FLARES!
                              the red serpent...
200,000 majority...
             ****... i almost want to...
                  **** it... i wish i was there;
to celebrate what?
             the end of empire(s)...
       why is nationalism so bad all of a sudden...
the British had theirs,
uninterrupted for... how long?
  if the British waited with their media
coverage...
and figured out how it could possibly
be that they were enslaved by a foreign
power...
                    hmm...
how's that consolidation compensation
working out, with the mothers of Manchester?

p.s. well... if you watched more soccer
than the ******* interlude between
halves filled with cheerleaders,
you wouldn't have that ****** tiki torches
fiasco, would you now?
you'd have the 13th warrior wendol
fire-worm...
                       but then again i guess
you need all that padding...
to throw a miniature sized rugby ball...
hence the audacity...
the best defense is an attack...
   and i am part of the hive...
export...
            singled out...
          i'm exerting what is
the required pressure...
  so how's it going with compensating
the mothers of Manchester?
good? good good.

There's the mosh...sordid details that thing...
creeping of sort...retelling...to stay in focus.
A silent film whose black borders encapsulate
a  slab of skyward white.
Visages...opening...opened...to interpretation.
"The apparition of these faces in a crowd;
Petals on a wet, black bough."....ashen...
daguerreotype of a Zen Garden.

All of nature's pretties cast in an occult brew...
stirred, and stirring...composite sketches posted
and burned upon lampposts.
At large...ritualistic making-of-face...illusion
trafficking the ever present primes of lives...
"the center of which is everywhere, the
circumference nowhere."...attestation o' mugs.

Visages...plucked from a year of our lord,
to be...rendezous of all light's putting to...
years thereof.
Alien unto thyself...oogly boogly, yet mirror-imaging...
behold/beheld/beholden.
By sleight of Hand...visages, who'd otherwise
be as soon pruned and leathery, inanimate under the
sun.

I feel my power waning
Like the Amazon
So lush
Yet cut down so slowly
By the cruel hands of men
Why me?….

In this whole wide sphere
Do you make a mission to commission me
for decay
Like a city I lay pristine and pure
Yet within my choked out pipes
I pump my veins in sewage glop
***** roads
They part
so many paths winding
So stars may twinkle and beams of the future
May sparkle with arrogant smiles
Be mine

Or be gone
Whichever suits you best
Don't toy with my thoughts
Nor meddle with my soul
I wish to be alone
Yet I yearn for company around me
Shaking hands
Scheming plans
Smiling with rotted teeth
And now…

Now, such a funny little word
A slimy word, a detestable word
For it describes the moment at hand
Though, with salivating lips, only desire the "then"
The kettle screams with steam built up
A child runs from home

(Enough)
A word so sweet so pure to taste
For it means to stop to cease
To end a trail of present things
A happy word
Where I throw my work down to the floor
Responsibility is away on vacation retreat
I want to be alone
But I don't
So maybe stay a while
With my indecisive tendencies...

Rubber bracelets adorn her wrists like she just strolled out of a punk concert (like she just strolled out of middle school) , she picks the scabs of playground ostracism till they look as though they were ripped into her self esteem yesterday.

In her mind, they were.

I find her burying her face between her knees during an ice breaker activity.

The quadruple piercings on one her ear portend an imagined mosh pit, but she digs her own as she cradles herself against the wall.

Her arms are bowling alley bumpers, she throws them up around her head to protect them from the familiar miasma that pervades every inch of her whenever she is in a group of more than three.

Gutterball.

She let me in her room last night. She invited me to share in solitude w/ a good book. I brought a tattered poetry anthology. She said I could sit next to her in her bed; I took a seat at the head, she sat coiled in the far back corner against the wall, legs tucked in against her body.

She was an injured rabbit, her burrow of blankets and books only gave her so much shelter.

She eats alone at breakfast amongst the group.

She starves herself. Her blood fills her stomach as the ulcers feed her imploding hunger that half glasses of chocolate milk cannot

She was dared to eat five gummy bears, and I swear by my own scars that she was about to bawl, eyelids pulled back by the judgmental demons she sees every day in the mirror, they chastise her for the chocolate milk, but her desperate hunger wins this battle. Barely.

Her headphones are like sunglasses shielding her eyes from meeting gazes with another.

I’m sorry Sarah, no matter how hard you push your spine against the bricks you will not phase through them, you are stuck with us here for five weeks my dear, and it is only day one.

I’m sorry that all I know of you is that your name is Sarah and that your last name begins with an R, I think. I haven’t had the guts to look back at the group text message our counselors sent out to check your last name because that would be closer to stalking than I feel comfortable going.

I’m sorry that I notice how your wrists and ears contradict the smile you stitch across your face just before you hide it behind your hair, and that I notice the absolute terror in your eyes as you stare at the mass of your peers before you.

I’m sorry that noticing makes me believe that I know you at all.

I’m sorry for how they all gawk at how adorable you are when more than three people give you their attention. I can only imagine how flush your cheeks become.

But I would think that you stopped blushing years ago. The permanent outflow of blood from your aorta to your face coagulated long ago, leaving your face with a perpetual hue of dull purple. Your body doesn’t know what to do with all the excess embarrassment.

I think you compensate by blood letting.

The only bracelet you wear that suits you is of the Deathly Hallows. A tiny silver stencil on a blue piece of twine. It’s blue like the four A.M. sky.

I think it gives you strength.

Sarah, your arms are not an invisibility cloak. While your hair may hide your face and your bracelets your scars, the world will see you.

It’s ironic that the very things you use to protect yourself bear your self-loathing like a family crest.

Class time. She darts to the back corner desk like a painted swordtail to a coral shoal, she curses her opaque scarlet hue, she thinks it ugly but the reef can still see her beauty behind the jagged outcroppings of her fragmented self-esteem. It shines through and refracts off the water, viscous like teenage judgment, and we see the spectrum of her beauty.

She’s a cognitive science major. She looks for a road map through her own thoughts in the curriculum, turn left at her fear of eating in front of others, bear right at her boyfriend of four months. She tries to make herself two dimensional at the lunch table, arms strapped to her sides like a straight jacket.

She jokingly told me to stop whistling about dreamt dreams and the French Revolution, she said it would make her cry. So I stopped.

I’ve never read Les Miserables, but I’ve sung enough about dreamt dreams to know that Life can fill your lungs like a zeppelin and can resonate through your mouth like Notre Dame just before Sunday mass if you only let it.

Let Life build a cathedral inside of you Sarah. The bricks are yours for the taking, and we are all standing here beside you with mortar at the ready.