The lotus wades

     Shallow water

          Even and calm.

Her petals brighten

     In the beating sun's rays,

Glowing of tranquility.

          The onlooker grows jealous

     Venom green with envy

While the lotus rests,

          Mockingly green leaves.

V. TO APHRODITE (293 lines)

(ll. 1-6) Muse, tell me the deeds of golden Aphrodite the
Cyprian, who stirs up sweet passion in the gods and subdues the
tribes of mortal men and birds that fly in air and all the many
creatures that the dry land rears, and all the sea: all these
love the deeds of rich-crowned Cytherea.

(ll. 7-32) Yet there are three hearts that she cannot bend nor
yet ensnare.  First is the daughter of Zeus who holds the aegis,
bright-eyed Athene; for she has no pleasure in the deeds of
golden Aphrodite, but delights in wars and in the work of Ares,
in strifes and battles and in preparing famous crafts.  She first
taught earthly craftsmen to make chariots of war and cars
variously wrought with bronze, and she, too, teaches tender
maidens in the house and puts knowledge of goodly arts in each
one's mind.  Nor does laughter-loving Aphrodite ever tame in love
Artemis, the huntress with shafts of gold; for she loves archery
and the slaying of wild beasts in the mountains, the lyre also
and dancing and thrilling cries and shady woods and the cities of
upright men.  Nor yet does the pure maiden Hestia love
Aphrodite's works.  She was the first-born child of wily Cronos
and youngest too (24), by will of Zeus who holds the aegis, -- a
queenly maid whom both Poseidon and Apollo sought to wed.  But
she was wholly unwilling, nay, stubbornly refused; and touching
the head of father Zeus who holds the aegis, she, that fair
goddess, sware a great oath which has in truth been fulfilled,
that she would be a maiden all her days.  So Zeus the Father gave
her an high honour instead of marriage, and she has her place in
the midst of the house and has the richest portion.  In all the
temples of the gods she has a share of honour, and among all
mortal men she is chief of the goddesses.

(ll. 33-44) Of these three Aphrodite cannot bend or ensnare the
hearts.  But of all others there is nothing among the blessed
gods or among mortal men that has escaped Aphrodite.  Even the
heart of Zeus, who delights in thunder, is led astray by her;
though he is greatest of all and has the lot of highest majesty,
she beguiles even his wise heart whensoever she pleases, and
mates him with mortal women, unknown to Hera, his sister and his
wife, the grandest far in beauty among the deathless goddesses --
most glorious is she whom wily Cronos with her mother Rhea did
beget: and Zeus, whose wisdom is everlasting, made her his chaste
and careful wife.

(ll. 45-52) But upon Aphrodite herself Zeus cast sweet desire to
be joined in love with a mortal man, to the end that, very soon,
not even she should be innocent of a mortal's love; lest
laughter-loving Aphrodite should one day softly smile and say
mockingly among all the gods that she had joined the gods in love
with mortal women who bare sons of death to the deathless gods,
and had mated the goddesses with mortal men.

(ll. 53-74) And so he put in her heart sweet desire for Anchises
who was tending cattle at that time among the steep hills of
many-fountained Ida, and in shape was like the immortal gods.
Therefore, when laughter-loving Aphrodite saw him, she loved him,
and terribly desire seized her in her heart.  She went to Cyprus,
to Paphos, where her precinct is and fragrant altar, and passed
into her sweet-smelling temple.  There she went in and put to the
glittering doors, and there the Graces bathed her with heavenly
oil such as blooms upon the bodies of the eternal gods -- oil
divinely sweet, which she had by her, filled with fragrance.  And
laughter-loving Aphrodite put on all her rich clothes, and when
she had decked herself with gold, she left sweet-smelling Cyprus
and went in haste towards Troy, swiftly travelling high up among
the clouds.  So she came to many-fountained Ida, the mother of
wild creatures and went straight to the homestead across the
mountains.  After her came grey wolves, fawning on her, and grim-
eyed lions, and bears, and fleet leopards, ravenous for deer: and
she was glad in heart to see them, and put desire in their
*******, so that they all mated, two together, about the shadowy
coombes.

(ll. 75-88) (25) But she herself came to the neat-built shelters,
and him she found left quite alone in the homestead -- the hero
Anchises who was comely as the gods.  All the others were
following the herds over the grassy pastures, and he, left quite
alone in the homestead, was roaming hither and thither and
playing thrillingly upon the lyre.  And Aphrodite, the daughter
of Zeus stood before him, being like a pure maiden in height and
mien, that he should not be frightened when he took heed of her
with his eyes.  Now when Anchises saw her, he marked her well and
wondered at her mien and height and shining garments.  For she
was clad in a robe out-shining the brightness of fire, a splendid
robe of gold, enriched with all manner of needlework, which
shimmered like the moon over her tender *******, a marvel to see.

Also she wore twisted brooches and shining earrings in the form
of flowers; and round her soft throat were lovely necklaces.

(ll. 91-105) And Anchises was seized with love, and said to her:
'Hail, lady, whoever of the blessed ones you are that are come to
this house, whether Artemis, or Leto, or golden Aphrodite, or
high-born Themis, or bright-eyed Athene.  Or, maybe, you are one
of the Graces come hither, who bear the gods company and are
called immortal, or else one of those who inhabit this lovely
mountain and the springs of rivers and grassy meads.  I will make
you an altar upon a high peak in a far seen place, and will
sacrifice rich offerings to you at all seasons.  And do you feel
kindly towards me and grant that I may become a man very eminent
among the Trojans, and give me strong offspring for the time to
come.  As for my own self, let me live long and happily, seeing
the light of the sun, and come to the threshold of old age, a man
prosperous among the people.'

(ll. 106-142) Thereupon Aphrodite the daughter of Zeus answered
him: 'Anchises, most glorious of all men born on earth, know that
I am no goddess: why do you liken me to the deathless ones?  Nay,
I am but a mortal, and a woman was the mother that bare me.
Otreus of famous name is my father, if so be you have heard of
him, and he reigns over all Phrygia rich in fortresses.  But I
know your speech well beside my own, for a Trojan nurse brought
me up at home: she took me from my dear mother and reared me
thenceforth when I was a little child.  So comes it, then, that I
well know you tongue also.  And now the Slayer of Argus with the
golden wand has caught me up from the dance of huntress Artemis,
her with the golden arrows.  For there were many of us, nymphs
and marriageable (26) maidens, playing together; and an
innumerable company encircled us: from these the Slayer of Argus
with the golden wand rapt me away.  He carried me over many
fields of mortal men and over much land untilled and unpossessed,
where savage wild-beasts roam through shady coombes, until I
thought never again to touch the life-giving earth with my feet.
And he said that I should be called the wedded wife of Anchises,
and should bear you goodly children.  But when he had told and
advised me, he, the strong Slayer of Argos, went back to the
families of the deathless gods, while I am now come to you: for
unbending necessity is upon me.  But I beseech you by Zeus and by
your noble parents -- for no base folk could get such a son as
you -- take me now, stainless and unproved in love, and show me
to your father and careful mother and to your brothers sprung
from the same stock.  I shall be no ill-liking daughter for them,
but a likely.  Moreover, send a messenger quickly to the swift-
horsed Phrygians, to tell my father and my sorrowing mother; and
they will send you gold in plenty and woven stuffs, many splendid
gifts; take these as bride-piece.  So do, and then prepare the
sweet marriage that is honourable in the eyes of men and
deathless gods.'

(ll. 143-144) When she had so spoken, the goddess put sweet
desire in his heart.  And Anchises was seized with love, so that
he opened his mouth and said:

(ll. 145-154) 'If you are a mortal and a woman was the mother who
bare you, and Otreus of famous name is your father as you say,
and if you are come here by the will of Hermes the immortal
Guide, and are to be called my wife always, then neither god nor
mortal man shall here restrain me till I have lain with you in
love right now; no, not even if far-shooting Apollo himself
should launch grievous shafts from his silver bow.  Willingly
would I go down into the house of Hades, O lady, beautiful as the
goddesses, once I had gone up to your bed.'

(ll. 155-167) So speaking, he caught her by the hand.  And
laughter-loving Aphrodite, with face turned away and lovely eyes
downcast, crept to the well-spread couch which was already laid
with soft coverings for the hero; and upon it lay skins of bears
and deep-roaring lions which he himself had slain in the high
mountains.  And when they had gone up upon the well-fitted bed,
first Anchises took off her bright jewelry of pins and twisted
brooches and earrings and necklaces, and loosed her girdle and
stripped off her bright garments and laid them down upon a
silver-studded seat.  Then by the will of the gods and destiny he
lay with her, a mortal man with an immortal goddess, not clearly
knowing what he did.

(ll. 168-176) But at the time when the herdsmen driver their oxen
and hardy sheep back to the fold from the flowery pastures, even
then Aphrodite poured soft sleep upon Anchises, but herself put
on her rich raiment.  And when the bright goddess had fully
clothed herself, she stood by the couch, and her head reached to
the well-hewn roof-tree; from her cheeks shone unearthly beauty
such as belongs to rich-crowned Cytherea.  Then she aroused him
from sleep and opened her mouth and said:

(ll. 177-179) 'Up, son of Dardanus! -- why sleep you so heavily?
-- and consider whether I look as I did when first you saw me
with your eyes.'

(ll. 180-184) So she spake.  And he awoke in a moment and obeyed
her.  But when he saw the neck and lovely eyes of Aphrodite, he
was afraid and turned his eyes aside another way, hiding his
comely face with his cloak.  Then he uttered winged words and
entreated her:

(ll. 185-190) 'So soon as ever I saw you with my eyes, goddess, I
knew that you were divine; but you did not tell me truly.  Yet by
Zeus who holds the aegis I beseech you, leave me not to lead a
palsied life among men, but have pity on me; for he who lies with
a deathless goddess is no hale man afterwards.'

(ll. 191-201) Then Aphrodite the daughter of Zeus answered him:
'Anchises, most glorious of mortal men, take courage and be not
too fearful in your heart.  You need fear no harm from me nor
from the other blessed ones, for you are dear to the gods: and
you shall have a dear son who shall reign among the Trojans, and
children's children after him, springing up continually.  His
name shall be Aeneas (27), because I felt awful grief in that I
laid me in the bed of mortal man: yet are those of your race
always the most like to gods of all mortal men in beauty and in
stature (28).

(ll. 202-217) 'Verily wise Zeus carried off golden-haired
Ganymedes because of his beauty, to be amongst the Deathless Ones
and pour drink for the gods in the house of Zeus -- a wonder to
see -- honoured by all the immortals as he draws the red nectar
from the golden bowl.  But grief that could not be soothed filled
the heart of Tros; for he knew not whither the heaven-sent
whirlwind had caught up his dear son, so that he mourned him
always, unceasingly, until Zeus pitied him and gave him high-
stepping horses such as carry the immortals as recompense for his
son.  These he gave him as a gift.  And at the command of Zeus,
the Guide, the slayer of Argus, told him all, and how his son
would be deathless and unageing, even as the gods.  So when Tros
heard these tidings from Zeus, he no longer kept mourning but
rejoiced in his heart and rode joyfully with his storm-footed
horses.

(ll. 218-238) 'So also golden-throned Eos rapt away Tithonus who
was of your race and like the deathless gods.  And she went to
ask the dark-clouded Son of Cronos that he should be deathless
and live eternally; and Zeus bowed his head to her prayer and
fulfilled her desire.  Too simply was queenly Eos: she thought
not in her heart to ask youth for him and to strip him of the
slough of deadly age.  So while he enjoyed the sweet flower of
life he lived rapturously with golden-throned Eos, the early-
born, by the streams of Ocean, at the ends of the earth; but when
the first grey hairs began to ripple from his comely head and
noble chin, queenly Eos kept away from his bed, though she
cherished him in her house and nourished him with food and
ambrosia and gave him rich clothing.  But when loathsome old age
pressed full upon him, and he could not move nor lift his limbs,
this seemed to her in her heart the best counsel: she laid him in
a room and put to the shining doors.  There he babbles endlessly,
and no more has strength at all, such as once he had in his
supple limbs.

(ll. 239-246) 'I would not have you be deathless among the
deathless gods and live continually after such sort.  Yet if you
could live on such as now you are in look and in form, and be
called my husband, sorrow would not then enfold my careful heart.

But, as it is, harsh (29) old age will soon enshroud you --
ruthless age which stands someday at the side of every man,
deadly, wearying, dreaded even by the gods.

(ll. 247-290) 'And now because of you I shall have great shame
among the deathless gods henceforth, continually.  For until now
they feared my jibes and the wiles by which, or soon or late, I
mated all the immortals with mortal women, making them all
subject to my will.  But now my mouth shall no more have this
power among the gods; for very great has been my madness, my
miserable and dreadful madness, and I went astray out of my mind
who have gotten a child beneath my girdle, mating with a mortal
man.  As for the child, as soon as he sees the light of the sun,
the deep-breasted mountain Nymphs who inhabit this great and holy
mountain shall bring him up.  They rank neither with mortals nor
with immortals: long indeed do they live, eating heavenly food
and treading the lovely dance among the immortals, and with them
the Sileni and the sharp-eyed Slayer of Argus mate in the depths
of pleasant caves; but at their birth pines or high-topped oaks
spring up with them upon the fruitful earth, beautiful,
flourishing trees, towering high upon the lofty mountains (and
men call them holy places of the immortals, and never mortal lops
them with the axe); but when the fate of death is near at hand,
first those lovely trees wither where they stand, and the bark
shrivels away about them, and the twigs fall down, and at last
the life of the Nymph and of the tree leave the light of the sun
together.  These Nymphs shall keep my son with them and rear him,
and as soon as he is come to lovely boyhood, the goddesses will
bring him here to you and show you your child.  But, that I may
tell you all that I have in mind, I will come here again towards
the fifth year and bring you my son.  So soon as ever you have
seen him -- a scion to delight the eyes -- you will rejoice in
beholding him; for he shall be most godlike: then bring him at
once to windy Ilion.  And if any mortal man ask you who got your
dear son beneath her girdle, remember to tell him as I bid you:
say he is the offspring of one of the flower-like Nymphs who
inhabit this forest-clad hill.  But if you tell all and foolishly
boast that you lay with ric

She has make up on and her face looks pretty. Kathleen blows out the match and looks up.

"Hello Kate," Jack says and sits down.

"My name isn't Kate. It's Kathleen." The bourbon makes Kathleen feel confident. "Hello, Dell," She says mockingly. "You know Sue worships your ***. She just loves to call you, Dell. She thinks Dell is such a **** name." Kathleen takes a last drag on her cigarette and rubs it out in the ash tray. What should I call you?"

"How about, Darling?"

She looks up from the whiskey glass she is fondling in her slim hands. "Hello, Jack, Darling." Her soft, deep voice whispers accenting his name and the word, Darlin.

Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. She is drunk, but Dell does not care. He leans forward. "Do you wanna dance?"

"But no one else is dancing."

"Well, we could go to the beach and walk along the sand."

"It's 20 degrees out there." She takes the glass and swallows the last of the whiskey. "We'll freeze."

"I'll keep you warm."

In the other room the kitchen door swings open as Paul Keater and Bob O'Malley come rushing out, talking, laughing and rubbing their noses.

"Come let's dance." says Kathleen.

Jack stands up and takes her hand. She rises and as he draws her close her ******* flatten out against his chest. Jack feels her heart thumping.

Across the smoke filled crowded room, the bride is cutting the wedding cake. "That's a beautiful wedding gown." Kathleen tells Jack as he moves her around the ***** floor in and out of the circles of light cast by the overhead lamps. " Theresa looks beautiful."

"So do you." Jack holds her tighter.

"Do you really think so?" Kathleen is flattered. She is perpetually surprised if some one thinks she is pretty.

"I do," He says with sincerity.

She rests her head on Delleto's shoulder. The man with the bruised face disturbs Kathleen.

Most men like to talk about themselves. They have a need to tell what they own or what they can do well. They need to impress and when Kathleen is with one of her men he genuinely awes her.

Lifting her head off of his shoulder, "Does your face hurt?"

"Only when I laugh or cry," he says as he moves Kathleen in and out of the circles of light.

"Jack Delleto has anyone ever told you, your a strange man?"

"Just my mother."

"Did you win?"

"What does it matter? Sometimes tryin is more important. Not giving up. "

"you lost."

"Yeah."

" Kate, what's important to you?"

Kathleen raises her head off of his shoulder to look up at him. "I don't want to depend on welfare and other people and I want to send my son to college. But most of all I want a home." She rests her cheek against his. I lived in foster homes all my life and I always knew one day I'd have to leave.

"Do you know the difference between a house and a home."

Jack thinks for a moment, "No, I' don't."

And her voice is a roaring whisper in his ear.

"LOVE."

The song comes to an end. Kathleen takes a cigarette from the pack on the table and puts it to her lips.

Jack strikes a match and the light flickers in her eyes. "Maybe, sometimes you'll tell me about your home."

"Do you want me too?" She leans forward and puts the cigarette to the flame. The flame flickering in her eyes.

"Yeah." Jack blows out the match.

'Tell me I'm not in a dream. Or one of my trances.' She uttered the two sentences between gasps and seem-to-be quickening pulses. In midair, the tension between them kept growing intensely, trying desperately to meet its peak every second, before finally disappearing into the sightless distance above it. 'You're not,' the man said, his voice distant even when his face was only a few inches from hers, and cupped his free hands around her chin to calm her pale face. Her cheeks were warm in his palms, as if being burnt by hundreds of heaps of dying, yet ravenous flames. She closed her eyes, recording the touch of his perfect skin that seemed able to charm her endlessly since the first time she had fixed her gaze on his shimmering features. The angelic voice which accompanied it woke her a few seconds later. 'And even if you are,' he traced his soothing fingers along the reddening skin of her cheeks, 'I'll bring you back to life. Which is here.' He emphasised the last two words with a smile, a heartbreaking, infuriating smile - because of its astounding beauty, before tenderly touching his cherrylike lips to hers, making her start to tremble uncontrollably in deep confusion. She was, again, in the middle of these steep rocks without any aid to support her unstable weight, meanwhile the air over their heads began to twirl in circles, the weather around them getting pink and turning red in five seconds' time. She was lost. In someone else's magical world, with a rendition of one of The Beatles' hit singles from the 1900s or 1950s - she could not exactly recall which period of years it came from - playing smoothly in the CD player in the languid atmosphere of the living room behind them.
After a moment of enjoyment the kiss brought them he pulled back, before slamming his left hand into the tiny depth of his shirt pocket and taking a silver locket out of it. He threw a confident smile at her, and in one blink of his eye, the room fell dark. Petrified yet washed out by the sudden darkness among them, the girl let out a heart-rending shriek, which was followed by her heaving her body onto him, making his head hit the floorboards and the long necklace break in half. In seconds, blood-red light began to shuffle out of the center of the torn necklace, mingling with the air outside its shell and sending the woman into gradually-coming unconsciousness. She could now only see shadows, muttering and brimming all over the weather around her, and had not the strength to stand up apart from lying helplessly on the feathered carpet beneath. Before her, she saw how he started to rise and reveal his claws, and fangs, and bright red eyes above her. He laughed mercilessly. Instantly, she covered her sweating face with her hands - which now felt too shaky and she hated it, she loathed it very much - and brought out a despondent, lamented sound of cry. Her evil lover, at the same time, continued to soak up as much energy as possible from the change of circumstance.
'Again, I successfully, harmlessly tricked you,' he whispered this to her right ear. Around them, the horrendous wind potter faster and faster meanwhile their invincibly powered circles got bigger. 'You should thank me for that.'
'Th... Thank you for what?' She abruptly gathered her courage to confront him. If this meant that the end of my life was approaching, I would be ready, she thought silently.
'For letting me bound my ways into your life again, Em,' his angelic voice replied, and before she realised what was coming next, she wailed with all of her might when she laid her eyes on his real monstrous, vampiric face before her.
'I am indeed sorry to say that you - a clever and sanguine girl like you - was granted the chance to relish your life only momentarily,' he cleared his throat. 'You have always known that you could not outrun us at the end..., and so have your family.'
'No,' she mumbled, and drifted her gaze to his face - his now burning face. 'NO!'
'No,' he mockingly repeated her words, 'or YES, my dear?'
'Don't call me using that 'D' word, beast,' she put her best effort to yell at the top of her lungs, ''cos I am not your dear, and prefer death to becoming one of you!'
With those last few words, she scrambled to her feet, and stood up in just two swift movements. In her both hands, which he did not know were protected by the two stashes of garlic and one wooden cross in her dress pockets, were two shiny swords with special blades carved onto their two edges which were designated to **** vampires. Get rid of them. And their malicious world of beasts.
She stepped forward, and new powers began to regenerate inside her - despite the cries she felt start to roll into her heart, upon knowing that her beloved Joe had died. Joe had been deceased now. He was lifeless, and no longer able to help her here. She should never have ditched him. It dawned on her now, when everything was already too late to fix up. But she knew that she should never give up. Javier and his vampire family might have tasted every single drop of her other family members - and the rest of Ludirus town's residents - including her Joe, before she idiotically kicked him out for this pathetic, heartless beast who wore a disguise to displace him. She stretch the first sword - the one in her right hand - out to him. He took a step back, his eyes remained focused on her.
'You won't hurt me,' he pretended to be in pain, and in one and a half seconds, he transformed into the figure of the innocuous, blue-eyed prince once more.
'I won't be deceived by your looks, pig,' spat her, meanwhile her brain rummaged through a thousand ways to stick the two swords into his chest. That was, in fact, the only way to **** him. To drain his evil life out of him.
'You were, once,' he laughed, the sound of his devious laughter echoed in the very room, and later left it in such dread and wariness.
'Not anymore,' she bravely took a step forward and, without any further doubt, without caring about her being imprisoned for the rest of her life before getting her blood dried by the fangs of Javier's two older brothers, she stabbed the swords into his chest with all the energy she had left. And the effects sprayed out by the action were beyond any of her expectations. Thousands of blood droplets poured out of his body and onto the floor beneath her, flooding the entire living room and finally the streets outside the building until no litter, little scraps of food, and wheels of vehicles were seen anywhere in sight. Surprisingly, these endless streams of blood did not cause any floods, and rapidly soaked through every single layer of soil the earth had on its surface. The blood that had been consumed out of the poor people of Ludirus, the rural village in South Ireland, famous for its cruel killing rampage for several thousand years, where a group of aristocratic vampire ruled the lives of humans and their own species. But now, there would be no more of them. No more of their horrible treatments. No more of their sneaking-up-on-humans tricks they secretly did at night - to savour human blood, which was lawfully removed from the protecting-human law renewed every year. It was all a lie. Yeah, a lie. A lie that allowed Javier's family to approach Lucinda's family members to be victims in their lifelong killing spree. But now, there would be no more vampires, thought Lucinda as she kissed her holy cross and sets of garlic affectionately. There would be no more blood sacrificed to fend for those beasts' hunger, even though it meant for her to live alone. Live on her own, as she no longer had anyone around her to turn to. To soak up her tears when she was scared away by the bunch of vampire kids on the way home from school. To calm her with her melodious chords at the piano. Mother. To serve her the best spaghetti in the world as a reward for her outstanding grades at school. Sister Sheila. To rub her back and put her to bed at night - at the age of sixteen! Father. Luce's tears just would not stop while she kept counting her memories, as every single shadows of her deceased beloved came back to her. And finally, the sight of her Joe lying his tired head on her lap, and reading out loud to her his newest poem he composed at the office for her. All were gone. Dissolved into the ravenous sea of blood in the guts of those psychotic, simpering, abusive monsters.
But she was satisfied. She felt, somehow, proud of her heroic, or at least, brave actions. She had taken control of her fear, and that was one of the most important characteristics a woman should have to succeed in this cruel world, her father had once said. Now she could prove to them all that she was a newly reborn person, and was no longer the old Lucinda. Lucinda Hale who had always been the 'tail' of her sister while they were six and four, and the little, spoilt daughter of Jim and Aileen Hale who could not hold a plate properly in every banquet their family was invited to. Luce knew that she was now completely a stranger to her family. She squinted her eyes shut, trying to imagine how nice it would be to show off her new self to her late family if only they were all alive with healthy pink cheeks now. In her own peace and this momentary solitude, she found herself sinking onto the floating warmth of blood, but strangely, she did not fall. She did not plunge into the limitless red colour underneath, and remained flowing above it while her tears started to crawl out of her eyes. She did not know, and did not want to know how long this remained until she eventually felt the rough surface of the bearskin carpet again. She woke up with a dizzy head and quickly threw a hasty look around her living room. The prince, beastly Javier had vanished. Oh, there are his remnants, she thought and unconsciously, chuckled quietly to herself when she came to take hold of several white, lifeless bones laid in front of her. Then suddenly she understood what had just happened. The legend in that book she had borrowed from the library transported the knowledge back into her mind. All the members of Javier's family had been crushed now. They were dead. Her sacred tears, which came to mix with the blood flood, became the cure for all the people who had been ****** by the vicious vampires in town. They were now freed, and reawarded, although still mortal, but yet a very rare, elusive, privileged chance to be alive once again and start their lives all over again. They must not be far from her now, thought her. Without any further wait, she raced out of the room, and wormed her way onto the street.
And here they were. The streets of Ludirus were no longer deserted. Traditional markets with a thousand-metre long series of antiques roamed them, occupying every single tiny space provided to place racks containing jewels, valuables, and gold pots. There were also shelves of books about cookery, traditional healing potions, sports, literature, and anything else someone ever wanted to buy. And then she spotted a book with a bright yellow cover, entitled 'Love Poems: From 1900 to the Present, by Joe Grogan.' Her breath seemed to stop at that time and suddenly, before she even got the opportunity to touch the cover of the copy in front of her, two warm arms wrapped her waists and turned her body around to face the owner. Once again, she was at a terrible loss for words. 'Joe,' she mumbled.
'I am,' the writer nodded solemnly. And just like the evil Prince Javier had done before, he pulled out a beautiful silver box and opened it. Inside, two rings shined beautifully before their eyes, radiating a smile as bright as the one seen on others' faces among them. A smile that celebrated the comeback of their long-lost independence. Before she knew it, Joe knelt before her, and presented the ring upwards onto her.
'What would you like to do first, Madam? Marry me, or buy my book?' He grinned and held both her hands. Before she could answer him, he inserted her left ring finger into the perfectly made ring, and helped her right hand fasten his own ring onto his finger. She lifted him up and wrapped her hands around his neck.
'Do you have time for both, Sir?' She rubbed his smooth cheeks and kiss them before looking deeply into his hazel eyes.
'Absolutely,' he answered firmly, and scooped her whole weight into his arms and spinned her around. Luce could no longer say anything when a sudden wave of happiness washed all over her, and became even at a more unfathomable loss of words when she caught the sight of her beloved father, mother, and her sister, all alive, start approaching to deliver their congratulations. Here we are, she thought with a satisfied feeling. We were, are, and will always be meant to be together.

The old green door creaked when it opened. The same way it always did. The same old pitiful, sad sound it had made for years.
Sad because, like the rest of Jimmy's Bar it wouldn't be broken the way it was if someone would only take the time to fix it, in this case to grease the hinges, and then maybe the joint wouldn't be such a dive.
But that was the way it was, and the old green door pretty much summed up the whole place before you had even stepped in.

It was an everyday scene, this dreary November afternoon like any other: the glasses from the night(or nights) before were still stacked up on the far end of the bar, waiting to be washed, or just used again. The regulars, as they were known really didn't care if they were drinking out of a ***** glass or having a shot or a short out of a pint glass or beer or a stout or a bitter or an ale or a cider or even a water or milk(to wash down or soak up the days drinking) out of the same old ***** glass they had been drinking out of all week long.
Anyway, when the door creaked this time, it was old Tom Ashley that made it creak.
He shuffled in like the broken down bindle-stiff he was. Yawning like a lion and rubbing his unwashed hands on his four day beard. His grey hair as bed-headed and dishevelled as ever.  He was wearing the same crinkled-up blazer he always wore, tailor made some time in his youth but now in his advancing years was ill-fitting and torn at the shoulder, but still he wore a white flower in the lapel, and it didn't much matter that he had picked it from the side of the road, it helped to mask the smell of his unwashed body and whatever filth he had been stewing in his little down town room above the second hand book store. It wasn't much, but it suited him fine: the rent was cheap, and Chuck, the owner would let him borrow books two at a time, so long as he returned them in week, and he always did. He loved to read, and rumour had it, that a long time ago when he was in his twenties he had written a novel which had sold innumerable copies and made him a very wealthy man. The twist in the tale, went that he had written said novel under a pen name and no soul knew what it was, and when questioned he would neither confirm nor deny ever writing a book at all. It was some great secret, but after time people had ceased asking questions and stopped caring all together on the subject. All that anybody knew for sure was; he did not work and always had money to drink. It was his only great mystery.  T.S Eliot and Thomas Hardy were among his favourite writers. He had a great stack of unread books he had been saving in shoe box on his window sill. He called these his 'raining season'.

But for now, the arrangement with Chuck would suit him just fine.
He dragged his drunkards feet across the floor and over to the bar. All dark wood with four green velour upholstered bar stools, that of course, had seen better days too.
He put his hands flat on the bar, leaned back on his heels and ordered
a double Talisker in his most polite manner. He was a drunk, indeed but 'manners cost nothing'' he had said in the past. Grum, the bartender(his name was Graham, but in the long years of him working in the bar and
all the drunks slurring his name it gradually became Grum)smiled false heartedly, turned his back and whilst pouring old Toms whiskey into a brandy glass looked over his shoulder and said, ''so Mr. Ashley, how's
life treatin' ya'?'' Tom was looking at the floor or the window or the at the back of his eyelids and paid no attention to the barkeep. He was always
a little despondent before his first drink of the day. When Grum placed the drink on the bar he asked the same question again, and Tom, fumbling with his glass, simply murmured a monosyllabic reply that couldn't be understood with his mouth full of that first glug of sweet,
sweet whiskey he had been aching for. Then he looked up at tom with
big his shiney/glazed eyes, ''hey grum,
now that it is a fine whiskey, Robert Lewis Stevenson
used to drink this you know?'' Grum did know, Tom had told him this nearly every day for as long as he had been coming in the place, but
he nodded towards Tom and smiled acceptingly all the same. ''The king of drinks, as I conceive it, Talisker, he said'' Grum mouthed the words along with him,  caustically and half smiled at him again. Tom drained his glass and ordered another one of the same.

A few more drinks, a few hours and a few more drinks again
passed, Tom put them all on his tab like he always did. Grum,
nor the owner of the bar minded, he always paid his tab before
he stumbled home good and drunk and he didn’t cause too
much trouble apart from the odd argument with other customers
or staff but he never used his fists and he always knew when
he was beat In which case he would become very apologetic
and more often than not veer out of the bar back stepping
like a scared dog with his tail between his tattered trousers.
Drinking can make a cowardly man brave but not a smart
man dumb and Tom was indeed a smart man. Regardless
of what others might say. He was very articulate, well read
with a good head (jauntily perched) on his (crooked) shoulders.
By now it was getting late, Tom didn't know what time it was,
or couldn't figure out what time it was by simply looking at
the clock, the bar had one of those backwards clocks, I
don't know if you have ever seen one, the numbers run
anti-clockwise, which may not seem like much of task to
decipher I know, but believe me, if you are as drunk as tom
was by this point you really can not make head nor tails of
them. He knew it was getting late though as it was dark
outside and the  lamp posts were glowing their orange glow
through the window and the crack in the door. It was around
ten o’clock now and Tom had moved on to wine, he would
order a glass of Shiraz and say ''hey Grum, you know Hafez
used to drink this stuff, used to let it sit for forty days to achieve
a greater ''clarity of wine'' he called it, forty days!'' ''Mr Ashley''
said Grum looking up from wiping down the grimy bar and
now growing quite tired of the old man’s presence and what seemed
to be constant theories and facts of the various drinks he
was devouring, ''what are you rabbiting on about now, old
man?'' ''Hafez'' said old Tom ''he was a Persian poet from the
1300's as I recall... really quite good'', ''Well, Tom that is
truly fascinating, I must be sure to look in to him next time
I'm looking for fourteenth century poetry!'' said the barkeep,
mockingly. ''Good, good, be sure that you do'' Tom said,
taking a long ****-eyed slurp of his drink and not noticing
the sarcasm from the worn out bartender. He didn't mean
to poke fun at Tom he was anxious to get home to his wife
who he missed and longed to join, all alone in their warm
marital bed in the room upstairs. But Tom did not understand
this concept, he had never been married but had left a long
line of women behind him, loved and left in the tracks of his
vagabond youth, he had once been a good looking man a
''handsome devil'' confident and charming in all his wit and
literary references to poets of old he had memorised passages from ,Thoreau,Tennyson ,Byron, Frost etc. And more times
than not passed these passages of love and beauty off as
his own for the simple purpose of getting various now wooed
and wanting women up to his room. But now after  many
years of late nights, cigarettes and empty bottles cast aside
had taken their toll on him he spent his nights alone in his
cold single bed drunk and lonely with his only company being
once in a while a sad eyed dead eyed lady of the night, but
only very rarely would he give in to this temptation and it
always left him feeling hollow and more sober than he had
cared to be in many long years.
The bell rang last orders.
He ordered another drink, a Gin this time and as he took
the first sip, pleasingly, Grum stared at him with great open
eyes and his hand resting on his chin to animate how he
was waiting for the old man to state some worthless fact
about his new drink but the old man just sat there swaying
gently looking very glazed and just when the barkeep was
just about to blurt out his astonishment that Tom had noting
to say, old Tom Ashley, old drunk Tom took a deep breath
with his mouth wide, leaned back on his stool and said...
''hey, you know who used to drink gin? F. Scott Fitzgerald''
''really?'' said the barkeep snidely ''Oh yes'' said Tom
''The funny thing is Hemingway and all those old gents
used to tease Fitzgerald about his low tolerance, a real
light weight! He paused and took a sip ''but err, yes
he did like the odd glass of gin'' he said, mumbling
into the bottom of his glass.
Now, reaching the end of the night, the bartender
yawning, rubbing his eyes and the old man with
close to sixty pounds on his tab, sprawled across the
bar, spinning the last drop of his drink on the glasses
edge and seeming quite mesmerised by it and all its
holy splendour, he stopped and sat up right like a shot,
and looking quite sober now he shouted ''Grum,
Graham, hey, come here!'' the sleepy bartender was
sitting on a chair with his feet up on the bar, half asleep,
''Hey Graham, come here'' ''eh-ugh, what? What do you
want?'' said the barkeep sounding bemused and
befuddled
in his waking state, ''just come over here will you,
please''
the barkeep rolled off his chair sluggishly and slid
his feet across the floor towards the old man ''what is
it?'' he said scratching his head with his eyes still half
closed. The old man drowned what was left of his
drink and said ''I think I've had an epiphany, well err
well, more of a theory really w-well..'' he was stuttering
. ''oh yeah? And what would that be, Mr Ashley?'' said
the bartender, folding his arms in anticipation. ''pour
me another whiskey and I'll tell you''
''one mor... you must be kidding me, get the hell
out of here you old drunk we're closed!'' the old man
put his hands together as if in prayer and said in his
most sincere voice, '' oh please, Grum, just one more
for the road, I'll tell you my theory and then I'll be on
my way, OK?'' ''FINE, fine'' said Grum ''ONE more and
then you're GONE'' he walked over to the other side
of the bar poured a whiskey and another for himself.
''OK, here’s your drink old man, and I don't wanna
hear another of your ******* facts about writers
or poets or whoever OK?'' Tom snatched the drink of
the bar, ''OK, OK, I promise!'' he said. Tom took a slow
slurp at his drink and relaxed back in his seat and
sat quite, looking calm again.
The bartender sat staring at him, expecting the old
man to say something but he didn’t, he just sat there
on his stool, sipping his whiskey, Grum leaned forward
on the bar and with his nose nearly touching the old
mans, said ''SO? Out with it, what was this ****
theory I just HAD to hear?'' ''AH'' said the old man,
waving his index finger in the air, he looked down
into his breast pocket, pulled out a pack of cigarettes,
calmly took two out, handed one to the barkeep,
struck a match from his ***** finger nail, lit his own
the proceeded to light the barkeeps too.
Taking a long draw and now speaking with the blue
smoke pouring out his mouth said '' let me ask you a question''
... he paused, …  ''would agree that everybody
makes mistakes?'' the barkeep looked puzzled as to
where this was going but nodded and grunted a
''uh-hum'' ''well'' said the old man would you also
agree that everybody also learns... and continues
learning from their mistakes?'' again looking puzzled
but this time more  intrigued grunted the same ''uh-hum'' noise,
though this time a little more drawn out and
higher pitched and said ''where exactly are you going
with this?'' curiously.
''well..'' let me explain fully said Tom. He took another
pull on his cigarette and a sip on his drink, ''right,
my theory is: everybody keeps making mistakes, as
you agreed, this meaning that the whole world keeps
making mistakes too, and so the world keeps learning
from is mistakes, as you also agreed, with me so far?''
the barkeep nodded ''right'' Tom continued ''the world
keeps makiing and learning from its mistakes, my
theory is that one day, the world will have made so
many mistakes and learned from them all, so many
that there are no more mistakes to make, right? And
thus, with no mistakes left to learn from the word will
be all knowing and thus... PERFECT! Am I right? The
barkeep, now looking quite in awe and staring at his
cigarette smoke in the orange street light coming t
hrough the window, raised his glass and said quite
excitedly ''and when the world is then a perfect place
Jesus will return! Right?'' ''well Graham...'' said the old
man doubtingly ''I am in no way a religious man, but I
guess if that’s your thing then yes I guess you could be
right, yes''
He then drowned the rest of his whiskey in one giant
gulp, stubbed out his cigarette in the empty glass
and said ''now, I really must get going ,it really is getting quite
late'' and begun to walk towards the door. The
bartender hurried around the bar and grabbed Tom
by the arm,
'' you cant just leave now! We need to discuss this!
Please stay, we'll have another drink, on the house!''
''Now, now,Graham'' said the old man, ''we can discuss
this another night, I really must get to bed now'' he
walked over to the door, and just as his hand touched
the handle the barkeep stopped him again and said
quite hurriedly,'' but I need answers, how will I know
everything is going to be alight? You know PERFECT,
just like you said!'' the old man opened the door
slightly, turned around coolly and said ''now, don’t
worry yourself, I’m sure everything will turn out fine
and we’ll talk about it more tomorrow, OK?'' the
barkeep nodded acceptingly and held the door open
for the
old man, ''sure sure, OK'' he said ''tomorrow it is,
Mr Ashley''
Just as Tom was walking out the door he stopped
looked at the   barkeep with large grin on his face
and said very fast, as fast as he could ''you-know-an-interesting
-fact-about-whiskey-it-was -Dylan-Thomas'
-favourite-drink-in-fact-his-last-words-were -"I've-had-18
-straight-whiskeys......I-think-that's-the-record."­!! HAHA '' he
laughed almost uncontrollably. Graham the barkeep looked
at him with a smile of new found admiration and began to
close the door on him.
Just as the door was nearly shut, the old man stopped
once
more, pulled out a roll of money, looked in to the
bartenders
eyes and put the money into his shirt pocket, then putting
his left hand on the bartenders shoulder said ''oh and
Grum, one of those great ol' women I let get away, once told ,me:
''if you are looking at the moon then,everything is alight'' and slapped
him lightly on the cheek.
. Then finally, pointing at the barkeeps shirt pocket said ''
for the bar tab'' then went spinning out the door way with
the grace of a ballroom dancer(rather than the old drunk
he had the reputation for being) and standing in the
orange glow of the street and seeing the look of sheer
wonderment on the bartenders face still standing in the
old green door way and shouted ''LOOK UP, THE MOON,
THE MOON!'' The barkeep, shaking his head and laughing,
peered his head out of the door and took a glance at the
moon and grinned widely then closed the old green door
for the night. It made the same old loud creak when he shut it.

                                       FIN

in my family conversation is seldom thoughtful questioning filled with wonder quiet pauses instead it is sociable banter teasing goading spontaneous gratuitous remarks clever embellishment excessive flattery it is an ancient system passed down patronage pecking order nepotism sycophancy near to impossible for me to be honest in presence of their overwhelming vanity when it comes to family gatherings my voice isn’t very strong my family’s joking squelches my chirp they are each and all more loud sarcastic faster wittier more crude outrageous more funny loud gregarious sanguine Mom embarrasses herself with uncalled for flirtations (her mental state rapidly deteriorating) everyone laughs boisterously they snap kid exaggerate amplify taunt i can hardly get word in i need to repeat myself several times or more to be heard my voice is minor i struggle to tell story they listen politely then rush back into their rowdy repartee i am way too sincere way too naked in my ineptitude my stomach ties in knots biting lip shivering from cold fear what’s going to happen pitch black in front of me voice inside screams please i need help so bad please make it easier i’m lost in all this commotion drama hunger lack of clarity

Chicago 1980 Odysseus always revered cousin Chris is taller tan-skinned handsomer stronger protective of Odysseus knowing he is frivolous liability tags along with Chris and his prosperous trader friends advantaged echelon inherited wealth educated white young men they float above everyone else their tastes in clothes furnishings run Brooks Brothers Burberry Giorgio Armani Ralph Lauren John-Paul Gautier Paul Smith Emile Zegna Salvatore Ferragamo their preference in women run typically blonde large ******* tight butts make-up painted nails they think Odysseus is a freak because he usually chooses females none of them want Odysseus likes skinny girls flat chests glasses he knows he is an extraneous art pet to Chris and his group

Chris joins newly built state of art fitness facility pricey membership accesses all of Chicago’s fast track shakers movers politicians lawyers pretty people Odysseus has his limits he does not have money to join also he dislikes snooty elitism several times Chris invites Odysseus as guest Odysseus feels insecure outsider Chris always includes Odysseus pays for dinners they begin with round of doubles then 2nd round of doubles before glancing at menu Chris drinks Canadian Club on the rocks Odysseus follows they raucously order extravagant meals with appetizers 3rd 4th 5th rounds of doubles after pricey dinner at chic restaurant Chris’s group rendezvous at bar or club they order round of drinks tip lavishly sip drink glare around room leave barely touched drinks walk out with look of disdain they scavenge more bars in search of females or some intangible attraction Odysseus is never certain what they are looking for or what is the source of their contempt each wears black leather jacket carries huge wads of cash $20s $50s $100s folded stuffed in front pockets no wallets or clips

the Red Meat palace or Chang’s Szechwan grill are their favorite restaurants as many as 8 men sit at table pack mentality prevails for dessert course they pull out small brown bottles filled with ******* if it is Friday night Chris’s pad is frequently elected females other arrangements settle bill depart restaurant one night Odysseus arrives early at Chang’s wanders downstairs into women’s boutique salesgirl named Fiona greets him they hit it off he invites her to join him and his hosts upstairs after her shift is done Fiona arrives as dessert is about to be served table of men look desirously at Fiona beams Odysseus and Fiona along with Chris Phil Tom go to Odysseus’s place Fiona is perhaps 22 petite lovely with deep blue eyes set wide apart long eyelashes brown thick hair cut to shoulders high ******* pink ******* fragrance of linden flowers delighted by male attention Fiona ***** fondles each men are quite intoxicated Odysseus and Phil are only capable to sustain erections Odysseus stares mesmerized at Fiona’s extraordinarily swollen ***** she notices his fixation grins blushing men shout commands but in actuality Fiona is in charge reducing each of them to little boys vying for her attention near conclusion she requests they form circle around her ******* on her chest she fondles them touches herself men laugh mockingly as if to compensate for their lack of performance Tom picks up plastic dart gun aims it at Fiona she laughs crawls on all fours Tom fires dart hitting her on **** Phil grabs gun from Tom reloads another dart suddenly it feels like fraternity stunt Odysseus goes along offended by his own complicity to him episode feels more like men having *** with each other than being with a woman telephone rings it is Odysseus’s latest love pursuit she tells him she is on her way over everyone rushes to put on clothes change bed sheets they depart within minutes she arrives finally ready after weeks of romancing to put out for him after that night when Chris and Odysseus get buzzed in bar Chris routinely speaks the line to women have you ever been done by 2 cousins one night at Green River tavern woman squeezes milk from her ****** into shot glass dares cousins to drink Chris laughing turns down her offer Odysseus shoots back shot of milk then takes swig of Irish whiskey cousins go see Billy Idol at Odysseus’s insistence they stand near front stage young girls screaming after show driving home in Chris’s Fiat Spider Chris complains his ears are ringing i don’t know how i’ll be able to work tomorrow Odysseus nods like he hears hollers out window hey little sister shotgun!

Mom and Dad want their son to enjoy fruits of burgeoning affluence they feel certain what they are doing is best for him they rent quarter seat at Chicago Mercantile Exchange they originally promised full seat but they are overextended Odysseus enrolls in trading course he learns to trade Certificates of Deposit and Eurodollars which are recently established markets suddenly Odysseus has lots of cash his parents are dishing out he does not know what he is doing newly launched markets lack investment and fleece young men of their parent’s money his friends surroundings change he loses sight of himself he is a thoroughly incompetent trader bleeding cash scatters money between harebrained panicked trades or ******* girls $1000. wristwatch when Mom and Dad see jewelry they become furious in a way he represents his parent’s design for how to build successful son yet their plan is going dreadfully wrong he wants to stand up speak out against Dad and Mom he is not courageous enough to counter their weight he wants to express with more assurance his passion to pursue painting and writing isn’t fact he graduated from art school evidence enough of his aspirations commodities exchange is last place in the world he belongs Odysseus is risk taker but he is not aggressive or entrepreneurial only lesson he has learned with respect to his parents is how to run away

by all appearances cousin Chris is brilliant trader in reality Chris is hooked up with powerful crooked brokers they use him as their bagman he covers losing trades and is compensated or offsets winning side of profitable trades subsequently dealt his share Chris is not a criminal he stumbles into profit-making situation when certain conditions are flexible to advantages Chris is diligent hard worker the vast sums of money he earns do not distort his personality he is always generous shielding of Odysseus gold trading pit becomes so shady S.E.C. intervenes relinquishing exchange’s contract Chris and his bosses walk away unscathed having made their bundles

Mom and Aunt Rita run social itinerary for family including birthdays holidays all other gatherings where family will meet changes by the minute depending on Mom and Aunt Rita’s caprice checking in by telephone at least an hour before is mandatory arriving at destination Mom and Aunt Rita insist on specific table location seating arrangement it is important they be seen viewed by others at restaurant they never sit near kitchen or washrooms or where there is too much noise light away from drafts who sits next to who is crucial round tables are their favorite preferring backs to wall looking out so they can nod wave Mom rules from proud pedestal Dad upholds chain of command sometimes he irritably gripes Aunt Rita immediately comes to Mom’s defense Dad points finger back off Rita you’re way out of line where do you come up with a remark like that Mom mediates Max that’s enough in a way the sisters are spoiled little girls over-indulged by their father they believe their opinions and tastes are the best most correct everyone in family are subordinate to their no and don’t Mom and Aunt Rita routinely criticize Odysseus’s semantics oppose his observations critical of his clothes conduct they handily misconstrue his comments to mean fodder for their amusement Mom and Aunt Rita’s efforts to keep prim proper decorum cause resentment Odysseus feels constricted by his subservient role in drama of family he fails to understand their care

Odysseus busts out of markets leaving behind alarming debts for family to pay off he feels humiliation disgrace plunges into bottomless sleepless despair hides in house door locked window shutters shut phone rings unanswered hates life willfully wants to destroy himself there is no way out after week Chris comes by to see if he is all right Odysseus is reluctant to let Chris in Chris commands be a man get a grip on yourself Odysseus replies maybe i’m not a man he feels failure shame realizes he has become traitor to himself he wants to look at existence head on embrace it but all he knows are dishonor regret deception he conceives his being has been stolen he wants his life back but knows not how to recover it he feels deep in obligation to Mom and Dad thinks to escape from Chicago but his parent’s control is crushing he wakes late drinks black coffee smokes cigarettes marijuana hangs out alone sky changes from light to dark to light phone rings he reads Nietzsche Sartre frequents ***** Hole punk rock dive several blocks from residence becomes orphan of night drinking drugging

January 5 2011 30 years have passed Chris marries fathers son becomes best father to his child he can be leaves markets in late 80’s Dad dies in ’91 Odysseus leaves Chicago in 1994 he manages to paint some paintings write some words stomach ties in knots biting lip shivering from cold fear what’s going to happen ***** pink gray skies behind pitch black in front sometimes you need to take a step back in order to move forward Mom says she worried enough about money when she was younger and isn’t going to worry about it anymore her entire life she boasted i’m saving for my children but in the end she saved solely for herself Odysseus never learned to stand on his own all he ever wanted is to love and be loved he wonders what will happen next

PLANET NAIROBI (When the sun goes down)
Nur…
They were on the verge of losing this battle… it was only a matter of time, and he knew that. Through the window, he saw them advance, with a fierce swiftness that would have put anyone opposed to them at unease. Trembling uncontrollably, he reached for his weapon and held it firmly, ready to martyr himself for his family’s honour and legacy if need be. For they were not, and never would be known as a family of cowards, they were royalty... and he would rather go down fighting than cowering, that was the bottom line. But he knew that his sword, as well forged as it was, would be no match for Rath and his five hundred man strong battalion. So, biting his lower lip he waited for the pounding footsteps to reach the top of the stairs where he stood, the one solitary guardian to the throne. Martyrdom was his destiny.
“Let he that stands between Rath and the throne fall like the city walls!” Rath’s dominant voice bellowed as it got closer, too close for comfort.
He braced himself.
Suddenly, the doors burst open. And Nur... Prince Nur, finally got to come face to face with the scourge that had terrorised the lands of the sea for so long. A man of whom he had heard about from stories as a child growing up. A man that had haunted his dreams for as long as he could remember. Nur realised that he had always been afraid of Rath, long before this moment, how was he supposed to fight this man when he was clearly at a disadvantage? For it was common knowledge that to go into battle afraid, was to go into battle prepared to lose.
Rath was a gigantic figure, and exuded the air of one who was accustomed to crushing his opponents and hadn’t experienced defeat in a while... if not ever. This man stood at almost eight feet tall, with rock hard muscles that seemed to pile on top of more muscle, threatening to tear through his dark skin. His long locks of unkempt hair fell over a face that could only be described as menacing. He had a permanent scowl that was complimented by his black, soulless eyes. And as they stared each other down, Nur couldn’t ignore the presence of sheer evil he saw in those eyes, a shiver of dread ran down his spine. He raised his blade.
“A child?” Rath barked, “A petulant child? Is that what this Kingdom’s defences have come down to? An infant?” He waved a dismissive hand at Nur.
“A prince!” Nur responded defiantly, raising his blade even higher and more confidently. This man may have been the epitome of terror, but Nur would be ****** if he was going to be talked down to in this manner, this was his palace.
“A prince huh? Prince Nur I presume? Your father was a brave man, I respected him. Even if I met his acquaintance only for a couple of minutes, before I slaughtered him. But I do respect a king that fights alongside his men, as opposed to other cowards I’ve had the pleasure of killing that had barricaded themselves in their chambers and let others fight their battles for them. King Thur was a rare breed... but a dead one all the same.” He laughed remorselessly as he said this. “And soon you will get to join your warrior father foolish one.”
Nur lost all sense of fear. Infuriated, his nostrils flared as he swung the blade with all the ferocity he could muster, slicing deep into Rath’s right forearm. Time slowed to syrup as he saw his adversary’s blood stain the sword, but realising that it wasn’t a fatal strike, he turned around swiftly, switching his stance just in time to see Rath’s massive blade come down on his head. Then there was a deathly silence.
The afterlife was nothing like he had pictured. It smelt of... he couldn’t quite place that peculiar smell. It wasn’t pleasant, but neither was it unpleasant, just unfamiliar. Then he turned around and saw her. He deduced that she was probably the source of the smell. He noticed that smoke came out of her nostrils and mouth every few seconds after lifting a sticklike object to her lips. Nur mused at how wrong the high priest in their kingdom had been when he spoke about the place in the sun... the afterlife. It wasn’t anything like he had described.
But wait a minute! He realised that the sun was still above him, in the sky. He could see it. He could feel it on his skin. So WHERE WAS HE? He felt dizzy, unable to comprehend. Only a minute ago he was in the royal palace, facing certain death. And now he was... he didn’t know where he was, or even what he was. Was he dead? Transcended? Was this just his soul? If so, then how come he still had his senses? All these questions raced through his mind at the same time. He turned toward the lady, who seemed unaware of his presence. She was tall and very light skinned compared to him and her hair was tied in ponytail at the back of her head. He couldn’t make sense of her attire though, she seemed to wear a lot of clothing, garment over garment that covered her arms and legs. She was also extremely beautiful and had a slim womanly body most warriors would **** for, he noted, and felt himself flush. He tried to see what she was squinting so intently at and concluded that she was just staring into space as she drew, he realised now, on the tiny stick and blew out more smoke. That was when he noticed how high up they were, this palace stood almost five times as high as theirs. It was overwhelming to say the least.  He got up and walked over to her, deciding to leave his blade behind so as not to come off as a threat.
“Greetings?” He said politely. She jumped as if she had just seen a ghost, dropping the stick she was holding. He had clearly startled her, so he took a step back lifting his hands in the air to signify that he meant her no harm. She breathed rapidly and began to speak just as rapidly in a foreign tongue. Nur couldn’t understand what she was saying, but the hostility in her tone and her demeanour was hard to miss. He took another step back, ready to defend himself from an attack if need be. He had heard tales of an island with warrior women who could match, and beat, even the strongest male adversary in combat. He decided to tread cautiously.


Nasim...
Nasim Naikuni was beyond peeved. Who was this ******?  He had scared her half to death and almost made her fall off the roof, not to mention burn her favourite grey, three thousand shilling trouser suite when she dropped the cigarette. And what annoyed her even more was that he didn’t seem to register how ******* she was. He just stood there with a blank expression on his face, like a schoolboy waiting for his mistake to be explained to him. Nasim couldn’t stand slow people, they got under her skin. She was yelling at the top of her lungs, which was taxing to say the least, seeing as she had been smoking just seconds ago.
“Are you slow?” She shouted, tapping at her temple repeatedly. “What makes you think you can sneak up on me like that you fool? You almost killed me. Do you realise that?” Then she stopped and studied him, out of breath. She noticed that he seemed unable to understand English and so she switched to Swahili, “Nini mbaya na wewe?” What’s wrong with you? Still there was no response.
She gave him a once over. He dressed strangely. His large, golden brown pants that fluttered in the wind seemed to have been made from an expensive material, though it was like no material she’d laid eyes on before. It bordered somewhere between silk and suede. His shirt was also made of a similar material, but leather brown in colour, matching his leather boots that were laced and reached just under the knee. He stood an inch or two shorter than she did, but she guessed that was probably because she was in heels. He had long hair that seemed to fall halfway down his back in one long braid. He looked almost exotic as he tried to communicate, but she couldn’t place the language or his ethnicity, for his skin-tone was chocolate brown but his hair looked almost like an Asian’s, dark and straight. He spoke in a tongue she had never heard before. There was also something really classy about this boy, whom she guessed to be around eighteen years of age or so. It was like looking at a darker, more pampered version of Sinbad the sailor.
Nasim relaxed a little and decided to give the fellow a chance to introduce himself, in whatever way he intended to do so. He seemed to pick up on this and started explaining something to her, making a couple of gestures, and at some point she thought she saw him mimic a fight, and then  point to the sky. Nasim still didn’t know what he was talking about, but felt a semblance of communication begin to take form. He directed her attention to another part of the roof, probably where he had approached her from. And she saw the blade! With catlike agility she swung her purse at him, the blow caught him square on the jaw with a thud! The bottle of perfume she religiously carried around in it serving a different purpose on this day. He hadn’t seen it coming and so had no chance of stopping it. He staggered backwards as she made a run for it toward the staircase but felt a hand grab her ankle causing her to tumble onto the hot cement floor. At that moment her heart sank, for she knew that she was done for.


Nur...
Nur was perplexed, he didn’t know what he’d done to deserve the assault. The lady had seemed to be calming down, but all of a sudden she had lunged at him with a weapon he had first assumed to be a bag. Though, she didn’t strike with the strength that a warrior would have, and also had made an attempt to flee. This told him two things. One, she wasn’t accustomed to combat... and two, she had attacked more out of fear than strife. Which meant that she posed no immediate threat to him. Also, she was the only person he had met so far and his only hope of figuring out where he was. He couldn’t afford to lose her, not just yet, so he decided to try something he was ashamed he hadn’t thought of sooner. Nur spoke into her head.
‘I mean you no harm.’  He said, and waited. No response. He tried again, concentrating harder this time. ‘Can you hear me? I mean you no harm’
‘LET ME GOOO!’  Her thoughts screamed.
He could understand her, they had made a connection. Progress...

One year later. Nasim...
“Good afternoon people? You’re hangin’ out with me Nasim Naikuni on your favourite show Voices, where you can throw any question you have regarding life... and living it, at me and the voices in my head will answer them for you... yeah, you heard right, the voices in my head. I’ll be takin’ your calls for the next hour. Let’s begin shall we?” Nasim spoke into the microphone just before a voice-over added...
“NASIM NAIKUNI, THE ONLY RADIO PRESENTER THAT’S LITERALLY GONE BONKERS!” And then was followed by some rock music. ‘So what?... I’m still a rock star... ’ Pink’s lyrics belted out as Nasim removed her headphones to take a breather before she talked to her first caller. A breather... and also to have a bit of a chat with the voice in her head. She walked out of the studio into a corridor where she was out of sight, and concentrated, her eyes crinkling from the effort.
‘Hey, are you there?’
‘Uh huh.’ The prince replied.
‘Okay, we’re on in roughly three minutes. Make me look good babes’
‘Don’t I always?’
‘True dat. What are you doing?’
‘Breakfast.’
‘It’s one in the afternoon... ’
‘This is not my planet, therefore I’m not obliged to follow its rules. I can have a one o’clock breakfast if I want to.’
‘Brunch.’
‘What?’
‘Brunch, what your having would be brunch. Breakfast... aaand lunch?’
‘You see? You get all high and mighty on me about this and you even have a name for it? If it is so wrong to have breakfast at this time, then why would your people give the meal a name? I’m just saying.’ Nur said mockingly.
‘I give up’ She replied with a sigh.
‘Nas... Nas?’
Silence.
She walked back into the studio.
“Caller... you’re on air. Shoot.” Nasim said softly, leaning into the microphone.
“Hey Nasim, lovely job you’re doing by the way.”
“Why thank you dear, but I don’t deserve all the credit you know?”
“Yeah I know... you and the voices in your head... ha-ha! Anyway my name is George, and I’m kinda’ in a predicament at the moment. You see, I have a wife and a family... two kids, but I kinda’ got into this relationship outta’... obligation as opposed to real love...”
“Obligation?”
“Yes. I met my wife five years ago in uni’ and we dated. But looking back, I only got into the relationship because I felt I’d led her on and she loved me soo much, I just couldn’t disappoint her. So I got stuck in a phony relationship, at least on my part. Next thing I know, we are pregnant and... It’s been we ever since.”
“So you want to what? Get out of your marriage?”
“I want to be with the person I truly love...”
“Hooo... **! Scoreboard! Now we have lift off. And how long have you known this person that you truly love George?” She said this with a tinge of amusement in her voice.
“Six years... and we’ve been going out for the past two.” He sounded ashamed.
‘He sounds ashamed.’ She heard Nur say observationally.
‘No kidding.’ She retorted.
(In the past year or so, Nasim and Nur had come to an understanding somewhat. After she had struck him with her purse and the little scuffle they’d had on the rooftop, and after convincing herself that she wasn’t going crazy... or that the cigarette she had been smoking wasn’t laced with marijuana or some other hallucinogen, she finally gave in and listened to the voice speaking to her in her thoughts.
‘Please, just give me a chance to explain. I need your help lady!’ He sounded desperate.
She felt sorry for him, but still suspected she could be going nuts.
He continued. ‘I don’t know where I am. My father is dead and I don’t know where I am or how I arrived here, and you’re the only one that can help me right now...’
Nasim, touched now, replied. “How am I supposed to do that? And how are you doing this telepathy thing? Are you really doing this?” She shook her head violently, like a wet dog trying to dry itself, “I’m very confused right now.”
He looked even more confused. ‘Talk to me in my head, I think it is the only way we can communicate with each other.’
She didn’t know how to.
‘It’s simple, concentrate.’ He said reassuringly.
She tried. Still nothing.
‘I could hear you a moment ago, I don’t understand. Let’s try this slowly, repeat after me... Nur.’ He told her.
She heard him, and was thinking what?
He repeated, ‘Nur.’
She tried thinking the word he’d asked her to repeat as hard as she could but he didn’t seem to be getting anything. She decided that the cigarette must have been laced with something. Here she was, on the roof top of her work building trying to master telepathy, with a stranger who just happened to own a sword. This had to be a dream, a nightmare.
‘I must be high.’
‘Yes! Yes! You’re high!’ She heard the excited reply.
‘What?’
‘You did it!’ Nur said happily, ‘you figured it out. And yes, I was also meaning to ask you about how high we are.’
She had done it. Nasim could hear him and answer back, she felt oddly proud of this accomplishment. Then she asked puzzled. ‘High? You get high?’
‘I am high.’ Came the naive reply.
‘Oh...’
‘Why are we so high up? The palaces on our island are half the size of yours, are you that many in your palace that you need to build it so tall?’
Then she understood. And laughed... ‘Who are you? And how did you get here?’
‘My name is Nur... Prince Nur... how I got here? That’s what I’m trying to find out.’ He was being honest.
And thus begun an adventurous relationship between the two. Nasim took him to her apartment that day, passing curious and disapproving looks all the way. The most difficult part being trying to explain to her boss why she was coming from the roof in the company of someone who dressed like a ******, as he put it. She made up something. And he gave her one of those I’ll accept your story just because... looks. Nasim found that hilarious. But she was glad she had asked Nur to leave the sword behind to be recovered later. That would have been a tad difficult to explain. They got to her apartment block and were met by more disapproving looks from a group of nosey old women, the type that love to mind everyone else’s business but their own, as they walked to the lift. And when they got into apartment F6 on the second floor, she introduced Nu

What might the heights of the minds eyes see while the spirit is in motion of the purest emotion of intent and expression of love?


Is it such a state where false has awards and evening gowns picked out for the awards show?

Is it so fake that one might find it difficult to understand real from false?

Or might the fact that when a human being can truly  walk the line of life with grace and demanding ******* while gently caressing the absolutely overwhelming truth that love has ravaged the soul ,

Ravaged this soul,

*****, held, ravaged, run through, righted and scorned in the deepest of waters a soul has yet to express to the world for two thousand years, and all while  the captive ....... Soul,         is critiqued on the devastation wrot in such completeness that is is even to this day savoured as a prized  fetish even unto the sad would self.

Dare I ask simple a question of wondering curious eyes of windowed souls to cast a view into the dew of the greatness of being of truth and grace while respecting the very heart from which such torture pours from?

dare a truth be asked that such a human being be of a dignity in company with the child timid in him self torn, dashed , bruised, named and bolder than the soul that resides in you?

Dare a tasked truth be ever revealed of contemptuous  acts of ***** souls and privacy of ones tiny castles in the  oh so damaged and bitter sands. Of the wombs of mind that we all venture to frontier the very limit of the souls endurance, prestige while being undignified by the raw violence of the act of continued ****, or is a dared truth to harsh a fact for timidness of my self to have swallowed whole as the soul of mine self and mine eyes and mine teeth from which the vengeance did pour a pounding to seek, all to be driving back by the broken and horrorably disfigured child of me that many find more womanly.   For this Ugly Boy of me, this sad sot silly and ***** smaller to the vastness of the fridgidness of ******* through lies and manipulations while taking in the raw ******* of the common God's child , virus this not what we all are the now newly in question not so rarely ***** and sold like ****** in a new church for the dastardly and bastarded ******* that we have come to call complacency of decency?  

Any, how foolish, yes my dear friend , you are indeed a wiser worrier  wafareing wondering wizard of vast skills and frightful  ways and means to tame the beast of such hateful things , so costic as to reach deep into them and quiver their tiny tethers and frail feathers all a mockingly  to the tones and notes left after we vacated the dead crypts of self deprivation and hate as we all found the truth of the emotion as it poured through us when realizing this damaged, torn and frightened child , a man holding the depth of winter killing fields at bay, a man kindly swaying the stars to play a tune so as to grace all who broke his heart a stay of pain for each and every attempted and timidly bold and brazen sway and slanted ****** love or raw truth and powerful motions from which we all find the fancy to ****** the  tool as the goofiest  **** **** as hell fool we all choose to allowed the absolute grace and magesty to ******* Rule our Hearts for even just a fraction of a moment in this prayer of endless time, yet hold with the dared scary and walking naked and alone into the lions den while the wolfs and beasts all gathered their finest clothes, weapons and gold, silver, trinkites and shiny of the shiniest of the things they boldly and brashly slash all with as to command the fear to reside in the human spirit.

As this silly little hill Billy with a **** nice *** *****, were wolf feet and all called out to the proudest and loudest of the tiny little spouts and softly said " what is all you foolish fuss about?"
"Have you lost you most precious toys, only to find victim the Dickson of my sorry and sad state of dieing from the oath and lashing of what you helped  rip from what can only be many peoples and communities and even many families?"

Dare a truth to truth this dare my dearest cud of a bear for a true beast of welcome verosity I be all the while giggling and prancing all about like a happy *** skipping fairy, and of this I most truly rather be for don't you know? , did no one tell you the news?  The horror is scaring but the truth is so amazing, turns out scar gardens are the softest things God has ever created, scar gardens are the hardest element that break far stronger , bold creatures of far fasters tested , cleeted, bust a mother up than most man has ever know to exist.
Scar gardens are the very  spouts from which the truth and grace of the living love of God pours fourth into this majestic ******, animal ,spiritual ,sacred, holy and magnificent place , a place that the very bashing of the flowers that dance you delight even in the pity, plight, laughter , and slight  has done nothing but cast us all from it loving embrace, yet, dear cub of a Billy bad *** nub of a cubbed couger in the final leaps to catch this timid and playful prey of me that you so think you will devour you see,  we, the ones whom truly felt and opened and dare that **** scary *** chance to dance with this devil in the pale moon light have found that they no longer must live in fright, that this very garden is theirs and none to own but to flourish and grow, thrive if you must, but lest get nasty for a real minute, animal to animal ,it ma thrive , sure but it will **** , love ,fight, rise , Smit , right the wrongs that have tortured us far to ******* long and in that moment of exstacy the human race may just finally realize ***, love, caring, kindness and truth of self are the face of God starting through your eyes experiencing all f his loving songs creations and getting ******* goose bumps and he'll yes this Billy Jack goofy *** bad  kat all **** knuckled with bad habits and a lust for loving full ******* spectrum and a lesbian trapped in this fugly *** mans body all crazy *** triple run *** marks the spot moon shine devil of mine were wolf feet and all does truth and whole love the Real Girl and is ,,,,, and most mother ******* who are real and real down with the truth that God is love and loves even your silly but as God loves mine silly *** and the rest of this star studded cast of human **** ups simply attempting to pass and go the **** home at the end of the school bell.


HUA,    I do love the Real artist  you speak of, she knows it, and may just know that I know she is not the one laying **** the silly hill Billy with a rather bad *** wi,,,,,,,, um sorry.     Where were we. Oh yes. Um. Only those who care to let go and allow the truest of flows and are true to self and the love that one finds in the being of anothers breath, thoughts , actions , decisions, and mistakes and graces to right ones self after horrors that tear us and embarrass us, these know the truth ,and my dear friend i love you too, but not like the love i expressed to you in hopes you to feel the love i share to her with out pushing it on her, so that what is rightfully hers to reject or except i gave it all away to all even those whom used it to fuel hate in mine own shape , form and name.  And i have done all of this and a dillion years of pouring stars into the hearts of that goofy *** girl by way of dancing crying and **** it dieing through the very core of you,  yes i got you high, horney, got you off, many times , i gave you memories of sparks you know, i gave you worlds of wonder and ways to flurish and grow, i gave you what you , well many of you , did not even deserve for it was truy meant to be for her, but i felt that the most good it could do and the best love i could show her is i can love all of you and even rock hear heart all the very same ways i moved you , and not loose one silly little drop of the tears in her pain, yet sip them and drip them into her so she may choose to live again, as she has done for me.....do you now see? For I C C I said this goofy eyed going man who has done all this in his true and real names,  For I Love You So.


And didn't even eat my wheaties wink , smile I a not mad at ya, just being me, and some times we all have a tax bit of  werewolfand badger **** in us , sorry to offend, smile in the end, we all just might be ,,,,, sort f friends..

Hell is like waiting in a long line for the zoo
So this must be limbo...

Time stretches / skeleton skin skeins
The tock the tick / the clock
Sketches
Schizophrenic melancholia
Mockingly sickening
Traffic of panic / deafening
Time stales / takes Forever
A long while - in limbo
Zombie shock / mind akimbo

And loneliness is a box
This corpse sits in
As existence / outside frightful / persisting
***** and spritz-ing
Our vibrant thangs
Songs shouts to gang sign slangs
Even when the lyrics
Go deep
Six feet sorrow
Hip hopping to defeat

But we gots to love it
The life we have
The Flava and the savor this last dance .
Makes me wanna Dougie
Percolating / jump / criss cross
Vanilla bean / jump jump

But what is a song to a diminished bird
No cage more cruel than the loss of worth
Hearts depart from its soul
Jester / fools / without cheer
No cartwheels glee or clue
Happy days adieu
High times zero new
Birds to the sky / fist pump / guns
This is for the Razza
End what's done begun

Waiting to get thru
Theme parks colorfully masking
Reality's streets and truth
Inmates as we are forced to wait
Hate is quicker to arrive
Behind bars hollows Time
Takes our forever
Even waking up
Still in limbo / thirsty without a cup
Same ole system
Who's business makes slaves
Kept blind and silently afraid
Kept
In a state / of mindlessness
Now worse than before

Schitzo screaming schisms
Crazy IS the war
Fear wreaks havoc
Boom boom back to a room
In your head goes the bomb
Shrapnel wounded / half none...

Are we there yet?
Just farts in the wind
Waiting is hell / how does life begin?
Just passing by / passed away / a passerby
Yelling and complaining
Let me in ? Get me out ?
Ghost to life's boo hoo / poor you
What happens to dreams wasted
In the zoo
Eyes turned frozen
Cold uncaring
Dying and lying / lifeless stories to share
As beauty within is in despair
As beasts overcrowd the fair
Flotsam in limbo float
Alone in its killer cold
Time still passing / parole / on hold
Much hope

Where are we
If there is nothing
No penny for fairy tale wells

Wishes are dead in fountains
Rich and heavy to the bottom
With tossed currencies. Fell.
How will a coin speak
Who will ever know
If we do not paint out loud
The masterpiece of the dream?

Tell me dreamer what time do you have
Still waiting?

In this zoo...

When it always was and is
And always will be

Up to you.

Feeling fail.
A shallow discontentment
only brought about
by the success of others.
Challenges conspire.
Everywhere I look
beauty and joy
laughing
mockingly.
My poor body,
weak and restless,
struggling to breathe
under the pressure.
Water surrounds me,
pounding in my ears,
and it is done.

it's a lot harder than you think.

you have to be from the South, like me
or the North, like I want to be
or somewhere entirely more interesting than Dallas
and you have to have the ginger gene
(because there's no way I'm having
blonde children)
and you have to like aquariums
specifically the seahorses

don't wear too much cologne or
pastels and don't ever smell like
frat parties, barbecue, or beer
and DON'T ever say that ballet is stupid.

you have to ask before we choose
the restaurant because I don't eat Italian
or Thai or Greek or Subway
and you have to hold the door open for me
even if we're in my own room.

listen to my monologues for class
and rattled-off to-do lists
as you lazily push the basket
and I grab it from you because you're going too slow
and mockingly call you a princess

know that I am busy, VERY busy
in fact so busy that I may not see you
because I am an independent woman
and there are stories to be built, dragons to be slayed,
and there are things my hands must finish
before I can start on holding yours

make fun of my Crocs
and the way I hiccup out of nowhere
and the days that I don't have time to eat breakfast
so I bring a Fuzzy's cup to class
full of off-brand Cap'n Crunch
shoving handfuls into my mouth between
snide remarks about Morrison
while you laugh inside your eyes
about what a cynic I pretend to be

hate me when I tell you
that I don't need a hug
and that I'd rather be dating Hemingway
or that I have rehearsal
painting cities, building histories

ignore my comments about you needing to shave
or on how I think I'd rather I'd never get married
and live the rest of my days writing stories
with organic vegetables and rainy days and
walks in the Carolinas

call me a ***** when I'm being one
(because I know I am about 97% of the time)
and tell me you would help me
if I would ever let you
whether it be Christmas lights or
physics lab or the gnawing pain
of lonely lonely lonely

let me read my books, propped up on
my pillows and nestled into a glaze
and let me have my expectations
of Rochesters and Darcys
even though I say I don't
and when I have to sew a blanket for class
and I say the stitching looks awful
tell me no, it doesn't
because I desperately want you
to know that my favorite color is lavender
and I love watermelon and stationery and
online shopping at 2 am
and I desperately want to know
your elementary school, your favorite song,
your middle name
even though I pretend I don't

and sometimes when I say I'm right
and you know that I know I'm wrong
just pick up your spirals and turn to leave,
then stop and say
"my favorite book is Gatsby, too."

and smile and call me crazy.

it's a lot easier than you think.

First, I would like to introduce Grayasety. She was a young girl, had soft strands of medium-short caramel hair, and she had green-blue eyes that looked like miniature earths. She was indeed a pretty girl and she was of average height, and had a healthy body. She also had a slight southern drawl; her mother was from Texas. She loved going on boat voyages as her father was the captain of a ship named Gray Asety, named after Grayesty, so she was often training to go on voyages.
                  One morning, just like any other ordinary morning, Grayasety left her house for the next-door stable with her baby sitter, Kinberly, which was part of her father’s crew.  Today was the big day, the day when Grayasety was going to go on a voyage with her father as an official crewmember. Today was Grayasety’s 13th birthday; today was the day when she was old enough to work on her father’s ship! Therefore, she gaily whistled and skipped along the road. It had always been her dream to work on her father’s ship, and today, finally, her dream was coming true. When she got to the stable she blew her small, pink whistle that, to human ears would make no sound, and like every morning her best friend, (which had the ability to morph into animals) trotted tiredly out of the stable in the form of a beautiful brown mare. The huge animal yawned and said, “Morning Kin!” And then addressing Grayasety she said, “ Well, well, little missy what do you want me to be today?” Today Grayasety wanted Mila to be a green parrot, Grayasety was obsessed in the color green, and Mila had reluctantly obeyed, the trio set off for the fresh smelling bay.
Kinberly, and Mila worked on the Gray Asety. Mann Forumest, or Captain Daddy as Grayasety called him had met Grayasety’s mom working as a crewmember on the Majesty, a steamboat. Grayasety’s mother, Magnolia Scott Forumest was the assistant cook. They married, but kept their jobs until one day when Grayasety was about five, the Sea Bandits, a notorious group of pretty woman stealers, kidnapped Her mother.
                        While on sea, Grayasety shared a rather large suite in the ship with her father. In the Bedroom were two desks, one big and one small, and in the corner was a bunk bed, the top bunk badly painted in green and the bottom bunk still bearing its natural mahogany color. Grayasety was sitting in her little green desk, scribbling madly in her deep green diary. Grayasety *** a liking of scribbling and those who have know her long enough could read her scribbles like one would writing. She could read and write although she was nowhere near a strait A student.
                   After a while Grayasety decided to bother her father and, forgetting to switch into her lime green boots, shinnyed up the main stairs to the deck in her faded fluffy mint green slippers. Mila, perched comfortably on Grayasety’s shoulder, started telling her that she was wearing her slippers when Grayasety shoved a faded green pacifier in Mila’s mouth; Grayasety often did this to keep Mila quiet.
Mila, not enjoying the dusty, stale taste of the pacifier unhappily decided to keep her mouth shut until Grayasty got in a better mood. In truth Grayasety was in a marvelous mood and rather liked shoving pacifiers in Mila’s mouth. As the girl got closer to the deck, she started to hear chanting from the kind crew. She especially heard Kinberly’s familiar raspy voice chanting,” Laaa dee daaa, the Gray A rolls along,” and as she emerged to the *****, wet deck she noticed that her father was talking to someone else already. “Botherin’ will have to wait some,” she whispered to Mila. Then she took the pacifier out of Mila’s mouth and scolded,” why didn’t you tell me that I was still wearin’ my slippers eh? Wanted to make me look like an idiot?” Mila simply rolled her eyes.
                    Right then, Captain Daddy, apparently finishing his conversation, came over to the pair and said affectionately, “How are my darlings doin’ today?” Mila especially enjoyed this for Captain Daddy always gave a loving stoke on her back and a whole chocolate chip cookie if he had one. Although Grayasety always stole some of the cookie Mila was happy enough with half. Grayasety, on the other hand was happy with a whole cookie so she begged Captain Daddy to give her another one. Captain Daddy gave her another cookie but chided her not to steal any more from Mila.
                    After the lecture on not stealing other people’s food, Grayasety clambered up the crow’s nest and almost knocked over Franz, a tall, but gaunt boy a couple years older then Grayasty getting in. ”Anythin’ unusual yet?” asked Grayasety hopefully. “Nope,” answered the calm boy quietly. ”Hi Franz. Do you have any cookies?” asked Mila mockingly, Franz just laughed and said,” If I had any I would of eaten it by now! Gray, can you get me somethin’ from the kitchen?”.
                   Grayasety got Franz a basket of food and got her self the same amount; Grayasety was basically always hungry, and had a little picnic on the roomy crow’s nest. After they finished their meal Grayasety decided to let Franz rest and did lookout. Franz had a small room to himself, which was about the size of a normal bathroom with all the stuff taken out. In the corner was an old, squeaky army cot and next to it was a rotund desk with a stack of blank paper, a jar of Indian ink, and a fountain pen laid precariously on it.
                    Franz was quite a writer and he spent his free time eating, sleeping, or writing and unlike Grayasety he actually wrote not scribbled. He was working on a story about gargoyles that came to life at night. It was an interesting story, really. He would of loved to stop working on the Gray Asety and go get his books published but he stayed for his family was a poor one and needed his help to make a living and also, Captain Forumest provided free paper. And, his daughter was the first friend he ever had; Franz was convinced that she was the best one.
                   Grayasety enjoyed being on ships. She liked feeling the cold air rush through her hair and she enjoyed the great view of the vast sea that surrounded her. She even liked the feeling of being so small compared to the humpbacks that swam by. She thought that the ship food was good, and she felt that the sea was truly where she belonged. Grayasety was very cranky when she was not at sea, (though she did like their big, ocean green house), so her father tried to include her on as many voyages as he could.
                     Captain Daddy, or Mann as I will call him spent most of day in a booth on the deck. He often worried about his daughter’s mental health (even though it was completely unnecessary). He talked to Grayasety’s doctor about this and Dr.Metalos, Grayasety’s doctor, gave them a list of mental deceases she could have, but none of them seemed like some thing she would have. Mann was sure that his daughter did not have one sickness; Much Too Much Time At The Sea Syndrome. If any one knew where Grayasety belonged it was Mann and he knew perfectly well that his daughter would go insane if she wasn’t at sea for too long. For one thing she preferred to sleep on her uncomfortable bunk at sea rather then on her fluffy green bed as soft as a feather at home.
                        Right then the ship did a tummy- flopping lurch and knocked off the map and compass from Mann’s desk, which interrupted his thoughts for a while. Below deck Franz’s desk toppled over, and Franz accidentally made a long and ugly scribble across his writing and on the crow’s nest Grayasety was having trouble standing up and she almost vomited right onto Kinberly’s hair. This was rare for Grayasety for she lived on the sea and was used to lurches; she had once survived a shipwreck, which explains her golden earring on her right earlobe.
                   That night as Grayasety lay in bed Mann quietly crept out of his bunk and scurried up the stairs to the deck. He wanted some time to himself. Ahead was Cape Horn; a very dangerous place where so many ships had sunk it could fill the biggest port in the world, but more personally, this was near the Sea Bandits main head quarters, 8 years ago the beautiful Magnolia Scott Forumest was captured here. Even though it was impossible in the foggy mist, Mann tried to make out the cave that marked the entrance to the headquarters. Only few people knew this entrance, and publicity stated that it was a “mere mystery” why most captives were capture near Cape Horn. Mann felt a chill run down his spine and then he thought he felt someone’s hand grab his shoulder. He looked down and saw what he dreaded most; a hand tinged with brown firmly held his shoulder.
                      Grayasety woke up feeling wonderful but apparently Mila didn’t. She kept screeching something about Captain Daddy being kidnapped and soon she found that what Mila had just screeched in her ear was true. She stormed into Franz’s cabin and told him what she discovered and they soon agreed to do what no one else wanted them to do; steer the boat right into the Sea Bandits’ headquarters and take back what, and who was theirs no matter how hard it could be.
                      Grayasety had Franz steer the boat and she herself navigated, Kin was lookout and the rest of the crew helped out. Franz dropped the passengers off at Puerto, and Mila morphed back into a human; what she really is, and helped out. Separated from the frenzy, Grayastey was quietly thinking to herself. She wondered why the Sea Bandits captured her father. They were well known for capturing pretty woman but not average looking men. Just then she heard a knock on the door. “Grayasety?” said the raspy voice of Kin. “There ya are. I just thought ya might wanna know why ya daddy was captured.” “Can you please tell me,” asked Grayasety, trying not to sound too eager. “Well rememba when ya daddy would be gone when ya woke up at mid night an’ I told ya that he had gone to the store to get some groceries? Well if you had thought some you woulda noticed that the store was closed.” Grayasety interrupted Kin in mid-sentence and said irritably, “Of course I rememba. Just get to the point Kin!” Kin flinched at Grayasety’s frustration and mumbled,” Well ya daddy was a spy. One of the best ones at that. He did all he could to stop organized crime, an’ he specialized in the Sea Bandit’s. They captured him ‘cause one less police the better for them.” Grayasety sat with her mouth hanging wide open. She never imagined that her father was a spy. But now every thing made sense. “ Sorry I didn’t tell ya before. Ya fatha simply wouldn’t allow it.” Kin apologized. Grayasety managed a squeak and then Kin left her.
                      After she repeated this to Franz and then Mila, Grayasety went down to her bedroom, she hated having to be near Her father’s belongings but she hated having people see her crying much more and cry she did, leaving her father’s mattress a soggy mess. Then she decided to clean that mess up for if they rescued her father she was sure he did not want to sleep in a soggy bed. Noticing it, she picked up her dad’s picture of her dad and mom’s wedding and became suddenly aware of how much she looked like her dad. The hair, the eyes, the quirky grin, every thing. Her mother had soft blonde hair and violet eyes that almost made you smell the pungent smell of lavenders and had a beautiful smile with bright red lips. All in all she was the most beautiful woman Grayasety had ever seen. She almost made Grayasety feel jealous.
                     “Hey! Gray. So are we gonna bring any weapons? Kin was a whole chest full of ‘em!” Said the distinctively low voice of Franz. “Well, I dunno. I suppose we should bring a couple guns. Always nice to be well prepared.” Replied Grayasety.

                     Franz was on lookout when the carrier pigeon came. The note it had on its leg was from Mann. It said:

Dear Grayasety and friends,

Do not come to save me. I’m with my wife in their dungeon but they want you guys to come too. You see, I’m like a bait. You’re the fishies. They want to erase all traces of the Forumest family. That means they have to dispose of those who would remember them. I will manage okay. Kin, Please take Grayasety and Franz home and forget about me for you and the children’s sake. Grayasety, I love you. Dispose all of my belongings and try to tell yourself that Kin is your mother. Believe me. It’s all for the better. Franz, I meant to tell you but your parents caught tuberculosis and died the other day. Your sister committed suicide soon after. Please take care of Grayasety.

             Mann

                    The trio stood silent for a long moment and then without warning Franz burst into tears, and scrambled to his cabin. Kin and Grayasety looked at each other sadly and went to their cabins themselves. Grayasety tried to sleep that night but images of Mann and her mother strapped up in chains kept her staring into the darkness with wide eyes. She reached over and got her personal music player, trying to distract herself but after a few seconds she turned it off again, for she could not bear listening to the lyrics; “It’s past midnight and something evil’s lurking 'round the dark” of Michael Jackson’s “Thriller”.
            The next morning, Mila and Kin steered the boat near the cave that marked the entrance to the Sea Bandits secret headquarters. Mila then morphed into a seagull and flew into the old, damp cave. From a safe distance Grayasety and her crew awaited Mila to return with some news. After swooping into the creepy cave Mila found the opening to the headquarters and perched on a ledge near it. There, she morphed into a rat, and scurried up into the opening.

                 After crawling along several hallways, Mila came across a steel door bolted very firmly marked “CELLS”. Luckily Mila was small enough to crawl under it. Scurrying along the bureau of prisons, Mila finally saw a cell with Mann and a stunningly beautiful woman captured in it. Mila slipped between the bars and trying not to gain the woman’s attention for fear that she would scream, climbed the steep hill of Mann’s arm to try to reach his ear. “Mann?? Don’t make any sound OK?? I’m Mila. I’m the rat on your shoulder. Kin, Grayasety, and Franz say they miss you a lot.” Whispered Mila. Then she saw a humongou

The blank page stares at me
mockingly, an empty wishing well
of impermanent desires, my
thoughts a herd of nomadic
feral cats to be coraled.

It is a mathematical permutation
of the identity matrix, imaginary
numbers and exponents,
fractional divisions with
no order of operations.

Solve me for x, given y,
yield absolute value at
absolute zero as my
function crosses Cartesian boundaries.

     | x |  =   y * (universal truth / personal experience)  ±  squareRoot(-1)

y  =  zero;  go.

Factor in gravity (9.8 meters per second^2),
we have lost cabin pressure.

Please show all work, points will be deducted,
this is a test.

The tractor stands frozen - an agony
To think of. All night
Snow packed its open entrails. Now a head-pincering gale,
A spill of molten ice, smoking snow,
Pours into its steel.
At white heat of numbness it stands
In the aimed hosing of ground-level fieriness.

It defied flesh and won't start.
Hands are like wounds already
Inside armour gloves, and feet are unbelievable
As if the toe-nails were all just torn off.
I stare at it in hatred. Beyond it
The copse hisses - capitulates miserably
In the fleeing, failing light. Starlings,
A dirtier sleetier snow, blow smokily, unendingly, over
Towards plantations Eastward.
All the time the tractor is sinking
Through the degrees, deepening
Into its hell of ice.

The starting lever
Cracks its action, like a snapping knuckle.
The battery is alive - but like a lamb
Trying to nudge its solid-frozen mother -
While the seat claims my buttock-bones, bites
With the space-cold of earth, which it has joined
In one solid lump.

I squirt commercial sure-fire
Down the black throat - it just coughs.
It ridicules me - a trap of iron stupidity
I've stepped into. I drive the battery
As if I were hammering and hammering
The frozen arrangement to pieces with a hammer
And it jabbers laughing pain-crying mockingly
Into happy life.

And stands
Shuddering itself full of heat, seeming to enlarge slowly
Like a demon demonstrating
A more-than-usually-complete materialization -
Suddenly it jerks from its solidarity
With the concrete, and lurches towards a stanchion
Bursting with superhuman well-being and abandon
Shouting Where Where?

Worse iron is waiting. Power-lift kneels
Levers awake imprisoned deadweight,
Shackle-pins bedded in cast-iron cow-****.
The blind and vibrating condemned obedience
Of iron to the cruelty of iron,
Wheels screeched out of their night-locks -

Fingers
Among the tormented
Tonnage and burning of iron

Eyes
Weeping in the wind of chloroform

And the tractor, streaming with sweat,
Raging and trembling and rejoicing.

(Where I worked, they set up TV’s in the cafeteria to watch the continuing coverage of the events of 9/11. I had become known as a sort of poet and many asked me to write something, a poem about 9/11. In the printed version which I handed out to people, they translated into their language the word ‘******’ and into the poem. The company did not like it cause they wanted to whip up the patriotic jingoism and calls for revenge. Thankfully this poem helped to stop this at this factory.)  

911 Thoughts

“Our grief is not a cry for war”
--Artists Network, Refuse & Resist

“..and the poets down here
don’t write nothing at all,
they just stand back
and let it all be”
–‘Jungle Land’, by B. Springsteen


“Beto nki tutasala” (‘What are we doing’)
--Old African saying


New York City 9/11/01:
She walks down the street
numb
peering side to side
pausing,
showing his picture to everyone who looks.
Tears streak her brown skin
as the reality of his loss
sinks deeper in,
yet searching, as if just looking
will make him appear by her side
an ease the vacuum of why that
echoes mockingly in her heart.
~~~
Friends have asked me,
write a poem about these events, Red.
Write about 911,
and the horror from the sky.
Tell us what you think.
Can you give us some hope
that when the dust
and tears
settle from our eyes,
we will still be able to see the sun.
How?
What words can I use to describe
or even surmise all the reasons why.
How do you explain to your grand kids
the war has come home.
They have put us in harms way.

New York City, 9/11/01
Yes the ‘war’ has come home
so many innocents have paid
a blood price for a
globalized monster
grown, nurtured, raised
in the dark soils of the USA.

Southern Iraq, 9/8/01
U.S. and British ghosts
swoop down on a ‘radar installation’
that turns mysteriously into a village.
8 civilians known dead,
many others injured.

Baghdad Iraq. 2/91
Clutching her injured child to her breast,
she flees collapsing buildings
while thunder surrounds her,
she is looking frantically for shelter
from ‘smart rain’
pouring down from the night sky.
Explosions that almost drown out her
screams.
Screams for a lost generation;
how do you rebuild a generation?

West Bank / Gaza, Any day
Young comrades pick thru
blood soaked rubble of once homes
looking for survivors of
‘made in the USA’ helicopter terror.
Or picking up stones to fight off
‘made in the USA’ tanks
spewing out ‘collective punishment’
needed for new Israeli settlements.

Beirut Lebanon, 1980
Safely, miles out to sea,
the USS New Jersey
spits out salvo after salvo
painting the city with fire storms.
Thousands die, thousands more
made refugees in their own country
punished for harboring
Palestinian refugees who refuse to
recognize ‘stolen land’
now claiming to be Israel.

New York City, 9/11/01
The view of passenger jets
lingers in our vision.
Over and over they seem to play with,
dance,
then mingle with those towers
until only twisted steel,
burnt flesh,
and crumbled cement remains
creating a mass grave.


Vietnam, 1970
The village explodes.
Children running
naked
flesh singed, burnt
burning
as liquid fire drops
from high flying 52's.
******; an English word
which in Vietnamese, Chinese or Khmer
Means DEATH!
(Imagine here the words for death in Chinese, Vietnamese and Khmer.)


Hiroshima / Nagasaki, 1945
150,000 human beings now only shadows
seared into the concrete,
human outlines
that still scream their agony
heard even today by anyone
who doesn’t have selective amnesia.

New York City, 9/11/01
What words can explain the loss
of loved ones, friends?
What words can capture
the vacant look of the black woman
seeking her young daughter
who had her very first job interview
on the 104th floor?
What emotions are left
after the search for loved ones
finds only gray dust and charred stench
whether in New York or:
Baghdad, Beirut, Belgrade, Gaza,
Chile, Guatemala, El Salvador, My Lai,
Sudan, or Mogadishu?
What can prepare you for the
sickening sweet scent of
burnt flesh carried on lazy breezes;
of dust coating everything with
the stink of human blood?

~~~~~

And now there is talk of
And preparation for:
Retribution
Justice
Retaliation.
More words that the people of
the world understand all too well:
DEATH! (The words for death in Chinese, Vietnamese, Hindi, Urdu, Ctujarati, and Khmer are not formating when I cut and paste. Imagine them here.)
MUERTE! DEATH!

~~~~~

Every day now the powers that be
prepare us for even more untold horrors;
hype us with red, white and blue views.
Pass on to us today’s NEWS:
“Congress passed new war legislation today”;
“unnamed sources report that”
“a high government official who wishes to remain anonymous”;
“the word at the White House”;
SPECULATIONS: there are 50 governments that harbor or support terrorism.
Several undocumented Arabs have been arrested trying to buy illegal chemicals
INNUENDO: known terrorist are said to have links to Afghanistan.
RUMOR: the next attacks could come as early as 9/22;
Air Force One was threatened today;
terror may come in the form of chemical or biological;
All the conjectures ‘fit to be news’;
Bin Laden is the one, Iraq, Iran,
somebody in the Sudan,
someone, somewhere has to be made to pay.
Conjecture pumped out continuously
24/7
why, we got it straight from heaven
so it must be true!

~~~~~

New York City, Aftermath
For many the future is hard to imagine,
uncertainty weighs heavy
like an echo that bounces endlessly
off tenement walls.
Like the way the “WHY’S”
multiply with each official explanation
and grows from whispers to amplified
crescendos of NOOOOOOOO! NO!
Not in our name.
You cannot exploit our grief,
our sorrow for so many lost lives
into your “holy war of retribution”;
into your vision of “Homeland Security”
and more repressive police powers;
into your call for Justice envisioned as an
Americanized world.
The people of our planet
do not need another
unjust war. And yet,
as long as this system continues,
as long as organized greed,
backed up by Washington bullets reign,
these horrors will continue to
rain from the skies.


Afghanistan, 10/07/01
Today the bombing began.
More horror fell from the sky
as talk of even more countries, people
are added to the “suspected list”.
One thing is sure, those hundreds,
thousand who have already died
had nothing to do with 9/11.
How long?
How many more will die
before we put it to an end?

~~redzone 10.04.01~~ (edited 10/07/01)
(written while using the pen name 'redzone'
reposted by Aztec Warrior 11.18.15)

Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hill and woods, the river, and the heaven,
And veils the farmhouse at the garden's end.
The sled and traveller stopped, the courier's feet
Delated, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hiddden thorn;
Fills up the famer's lane from wall to wall,
Maugre the farmer's sighs; and at the gate
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.

It is almost sunset but it is still too hot. She sits next to me and passes over a mason jar of crushed ice and lemonade and I take it gratefully into my hands. Instead of drinking it, I rest it against my forehead and allow the condensation from the glass to drip down the sides of my face with closed eyes. I take more of it with my fingers to drench the back of my neck, but my palms burn more for it. When I sigh because this small jar does not alleviate my apparent and immediate threat of heat stroke, she laughs at me.

She is my best friend. There was a never conscious moment that I made that decision, it just happened. Before she'd joined me on her concrete stoop I'd been turning over the idea of whether or not there was an exact moment that I'd perceived her differently, but could not pinpoint it. I’d been eyeing the patches of dirt and dead grass scattered within her yard, listening to her hum If I Ain't Got You out of tune, mumbling some of the more repetitive words here and there, picking out the sounds of her fetching things as she sets them on the counters of her run down kitchen. I try to guess what she is doing as I am hearing it, but feel unwilling to join her. It is even hotter inside her house since her air-conditioner is broken. We are devastated.

After a moment of silence she narrows her eyes against the sun tells me that she misses him. I nod, but say nothing. Three of us sat here last year and suddenly the heaviness of his absence rests between us. She quickly changes the subject and tells me she wants to start jogging because when school comes back around she’ll be thin, for sure. “I’m going to be so ****, I’m not even joking.” I smile at her determination. She talks about a girl in our year that everyone calls pretty, but I shrug. She asks if I think she is pretty. I can only nod my head. I can’t compliment her properly because I haven’t found the right words to tell her that it’s not about being thin. That is not what makes her perfect. Not to me.

I never liked her lemonade, but I begin to drink it anyway, thankful that some of the ice has melted fast enough to be a bit watered down. I don’t mind. It made it less sugary. The first time she’d given me lemonade, her father had laughed and said, “If you eat the ice, it’s like a dessert,” not knowing that dessert was literally the last thing I ever wanted. I have never been fond of sweets.

She laughs a little and crunches away on her ice and I cringe. She knows I think it’s an awful sound, but I’d grown so accustomed to it after the years of hearing it. For her, it was a typical summer treat. It wasn’t even real lemonade. In her freezer were small cylinders of an odd, condensed yellow mush that they’d dump into a plastic pitcher and then add water to. Remembering this, I no longer feel like drinking it. I hand it to her.

“Don’t want it?” she asks. I shake my head, watching neighbor girls sit under a tree with a small dollhouse as I wait for her to finish both jars. I don’t like the way it leaves the back of my throat feeling dry anyway and I never feel less thirsty after drinking it. She sets the empty jars between us and we talk about where we’ll go this summer, what movies we’ll see —lamenting that there really haven’t been any good ones recently and that maybe it’d be way more fun to see if we could convince her parents to let her join my family at the lake house. She doesn’t want to swim at all but seems excited to lay on the dock and get a bit of color.

She wants to take pictures. She rises from the stoop to return the jars to her kitchen sink and grab her camera and we walk through her neighborhood. I trail behind her consciously as she raises it to her eye, letting my fingers run along her neighbor’s chain-link fences, dreading the moment she finds a way to somehow sneak me into the frames of her photographs. She’s seemed more eager to try and capture me now that I am taller. I have grown so much in just a few months that I’m not sure how to handle my limbs just yet. They are too long and too thin and I am strangely aware of them —but even more aware of where she points her lens.

We find out that there is construction behind her neighborhood and sneak past the half constructed fences, large barricades, and signs (Keep Out, Construction Ahead). It is an odd place for nicer houses, we decide —right next to the ghetto. She laughs at the brick wall and shakes her head. “That’s not going to keep them out.” But it looks intimidating anyway. Maybe that’s the point.

In the middle of the area rests newly planted trees shading a small, wooden gazebo. They overlook a manmade pond, just large enough to swim in. She knows me too well. My first instinct is to jump in so she dares me to. Practicing self-restraint I tell her all I want is the shade and I lean against the railing of the gazebo instead. I watch her snap more photos —of leaves, of ripples, of her feet, the construction. She asks again if I want to join her and shrugs at my reluctance. She dips short legs in the water and casts a teasing glance in my direction. Her pink hair looks silly against her warm face and I smile. She tells me she knows I want to, that I’m a *****. I shake my head. She draws it out mockingly and threatens to take a picture. (I cover my face with my hand.) “Paaaaansssyyyyy.” She laughs and tells me to just get in. “You gunna just take that?” I was a lot less eager to break rules, but no. I wasn’t going to just ‘take that.’

So I jump in, glad to be cool. The momentary weightlessness frees me for just a small space of time. I feel it cling to my skin when I surface, but my clothes make me feel twice as heavy. I want all of my thoughts to feel the way your body does underwater. Light. Careless. Far away.

Suddenly, behind us, someone is shouting at us in an indistinguishable accent. We trade horrified glances, swearing we catch the word cops, and we bolt, leaving a frantic trail of water and wet foot prints to evaporate behind us. We don’t stop running until we get back to her porch, the sun fully set, and we collapse against her concrete stoop out of breath, laughing much harder than we should. “Oh my god,” she repeats over and over again with exasperated giggles and small gasps for air. My heart cannot be tamed, like it's run ahead of me. I’m sure I won’t be able to find it for a while.

“Oh my god...” She tells me she doesn’t want to run anymore and I cast her a confused glance and tell her we’re definitely in the clear, but she shakes her head. “No, I mean all summer. Forget being thin,” she says. Suddenly I feel her in that missing section of my chest. “Who wants to run in this heat?”

"You're gambling death."
The skeleton laughed.
While shuffling a deck of cards,
the skeleton sat across from me.
Grinning.
I was  starting to feel uncomfortable..
No.
Maybe the right word is trapped?
How did he get here?
"I don't gamble."
I snapped to the bones that configured the human skeleton sitting across from me...
in my bed.
"That's sad."
He sounded really sincere.
But still he was smiling,
Still he was lingering.
And as of now, I was getting a tiny bit mad.
I just wanted this thing to leave....
"If I were you I wouldn't want to loose this game." He hissed.
Of corse with a skeletal smile
that presented teeth such as those of a crocodile.
I watched the bones of his hand through the corner of my eye as he spoke reaching for a card.
Noticing that the crevices of his bones were flooded with dust.
"Any old memories you want to reminisce?"
He said it mockingly.
He continued,
"Nothing to say, boy?"
"You're covered in enough dust to have plenty stories for  us both, bones. Go on head and get us started won't you?"

This evening, as I travel
Halfway across the city
With the gentle drops of rain
Kissing the window
Reflecting the numerous lights
Of the buzzing town

Lights that stand atop silver poles
Lights that guide speeding vehicles
Lights of skyscrapers and of humble huts
I gaze up at the embracing sky
With just a handful of stars
Smiling mockingly at the land below

Undiminishing and overpowering
I can't look away as they whisper
And I realise
They are the truth
And all that I  see before me;
The enticing shine
Are mere, blatant lies
Before the glow of the universe
Before the stardust that makes us, us.

Waking breath ghostly frozen, clang of ***-belly stove opening, cedar crackles good morning, sap sizzles, pops, melting.  Warmth finds children sleeping, humid air, mouth-breathing.  Smell of boy sweat and feet, young women ripely sweet.  

Cats purring, stirring, padding quiet down stairs, weave meowing through mom's legs.  Dented percolator burbles better days, snap of toast burned haze, molten mush bubbles burst, fade.  Birds early on the highway Paradise-seeking, time, flash-burned, fleeting. Cobalt jay mockingly complains, chickadee sings his own name, coyote wails, thin and plain.  

Children rise, sleep in their eyes, squabble over bathroom prize, eldest wins, click, locks herself in.  Hurry, hurry the bus is coming, ancient driver, annoyed and honking.  Brown-bag lunches crinkled running, feet slapping, seats squeaking, lungs hot and bursting.  Ride the dawn breaking, hearts aching for more than this, rural bliss.

Stop sign flashes caution, young lovers in the back seat, bodies in motion.  Stop, start, sway on down the highway. Engine mimics hot blood lust, accelerated diesel rush, nothing can stop us. You grab my knee - young, carefree.  Brakes sigh and hiss, sneak one last kiss. You mouth - meet me later, we'll sneak out, rush to a future we haven't got, ready or not.  

The old road at dusk, frog song accompanies us, bike wheels on the asphalt hum, forbidden moonlight run.  Feel your heartbeat on my spine, frantic drumming matching mine. Horned owl hoots, forlorn and bleak, a premonition we refuse to heed, reckless with need. In the clearing young love begins, forget-me-knots on burning skin.

I wouldn't call them scars. Our bodies are ancient calendars marked with times and places. Tonight, you are not real. You are the desperate ocean lapping at the shoreline trying to take back the secrets in the bottles cast off by lovers, and children, letters to the dead sometimes. They are not your secrets, but they came to you first. They are full of feelings you have once felt or will feel. The bottles glisten in the sand mockingly, beautifully, painfully, like window shopping for jewelry you'll never be able to afford. You never expect to want the glass back after it has been pulled out of you. But the stories inside are your stories now too. You cast them off in the same manner hoping somone better than the sea will find them. The story about your cancer, your mother, the love you feel right now, the love returned, the time you thought of the beauty of a flower, the flower you killed to show someone how beautiful it was, the realization of the importance of stillness. All those stories like broken bottles in your skin. Like jewels encrusted on a big brass door leading to a room you live in. But tonight, you are the ocean at high tide, finally getting your bottles back.

You pick up a dandy lion like a small-slit-prayer, and I watch you close your eyes.
It's warm out but you still wear your sleeves long like a subtle rebellion,
Yet all I see is that flower, and the pressed paleness in your finger tips
As you inhale.
It only took you a moment, like the words were already there before you spoke them,
Before you even bothered to look: all you needed was to close your eyes,
And breathe in to find them.
(Words I will never hear:
Delicate ellipses of closed eyes breathing in,
And opening; exhaling prayers out.)
But they ring in your smile.

"Immolate to what cause?"  I ask, and you make that face filled with annoyance,
Because I've done it again.
(Promise, though, it's not intentional.)
"You don't always have to use big words with me,"
But then you smile back and tell me it's not sacrifice: "It's flower petals
For the wind,"
And I hear the glitter in your voice.  
"It's the tip-toes from wishes, I'm letting them drip:
I'm helping them dance."
And I tell you with my eyes that your full of ****,
But you're just watching those tip-toes DISCO.

One day I ask you what it is you always wish for:
You see, by now, flowers reference you in fear,
But you just sigh saying you couldn't tell me.
You start saying something about carving out a blank slate,
But then the idea mumbles over and you're back on talking about your day.

We're out late somewhere, it's a June night, and summer is starting to sink in.
"Does that sweater keep you warm enough?" I say it mockingly a bit,
as I recline into the hill we're sitting on, and look at my bear arms,
And the tank top hardly covering my torso.
We laugh, through the stale humor we've come accustom to,
And you roll your eyes a bit,
But I can see the depth you're trying to cover-
I don't have to wonder much to know how deep it goes.
"What's it like always being that cold?"
And you lie back into the grass too
Not quite looking at much of anything.
"It's like having a field full of dandelions and nothing to wish for, "
You say in an exhale, and wondering eyes ,
"Like your still habitually searching for them."
And I can't see the glitter in you,
But I can still hear it in your voice,
And I understand that you're just trying to keep yourself wrapped up,
Because further down there's more than empty air pushing on dandelions,
But I don't know if you can believe that.
You see I've wanted to tell you how ironic those flowers are to me.
How I used to see you breathing out wishes into them,
And dropping the stems along with all your other small-slit-battles
That went unseen.  
But now I'm glad I kept my mouth shut.
"But if you could, you know, wish on a dandelion, would it be worth it?"
And you smile, with a laughter that's fresh this time,
Because you see that I might get it now,
"I think dandelions are ugly-
But I pick them in habit, there's something comforting about knowing they're there."

I ask you to take your sweater off,
Because, honestly, just looking at it is making me hot,
And you smiled like the request meant nothing but a joke.
So I left it in the air, like those small-slit-prayers,
And I hoped it'd cut through to something else this time.
"There's more to those dandelions than giving them to the wind you know."
And you look out into the field seeing them all.
"One day, there won't be a single one left,"
"Or one day I'll be warm."
I want to find the right way to tell you that your small-slit-prayers
Were landing wishes in ways you did not know,
But you got in an argument last week,
And it was too much of a struggle for you to see that they're still flowers,
So let them dance across your skin,
And wear those petals like power.
There's moments to let in,
So tell me wishes for them to devour.

Up on the horizon I see the light
it receives me with a blinding glare
mockingly?  Perhaps
angrily?  Possible

Then the light hides
behind the vast body of water

darkness envelopes the sky
as even the moon has nothing to show
behind the ever-thickening clouds
what may approach?

"Starboard!"
Frightening uttering from the crow

the departure of the light
spawns a silhouette
pitch black
where the water meets the sky

the glare...
mockingly? No
angrily? most certainly not
Alarmingly? I wish I had known.

We're watching you they all whisper.
The trees collapse laughing,
the moon shows it's golden crooked teeth,
and the wolvess raise their heads to the judgment filled sky in agreement.
You're alone surrounded by these things watching you.
Nearby a stream is skipping across the rocks it mockingly  asks you,
"Little girl why are you crying? Inside of your cage of bones your weak little heart is dying.
Listen to the mean voices inside your head and maybe they'll set you free, smile for the stars so they can take your picture but smile big so they can't see your frown.
Always be perfect because someone is always watching."
My brain thought up a thought and I finally knew what the stream didn't mean to say.
I picked up my feet and began to run back to the place where I felt all alone.
I raised my head to the judgement filled sky just like the wolves and began to scream at the moon.
"Always be perfect because someone is always watching."
I snarled.
"I'm watching you and you're not perfect."
I howled to the moon.
"Your teeth are crooked and you're a sickly yellow not a gold."
I glare at the trees and laugh
"You are only broken."
I sang to the wolves
"This is your forest, be a king not a follower."
"I'm watching you"
I whisper.

When I was eight years old,
I overlooked a moment of compassion
And challenged the will of a fellow third grader
Compelled by my ignorance
She gave the most astute summary of my life ever uttered.

When I was eight years old,
A frizzy haired girl asked me an impudent question
A question of infinite importance:
How do you sleep?
How do you sleep at night, since you know yourself?

When I was eight years old, my arrogant mind brimmed with resentment
Reaffirming that I,
I, apart from my arrogance,
Was the best person I knew.

I was eight years old, and a prophet had spoken.

Eight years later,
I long to be swallowed by the sheets
Eyes stare mockingly at the dormant ceiling
Clinging to the handrails
As my train of thought
Careens off the tracks
Exploding in a cloud of terror and regret

Eight years later,
I long for the simple arrogance of my eight year old mind
I long to close my eyes
And remember nothing

Because today,
Today I am sixteen
And tomorrow I will be twenty-four
And the next day I shall be eighty

When I'm eighty,
I'll stare at the bleached walls
Succumbing to the force of the past
As it consumes the present.

When I turn eighty-eight,
I'll look to the end of my starched bed
And He shall smile
Saying, "Well done!"

I hope I lie, when I'm eighty-eight,
Because If I am honest
If I tell the truth
I do not know who he is
And I never have
I will be cast away
because, eighty years before,

When I was eight years old,
I was arrogant
But still innocent
eighty years from death
and eighty years from shame
I could have heeded those words
The words of the frizzy haired girl

When I was eight years old,
I could have decided
I could have had him sing me to sleep
I could have died entirely unlike myself.

Now that I'm sixteen,
I still do nothing.

The moths think they are butterflies. They have never seen themselves in a mirror; they fly around the room, their wings whispering “I am beautiful, look, look, I am gorgeous.”
I can feel the moths brush on my skin, I sense the slight dust left on me when they depart. I don’t mind. They don’t know. They land on my hands, holding them, they make themselves into necklaces for me, flitting about in a circle around my neck, they sit on my shoulders and tell me stories of beautiful things.
I wish I could see the beautiful things the moths see. Through kaleidoscoped eyes everything is a magnificent painting: colors dancing, real-life objects turned into waving patterns of fractals. Nothing is real to the moths. They don’t see things as concrete, there is nothing to be taken seriously as to them life is nothing but a game.
The moths are real. They understand more about the human’s world than we do ourselves. I think the moths like me, they seem to never stop grazing my goose-bump ridden skin. I feel like I am a lightbulb in a dark room to them. I can feel so much energy pulsating through me, I must be exhaling florescent lights in place of the words that I feel I should be speaking out loud. Any words at all, the flow of captivating conversation will never be less than blissful.
But the moths can’t speak to me. They can’t hear my voice. They don’t need to, they understand.
These petite, grey-shaded, winged insects understand more than most walking, talking human beings. I can feel my connection to them like a static in the air, raising the fine hairs on the back of my neck. They travel to the brightest of places, and mentally, I am flying with them. We bond, through pure understanding of the other, coexisting blissfully knowing we are in the company of creatures with whom we are guaranteed a buzzing sense of community. We are the same creatures; at this moment I cannot understand why human beings continue to take totalitarian power over all other living things. Don’t they see that they are not threatened?
It is astonishing how our species sits on a throne, screened to the one glaring advantage the rest of living beings have over us. Humans communicate greedily, so much more than is necessary, on a massive scale and with such complications that miscommunications occur frequently, evoking emotion-driven actions against others whom we feel have wronged us. The moths don’t take revenge, and the trees never would act out unreasonably.
The other creatures continue to be ever-more calm and rational than us, understanding how to remain content at all times. They only stand in the background watching patiently, leaving all others to their own peace, and giddily accepting those of us who decide to venture into the wood and lay with them. Beginning a journey into the woods means losing all faith we had in humankind. That is replaced with a comforting wholeness we feel in ourselves. We must offer ourselves up to the trees, the sun, the mammals, the amphibians, every last biological structure right down to the moths. They welcome us to their world because they know we are the few who understand, who are completely willing to become one with them.
It is a backwards world I am living in. The ones I cannot speak to understand me. Those who can, use their ill-learned language to criticize and resent me as I fly, mentally, away from the corruption that has become normal.
But I don’t care. I’m reaching into the depths of my mind and and learning to understand the human brain in every way it works. I am going on explorations more beautiful than ever perceived as possible by the outsiders. I have souvenirs by the handful: a constellation painted in my mind, a stray cloud I picked up on my way home, a *** leaf flower-pressed in an orange and blue book, a notebook filled with our own kind of knowledge, friends who have found me in these woods, with whom I possess a happy-go-lucky unity unscathed by normal human tendencies, and an alternate breed of knowledge that lives peacefully yet thirstily in every cell of my glowing body.
The moths feel all of this. We become one with each other because I have become content with myself; those who walk in the woods possess no intent to hurt and the moths feel safe. Those who walk in the woods do not walk; we fly.
16 hours later.
I awake and there are no moths. There is no trace of them. There are no trees, no flowers; the alternate world I imagined is mockingly false. The forest is no longer vivid, for it has been hidden behind clouds of smog. The vibrant lights I once saw coming from my mouth are no longer animating my words.
In the morning this society I exist in is still mind-numbingly dull. But mentally, I am perpetually flying.

young people,

they think nobody has the
same thoughts as them
they take great pride in some made up
originality

as if really nobody ever thought up
scenarios of themselves descending
some rope from some helicopter and
dropping in the middle of enemy forces and
starting to shoot around, all movie like ‘an ****
and killing all the bad guys while not
taking one bullet
One man army

or there’s those other thoughts
of being simply the greatest at some
sport and being admired and envied for it

also, the thoughts of *** in all its forms

the thoughts of mindless violence

of saving the day

of being somewhere else and doing something else

all kinds of thoughts
and all the minds who think them label them as original

but they’re not original

they’re every young person’s thoughts

and me,
I also have thoughts I consider original

I think of how it is to be old
pretty much every **** day
I think of me being old and dried up and weak
and waiting for death

it’s not a very pleasant thought
especially for someone in their twenties
but it’s my way of labeling my thoughts original

maybe in some wheel chair
with a nurse pushing me from behind
No kids
no family
no fortune
no achievements
a life wasted
death watching from above
mockingly

and myself looking up at it
smiling
*******, you think you got me
but little do you know that
while I was able, while I was more lively than
a rotting carrot
I defied you by ripping apart pieces of me
that will stick with the world
long after I’m gone

Oh, they might not be great pieces or even good ones
but behind they remain as you take me away

and all of them branded with my name
It’s through them that I am
immortal

and there’s nothing you can do about it

great, good
or bad,
you cannot **** a poet

i walk up
cigarettes in hand
you already have a conversation going
and i'm out of the loop
something about john's motorcycle
i don't know anything about motorcycles
i can't chime in on this one
i stand and take a long drag
i feel the haze fill up my lungs
let it out slow
watch it swirl and tumble away
i'm nervous
so anxious
i've been off my meds for days
the cigarettes are keeping me calm
-ish
you look at me
eye's bright with intelligence
piercing and i feel like you see through me
but, i know you don't
"right, seville?"
you are being sarcastic
you are always sarcastic
sarcastic and a bit woeful and i like it
"oh, yeah totally." i offer up
matching your mockingly inquisitive tone
i'm in on it now
you invited me in
the same way you always do
the conversation rambles on
i throw in a comment
take some drags
and then another one
we're on car engins now
that's some thing i know
all the while i couldn't care less
because i'm watching your eyes flash while you form thoughts
your lips contort while you make words
your hands fly while you explain
i finish my cigarette
i walk away

You could see the light growing bigger and brighter
when I broke down on all what had been lost on a whim
To sentiments tainted by a vigorous crimson
Blood-shaded hatred directed at no one in particular
But there had been moments of wonder exclusive to us
Crawling inside me like the veins in my vessel
You are my only shelter, grand savior in hell
I traded my soul just to ease all this pain
Of driving your caress and friendship away
Escape to be found where you cannot follow
Contaminated with devils, mockingly teasing
Contemplating whether death will be soothing or bleeding
fear it or not, for it will bring peace upon me
and I’ll gladly follow down the emerald path
Hoping to receive mercy at the almighty crossroad
Facing none other than Her, I’ll stand naked in front of
The indestructible, curious spirit of the auburn-haired Lovegod.

you don't see life as a game of skill
playing hopscotch on the
white and black checkers
reaching out to infinity with their
comforting symmetry
and severe geometry

you say you're unobservant
but how can you look down
at your calloused mud-caked feet
and not see the
chessboard that is pressing
just as stiffly against your feet
as you reach down
and root yourself into it
burying your head in
the world of fantasy games
without winner or loser

i envy your blissful ignorance
your hope
however misplaced

do you simply refuse to see
how every pensive move
rook to E7
knight to C5
seems to me not an attack
on the mockingly vulnerable king
but an action of
vicious hostility towards
the most powerful piece on the board

so the queen enacts
her equal and opposite
reaction
to slash the entire cosmos to ribbons
an infinite fury of blind terror
that seeks blood
and scavenges the last flesh
clinging to bone.

Barren halls, devoid of children
echo with the ghostly staccato of gunfire
and the mockingly musical tinkling of spent brass.

Specters of children set free through violence
mutely stand vigil over stained tile and carpet,
shocked by their sudden transition.

Parents, siblings, grandparents and family reel
from the sudden void caused by the senseless
and cowardly actions of a 2nd Amendment zealot’s son.

Christmas presents without recipients sit untouched
in secret places – never to light up the eyes
and faces of eager and happy children.

Flags fly in solemn respect at half-staff
signifying a nation in mourning, yet a nation
so reluctant to address the core of these issues
which have made these crimes so common-place.

Bumbling and incompetent politicians – securely
in the NRA’s and gun-lobby’s pocket are quick to *****
the party lines: “Guns don’t **** people.” “My fork and knife made me fat.”

All the while the mentally tormented and dangerous
continue to take up arms and slaughter innocents –
as apparently their constitutional rights are more sacred
than the life of a first-grader.

How long America, will you dip your pens in the blood of children
and write the laws that take their lives?

How long America, will you wrap yourself in a blood-stained flag
and spew the toxic and hateful lie that guns don’t **** people?

How many more must bleed your ink and feed your mill
before we cry, “enough is enough!!”?

© 2012 Michael Hunter