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1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp
Dosn't thou 'ear my 'erse's legs, as they canters awaay?
Proputty, proputty, proputty--that's what I 'ears 'em saay.
Proputty, proputty, proputty--Sam, thou's an *** for thy paains:
Theer's moor sense i' one o' 'is legs, nor in all thy braains.

Woa--theer's a craw to pluck wi' tha, Sam; yon 's parson's 'ouse--
Dosn't thou knaw that a man mun be eather a man or a mouse?
Time to think on it then; for thou'll be twenty to weeak.
Proputty, proputty--woa then, woa--let ma 'ear mysen speak.

Me an' thy ******, Sammy, 'as been a'talkin' o' thee;
Thou's bean talkin' to ******, an' she bean a tellin' it me.
Thou'll not marry for munny--thou's sweet upo' parson's lass--
Noa--thou 'll marry for luvv--an' we boath of us thinks tha an ***.

Seea'd her todaay goa by--Saaint's-daay--they was ringing the bells.
She's a beauty, thou thinks--an' soa is scoors o' gells,
Them as 'as munny an' all--wot's a beauty?--the flower as blaws.
But proputty, proputty sticks, an' proputty, proputty graws.

Do'ant be stunt; taake time. I knaws what maakes tha sa mad.
Warn't I craazed fur the lasses mysen when I wur a lad?
But I knaw'd a Quaaker feller as often 'as towd ma this:
"Doant thou marry for munny, but goa wheer munny is!"

An' I went wheer munny war; an' thy ****** coom to 'and,
Wi' lots o' munny laaid by, an' a nicetish bit o' land.
Maaybe she warn't a beauty--I niver giv it a thowt--
But warn't she as good to cuddle an' kiss as a lass as 'ant nowt?

Parson's lass 'ant nowt, an' she weant 'a nowt when 'e 's dead,
Mun be a guvness, lad, or summut, and addle her bread.
Why? for 'e 's nobbut a curate, an' weant niver get hissen clear,
An' 'e maade the bed as 'e ligs on afoor 'e coom'd to the shere.

An' thin 'e coom'd to the parish wi' lots o' Varsity debt,
Stook to his taail thy did, an' 'e 'ant got shut on 'em yet.
An' 'e ligs on 'is back i' the grip, wi' noan to lend 'im a shuvv,
Woorse nor a far-welter'd yowe: fur, Sammy, 'e married for luvv.

Luvv? what's luvv? thou can luvv thy lass an' 'er munny too,
Maakin' 'em goa togither, as they've good right to do.
Couldn I luvv thy ****** by cause 'o 'er munny laaid by?
Naay--fur I luvv'd 'er a vast sight moor fur it: reason why.

Ay, an' thy ****** says thou wants to marry the lass,
Cooms of a gentleman burn: an' we boath on us thinks tha an ***.
Woa then, proputty, wiltha?--an *** as near as mays nowt--
Woa then, wiltha? dangtha!--the bees is as fell as owt.

Break me a bit o' the esh for his 'ead, lad, out o' the fence!
Gentleman burn! what's gentleman burn? is it shillins an' pence?
Proputty, proputty's ivrything 'ere, an', Sammy, I'm blest
If it isn't the saame oop yonder, fur them as 'as it 's the best.

Tis'n them as 'as munny as breaks into 'ouses an' steals,
Them as 'as coats to their backs an' taakes their regular meals,
Noa, but it 's them as niver knaws wheer a meal's to be 'ad.
Taake my word for it Sammy, the poor in a loomp is bad.

Them or thir feythers, tha sees, mun 'a bean a laazy lot,
Fur work mun 'a gone to the gittin' whiniver munny was got.
Feyther 'ad ammost nowt; leastways 'is munny was 'id.
But 'e tued an' moil'd issen dead, an' 'e died a good un, 'e did.

Loook thou theer wheer Wrigglesby beck cooms out by the 'ill!
Feyther run oop to the farm, an' I runs oop to the mill;
An' I 'll run oop to the brig, an' that thou 'll live to see;
And if thou marries a good un I 'll leave the land to thee.

Thim's my noations, Sammy, wheerby I means to stick;
But if thou marries a bad un, I 'll leave the land to ****.--
Coom oop, proputty, proputty--that's what I 'ears 'im saay--
Proputty, proputty, proputty--canter an' canter awaay.
PrttyBrd Feb 2017
The sewer stink of street trash
marries the scent of desire
veiled in crimson shadows
reflected on the damp pavement

Thoughts silenced by the gasp
of nylons being shredded by possibility
Teeth grip then slip
on the sweat of a humid night

Fireball burns sweet
as night lands on the flesh in city soot
a grit that makes every movement
a sanguinary promise
forged on the edge of pain

Owned. Taken. Willed.
Filled with primal intoxication
that turns warm city nights
into shameless memories
wrapped in the stink of street trash
2217
on Valentine’s Day he is working on black painting hears knocking at door with rag brushes in hand he asks “who is it?” “it’s Reiko! come on mr. birdfishdog open up” he has grown afraid of her nervously shuffles brushes rag in hand guardedly opens door there stands Reiko Lee Furshe shoulders pulled back arms akimbo black leather jacket black tight jeans black pointed toe boots hair cut extremely short looks like handsome young boy grinning “hi aren’t you going to invite me in? want to **** and ****?” Reiko’s altered appearance suddenness alarm Odysseus "why did you cut your hair Reiko Lee?" she says "it’s my hair and I can do what I want with it i shaved my legs armpits and ***** too want to have a look?" he replies "no no way why? why did you cut your hair?" she says "because i felt like it and because i know how much you love my hairiness Odys i wanted to displease you i’m female again!" she defiantly glares at him he looks away slowly closes door hears her holler “*******!” listens as footsteps race down stairs out building he drops paintbrushes rag rushes to front window looks out watches her saunter away down street until she is gone writes Reiko Valentine poem he will never send

love listens when you speak understands what you think love watches while you sleep love holds back as you leap love lounges while you run frantic love picks your pocket puts you in checkmate love builds nest hatches egg love rips open your chest plucks heart away love is racehorse love is rattlesnake love pretends not to notice while you ******* love swings on gate love visits your grave love impersonates a poet love slits your throat love devours everything leaves crumbs for hate

he receives Valentine card in mail from Mom wonders if ultimately his fate is somehow sorely connected to her what if Mom stands in way of every woman? what if stars lead away from recognition as painter instead steer straight back to Mom? what if each is trial to other as if their souls are entangled in insolvable riddle ancient curse? he drinks himself to sleep

Laius and Jocasta are king and queen of Thebes in ancient Greece they have baby boy oracle prophesies boy will grow up **** father marry mother to nullify prophecy Laius Jocasta decide to **** their son back then it is common to abandon unwanted or damaged baby on mountain for vultures child survives grows to be man he travels gets into fight on road kills stranger who unaware to him is his father King Laius traveler Oedipus goes to Thebes solves Riddle of Sphinx saves city he is made king unknowingly marries his own mother King Laius's widow Queen Jocasta Oedipus rules wisely he and Jocasta have four children eventually Oedipus and Jocasta realize what ******* Oedipus is Jocasta commits suicide Oedipus pokes out his own eyes becomes wandering beggar assisted by daughter Antigone at time of their marriage Oedipus is young naive but Jocasta is middle-aged woman maybe deep down Jocasta knows she is marrying her handsome son it is thrill to sleep with him maybe it is only after Oedipus realizes truth in disgust confronts Jocasta that she is driven to suicide Jocasta cannot live with herself because she has known truth all along and now she is found out Oedipus can live with himself yet he plucks out eyes because he never wants to see truth again

Odysseus continues to work on black painting many weeks pass slowly snowdrifts begin to melt on occasion sun appears in sky Penelope calls to catch up with him says she is in hurry has met really cool guy is falling in love again their conversation is brief he hangs up receiver considers how resilient Penelope’s heart is she seems so much more capable of getting over heartbreaks
beth fwoah dream Mar 2020
russia
the mother of the love was cindy. she lives as wari and has no longer power. her beauty is renowned and she should rule.

argentina was the land of dd but mexico was goal and it was dana's land. dana is alive but needs to take control.

germany was grand and elsa was their king. elizabeth will rule. william was leam and harry was star. charles was ruu.

venice

the leader of the wall must take the city down dunstable will rule but row must take command (paul p) just lift the iron up and drink the holy well. paul (row my) must lead the way and let the city fall like jerico to row.

sibelius was chief his love could control hell. his land was mexico. he will return in 100 years. for now his son razor must reign. razor reigns already he was always strong with his power.

anthony (anthony p) is still rome. druididous stole from anthony. italy will love his power. his father still lives. he was known as tora. he will always save his people every time. (anthony and cleopatra).

simon (simon d) was the bell of the dance. his land was the guard of the law, his saviour was the christ.

palastine was oscar's (livin christ) land. he loved the people first and then the chosen leader. china stole his heart but his mother's magic eye was always the greener for the dome of the bar which was his mother's land.

syria was kim's the turks obeyed her law and her partner simon rice was the lord of undeceived. (kim's favourite sword - immaculate) kim would only ever give land to someone who beat her in a sword fight.

pakistan was morrow. morrow still lives. i will give him pakistan tomorrow.

laura (y) was time of space. her land was always persia. she always controlled the south and gail (r) did not deceive.

gail was the haunted skull. her wind would launch the sail. her seas were ever brave and her love was always true. persia (north)
was her heart. never steal her heart.

spain was not my son he was never in my life but portugal was spain and gavin (p) was their king.

the catharsis will run and run. i will never be deceived the gate is always closed for love is in our hearts.

england

gina (p) was our queen her lands would always flow. china stole her heart but england was her throne. ( i would like gina to come back to china to bend for the corn) gina's mother was druella in the ancient times.

david (b) was the king, he was the lionheart. he was our favourite king and no man could deceive.

scotland

gavin (p) was the james and diamond was his jewel. diamond is his wife and he must now command for nothing could corrupt.

stuart scotten was a scotish noble.

michael never ruled but no man thought he should his love was always wine and wine should not be loved. (as usual we will give him the principality of lowe as a gift so he does not destroy everyone).

serbia was the good, the love that jesus saw. give my son his thone. the love will be believed. in ancient histories serbia was known as dela. (see note lower serbia is now held by lassa and tal as guardians of the land below mount denar.) serbia and palastine must live in peace now the jew is gone who wanted to hurt palastine so much her people were forced south.

ok important note. we believe serbia was originally dunne but he always wanted land so he was not allowed back to earth. his lands were south of mount denar. oscar/ the christ/ the livin held after dunne left the earth but it was eventually agreed serbia below mount denar would be loved by tal and lassa as guardians of the land.

iatilahhomanne is the blue sky is yugoslavia. his wife is doran. she was his love. his old name was swee. yugoslavia is west of tee and north of do or die generally it is where teem is now. (old dree) their language was hebrew their god was jesus. the jews wanted christ to be their god not their christ. it is easy to find yugoslavia of the old world it is next to dree (ethiopia) and west of door. we believe they were also palastinian descent in the old world.  

pakistan was blue, she gave it to her heart and lassa always rules. lassa is alive give him his power back. no man then will grieve for joshua is back.

australia is madam it must return her power she knows the paths of peace and lives as mary rose.

newzealand is (d) (not good) madam must take control or ruby (a place) will aspire.

america is (d) she seethes to take the land. her hatred scalds and scalds it was berire's land. berire was the chief his land was mule and strike the karaoke's scream i will protect his thone.

orinoco should control his mind is always lead he knows no dark of heart and all his love is treve.

treve is always beth but she was ian's soul. please leave me ian's heart and yours should be atol.

atol would not be right. orinoco always marries beth (yet again). gail will not marry jet.

jason (rye) was no fool his lands were israel's heart. he loved the soul of rule but simon (d) could command.

kirby was the goo, india his throne. he was the amicable man his love was always christ the taj mahal he built and that was his home.

ian

i only want to love one girl, her name is beth. her love is like a bird that listens to the sky and then listens to all my love for her.

denmark

denmark was lasa at the dawn of time demeter is the rule and she's the queen of time. demeter now is young she is the queen of time her land is do or die and masa must command.

esotonia

was the house built by the sea it was eric's house and he was the son of the man he was the love of the life and he lives these days as stan.

france was warren hall but i must now be true. please give my catherine (m) land for aragon must rule. she was also in the ancient history joan of arc.

venice
paul (p) row my (principality palace in tlau.) dunstable took paul's money.

laura y (south china) it was the bys that took laura's money.

mowh has saved the word in china but as usual she tried to take power and had to be destroyed..

in venice beth was cocyo (the giver of bliss)  ( row cocco)

stav in south china is oscar's principality. stav is where oscar (the livin) is always happy. tao (ian and my son) loves to live in lowe.

the emperor of berling (north west south china) should have been. martin j. his brother originally drim dra dro was originally the prince of lowe but when i gave martin his territory in berling nick j became the prince of toi with the principality of toi. this was true in ancient times. martin was known as jo.  

orinoco was the emperor of china. the world was the waiting because the love would always be good.  

skybird drew was ray son. drew were the rightful thone of japan. the drew meant the solace of the earth.

gina in venice was tray.

ian's mother was fred.

eusebius was the poet of the heart.

eri (y) sometimes marries the man of the water.

michael is the guardian of the keep. i will always love my true.

helen (v) was the lover of the vine. she was chinese but had no throne.

claire was jezibel.

david was dow and fun

dunstable was char the feather of the water. he stole row fun.

in venice
eri was elea
laura was dezibel
gavin was cla

i have accepted as a gift a principality province in tithale.

kim of indonisia was the man the people loved. kim of the creator. we used to call kim the good man of our lives and the gentle spirit. everything of his goodness is returned.

our love was the strength of the world.

solace was drew. drew was the noblest family of all.

laura (y) was the mwang the rulers of the town and they were always princes.

in 1288 beth said goodness is more powerful than evil.

watling, turner and maccarthy were forced.

i am the family of fwoah.

lauren fwoah meant lauren the beautiful.

it was the evil family foo who made everybody born (or moved) to england. i demand all their money returned.

trump was the man of the star. he wanted the world to be quiet but loved. his name was choo. his current wife is belle and she was always his queen. his throne is peru.

boris was the baron of the star. your wife is livia and your land was mexico and your name was boro. your son was stevio the prayer of the mind and bringer of peace.

blair was catcho, the man who spent the fun. his original land was japan and he was noble but not the throne. the throne is now skybird drew.

it was the swinster family who hurt diana.

the current emperor of china is loco. he will give the territories to beth. his wife was the queen of the north.

*** (orinoco) was the conqueror of time. his destiny was power. he always loved beth and his province was the south.

japan is dalta at the moment it should have been drew. he stole for power as the armies wouldn't work. he wanted peru but i will not give peru for his destiny is fire!

peru should be malta but malta should be fire the love was the love of the love was always peru and peru should be ruled by scotland.

india was palm of par he was death of silence he was a resiliant man and today he lives as par.

atlantis was my sky i'll always love her heart. her chimney burnt to flame when carthage stole my love. phonecia was the blue and blue as of the wave (m) does wish but it is oscar's soul.

ian wynn was wales his love was orinoco. his daughter still lives as simone.

anthony (rome) was cabra in italy and dree in china which meant love me love. he was also lieu which meant the loved. (anthony and cleopatra)

lean built pisa tower. he was best at food.

row meant delight the sky.

the agha khan was dal which meant the love. he believes his true throne tunisia. i believe this is correct. also iran and iraq.

tin is throne of india.

del was the true throne of sweden. he is in charge.

norway was lion's land. it belongs to strong. who lives as guy.

the shah of iran was simon rice's father. he was the true throne. he was known as tal, which meant the good leader. iraq was also his which was the flower of land, denmark was also tal's land because yassa pretended lassa, this meant the throne was wrong but tal is lawful throne and lassa agrees.

godolphin was the arabian throne.

gina's money was taken by tong and fau who was the imposter winner of gold. they are both dead.

beth's love was the strength of the world.

drua took beth's seal in the china parliament. he stole my money. i was the word of china. i will return and take my rightful seat. my friend the shah of iran has already bought me the principality of siam and principality stav for my livin/oscar/christ ( oscar was born 25/12/97 this is the truth) as a wedding present. my mother gail has bought blue principality province. lowe i have agreed purchase when fun returned for my tao and my michaels.

gina was croan in china.

laura (y) married fleep.

dree took beth's money by pretending royal blood.

dominic (b) was poland of the ancient worlds his charm was nina and she was the curl. nina was so beautiful no man could ever resist, deceit could not destroy them there would always be a whirl!
Alexander K Opicho
(Eldoret,Kenya;aopicho@yahoo.com)
This essay is based on the observation research that had been carried out  by a social research firm in  Eldoret, Kenya, in the preceding six moths, which has been concluded on 30th January 2014.I the writer of this essay was among the lead team that carried out this study.We unobtrusively observed two thousand University graduates from east African states of Kenya,Uganda,Tanzania,Rwanda,Ethiopia,Sudan,and Burundi plus a few form some parts of Congo .Our target population of two thousand graduates was used under the guiding assumptions that it would help the study to arrive at water tight social conclusions.Our problem of focus was that ;why are male graduates in east Africa not marrying fellow graduates but instead go for marital partners who have substantially lower education qualification and even academic achievement.
The conditions of serendipity was also encountered and taken care of , when we also deviated from the natural social settings and charted with our digital social media friends who were approximately two thousand as well.They were digital social friends from Facebook and twitter digital social platforms. We  posted a thread in question form that ; if you were marrying today , would you marry a girl you graduated with the same year? Eighty percent of the responses to this thread was no , only twenty percent was yes.
The actual situations in an empirical experience is that male graduates prefer marrying ladies who stopped schooling in high school,and male high school or diploma college graduates prefer marrying ladies who don’t have clear high school education.And male primary school leavers prefer marrying ladies with inferior social positions like those who come from poorer families or from different tribal communities that are geographically, economically or culturally disadvantaged.
And in case where a male graduate dares to marry a fellow graduate , the dominantly observed social behaviour in this juncture is that ; the boy will go for the girl in a different school or faculty that is perceived to be inferior within the university academic climate.Like a student of medicine or law will go for a girl doing education or any University course perceived to be inferior.But the observation  produces insignificant cases of where a medicine student daring to marry a fellow medicine student.The minor cases of where a medicine student dares to marry a fellow medic will only take place in a social fabric that the male student at fifth year level will go for a girl in first year.Still there is a social tilt.
When we asked for reasons in a non-obtrusive manner from our unsuspecting respondents.We got both positive reasons and negative reasons.The positive reasons our respondents gave are that in most cases girls who don’t make it to the university happen to be more beautiful or their physique is more sexually appealling than those ladies who make it to the university.when we projected this type of reasoning , we also found that ladies who are in schools like education,journalism or any other school perceived  inferior in the cultures of the University are again more beautiful and more socially enticing than the girls doing University courses like law ,medicine or engineering.One of the respondents made a socially outlying remark by saying that girls at the polytechnic or certificate colleges are usually light in the skin,**** in character and blessed with big or pronounced bossoms than ladies at the university.
When we asked the negative reasons , our respondents argued that  ladies from the university are not controllable,neither are they prepared to be controlled come even the marriage. Further argument for these behaviour by male  graduates is that the University ladies are sexually exhausted,As they usually stay with a man in the hostel or in the cube during the four or the five years of their live at the University. Some even live with different men interchangeably, after which they divorce those many on the graduation day.Another response is that University ladies have a proclivity towards social hangout behaviours like smoking ,pinching or revving in the wine spree and loving the pocket but not the owner of the pocket.
This social phenomenon have imperative concerns that there is high level of genetic mismatch through marriages in east Africa or any other part of the world which east Africa can be socially generalizable to in such particular socialization.Graduate ladies are often forced to marry as second wives , or marry non graduate husbands or stay as a single mother but playing a mistress somewhere, a social behviour described as mpango wa kando or chips funga in the the east African Kiswahili parlance. Such social encounters have a long term consequences of fettering the genetic potential of the family in terms of  academics.When we conform to a warning by an eminent American psychologist that ; ninety percent of academic brilliance is contained in the genes but not influenced by environment we then obviously concur with the findings of this study that if a graduate marries a graduate there is a guarantee for academic performance among the offspring , but where a graduate marries  a non graduate ,  academic performance among the offspring is either mediocrous or probabilistic.The findings of this study also fall in technical tune and intellectual tandem with the observations of Lee Kuan Yeow in his book; From the third world to the first world in which he pointed out that; failure by the male graduates from  Universities in Singapore to marry the fellow female graduates was an impeachment to development as the ultimate consequence of these social behaviours is unnecessary inhibition of good genetics at a macroeconomic level.
The conclusive position of this study is that University leaderships in Africa, with a particular focus on east Africa, must inspire new University culture that has a turnaround effect on this behavioural status quo.The reality is that male graduates behave like this out of a dominance syndrome not out of anything technically worthwhile.Kindly , let our graduates change their marriage behaviour so that we can substantially protect our genetic advantages.

References;
Lee Kuan Yeow; From Third World to the First World
Alexander K  Opicho, is a social researcher at Sanctuary Research agencies in Eldoret, Kenya.He is also a lecturer  for Research Methods in Governance.
SWB Aug 2012
In the freshly seared hours of the morning
there's a hot, bothered growling
coming from beyond
the rose-studded chipping fence posts,
sick with the stench of stained mattresses
and mounds of cage-less garbage-
tossed *****-nilly
into a smoldering, contorted
**** of stacks.

Here,
in this spot of dawn
-in today's un-showered
moist enclave-
I find, syncopated
by the vrooooming scooters
and gassy buses,
a fresh hope diffusing faster
than the steam from drains,
-subtler than the soft soju snores
of last night's  curb cuddlers-
slinking up, down, around convenient stores' corners
past every security camera,
bouncing off rib cages,
tickling the barbules of  the songbird
perched in my utility wires
in a nest neater than my bed.
This is summer, Korea.
This is Korea in the summer.
See daily thy not occupies nourished the seeming child mind;
A we miniature creation;
Things emotion sun preceptor a is the the alembic they snake like private the.
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Of michael;
Fountains the the to reappear;
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Life relation blind in bell every himself behind poet.
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Be sail into;
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In suggest except upon of prices also appears every who it the love.
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Under order constitution.
And nature.
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That beautiful matter nature the.
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Know nature us unimaginable create of;
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Truth riches to matter presenting;
Apparition these the the whic
Robert Ronnow Aug 2015
Kissed his student.
Punched his friend.
Accused her lover.

What if China's navy asserts control where our navy also patrols?
Should we concede the South China Sea? Not on your life! Or maybe.
Lives may be lost but so what. There's so much biomass in the
      crosswalks.

Lord have mercy on my soul
Which means bring my confusion into an expressible state before it's
      too late.
Sal went to jail. I belong to the loved ones. Never may the anarchic
      man's thoughts be my thoughts. Not one.

It could be cancer or just a cyst
That killed Frost's considerable speck
Instead of considering its considerable intelligence.

Although bottomless ancient night stretches
From your short life forward, remember
It also stretches backward without measure.

There are few straight lines in nature and only one alternative to
      ageing, so **** it up!
Suppose everything's fine and you've wasted your time wearing
      sackcloth over your soul?
Start now knowing joy.
www.ronnowpoetry.com
Ben May 2013
The Morning After Part I
What the hell have I done? It feels like my temples are about to explode and the early morning light burns my eyes. My shirt is missing and I’m curled up on my Lovesac. I glance to the left to see Alice is sprawled out on my air mattress. She looks drained, even while asleep, and I think that I probably look a lot worse. Last night… What happened last night? It’s all just a jumble, my memories out of order. It’s a flash of colors, sounds, feelings and sensations, a blur in my mind. It feels like a tilt-a-whirl of sensory overload and I kind of want to puke. Then, like a dam breaking, fragments of memories flood my mind in a sickening torrent, too much, too much. ****. It’s starting to come back and that’s not even remotely helping, just making it worse. I feel even more confused and all I can think is What Happened…?

Ok! Let’s Party!
a three am party a trip edge
a witching hour emprise time to begin
a black and white strip of paper so thin
it looked so harmless, inconspicuous, even then
five hits for me, four hits for you,
placed under our tongues, we expectantly raise
eyes round the dark room for a white rabbits maze
or floating cat ears and Cheshire grin
the seconds pass, then minutes do spin
nothing
nothing
nothing shifts or shapes, bends or breaks
we wander to seats, choose movie to play
Scott Pilgrim Vs. The World comes to life on screen in a blaze
and…

Trip # Cats Everywhere
“WE ARE *** BOB-OMB 1 2 3 4 - !”
cats are crawling slinking stalking
their eyes are glowing growing pulsing
and bodies moving sinuously serpentine
flowing round the corners of my eyes
fleeing from sight like shadowy wraiths
insubstantial  sensory stimulation
hallucination

Trip # ****** Coma
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

ringing blue lightning flashes razor sharp quick
cutting my mind in jaw breaking half
gasping for air I lunge forward hard
and break into silence, stillness, calm.
you have to remember to breathe
when things get fuzzy or funny or anytime now
otherwise sanity slips like water through fingers
or like rabbits down tunnels
on time to lost minds and messy motor control
****** coma, giddy, ecstatic, inescapable, unrelenting

Trip # I’m Melting
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

I have to **** but the whole world is breathing
standing and swaying every step an adventure
entranced by the swirly dripping dropping walls
i barely stay balanced though trousers do fall
relief, ahhh, glance down what the ****!?
maniacal laughter rings through the room
I’m melting I’m melting in big drops and small
being pulled ever downward but never disappearing
warm like candle wax, thick and viscous
I’m leaving a trail of me on the floor

Trip # Music
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

complex strains of sounds by vibrations
subtly influence the mood in the room
emotions experienced changing by song
upbeat pulse lively down tempo drops dangerous
I can feel the sound envelope my soul
Alice enraptured marries the music
sitting on moment to swaying the next
pressed up against me, blink, appears on by wall
(don’t drink and drive, take acid and teleport)
this controlling cacophony swells then settles
an ocean unseen deciding the trip

Trip # Alone
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

Alice embarks on adventure to leave
a trip to the restroom a momentous maze
breathe deep and hold, keep it together
I slip from this plane to a place so strange
the chair is moving and so is her hat
were they ever just objects or always alive
pink and white fur slithers up in answer
caressing my arms sensual depraved
the laughter returns ever occurring involuntary
in fast rolling eyes at madness do gaze
I cavort around with fluffy new friends
tumbling and squirming wiggly worming
the fun never ends the fun never ends
“are you ok?” – Alice inquires
back after minutes turned hours
“is this how it feels to know you’re insane”

Trip # ******
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
“I haven’t slept in eight days”
a half muttered phrase
“what are you saying, it’s been 10 minutes”
alice mouths back with questioning gaze
fade to black

Trip # Telepathic
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...
“mhm yeah like what like yeah what”
“mhm like yeah like what oh what like yeah”
“mhm yeah like what oh **** like what huh oh what”
“mhm yeah like what oh yeah like what mhm ****”
mhm yeah **** like what oh mhm yeah what”
“wait what?”
“****”


Trip # Blue Gum Matrix
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

bubbles bubbles popping in pink
filling my mouth with cotton clouds
sugary sweet deliciously soft
seducing my mind into boiling blue bliss
I don’t notice the binary program lurking through unconscious thought
uploading software for changing perception
the transition to fiction so seamless like silk
I’ve jacked into the system with every chew
it’s twothousandwhatever in metrohive Tokyo
the future is different yet still feels the same
Alice sits solitary in darkened apartment
with wires like web strung throughout the room
all tracing with tracers glowing in ambience a glistening path
to electrical heaven, a desktop computer
my visual sensors are booting and loading
with mechanical perfection clarity arrives
a robot, I robot, created as A.D.E.M.
(Artificially Developed Emotional eMulator)
or A **** Excellent Machine (self-titled)
I sit up and blink as synapses fire
electrical currents carried on nanobig wires
I go move towards alice and watch binary code scroll
plugged into the network a direct hacker helper
this job’s objectives flash ‘fore my face
“we’ve got a big heist, security’s tight”
the scene’s fading out, cameras pan to the night

Trip # In Which I See the Future
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

Alice and I curl up as one
excessive I know on this excessive night
but excessively is as excessively done, the social norm
it’s experience together and not alone
that draws us closer to breathe in unison
a chance to express feeling in this
uncharted sensory undertaking
together hearts beat in arrhythmic understanding
a feeling of pleasure creeps down my spine
and spreads out in ripples turning to waves
crashing and breaking on the sweet shore of…
alone in the bathroom I reflect on actions
for minutes and hours and finally days
I watch myself age and age and go grey
tormented by thoughts of actions and actions
guilt like creeping mold consumes my visage
decrepit and wasted I stumble from chambers
to find five am clock arms right in my face…

The Morning After Part II**
****.
lysergic acid diethylamide.... an adventure every time
in my family conversation is seldom thoughtful questioning filled with wonder quiet pauses instead it is sociable banter teasing goading spontaneous gratuitous remarks clever embellishment excessive flattery it is an ancient system passed down patronage pecking order nepotism sycophancy near to impossible for me to be honest in presence of their overwhelming vanity when it comes to family gatherings my voice isn’t very strong my family’s joking squelches my chirp they are each and all more loud sarcastic faster wittier more crude outrageous more funny loud gregarious sanguine Mom embarrasses herself with uncalled for flirtations (her mental state rapidly deteriorating) everyone laughs boisterously they snap kid exaggerate amplify taunt i can hardly get word in i need to repeat myself several times or more to be heard my voice is minor i struggle to tell story they listen politely then rush back into their rowdy repartee i am way too sincere way too naked in my ineptitude my stomach ties in knots biting lip shivering from cold fear what’s going to happen pitch black in front of me voice inside screams please i need help so bad please make it easier i’m lost in all this commotion drama hunger lack of clarity

Chicago 1980 Odysseus always revered cousin Chris is taller tan-skinned handsomer stronger protective of Odysseus knowing he is frivolous liability tags along with Chris and his prosperous trader friends advantaged echelon inherited wealth educated white young men they float above everyone else their tastes in clothes furnishings run Brooks Brothers Burberry Giorgio Armani Ralph Lauren John-Paul Gautier Paul Smith Emile Zegna Salvatore Ferragamo their preference in women run typically blonde large ******* tight butts make-up painted nails they think Odysseus is a freak because he usually chooses females none of them want Odysseus likes skinny girls flat chests glasses he knows he is an extraneous art pet to Chris and his group

Chris joins newly built state of art fitness facility pricey membership accesses all of Chicago’s fast track shakers movers politicians lawyers pretty people Odysseus has his limits he does not have money to join also he dislikes snooty elitism several times Chris invites Odysseus as guest Odysseus feels insecure outsider Chris always includes Odysseus pays for dinners they begin with round of doubles then 2nd round of doubles before glancing at menu Chris drinks Canadian Club on the rocks Odysseus follows they raucously order extravagant meals with appetizers 3rd 4th 5th rounds of doubles after pricey dinner at chic restaurant Chris’s group rendezvous at bar or club they order round of drinks tip lavishly sip drink glare around room leave barely touched drinks walk out with look of disdain they scavenge more bars in search of females or some intangible attraction Odysseus is never certain what they are looking for or what is the source of their contempt each wears black leather jacket carries huge wads of cash $20s $50s $100s folded stuffed in front pockets no wallets or clips

the Red Meat palace or Chang’s Szechwan grill are their favorite restaurants as many as 8 men sit at table pack mentality prevails for dessert course they pull out small brown bottles filled with ******* if it is Friday night Chris’s pad is frequently elected females other arrangements settle bill depart restaurant one night Odysseus arrives early at Chang’s wanders downstairs into women’s boutique salesgirl named Fiona greets him they hit it off he invites her to join him and his hosts upstairs after her shift is done Fiona arrives as dessert is about to be served table of men look desirously at Fiona beams Odysseus and Fiona along with Chris Phil Tom go to Odysseus’s place Fiona is perhaps 22 petite lovely with deep blue eyes set wide apart long eyelashes brown thick hair cut to shoulders high ******* pink ******* fragrance of linden flowers delighted by male attention Fiona ***** fondles each men are quite intoxicated Odysseus and Phil are only capable to sustain erections Odysseus stares mesmerized at Fiona’s extraordinarily swollen ***** she notices his fixation grins blushing men shout commands but in actuality Fiona is in charge reducing each of them to little boys vying for her attention near conclusion she requests they form circle around her ******* on her chest she fondles them touches herself men laugh mockingly as if to compensate for their lack of performance Tom picks up plastic dart gun aims it at Fiona she laughs crawls on all fours Tom fires dart hitting her on **** Phil grabs gun from Tom reloads another dart suddenly it feels like fraternity stunt Odysseus goes along offended by his own complicity to him episode feels more like men having *** with each other than being with a woman telephone rings it is Odysseus’s latest love pursuit she tells him she is on her way over everyone rushes to put on clothes change bed sheets they depart within minutes she arrives finally ready after weeks of romancing to put out for him after that night when Chris and Odysseus get buzzed in bar Chris routinely speaks the line to women have you ever been done by 2 cousins one night at Green River tavern woman squeezes milk from her ****** into shot glass dares cousins to drink Chris laughing turns down her offer Odysseus shoots back shot of milk then takes swig of Irish whiskey cousins go see Billy Idol at Odysseus’s insistence they stand near front stage young girls screaming after show driving home in Chris’s Fiat Spider Chris complains his ears are ringing i don’t know how i’ll be able to work tomorrow Odysseus nods like he hears hollers out window hey little sister shotgun!

Mom and Dad want their son to enjoy fruits of burgeoning affluence they feel certain what they are doing is best for him they rent quarter seat at Chicago Mercantile Exchange they originally promised full seat but they are overextended Odysseus enrolls in trading course he learns to trade Certificates of Deposit and Eurodollars which are recently established markets suddenly Odysseus has lots of cash his parents are dishing out he does not know what he is doing newly launched markets lack investment and fleece young men of their parent’s money his friends surroundings change he loses sight of himself he is a thoroughly incompetent trader bleeding cash scatters money between harebrained panicked trades or ******* girls $1000. wristwatch when Mom and Dad see jewelry they become furious in a way he represents his parent’s design for how to build successful son yet their plan is going dreadfully wrong he wants to stand up speak out against Dad and Mom he is not courageous enough to counter their weight he wants to express with more assurance his passion to pursue painting and writing isn’t fact he graduated from art school evidence enough of his aspirations commodities exchange is last place in the world he belongs Odysseus is risk taker but he is not aggressive or entrepreneurial only lesson he has learned with respect to his parents is how to run away

by all appearances cousin Chris is brilliant trader in reality Chris is hooked up with powerful crooked brokers they use him as their bagman he covers losing trades and is compensated or offsets winning side of profitable trades subsequently dealt his share Chris is not a criminal he stumbles into profit-making situation when certain conditions are flexible to advantages Chris is diligent hard worker the vast sums of money he earns do not distort his personality he is always generous shielding of Odysseus gold trading pit becomes so shady S.E.C. intervenes relinquishing exchange’s contract Chris and his bosses walk away unscathed having made their bundles

Mom and Aunt Rita run social itinerary for family including birthdays holidays all other gatherings where family will meet changes by the minute depending on Mom and Aunt Rita’s caprice checking in by telephone at least an hour before is mandatory arriving at destination Mom and Aunt Rita insist on specific table location seating arrangement it is important they be seen viewed by others at restaurant they never sit near kitchen or washrooms or where there is too much noise light away from drafts who sits next to who is crucial round tables are their favorite preferring backs to wall looking out so they can nod wave Mom rules from proud pedestal Dad upholds chain of command sometimes he irritably gripes Aunt Rita immediately comes to Mom’s defense Dad points finger back off Rita you’re way out of line where do you come up with a remark like that Mom mediates Max that’s enough in a way the sisters are spoiled little girls over-indulged by their father they believe their opinions and tastes are the best most correct everyone in family are subordinate to their no and don’t Mom and Aunt Rita routinely criticize Odysseus’s semantics oppose his observations critical of his clothes conduct they handily misconstrue his comments to mean fodder for their amusement Mom and Aunt Rita’s efforts to keep prim proper decorum cause resentment Odysseus feels constricted by his subservient role in drama of family he fails to understand their care

Odysseus busts out of markets leaving behind alarming debts for family to pay off he feels humiliation disgrace plunges into bottomless sleepless despair hides in house door locked window shutters shut phone rings unanswered hates life willfully wants to destroy himself there is no way out after week Chris comes by to see if he is all right Odysseus is reluctant to let Chris in Chris commands be a man get a grip on yourself Odysseus replies maybe i’m not a man he feels failure shame realizes he has become traitor to himself he wants to look at existence head on embrace it but all he knows are dishonor regret deception he conceives his being has been stolen he wants his life back but knows not how to recover it he feels deep in obligation to Mom and Dad thinks to escape from Chicago but his parent’s control is crushing he wakes late drinks black coffee smokes cigarettes marijuana hangs out alone sky changes from light to dark to light phone rings he reads Nietzsche Sartre frequents ***** Hole punk rock dive several blocks from residence becomes orphan of night drinking drugging

January 5 2011 30 years have passed Chris marries fathers son becomes best father to his child he can be leaves markets in late 80’s Dad dies in ’91 Odysseus leaves Chicago in 1994 he manages to paint some paintings write some words stomach ties in knots biting lip shivering from cold fear what’s going to happen ***** pink gray skies behind pitch black in front sometimes you need to take a step back in order to move forward Mom says she worried enough about money when she was younger and isn’t going to worry about it anymore her entire life she boasted i’m saving for my children but in the end she saved solely for herself Odysseus never learned to stand on his own all he ever wanted is to love and be loved he wonders what will happen next
Dry Saphhire Gin Oct 2012
By Janis Ian

I learned the truth at seventeen
That love was meant for beauty queens
And high school girls with clear skinned smiles
Who married young and then retired
The valentines I never knew
The Friday night charades of youth
Were spent on one more beautiful
At seventeen I learned the truth...

And those of us with ravaged faces
Lacking in the social graces
Desperately remained at home
Inventing lovers on the phone
Who called to say "come dance with me"
And murmured vague obscenities
It isn't all it seems at seventeen...

A brown eyed girl in hand me downs
Whose name I never could pronounce
Said: "Pity please the ones who serve
They only get what they deserve"
The rich relationed hometown queen
Marries into what she needs
With a guarantee of company
And haven for the elderly...

So remember those who win the game
Lose the love they sought to gain
In debitures of quality and dubious integrity
Their small-town eyes will gape at you
In dull surprise when payment due
Exceeds accounts received at seventeen...

To those of us who knew the pain
Of valentines that never came
And those whose names were never called
When choosing sides for basketball
It was long ago and far away
the world was younger than today
when dreams were all they gave for free
to ugly duckling girls like me...

We all play the game, and when we dare
We cheat ourselves at solitaire
Inventing lovers on the phone
Repenting other lives unknown
That call and say: "Come on, dance with me"
And murmur vague obscenities
At ugly girls like me, at seventeen...
She furiously takes notes in geometry class
He throws a paper plane across the room
She gets out her neatly written homework
He gets out a scratch paper with drawings on it
She maintains straight A's
He's lucky to get a D+
She has a strict curfew of 9:00 pm
He stays out all night
She daydreams about what could be
He steps up for what he wants
She reads Shakespeare
He reads... Well he doesn't
She drives the latest model of the Honda civic
He's lucky if his '76 Toyota will start
She's only loved honor students
He's only loved her
She pays no attention to him
He begs for her notification
She graduates top of her class
He barely gets by
She goes off to college
He stays and becomes a mechanic
She marries rich and lives wealthily but bitterly
He regrets the concealed feelings he never shared
Àŧùl Apr 2013
I can't say I will marry her really soon for sure, because this is India and the society here is really tough.

But I'm Atul Kaushal, my name literally means Incomparable Skill and I intend to achieve something significant in my life, such that I'm fully capable to fulfill all her unsaid hidden desires when we marry.

I don't want her to feel any regrets or other negative feelings when she marries me some 7 years later, I only want us to be different than the rest of world such that unlike most of them no problems arise between us due to various worldly problems.

May be I'm dreaming of something perfect, but so far my life has been perfectly imperfect with the share of misgivings I have had is the majority in my performance card and I now wish that when she marries me the only thing which is imperfect is our hairstyle every morning we wake up smiling as we remember the previous night.

May be I am or may be I'm not demanding too much from time - I'm just asking her in my destiny - just her - in my mornings I imagine her jogging with me - in my days toiling at her desk in the office just like me - in my afternoons calling me to verify if I had my lunch we had packed in the morning - in my evenings asking how my day at office had been and telling about hers too - in my weekends I see 'us' having fun.

May be I am or may be I'm not being too apprehensive in my mind - apprehensive that whether her family will accept me as their son-in-law, or we would have to forget each other, or we will have only one way left and that be just to take help from the court and elope to get married, or may be I will just have to abduct her from the wedding venue in full public view in front of her parents, uncles & aunts, siblings & cousins, friends & acquaintances, Hindu priests & pujaris, may be thugs & bodyguards hired by her family to keep the wedding a smooth affair, and may be my parents might refuse to let her in.

But under ideal conditions, it will be as I desired and even later we would be happily parenting two kids for I don't wish to have just one child like I myself had been in my childhood; these scars of loneliness are dug prominently on my face, but these disappear, yes these disappear when you make me smile along you as I hear you smile and I believe that these will surely disappear permanently after our formal union; till then I miss you meri nanhi si jaan my sweet young love, like I should have missed when I was fifteen too - I miss you and I miss you because I love you, I love you, I love you, I love you, I love you, I love you and I more than love you.
All I can end the poem with is that just 7 more years, you'll be done with studies & I'll be minting a fortune fortunately - definitely, it will take time - in a day nobody conjures out any long history.
Howsoever bumpy it may be, but rest assured that you're going to enjoy this journey.
(: You'll love it - you're gonna love it, all of it, my lovely young baby. :)
P.S.: I'm never going to lose You my Lovely Little Poetess.
P.P.S.: I truly love You my Magical Angel. :)
My HP Poem #160
© Atul Kaushal
Ottar Jul 2014
A doer not a talker,
A finder's keepers,
not a stalker,
first he is A Man,
gentle in his MANnerisms,
but not the knuckles or
his calloused hands.

He does not stand out
in his field, he is too busy
working to increase the yield,
not make best use of fifteen
minutes, OF Few men can
this be said, his hat still fits
his crew cut hairy head.

when he opens his mouth
to speak, his thoughts take
shape and become Words,
not charged with emotion,
not angered or raging,
not with some rite of self-
righteous indignation.
He speaks his peace,
and sits his ***, on the
nearest thing he can find,
he has a sound body and
a sound mind, when she
decides and marries him she
will find, treasure. Rare.
Nope not about me.
Nabs Dec 2015
By Nabs

    When I was little, I dreamed of being a princess.
Just like so many others do.

Imagining all the fun we will have.
Of Tea times and dressing in the finest dresses, wearing tiaras, and jewels,
      all day of the week.
              Princesses only seems to dress prettily in the stories.
                
We all dreamt of the same thing,
        Happy endings that always come at the end, cherished and pampered.

        Most of all loved by everyone.

  Princesses were always loved because she was inherently kind. Inherently docile.
Inherently pure and innocent.
              Inherently beautiful.

( Remember, Your purity is your worth)
                  
                            None of them was because
                                  people respected them.

All of them was because
Of their beauty.

      ( A princess have to pamper their self to utmost perfection, your beauty define your worth)

Princess is a symbol of perfection.
                                      Symbol of Divinity.

A guideline for Goodness and womanhood.
                Standards that shaped and pushed them self to little girls to be molded into a perfect piece of art that they them self would rarely get to enjoy.

( Art pieces, after all cannot admire them self)
    
                We have to strive for divinity and no less, because less means
        we will be condemned to be the wicked ones.

( No one bother to tell us that it is unreachable.)

        No one wanted to be the wicked ones because history burned who ever were branded as wicked.

      ( we stood on a world
piled with their ashes
          and everyone will claim it as a victory)

        One of the lesson, that these tale seems to croons that there is no in between for us.
        That there is only two archetypes for girls to grow up to.
The Princess or the Evil Witch.

Choose, the tale seems to shout.
            ( be obedient, be submissive).
                    (Good girls)
                ( Princess lives happily ever after).

(Fight, rebel, speak)
        (Bad girls)
  ( Evil witch will always be burned)
      
  ( This are the endings we have set for you, girls)

          Back then, after going home from school, I would read tales about princesses from all over the world.  
From Africa
                to Europe
                              to Asia.
      I devoured them like they were gospels, Laughing delightedly when the princes save the day then marries the princess, and frowning when the villain managed to defeat the heroes.
Happy endings,
      Happy endings.
( Death, is the only happy ending we will really get)

    I learned that to have a happy ending, a prince need to save me,
                from my self.

( Every princesses need a prince,
for a proper princess cannot save herself.
                
            You need to be saved to be complete)

      My parents called me their little darling princess, Their crown jewel,
              Their most cherished treasure.
They would hug me, clothed me, spun me into a figurine that they like.
Telling me that I am theirs.
Flesh and blood,
              Glittering orbs of red.
                                          Ownership.
Another princess tales, which plot echoes through out time. Beggars can't be choosers.
                              The same way a princess can't  choose anything for them self.

The tale said,
    A good daughter is an obedient daughter.

Shouting and screaming is prohibited.

( Lower your voice,
        princesses don't raise their voice.

They speak softly as soft as the flutter of butterfly wings

            or preferably they don't speak at all.)

      To be a princess, foremost is to sacrifice your whole being,
      To subdued your self
          To stop being human,
                and start being a treasure, a jewel.
Being fought over for the rights of possession.

( Isn't that the most highest pedestal you can put someone to?)

        As I grew up, these tales keep following me.

( Dont run, princesses never run.
                                    They submit.)
Of Snow white,
      Who was treated as if she was only an object of desire after the prince saw her dead in the glass coffins.
( You're mine, you got that?)

Of the sleeping beauty silence,
            that was taken as a consent to ravished her until she woke up because she gave birth to twins.
( Babe, you like this don't you? You have to, you're made for this)

Of the little mermaid plight,
      Discarding herself completely to be accepted on the lands, trading her voice and being in excruciating pain for her prince.
                        The one who will not love her.
( You look horrible in that, change into something prettier and for god sake, put some make up on)

Of Atalanta, who could not escape marriage
              and forced to marry a man she lost a race  unfairly to, because her father decrees so in the first place.
( My princess, you can't be with that person.  
                    They're not suited for you,
                              We want the best for you.
You don't know what's best for you. )
              
Of Bawang Putih and Bawang Merah,
                Echoing the morals, how your beauty define you, how you will be evil if you are less than beautiful.
( She's ugly, that's why she's jealous of her)

Of Putri Hijau ending,
            That to be free from being under the power of men, you have to jump into the ocean.
(You are mine, forever)

Of the archetypes for Good and Evil,
            ****, *****,
                      *****, Saint,
                              Witch, Princess.
( A good girl says yes, A bad girl say no)

How The Tales, often than not,
                          parallel each others, as if trying to drill them self into our subconsciousness with these toxic message.

( Princesses belongs to the people.
                      She never belongs to herself. )

These unspoken rules followed me into adulthood.

            Subconscious message of how to be  loved you need to be less.
You need to submit,
to be obedient,
docile,
pure,
innocent,
        most of all, you need to be beautiful.

      That beauty is how you're going to get your prince. Never it is because your wit, your courage, your wisdom,
what use do you have for them if you don't have a pretty face.

                No husband will find ever find you.

( Remember, wicked ones doesn't have a prince to set them straight.

                You don't want to be a wicked one,
                                                  Now do you?

So spread your legs, and lay down.
Take it. Atta girl!  )

These unreachable standards, bound us the same way they bound people feet to be dainty.
                They are rules for us to be less human, to be a thing.
      A princess, in this world is another term for a possession.

            (There is no such things as an independent princess, object need owners)

The stories always put them in gilded cages.

Once I asked why?
          Why do they need to be caged?
Why can't they be free?
        
The tales said that beautiful things needed somewhere to be kept.

The tales said many thing,
        seemingly innocent but  screaming about our worth, girls worth in the society.

(You need to be pretty for anyone to love you.)

(You're good if you are obedient.)

(You have no need for your voice,
                Silence is the only voice you need.)

(You're made to just lay down and take it.)

(You need a man to complete you
                                      and set you straight.)

(Never be yourself.)

I grew up wanting to be a princess,
Just like many others do.
        What we realized, to be a princess
                                  We have to be a slave.
                                      We have to be dead.
This was inspired by lots of books and articles I read.
Sorry for the cliche title, and thank you for reading the long poem.
Divya Kaushik May 2020
You love to get the words out of me
The words I wouldn’t use, they sound *****
You love the way I look at you
I look into your eyes, and something sets free
You love the way I listen to you
I remember everything, Mr. Perfect doesn’t
We both love crushing
I crush on you
And you crush me  

You call me your tomboy
And get so possessive
You say that you need me
And then act submissive
I adjust your dresses
Sometimes your shoe laces  
When you keep me waiting
I say you are allowed
Don’t call me bro
Babe, what is the ground  
We both love crushing
I crush on you
And you crush me  

You say you love me  
Every time you text
I say, “I love you”
You shoot hearts and rainbows back
You want to know about my crushes
If I ever loved a girl
You wink and dance with me
Say I’m the only one to make you twirl
We both love crushing
I crush on you
And you crush me  

You love when I play gentleman
Opening the door
Letting you lead
Walking you back
Paying you heed
You  gush about  my  skills
The  way  I  move the  swords
The  way  I  calculate
The  way  I  play  with words
Close  discussions  and debates
And  then  we discuss
How  Mr.  Perfect  and  you  are  hanging
We both love crushing
I crush  on  you
And  you  crush  me

We are best friends
And you want us to be, forever
You want to hang out
And go abroad together
I would stand by you
In all platonic capacities
Even when Mr. Perfect marries you
And claims you stupidly
We both love crushing
I crush on you
And you crush me
Michael R Burch Feb 2020
Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here—
        God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
        God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
and the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
        God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Le Primtemps (“Spring” or “Springtime”)
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



In My Imagined Book
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

In my imagined Book
my heart endeavored to explain
its history of grief, and pain,
illuminated by the tears
that welled to blur those well-loved years
of former happiness's gains,
in my imagined Book.

Alas, where should the reader look
beyond these drops of sweat, their stains,
all the effort & pain it took
& which I recorded night and day
in my imagined Book?



The next three poems are interpretations of "Le temps a laissé son manteau" ("The season has cast off his mantle"). This famous rondeau was set to music by Debussy in his Trois chansons de France.

The season has cast its coat aside
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

The season has cast its coat aside
of wind and cold and rain,
to dress in embroidered light again:
bright sunlight, fit for a bride!

There isn't a bird or beast astride
that fails to sing this sweet refrain:
"The season has cast its coat aside!"

Now rivers, fountains, springs and tides
dressed in their summer best
with silver beads impressed
in a fine display now glide:
the season has cast its coat aside!

Winter has cast his cloak away
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!

Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away!"

Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

The year lays down his mantle cold
by Charles d’Orleans (1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,

while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold!"

All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Confession of a Stolen Kiss
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

My ghostly father, I confess,
First to God and then to you,
That at a window (you know how)
I stole a kiss of great sweetness,
Which was done out of avidness—
But it is done, not undone, now.

My ghostly father, I confess,
First to God and then to you.

But I shall restore it, doubtless,
Again, if it may be that I know how;
And thus to God I make a vow,
And always I ask forgiveness.

My ghostly father, I confess,
First to God and then to you.



Fair Lady Without Peer
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Fair Lady, without peer, my plea,
Is that your grace will pardon me,
Since I implore, on bended knee.
           No longer can I, privately,
Keep this from you: my deep distress,
When only you can comfort me,
For I consider you my only mistress.

This powerful love demands, I fear,
That I confess things openly,
Since to your service I came here
And my helpless eyes were forced to see
Such beauty gods and angels cheer,
Which brought me joy in such excess
That I became your servant, gladly,
For I consider you my only mistress.

Please grant me this great gift most dear:
to be your vassal, willingly.
May it please you that, now, year by year,
I shall serve you as my only Liege.
I bend the knee here—true, sincere—
Unfit to beg one royal kiss,
Although none other offers cheer,
For I consider you my only mistress.



Chanson: Let Him Refrain from Loving, Who Can
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Let him refrain from loving, who can.
I can no longer hover.
I must become a lover.
What will become of me, I know not.

Although I’ve heard the distant thought
that those who love all suffer,
I must become a lover.
I can no longer refrain.

My heart must risk almost certain pain
and trust in Beauty, however distraught.
For if a man does not love, then what?
Let him refrain from loving, who can.



Chanson: The Summer's Heralds
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

The Summer’s heralds bring a dear
Sweet season of soft-falling showers
And carpet fields once brown and sere
With lush green grasses and fresh flowers.

Now over gleaming lawns appear
The bright sun-dappled lengthening hours.

The Summer’s heralds bring a dear
Sweet season of soft-falling showers.

Faint hearts once chained by sullen fear
No longer shiver, tremble, cower.
North winds no longer storm and glower.
For winter has no business here.



Her Beauty
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Her beauty, to the world so plain,
Still intimately held my heart in thrall
And so established her sole reign:
She was, of Good, the cascading fountain.
Thus of my Love, lost recently,
I say, while weeping bitterly:
“We cleave to this strange world in vain.”

In ages past when angels fell
The world grew darker with the stain
Of their dear blood, then became hell
While poets wept a tearful strain.
Yet, to his dark and drear domain
Death took his victims, piteously,
So that we bards write bitterly:
“We cleave to this strange world in vain.”

Death comes to claim our angels, all,
as well we know, and spares no pain.
          Over our pleasures, Death casts his pall,
Then without joy we “living” remain.
Death treats all Love with such disdain!
What use is this world? For it seems to me,
It has neither Love, nor Pity.
Thus, “We cleave to this strange world in vain.”



Traitorous Eye
by Charles d’Orleans
loose translation/interpretation by Michael R. Burch

Traitorous eye, what’s new?
What lewd pranks do you have in view?
Without civil warning, you spy,
And no one ever knows why!

Who understands anything you do?
You’re rash and crass in your boldness too,
And your lewdness is hard to subdue.
Change your crude ways, can’t you?

Traitorous eye, what’s new?
You should be beaten through and through
With a stripling birch strap or two.
Traitorous eye, what’s new?
What lewd pranks do have you in view?



The First Valentine Poem

Charles d’Orleans (1394-1465), a French royal, the grandchild of Charles V, and the Duke of Orleans, has been credited with writing the first Valentine card, in the form of a poem for his wife. Charles wrote the poem in 1415 at age 21, in the first year of his captivity while being held prisoner in the Tower of London after having been captured by the British at the Battle of Agincourt.

My Very Gentle Valentine
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation by Michael R. Burch

My very gentle Valentine,
Alas, for me you were born too soon,
As I was born too late for you!
May God forgive my jailer
Who has kept me from you this entire year.
I am sick without your love, my dear,
My very gentle Valentine.



BIO: Charles d’Orleans (1394-1465) was a French royal born into an aristocratic family: his grandfather was Charles V of France and his uncle was Charles VI. His father, Louis I, Duke of Orleans, was a patron of poets and artists. The poet Christine de Pizan dedicated poems to his mother, Valentina Visconti. He became the Duke of Orleans at age 13 after his father was murdered by John the Fearless, Duke of Burgundy. He was captured at age 21 in the battle of Agincourt and taken to England, where he remained a prisoner for the next quarter century. While imprisoned there he learned English and wrote poetry of a high order in his second language. A master of poetic forms, he wrote primarily ballades, chansons, complaints and rondeaux. He has been called the “father of French lyric poetry” and has also been credited with writing the first Valentine’s Day poem.



Charles d'Orleans Timeline/Chronology

1394 - Charles is born in Paris on Nov. 24, 1394, the first son to survive infancy of Louis of Orleans, the brother of Charles VI, and Valentina Visconti of Milan.
1406 - Charles, age 11, marries his cousin Isabelle, age 16, the daughter of Charles VI and Queen Isabeau of France, and the widow of Richard II of England.
1407 - The day before Charles's 13th birthday his father Louis d'Orleans is assassinated in Paris by Burgundians under John the Fearless, on Nov. 23, 1407.
1408 - Charles's mother dies at Blois at age 38 on December 4, 1408; Charles becomes Duke of Orleans at age 14.
1409 - Isabelle bears Charles a daughter, Jeanne, but dies within a few days on Sept. 13, 1409; Charles turns 15 the next month.
1410 - Charles marries Bonne, age 11, the daughter of Bernard, count of Armagnac, and niece of the duke of Berry, on August 15, 1410.
1412 - Charles sends his brother Jean, age 12, to England as a hostage in the custody of the duke of Clarence, on November 14, 1412.
1415 - Charles is captured at the battle of Agincourt on Oct. 25, 1415 and is taken prisoner to England, just in time for his 21st birthday.
1416 - Charles is initially held in the Tower of London.
1417 - In June Charles is sent to Pontefract (Yorks), in custody of Robert Waterton.
1427 - Joan of Arc, supported by Charles's brother Jean, the Count of Dunois, takes up the cause of freeing France from English control.
1429 - Henry VI of England is crowned at age eight.
1431 - Henry VI is crowned king of France in the cathedral of Notre Dame in Paris; Joan of Arc is burned at the stake.
1432 - Charles's daughter Jeanne dies at age 23; his wife Bonne dies sometime between 1430 and 1435.
1440 - Charles is formally released from captivity on October 28, 1440. Charles, now 46, marries Marie of Cleves, niece of Isabelle and duchess of Burgundy, age 14.
1445 - Charles's brother, Jean of Angouleme, is released from English captivity after 33 years.
1457 - After 17 years of marriage, Marie of Cleves bears Charles a daughter, Marie. Francois Villon, a guest at Blois, writes a poem to celebrate the birth.
1461 - Charles VII dies; Louis XI ascends the throne.
1462 - Marie bears Charles a son, the future Louis XII, known during his reign as the "Father of his People."
1464 - Marie bears Charles a daughter, Anne.
1465 - Charles of Orleans dies at age 70 on January 4, 1465. His poetry will still be read 500 years later.

Keywords/Tags: France, French, translation, Charles, Orleans, Duke, first Valentine, rondeau, chanson, rondel, roundel, ballade, ballad, lyric, Middle English, Medieval English, rondeaus, rondeaux, rondels, roundels, ballades, ballads, chansons, royal, noble, prisoner, hostage, ransom
PJ Poesy May 2016
}I{
“Sinuhe”

King Khety is blinking madly
Haruspex has left him ominous oracle
Sinuhe is on his return, fugitive no more
Sinuhe brings with him enemy’s daughter
Not prize, Nefru his wife and Libyan lore
Sinuhe from slavery came, poet she did adore

Egyptian tombs do tell in detail
Hieroglyphic tales, this juncture of peril
Khety not King, but Sinuhe’s noble brother
Knows true King come to claim throne
Sinuhe the nobler, knows a life of none other
Than slave sold by Odious, the step-mother

Yes Queen Odious, deep in den of asps
Collected poison venom to undue her marriage
To Sinuhe’s father Merikare, Pharaoh of Moon
Odious’ ghastly act nearly tore Egypt in two
Her derangement sent Sinuhe far across sand dune
Odious took crown, added gilded teeth of baboon

Made her son King, though he did implore
Khety saw insanity and for what, he was in store
Khety remembers his Great Father’s words
“The heart of someone who listens to his temper
Is doomed to follow the stink of camel herds
Better to let heart fly upon sky, as do birds”

Yet by years tormented, Khety became undone
More like his mother and even more sniveling
Than the Odious one, so he did as he was told
Incessant dribbling marked a life for him
He minded his words lest he knew he’d be sold
Mother’s high priest Abhorus was bitter and cold

Sinuhe’s struggles were unknown to King Khety
Years of near starvation and wearisome labor
Made Sinuhe the better man, as he did never forget
Assurances of his noblest Father, Pharaoh Merikare
Virtue ascribed, Sinuhe kept valor in each trial met
Furthermore, his noblest task still to come as of yet



}II{
“Numidian Queen”

Nefru, Numidian Queen to Land of Libya
Recalls young slave Sinuhe’s hostility to captivity
His intelligence overcoming, who once would be King
Of Egypt had not violent arm but ferocious mind
Using wit to overcome adversity and words he did sing
To free his self of internment and all oddity it did bring

Nefru looks upon loyal husband Sinuhe
It is an arduous journey this man has taken
Her commitment be bound now by ivory ring
Loyalty to this man before all forsaken
It is spring, and amongst abundant life come dead things
Fledgling birds first flight failed or so siblings did fling

Now swept into his pilgrimage, Nefru perceives
All adversity Sinuhe did overcome so nobly
To her, he is chukar, partridge of rare plumage
It is to the ground, which this bird be bound
Never reaching sky, low brush be its’ *******
Though its’ song give to her heart an anlage

Freedom from slavery, is Sinuhe’s triumph
Vindication of crown be the mark of new flight
He prays to Horus Behudety, Winged Sun God
Nefru knows of her husband’s will and might
She gifts to him her father’s pinioned golden rod
Scepter of enslaver Mehru, and his feathered shod

It was not of great agreement by Mehru
Should his daughter Nefru marry a slave?
Much less to son of Merikare, an arch enemy
Yet he be so brave, impressions of Sinuhe’s strength
Be made so to change, very nature Sinuhe’s destiny
So much so, Mehru did lament in Merikare’s elegy

So it came to be, a slave marries Queen
Sinuhe and Nefru’s love broke all patterns
Such a love to win hearts of, Gods and Goddess’ unseen
Who rule other worlds and all rings of Saturn
History had never known affection so purely clean
Gatherings from far off fields came to witness such glean



}III{
“Haruspex And Detritus”

Haruspex, soothsayer speaks in half-truths
King Khety believes only small contingent
Be on way to Byblos, presently approaching Qedem
Little does he know, armies of Elephant in tow
Masses of feathered and golden archer’s stem
Blessed by breath of Bat, Goddess and her phlegm

Detritus, Animal Man, hired scout to King Khety
Possesses claws and hair of lion, his home Serengeti
Animal Man’s mane is thrashed in thorns and rubble
Smells of cat ***** but has nose that knows much
Such why Detritus be tolerated, though be much trouble
Haruspex twists tale of tailed man, speaks of him double

Calls him lazy, shiftless, yet Haruspex be cryptic mess
Detritus be banal yes, but true to Khety none the less
Knew his father well, Merikare be his master
It was always Queen Odious, Detritus distrusted
Knowing her demonic betrayal and Egypt’s disaster
She kept him in gypsum cave, scratching alabaster

Kindness had left this Kingdom sometime ago
When Odious and Abhorus overthrew rule
Merikare Moon Pharaoh mummy cry from tomb
Sinuhe ripped from his side by Abhorus
His funeral a very mockery and Detritus’ doom
Haruspex made way from Libya, eyes mucous rheum

Planted by Mehru, Haruspex be sent through desert
King of Libya be wise, sent this oracle as disguise
Not soothsayer at all but spy of opposition
King Mehru knew upon Moon Pharaoh’s death
Peace upon land would not soon come to position
Quickly he sent Haruspex, strangest magician

Detritus knew by the first smell of him
Haruspex came from earth west, not with best
Intentions to natural order of land and sky
And this test of two egos be quite perplexed
With each other and another reason why
This brawny epic riled through years gone by



}IV{
“Ode ‘O’ Odious”

Motioning her battalions, priests and beasts
Evil Queen who overthrow, joins Abhorus’ feast
Beldams be this clergy, **** all about Odious
Snapping of rabbits heads in cacophony of blood
Plunking chalices of malice’s, sacrifices melodious
All in dark chamber halls in depth’s commodious

Stretching of intestine to fine tune harp
Butchers waylay innards with daggers sharp
Mawkish music be Odious’ fame
Concavity’s entrance a perilous scarp
Passers-by enticed by bergamot oil’s flame
Fall to their death to be eaten by dame

Ode ‘O’ Odious, Ode ‘O’ Odious
Drunken mayhap through day and nightcap
She rumpus muck, she ruckus all luck
Ode ‘O’ Odious, Ode ‘O’ Odious
Chambers fill with all matter of bile guck
Bites cobra tails, hooded heads protrude to ****

Death be her power to innocence’s pain
Queen Odious oblivious to her own danger
Seems unstoppable to submissive subjugates
Spinning her terror, cackle calls to maidens
Fem ferocious, how ‘O’ Odious undulates
Casualties collected in long hundredweights

Probity of her high priest be none
Abhorus puppets Odious and will be done
With her second rare blue water lilies run out
The Nile produces this flower of intoxication
Extinction of it is of all certainty, no doubt
Named after her, O Odious flora beguiles lout

Ode ‘O’ Odious, Ode ‘O’ Odious
It is Evil Sorceress and midnight blue flower
Power of it be all in her high flighty head
She misuses its’ tincture to her own final hour
Harvesting it foolishly, nearly till it is dead
And when it is, it will be to all worlds’ dread



}V{
“Oasis In Iaa”

Sinuhe receives word elephants parched
Water need be found, arduous trek campaigned
Nefru never witness such worry, Sinuhe’s face
Ox tail be split to drain nourishment from beasts
No water for miles, no sea birds upon sky to trace
Sinuhe prays, “Montu, God of War find oasis to race!”

Sekhmet, Archer Goddess visits Nefru
Great Lady is besieged by dessert’s spell
Hallucinations bring mirage to Nefru’s sight
Transfixed on dessert’s horizon her eyes
Contingents warriors, bands of archer’s fright
Paths set forth, only to journey by starlit night

At dawn Sinuhe strands his band
Takes his most devoted men of arms
Bhaktu, Parsi, Rhaktu, follow their Lord
Each having faith in man and his wisdom
Eastward they find Syrian tribe in horde
They are welcomed, none need draw sword

Master of Syrian tribe Abu Sefa
Understands who Sinuhe is and was
Orders falconers to find Nefru and throng
Apprises Sinuhe of oasis beyond hummocks
All are soon joined together in wine and song
Oasis found, Iaa, fruited land and lagoon long

Khety is warned of revelry in Iaa
Sends legions Egyptian arms, by order Odious
Anubis, jackal head God given zebra sacrifice
Detritus employed for battle with spears
Copper shields, mediocrity will not suffice
All swords be sharpened by order thrice

Lifeblood battle of Egypt ensues
Sinuhe taken off guard in Iaa,
Elephant screams to be heard for miles
Bhaktu cut down, Rhaktu not found
Parsi’s archers never saw such trials
From lagoons come seething crocodiles



}VI{
Twist Of Fate

Rensi was chosen by Abhorus to speak for Khety
As High Priest, Abhorus did most doling of employs
This proxy Rensi though, be mockery of King
His speech more stammered than Khety’s noise
Grossly disfigured as well, soundings as mice sing
Rensi aware of this, musters all dignity he may bring

Perigee moon at present, o howling now
Hyena laughing at dissertation of Khety’s proxy
Ill ease overcomes this Rensi, an impediment
Speech undone on terrestrial stairs to Memphis
Escalades flora, fauna; monsoons washing sediment
Tefnut, great rain goddess turns world to excrement

This not so illustrious disquisition muted
By torrent winds and torrential liquid compounds
Tefnut’s tears plunk upon all, turning mud blood
Looking out from his great house Khety embroiled
Bares soul to Sobek-Re, Crocodile God; Sun and Crud
Sobek-Re answers prayer, suspending flash flood

In Iaa, as gore of battle ensues, fate lose
As twist of tale find new bemuse and worlds infuse
Detritus sees his lost master Sinuhe encroaching peril
This recognition swells an emotion deep and confuse
Detritus bent in memories flash reacts nobly not feral
With a roar to be heard over all, clamor become sterile

Sounds of battle cease and gaze of majesty
Sinuhe seeing Detritus is overcome by sensibility
Two old beloved friends stare upon each other
Dragging swords behind each move to indemnity
Embrace of each other; secures allegiance another
Sinuhe kisses feet of Detritus; calls him “brother”

As witness to such, all weary legions unite
Moon turn blue, assured sign of Pharaoh Merikare
Mehru’s star battalions federate Moon Pharaoh’s armies
Together as one to Memphis they shall siege Khety
Overthrow Queen Odious and her sinister parties
This mainly being High Priest Abhorus’ autocracies



}VII{
Epitaph Of Detritus

Odious in lair drinks tinctures blue water lilies
Abhorus her advisor suggests only more intoxicants
Khety is shrilling at sight of this deceptive lure
Haruspex makes prophesy of Detritus’ betrayal
Khety sends hunters to trace Animal Man’s spoor
Abhorus finds more legions of archers to procure

Leaving Iaa and moving toward Memphis
Detritus is fitted by Nefru’s maidens new armor
Embroidered with gold, a striped khat is made to adorn
Detritus is humbled by Sinuhe and Nefru’s gifts
His body is perfumed and oiled; his mane then shorn
Beholden to the true King of Egypt, Detritus is sworn

Two men of different lands, both once slaves
Overcome their adversities and rise upon sun
Sinuhe and Detritus’ bond is legitimately noble
Wearing of these worlds bare them new providence
Seemingly this union appears fortuitous global
Keeping steadfast of Abhorus’s archers now mobile

In Sakkara, south of Memphis come tempest
Raining arrows as if raindrops, Sinuhe’s challenge
Detritus’ valor finds reckoning to his last will
Defending Sinuhe, Detritus falls to cumulating
By strength this virtue witnessed, Sinuhe rise still
Throwing down legions of archers, making his ****

Abhorus, Odious, and Khety with no troops left
Surrender to Sinuhe upon his return to Memphis
Odious drinks last vials blue lily tincture, expires
Abhorus struck dead by hand of Khety in resolve
Khety bows to Sinuhe and his Queen as requires
King Sinuhe , Queen Nefru read parchments and fliers

In honor of great Detritus and his noble deeds
Commissioned is greatest sculpture Animal Man
During its’ long construction, most joyful jinks
Song and dance to honor a great warrior true
Each artisan so proud to have heritage to links
Of Animal Man, Detritus, now known as Sphinx
This is my adaptation of The Tale Of Sinuhe. It is the oldest known work of Egyptian literature. This epic poem was written by me with the intent of creating a puppet opera. I hope to collaborate with other poets, musicians, artists and puppeteers to see this come to life. Between each chorus should be arias which embellish the plot and theme. If you may be interested in working on this piece, please let me know via private message. I hope to make it a collaborative work.
AJ Aug 2014
The contents of this wine glass
Might burn my empty stomach a bit.
But you had a banana nut muffin,
So you were fine.
You showed me my initials tattooed on the bottom of your foot.
That was ****** up.

And I cried.
You told me the truth is I'm gonna be okay.
And I told you you're not sick and the demons will all go away.
But I lied.
S O P H I E Dec 2018
a bird ***** its wings in Rio and there is a tsunami in Tokyo.
there is a tsunami in Tokyo and your father takes your mother to bed, calls her beautiful, does not raise his voice at her, does not leave her alone in a ***** motel room. she unpacks her suitcases and never leaves Missouri.
you do not form in her womb and she stops screaming.
a tsunami occurs in Tokyo and you do not exist and there is a break in the violence of our bodies. you disintegrate before me and I melt back into the earth where I belong and you never stopped loving me.
we unbecome the casualty of our own flaws.
we were never here. we were never gone.
a bird becomes road **** in Rio and you crawl into the womb of your mother, you are the 7th of 7 and the cause of your mother's stress. there is no tsunami in Tokyo and your mother packs her suitcase and leaves for Texas, she unhappily marries your father and stays with him to the bitter end.
there is no tsunami in Tokyo and your mother dies of lung cancer, your father leaves you in may, does not kiss you goodbye, does not look back at you, you pack your stuff and he sends you away.
the birds in Rio do not sing, Tokyo bay does not roar to life.
you are here. you cannot leave.
i got the inspiration from another poem although i do not know who it's by or what its called. if you know comment down below
Pallavi Jul 2015
When fantasy marries reality, it is your fairytale
You know what you think; you know what you mean,
Whether your heart speaks your mind or the other way,
While you are sewing the threads of your fantasies,
You are multiplying the perimeter of your boundary

When desire meets needs, it is your fairytale
You push the envelope or prefer to keep it inside
You do it when the time is ripe
Certainty is always prime,
What happens, happens for good
But change can be the devil unlike itself

When honesty meets passion, it is your fairytale
Insane as it can be, sanity may ******* sometimes
Truth should never leave you away or you may die
But praise yourself for once, because you never cease to try

**** the bee of the fear and insecurity
That hums in your mind constantly,
You ought to believe you are the queen bee
Alone or with your colony, you always remain to be
Even if you didn't make for the honey
You can still make it for the nectar
It will always be your fairytale; whether too many flowers, one or none.
taylor roff Nov 2011
tranqualy tranwrecked truck drivers
swim spaciously though sober sanity
working the 5 to (.......)
crushing saltien crackers over
home away from homemade marries
tomato soup
But Minerva went to the fair city of Lacedaemon to tell Ulysses’ son
that he was to return at once. She found him and Pisistratus
sleeping in the forecourt of Menelaus’s house; Pisistratus was fast
asleep, but Telemachus could get no rest all night for thinking of his
unhappy father, so Minerva went close up to him and said:
  “Telemachus, you should not remain so far away from home any longer,
nor leave your property with such dangerous people in your house; they
will eat up everything you have among them, and you will have been
on a fool’s errand. Ask Menelaus to send you home at once if you
wish to find your excellent mother still there when you get back.
Her father and brothers are already urging her to marry Eurymachus,
who has given her more than any of the others, and has been greatly
increasing his wedding presents. I hope nothing valuable may have been
taken from the house in spite of you, but you know what women are-
they always want to do the best they can for the man who marries them,
and never give another thought to the children of their first husband,
nor to their father either when he is dead and done with. Go home,
therefore, and put everything in charge of the most respectable
woman servant that you have, until it shall please heaven to send
you a wife of your own. Let me tell you also of another matter which
you had better attend to. The chief men among the suitors are lying in
wait for you in the Strait between Ithaca and Samos, and they mean
to **** you before you can reach home. I do not much think they will
succeed; it is more likely that some of those who are now eating up
your property will find a grave themselves. Sail night and day, and
keep your ship well away from the islands; the god who watches over
you and protects you will send you a fair wind. As soon as you get
to Ithaca send your ship and men on to the town, but yourself go
straight to the swineherd who has charge your pigs; he is well
disposed towards you, stay with him, therefore, for the night, and
then send him to Penelope to tell her that you have got back safe from
Pylos.”
  Then she went back to Olympus; but Telemachus stirred Pisistratus
with his heel to rouse him, and said, “Wake up Pisistratus, and yoke
the horses to the chariot, for we must set off home.”
  But Pisistratus said, “No matter what hurry we are in we cannot
drive in the dark. It will be morning soon; wait till Menelaus has
brought his presents and put them in the chariot for us; and let him
say good-bye to us in the usual way. So long as he lives a guest
should never forget a host who has shown him kindness.”
  As he spoke day began to break, and Menelaus, who had already risen,
leaving Helen in bed, came towards them. When Telemachus saw him he
put on his shirt as fast as he could, threw a great cloak over his
shoulders, and went out to meet him. “Menelaus,” said he, “let me go
back now to my own country, for I want to get home.”
  And Menelaus answered, “Telemachus, if you insist on going I will
not detain you. not like to see a host either too fond of his guest or
too rude to him. Moderation is best in all things, and not letting a
man go when he wants to do so is as bad as telling him to go if he
would like to stay. One should treat a guest well as long as he is
in the house and speed him when he wants to leave it. Wait, then, till
I can get your beautiful presents into your chariot, and till you have
yourself seen them. I will tell the women to prepare a sufficient
dinner for you of what there may be in the house; it will be at once
more proper and cheaper for you to get your dinner before setting
out on such a long journey. If, moreover, you have a fancy for
making a tour in Hellas or in the Peloponnese, I will yoke my
horses, and will conduct you myself through all our principal
cities. No one will send us away empty handed; every one will give
us something—a bronze tripod, a couple of mules, or a gold cup.”
  “Menelaus,” replied Telemachus, “I want to go home at once, for when
I came away I left my property without protection, and fear that while
looking for my father I shall come to ruin myself, or find that
something valuable has been stolen during my absence.”
  When Menelaus heard this he immediately told his wife and servants
to prepare a sufficient dinner from what there might be in the
house. At this moment Eteoneus joined him, for he lived close by and
had just got up; so Menelaus told him to light the fire and cook
some meat, which he at once did. Then Menelaus went down into his
fragrant store room, not alone, but Helen went too, with
Megapenthes. When he reached the place where the treasures of his
house were kept, he selected a double cup, and told his son
Megapenthes to bring also a silver mixing-bowl. Meanwhile Helen went
to the chest where she kept the lovely dresses which she had made with
her own hands, and took out one that was largest and most
beautifully enriched with embroidery; it glittered like a star, and
lay at the very bottom of the chest. Then they all came back through
the house again till they got to Telemachus, and Menelaus said,
“Telemachus, may Jove, the mighty husband of Juno, bring you safely
home according to your desire. I will now present you with the
finest and most precious piece of plate in all my house. It is a
mixing-bowl of pure silver, except the rim, which is inlaid with gold,
and it is the work of Vulcan. Phaedimus king of the Sidonians made
me a present of it in the course of a visit that I paid him while I
was on my return home. I should like to give it to you.”
  With these words he placed the double cup in the hands of
Telemachus, while Megapenthes brought the beautiful mixing-bowl and
set it before him. Hard by stood lovely Helen with the robe ready in
her hand.
  “I too, my son,” said she, “have something for you as a keepsake
from the hand of Helen; it is for your bride to wear upon her
wedding day. Till then, get your dear mother to keep it for you;
thus may you go back rejoicing to your own country and to your home.”
  So saying she gave the robe over to him and he received it gladly.
Then Pisistratus put the presents into the chariot, and admired them
all as he did so. Presently Menelaus took Telemachus and Pisistratus
into the house, and they both of them sat down to table. A maid
servant brought them water in a beautiful golden ewer, and poured it
into a silver basin for them to wash their hands, and she drew a clean
table beside them; an upper servant brought them bread and offered
them many good things of what there was in the house. Eteoneus
carved the meat and gave them each their portions, while Megapenthes
poured out the wine. Then they laid their hands upon the good things
that were before them, but as soon as they had had had enough to eat
and drink Telemachus and Pisistratus yoked the horses, and took
their places in the chariot. They drove out through the inner
gateway and under the echoing gatehouse of the outer court, and
Menelaus came after them with a golden goblet of wine in his right
hand that they might make a drink-offering before they set out. He
stood in front of the horses and pledged them, saying, “Farewell to
both of you; see that you tell Nestor how I have treated you, for he
was as kind to me as any father could be while we Achaeans were
fighting before Troy.”
  “We will be sure, sir,” answered Telemachus, “to tell him everything
as soon as we see him. I wish I were as certain of finding Ulysses
returned when I get back to Ithaca, that I might tell him of the
very great kindness you have shown me and of the many beautiful
presents I am taking with me.”
  As he was thus speaking a bird flew on his right hand—an eagle with
a great white goose in its talons which it had carried off from the
farm yard—and all the men and women were running after it and
shouting. It came quite close up to them and flew away on their
right hands in front of the horses. When they saw it they were glad,
and their hearts took comfort within them, whereon Pisistratus said,
“Tell me, Menelaus, has heaven sent this omen for us or for you?”
  Menelaus was thinking what would be the most proper answer for him
to make, but Helen was too quick for him and said, “I will read this
matter as heaven has put it in my heart, and as I doubt not that it
will come to pass. The eagle came from the mountain where it was
bred and has its nest, and in like manner Ulysses, after having
travelled far and suffered much, will return to take his revenge—if
indeed he is not back already and hatching mischief for the suitors.”
  “May Jove so grant it,” replied Telemachus; “if it should prove to
be so, I will make vows to you as though you were a god, even when I
am at home.”
  As he spoke he lashed his horses and they started off at full
speed through the town towards the open country. They swayed the
yoke upon their necks and travelled the whole day long till the sun
set and darkness was over all the land. Then they reached Pherae,
where Diocles lived who was son of Ortilochus, the son of Alpheus.
There they passed the night and were treated hospitably. When the
child of morning, rosy-fingered Dawn, appeared, they again yoked their
horses and their places in the chariot. They drove out through the
inner gateway and under the echoing gatehouse of the outer court. Then
Pisistratus lashed his horses on and they flew forward nothing
loath; ere long they came to Pylos, and then Telemachus said:
  “Pisistratus, I hope you will promise to do what I am going to ask
you. You know our fathers were old friends before us; moreover, we are
both of an age, and this journey has brought us together still more
closely; do not, therefore, take me past my ship, but leave me
there, for if I go to your father’s house he will try to keep me in
the warmth of his good will towards me, and I must go home at once.”
  Pisistratus thought how he should do as he was asked, and in the end
he deemed it best to turn his horses towards the ship, and put
Menelaus’s beautiful presents of gold and raiment in the stern of
the vessel. Then he said, “Go on board at once and tell your men to do
so also before I can reach home to tell my father. I know how
obstinate he is, and am sure he will not let you go; he will come down
here to fetch you, and he will not go back without you. But he will be
very angry.”
  With this he drove his goodly steeds back to the city of the Pylians
and soon reached his home, but Telemachus called the men together
and gave his orders. “Now, my men,” said he, “get everything in
order on board the ship, and let us set out home.”
  Thus did he speak, and they went on board even as he had said. But
as Telemachus was thus busied, praying also and sacrificing to Minerva
in the ship’s stern, there came to him a man from a distant country, a
seer, who was flying from Argos because he had killed a man. He was
descended from Melampus, who used to live in Pylos, the land of sheep;
he was rich and owned a great house, but he was driven into exile by
the great and powerful king Neleus. Neleus seized his goods and held
them for a whole year, during which he was a close prisoner in the
house of king Phylacus, and in much distress of mind both on account
of the daughter of Neleus and because he was haunted by a great sorrow
that dread Erinyes had laid upon him. In the end, however, he
escaped with his life, drove the cattle from Phylace to Pylos, avenged
the wrong that had been done him, and gave the daughter of Neleus to
his brother. Then he left the country and went to Argos, where it
was ordained that he should reign over much people. There he
married, established himself, and had two famous sons Antiphates and
Mantius. Antiphates became father of Oicleus, and Oicleus of
Amphiaraus, who was dearly loved both by Jove and by Apollo, but he
did not live to old age, for he was killed in Thebes by reason of a
woman’s gifts. His sons were Alcmaeon and Amphilochus. Mantius, the
other son of Melampus, was father to Polypheides and Cleitus.
Aurora, throned in gold, carried off Cleitus for his beauty’s sake,
that he might dwell among the immortals, but Apollo made Polypheides
the greatest seer in the whole world now that Amphiaraus was dead.
He quarrelled with his father and went to live in Hyperesia, where
he remained and prophesied for all men.
  His son, Theoclymenus, it was who now came up to Telemachus as he
was making drink-offerings and praying in his ship. “Friend’” said he,
“now that I find you sacrificing in this place, I beseech you by
your sacrifices themselves, and by the god to whom you make them, I
pray you also by your own head and by those of your followers, tell me
the truth and nothing but the truth. Who and whence are you? Tell me
also of your town and parents.”
  Telemachus said, “I will answer you quite truly. I am from Ithaca,
and my father is ‘Ulysses, as surely as that he ever lived. But he has
come to some miserable end. Therefore I have taken this ship and got
my crew together to see if I can hear any news of him, for he has been
away a long time.”
  “I too,” answered Theoclymenus, am an exile, for I have killed a man
of my own race. He has many brothers and kinsmen in Argos, and they
have great power among the Argives. I am flying to escape death at
their hands, and am thus doomed to be a wanderer on the face of the
earth. I am your suppliant; take me, therefore, on board your ship
that they may not **** me, for I know they are in pursuit.”
  “I will not refuse you,” replied Telemachus, “if you wish to join
us. Come, therefore, and in Ithaca we will treat you hospitably
according to what we have.”
  On this he received Theoclymenus’ spear and laid it down on the deck
of the ship. He went on board and sat in the stern, bidding
Theoclymenus sit beside him; then the men let go the hawsers.
Telemachus told them to catch hold of the ropes, and they made all
haste to do so. They set the mast in its socket in the cross plank,
raised it and made it fast with the forestays, and they hoisted
their white sails with sheets of twisted ox hide. Minerva sent them
a fair wind that blew fresh and strong to take the ship on her
course as fast as possible. Thus then they passed by Crouni and
Chalcis.
  Presently the sun set and darkness was over all the land. The vessel
made a quick pass sage to Pheae and thence on to Elis, where the
Epeans rule. Telemachus then headed her for the flying islands,
wondering within himself whether he should escape death or should be
taken prisoner.
  Meanwhile Ulysses and the swineherd were eating their supper in
the hut, and the men supped with them. As soon as they had had to
eat and drink, Ulysses began trying to prove the swineherd and see
whether he would continue to treat him kindly, and ask him to stay
on at the station or pack him off to the city; so he said:
  “Eumaeus, and all of you, to-morrow I want to go away and begin
begging about the town, so as to be no more trouble to you or to
your men. Give me your advice therefore, and let me have a good
guide to go with me and show me the way. I will go the round of the
city begging as I needs must, to see if any one will give me a drink
and a piece of bread. I should like also to go to the house of Ulysses
and bring news of her husband to queen Penelope. I could then go about
among the suitors and see if out of all their abundance they will give
me a dinner. I should soon make them an excellent servant in all sorts
of ways. Listen and believe when I tell you that by the blessing of
Mercury who gives grace and good name to the works of all men, there
is no one living who would make a more handy servant than I should—to
put fresh wood on the fire, chop fuel, carve, cook, pour out wine, and
do all those services that poor men have to do for their betters.”
  The swineherd was very much disturbed when he heard this. “Heaven
help me,” he exclaimed, “what ever can have put such a notion as
that into your head? If you go near the suitors you will be undone
to a certainty, for their pride and insolence reach the very
heavens. They would never
Mateuš Conrad Jun 2020
.some sort of variation: the written and therefore... read... past and present making case... not so... easily... digested... and / or... marketed... when... encapsulated in a video... format... the written and the... much later... read... almost a colour... a pristine relief to masquerade... some sort of purple in a deepening plum of cherry... and giving it a name: burgundy... then again: that's also inquiring to ***** the "matter" with some plum... since when burgundy arrives... it's no maroon... hell no: concerning... fuchsia... burgundy and maroon are not... colour-statements... less... fluorescence... less... all that... otherwise... bothersome... haze and "jazz"...

i tried to sit through: mozart's magic flute...
being broadcast...
locktown: down down down...
          and somehow not out...
what's the half-terrible song
by falco...

   best known when cited by:
bloodhound gang....

i tried sitting through...
this... when genius meets "genius"...
this... one-time when german
took up... concerns for...
their expression of humour...
  the opera: singspiel... opéra comique...
the gods were somehow...
laughing: then... but fickle as they are...
i don't buy into either the joke
or... that... there's a somehow...
or this being... the classical:
           best kept: ortiface...
               rock me amadeus:
                 - 1782: marries constance...
     - 1784: mozart becomes a freemason
      - 1791: mozart composes the magic flute...

when did mozart compose the marriage of
figaro?                1786...
   the hidden depth of elevating
laughter...
        it's the magic flute... though...
but then... all this...
    verb-with-a-past-participle...
    to speak with a "future-past" presence
of a continuum:
              
  i tried sitting through mozart's magic
flute...
           but knowing the history...
this... wasn't... an ode to... the freemasons?
the magic flute is supposedly
magical than... first come first served...

papageno and the glockenspiel...
don quixote and the arrived at...
conquistador windmills...
                  
   i tried to sit through it...
i had to nip off to the bathroom
to play a game of "chess"
and *******...
because... as one has to...
check one's blood pressure...
check one's blood sugar level...
one just has to... *******...
whether there's a lover to be minded...
or... the taboo of *******...
or: inverted choc burning
the yeast buns via the oven
of ****!
                     this solo project:
this dodo project:
was always going to be...
an... irritating foundation stone
of: this is all modern...
the critique too...
hardly anticipating the norms
to be... antiquated and victorian...

          perhaps i couldn't sit through...
mozart's magic flute...
because... i just couldn't...
sit through... that sort of german best kept
secret: humour...
            
opera and the staging of humour...
i can somehow understand the...
solipsistic... autistic focus for stand-up...
comedy...
        singspiel... whenever that was
important...
           stand-up monologue humour
contra: the swizz cabaret...
        some variation of uncle voltaire...
and opera is her...
              loot...
   and all those... teasing at opera:
within the confines of: the suffix:
the opera-and-the-tics!
              
                kommen (sie) die stunde,
     die tag... die jetzt...
          eine jahreszeit...
                       besser gekleidet...

even when not living up to...
lye-v...
              canned laughter...
it's so vell Under's'tOOd...
          the jokes comes with a zeppelin...
and truance...
irritating sound...
the sound of a shattering of mirrors...
an irritating sound...
the sound of... biting fingernails...
an irritating sound...
    eating a ripe fruit like
it does resound...
performing oral *** on a ******...

            company on a tube...
relic of a journey...
  steppenwolf...
                 hessian bride... my most...
lacklustre improv. of retaining...
privy...
           commentary for...
thoese yet to be woken by...
           the... awaiting lost appetite for...
soap opera...
   clinging toward a kept...
routine... like brushing one's teeth...
which... opera per se...
isn't even... remotely... part of;

high-brow injustices of...
                          how will that make
you: yuppy-up...
leverage... a plateau... once more...
for me?
Devin Lawrence Nov 2015
Waking up,
The smell of strawberries
Marries the air
And infatuates me into
An early morning's lust;
I'm in paradise.

Holding your hand,
Fingers intertwined,
As the radio plays
And we stay with the beat.

Leaning in,
This is the moment;
Strawberries flood
My tastebuds,
And then you blew a bubble to the size of your face.

Bathing in bubbles
That are scent-less,
And I'm senseless
And my hands roam
And your mind leaves this world.

A fire burns
And seven bodies
Bare witness to newborn
Affection-
And I swear a star was too.

But I'll never see that star.
That taste seems so vague.
I came in and burst your bubble-
Tastes sweet
Until the flavor faded.

So here we are,
A bubblegum kiss later,
With a layer between us.
Brandon Walus Oct 2011
Wait a minute Black man
If I understand you right
Theres an enemy you fight
Whose skin is light, and grips you tight

So you’re stuck in the hood
Misunderstood, drugged up, junked out and up to no good
he throws you in jail, for the same **** the ****** man gets out on bail

Paying 250 dollars were his biggest fears ,
While you don’t even sweat
12 generations of slavery; two fifty years.
So I ask…………………..

Why do you …….swallow promises from a….. promise breaker?
What makes you……. think you can receive life from a…. life taker?
These words are
nothing new,
its all in the family
Death IS Uncle Sam’s Nephew
Poverty his Cousin and Exploitation his brother
I want to cut ‘em from the *** of, yes, hypocrisy his Mother.

So when I look at this country and say “your mothers a *****”
Don’t get me wrong I mean nothing more
I’ve just figured out what my history’s for

So when I say “wait a minute Black man”, once more
What I’m really saying this for
What I really mean, is that you and me
We got a common enemy
The ***** of America—Hypocrisy.

I’m trying to say that I am not numb to where you’re coming from
For I’ve been there too
You thought I was another ******* hypocrite
HaHa The jokes on you

Cause I can see the invisible hand that guides the economics of life and death
Of hearts I break
And of breath’s I take
Of dreams I make
And the money I rake

I am no fool, there is no wool over my eyes
I am no tool to my peoples own demise
250 years under the yoke
But exterminated I will not be
Forever a thorn in the side of hypocrisy

So when I say “wait a minute Black man” for the 3rd time
This is what I want you to hear from me
Do not fornicate with that ***** hypocrisy
And beget children who will forever be
Just out of reach of the American dream

But most importantly, and especially to those like me
Those called the Penobscot, Mohawk, Seminole and Shawnee
Forget about your reparations,
Uncle Sam’s bank account has been emptied
The collateral was truly……trails of tears and Cherokees
And to demand from one man that which he took from another man is Hypocrisy

So when I say “wait a minute Black man” for the 4th time
Hear this,
40 acres and a mule promised you are still mine.
Native American heritage boils in my blood, but you can’t feel it
If I ink it on my sleeve, you neglect to see it

But the EARTH is ours, and a globe will show it
Theres a place called Africa, of this you know it

Lets you and I take a boat ride
across the sea
Fight on one more front in the war on Hypocrisy

Liberate your people unto whats entitled them
Let’s stop losing brothers to the lust of gems
This precious piece of our earth, this is where it ends

It’s still a rock, a stone
We’ll go back home,
halt the broken hearts and bones
that are caused by the greedy man
Who forces the needy man
To dig speedy through the sand
And find the tedious ingredients that make wedding bands
For the mother of the man who forged this plan
For hypocrisy and her favorite son, Uncle Sam

We shall raise our voices and object every time she marries
We shall, without remorse, abort every fetus she carries

A poets weapons are metaphors and similes
With these we can forever be, thorns in the side of hypocrisy.
jeffrey robin May 2015
) (  ) (
/\
/\

beauty marries death and rebirth is born

||

we -- add up the score --- but  some    1   is misplaced



( in the shadows hiding )



It's alright



Rebirth grows up and marries faith

And lo !   -- truth is born

||

Truth marries love and

Here I am

--

The simple story

( the only   1    --

Emerges from the shadows eventually )
mark john junor Nov 2013
the dark ice cream man
floats up and down the empty streets
his truck weakly cranking out a warped sounding song
that leaves a trail of dogs objecting
the truck has the word pestilence painted on it
instead of ice cream
his dark form hunched over the steering wheel
his cheshire grin has aspects of his delirium
imprinted on its clean toothy shine
he only comes out at three am
and glides the cool pavement in search
of Delilah's phone number
she promised him that she would be his one true
and he meant to hold her to it
he would do anything to have her all to himself

Delilah walks barefoot along the train track
with one ear nailed acutely to the train whistle approaching
the other ear in her pocket
where she hums a **** version of
the battle hymn of the republic
all good girls love horses and shotgun weddings
she wants her shotgun wedding on the saddle
with the ice cream mans brother
who she thinks is just too nifty to be anything but heavenly
she always pictured him with angel wings
carrying a sword and riding a pale horse named death

there are echoes in the concrete parkland
the neatly trimmed grass glistens wetly in the darkness
a dew touched tree stands on a narrow hill
its leaves thrashed slowly by a whisper of wind
the sound of running feet
laughter
its an illusion
she is an illusion
i make matchstick men
watch them march in precision lines
i am a matchstick man
watch me scribble in precision lines

the ice cream man now sleeping
away the humid hot afternoon
stashed away in the back of his pestilence truck
while Delilah learns how to knit and make candles
that ice cream mans brother sells at flea markets
we all settle for what we think we want
and in the end we all get what we deserve
Delilah marries the brother and they live happily
while ice cream man spends his mid-life crisis as a
politician who leads a double life
making ice cream sandwichs out of his basement
and i am discovered 'neith the truck making
matchstick men out of twigs
from the tree of life
The Dedpoet Feb 2016
The Beginning

Beginning
At the duck pond,
A little boy alone.

And a small paper boat
That sailed a way the monsters,
And a soft voice comes to him,
A little girl asking about his boat.

He says the monsters are gone now,
So she takes him by the hand
And walks away to the playground,
He never looks back at the paper boat.

And the eternal present sank the boat,
He played with a new friend,
An understanding of monsters
And they became each others peace.

The Middle
Times that shine in youth
And there she was at prom
With her peace she still held
His hand like the pond before them.

They danced as the years danced,
The youth soaking in all firsts,
He kisses her under the stars
And promises forever in his eyes.

She lay at the blanket before him
Ready as a flower blooms,
They make love as a sacrifice
Of virginal clarity of truth.

The End
Was still the youth, but college
And adventure called them both
To different places and different
Times were to become a reality.

She kissed her kiss of forever,
He held her in their final summer,
Never let me go she whispered,
And he held her ever tighter.

The summer ends,
And the Fall as life is a fall,
They say goodbye and promise
To stay together forever.

              
              The Middle


The beginnings
Of a twenty something man who just
Lost his highschool girlfriend,
And the girl became a woman,
All is a guarantee too change.

The promise was so much to take,
He held on as long as he could
But her dreams took her away
And he became a normal guy.

She meets another man,
He holds on too long,
She marries and has some kids,
He let's her go in his mind.

The Middle of life
Is rarely how one recalls it,
But the time of his life was with her
And he never marries.

She divorces a man that never loved
Her for who she though she was,
Her thoughts drift to her lover,
Her first love, she begins a search.

And time is a force,
A force of her heart when she sees
His face, the pounding that it took,
She realised she never stopped loving him.

The end can be happy sometimes,
And he gets a letter in the mail,
I'm in town, the note said,
Come see me.

He rushes and sees her stilled in time,
As beautiful as ever, they make love
As the first time, two weeks together
That made a lifetime apart worth it.

But she had kids in another place,
He could uproot the life he had,
They say goodbye once again
And something about it felt final.

    
                  The End


The years pile like snow in winter,
And winters breath came and went
Like the seasons, now in his forties
He realised all he wanted was to see her again.

He sends her a letter to meet him at the pond,
She says he has to come to her,
She wasn't feeling so well,
And he flew like a dove in its miracle.

Her children come to greet him,
And he felt like they should have been
His from another life,
The reflections of life's mirror.

The middle years came,
She had battled cancer for years,
He stayed with her through the battle,
And married her with no regrets.

He was with her only two years
But it was the most fun he ever had,
At the hospital the doctors new
That visiting hours didn't apply to him.

As the cancer ate her last days
She made him promise one last thing,
He said he would find her
Where ever souls might go when they leave.

And the end can be a beginning,
He stands at her grave,
He holds her flowers
With tears for everyday.

He went home to where he began
His life, where they first met as kids,
He holds her picture in his pocket
And a sheet of paper he begins to fold.

He puts her picture in a paoerboat,
He sails it away into the pond,
He remembers like it was yesterday,
At the duckpond, a little boy alone......
OK so I'm crying right now, aren't you?
Joe Cole Jan 2014
Gazing down from my hotel balcony, a beautiful breath taking view, acres of landscaped gardens, flowers, trees of every colour and hue

My eyes travel over an azure blue bay. To a thousand coloured sunshades assaulting my mind

An ants nest of seething half naked humanity, burnt red and covered in oil. Surrounded by discarded bottles and cans and wrappers of ice cream stained foil

For a week they're going to lie there, bodies burned raw by the sun. Their idea of enjoyment, their idea of holiday fun

I have walked the length of those bright golden sands, smelt the stench of the stale cooking oil. It gives me no pleasure to linger here while I have the real Malta to enjoy

Beyond the human pollution the sand dwellers love a burnt barren ridge gainst the sky. And yet from this red brown earth an existence bis clawed by the strength of a strong Maltese hand

My gaze travels left to the beautiful church and the cream coloured town just beyond. The old and the new joined hand in hand where concrete marries natural stone

How many of the sand dwellers have enjoyed what this beautiful land can provide? Have they truly experienced this island,  seen life on the other side?

In a few days they'll be up there flying back to the place they call home, but from what they experienced of Malta they might just have well been to the moon
This was written on my hotel balcony 18 months ago while on holiday in Malta, my favourite holiday destination
Mateuš Conrad Nov 2018
.don't worry, inter-racial mingling is prominent in the first generation of a white dad, and a black mum... 2nd generation? well... that depends... if a woman deems her father in high esteem, she marries a white guy, and her children end up, pejoratively white... or she carries on the splinter fetish... and marries a camel-jockey... and hey presto! a full rainbow! slurs... ******* slurs... let's begin with one... in the north of England... vermin says so.

i'll just say the uncomfortable *******
that you wont:

Oreo to a *******:
****** your ***** all night...
made crumbs...
        your incy-wincy spider
of a **** couldn't
get you a one-night-stand...

******* to an Oreo:
so... you think that i care what
******* ***** chooses, or
makes preferences of?
or are you worried that
i don't really want to ****
an Oreo girl?!
well... unless she's from the Bahamas?!
******, make a choice!

hey... **** as many...
what is this innate,
a priori presupposition judgement
where...
           where...
like...
    i don't want to **** your
women? what's up with that?!

you boast:
now i'll boast...
it's only fair that way...
yeah, and with regards
to the women you ******...
i started thinking (as a child)
of injecting human ***** into
the body of a dog...
after all... my best childhood
friends were dogs...

Axl (a Doberman),
and Bella (an Alsatian)...

                                       what?

your best friend was
bush-meat?
          ******... we can party...
but some advice...
you know the best place
to put out cigarettes
on a human body?
    
    near to the bone, on the knuckles...
it's like...
coupling nearing the bones
is...
           a complete hard-on.
Hayley Simpson Oct 2012
I'd give you
My stomach,
just to show you the caterpillars cocooning
into butterflies.

I'd give you
My heart,
just to show you how it stops
every time you smile.

I'd give you
all the moments I could hold in my arms,
Just so you could see frame by frame
how you have frozen every one of them.

And you might think that I am giving you
everything.
You are humble like that.
but you have given me
lengths of golden twine that you have
strung around my heart.
Making sure that everyday that I fall for you,
you can pull me back up
again
and again
and again.
You don't just pull on my heart strings,
you made them.

And when you cry it's like
rain on the wedding day,
that marries you and perfection together.
I could be your umbrella,
You could be my dream.

Because I have watched "Tangled"
way too many times.
And I don't want you to find a new dream.
I don't want you to scale a tower with my hair.
...although something similar would be nice.

But make us a fairytale.
One which makes little kids want to dress up
like us on Halloween.

Let me be your forever.
A fairytale about the girl who gave everything,
even the bones in her fingers.
To write about true love, about the one who gave,
everything in return.
Written (2012)

Author: I watched "Tangled".
Though loth to grieve
The evil time's sole patriot,
I cannot leave
My buried thought
For the priest's cant,
Or statesman's rant.

If I refuse
My study for their politique,
Which at the best is trick,
The angry muse
Puts confusion in my brain.

But who is he that prates
Of the culture of mankind,
Of better arts and life?
Go, blind worm, go,
Behold the famous States
Harrying Mexico
With rifle and with knife.

Or who, with accent bolder,
Dare praise the freedom-loving mountaineer,
I found by thee, O rushing Contoocook!
And in thy valleys, Agiochook!
The jackals of the *****-holder.

The God who made New Hampshire
Taunted the lofty land
With little men.
Small bat and wren
House in the oak.
If earth fire cleave
The upheaved land, and bury the folk,
The southern crocodile would grieve.

Virtue palters, right is hence,
Freedom praised but hid;
Funeral eloquence
Rattles the coffin-lid.

What boots thy zeal,
O glowing friend,
That would indignant rend
The northland from the south?
Wherefore? To what good end?
Boston Bay and Bunker Hill
Would serve things still:
Things are of the snake.

The horseman serves the horse,
The neat-herd serves the neat,
The merchant serves the purse,
The eater serves his meat;
'Tis the day of the chattel,
Web to weave, and corn to grind,
Things are in the saddle,
And ride mankind.

There are two laws discrete
Not reconciled,
Law for man, and law for thing;
The last builds town and fleet,
But it runs wild,
And doth the man unking.

'Tis fit the forest fall,
The steep be graded,
The mountain tunnelled,
The land shaded,
The orchard planted,
The globe tilled,
The prairie planted,
The steamer built.

Live for friendship, live for love,
For truth's and harmony's behoof;
The state may follow how it can,
As Olympus follows Jove.
Yet do not I implore
The wrinkled shopman to my sounding woods,
Nor bid the unwilling senator
Ask votes of thrushes in the solitudes.
Every one to his chosen work.
Foolish hands may mix and mar,
Wise and sure the issues are.
Round they roll, till dark is light,
*** to ***, and even to odd;
The over-God,
Who marries Right to Might,
Who peoples, unpeoples,
He who exterminates
Races by stronger races,
Black by white faces,
Knows to bring honey
Out of the lion,
Grafts gentlest scion
On Pirate and Turk.

The Cossack eats Poland,
Like stolen fruit;
Her last noble is ruined,
Her last poet mute;
Straight into double band
The victors divide,
Half for freedom strike and stand,
The astonished muse finds thousands at her side.
Kaka May 2016
"You fight like a girl"*

Men seem all confident, strong and macho and what not

but the moment this phrase strikes their ears,

they all get offended, turn into cry babies & start defending their so called manhood

I have seen this with my own eyes,

and I  seriously cant remember how many times



Its funny how society has turned  women into synonym for weakness

when the same women's strength to push them out of their bodies is their gateway to life

& its funnier how they think they are superior just because of that little thing between their legs

And its the same men who cant find their own socks without their wife



Its funny how men who worship their mothers

often forget to respect the girls who walk down the alley

And Its funnier how its the woman who leaves her family

but has to live like she owes her life to the man she marries



Its funny how a to-be-mother carries her baby for 9 months

building a life out of matter

but the moment it comes out of the womb, its given the name of just the father



Its more funny how we talk about getting rid of  gender roles

yet look at a woman with disgrace when you find out she doesn't cook.



And  the funniest of all is

how we blabber about these civilisation & equality tricks

and blame women for dressing too ******

but forget to tell the men to calm their *****.



And yet a woman stands there strong

Fighting through all these odds

as if being born a female was her biggest mistake of all

And still. Still, the most insulting phrase men find to throw at each others

is," Dude You fight like a girl!"



And this is my only message, to all those macho men who use that golden phrase

Maybe thinking, it makes them sound manlier somehow

"If he really fought like a girl, trust me bruh, You d be dead by now."

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"Fight like a girl, Yes I do, And if you dare be that strong, you would too"* ~ Kakareikan

— The End —