.you can never really write any poetry by not covering the "heartbreak" the loss of your own "printed" words: how much different is the internet, from "real" life? just asking... since: internet banking & internet shopping... to lose a poem / pre-scriptum is not exactly the same as losing a person to mind: father's day... i cooked the dinner, i took out the trash, i wrote an invoice... i guess that's much better than leaving a card of greetings... and, come to think of it? why are we the sort of people subjugated to nostalgia, with but also "without" a history? aren't we subjugated to nostalgia and a history as a "fiction"? the beginning of the 21st century, the end of the 20th century... the 19th century germans associated themselves with a nostalgia for ancient greece, we're the only people who have an inbuilt nostalgia "safety-mechanism"... the only people in time who are nostalgic about the life surrounding their own existence slot, which doesn't have a trans-temporal dynamic... i remember times when we would be teenagers... spitting on people from car-parks on imaginary tonsures, buying *****-magazines from indian cornershops, or belgian freebies of non-insinuations, white lightning cider while sleeping over at youth centers playing snooker throughout the night... even at school: attending a catholic school with the irish east enders... uniforms, sure... a chequered shirt: blue, red, white... tag? made in canada... and if only capitalism worked as it once did, made in canada? lifetime of a shirt? 20 years... now? made in china... not exactly real cotton, is it? 2 years... before ironing the shirt *****... once upon in gants hill, st. valentine's park, and the pub, recently closed, decent karaoke... in the park? golf, basketball, rowing boats in the large ponds... when the jews were there... gants hill roundabout... the hanukkah torches... jews scuttling wearing trainers come rosh hashanah: jews can't wear leather on rosh hashanah (judgement day)... shy like rats... when the jews were there (gants hill, ilford)... the park looked great... tennis courts... now, when neo-Bangladesh moved in? ****** place. what else do i remember from my original pre-scriptum that i lost? oh, that once time in gants hill... walking into a kosher bakery with ****** knuckles, having tested them on a canvas of a brick wall, buying some dough-fused-sweets? with the girl selling the sweets bewildered by fear? i like the look of fear in people when tested by uncertainty, and bleeding knuckles? later? climbing over the park fence, taking a **** while squatting in the darkened palace of the park, walking into a brothel, having my wallet stolen, not reacting in what would have been justified... high school... we wore uniforms... so no high school h'american culture trap / culture... school uniforms are the best idea, there's no chance to "shine" in telling apart the rich kids from the poor kids... there's only the standard... walking to a supermarket, past a thai surprise... sports bra, short hair... walking back... she's still there pretending to talk on her mobile to someone... you take her home with a few beers... play her some jazz... take her into the garden, the moon is a beauty... you **** her... hand in her underwear and you're still gambling... before the emergence of the nag hammadi library and the whole androgynous vogue, the thai were already readied with the lady-boys... when i reached in and found nothing but oyster... would i have stopped finding a wink-wink slouching worm? slap a trans in the face? no, not really... a thai surprise is, a thai surprise... i would have considered doing my first ****... "lucky" for me she was a she... a girl... ****** her in the garden under the moonlight... gave her my hoodie, which she drowned in... finally... the level of interaction where the female is not a mantis, i.e. a female larger than the male... she drowned into my hoodie as i walked her home... i like the familiarity with the mammalian, not resorting to insect superiority of females... these days... i find that males are strictly mammalian... while females? they are borrowing insect-esque ontologies... well, darwinism allowed the time-frame... males are mammals... females are insects, behaviour-wise... two time frame i do not appreciate the english for... darwinism is prime.... cultural-marxism my ***... what about cultural-darwinism?! no?! that doesn't exist?! cultural-darwinism is as real as cultural-marxism, and, in the former sense? it really does belong to the conservative right-wing politico spectrum! might i add? isn't psychology merely pop philosophy? i find psychology riddled with rubric cohesion, it's all oh so "self"-evident! i abhor psychologists... these gypsy philosophers... medicine-men with no pharmacological shadow of power... to prescribe drugs... arguments, persuasions, but no dialectics... psychology will forever be, for me, a philosophy primer, short-cut... pop philosophy... psychologists can treat people who have never read a philosophy book... r. d. laing... i remember this one instace... me and a fwend of mine travelled into central london, went into a bookshop shy of trafalgar sq., i spotted an edition of: the scarlet and the black by stendhal... i told him: i will trade you linkin park's debut album, if you buy me this... the transaction was made... the one book i read after seeing a film adaptation starring rachel (rakhel) weisz and ewan mcgregor... ra-kh-el: not ray-chel... we used to be humans once... at high school getting bullied back... putting pins on chairs once we got up, sitting on them... playing bulldog in primary school, slap-ball, tag, playing cards at lunchtime... 16 fatty boy... one summer in poland, comes back aged 17... the irish girls take an interest while eating a pomegranate... what was the success of your diet? don't go to the gym... excess skin, an aesthetic surgeon is not what you need... there are only two ways to lose weight... either via swimming or by cycling... cycling is the best... lose weight by also toning your body... gym is a bad idea... by going to the gym you are straining exclusive parts of your body, either the torso, your hands, etc., jogging? unless on soft ground, bad idea on concrete, arthritis... cycling or swimming... lose weight... tone at the same time, the skin is allowed the required time to adapt to shrink, and forget what propped it up in plump form with all that excess flab... ugh... i hated being attractive to the opposite ***, i never used it to my advantage! imagine... an irish lad comes up to me, on behalf of some girl while i'm donning a french braid: you look just like johnny depp in blow, impersonating george jung... 14 year old girls walk up to you asking what shampoo you're using... herbal essences... i never used my looks... *******... now i'm a heavy drinker... so much for looks... first girlfriend? a fwend had to call me telling me she called him that she felt butterflies when i dropped her at the train platform after a day's worth of dating: tate modern, edward hopper exhibitions, cinema: troy, starring rose byrne (briseis) - honestly, a man can go crazy over curly hair... and then a restaurant date... that **** just flew over my head... i wouldn't have noticed... honestly though... i missed the whole h'american cultural excavation genesis in high school... catholic... uniforms... jesuit army-esque formation... now, i'm ageing... i'm starting to find the company of cats to be: clingy... my shadow included... i once thought that dogs were needy... i'm starting to think that cats are worse, esp. the maine **** breed... "lonely" or "loneliness" doesn't really resonate with me, esp. when thinking something "feels" like a variation of claustrophobia: hence i write... without a dialectic in place, ever since plato wrote his dialogues... what is philosophy, primarily? isn't it an off-shoot of "claustrophobia"? we write because we are seeking escape from congested thinking, a variation of "claustrophobia"... now imagine a schizoid character... having to focus on an imaginary dialectic, actually... having dialectics enforced on him, with no clarifying exodus to posit a gensis with! now, a clingy dog i could understand, given the overpowering status of the leash... but a clingy cat, when there's no leash involved?! shoom! right over my head... gone, somewhere into the distance!

what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions hype...
and didn't?
and instead took to patience?
it's free...
   where once,
a game would cost you 20 quid,
and a month's worth
of narrative,
back then, when games
resembled books,
when the gaming industry
was heavily influenced
by literature...
and now?
   the game's free...
sure...
it's "unfair", it's biased...
when you don't engage
in imported gambling
of succumbing to what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions...
       and didn't have the chance...
microtransactions are like
the old school cheat hacks...
but not quiet, but somehow quasi-,
       a modern microtransactions,
would be a cheat magazine
thorough-through
a game like final fantasy VII...
you have homework,
but you still want to complete the game...
modern games...
modern games...
there's an "end gole"?
  what modern game is worth
"completing"?
    
   again: tron, ready player one,
back to the future...
star wars just became dead
to me...
   sick people will plague hard-working
people, with a quasi-gambling
addiction,
needing to make microtransactions...
and they will,
my father was plagued by
an impostor, claiming to be a
tax office official:
and what if, that person had
an authentic position at the tax office?!

when gaming was for gamers,
the games were bought...
there was a narrative...
but now... now games don't have a narrative...
why would they?!
   who the hell plays games for
the narrative these days?
i know that on the crapper,
i need a game that allows me
to experience live-stream
interaction with non-bots...

       and these old gamers,
who still invest their money
in literature-esque-games?
so i was the sad one,
investing in vinyl?
   aren't the classic ******* gamers
just as bad,
investing in prepackaged
narrative gaming
experiences?
             a game with a narrative...
yeah... me buying vinyl
is: b'ah b'ah bad...
       what sort of game is alive and well...
when there isn't a crowd pushback
for the currency of microtransaction?

the narrative is time,
   the longer you endure the inadequacy...
the more you realise:
you're basically playing
the same game,
but in your scenario:
it's free...
   in some other ******'s scenario:
it cost him 70 hundred quid...

personally?
   i love this microtransaction dynamic...
concerning the people who
do not engage with it...
it's the perfect antithesis
   of what ruined the music industry
with genesis: napster...

you really are, playing the ultimate
game,
time...
         the one sort of commodity
that games,
without a clear narrative construct,
"forgot" to mention in terms
of them being exploited...
to their full capacity
of the one "commodity"
they "forgot", or rather,
couldn't "sell"...

              a tenchu PS1 game could
have lasted me a month...
now? a free game,
like war robots...
with absolutely no NPC?
hell... i'll be 90 and still be playing it;

what else? applause!

In the dark
Listening to linkin park

In the steam
browsing dank memes

-break-

rickity rickity
bickity bickity

i am from hungary

follow me on the twitti

@spahgetti

I once had a Simple Plan
To bribe a lady for a Kiss
With a Nickleback in my hand
And an Eagle tattoo on my wrist.

I brought her to the Linkin Park
And gave her meatloaf and Bread
But it had Red Hot Chilli Peppers
So she ate the Pearl Jam instead.

My tongue was like a Rolling Stone
As I tell her my Nirvana of love
I made promises with my Pink Floyd finger
As she watched a Led Zepellin flew above.

Her Metallica heart didn’t waste time
And she rejected me within Thirty Seconds to Mars
I treated her like a Queen
But all I got were Iron Maiden scars.

It stung me like the Bee Gees
Or a Scorpion tail’s as fine
The Beatles are all crawling down my skin
When she broke this Heart of mine

Guns N Roses were the choices
That were left for me to Root
But a Cheap Trick with the latter
Ended my romantic Journey afoot.

My technology nightmare
Leaves me euphoric this morning.
Addicted, like drug trials,
I knew the risks going in,
Got hooked in The Cloud &
Now it always seems easier,
With diminished psychic chafing
Whenever I go with the flow, as the
Hipsters are saying again.
Yes, the hipsters:
Finally, some kids I can relate to.
At least on some level, their music e.g.
The first thing I did this morning,
Waiting for my laptop to boot,
Was put a CD on the stereo:
Matrix Reloaded: The Album.
I set the shuffle function,
Looping back between
Linkin Park’s Session &
Team Sleep’s Passportal.
You can tell a lot about
What kind of day it will be
By the soundtrack you choose,
Your infinite play list,
Don’t ever say these kids have no culture,
Or nothing to share with us old farts.
Old Farts: an apt, Baby Boomer term in 2015.
Kids’ music, some of it quite good,
Quite 60s-worthy if you catch my drift,
As we used to say while grazing in the grass with
Hugh Masekela & his Naai Mongoe-Swazi red,
Surfrikan homeboys & band mates, & that
ANC Kwa-Guqa Township posse,
Shadowing him since Sharpeville.
That’s right, Babaloo,
Go with the flow.
Don’t fight it. You’ve been spared the unintended
Consequences of government shenanigans &
Free market meltdowns.
Consider this a CEASE & DESIST NOTICE:
Cease swimming upstream Mr. Phelps.
Desist fighting tide & current, Michael.
A mariner’s distinction, yet serviceable &
Purposed for this narrative.
“And away we go,” croons a Gleason levitation;
Aloft we go into the wild blue yonder.
The Cloud: an exalted playground.
You are atop the slide,
Kindergarten lord of all you survey,
Sultan, Chinese Emperor & Venetian Doge,
A 90-caliber Duke of Earl,
You are euphoric, Mike.

The descent into the humanoid condition
(See Paddy Chayefsky’s Howard Beale),
Is slick and precipitous.
It begins when you first finger ****
A pocket calculator or touchtone phone,
Or use a Xerox machine.
From there it’s a quick slide down
The technology ****-shoot: video games,
Spreadsheets & word processors,
Emails, texts & tweets,
Laser projection keyboards,
Wi-Fi amplifiers,
GPS navigators, &
Apps for No-Strings *** . . .
By “****-shoot” I editorialize, of course,
In a state of future shock,
Resenting planned obsolescence,
Contemptuous of shrewd **** kids,
Wharton School sharpies,
Scoping out price curves & flowcharts,
Colluding at industry trade shows,
Powwows & confabs,
Releasing newer, more versatile
Models & spinoffs, according to a
Scheme planned three years in advance.

I salt the inevitable wounds of technology,
Taking my fight to the streets, realizing too late
My sole means of alerting the flash mob
Is by so-called smart phone,
*******!
Even the revolution has gone digital.
Poor Gil Scott Heron, dead last year at 62,
Poor Scott Heron, channeled into the
Harlem Renaissance by that loyal Chicago Defender,
Subscriber & reader, to wit: his Grandma,
A “Rainbow Conspiracy” co-conspirator,
Cooking ham hocks & collard greens for that
Mythical coalition of Young Lords,
Black Panthers & SDS.
Heron’s prognostication was wrong:
“The Revolution Will (In Fact) Be Televised!”
We’ve witnessed quite a bit of it,
Lately, prime time lately,
Live by satellite from once exotic places,
Places like Tunisia, Egypt, Libya, Syria & Ferguson, MO.
I say “once exotic” because it’s hard to be
Visually intoxicated by images of screaming brown men
Sporting New York Yankee ball caps,
“Vote for Pedro” T-shirts and
$200.00 Air Jordan footwear.
Admittedly, the production values of
Revolutionary journalism have improved,
Action reported Hollywood-style,
Narrative arcs, scripted episodes,
Drive-by Potemkin villages & battle scenes,
30 or 60 or 90 day shooting schedules.
Spontaneous proletarian uprisings as Reality TV,
Riveting dramas,
High Nielsen ratings & $500K
Per minute corporate sponsors.
Let’s view the new fall line-up:
(1) “Mustafa Behaving Badly!”
(2) “Tunisian Tear Gas Talent!”
(3) “Gaddafi Gets Sodomized!”

O Prince, O chief of many throned pow’rs!
        That led th’ embattled seraphim to war!
                      (Milton, Paradise Lost)

O thou! whatever title suit thee,—
Auld Hornie, Satan, Nick, or Clootie!
Wha in yon cavern, grim an’ sootie,
     Clos’d under hatches,
Spairges about the brunstane cootie
     To scaud poor wretches!

Hear me, Auld Hangie, for a wee,
An’ let poor ****** bodies be;
I’m sure sma’ pleasure it can gie,
     E’en to a deil,
To skelp an’ scaud poor dogs like me,
     An’ hear us squeel!

Great is thy pow’r, an’ great thy fame;
Far ken’d an’ noted is thy name;
An’ tho’ yon lowin heugh’s thy hame,
     Thou travels far;
An’ faith! thou’s neither lag nor lame,
     Nor blate nor scaur.

Whyles, ranging like a roarin lion,
For prey a’ holes an’ corners tryin;
Whyles, on the strong-wing’d tempest flyin,
     Tirlin’ the kirks;
Whyles, in the human ***** pryin,
     Unseen thou lurks.

I’ve heard my rev’rend graunie say,
In lanely glens ye like to stray;
Or whare auld ruin’d castles gray
     Nod to the moon,
Ye fright the nightly wand’rer’s way
     Wi’ eldritch croon.

When twilight did my graunie summon
To say her pray’rs, douce honest woman!
Aft yont the **** she’s heard you bummin,
     Wi’ eerie drone;
Or, rustlin thro’ the boortrees comin,
     Wi’ heavy groan.

Ae dreary, windy, winter night,
The stars shot down wi’ sklentin light,
Wi’ you mysel I gat a fright,
     Ayont the lough;
Ye like a rash-buss stood in sight,
     Wi’ waving sugh.

The cudgel in my nieve did shake,
Each bristl’d hair stood like a stake,
When wi’ an eldritch, stoor “Quaick, quaick,”
     Amang the springs,
Awa ye squatter’d like a drake,
     On whistling wings.

Let warlocks grim an’ wither’d hags
Tell how wi’ you on ragweed nags
They skim the muirs an’ dizzy crags
     Wi’ wicked speed;
And in kirk-yards renew their leagues,
     Owre howket dead.

Thence, countra wives wi’ toil an’ pain
May plunge an’ plunge the kirn in vain;
For oh! the yellow treasure’s taen
     By witchin skill;
An’ dawtet, twal-pint hawkie’s gaen
     As yell’s the bill.

Thence, mystic knots mak great abuse,
On young guidmen, fond, keen, an’ croose;
When the best wark-lume i’ the house,
     By cantraip wit,
Is instant made no worth a louse,
     Just at the bit.

When thowes dissolve the snawy hoord,
An’ float the jinglin icy-boord,
Then water-kelpies haunt the foord
     By your direction,
An’ nighted trav’lers are allur’d
     To their destruction.

And aft your moss-traversing spunkies
Decoy the wight that late an drunk is:
The bleezin, curst, mischievous monkeys
     Delude his eyes,
Till in some miry slough he sunk is,
     Ne’er mair to rise.

When Masons’ mystic word an grip
In storms an’ tempests raise you up,
Some **** or cat your rage maun stop,
     Or, strange to tell!
The youngest brither ye *** whip
     Aff straught to hell!

Lang syne, in Eden’d bonie yard,
When youthfu’ lovers first were pair’d,
An all the soul of love they shar’d,
     The raptur’d hour,
Sweet on the fragrant flow’ry swaird,
     In shady bow’r;

Then you, ye auld snick-drawin dog!
Ye cam to Paradise incog,
And play’d on man a cursed brogue,
     (Black be your fa’!)
An gied the infant warld a shog,
     Maist ruin’d a’.

D’ye mind that day, when in a bizz,
Wi’ reeket duds an reestet gizz,
Ye did present your smoutie phiz
     Mang better folk,
An’ sklented on the man of Uz
     Your spitefu’ joke?

An’ how ye gat him i’ your thrall,
An’ brak him out o’ house and hal’,
While scabs and blotches did him gall,
     Wi’ bitter claw,
An’ lows’d his ill-tongued, wicked scaul,
     Was warst ava?

But a’ your doings to rehearse,
Your wily snares an’ fechtin fierce,
Sin’ that day Michael did you pierce,
     Down to this time,
*** ding a Lallan tongue, or Erse,
     In prose or rhyme.

An’ now, Auld Cloots, I ken ye’re thinkin,
A certain Bardie’s rantin, drinkin,
Some luckless hour will send him linkin,
     To your black pit;
But faith! he’ll turn a corner jinkin,
     An’ cheat you yet.

But fare you weel, Auld Nickie-ben!
O *** ye tak a thought an’ men’!
Ye aiblins might—I dinna ken—
     Still hae a stake:
I’m wae to think upo’ yon den,
     Ev’n for your sake!

I dreamed I was missing
You were so scared
But no one would listen
'Cause no one else cared

After my dreaming
I woke with this fear
What am I leaving
When I'm done here?

So if you're asking me
I want you to know

When my time comes
Forget the wrong that I've done
Help me leave behind some
Reasons to be missed

And don't resent me
And when you're feeling empty
Keep me in your memory
Leave out all the rest, leave out all the rest

Don't be afraid
I've taken my beating
I've shared what I made

I'm strong on the surface
Not all the way through
I've never been perfect
But neither have you

So if you're asking me
I want you to know

When my time comes
Forget the wrong that I've done
Help me leave behind some
Reasons to be missed

Don't resent me
And when you're feeling empty
Keep me in your memory
Leave out all the rest, leave out all the rest

Forgetting all the hurt inside
You've learned to hide so well
Pretending someone else can come
And save me from myself
I can't be who you are

When my time comes
Forget the wrong that I've done
Help me leave behind some
Reasons to be missed

Don't resent me
And when you're feeling empty
Keep me in your memory
Leave out all the rest, leave out all the rest

Forgetting all the hurt inside
You've learned to hide so well
Pretending someone else can come
And save me from myself
I can't be who you are
I can't be who you are

Linkin Park - Leave Out All The Rest Lyrics

I feel life from the words I write despite them being words I slurred over night it's like I fight but my pen is the sword of course I force myself into creative prospects I expect to wreck what in front of me is set
I wondered what would happen if I ruled the world gimme a shot at the top I'm not Clinton I only need one girl but seriously I hate this place controlled by industry it's ****** me up the environment and desire for right went out the window when the dead presidents kept talking from beyond the grave the money you made won't matter so cut it like a beanstalk

DaSH:
And fall into a pool of tears
From all the single mothers over all these years
Tucking youngins under covers
Undercover trying not to let the pain show through
This is the same strong woman that still holds you
Even though you're older and make your own decisions
Its gotten colder in the later years just wishin
You could go back to the beginnin
Back to when **** was simple
And all you had to do was listen
To another bedtime story
Next thing you know you're drifting
Away from all these problems and all these lights
Fluoride will **** our dreams they tell us to brush our teeth and cringe when we say reality bites
But I'm just trying to figure what's more important
Being myself
Or being Your kid
Just another thought from the tortured
I can feel the flames lick my body 'fore the torch's lit
Society's trying to burn us
And if they think they can teach us before they learn us then its straight out the frying pan and flying into the furnace

Nero:
I'm all alone like a watchtower my life turned sour but I'll devour any chance to **** up fools with rhymes perchance I'll leave you entranced with my writings but I'm sliding off topic so dash if you're ready then go a ahead and rip because we're cyphering on some poetic mafia ****

DaSH:
**** clips in the toilet with the ******* safety off
******* blood royal flushing with my king homie Alucard
All your ******* are old and lack any kind of support
So I'll hang em make their back straight with that ******* IV cord
If this cipher is random
Hope they deal with what I hand em
Four grenades a box of tampons
Watch these ******* explode while standing above the commode
Uncan them
The whoopass they deserve
Then im swervin in their hearse
Hopping over every curb
Speeding through every sharp turn
I love to watch their bodies burn
I love to catch every single ash between my teeth and eat them
DaSH is such a beast you freed him
By acting like a priest
When youre a demon in the streets
*******, capish?

Nero:
Alucard the damphir ******* blood like canned beer I'm near my apex others are below I'll free flow like arkham you won't question in a session when I leave your ***** barkin rhyme sparring call me Ali all these fools stay trying to Rock me like cheap Versace but I'm high quality leather built for your pleasure linkin words together you'll take home and treasure like Sinbad I don't sling crack but my rhymes are the pipe because reading this I know your *** got addicted tonight

DaSH:
Slicing high up on their frame
Like I'm aimin for the throat
Lots of gore on the floor
Need a boat to stay afloat
The walls needed more paint
You donate another coat
But I don't need your ******* charity
I'll stumble and I choke
Before I ever let you get to me
Before you start ***** you'll be history
How you ******* plan on ending me?
Just get Gone, Girl, be a mystery

and my soul fell through the hole in my soul which fell through my *******.
                                                                ­                                  signed:
                       ­                                                                 ­                    -abe da babe linkin.

Solo, like Star Wars or women's soccer
I sit on a ***** chair with pure liquor
sealed from the rest of the world

Numb, like Linkin Park or lithium
they hold my wallet like it's a gun;
want to use it to gauge my meaning.

If you want a dollar, babe, then
you gotta work to separate
yourself from everything sane
or how else can you gain

the feelings you see on t.v.,
what E! says is reality--
because you're told that's
what matters, entirely.

Identity; conform to be something
marketable -- or, at the very least,
conventional. I want my insides
to be considered pretty, but
I'd have to hope someone
would give the effort to
cut me open and ignore the joy
that my bleeding out would bring.

Cam ye o'er frae France? Cam ye down by London?
Saw ye Geordie Whelps and his bonny woman?
Were ye at the place called the Kittle Housie?
Saw ye Geordie's grace riding on a goosie?

Geordie, he's a man there is little doubt
He does all he can, who would do without?
Down there came a blade linkin' like a lordie;
He would drive a trade at the loom o' Geordie.

Though the plaid were bad, blythly did we niffer;
Gin we get a wab, it makes little differ.
We have tint our plaid, bonnet, belt and swordie,
Halls and mailings braid—but we have our Geordie!

Jocky's gane to France and Montgomery's lady;
There they'll learn to dance: Madam, are ye ready?
They'll be back belive, belted, brisk and lordly;
Brawly may they thrive to dance a jig wi' Geordie!

Hey for Sandy Don! Hey for Cockolorum!
Hey for Bobbing John and his Highland Quorum!
Many a sword and lance swings a Highland hurdie;
How they'll skip and dance o'er the *** o' Geordie!

Dear Chester,
This letter, even though you will never see it, is a thank you letter.
When I saw the news today of your death, my world turned upside down. I was shaking, crying, barely able to breathe. I was so shocked to see your name in a headline alongside the words “Dead” and “Suicide”. I didn’t believe I for a while, because I’d also seen the article about your death being a hoax, but then I saw Mike’s tweet, and the news stories on NY Times and Washington Post, and I realized - it was true. My greatest inspiration was gone.
I can’t really pinpoint when you became such an inspiration to me. I started listening to Linkin Park when I was in seventh or eighth grade, after my mom put the Twilight soundtrack on my iPod shuffle and I heard Leave Out All the Rest. LOATR soon became my favorite song, and it still is six years later. I started listening to LP religiously after Living Things came out. I fell in love with the raw emotions of Meteora, and the clean energy of Living Things; the eager buzz of Hybrid Theory and the simple but true sound of Minutes to Midnight. A Thousand Suns completely blew my mind.
As I started to learn more about the band, I also learned more about you. I found out that you had a rough life growing up, struggling with ****** abuse as a kid, and drugs and alcohol as a teen and young adult. Depression tormented you your whole life. But you drew strength from those experiences, and became this amazing badass with a big heart who would do anything for his friends and family. You didn’t stop shows because of a broken arm, or cancel tours because a spider bit you in the ***, and even when you did have to end a tour because of a broken leg, you came right back as soon as you were able to give us the show we’d been waiting for.
You never failed to show your love for your fans, your family, or your fellow band members and musicians, and we all noticed and loved that.
I admired your dedication to the people around you, and how tough you always were, and how you stayed so strong and kept such a big smile on your face. Your amazing singing voice kept me going through the standard teenage angst phase that is high school.

For a long time, a huge dream of mine has been to see Linkin Park live, to see you and Mike and Brad and Phoenix and Rob and Joe on stage, playing all of my favorite songs. An even bigger but less likely dream was to actually meet you, hug you, and say, “Thank you.”
It breaks my heart to realize that now, that will never happen. You’re gone. Your beautiful voice can now only be heard in recordings, your grin now only seen in videos and photographs.
I still can’t fully believe that you’re gone.
And even though your death was one that seems to leave no hope, you still are and always will be an inspiration to me.

Thank you, Chester.
I know that you will never see this, but thank you.

Rock on forever,
  Sky

Liquor might be the death of me
But I don't care, it's a part of me
Every time I have an extra 10 bucks, the liquor store I hit
I get drunk and call some girls..in the morning I'm like ****
Why is she mad, what did I say
Fucket, it's another day
Can't worry about what she's feeling
Nobody knows the cards my life has been dealing
It's ****** up, lonely boredom typing on some unknown website
Listening to Linkin Park "In the End"
My words are deeper than "bands a make her dance"
Yet I type in rhymes to make this **** have a cool end
My mind is ****** up
I forgot what this poem was about?
Liquor, oh yea. I have a bottle most people would get alcohol poisoning off of
I can drink it, no problem just wake up needing chapstick
Spent 100s on college books now I'm broke
Man I'ma loner I neeed a *** to poke
Lookin at my tatts glad I don't smoke
Liquor, I drink brown I drink clear
Straight up (ghetto talk) **** a beer

Surrealism
fogs my brain
Music video songs
(Linkin Park, "Shadow of the Day")
in math class makes me feel
surreal
I can just barely hear the teacher's drone
over the familiar notes and lyrics and sounds
I let my pencil move over the paper
and sketch what lies before me:
Calculator, paper, paper, pencil.
The song changes
(Linkin Park, "What I've Done")
I finish my sketch
turn my volume up
just a notch
and disappear into the song.

Don't you hold your breath
Cause I'm not coming down
The battlefields have left me only scars
And floating in the dark
I'm swimming in the sound
Of voices that should never been apart

[Chorus:]
Darker than the blood
Higher than the sun
This is not the end
You are not the only one

With venom on their tongues
They paint it on the walls
Where justice doesn't have the strength to hold
The higher that they climb
The harder they will fall
And we will break their bones until they fall

[Chorus:]
Darker than the blood
Higher than the sun
This is not the end
You are not the only one

Ah, oh
[x8]

Darker than the blood (Darker than the blood)
Higher than the sun (Higher than the sun)
This is not the end (This is not the end)
You are not the only one (You are not the only one)

This is not the end
(You are not the only one)
You are not the only one
(Higher than the sun)
(This is not the end)
This is not the end
(You are not the only one)
You are not the only one

Linkin is like the facebook
Only posher and middle-class
Here company directors,
Guitar players and teachers
Can write learned articles
Mainly about themselves
And what interests them.
Apart for being pretentious
It is free of baby pictures
Which is satisfying and keeps
Facebook users at bay.

" Don't listen to pop punk,
Don't listen to rock,
Those are the words of the devil,
Those aren't words you should be saying",
The mother lectures.

If only she knew,
The way Sleeping With Sirense churned my emotions,
The way Roger Rabbit gave me confidence,
The way Who Are You Now gave me perspective,
The way With Eyes To See and Ears To Hear made me feel okay.

The way Pierce The Veil messed with my thoughts,
The way Hell Above filled me with anger,
The way Million Dollar Houses filled me with hope,
The way King For A Day boosts my energy.

The way All Time Low brought forth my happiness,
The way A Love Like War made me feel so alive,
The way I Feel Like Dancin' made me feel like dancing,
The way Therapy, gave me therapy.

The way My Chemical Romace inspired me,
The way Welcome To The Black Parade gave me faith,
The way I Don't Love You ignited strength within me,
The way Teenagers made me feel normal.

The way You Me At Six enlightened me with joy,
The way Stay With Me made me feel whole,
The way Lived A Lie made me want to punch a wall,
The way Crash made me feel like crashing.

The way Mayday Parade poked daggers through my soul,
The way Miserable At Best lifted up my sunken ship,
The way Terrible Things made me feel like I was going to recover,
The way Stay made me want to stay.

The way Linkin Park generated electricity in my veins,
The way Numb made me feel numb,
The way Castle of Glass built me up all over again,
The way Breaking the Habit gave me the resilience to get up and fight.

God bless this lonely me
I am a person chained in a despairing sea
Seems it can't be outfought
It can't be outdone
It can't be outmatched
I can't even outrun.......
Standing in the wake of devastation
Waiting on the edge of the unknown......
I feel cold and lost in desperation
Trynna build up hope, but failing as you have known
Remembering all the sadness and frustration
God I wanna let it go......
With cataclysm raining down
My insights crying 'save me now'......
God please help me let it go......

And in a burst of light that blinded every Angel
As if the sky had blown the heaven into stars
I felt the gravity of an unknown grace
Falling into empty space
With no one to catch me but your arms......

Now getting back to my feet as I recall......
What was left when the fire was gone
I thought it felt right but that right was wrong
I had been caught up in the eye of the storm
And was trying to figure out what its like moving on
I don't even know what kinda things I said
My mouth kept moving n my mind went dead......

So picking up the pieces
I know from where to begin
It all doesn't end until you start it again......

Now I'ma be that nail in your coffin
Sayin that I soften
Now let me show ya
Exactly how the breaking point sounds......
I want you to
CHOKE ON YOUR LIES
SWALLOW UP YOUR GREED
SUFFER ALL ALONE IN YOUR MISERY
This is not the end
This is not the beginning
Just a voice like a riot rockin every revision
I say yeah with fists flying up in the air
Like I am holding onto something that's invisible there.

trunks filled with junk and the crunk juice flows
flunked out pill popping junkies with no cash go
drunkenly to the shrunken head show
knowing they stunk.
The monks dunked funky mumps victims
on bunk beds and licked them
instead of fixing lunk-headed situations
with linkin-log technologic advances
drinking dogs retrofitted with dance moves
groove on the wooden floor while ****** bore
the Moors with tales of divorce and random *******
on all fours in doorways
during bad plays on the interstate…
demonstrators, unregulated, on roller skates
wait at the gates of the ingrates filled with hate
and throw pie plates with fated accuracy
and the belated bureaucratic picnic
nitwits in knickers knuckle bump
and plump debutants snicker
the wicker croquet mallets
perform ballet in the chalet
and I have to valet the cars –

Lost in translation I began to fade.
In the shadows of a million trees I went to find the shade.
Never wanting the gallows to pull me into the maze.
Killed the hypocrite who set me in blaze.
I closed my eyes and repented to the father.
Nimbly asking the heavens to open up the weather.

Paused for a moment and began to think.
Assisted the angels while they sang in sync.
Repainted the skies until the clouds turned pink.
Keeping my freedom till my wisdom made me sink.

Heard a song,
In the end it doesn't even matter,
Gotta stay strong,
The end is one step closer,
He is in somewhere he belongs,
No more sorrow,
It's the new divide,
Until its gone,
We are guilty all the same,
The final masquerade,
Shadows of the day,
So what if one more light goes out,
In a sky of millions,
Well I care!
R.I.P Chester Bennington

I really think that someone should have a video camera on me when I'm high because I say a lot of ****. And I mean some of that ***** pretty deep and meaningful and then also the comedian in me comes out. Or maybe the clown that makes everyone laugh. I don't really like clowns though. I mean honestly the whole idea and creepy. I mean god knows who the person in that costume could be. He could be the friendly neighbor hood mail man but what if he's a childmolester? And how are we gonna know the difference. My lips are really chapped. I really like this song. Linkin park speaks to me so well. Ahhh now three down doors. Love me when I'm gone. Since you obviously didnt love me before. Isn't that so sad? The way society has utterly ****** with the teenage mind.
Society says "you're ugly. You're not smart enough. You're not thin enough. You're not pretty. You're useless. No one wants you here." So then we finally had enough. We explode. We go insane. We have had enough society says "she was so beautiful in every way and so talented. Oh she had so many people that loved her" it's ****** up. Walking around every day never knowing who you're true friends are. Always wondering whose going to turn their back on you next. Always wondering if all the days I missed practice this season someone would say "it so much nicer without her here. She's so annoying." Always wondering if that "best friend" I made when I was a freshmen and she was a senior. Not she's in humbolt. Anyways I wonder if she remembers she's supposed to be my maid of honor someday. I haven't head from her in so long. There's so much I need to tell her. The pregnancy. The miscarriage. The "am I crazy for wanting to be pregnant again" even though I'm only 17. I'm 17. Almost 18. *******. It's kinda scary. Cause then society comes back and bases our whole lives on what we did during the hardest part of our lives. The part of our lives where our voices in our head scream "don't eat. You're ugly. You'll never be loved. You should **** yourself" and after a while you have to take a blade to your skin because it's the only pain you can control but also it's the only way you can feel anything at all if that even makes sense to feel nothing and everything at all once. And none of this probably even makes sense. So sorry for that. But my mind is a scary messy place. Terrifying and dark. Wow im high. Because the world so low and I wonder what movie Bug saw tonight man I wanted to go with her so bad. But I can't. Cause I'm grounded. Cause they they had to show that picture to my mom. I think I covered it pretty well but my life's hell now. She won't let me do anything and I'm her little ***** because if I talked back at all she'll take everyone. But it's so ******* stupid. Like ahhh ****. ****.  I swear to god I'm going to punch something. Mom even made me talk to people at church. I don't wanna ******* talk about it but if I don't ******* my way through it I can't do my senior project with Danielle and that ******* *****. Well guess wahat. I don't want to talk about it. Of course I'm not okay and you best get off your high horse if you think you are so much better than anyone else who want to talk to me and I won't. I don't even know where I'm going with this. Any of this. Especially my life. I'm really bummed the field trip got postponed. The Nuremberg trials. We were actually gonna simulate them at the court house. Gotta wait two more weeks now. ******* ****. I think I love history too much. I can't even tell you why. It just fascinates me. Something about the heartache and despair I can somehow relate you deep down. Especially during the world wars or the holocaust. Wow I'm tired. And it colds. Wow I'm ******* horney too. Sorry if that was tmi. I miss him. His body against me. A man ni. H ar der. Ha ar dar oh oh ohhhhh. What did I just write. What. Wow I'm really tired. AHHH. My favorite song is on. If you were dead or still alive. I don't care. Such good lyrics. I should text mark and tell him I'm listening to apoctalyptica. Or wait maybe I should text nick. Wait I don't think he's done working. Wait what. It's almost one in the morning. Thad why he's asleep. But I'm 100% fallingig jn love with him. Holy crap it's bad. He's 21. I'm probably just some little kid girl to me. But we're talking outside of work and he's my bestfriend on snapchatting but can you be more than a bestfriend on snapchat? Can you be in real life? Wht about my forever? Can you be my forever? And ******* I just looked at the clock and I started writing and babling at 12:17 and ******* I don't even have the slightest clue of what all I said

The script just told me these times are hard
Even Howie day whispered that the best ones fall down at times
We are slowly fading away, just the same as those good songs switch.

You even told me Maroon 5 is as contagious as our bond
How come thoughts are pounding with anger like Linkin Park scream as loud?
Maybe those rhythm are fake, and how more months can we take?

I think you don't even remember how mad I was
Because all you can think of were the dramas.
Goodluck to this, goodbye maybe it is.

i discovered philosophy late, i guess the best age to lose your literate virginity to the subject is best asserted aged 21, prior to that i read, traded Linkin Park's hybrid theory for a favourite book of mine by Stendhal with a friend, spotted in a second hand bookstore near Trafalgar Sq., i read Sartre's human comedy where with unabashed delivery he copies the ending of James Joyce's Ulysses, a stream of consciousness where there is no punctuation, a river of words, a great metaphorical technique, forget punctuation, leave the reader making his own indentations... the book in question? iron in the soul, a mimic of Ulysses, absolutely no punctuation, again a metaphor of a maxim by Heraclitus... and you know what sort of heaven i believe in? a place were you can find how each reader punctuated the text, you can see what punctuation was used where, otherwise, all punctuation was missing - i need to find this library.

i know i can have an obstructive demeanour,
but i'm shoving these swear words in your
face like i'd be shoving you pictures of torture or
*******, ****'s for real, you can't be serious
to suppose seeing a correct spelling is worth
a f ** or mm mm mm something or other, can you?
a little bit of criticism goes a long way,
now that i found out that i'm part of the 1.8 million
threshold,
force of nature writing a sociology essay
plagiarising to beat the system of anti-plagiarism
on purpose, not that i'd be found out but that i
wanted to see how plagiarism-proof the system was,
i just cheated using the synonym principle,
and it does indeed exist, received a 1st plagiarising
someone else's work by being a grammatical plumber
or electrician, hell a barber or a hairdresser if you like!
fiddle a word here, fiddle a word here,
do the most obscene mindless regurgitation of theory
imaginable, yep, the synonym principle,
a bit like deep blue v. Kasparov, only i was smarter
than deep blue... the infinite diadems of language
as appropriated by individuation, no wonder this
phonetic encoding produced the omni- to which
everything was ascribed in that unit of connectivity
spelled g o d... Kant does indeed mention this, for about
40 pages he's stressing a simplicity, something that has
to be simple, something necessary and something
simple... some key phrases:
defined throughout all categories (praedikamente)
or quiet simply "unavoidable" predicaments (well
"unavoidable" because it's already apparent that a large
number of people prefer to kneel and mumble
the our father and desire a pope's pomp of attire),
a german word for fiction (erdichtung),
i still need to find out what scil. abbreviation means,
highest entity (ens summum),
highest thing would begin with res... summum
i.e. the sun,
                    i mean i could list all the examples, but what
a waste of time if you haven't read it yourself,
40 pages? give it about three hours, and oddly enough,
listening to Salmonella Dub's inside the dub plates
album... outside in the garden measuring adequate
light with the setting of the sun, i can get lost for hours,
perhaps adoration for this subjects stems from a lack of
care, or the simplest imaginable life, a life were
"reality" is unquestionable, in that you have so few problems
that you have to invent problems, metaphysics;
you didn't actually think my interest in this field is
purely pretentious? i find the hardest thing in written
philosophy is: a. disengagement from internalised cognitive
dialectics that makes Popper a bit like Heidegger
tongue-tied in an incompetent lack of persuasion
(i.e. anti-rhetorical) of their own arguments,
and b. the adjective, i mean, come on, pure reason?
what the hell is impure reason then? oh i know, a thousand
psychological profiles, you see the critique of impure
reason all the time under the curtains of our social endeavour,
criminals, news flash of horrific stories, all the ****** time...
for goodness sake Kant mocks malignant gossiping /
the socially acceptable form of lying as the least of your worries
that doesn't extend to mugging or stabbing you,
some might just now exclaim with a phew;
but 40 pages and what not, a horror movie scene...
a man walks into a supermarket,
puts a beer and a bottle of coke into his basket,
walks into the hard liquor isle, his cheap-*** whiskey isn't there,
he asks the shelf stacker if she could get a bottle
for him... so she goes to the storage room,
the man ends up waiting about fives minutes
looking at Sharon fruit, apples and roll-mops of
pickled herring, bread and t.v. magazines at a distance,
the woman comes back with a whole trolley of goods
that need to be stacked, but she says to him
that she needs to put on the security tag on the bottle
(standard procedure in English supermarkets),
and the man is like, huh? i'm going to buy it in a second
and you're telling me that you'll actually put on a
security tag on the bottle, just so another supermarket
employee will have to take off for absolutely no
******* reason? this is what routine does to you...
an elephant just walked through the room and you
only realised 10 minutes later after memory electrocuted
you for a snap reminder.

Silverstein, Linkin Park, and Drop Dead Gorgeous
Bands that turn my blood to sludge
It moves like molasses through my veins
Slow and painful
My heart bursts from the build up
Lyrics that speak in a spell
Curse my soul and pierce my eyes with tears
Sickening my rotting guts
Clever perfect words
I wish I could say these words
When I'm stuck in situations similar
These songs tell the story of my life so clearly
Explanations from random places
To tell the world I must
But I remain expressionless
No need to cause unwanted attraction
Wishes of disappearing over take my dreams
Little specs of repair filter through my thoughts
And yet I still have no proper plans
I get crazy ideas and pray that they work in my favor
Hope to God that something comes of it

you're yappy
as a drooling
sack of dogs
and as happy
as a vietnam
bombing.
you're ******
as downtown
new orleans
pretentious
as banksy
unlikeable
as amy schumer
worn and round
as a linkin
park CD
and yet
you're lovely as
a dumb *****
could be.

only one cinematic adaptation of a work of literature made me want to read the original script with the exclusion of the narrator... stendhal's the scarlet and black, i traded linkin park's hybrid theory with a friend for a second-hand copy for him to buy it for me near trafalgar sq., no other work i can mention, which i find very odd; starring rachel weisz and ewan mcgregor.*

i learned young to read the works of the (g)nostic (g)nomes,
and even though i did that, in order to not meet the bishop
and not be confirmed, i found it hard to find a celebration
and feast day of a saint to meet a cardinal... in any other way
than to meet a cardinal reading alex dumas’ the three muskateers
and the scheming cardinal richelieu (ceelo green /
tim curry a.k.a. frank n’ furter), i guess my chance of
meeting the pope would be reduced to being a baby.

Well here i am, done being victim
Of thicker than bricks people who just won't listen
This is me letting go, final words
This is me breaking this ******* curse

When you try to help like the Fox to the Snake
Trust misplaced realising too late
Turned around and bit me like wait
I knew it all along now i know the game

Play on your mind and run it over
Like they always drunk driving don't know sober
Hopeless when again he told me so
I never learn coz i hold out hope!

Curtain calls I'm releasing the rope
Turned it into a noose this crow could choke
Liked to hear my pain when i turn insane
Over the fact that neither of us can really let go

I know you know i dont make mistakes twice
Reinforced by the fact that he wished suicide
Except I'm smart don't be a ******
Eminems words become something that hits real hard!

Asking for advice and i try to play nice
You played ***** and i tried that thrice
Told him about how i tried the knife
Can't keep your mouth shut so you run it like strife

Is all you cause my pain cause and effect
The effect you had slowly turned negative
Now we're back to strangers, these words are saviours
And steer me clear of ****, these top notch sailors!

Well the streets are flowing with slick spilled blood
Tsunami on the road causing a flood
You can't see at all you'd probably run
Into it like you do with drama for fun!

Well this **** is over, twas a good game
Insane you brought out but huh well played
Made me doubt my reasons to stay
Made me doubt twice now I've run away

All i ever did never once said thanks
Smelt the poison a mile off that **** smells rank
Ranked among the stupid that had such faith
Can't stop you sinking i came too late

I did so much for what little it was worth
Like Linkin Park I'm breaking this curse
Smash old habits, rap like a rabbit
Reach for the door, turn this handle I'm grabbing!

Huh, but i guess you'll never learn
That my mind is energy that makes me burn
So these fireproof gloves handle flaming doves
I'm a Phoenix ******* and you get no love

Eyelash blinkered in hubris Rubik’s knight
Elevation of pogrom ennobled by triaged triumph minus the cynic summation of all light
Littoral swank bronzed like starlet fantasia with a Carey mountaintop jeer
Reichstag extinguished blaring sirens of cacophony capers to benumbed Linkin Park cheer
Knells intrepid by quakes of remonstrance staged in histrionic applause
Southern Colonies shifting in Charleston surgical in orderly slugabed dogged laws
Slipshod through ribbacles of rengall zenkidu among the sertivine poison ivy
Grimace at gamboled rivulets of a moribund Vanilla Sky for departed wiseacres of savvy dicey ICE toxic Harvey Dent slimy
A mannequin Marx Ralph alienated the truest alien by pioneering disdain of a hostage giraffe summiting a Swiss Alp
Master of time 12th bradycardia for Generator design parked beneath escarpments of base aphasia milquetoast in killjoy Strickland nickels away from a gubbertushed mouth
LOST legend enunciating the furor of epochs of egalitarian traipse
Trapped by the bootlick of a wrinkle of Van Winkle revolutionary agape
Curved by soliliquy master of belletrist prose
The vogue can’t help but bunt, balk, denounce the remembrance of Lady Madonna pose
We beat the muckrakers of rummaged lisp of culinary suns that the sons of privilege are emoluments to apolaustic zeal first known to transmogrified nuns, before the poppies made the few into many and the notion of an insuperable line of infinity into a spherical nullification of the concept of none
Estrapade engorges the fustilug magnet of the kitsch Kenosha Chicago Demolition drive-by-derbies “once read”
That two kings one Titanic by skin-color dashed dreams the other both the coins of tails eloped with heady dreams of head
Sacrifice shadow dancing with pettifoggery in slumps of aboriginal dances of marsupial rice
Native to extortion gouged blind as Samson exacts lachrymose cremations of Pikes Peak trick-or-treat aghast with fright
Temples raised in 46 years cemented never in the Mumbo Jumbo politics of those lacking the oceanic schadenfreude among queers
That by their exclusion the panmixia of fluid alchemy is dauntless scrabble limited by NORAD notions of Tears for Fears
Henpecked rooster awakens the serfdom of Ronald’s (sly spy) Drugs sailing with dovetails of elapse downtrodden in modern clubs
Drunken *** addict sell-out charlatans berated  by Ingram Angles sent by maleficence are the grubhub of Harriet Tubman torching promising tapestries with rugged rugs
Slinging the bait of fish-hook dimples on freckled effigies of ****** humiliation outmantled by Mickey weight
I thunder a fulgurant explosion against recrimination of white-collar criminals that philander saturnalia in pretense with facetious swarpollock freight
Crooks of tyranny exhort the paranoiacs of indemnity to sunken canned soup applause of a Warhol extortion
Berating my audience with drooling slavers of inelegant tortoise byzantine like an Istanbul dredged with intortion
Mr Deeds is not a champion of BRE Properties nor the pinnacles of inertia, a psychiatric squeeze
My orange juice is not a car chase against treecheese in terminal punitive disease
Soaring with the prosperous tongue against the walloped nativism of pounced impounds having too much fun
I let the other guardians of the order of salvation pivot vitriol in loaded dice against Orangutans of Swedish minted gum
Caesar died for the seizure of Anglican pride of a namesake percolating millenia for Brutus in the Washington Bullets of a conquered Ottawa on strike carnal with Chauvinism in regional divide
Never has there been a more hollow trope than the agency of deep state defamation of a scurrilous backbite of gnashing pride
Lost to pollster tricks of acquiescence and caricatures of a menacing personage Swift on the Riff but never the snarling Menace of a Blondie Biff
I tower above the anthills of conformity of luxury in Jamaican Bob Sled Teams testing the curiosity of enlightened “What Ifs”
Canada Dry for striking people enthused by Rye abides in the memory of reform that skulks the skunks that make every Scudworth cry
Because a Dental Dam damsel living in streets of peril fascinated by distance is the contortion of entreaty in the pasquinade of attempts at American Pie
May the city of a figurative crucifixion burn with the irony of a thousand suns as Wendy’s burgers unload on prejudice with albatrosses of winsome puns
Fixed data interpolated by convenient lies of serial killers who aim for blue skies shanked in Oswald infamy for the imposture of any flashbang revenge against cinematic guns
I blacklist the Zemeckis villainy as a trudge of travesty
Hedged lies blinkered by Batman and Robin puns redeemed by Dinosaurs of Amnesty
Obviously belittled by futures etched by a more honest infinity
Because 88 keys are not a stroke because the infinite bees know the parlance of divinity
Invited lissome taxidermies of Capone against teetotalers of parvanimity of vainglory overthrown
Showers the honest hominist reckoning of a world where neither crudity of know-nothing radical polarization owns every inept baritone
Crusading a secular war because the gubbertushed eccedentesiast spinsters of Santa Cruz deserve a gassy overtone
Torch the SC Pacific Avenue for peace
Let the world unite behind a singularity with purpose in ventilation of Speedman’s release
That antithetical Jacks of many names are wed with the progeny of enduring lists of NSA protection rather than rentgourge Denver PD eager to chaos decimated by the decimals of a region forever boycott and impeached
To the decisive curling of the frolicked Abandoned Pool servitude crass disasters are the sheol of impudent flagrant overreach
Regnant on the turmoil of invented throne
I scowl at the chicanery of Capone’s Chicago sweltering with Kenosha infamy tossing contortionist strippers a vulcanized bone in a DIA Diamond that even 11,500 years of knowledge is surpassed in condemnation of screaming E.T. calling the right home
Speak Now because the reach of forever is God appeased not by a kowtow but a mobilized ambition for Why? When? And How?
History will remember gentility as the kind steward rather than a Disco Demolition Derby of urbacity venerating a seasonal Golden Cow
Hipsters flock with folly to South African extortion for freebooters who bootlick the aceldama of war against the sublime currency of a winner surrounded by thugs
TOO MANY URBAN KIDS ARE TAUGHT BY REDUCTIVE TAUTOLOGY TO HATE The United States of America RATHER THAN NURTURING SYNCRETISM IN PATRIOTIC HUGS
Imperfect in design with disagreement in plainest sight
Sometimes libertarianism with a Democratic twinge is clearly in the right that should believe in reform even when the footloose girouettism is too tight
Yet forestalled for authentic grit the grisly rentgourge of venal abysses knows the countermand against Rand with hyperboles of the clearest *******
The true flock congregates around scepters built not with militant graft but a promenade of sultry dance for the defiant C.L.I.T.
Exercise with the Rock knowing school buses of dogmatism inferior are distraught
Dying dogmatism is a peacock of industry the yeggs can easily unlock rather than truckle with truculent Scottish Rites tasty with Connery Scotch
Defenders of the misleading staircase because of the carapace of Hovering pertinacity easily won and bought
Neither scary nor deliberate streets are rumpus of elevations of unbounded anarchy considerate but robbed by the illiterate
That the delegated mansion will be robbed by the cooperation of the remorseful idiot recognizing his snide mendaciloquence in destructive Roswell Records limerick
Scowls are on petrol and patrol hoping Tesla is a short of bravado too intrepid to sanction free-for-all profligacy in alleys that bowl
To the Emerald Street lie of hypes of perdition rather than merely a seasonal token embarrassment coal
The fossilized future is the irrevocable past because more respect is needed than the ***** of a maskirovka caste
Diamond Lightning in Bhagavad Gita prancing with the delusion of the everlasting mummification of Brawndo ash
Dinner with Egyptsy malingers on tomes etched flippant in integrity and all about the curated snare of kitsch cash
The cache valley of LASER tag shattered like Joseph Smith flagellating the confederate hayday with articulate gnash
Fast & Furious the amused by Suburban subway know the trailblazer trashes of The Stupids’ being Einstein about Boogie Dubs rather rash
Streaking through a Tucker rule the Buccaneers live for the SoulSeek of a riddled ruler benighted of prerogative of Roger Goodell bumping in his Ferrari the tucked serenade of Tool
Wrong band because they linger in the shadow dancing backpages of scandals of Norweigan hourglasses of shameful hush hush Vikings mining furloughs of pulverized anticipation sand
Humbled retinue shelves the ossified limpid droll drool
As the haze of submarines scouting pridefall galls of indolence betraying innocence becomes moral cigarettes of Menthol Kool
Reparations for chappy chapstick games of bowery riches
The urbane needs to read, discern and maneuver against whiplash found in Navi witches
Swapping homes with crack addict legalese an *** to a bronzed party crackling with cackles Home Alone
Knows a toiletry of escape gullible like Seahawks wishing they could contain a fumbled season by Mahomes
Jones methamphetamine paranoiac manure desiccated by folksy homilies of brimstone cremation deserts his flock to abide by a flagging wayward temptress
Decimated by the agency of time his Austin crenellation flounders in grimace of the untimely swoon his covert empress
Blinded by the light of darkness in subversion
Excoriated for the deeds of his permission to demote commotion into only an acquiescent dance with barbed etch-a-sketch conclusion- a half-baked *******
Quacksalver poetaster wrinkled with hatred simpering paranoia strangled by Hendrix abeyance of turgid delusion
Lurid underground Princeton gilds infested with defected dementia in cozens in the fritty of heralded mistress SHE appointed
Sandlot ravens cloistered the bravado of thirst for chosen words scrappy in clawed henpecks the pointless illegal sanctioned to brusque witticism anointed
Lamps of pathway sparkle with coruscated stargazer Winslet dreamy swank illustrious by providence
Engrenage of delopes of pettifoggery identity staggers the woozy dismal day of disjointed wounds on Native sons Denver can’t damage in a lonely campaign for the prodigal bends of Overlook Lorraine Motel bent
Intrepid in gallantry I swoop the scrivello tusked with might
Penetrating the vivid dreams of the serenade of alpenglow daylight
That love might rule over chance and probability above the specter of dynasty prodigy progeny tithing gravity in rent
Yet this taper of majestic poise will outfox even the careless gambles of the prodigal son Mr Sender already traipsed conquered and went
The mountaintop is so clear from the cloister of authenticity drinking Eminence Front of the WHO rather than the coherence of the near
Because titans shepherd the good flock without insult and not quavering with insuperable time flackey with tremulous fear
I dare this day to outlast benighted ignorance of the narrow gate of a persecution tsunami on a Lisbon tear
Because galloping ahead of the internecine sheds the serpentine craft of 3:1 Genesis met with the worst fleeced fleer
Not auctioned off like ******* vogue to the disfavor of poor taste
I am the true Royal Flush that can always count on the aced basic but mostly acidic flourish of a jest in bass predicated on the basis for Mozart pH
Today could be the summit of acclimated prodigy in startled degrees temerity could never bet against
Because you better bet the Bros and Cos of civilization are skilled in ostentation of Sterling Pound defense
Never offensive to the liturgy of triumph beckoning an apocalypse now tentative memory on a Manifest Destiny frontier rarely on wickers of extinguished cattle ranchers knowing the gamut of acumen to defend a fortress with the best fencing James Bond could dispense
Now is either a cordial joke of a flagrant anarchy balking at destiny
Or the sunrise majesty of the twelve tribes and beyond defeating the stingy bees of infamy
Your choice doesn’t defeat my voice
But your action heralds my loyalty with a triumphant Victoria of an age not for agelast geeks intimidated but living clairvoyance with fidelity to the right choice for the right time to swim in elegant rejoice
(1977 Words)

The first Holy Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Lennart Lundh, Barbara Marie Minney, and Gabriella Ercolani

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“This is the original Church of the world's scraps.
The body of the body of the body.
Burning in the sun.
‘Me and my son were born in the sun,’ They say.
He is willing to do it.”
The Man says, in a soothing voice.

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

Background chatter already fills the room with low whispers before the performance-service,
“I am happy to hear that you are safe”.
“I am not sure that you are”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Mama Evil steps forward to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, disputed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason.’”
“As the recovering Catholic Kevin Smith wrote, ‘It’s not important which faith you are, just that you have faith.’”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”
“Do you see the animal’s asking questions? Wondering who they are. They simply know that they are.
There are no fish in Purgatory. Only us.
The Garden of Eden is colonized by serpents
There was no place for the demons to go, but further in.”

A Hindu Yoga instructor rights himself from walking on his hands and decides to take the first initiative, “Puff the Magic Dragon says, ‘Jesus loves me, but I need to talk to a human.’”
A furry cosplayer responds, "I need to talk to a human."

A Wiccan Princess retorts, "Nature is not as inventive as she thinks she is; Neither is God"

The Man answers,
“We are a beautiful blasphemy to God’s word (because we question).”

“Heavy is the crown that wears the head,” says the child prince.

The Drag King quotes, “Psalms (chap.):13
You will tread on the lion and the cobra.
You will trample on the great lion and the serpent.”

"...And God teaches the cricket how to play his music," says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.

A gym rat, wearing a holey muscle shirt, extends arm to point as he says,
“Humans begin as *******.”

“Humans are also stardust.
Which means we are golden,” replies the scientist

“I will show you fear in a handful of dust,” says the derelict businessman hobo hero,
“God made mud in his own image and we are the leftover **** that rose out of it.
And if all life is really God’s sacred mud, then every **** storm is God’s Wrath.”

The Man quotes T.S. Eliot,
“What are the roots that clutch. What branches grow out of this stony *******. Son of man, you cannot say or guess, for you know only a heap of broken images.”

"The grapes of wrath transmuted into the harvest of imagination,” illustrates the painter

The automaton states, “**** the earth, to make a certain sense of it all.”

The Man attempts to regain control,
“Some future digger after truth,
alien or human, kneeling with
trowel and brush at this grave,
will note in clear, careful script
the wonder that a people would
be so deliberate with the smallest
of their gods' creatures,
and so careless of themselves.”

A soccer Mom asks,
“They say I shouldn’t be so tired.
They say I should get a job.
They say I should get off this couch.
They say I shouldn’t be a blob.”

“It takes but one step to enter the grave,” says The Man.
“So much can be lost in crossing that threshold. How did your grandparents, born in separate countries, meet? Did your mother kiss your father first, or vice versa? These are questions we don't think to pose, but without the asking or other evidence, Death will redact the list of begettings. Are you prepared for that void in memory? Or have you made notes for your children to leave theirs?”

"My Dad keeps their honeymoon receipts in the family Bible,” says the Unknown.
“After Mom moved on, he would take the Bible off the shelf every evening after supper.  He would first stare at it for what seemed forever while pouring himself a huge tumbler of bourbon and lighting a huge cigar that smelled like month old underwear.  Eventually, he would open the gold clasp and raise the deeply cracked leather cover of the Bible and first look at the family history written inside the front cover in the delicate and intricate handwriting of Mom, before pulling out the well worn honeymoon receipts, which he would shuffle through like a deck of cards before spreading them out on the worn and scratched kitchen table like a kind of dead man’s hand.  Sometimes, he would weep quietly.  Other times, he would pound his fists violently on the table shaking the cans of beans and potatoes on the shelves above.  That is when I knew it was time to make myself scarce.  He never ever opened the Bible any further than the front cover, which made me wonder about the nature of the book itself.  I always pondered the same questions over and over.”  
“Is Bible a filthy word? Is it the animal? The Man, The Woman? Should we burn the book?”
“Is the Word filthy?”, asks The Man, “What are the filthy words? What are the power of Words mired in ****? Who do these words define? Who are you?”

Mama Evil commands a presence,
“****? ****? ****? *****? Broad? *****? Are these the words you use to define me? When that which defines me is the holy chalice, life's catalyst, mia figa, my ****: stand us all on our heads and we all look the same. Regardless of our skin color, or the shape of the bones in our face or the skin around our eyes or the texture of our hair, those folds of flesh, that tunnel to the precipice of the universe, that little happy happy joy joy button, these are what we all have in common and what the whole world simultaneously wants and reviles. It has that much power. A lexical reclamation is taking place. One that will lift up the collective feminine spirit instead of dragging it down to the depths of all pejoratives. ****! The taking back of all pejoratives is an essential part of the reclamation of the collective self-esteem of woman kind! She is a Hindu Goddess! She is the Roman Goddess who is the protector or newborn infants. She is cunctipotent. She is all powerful and creates and destroys the world with her blood sugar **** magic. She is the princess and savior of the Mahabharata, renowned for her hospitality, who willingly receives any traveler who requests food and lodging. She is that benevolent. Durvasas bestows upon her a powerful mantra as payment for that hospitality and with it, Princess Kunti has the power to call on any God in heaven to lie with her and she will bear a son then by the next day. When her husband is rendered sterile as punishment for shooting the Stag King as he mated with his queen, Princess Kunti bears three heirs for the kingdom. She saves the kingdom. She saves the day. She is **** magic at its finest hour and she dwells in all of us who have ever been slandered. So go on, you ignorant *******. Call me a ****. Only you in your infinite small stupidity are skint the knowledge that you have just called me a princess and a savior.”

A comic nerd asks, “What of Power? What is power?”

Mama Evil holds up a single flame, spewing from a cheap blue lighter in her hand. She asks, “What is the power of The Word.” Is it in the book? Or in the air.”

She answers, “The power to choose. Do I set the world on fire, or put out
the flames?”

The room goes dark as she abruptly steals The Man’s usual send off,
“The Word has evolved, my friends.”

to live the most ordinary life and internalise
  supra-human potential,  this is what is intended in terms
  of acquiring striving - to turn the tetragrammaton from
  a noun into a verb - given the four parts,
  we can excuse the rat maze of thought adding to 6
  as a sense pseudo... it takes a loss of one sense
  to identify and study the Tetra...
  for me it was not feeling a woman touch my skin
  for intimate suggestions -
  but it takes a loss of one sense
  to read into the tetragrammaton -
  and this isn't some linguistic lesson -
  you can have all the shrapnel you want,
  utilising grammatical categorisation
  to obstruct narratives into reaching for ideas
  rather than nouns - for me the tetragrammaton
  experience convinced me it was more a verb
  than a noun - a way to do things - rather than
  a way to be kept caged in an enclosure of nouns,
  you said the tetragrammaton like you said pineapple,
  nothing gratifying in that... 4 x 10 -
  when modernised -

and i still have the postcard, opening reads
dear Matt, (if any1 is reading this the ur just sad).
it is almost 1 a.m..... my greatest fear (one of them)
is to pass a 'once upon a time good friend' on
the road and have 1 of those superficial conversations
u know?? take care - A. x x -
dated 2007, addressee Matt E.
                                        11/2 new arthur's place
                                        edinburgh
         ­                               EH8 9TH...

you probably will... we either age to be superficial
or superstitious - it's a nice combo -
i still keep this postcard in hermann heße's steppenwolf,
i write this, methodological with my drinking
and typing away - i can walk into town and hear
the words: 'that's the devil',
i spotted your mother at the market a few months back,
she looked happy, well, simplified happiness:
contentment - i felt no inclination to talk,
just a fancied breeze of ****** recognition -
i'll thank you more for the handwriting than what you
wanted to say, handwriting suggested i could read
how you would read my body in Braille -
but of course the content matters -
i never replied, unless my memory is faking it,
but given the cognitive prompt on the canvas of memory,
i think meaning i doubt i replied to that postcard -
what i am certain of are those M.S.N. conversations after
homework - the time i wanted to take you to cinema
and you freaked out... i put so much effort
into reading Stendhal as a teenager i exchanged Linkin
Park's debut for the book at a tongue-tie in Trafalgar Sq.,
to no avail... i think i idealised women too much,
i left them without any practicality - left them impractical -
a bit like those prior-feminists left them to mind the house
sending them off to the front-line and football -
idealism makes choice'd isolation units impractical -
the ******* peddle-stool hierarchy -
my thinking made women impractical, which is a shame
to experience the rosy buds of the mundane everyday -
i wish i didn't make such ideals from women, blame my
childish mind at developing ******* by the comparison
of Don Juan - and what a perfect joke that is -
a working format: to idealise women leading to an idealisation
of life - well, whatever, i'm junk now - this ain't a
depressive adjective - what, from 70 odd kilograms to
over a hundred and ten? **** a mongoose -
i'm hellbent on simply writing, money or not money -
and if my human integrity is finally breached
and i have no passion left in me... i'll do a Zeno of Citium...
and hold my breath.

With no rhyme or reason
I suddenly feel
furious and angry and frustrated and enraged
This is a time when my emotions
will destroy everything in my path
if left uncaged
It is a time when
I feel like a wrecking ball;
No, not the Miley Cyrus song-
A real wrecking ball to tear down the walls
Break through it all
Screams echoing down the hall
To fall on nonexistent ears
This is a time when I just want to
scream and cry and scream and cry,
and then cry and scream again
But my screams went silent long ago
And my tears just don’t fall
Crystalline in the lamplight
And maybe that’s why
Once upon a time
Blood stained the grimy bathtub floor
Dripping from the chasms that I opened
on my arms and legs and hips
Bottomless holes to set my demons free
Stop the screaming
The blood flowed the way the tears would not
Clean and strong, keep flowing on
Not afraid to leak past the surface of my skin
But blood is not an option anymore
A promise made, broken, made fresh again
I will not break my promise again
And I just wish that the tears would flow
clear and clean, emptying me
But I’m afraid to cry, splotchy red face
embarrassing me
Someone once told me
that I am strong
because I was brave enough to just go on
But bottled-up emotions and blood in the bathub isn’t strong
And I feel like an old Linkin Park song
So someone just tell me what the **** is wrong with me
‘Cause everytime I try to figure it out, I’m wrong
Older faces, wiser than me
tell me that nothing right now will last permanently
But anxiety like this, crippling heartbeat,
That doesn’t just go away
And I think the only reason I’m here today
is fear and true love;
Hope saved me so I may one day see
Sunlight on my child’s face, lighting up green eyes, my eyes
But I have to survive the hardest part first
and this is just the beginning
Fear pinning me down won’t let me move on
But love keeps me strong so I can still live on
But the darkness keeps nipping at my heels, so I run on
And sunlight brightens my scars.

Sitting here in Spanish
Not caring about estar
I don't want to be here
for two and a half
hours
I want to take a nap
But la maestra will wake me up
So
I
write
instead
And  as I write
I think about poetry
and
music
And I wish I had my iPod
So I could play some
Linkin Park
Lady Gaga
Paramore
owl City
and others
But at least I have
a notebook
So I can put my thoughts
onto
paper

Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Dr. Benjamin Anthony, and Ayla Atash

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“Come in and be amongst our broken people (pieces).
Mingle with our shards.
See which cut is the deepest”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You are a good worker.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The woman swarm, Mama Evil, pushes her way to the front to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”
The Man explains,
“We are a beautiful blasphemy to God’s word because we question.”

Let me start with a parable,
“Once upon a time…
There lived a shy little boy and a chatty little girl. Though the two lived really close they never knew each other. That was until one day, the girl entered high school. They met for the first time on the school bus. The boy eavesdropped on her and for the first time spoke to her. Although she was especially irritated, the boy responded. It was with those words that a lifelong love blossomed…
‘You love me, you just don’t know it yet.’

Through the many trials and errors of high school life they grew together. And so, They lived happily ever after.”
“…Except, she didn’t. In this reality, she ran off with a rich older man while taking care of his dying wife, 5 years after those high school sweethearts were married.”
Years later, he would lament,
“It started with a broken heart. Through the crack seeped liquid fire. It engulfed me, burning away all that I was. The flames shall purify me. Boil me down to my base components, and then rebuild me. From the ashes will rise a new entity.
Who am I?”

“What can we learn from this,” asks the Man.

The first interrupter states matter-of-factly, “You are fire. You are love.”
A tie-dyed burnout rants, “Love is fire, Man. It burns. But it also warms and protects… Praise Allah.”
“Amen.”
“Bless you my son.”
“Hail Satan.”

“The last time I hear my heart…” says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.
Now with ignition to her words, she quotes, “The last time I hear my heart was like a galactic ******. The ****** that made you and touches everything you made. Faith is attempting to live as though we are loved.”

A Drag King high fives her and says, “I liked the galactic ******.”

A torn up, steel-studded, leather clad punk continues, “Promise me you will live…
For nothing…
But the next moment.
No forgiveness, no damnation, only the match I strike on the heel of my boot.”

And then the automaton asks, “What of the devil: the original corruptor, the source of all evil?”

A gym rat, wearing a holey muscle shirt, extends an arm to point as he half sings, “The devil is a wicked man and wears a suit and tie. The devil checked in at noon and asked us, ‘What is the sleep of reason?’ You woke the devil I thought you left behind.”

“The Devil is due; the Devils do,” coos his boyfriend, the semanticist-*******.

The Man answers, “Is not the source of evil the same as the source of creation. Is it not evil to be so selfish as to create, with no concern for how creation will change everything.”

The Wiccan Princess retorts,
“Creation can be bought and sold.
Motherhood is a commodity.
Venus is for sale.
The nativity is shrouded in black.

We've streamlined your desire.
She was only offering an apple anyways.
And filled in that hole in her heart.

Here, we give her to you totally domesticated.
This one is costly, but so worth it.

You never will be worth it.
Earn enough
Be enough

Taste the salt of her tears on your tongue;
the salt of the earth.
She refuses to wear this crown of thorns.

In the eyes of your maker.
You should be ashamed.
To look your Maker in the eyes.”

Mama Evil attempts to chill her blaze, “Dear, the Anger is caged. It is the custom to call children who go to war, men…children of war die like men.”

Their daughter, the littlest girl in the world, coughed. A runny nose explained it, she had the sniffles. Nothing to worry about normally, but here, now? Right now the end of the world was in front of her. Flying saucers were floating down to slaughter the entire world with burning laser jelly. She coughed and picked up a remote with a wheel shaped dial.
“i drank too much pop and i gotta ***.” She said to no one in particular.
She turned the wheel shaped dial and a chorus of voices sounded. The chorus formed itself into an immense wall of sound made of bureaucrats, lawyers and politicians from another dimension. The littlest girl in the world kept turning the dial and saw the bureaucrats wash over the saucers, sending them back into space. The earth was safe, the littlest girl in the world smiled in relief.
And coughed.  

“It seems where demons fail and monsters falter, angels may prevail,” her mothers laughed.

Still incinerated, a goddess queen shouts, “We are the granddaughters of the witches you failed to burn.”

The crowd jostles and pulses like a living being. They are moved by the words they have heard. A chatter rises from them, much like the midnight sounds of the forest. "Who does she think she is?" "She said it. She sure said it." "I'm going to tell Moira all about it." An old woman near the back takes a swig from a bottle of wine she carries under her coat before passing it to a young woman in front of her.
"From fire, new life is born, too," she smiles, a crooked twist of the lips.

Rendered speechless and impotent, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”

Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, John A. Kinney Jr., and Psalms (chap.):13
Added original content by Ryan P. Kinney, Eli Williams, and Kadie Good

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

"God not only loves a sinner, he prefers them.”
“Come to my parish. Sinners only”
“The lostness of the found, the blindness of the seeing, the spirituality of the atheist, the silence of the spoken.”
“The Covenant of the Sacred Heart.”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. Some newbie looks nervously into the stairwell.
From the rear, a maternal voice coos,
“You will be used to the treatments.
Don't worry about it.”
They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The maternal voice steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, discussed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”

The first interrupter asks, “How do you say No to God.”

The Man answers,
“You don’t like The Question. You are The Question.
We are relearning how to get lost, hoping to return to the birth of The Word.
Worship yourself and serve only humanity.
No one made you.
You created yourself.
It’s all the same story. The Story of I.”

“We are a beautiful blasphemy to God’s word (because we question).”

“How do you say No?
You don’t.
By understanding there is no such thing as,
No, I can’t. Only I won’t.
It was.
It is.”

A torn up, steel-studded, leather clad punk responds,
“we see others as they are
we see ourselves at every age
and all at once”

And the Man once again responds,
“All that we can think. All that we can imagine. All that we can write, paint, create, feel. All of this is real; somewhere. Depends on which universal perspective you are tuned to. Don’t like the current program playing. Change the channel.”

The professor sitting on the floor, shoeless, begins to riff,
“Yes, this is like that piece about imagination being the genesis of other worlds. About how imagination, all thought, is really tapping multiple frequencies from other universes. Our imaginative creations spawn, tap into, and play back all alternate universes in a non-linear time sense. Cause and effect are not in sequence. All that we think, all that we can come up with creates new worlds, but also accesses those already in effect and plays them. We create worlds that already existed by the time we come up with them in our imagination. They were already there and human minds are organic quantum analog receiving-broadcasting devices. We randomly switch channels with nonlinear frequency, simultaneously, and with varying signal strengths of each universe. We receive, but also feedback into a greater signal. So, we unknowingly create these universes, while also being fed from our own creations. Never, in order. We are the Father and the Son. Our own creators and creations. Our words are the genesis of all the other worlds, but also speak the gospel of the programs already in progress. All that we can imagine is as real as we can conjure.”

A black goddess queen asks, “Then, what do you call God?”

The Man retorts,
“You don't need his name, because you remember the man.
The idea of a memory of a man.
Perhaps the idea is better, stronger, more important than the man.
The idea of a man.
Sometimes, people are the absence of themselves.
And the absence of man is God.”

The semanticist-******* unzips its mask and chimes in, “When you name something you separate it and take ownership of it. We never name ourselves. So I ask you, what is your name? What do you own?”

A tie-dyed burnout rallies a battle cry protest chant,
“Who's the Boss?”
“You.”
“Who's God?”
“You.”
“Who are you?”
“I am (me).”

Another voice screams from the crowd, "I'm a monster, I admit it."

Like a rolling wave, the chatter once soft, “I’m a monster” becomes a chant. Faster and faster the adrenaline rises up, the voices rise up, thunderous shouting fills the room, threatening to burst through the walls and escape into the sky. No longer fearing what others might think they raise their fists and beat their chests, unleashing the monster they tried so hard to hide. Shrieks and guttural instinctual roars, animalistic crawling and seething anger, move through the crowd like a pack of wolves ripping apart a coyote.
The screaming voices spill out,
“God has left long ago and has taken no pity on the lonely wanderer.”
“We are not Abraham or Jesus. We are forgotten.”
“We are the forgotten demons pushed out of Heaven.”
“Or maybe we never belonged there in the first place.”

The maternal voice returns, feeling the scorch of the unrequited emotion, seeks to soothe, “Thus mollified she goes, harsh words forgiven, down highways in the dark by demons driven.”

The Man, the original instigator, adds more fuel to the fire,
“And what drive does she possess that we do not?  To seek out, to be blind to the trapping of the darkness within this corridor? We must look and see how we too can move past the shame and blame of others.  To move past the trappings of our own guilt.  To take within ourselves, our demons, true, but take and guide and build the new.  A new life that we can’t ignore, and when we fall, we feel the scorn.  We feel the bad faith and lies that keep us entangled in the want-to-be-with, the fear to be-without. But we also have a fear to be, to exist in the place of a true “self” and live out our dreams. Though time keeps happening, we remain stagnant, we remain in the place of an inauthentic being, a being-for, not a being-with.  We must seek to be-with.  To be-with our demons, our past, and our temptations toward the dark, toward the place in which the I becomes.  To be. To exist. In this.  That is the place where the divine can breathe.  Though we must remember to always embrace change, for everything is temporary, including our own pain.”

Having spent all his feeling and words carelessly and frivolously, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”