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I'm on a train.

One of those red ones with black trimmed windows you can imagine rolling through the suburbs on the way to NYC. Not a subway car but a classier vintage with proper rows of cushioned seats and a lever to pull if there is an emergency. There are sparse shrubberies on one side of the tracks and the ocean on the other. Young trees and bushes stroll by.  A little wind is pushing off the ocean, massaging the car ever so gently back and forth as we move along. A gentle click-clack is on the tips of our ears.

We got on together. I hadn't known you for very long but the connection was stronger than anything I had ever felt or have since. You practically sat on top of me for the first few miles. Couldn't keep your hands off me,  staring in my eyes like you were searching for something lost but you couldn't remember what. The edges of your lips turned upwards permanently as if you were always at the verge of a laugh. You interlaced my fingers with yours and held on like you would be ripped away if your grip loosened for even a second. Slender fingers holding so tightly that they were becoming red.

You were excited to to be riding with me, about where we were going and all the things we would do when we got there. I would see you peer out of the corner of your eye, then lean over to brush your soft cheek against my budding stubble. Kissing and gently biting my lips insatiably. The suns rays coming in at an angle and lighting up your perfect smile and dimple.

I had to remind you we were in public.

I was lost in your blonde curls and the incense of your neck. I had fallen incredibly hard and so fast that my face hurt from smiling and my heart beat with vibrations I had never known. Not even a whiff of anxiety or neurosis. Some of the best memories of my life, as fleeting as they turned out to be.

I yawned and you put your finger in my mouth. I bent over to tie my shoe and you would poke my **** and laugh with your own reflection in the window, like this was the first and best joke of all time. Maybe it was and maybe it is.

The waiter came and informed us that a thing called "the bar car" existed. We both jumped at the idea. I didn't exactly notice at the time, during our excitement, but that's when the train started going faster and everything out the windows began to blur.

The bar car was a wild ride and we took advantage of our lo'cal. All kinds of fine wine, liquors and illicit substances were available. We tried them all. You were beautiful, your laugh infecting everyone around you, I was charming and held a captive audience.   It was a dark, loud and glorious blur. We were the life of the party and it chugged on till dawn.

We woke up in our seats, disheveled and discombobulated. It was dark out already. Did we sleep through the entire day? The train was slowing down, maybe approaching a station. The party was amazing but we were certainly paying the price for the black out. You moved over to the seat across from me to have some more space and lay down. I saw myself in the reflection. My hat, charm and smile from the night before had vanished. I must have left them in the bar car the night before.
      You had changed, beauty uninterrupted but different somehow. I couldn't put my finger on it. Irritated maybe? I invited you to cuddle and battle the hangover together but you ignored me. Like you couldn't hear me or didn't want to. I decided to let you be.

I got up to use the bathroom and thought I would go look for my scattered belongings. Maybe I could find a scrap of leftover dignity while you rested. I inquired to the conductor who directed me to the bartender in the bar car. He hadn't changed a bit, somehow untouched and unaffected by last nights antics that had effected me so dramatically.  Same black suspenders and white pressed shirt with impeccably slicked hair. I asked him what happened and if I had an open tab. While slowly polishing a rocks glass he looked up and made eye contact for a split second before looking away.
He said:  "Oh the bar car takes its toll. In the end we all end up paying one way or another". I still don't know what he meant by that or if he knew.
      I asked him if he found my hat and he said he would check the camera. We walked in to a small back room, while he was reviewing the tape, over his shoulder I noticed a tragedy.

We were drunk. I was going on to a group of new friends on one side of the bar, they were hanging on my words and I was eagerly explaining whatever nonsense they were drooling over. You were in the corner wearing that red dress I love, with your hair up in a tight bun. A few curls had escaped and brushed your high cheekbones, a thin line of pearls dancing delicately across your perfectly symmetrical collar. You were stunning and inebriated, swaying with each bump and motion of the train. A man wearing my hat put his hand on your side to keep you from swaying over and then he left it there.
I took a sharp breath.

It looked like you put your hand on his hand to move it but then it stayed and you both swayed together. As the air left my lungs and the blood drained out of my face I watched your lips touch the strangers. A small piece of my soul slipped away forever. I couldn't watch any further. When I asked the bartender how long it went on he fidgeted for a moment and uncomfortably muttered "quite some time". I never found my hat or the other part of me that left that day.  

The train slowed. I walked to the back, as far away from you as I could get, in utter disbelief. How could you? I thought to myself.
I mourned the loss of the you as I knew you yesterday, quietly and to myself. A tear  escaped my eye and rolled down my now fully formed stubble as I fell in to a random seat in mild shock. There were a few passengers back there so I had to pull together relatively quickly. After gaining some composure I knew it was time to get off. I knew we could never get back to yesterday morning though I would have said or done anything to do so.

The train had stopped. I went back to my seat and you were sleeping. I took my coat and gathered my things. The conductor looked at me confused as to why I would leave something so magnificent, I assume he had no idea what had transpired.   

I walked to the rear of the car and slid the door open slower than required. I stepped to the stairs and put one foot down on the step and the other on the ground. I stopped, rooted with my hand on the railing, lingering between two very different paths.
     I knew that it was time to get off, I knew this was the sensible thing to do, that I couldn't get past this offense regardless of how I had felt earlier the day before. The whistle screamed from the locomotive. The conductor looked at me and shook his head, I'm not sure if he was trying to tell me to stay or go but a decision had to be made.

The train lurched forward and I watched as the station slip away slowly. I sat in between the cars for a while and watched the ocean and birds. With a heavy heart and shoes I walked back to my seat. You were waiting. Crying. You knew. The bartender had told you. You didn't mean do do it, didn't realize what you were doing and thought it was me. He was wearing my hat and the whole world was blurry and dark.

I believed you. Self anguish mixed with alcohol was dripping from your pores. I knew you didn't mean it and were drunk, but could I ever forgive you or trust you again?

I loved you still.

I caught a glimpse of my reflection, a weaker version of myself looked back. As if an invisible chip in my teeth had developed and my shoulders lowered. The charming, confident man from the bar car the day before had been replaced. Something was off but not enough for anyone else to notice, just enough to know a change has happened.
       The train started to pick up speed again as we distanced ourselves from the station.  I second guessed my decision to stay but I didn't look back.

I found the man with my hat and punished him with a few blows in the dark. He knew he ****** up, apologized and took the beating like a man. I never got the hat back.

The engineer announced that we would be going through a tunnel soon and to turn on our lights and keep our hands in the windows.

It would be dark.  

We stayed away from the bar car for a while but the draw was irresistible. After a few hours we were there again but you never left my side.  Then you did. I was looking for you but you would disappear and not answer me when I called you name. The tunnel went deeper and darker and I didn't know where you were and I suspected you liked it that way. The train began to slow down again as we exited the tunnel.

I finally found you back at our seat, you had moved one row away from me. I asked you to come back, tried to hold your hands but you pulled away with vehemence. When I came back from the bathroom you had moved another row farther.
I knew I was losing you.
I begged you to return but you told me calmly that it was time for you to get off. At some point in the tunnel you had decided that you didn't want to go anymore . Your mind was made. You were going to catch another train at the next station.

When the train stopped I thought for sure you would reconsider but you didn't. Didn't even give it a thought. You just grabbed your coat and hat with one big bag under your arm. You kissed me on the cheek like a french stranger and were off. Going somewhere else on a different train. Just like that.

I rode the rails for quite some time by myself , many people getting on and getting off, passing me by. Every once in a while I would think I saw you at a station or in a **** though the window of another train. I often thought I could smell you but when I breathed deeper it was always gone. A ghost dancing on the edge of my senses.

A young girl in a headband got on the train. She was listening to headphones and dancing to herself as she bobbed along. She sat down in the seat next to me flashing a smile. She had a wedding ring on and I dismissed her immediately.  She didn't move from the seat or stop glancing my way. Eventually she confessed that she wanted to talk. I told her I wasn't interested but she persisted.  I hadn't talked to anyone on the train for quite some time and after some more mild persistence, I gave in.

We had a lot in common. We were both riding alone, desperately wanted attention and were thrilled to receive some.  After a few laughs she slid her hand in to mine and interlaced her fingers. I left it there. It was warm, comforting and wrong. She was married but I had been riding alone so long it felt good to have some company. She stayed and we talked. She was broken and I had a knack for fixing things. After a few hours of dramatic conversation I fell asleep with her head on my shoulder.

When I woke up  the train was flying up the track on the side of a mountain. Trees and rocks were a blur of green and grey. The engineer must be trying to make up for lost time I thought to myself.

The girl was asleep with her head on my lap. I looked down at her hand and the rings were gone. I woke her briefly to ask where they went. She said she didn't need them anymore and had thrown  them out the window.  She could of sold them, I said, but she said she just wanted them gone so she could be mine and fell back to sleep.  All of a sudden I couldn't breath. This train was roaring down the tracks, the once gentle click clack had become a loud hum. Suddenly too loud. This girl in my lap who had just gotten on the train wanted to stay. I considered her for a while as she looked up at me with big blue eyes, shining and wet, like a puppy in the shelter, terrified of rejection and desperate to be adopted.

At the peak of the mountain, just when the train began to even out, you waltzed back in to the car with a champagne flute in one hand and your bag in the other.

I don't know when or where you got back on, must have been a few stations ago when I stopped looking for you. Maybe you were wearing a disguise, who knows what you had been up to while you were gone. I'm not sure how long you were away but it was quite some time. That you had been through something was obvious, a new wrinkle had formed on your brow and you're once confident stride had changed to a cautious stroll. What actually happened out there I don't know.  I never asked and I don't want answers.

You looked at me and smiled. It was good to see that smile, like sun on my face on a brisk day.  You took a step toward me and then I looked down in my lap at the girl at the same time you did. I looked up. You and your smile were gone.

Everything I had begun to feel for this broken, head banded girl in my lap dried up like a puddle in  the dessert.  I quietly and gently nudged her awake and told her I had to use the bathroom. She put her head down on my coat and fell back into what ever trance she had been in, eyelids gently fluttering, eyes searching beneath them for what I would never give her.

I dashed up the isle and threw open the door, almost shattering the glass. The conductor glared at me and rolled his eyes as I barged past to the space between the cars.

There you were. Standing on the stairs with your head out the opening. The wind was blowing your perfectly formed curls around your head like a blonde explosion of familiarity. I yelled your name and you dove in to me. My senses erupted, my mind went numb as the train was nearing another station and I inhaled your essence greedily.

We moved to another car. I abandoned my coat with the married girl and never looked back. I hope she found what she was looking for. I  never could have been the answer she was so desperately seeking but I know I  helped steer her towards it.

You told me you had encountered some other people out there on the rails and they had reminded you of what we had when we first left the station. I never forgot.  

The train started to rock and get going again. We were back in the bar car and starting to brown out. We had to get off of this train right ******* now. In a desperate moment we looked at each other and put our hands, together, on the emergency brake cord. I looked in your eyes with your hand on top of mine. You kissed me while yanking down on the cord. Time slowed, the breaks squealed and everything exploded throwing luggage, people and the entire contents of the bar car in to a nondiscriminatory chaos . We got up off the ground, ran to the end of the car, dove off the side in to a soft patch of grass and rolled down a small incline. We watched as the conductor sifted through  the mess and interrogated the passengers, trying to ferret out the party responsible for pulling the brake. He spotted us off the side of the tracks and shook his fist while shouting every conceivable obscenity combination.

We laughed, held each other in the grass and kissed deeply.

We watched the train pick up speed and disappear in to the hills as relief spread over me.

You interlaced your fingers in to mine and we both looked out to where the tracks disappeared into the horizon, wondering how far of a walk it was to the next station.
judy smith Aug 2015
Summer Finn is the charming, elusive love interest of protagonist Tom Hansen in 500 Days of Summer. From her playful personality to her cutesy hair ribbons, actress Zooey Deschanel's 500 Days of Summer style is irresistible. IMO, the overall look of her character is not a far cry from Jess Day's style (the leading lady of New Girl, also played by Deschanel). However, Jess' style is on the kooky side of whimsical while Summer's errs on the feminine side.

Summer's style could be described as girly, quirky, and ethereal. The ethereal factor probably has more to do with her attitude and personality, as she tends to keep Joseph Gordon-Levitt's character Tom at arm's length. (I know, who in their right mind would do that?)

The baby blue clothing that she wears throughout the movie also reflects this sentiment, since blue is regularly associated with sadness. It is almost as though Tom knows subconsciously that his relationship with Summer will not end well. This makes perfect sense in filmography terms because the movie is shot in a non-linear narrative. Right at the start, the narrator even informs the audience, "This is a story of boy meets girl but you should know up front, this is not a love story."

So here's how to channel Summer Finn's charmingly tempting style, because looking like a modern day femme fatale is one of my personal favorite things.

1. The Summery Tea Dress

Channel Summer's vintage style of decades past by with a lovely, feminine tea dress. Summer's has cute, capped sleeves, a magical swirly pattern, and it appears semi-sheer (adding a touch of naughtiness to her outfit). Whichever style you choose, make it a modest length with flirty details, whether that be sheer material or cheeky cut outs.

With its sheer sleeves, cutesy Peter Pan collar, and adorable buttons, this darling pale blue dress is just the ticket and is available in sizes S to 4X.

2. The Cat Eye Makeup

Cat-eye makeup gives off a vintage vibe while also adding a sassy feel to your beauty look. To tone down the sass and keep it less Catwoman and more Brigitte Bardot, keep the rest of your look super natural. Think dewy skin and rosy cheeks.

This vegan eyeliner has a super thin brush so you can create your cat-eye flick with ease. If you're feeling funky, you can even pick an alternative color such as white or purple to really make a statement.

3. The Alternative Workwear

Summer proves that workwear needn't be boring. Put a youthful spin on the classic, white shirt by wearing a sleeveless style and pairing it with high-waisted, tailored trousers.

This classic white shirt is a style steal and can be paired with a multitude of garments. It'll make choosing your work outfit much easier when you're bleary eyed and you've not yet had your morning coffee.If you wish to wear a more feminine style and channel Summer's gleefully girlish side, then why not wear a mini dress? As long as it's tailored in some way (like Summer's stiff short sleeves) and sports a formal flourish (like the lace hemline of her dress) then you should totally be able to get away with wearing it for work. If in doubt, throw on a blazer. Blazers make any outfit look formal.

This pencil skirt dress with its stripe detailing and capped sleeves is sure to have you looking like the best dressed in the office.

4. Up Your Hair Accessory Game

Ms. Finn is often seen sporting some kind of adorable hair accessory. She changes it up from powder blue ribbons to strappy, modern headbands to suit her different ensembles. A ribbon worn as a bow in your hair has connotations of Sandy from Grease and in turn adds a youthful naivety to your outfit.

If you're short for time on a morning, throw your hair into a high ponytail and clip this cute bow into your barnet for instant vintage vibes.

A strappy headband is nostalgic of retro Alice bands. However, the straps keep it modern and elegant. IMO, Summer has nailed hair accessories. She wears the pretty bow in her free time and the grown up headband at the office.

I could totally imagine Summer wearing this simple yet feminine headband. Plus, the pearl design will add an air of sophistication to your outfit, helping you to appear oh so ladylike and mature.

5. The Off-The-Shoulder Chiffon Dress

Seen in a completely different look, Ms. Finn looks stunning in an off-the-shoulder chiffon gown that juxtaposes hilariously with the "*****" game she plays with Tom. To me, the décolletage is one of the most sensual parts of a woman's body and exposing it can sometimes feel sexier than showing off your cleavage or wearing a tight dress. The addition of the chiffon plays on Summer's ethereal, magical side and she reminds me of A Midsummer Night's Dream characters. The key to this look is picking a flowing, fairy-like gown.

read more:www.marieaustralia.com/cocktail-dresses

www.marieaustralia.com/short-formal-dresses
all for you Mar 2019
It was 3 degrees outside
She wore a purple fuzzy headband that seemed to cover her entire head
Her large and puffy grey coat went to her knees
A grey turtleneck underneath
And those clunky duck boots
While everyone else smiled at the weekend at 3 on a Friday
She looked confused
I could only imagine what she was thinking about

It was 58 degrees outside
The headband gone
She has blonde hair that’s up in a ponytail more often than it isn’t
The coat is gone but the turtleneck is still there
It’s striped this time
She still wears the duck boots since the snow is melting away
And there are puddles with every step
She’s smiling and laughing on the phone
Trying to explain directions
I can only imagine who she’s talking to

I can see it
I can see my future in the way her hair is flipping back and forth as she walks
I can see my future in the way her face lights up when she laughs
I can see my future in the way she curls her hands into her sleeves
I can see my future in how she tries to avoid a puddle but then steps into a deeper one
I can see my future in the way that puddle ripples around her
I can see my future in the way the melting snow seems to glimmer when she passes it

I learned she got the headband for free once
When she spent too much money at her favorite store
Her grey coat is a family company she’s obviously loyal to
The grey turtleneck is from the place she got the headband from
Obviously, she tells me with an eye roll and a laugh
The duck boots keep her feet dry, even if they’re not very warm
She looked confused because she was leaving economics, her hardest class
She had just learned a new concept that all of her classmates understood
But for some reason, she couldn’t wrap her head around it

She likes that her hair is blonde
But knows it’ll turn brown one day, like her mom
So she gets highlights put in, knowing it won’t help, but hopes anyway
She’s always wearing turtlenecks because she’s always cold
It’s from the same store as the other one
Obviously
The duck boots are her favorite and her feet like them too much to wear other shoes
She’ll never admit it
But she steps in the deeper puddles on purpose because she likes how they splash
She was on the phone with her friend from high school
Directing her to the lot to park in
She’s staying over this weekend

I was right when I said my future was in her
It’s in the hair
The jacket
The turtlenecks
The headband
The boots
The confused look
The happy one
The eye roll
The laugh
The puddles
The snow
My future is her
i'm waiting for the day you'll find me, maybe it's someday soon // love always
On the sea-shore, smell of iodine,
and square as in Sicily, and dancing.

An intellectual that came from the common people,
preparing himself to be Rosencrantz.
He decides to serve Claudius and therefore
spy on Prince Hamlet from the fountain.

All over the world — the prison. At the world's
end a certain John plays the piano.

Already darkness, and the end is in sight :
Ophelia crying in an empty hut.
And Hamlet walks to and fro with white headband,
in order to be recognized by the Ghost in the gloom.
Maple Mathers May 2016
​​     I was ten years old when I wrote it.
One lone sentence. A sentence that would become my mantra; the sentence that defines my existence.

I wish I were dead.

I first wrote it in my journal. Then a couple days later, I wrote it again. Then again. And again and again and again. Until eventually, the pages had all been claimed. Each line on each page reiterated one phrase – I wish I were dead.

Although I was merely a fourth grader, this was no passing phrase (get it?). Ten years separate me from that lone sentence, yet I am ready as ever.

​I wish I were dead. I wish I were dead. I WISH I WERE DEAD.

​This is how I feel six days out of seven.
I can no longer count the number of failed attempts, the static loony-bin trips, the hospital hopping routine – a process I’ve memorized verbatim.

Can’t say how many times I’ve survived these garbage disposals for the insane.

You’d think if I really wanted to die, I’d be dead already. Yet, in a bizarre manner, not even the Grim Reaper wants me. I’ve consumed rat poison and lived, rolled my mom’s car and escaped without a scratch, tumbled from heights so high, yet – here I am.

One night, last summer, I mixed molly with coke with ****** with so much liquor – because liquor is quicker – thinking for certain I’d orchestrated my demise. Some of my friends were squatting in this foreclosed house, so there was no electricity, and I spent hours playing Sims with some girl in the dark.

Eventually, my computer died – but I didn’t.

The list goes on.

On this list, there’s one night I’ll never forget; an attempt that far outweighs the others. A night I’ll forever regret. The night I came face to face with the grim reaper, for the first and only time, and somehow turned away.

This is how it went.



​     The Last Supper was comprised of 150 assorted pills, and some secondhand Jack Daniels.

I ate alone. I’d exchanged dining hall for bathroom; chair for bathtub. I held one lone utensil – a razor blade – nestled safely in my hand. Cradling the blade like a child who found the cookie jar – the way my boyfriend worshiped a fresh syringe of ******; I snuggled that sacred utensil.

I failed to savor this Last Supper – for dine and dash would more appropriately summarize my actions. I ravaged the meal as a stray dog would raw meat. Gagging and choking, whilst feeling nothing at all.

All those pills, that jack, I poured into a jar and chugged like a freshman in college. (Get it?) The most unconventional supper you ever did see.

My makeshift chair filled slowly with water like concrete – and soon I’d be buried alive. So I squeezed the razor tight, pretending it was a loved one’s hand instead.

​Yet – nothing happened.

I considered my lone utensil – the blade – then laughed, and threw it aside. How high school of me – a time when I confused my wrist with a cutting-board. Oh, silly me; my insides could do the work without external additions.

​However, the nausea hit before I’d relinquished consciousness. I feared I would toss my cookies – ones stolen from the cookie jar – before they could toss me.

​An important factor to note is this was not my house. It belonged to my boyfriend’s aunt. And although she was not home – he was. Earlier, I’d thrown a knife at his head and told him I was glad Morgan died, to ensure he’d leave me be, but now I was bored and nauseous and so I got up and left the Last Supper to pursue a bad cliché I just died in your arms tonight.
​ What happened next is not important – I’ll fast-forward to what is.

The first to come was a young girl.
​She wore her blonde hair in two braids. Her tiny body, adorned in a loose, blue dress. Her feet were sheathed in neat white socks beneath modest, black slippers; slippers that matched her headband. A headband to cradle her mind.

​Her existence stupefied mine – for I knew at once who she was. And I was terrified.

This girl was coasting her eighth birthday. A birthday she’d never reach.

And yet – she was as wise as I am thin; far wiser than my nineteen-year-old self. She never spoke, but there was no need. Everyone talks, but seldom is speech genuine. Only in actions can we find the truth.

I’d waited my whole life for her. My true, beloved best friend. A girl as imaginary as could be.

Alison Wonderland.

Unfortunately, she had no intention of staying. She had no interest in my world; she’d only come to take me to hers. She’d come to take me away. Far away. Away so far I could never return.

This time – finally – I’d be gone for good.

My whole life I’d waited; now, she’d finally come. Not to join my life. She’d come to watch me die.

We both knew my lifespan would hardly outlast the hour.

Collapsed within a shower, I floundered for words. Separated from her by a mere pane of glass. She was so close. And yet, I was far from happy – I’d nearly surpassed hyperventilation. Literally stunned to death.

This beautiful angel maintained composure, however; unaltered by my frigid welcome. An unwavering smile illustrated her entire physic, whilst she offered her hand to mine – arm outstretched and waiting.

The ultimate invitation.

However, we were not alone. Not two, but three souls occupied this bathroom. The bathroom of my Last Supper.

On my side of the glass was a man. A man I knew. A man I loved. A man whose manhood was verified by little more than age – 25. Whilst numbers generally distinguish between childhood, adolescence, or adulthood, he was much more a boy than a man. His maturity – vastly negated by defining characteristics. You see, this 25-year-old boy was also a pathological liar, a sociopath, and a ****** addict. He was the stranger your mommy warned you not to talk to – and he was my boyfriend.

My boyfriend, our third addition, was christened Daniel no-middle-name Rodden. An alias more accurately spelled Rotten – which I knew, but refused to accept. So instead, he was just Danny.

Anyways.

I surrendered consciousness slowly. I was crumpled, trembling and mumbling, grappling to sit up or speak.

With all my strength I pointed, terrified and confused, at Alison.

“How is she here?” I wanted to scream. “How’d she get in? What’s happening?”

“What are you talking about?” Danny’s voice wondered. “There’s no one out there. I promise I promise.”

He must have been blind. For Alison remained, hand outstretched, waiting and waiting.

However, Danny Rotten and Alison Wonderland could not see each other. Nor could they hear or feel one another. They existed within uncorrelated dimensions. They were, in fact, entirely irrelevant to one another, compromised by one single factor. Me. Because not only was I physically dying – directly between them (monkey in the middle?) – my consciousness floundered amidst their two wonderlands.

But this was temporary, for we all knew I had less than an hour to make a choice; a life with this toxic boy, or a death with this loving girl. Death, which I’d coveted since I was ten. This decision could not be undone; I could not keep them both.

I never took this hand I was offered – Alison Wonderland’s – I clung to Danny instead. A decision I’ll forever regret. But I had yet to meet the Grimm Reaper.

Somehow, I’d been transported back into the bathtub. I sat back at the table of my Last Supper. Only, this time, I was not to dine alone.
I remember Danny’s face – if only for a split second – covering mine. His handsome, Spanish features contorted in fear; even mussed and wet, his dark hair swam across his forehead with graceful finesse.

On his face I’d never seen such emotion, nor will I ever again.

Drifting in and out of consciousness, I lost sight of that face. I knew he was speaking, perhaps even yelling, his physic – inches from my own. But then, the stampede arrived, trampling him whole.

Empty handed, Alison might have left. But this evaded me.

For into the room poured innumerable intruders. My ghostly escort, it would appear. Some spoke to me, some avoided. Some set up a poker game in the corner – waiting on my choice – whilst others conjured chairs like rabbits from a hat. Chairs they set up around this bathtub. Enveloped in bodies, my Final Supper had become a banquet of sorts. Danny tried to hand me a bucket, to throw up my poison, but I was so weak I couldn’t have held it had I wanted to.

Out of all these people – souls I presumed dead – I recognized only two faces.

Preston and Henry. Two boys I knew – and although ****** addicts, they were alive and well. Not ghosts like the rest. However, within the next two weeks those two would both overdose and nearly die.

Coincidence? I think not. Yet, I digress.  

That was when he appeared, for above the bathtub stood a window. Outside that window, I glimpsed a man. A man I’d been chasing since I was ten.

Mister Grimm. I remember not his attire, nor any defining details, only the expression on his face as his eyes singed my own. Complete and utter hatred and malice, with fatal intentions. He looked to me as his arch nemesis – and had I invited him in, he would have given me what I’d always wanted. I knew this to be true.

I knew also that, although Alison had appeared to be the defining choice, she was not. This man was. And in that pivotal moment, I began to scream.

I screamed for Danny – to make this Grimm go away, to tell him to leave.

Danny did. And when I next looked up, the man was no more. Gone, too, was everyone else. I took Danny’s bucket, hurled, and knew no more.

This is one night I’ll never forget; an attempt that far outweighs the others. The night I came face to face with the grim reaper, for the first and only time, and somehow turned away. A night I’ll forever regret. Sometimes, however, I wonder if it was not mister Grim I was looking at, but Danny’s reflection: the monster he soon became.

Or, perhaps, it was not a male I saw in that window.

Perhaps, It was myself.
(All poems original Copyright of Eva Denali Will © 2015, 2016)

BEST SUICIDE EVER. Just saying.

Also, fun fact. Danny's now in prison under 3 felony accounts of ****** relations with a minor. I was the only one who came to his trial several weeks ago. His lawyer asked me to testify in his defense. What fell from my mouth was, "I don't want to have to lie..."

Hahaha.
Cailey Duluoz Oct 2010
Lying here,
Now nothing more than a fragment of terrycloth
Faded from red to pink

You are something much more.
You know the essence of athleticism,
Of strength, stamina, courage.

You relish every drop of perspiration,
Rhythmic breath of runners is sweet music,
And now you have been cast aside,
Reposing gently on the side table,
Alone but for the stopwatch.
- From The Beginning
Sleep, darling
I have a small
daughter called
Cleis, who is

like a golden
flower
I wouldn't
take all Croesus'
kingdom with love
thrown in, for her

---

Don't ask me what to wear
I have no embroidered
headband from Sardis to
give you, Cleis, such as
I wore
and my mother
always said that in her
day a purple ribbon
looped in the hair was thought
to be high style indeed

but we were dark:
a girl
whose hair is yellower than
torchlight should wear no
headdress but fresh flowers
Empty island where all is clear

with you there with me,

in your white island dress

that flows with the wind.

floral headband holding your head,

sand soft beneath our feet.

every sunrise and sunset

swallowing the piece of floating land we live.

empty island where all is clear.

your eyes

and brown hair.
on an island in the sun
samasati Feb 2014
Grandmother Willow said
listen to your heart, you will understand
but when it pounds all I want to do is run

my heart says so many things
one minute it's telling me to climb a tree as high as the branches let me
the next it says hook line and sinker
and when I'm with someone beautiful, it says
nothing, it just
flutters and pitter patters

Mulan was always my favourite because
she had her heart broken and still
She Saved China
all on her own

my heart breaks like twigs and crumbles like dry
stiff leaves
in Autumn
and my heart is also a rubber ball that bounces from
one place to the next
too rapidly,
I forget where I am
and where I just was a moment before I ended up
wherever I ended up

my heart is like ice and sometimes if you are the right temperature,
it will melt for you
my heart is aware of fallacy and sometimes if you try to coax it,
everything I ever felt for you
won't exist anymore

a few months ago I was sitting at the back of
a midnight bus
in my hometown,
with a hippie headband on, accompanied with braids,
a long dress and moccasins of black suede
when a drunk teenager pointed and hollered directly at my face,
"you look like Pocahontas, how many John Smiths love you?"

I don't get angry anymore
I just get tired
my heart goes to sleep for days and wakes up at
the sudden gong of recognition
in eye contact
that lasts longer than just a few seconds;
my heart awakens at sunsets,
when I am sitting in a tree alone
and it awakens each time I successfully skip a stone

I've always thought highly of the two
disney cartoons
and it's not just because they can fire a harpoon
it's something like embodying the female
self-assurance,
strength of the soul,
embracing solitude like wind on a stroll
heart strong from a softening,
heart loved from singing just for singing
heart open like eye contact
that lasts longer than
just a few seconds
Sarina Apr 2013
I am cutting all of my shirts this summer
to change each seam into a headband,
one that matches my stretchmarks –
twenty-two, in fact,
that are in perfect style for anyone to see.
ioan pearce Feb 2010
valley mountains high,
cattle there to serve us,
rugged men are men,
sheep are very nervous,

megan's dentures in a jar,
pug face snoring porker,
drove llambo to his wellies,
the mountain mutton stalker.

valley commandos camouflage dress,
headband, wellies, wooly string vest,
llambo llewellyn up to the test,
heads for the hills searching his quest.

english may laugh,
and label us sinners,
while we **** sheep,
they eat them for dinners.
This is a story about Milo the mighty
His sword at his side, he was forever so mighty
His armor gleamed, how he shined brightly
On the cliff side watching the sun as it set
Milo the mighty set up shop, it was time to rest...

He started on a stallion his pride on his horse
Did he ride out of Ridgeburrow,
to revenge his remorse
Townspeople cheered and waved
Villains and monsters flee'd their graves
As Milo the mighty Rode through town
The townspeople cheered out
"DONT LET US DOWN"!

It was a quest of vengence he'd seek
For years have past, that have been quite bleak
goblins and Gouls steal all the gold

As the mighty hunchback golem screams "duel-me droll"

The townspeople fear him,
Helplessly run they do
But Milo had other plans
For the golems unrichous uphold,

He slashed and stabbed,
Staggered with joy, as the blood of his victims
Fell to the floor

One-two, one-two, his sword went through and through

He sliced through golems head,
Leaving him dead,
Just a slab of meat on the floor

And Milo the mighty traveled forth
Unto the dark forest,
He traveled with sorts,
Battles with pillagers and pirates alike
Did Milo fight with all his might
To make it to his mighty quest
Where all that sweet gold lies in a chest....

Traveled onward he did
Straight through the pillagers plains
Did Milo have a quest for his own grave?
No said Milo the great as he traveled on his adventure
His adventure was great......

Looking up at a tower
The clock struck the fifth hour,
Towering over Milo was the tower of Shiloh
Looming over him in a dim shadow
Did the ominous tower show more
Than just what was for fleeing cowards?
NO,
Milo opened the door
To find the riches
his princes had ever wanted to adore

So up the grand stair case did Milo the Great do
Up in spirals the stairs never seemed to outgrew
Up and up the tension was rough
As Milo unsheathed his great weapon
A sweat drop uncoiled from his headband
So Milo mustered the mutual feeling
Felt far before him,

Upon the double doors of steel,
Did her master wait for her hero
Weapon ready in hand,
Ready to use against Milos stand...
Stanced fearless, ready to fight
Did her master wait to show his might.

MILO screamed her master
Come for me have you not?!
"Yes you ungodly gat" shouted milo
Far from his throne,
Did Milo know his match or was his match outgrown?
Her master swung first,
Cut Milos cheek he did,
But when milo swung back,
Off with his head!

Milo picked her up, her ankles unshown
He walked her to the parlor,
Where he released her,
He let her go........
"Thank you Milo, Your heroism is now know"
Said the fair lady who Milo help'd go.

Milo the mighty walked straight to the cellar
Where all the gold and riches awaited his pleasure
With his might he carried it right
Straight to his great kings who declared Milo
"Milo the Mighty"
Just a fun heroic poem
My Dear Poet Mar 2022
Just like a shirt cannot
hide the hurt
or a headache
beneath a hat

nor a heartache in a suit
or cold feet in a boot
or glove for a trembling hand
neither a thought I think
could be bound
by a headband

You may appear
cool, calm and collected
but make-up and costume
cannot hide the bleeding
of a wound thats infected
Nat Lipstadt Oct 2014
still Sunday autumnal,
hymnal seasonal dark
at 700 am

the grand kids
going apple picking,
under parental supervision...

so the day looms small
with largely nothing,
nothing scheduled
according to Siri,
Goddess iPad
who loves all
in the same colorless voice
equally

poet quiet plays
with the pink plastic wristband,
his workplace awarded him
as a signature that
he was a
green donor
in a cause
that should not
even be anymore
a causal giving or taking,
but a once-upon-a-time,
just another busted,
another eradicated evil

rearranging the pillows
most quiet like,
the woman sleep slips,
exhausted from
prior eve's fierce exertion,
heroine worshipping
a fellow dancer artist extraordinaire
bidding her adieu
after three decades,
to standing adoration justified...

the yellow/whiteplaybill, ticket stubs,
just this once,
just this one,
will be preserved,
a bracelet
of achievement honorific terrific

(if his truth be revealed
this very last performance of 30 years
of creative perfection,
made this flat footed man
weep as well,
leading his mind
directly to composition)

thusly,
set the setting and the
variant,
nay,
the deviant lyrics
coming fast,
sleep sliding
from intangibles of
a waking mind
to pink resurrection,
as intangible electronic impulses
herein shared...

his recollecting,
deviant lyrics,
for they deviate
from the most tiring truth
that life is mostly drudge,
many defeats, few victories,
but they come with patience
and ****, hard work,
and a rainbow primal color
some call luck

so begins the deviant...

If pink is for breast cancer, what then...

*are the hues and tints of the
multiple myeloma invaders that
destroyed the soft marrow
of a poet's fathers bones,
a man so kind,
that all children who knew him,
honored him
walking slow behind his hearse,
so deserving of a longer life,
a far better, better end,
can you not see the tear grooves
his absence has gifted me as
his pink flesh colored-bracelet

what then,
are the shades,
or just the
color unique
of the slow dementia
that consumed
a woman, happenstance...his mother...
writer, art lover,
a verbal expressor,
a most in/appropriate disease,
robbing her of the
greatest human right
to articulate,
so I wear this poem
as her her gifted headband,
an inheritance
upon the poet's
pink proud forehead,
worn evermore

do I get a pin turned
ceremonially, right side up,
having made it this far?
will they take it away,
when I quit claim
this existence,
or if the poetry ceases...

and he wonders
when is the deviant course
the exact right one,
what color,
what instrument, what jewel
should he chose
for just opening his eyes,
on this,
his 23,378th day of existence

unable to sort
identify the days,
sign each one
with the color apropos,
how to mark rightly what matters,
how to signal that life tenuous,
is worth recording,
and giving quiet thanks
for the few colors and memories
and words,
the instrumental
symbols
that lyrically
variegate us each,
and let recall
our unique
deviations
10-19-14
for himself
Elsbeth Poe Nov 2013
The boys were allergic
But before Dad came along
Mom had always been a cat whisperer

I saw her do it at a party once
Tongue rolling
Fingers twitching
From across the room
The little panther was entranced

Burn worthy witchcraft
I knew she had a way with birds
But this was something new
Something foreign and beautiful

Surprise surprise
It was a black kitty cat Halloween
Mom cut out ears to attach to my headband
Then drew dark brown eyeliner whiskers
With a triangle on the tip of my 6 year old nose
All in black
Part ninja
Part cat

We were off
Brother and sister
Pillowcases in hand
Noticing my lack of tail Mom called me back

She reached into the costume box and grabbed a long dark braid
With one swift tuck into the back of my pants
An instant flawless feline emerged ready to make her debut
And boy did I play the part

Prancing back from the hunt
There she was silhouetted in the doorway
Tongue rolling
Fingers twitching

******* on sweet tarts
I didn't stand a chance

A family of actors
"Mom, look what I found! Can we keep it?"
They each took turns petting the newest addition
And Dad let out a convincing sneeze

A life I could get used to
Tick Tock the cockatiel
Had better watch her back

E.Poe
*Oct 2012
Sophie Herzing Feb 2015
In high school, I used to crawl
past my dad’s side of the bed so I could whisper,
at midnight, to my mom that I was leaving
and going to your place, and that I’d be back
by five in the morning, because I was that good girl
in the knee-high socks with the headband
that matched my uniform. So, I told my mom
that I was going over, watched her sleepy eyes
drift back to her pillow corner. I’d start my car,
put on that sappy John Mayer song you hate,
but know I love, and head through the center of town
on the ghost roads, driving like a memory
with four wheels and only three more miles to go.
You’d let me in the back door, careful not to shut the door
to the kitchen too tight, and we’d kiss
under the aquarium light.

I’d watch the shatters
of light split with the blades of your ceiling fan
as you’d remind me over and over again
with your words that I couldn’t stay long
while your hands pulled me in closer to your chest.

You were the first bad thing I let myself have.

I’d have to leave before your dad would get up for work,
so I’d pull on my sweatpants, wipe the makeup
from beneath the crease of my eyes, kiss you goodbye
for who knew how long it would be that time, and I’d cry
in the car the whole way home
because I knew that we were like grains of sand
in an hourglass
just waiting for our turn to fall.
Lappel du vide Jan 2014
"i'm Rookie"

maybe i'll say it someday when I'm driving
naked skin burning on a sun kissed motorcycle seat
past old fruit stands,
toward some shadowed, dehydrated strangers arms,
in the texas heat.
i'll show them my homemade tattoos,
and recite some poetry to them.

i'll be wearing nothing but a feather headband,
and thigh high socks,
with a flask of throat burning
fire
trapped to the side of my leg.
i'll have nothing, and i'll need nothing,

but the open road,
and strangers hands caressing my candlelit skin,
when you can softly hear the rain at night,
like warm sweat of the
desert sky.
Audrey Jul 2014
To the ******* at Mongolian Barbecue last night:
Just because you let your short shorts and flowered headband
Scream assumptions about your homosexuality doesn't mean
You can make those assumptions about others,
Forcing red-faced shame and trembling knees on a stranger,
Your hands clawing the pride from blue eyes like
Storm clouds making the world grey.
Butch and **** are never words that should come from your lips,
To someone you don't know
Just because you portray yourself as flamboyant
And she has her own style
They carry too many decades of hatred and fear to be
Tossed into casual conversation
Like land mines in her closet.
I don't care if you thought you were joking or being funny or cute
Her leather jacket and kickass combat boots don't
Paint some sort of rainbow bullseye
Between her shoulder blades, behind her heart.
People have enough to deal with in this world
Without having to defend themselves against your ignorance,
Without having to stop their tears from
Making small oceans on the streets of Ann Arbor.
Butch and **** should not be thrown from your lips
Carelessly,
Meaning none of the weight they carry.
You probably didn't see her cry
Because that's just the kind of person she is
But I did,
A thunderstorm of conflicting emotions and heart-wrenching, blood-curdling cries,
A deep-seated ache that won't be washed away
With my hugs or chocolate or
Assurances that you are, in fact,
A **** who doesn't deserve to know her.
11:30 pm she walked through the front door with red eyes and damp cheeks,
Her voice thick and choking on
Your arrogant, misplaced words,
And I might not always get along with my sister
But I felt my sternum crack right through the middle
When she spoke of you,
Ribcage shattering,
Rainbows pouring from my lungs
To try and knit her fractured, hopeful heart
Back together.
I am my sister's keeper.
To the ******* at Mongolian Barbecue,
I hope you learn to grow up and see how your
Words splinter souls like weeds splitting concrete
But until then
*******.
Anya Oct 2018
My policy
is typically
*******
in a pony tail
easy
efficient
out of my eyes
But sometimes...
it gets monotonous
and tied
to my more
introverted me
academic me

I've tried braids
brings me back to elementary
school
Several people called me
cute
Certainly,
I embody a twelve year old

I tried a headband
not bad
yet,
the fluffy strands
continue
to get in the water fountain
when I'm drinking

Hair out?
The first one I tried
free
but messy
Everywhere
in my eyes
The me,
that will roll down a grassy hill
just cause

So, which one is it
or something...more?
Is it
just hair?
Is it
linked to my identity?
I dunno
But maybe I'll
find
out
...
What is it to you?
wolf mother Jun 2013
the season you lost your innocence it rained exceptionally hard
and all the kindergarteners that would come over to sing and swing and chant in the yard
started to frown in your direction
or half-smile with a cloudy membrane sheltering their eyes to you, or so it seemed

and people would walk their dogs with a tighter leash, afraid that they could smell
your ruin

ing body, plastered in a cold, hardened defeat...uneasy sweat

and you took off that child-like headband you'd been wearing for months on end
a little worn now, that terrible periwinkle satin and lace

too Lo Li Ta for liking
now that you finally knew what it was like to be a ******* in the lion's den
Makayla Jane Oct 2018
There's a girl
Who I've never seen before until last week,
She passed me as I was working the cafe -
The perfect natural shade of red-orange hair;
****,
Her hair was enough to make me fall in love and go crazy over her
Her messenger sling bag over her left shoulder
Thick homemade cloth headband keeping her hair pushed back
I wondered if her name was Autumn
It should be,
Her ravishing hair would make it all fall together perfectly
And I never thought I'd see her again,
But I did

After I closed up she was waiting outside of her next classroom
I told myself it was just pure coincidence,
But I saw you yet again Miss

Friday I was working the coffee cart making deliveries
And I stopped
Only to see you come down the stairs,
A few seconds of uncertainty rang through me
I could only tell by your hair
But at that moment,
You wore a long cardigan sweater with a hood over your head
And as I started to look away slightly disappointed it was as if you heard my mind;
Your hands came up grasping the edge of the cloth
As you swiftly flipped it down;
I never knew
Such a simple action could be so magical and graceful until then
I saw you in all your elegance
And my heart raced;
Such a prepossessing creature

Love tell me,
Why are you so **** gorgeous?

I remained staring at you,
Smiling like a ***** as other people saw me and passed,
But you kept walking away
Your back to me and knee-high boots clicking away
Madam,
Is this still just a coincidence?
Or is this now destiny for us to meet?
This is about a girl who I think is really hella cute and I want to try and talk to her but I'm scared to lol.

Feel free to share revision ideas :)
Bailey B Apr 2010
The snip-snips
halo my shoulders
in curtains
Ever-changing colorations
striations
maculations
depending on your mood
either flat as a newly paved ramp
or as ***** as Friedman
You took a class on this
you tell me
adjusting your headband and baring your teeth
your version of a smile
I steel myself against the guillotine
It falls to the ground in leaves of auburn
going against the nature of winter
and longevity
(there go four inches
off my life)
You lean in
boing the spring beside my face
inhale and ask me
what is my conclusion?
as your panda colored drapes swish by my cheeks
Sometimes it smells like cinnamon
or the cactus flower oil you bought that one time
and sometimes I get nostalgic and remember what it was
before I let you touch it
(autumn, soap, and vanity)
but now mostly it smells like one thing:
smoke.
And phantom pain.
I thought you were an expert.
AS Jun 2011
(1)
Sitting on the bus
my Israeli Paul Revere seminary nightmare steps on
armed in pantyhose, eyes stretched
wide by a thick black headband
Dense Brooklyn accent, perfect Hebrew.
Laughing on the phone, she
tells the details of the most recent terrorist attack,
a family of five murdered in their home,
a baby stabbed in its cradle
She said she’s just come from the memorial in Jerusalem,
where hundreds of Israelis stood in the streets sobbing and
screaming for vengeance
A sea of black hats, writhing and angry
She said they showed everyone
pictures of the bodies,
so they would know the horror of what happened
And as she sat there smiling, broadcasting the news like
a recount of a primetime television episode,
I sat
on the verge of tears
and watched the rest of the bus sit stony-faced,
distracted and desensitized.
We drive through
a market place.
An
old woman gets on clutching
a challah swaddled in plastic, sleeping salty.
(The bus is full off babies,
but none of them are crying.)
Meanwhile, in Gaza
the murders had another crowd
of people filling the streets,
dancing.
sara Jun 2013
it’s nights like this
when my fingers are sticky and reek of popcorn
and my stomach purrs like an antique car
that i cease to exist
just a quiet little thief
tucked away in a prison of white stucco
stealing oxygen and racking up an electricity bill with a lopsided pink lamp
honey on my face
a “beauty treatment”
an edible headband sunken into my hair
gnats crawling between my eyelashes
black dots just as hungry as i am
the music of the wind plays outside my window
rattling long forgotten memories
and stirring up dust of the past
there’s a constellation in my hand
universes up my arm
purple lines swirling together into incoherent shapes
semi-deep whispers escaping my lips
that are pale and dry and hurt to touch
bad pop music crawls through crackly headphones
same song, different artist
and my sheets
animal print, picked from years past and never changed
due to either nostalgia or laziness, the world may never know
disengage themselves from my bed
twine around my ankles
sly cats looking for milk
and hunger eats at my heart
i count the minutes as they spin on
by the soft timpani as it thumps eighth notes through my chest
this may or may not be my favorite poem that i've written
Saint John the Apostle says: “Hellenika and Tsambika, they will be the lily, the saffron, the rose and the violet, but also new, like the calendula and the chamomile, making of all a crown headband, to ad put the world of the Duoverse in everything its radius, for the star that illuminates par excellence as a white planet without thorns, which is the perfect one among the perfect ones, anti herbicide of language and incarnation, as in the Empyrean medieval zeal and in the highest of heavens. It is also the site of the physical presence of God, where the angels and the souls welcomed in Paradise reside, between Thistles and Roses towards the nourishing plane of the conventual voice and the tonic of the Milky Way; galactogens, ******* third grade milk to curdle in children who have not been a Messiah yet. Paths of thorns will guide the visitors of this gallery of flowers and plants, through the Panagia Monacal, for the holy homily with the Lilies and their lower valleys, where no more Lilies can evade their chains of the Liliorum genome and in their valleys of galactogenic virtue. As Mother Rosa and son Lirio, being the mother of all and of that one, behold ... your son, "I myself in the path of the three Marias. Over there in the desolate andurrial, an aquiline carries me imprisoned on my heels, as a bond of a son who makes my footsteps, the columbine sole of my saving feet.

At 320 meters of altitude, the Still Life appeared, concealed behind the Vas Auric, here everyone approached the auric circle of Morality that made them authors of the proximity of the Universe falling on Greece and Herbalism that fell with all its historical structure in the forest where many more species such as Caltrop, Laurel, Olive, Linen, Granada appeared, in a simple and flat devotional with nuances with pro delegating status; the same Hexagonal Birthright, to make the cinnabar fistulas, which was elemented by the different colors associated with the Grail tutorials, which were seen indigos on top of some Rhododendrons. If it is eschatological, it is in mystical nets of the Empyrean, further away in a form that is said to be called a form of gonism, between Cardinals and their dead Lilies. As the first among the last, the bulbous and clayey Tulip orb and basilica symbolism, peacemaker and philosophical Eritrean, for spiritual searches, which eager effusions of the Empyrean, reached the Messiah on his Pollino on the way to Bethany.

Around the Monastery, they could all be seen arriving to the beat of the cymbals and aulos, among the lyres that prowled, tickling the inquiry to rest their fingers, or perhaps by some augur Trojan villain in those of "Daedalus".  The latter being, here a tulip, with flames of a true seeker trying to sacrifice subsistence daring over the risk of the flame of saving death.

Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Talos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster. The labyrinth was a building with countless corridors and winding streets opening one to another, which seemed to have no beginning or end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave from Minos, in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth. I have to lament for the rapture of Perdix, now turned into Partridge, who now carries in his clutches the creation of the Universe-Duoverse, turned into his own, and me in envy, harassing me with the endings of my endings and not initiating nor ending. That is why I appear here coming from Crete, to wrap myself around the garden and its mystery, closing all the madrigals and trees, like a world that has created me. In its splendor, seeing the humility, fragrant of violets grafted into lavenders, with my soul now, of a somewhat  syncretism Hebrew-Hellenic and Mythological-sub Mythological, like a nobleman who walks free and without chains ..., passing through the Parthenon to put garlands, in dresses that are adorned with linen, but of evangelical lineage here in Kímolo. From here in the humility of heaven I will go with Kanti and Etrestles to unite on the prominent hills of the Hexagonal Birthright.
Daedalus
Cristin H Sep 2013
I remember it being cold that night.

It was the first time I had walked away
and worried I was leaving something.

It wasn't the kind of cold that
cut
and made itself at home in your bones.

It wasn't even the kind of cold
That strained every breath to feel like your last.

But I could feel the wind biting at and hanging from my ears
while it whispered.

But my mind was moving too fast to make memories,
It seems to never have the time anymore.
But it saves pictures
like polaroids.

Fast flashes of things passed
like whiplashes and mass stashes
of three picture days
of everything
and you.

Flash:
Legs around mine, light jeans, fluorescent lighting.
My heartbeat heats at the thought of it.
My back feels numb.

Flash:
Your smile in my headband, *******'re beautiful.
I think you threw your head back and laughed.
My arm tingles where you touched it.

Flash:
The sky was slate. Your eyes were asking me their first question.
I wished I had chalk.
But you already knew the answer.

I try to tell you now what you already were then,
But there aren't enough words in the world to tell you.

To tell you that your eyes looked like lifesavers.

To tell you that if I could,
I would develop my dreams at the nearest hour
drop shop and lay each frame out
like a quilt
and a collage.

(Because my mind is full
of a kind of mess that is never less
than warming.)

I would tell you that I hold your words under my tongue
To make sure they're always delivered warm.

And that if I leave them in there long enough
the fire starts.
My words melt into mercury
like ice in boiling water.

And I tell myself,
That if anyone really knew the heat,
They would stay the hell out of the kitchen.

But I made you something.
STLR Nov 2016
How many ladders does it take to get to the top of the atmosphere
Where ******* doesn’t matter, and matter doesn’t appear

I broke the physics 
my mental is often there
some say I’m too high


But heights are nothing fear

I’ve found a way to escape my current reality  

a path that’s unknown and doesn’t reflect my salary, place nor origin my story is far from vanity

To live a life of “routine” is a life full of tragedy, depression, and disparity

Especially if your dream was driven 
I’ve excelled in this keen vision 
Avoiding obstacles isn’t impossible 
If you keep rhyme

No retronym needed 
I slide on and off beat

This….next line is an e x a m p l e

My mind is often offset like a distorted sample

Your half way there take a tug of this **** rope, I attract flickers of light equal to that of a candle

A venomous vandal, soon to verbally attack and dismantle

Clear words, let’s separate the pure from the ramble

I am like Rambo with a headband that’s inverted in hue

Since I am blue I will never be evergreen, but that doesn’t mean that I’m not attracted to the words of that being

I'm more than fascinated, I’m reaching heights only illustrated in my imaginations

I'm seeking collaborations, creators of a different mind to calibrate with
No calculations could change my current status

No aggravation could shake
my 
Inner patience

Blasting straight from the basement
Scaling to higher places
Ladders on top of ladders

How many ladders will it take to make it?
Daisy Jul 2014
Fig.1.  It was 5 days - 4 days? - but I can't forget it.
           (By a road, brown buildings in the back, the filter is green - you    
            said you didn't know why. Half-smiles.)

Fig.2. Do you remember that you sent me this? Twice.
           (Same place, I kiss your cheek, you pull a sad face, a man walks by  
            in the background.)

Fig.3. God, that stupid headband.
           (Repeat again. Faces pressed, I smile big, you smile up, my hand is
            on your shoulder.)

Fig.4.  You said "The dots make it look arty." but that wasn't why I kept it.
           (Art gallery, two shots.)
           (At the bottom it says - I know that I will miss you.)
           (Nowhere it says - I will keep this because you will forgot to.)
Kassiani Nov 2010
You struggle with a corkscrew
I roll my eyes
We’re excited
Clattering glasses
Giggling
Scarfing Lay’s potato chips
Wavy, in case you were wondering
Like the hair that cascades
Over my shoulders
“Here’s to going behind my mother’s back!”
Cheers!
And we laugh some more
Even though my mind
Is protesting
You promise me fun
Lots and lots of fun
Because I need some
I agree
So down goes the bile
Already
It’s churning
Poisoning me faster than expected
My mouth is bitter
My stomach is too empty
My head is starting to swim
Down goes more bile
No use backing out now
I’m halfway gone
“To having fun!”
Cheers!
My hand trembles
Brings up the last of the bile
And down it goes
The room is unsteady
Or is that my balance?
Standing wasn’t such a good idea
So I fall back
Luckily there’s a bed
Was that always there?
“This probably isn’t a good idea…”
You assure me it is
So I guess I asked that
Out loud
I’m still talking
Whatever I said was terribly funny
For we’re laughing
Rolling around
As the room spins
Or is that just me?
You’re asking questions
I can’t answer you
My logic is indisposed at the moment
Stop asking me
Don’t ask me
Stop
Stop
I shouldn’t do this
My brain says it’s wrong
But it’s so soft here
And you say it’s fine, fine
No problem
No worries
No
A feeble protest
But I have no choice
Because reason is useless
And time just sped up
And I’m dizzy
Dizzy
Dizzy
What am I doing?
Slipping
Rolling
Writhing
Twirling
Reaching
Breathing
Spin­ning
Convulsing
Rocking
Losing it entirely
Up and down blur
My pulse is in my ears
Drumming in my head
Stop, stop,* stop!
My brain is shouting
Not right, not right, not right!
But it’s so fuzzy at the edges
So dizzy
And bitter
And bitten
And bleeding
Where’s my headband?
So disoriented
Can’t stop
Must stop
Not right
But so fun
No, not fun
Scary
Scary
Scary
No idea
What’s happening
Breathing
Too hard
Moving
Too fast
Boundaries
I need boundaries
Stop
Can’t
Hands in wavy hair
So tangled
Bruise-like marks
Hide them
Can’t let anyone see
Can’t tell
Must stop
Don’t leave a mark
Wait
Stop
No
What?
I’m
So
Confused
What’s
Happening?
Why
Am
­I
Doing
This?
Why
Can’t
We
Stop?
Must
Come
Down
So
High
Up
Too
Hi­gh
Up
So dizzy
So fuzzy
So woozy
Wobbling
Did I try to stand?
Let me down
Where are we now?
It’s green
So green
Leafy
Breezy
Walking—no, stumbling
Sit here
No, don’t start again
Must come down
Must retain reason
Must un-fuzz brain
Must stop

You promise me nothing will change

I slowly regain balance
The ground stops tilting
I’m shell-shocked
Realization crashes over me
Hits me
Knocks me over
And the guilt pours down
So bitter
Worse than bile
But I deserve it
I should have stopped
No, I never should have started
This changes *everything

Because I can’t face myself
With these memories
Running through my steadied mind
Written 9/23/07
Noah A Baker May 2014
It was spring.
She knew it, and he knew it too,
That none of them had ever felt
the blooming of a myrtle, billowing
through the toxic waste ridden, loose,
unsettled earth. Never once had they heard
the sound of a newborn baby girl,
arms outstretched, wailing and wiggling
desperately searching for her father’s gasp.
It was spring.
No longer was the need for oversized fur coats,
for she now donned high-waisted shorts and a floral headband.
He didn’t understand,
his boat shoes had served him faithfully through the seasons.
But now,
It was spring.
They had ambrosia, and with each sip,
a new wave of blissful intoxication spread through them.
The new hip outlived the old hop,
The beach bodyguard was more trusted than the cop.
She stared deep into the clouds:
Never before had she seen
a cloud carry a continent, colliding
with the twisted, darkening sky.
She knew the smell of rain.
It was spring.
This is going to be an ongoing poem composed of 3-4 parts, and Pt. 1 is still yet to be finished. This is just the beginning. Tell me what you think.
JT Dayt Dec 2015
You're like a headband
I'm used to wearing one
Can still feel it in my hair
Even if there's none
Missing my friend
My dad drove by, picking me up from school.
His ford Mustang just reached its twentieth year,
And is peeling along the side

It makes a roaring sound as we fire it up and speeds off with the smell of exhaust.
The top goes down, black canvas that folds neatly into the trunk.
That’s how we ride. With the top down and wind
Through our hair, blowing his hat and my headband into the back seat.
Losing things is always a hazard.

We drive until we reach a rusty sign
And hanging brown streetlights on their last gasp.
I can see white porches and picket fences,
And rocker chairs on the sides.

But we don’t stop here.
We keep on driving, tuning the radio to old country songs
And drive on, watching as stores give way to houses,
Houses to cottages, cottages to shacks, shacks to land, land to desert.
And we’re in the middle of nowhere, on a dirt road that stretches off into the distance
Surrounded by cacti and dirt

The wind is dry and hot, and I feel my mouth watering.
We step out and watch as the sun goes down,
Down below the horizon,
Watching as the last rays shine red and light up the sand like a glowing candle

Sunsets are best in the desert.
ab Dec 2016
one: isn't she just gorgeous?
two: i bought her the best clothes i could afford. i know she can't really appreciate them now, but i wanted her to look nice.
three: look at that smile, she's definitely one of God's beautiful angels
four: she looks so peaceful.
five: go be loud somewhere else, this isn't the occasion
six: thank you for the gifts, they're truly appreciated.
seven: i haven't been able to properly leave my house in a week, i've just had so much to do to prepare.
eight: her brother and sister brought a teddy bear for her, it's one of the softest things i've ever felt.
nine: i wish my father could have been here, i haven't seen him in such a long time.
ten: i just got her baptized.
eleven: i think the flower headband is a bit much, don't you? i mean, it's pretty, but i don't think it's necessary- she's pretty enough as is.
twelve: i'm going to be stuck at home for a long time after this, aren't i?
thirteen: when does the pain start going away?
fourteen: i haven't had time to take a shower in the past few days, it's been too difficult.
fifteen: come give your little sister a kiss. yes, i know she looks kind of funny but she's still your sister.
sixteen: these bills are going to be expensive
seventeen: i'm not sure what to do next.
eighteen: it's awfully cold in here.
nineteen: i've been tired for days
twenty:  look at my beautiful baby girl!
written about my cousin~
Sitting in a coffee shop in yupstown hipsville Brooklyn
scrawling in a notebook with a headband on
I become a caricature of myself
why these things even matter to me I cannot explain
but I feel like scumbag anyway

Constantly criticizing
revising
rewriting my words and theirs
my thoughts
"oh thats pretentious"
"what is that? your talking out your ***"
"why do I/you even bother?"
Why can't I just go?
Be
write write scribble doodle
think
at least I'm not the ******* sitting across from me
(there it goes again)

But i am part of a growing number
of diligent dilettantes
with notebooks and  novels
leather bound and worn
"vintage"
and "obscure" instruments
and tastes
because I am all leisure
I have that kind of time
but aren't I just another ****?
Cunting out my cunty cuntness
like it's something new
like i'm not just playing games
playing roles
half committed and pandering
to an audience of privilege
looking for clarity, or authenticity?
or am I just another salesman?

Ugh I cannot escape
my sense of inadequacy
I m a sham, a ******* artist
When is it going to ******* end....
is there any escape
that comes without labels
self imposed or otherwise?
(stop wining you ****!)
doesn't anyone else feel like this?
I'm talking to you hipsters.

oh, you're not hipsters my bad
Mote Oct 2015
Seven crows eating road ****, backdrop a rest stop. This is either a nightmare or my drive to work. And then there's cold glass and yellow latency, the heat turned up.
And just kidding, it isn't hidden - it's in my hair, the giant suckerfish, arranged like a headband - it's sick, this sizzlepop bad dream. Kind of sick. But really, just kidding, like the clown wearing a bowtie and selling catatonia down at the morbid sequin.
Eliza Aug 2019
Life is vast and full of mystery
The hands, the empty stands
With crowds yet to arrive
The feet, the secret walk ways
The paths all leading to change
The hearts, the half closed hollow trees
The black, the white, the grey
The rain falling on my headband
My silent eyes and screaming pride
All point in one direction, only to find
You are too far gone

— The End —