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"gentrified" poems
Monroe Ave c. 2018, in my own dream land. K. Daniel's Revelation, cannot reverse what's starting to happen. Darker, more forlorn. No more bar and restaurant patrons, the streets are just a scattered herd of pestilence. No cars, the somnambules own the streets in silence. Honey dripping hipsters, years gone. ***** clothes, hair past their pearls. Asking for boy, asking for O.P.s, asking for girl, asking for crack, asking for methamphetamines. The only noise. We lost the reclamation of the city our parents left. Escaping dead end cul-de-sacs of basement poverty, we no longer had to drive. Stacked with our friends in tenement commune. We delivered the body we consume in service, catering to a more privileged few. Only responsible for one when long work was done, I ensured my red blood's full of fun. We drank and inebriated with design when allowed more free time. But, darling, I think this town was already gentrified. We changed no thing.
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Dec 14, 2013
Dec 14, 2013 at 11:03 PM UTC
It Didn't Even Feel like a Nightmare
a ****** of crows gathers over Hamburg, carrion carrying on with business as usual. feeding on the festered flesh of a gentrified populace. in private jets coughing carbon they fly from the west on turbine wings, engines screaming as they dive towards a nation secured by razor-wound walls and barb-wire borders. they pitched a battle in Germany, convinced that austerity would ******* the resistance and give justification to premeditated violence. but the tables have turned on the thieves again. we are the end result of your failed policies, globalization has destroyed our homes. if your cabal rallies like a kettle of vultures, you will do so behind closed doors, cowering in your fortress' halls. you shall not pass. watch as the power shifts like the melting gears of torched BMWs. we will tear the vestiges of your authority down. we will black out your surveillance cameras, smash your windows, and block your limos. no pasaran. flee, while you can still run. this city belongs to the wild ones, a black bloc, thousands strong, dancing amidst the tear gas, tossing molotovs. marching to liberty's sturdy drum, equal in our solidarity song.
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Jul 8, 2017
Jul 8, 2017 at 12:14 PM UTC
(bloc)k
I. something within me, maybe its my amigdala, misses the oven-turned-gentrified clot, that great collection of want, of transient soles-souls. I miss how we’re piled three stories high, so close to each others’ mouths that we must burrow in criss crossed, colliding tunnels to our point b’s, our job sites, our lovers’ houses. maybe it is indeed part of our un-nature to do this, to cling to one another even as our unforgiving sungod bakes us whole, cornish game hens on the el train, hurdling 40 mph, to and from our personal hovels, heavens and bedsheets, tethered to this place, possibly indentured, definitely flawed, where we revel under roofs to prove incredibleness an virility. II. our eyes are not closed today. they may not blink in unison as mannequin lids do, so effortlessly, plastic and mechanical, but those, we are thankfully not. for we are flesh, and air, and miles of gastrointestinal turnpike, if unpinned, would stretch from here to panama. we are each of us a viscous mound called Sally, Bertram and Queen Mary. We are the collision of milk flowing, divine, a whirling dervish in scalding darjeeling. we are air, gliding over enamel into the collective breath to be devoured so sweetly by others, as saintly man-scripted gelato, dribbling down our chins in piazzas. la dolce ************* vita. III. that’s the funny thing about living in this size 2 world, the ability to appear anywhere upon its face at a moment’s notice, to be in front of any face when desired, to live sans toll booth or customs desk, to simply dust off our ability to fly and tumble icarus-adolescent into the collision between the two blue planes called sea and sky
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Jun 7, 2011
Jun 7, 2011 at 9:58 AM UTC
La Marzocco Lionhead
I. something within me, maybe its my amigdala, misses the oven-turned-gentrified clot, that great collection of want, of transient soles-souls. I miss how we’re piled three stories high, so close to each others’ mouths that we must burrow in criss crossed, colliding tunnels to our point b’s, our job sites, our lovers’ houses. maybe it is indeed part of our un-nature to do this, to cling to one another even as our unforgiving sungod bakes us whole, cornish game hens on the el train, hurdling 40 mph, to and from our personal hovels, heavens and bedsheets, tethered to this place, possibly indentured, definitely flawed, where we revel under roofs to prove incredibleness an virility. II. our eyes are not closed today. they may not blink in unison as mannequin lids do, so effortlessly, plastic and mechanical, but those, we are thankfully not. for we are flesh, and air, and miles of gastrointestinal turnpike, if unpinned, would stretch from here to panama. we are each of us a viscous mound called Sally, Bertram and Queen Mary. We are the collision of milk flowing, divine, a whirling dervish in scalding darjeeling. we are air, gliding over enamel into the collective breath to be devoured so sweetly by others, as saintly man-scripted gelato, dribbling down our chins in piazzas. la dolce ************* vita. III. that’s the funny thing about living in this size 2 world, the ability to appear anywhere upon its face at a moment’s notice, to be in front of any face when desired, to live sans toll booth or customs desk, to simply dust off our ability to fly and tumble icarus-adolescent into the collision between the two blue planes called sea and sky
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52
For I will consider a town called Riverside. For its only river, the dry Santa Ana, it's shore peppered with the homeless, garbage, an old shoe, a cart stolen from the grocery. For its downtown with dried gum spots all along the sidewalk, its dive bars with regulars pouring in at 3pm and pouring cheap beer into their gullets until morning. For its overpriced theatre, a gentrified landmark, driving the sun-hot strays to the park. For the park, and a lake, dotted with boats in the summer, driven by tired feet, hands hiding beer in gas station soda cups. For the mountain, with the old ladies, counting every step, looking up to the cross and over the edge onto a thick brown smog. For the steepled churches on every corner, waking us every Sunday to pray to a hotly scarce God. For I will consider a town called Riverside.
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Oct 18, 2018
Oct 18, 2018 at 2:21 AM UTC
Riverside
thinking about how cops are beating protestors senseless not even 20 minutes from where i live. thinking about how they block off the streets and stand unmasked, batons in hand, other hand resting pointedly on their gun. thinking about how it could be me next— another unspecified black face and black body and black existence snuffed out— a hashtag, a mural. (and those are the lucky ones.) thinking about how a memorial is the best case scenario for a black life. thinking about the bodies in the street. thinking about blood splattering the ground, mixing with paint and obscuring the “black lives matter” lettering on the road. thinking about the chalk art and loud music in a neighborhood soon-to-be-gentrified. thinking about how we’ve grown used to the stench of rotting flesh outside our doors. thinking about the taste of blood in my mouth from my nearly-severed tongue i didn’t realize i was biting. thinking about the tension in my neck and jaw. thinking about the way my eyes never seem to close. thinking about the eyes that will never again open. thinking thinking thinking.
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Sep 27, 2020
Sep 27, 2020 at 4:27 PM UTC
11:23 pm
i enjoy england with its little houses hips brushing, faces smushed together to revel in quaint rumour among gentrified lilies and pink lady apples that blush in the summer its walkways and alleys dribbles of soft lamplight guiding the drunkard, moth-brained and ill with silk threads to a blind spot of amber where muck can be spilled the people on transport with their airy talk, their mindless silence, heads lolling idly on windows, eyes crumpling like napkins against the leaking crumbs of warm scone sun pretty little England where exploitation is vintage and runs like rosé down the dusty store windows here we are free to stumble down streets with sweat in our hair and manic karaoke reverberating off the walls glee drinking is government protected I'm quite in love with england, this field of dew and white roses fed by gore and sweet tradition where fresh-faced, sunny children play.
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May 10, 2020
May 10, 2020 at 9:48 AM UTC
national romance
In the beginning it was already the end. That distant apocalypse was here all along, Riding freight trains and eating the "trash" There when they boarded up the Slavic village. There when the fresh prince gentrified Philly. So much apocalypse has been swept under the rug that the middle class can't keep their balance with the weight of the rich on their backs. Stepping around the smoldering hell holes of Centralia, while the earth quakes from underground fracking. The ash and smog hides the glitter of aluminum in the air. The water laced with fluoride, lead, arsenic, cancer. The seas run black with greed. Designer labels sit passed by on goodwill shelves. By the time it began, it was already over. Anyone who didn't notice yet, just had to go hungry first. Bread and circuses, just like Rome.
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Apr 18, 2014
Apr 18, 2014 at 8:42 AM UTC
Goodbye Rome
The yonder above is forever bruised and opaque Reigning over glum faces Complexions washed with a bloodless shade of dispassion Robotic, disengaged. Material desires are quenched with vast shopping centres Credit Cards hold on for dear live As every last drop of sweet money is rinsed from that plastic rectangle. Living beyond our means Whilst simultaneously refusing to give up on Sky TV box sets and liquid lunches. Hooked to our phones, but not for telephone communication Rather, for self validation Defined by the click of a heart or pathetic thumb. The once friendly communities With blood coursing through their veins Are husks of their previous life form, gentrified beyond recognition. Filtered faces with protruding spines and modified features Infiltrate mass media Corrupting the definitions of success and beauty. Plastic personalities reign supreme Vacuous minded socialites profess women’s empowerment begins with the flaunting of skin Rather than the possession of a strong mind. Many bury their heads in the sand Residing in ignorance As mass genocides and civil wars manifest every second. Or worse, they read the TORYgraph and THE ****   Believing immigrants spawn white genocide And white conservatives suffer oppression. Pffft! I have deep contempt for those behind these ***** tabloids Murdoch and his monsters Orchestrating lies and bile Destroying lives or scaremongering the impressionable Committing the most savage, sycophantic crimes In order to extract Monday’s headline. I do not suffer fools Especially those who make up the tapestry of dystopia A failing age of doom.
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Feb 11, 2018
Feb 11, 2018 at 12:00 PM UTC
Dystopia and Her Tragic Tapestry
The yonder above is forever bruised and opaque Reigning over glum faces Complexions washed with a bloodless shade of dispassion Robotic, disengaged. Material desires are quenched with vast shopping centres Credit Cards hold on for dear live As every last drop of sweet money is rinsed from that plastic rectangle. Living beyond our means Whilst simultaneously refusing to give up on Sky TV box sets and liquid lunches. Hooked to our phones, but not for telephone communication Rather, for self validation Defined by the click of a heart or pathetic thumb. The once friendly communities With blood coursing through their veins Are husks of their previous life form, gentrified beyond recognition. Filtered faces with protruding spines and modified features Infiltrate mass media Corrupting the definitions of success and beauty. Plastic personalities reign supreme Vacuous minded socialites profess women’s empowerment begins with the flaunting of skin Rather than the possession of a strong mind. Many bury their heads in the sand Residing in ignorance As mass genocides and civil wars manifest every second. Or worse, they read the TORYgraph and THE ****   Believing immigrants spawn white genocide And white conservatives suffer oppression. Pffft! I have deep contempt for those behind these ***** tabloids Murdoch and his monsters Orchestrating lies and bile Destroying lives or scaremongering the impressionable Committing the most savage, sycophantic crimes In order to extract Monday’s headline. I do not suffer fools Especially those who make up the tapestry of dystopia A failing age of doom.
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37
Donald J. Trump: Say what you will, but He’s the only guy out there Asking the obvious questions, Common sense questions like *“Why don’t Japan, South Korea & The House of Saud, pay the USA for Defending them militarily?”* We sustain their political status quo, We put boots on their ground, & We provide them gold-plated munitions of Mass Devastation (like Mass Destruction only worse.) What do we get? Bupkis, as in “Bupkis Mit Kaduchas" באָבקעס מיט קדחת Translating roughly to *“Shivering **** ***** The 2016 election truly highlights A profound social shift taking shape, A demographic division, similar to what The 1960s called the Generation Gap. Trump is anathema to most of our Over-indulged, Millennial offspring; Our privileged kids, a cohort of Americans children Reared by blue-collar but college-educated parents, Those of us who busted *** for our Bourgeois lifestyle & discrete charm. We were the Flower Children of the 60s. We left Yasgur’s farm on a Hallucinogenic carpet high but rudely Crash-landed, a consequence of Altamont Speedway, Gasoline queues & shortages, & Years of bipolar economics, Replete with spinning gerbil wheel of Double-digit inflation. We went to work. We got our **** together. We settled down. We gentrified. Our kids? They tell their friends they are house sitting, But the place is the house they grew up in & Their parents still live there.
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Sep 27, 2016
Sep 27, 2016 at 2:19 AM UTC
"BUPKIS"
We still see and hear their annoying class, business Blackberry users amplify their relic, a discourse with the plebs, plumb clipped tones from deepest Home counties and southern coast tired men with families moved to gentrified London, at any farmers market you catch them in their 4x4, dress down best a pram in tow, Pomfrey  junior their prodigal Norman sounding offspring rhetorically the promised land, a seed bank unending.
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Dec 18, 2012
Dec 18, 2012 at 4:24 AM UTC
Sleeping entitlement .
The day is done— Clock strikes 4pm, And it’s time to walk home, again. It’s raining and cold. I lock up my desk, And head to the elevator Ready to leave, say goodbye to this place; Down 34 floors, exit to pavement’s freedom; I pass the larger than life Plato blue abstract statue, Cardio up the hill, Sadly, smell human waste Coming from a small enclave Of trees, where the homeless sleep. I usually hold my breath and count my blessings. I realize that any of us might easily become homeless. I am grateful for my life and a place that keeps its warmth. Then, I walk across the bridge, Rush hour traffic stalled like a clogged artery. Many cars, lights, and skyscrapers line the distance. I like to think of the city as a heart in human body, And the closer you get to its core, you can hear its blood flow. Once past this point, I feel I can breathe again as the cells Spread out more to my neighborhood, gentrified; Pass the latest construction with a sign that displays, “Affordable Housing for All.” I have yet to see it. Marijuana streams drift out windows, There's the school overlooking to mountain's peak; Just three more cross walks and I’ll be home, free.
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Dec 9, 2018
Dec 9, 2018 at 3:14 PM UTC
Walk Home
Fall. Run-down places are the nature of things the decay that the gentrified smile of each city tries to cover up as trains move past them. The empty strip mall, the mid-nowhere gas station, the vacant lots and bordered windows and all those hollow ruins for lease between the lights of the rented spaces we call home at night So when you reply with silence as the answer I have no choice but to accept, I think of an entire ghost town built on the sincerity of those run-down places where no one goes And I go there, alone not lonely, if only to seek the company of the quiet truth that demands no explanation for why she left or why I returned to walk down each deserted lane from memory toward what I once called my hometown, my old stomping grounds I ask if I am okay with the absence and let the replies come in echoes against the shell of my former house carrying the sound of far-off ocean waves maybe, a Rocky, sandless beach in the Pacific Northwest where we'll meet again someday okay at last with the silence that comes from leaving everything behind and just going. Rise. Spring is you reborn. a re-learning of steps needed to stand alone. Spring is the water from the sink that hits you between the eyes with the cold, hard fact that love dies and you live on. Spring is a face-off with new realities a rising to the ocassion as the weight of colder and darker days thaw off bent shoulders under the cleanse of April's first shower. Spring is baptism. Your re-newed steps pound the same pavement like falling petals this time around And you remember, finally, That you loves you And you're forgiven when you did not. You remember where it was you were going today Spring is hello, good morning Let's go for a coffee and talk about what we dreamed until we wake up early enough to greet the brightness ahead.
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May 26, 2019
May 26, 2019 at 8:33 AM UTC
Fall, Rise
Fall. Run-down places are the nature of things the decay that the gentrified smile of each city tries to cover up as trains move past them. The empty strip mall, the mid-nowhere gas station, the vacant lots and bordered windows and all those hollow ruins for lease between the lights of the rented spaces we call home at night So when you reply with silence as the answer I have no choice but to accept, I think of an entire ghost town built on the sincerity of those run-down places where no one goes And I go there, alone not lonely, if only to seek the company of the quiet truth that demands no explanation for why she left or why I returned to walk down each deserted lane from memory toward what I once called my hometown, my old stomping grounds I ask if I am okay with the absence and let the replies come in echoes against the shell of my former house carrying the sound of far-off ocean waves maybe, a Rocky, sandless beach in the Pacific Northwest where we'll meet again someday okay at last with the silence that comes from leaving everything behind and just going. Rise. Spring is you reborn. a re-learning of steps needed to stand alone. Spring is the water from the sink that hits you between the eyes with the cold, hard fact that love dies and you live on. Spring is a face-off with new realities a rising to the ocassion as the weight of colder and darker days thaw off bent shoulders under the cleanse of April's first shower. Spring is baptism. Your re-newed steps pound the same pavement like falling petals this time around And you remember, finally, That you loves you And you're forgiven when you did not. You remember where it was you were going today Spring is hello, good morning Let's go for a coffee and talk about what we dreamed until we wake up early enough to greet the brightness ahead.
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41
I wrote this in the dark. Because the last poem stripped from the book binding and ripped from my chest was not valued at the utility company's worth; a two-hundred dollar bill is not easily disbursed when each poem nets zero cents per word. A candlestick will dematerialize faster than a wax seal on parchment - one that establishes the epoch of Civil Rights - this is a correlated falsehood of fixed rents in a gentrified neighborhood. The plus-side of ******* the poor to cater to the wealthy is that when the new occupants move in, and the stainless steel refrigerator is moved in, the empty box is placed at the curb, and with the right imagination it can easily become a home for two.
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Aug 27, 2015
Aug 27, 2015 at 6:36 PM UTC
Some Common Cents
I am dead. Cloven flesh, spirit hiding shadows, some place, no place, sow below the flow of thought - amiable calamity on the part of the lethargic. That sense faded west tasting living sweat and I can’t even feel the uncaring caress of ill ideals seeping through green-blue, all eyes gray through prismatic roots. Wheels touch paper wedges, circlets adorning colored names to beats and lengths of waves, crystalline wrists intact but can’t my legs catch the drift? The day fades salty across my brow, spit up gentrified goodbyes dancing the fine line catching boldly to dusk, webs of light casting Terra’s abortions into night. I feel adrift atop bending winds soaring, grasping at the sky; I’m laughing crawling forward, snatching feelings named in my self-absorbed ways. Oh! how it bursts forth! Explosions off in the distance tuning eyes to white and back again, heaving ribs spitting venom, ideas ***** abominations, I feel at home at last. I cry at simplicities feet, todays imagined forays into Death again foiled by a common sense which refuses neglect, wresting forever rest from out my chest, a wasted breath. And what to do with indulgent Death? What of her bright eyes catching mine, shaken thoughts grow cold inside, so cold she warms my flesh for tomorrows.
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Jun 18, 2010
Jun 18, 2010 at 2:47 PM UTC
Birthday Indulgence
gentrified entanglement a week dismembered, full of craven gullibility bags of flesh mouthing silent words in the hollow earth stained red with leaking passion. as an oil spill tucked neatly away in the purest parts of the sea, swelling and gathering speed to blacken the earth. angels dance with a cadence of indeterminate in origin, lacking in self preservation a hundred thousand pretty words wrought of iron, worn down by the ebb of time, which drives all towards infinity. there are things in this world which we choose to believe because the alternative is all to terrible to abide.
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Apr 8, 2012
Apr 8, 2012 at 2:38 PM UTC
magnifice colluding which destroys souls
Tick tock went the clock, echoing through monastery halls, synchronizing the actions of men, building up modernity’s walls. Creatively destructive, eternal yet fleeting, modernity was paradoxical, according to the Harvey reading. Art had expanded, abstraction arises, and Sigmund loves his mom, more than anyone realizes. Our friends the id, the ego and its super, tell us who we are, Freud has the world in a stupor. A catch-22 for dear Pablo, who will sleep with a **** but is terrified of syphilis, as is seen in his art. There was power and truth, and Foucault says we’re repressive, but suddenly things change, Postmodernity becomes quite impressive. PoMo cares not for beauty, or what pleases the public eye. It’s style for style’s sake, in the buildings stretching toward the sky. Uma dances with John, a young boy finds a severed ear, Joaquin loves his OS, PoMo film is, well, Queer. Yuppies love pastiche, their lofts were once a workplace, they’ve coated them with chrome, they’ve gentrified the space. Unlimited breadsticks have soiled the very Italian name, Baudrillard says it’s simulacrum, there is no truth, it’s all the same. We traipse through this postmodern world, not knowing postmodernity is where we are. We wear workboots to fashion shows, we worship that reality star. We think we’re special snowflakes, and skinny jeans make us cool, and media exposure’s made us cynics, quite impossible to fool. What we don’t realize is that we are not our own, we are pseudo individuals, through PoMo we have grown.
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May 31, 2016
May 31, 2016 at 11:09 PM UTC
Postmonerdity
Tick tock went the clock, echoing through monastery halls, synchronizing the actions of men, building up modernity’s walls. Creatively destructive, eternal yet fleeting, modernity was paradoxical, according to the Harvey reading. Art had expanded, abstraction arises, and Sigmund loves his mom, more than anyone realizes. Our friends the id, the ego and its super, tell us who we are, Freud has the world in a stupor. A catch-22 for dear Pablo, who will sleep with a **** but is terrified of syphilis, as is seen in his art. There was power and truth, and Foucault says we’re repressive, but suddenly things change, Postmodernity becomes quite impressive. PoMo cares not for beauty, or what pleases the public eye. It’s style for style’s sake, in the buildings stretching toward the sky. Uma dances with John, a young boy finds a severed ear, Joaquin loves his OS, PoMo film is, well, Queer. Yuppies love pastiche, their lofts were once a workplace, they’ve coated them with chrome, they’ve gentrified the space. Unlimited breadsticks have soiled the very Italian name, Baudrillard says it’s simulacrum, there is no truth, it’s all the same. We traipse through this postmodern world, not knowing postmodernity is where we are. We wear workboots to fashion shows, we worship that reality star. We think we’re special snowflakes, and skinny jeans make us cool, and media exposure’s made us cynics, quite impossible to fool. What we don’t realize is that we are not our own, we are pseudo individuals, through PoMo we have grown.
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57
Baltimore this is a love poem. Baltimore this is a break up poem. Baltimore, I remember when I first fell in love with you. It was 2012 I wandered around the city taking ****** pictures of street art. Took free public transit. Spent the afternoon at the old, old red Emma's back when it wasn't bougie. Baltimore I knew what you were but I couldn't help it, I fell in love. Baltimore I remember courting you, thinking maybe I could call you Home. You Greatest City in America you both gentrified and run down all at once. In 2014 you held me through my numbed out days, through my drunken nights. You with your ****** transportation that might or might not arrive. You with your gentrified Hampden where I once heard a white man say he felt "So safe." You with your burnt out building I climbed with a girl who'd one day leave me behind. You with your street cats, street rats. You with the Royal Farms that sold cheap Mikes Hards. I could barely love myself, but I still loved you. Baltimore, I need you to know that I will always care for you, but somewhere along the way something broke in me. Baltimore, you held me then, still hold me even now, but it's getting time for me to move on. It's not you, it's me. My restlessness, my ungratefulness, of what you've done for me. My inability to value potential stability, potential community. It's not me, it's you. It's all the same with you, same scene, same bars, same parties. Baltimore, I love you, I really do. Baltimore, I'm sorry, but we need to take a break long-term. Need to start seeing other people. Don't cry, it's better this way. And besides, you're not, could never truly be home. Baltimore this is a love poem. Baltimore this is a break up poem. Baltimore, maybe one day when the dust settles we can be friends. But for now, I need to leave. I love you. Good bye.
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May 30, 2020
May 30, 2020 at 6:27 PM UTC
Break Up with Baltimore
Baltimore this is a love poem. Baltimore this is a break up poem. Baltimore, I remember when I first fell in love with you. It was 2012 I wandered around the city taking ****** pictures of street art. Took free public transit. Spent the afternoon at the old, old red Emma's back when it wasn't bougie. Baltimore I knew what you were but I couldn't help it, I fell in love. Baltimore I remember courting you, thinking maybe I could call you Home. You Greatest City in America you both gentrified and run down all at once. In 2014 you held me through my numbed out days, through my drunken nights. You with your ****** transportation that might or might not arrive. You with your gentrified Hampden where I once heard a white man say he felt "So safe." You with your burnt out building I climbed with a girl who'd one day leave me behind. You with your street cats, street rats. You with the Royal Farms that sold cheap Mikes Hards. I could barely love myself, but I still loved you. Baltimore, I need you to know that I will always care for you, but somewhere along the way something broke in me. Baltimore, you held me then, still hold me even now, but it's getting time for me to move on. It's not you, it's me. My restlessness, my ungratefulness, of what you've done for me. My inability to value potential stability, potential community. It's not me, it's you. It's all the same with you, same scene, same bars, same parties. Baltimore, I love you, I really do. Baltimore, I'm sorry, but we need to take a break long-term. Need to start seeing other people. Don't cry, it's better this way. And besides, you're not, could never truly be home. Baltimore this is a love poem. Baltimore this is a break up poem. Baltimore, maybe one day when the dust settles we can be friends. But for now, I need to leave. I love you. Good bye.
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106
Stand up Stand up Stand up proud on the soapbox U got something to say? Say it Say it Say it proud on the soapbox U ready now? Get up Get up Get up on that soapbox (Speaker crackles) Hi. Crowd: hi! My name is Prince L and I'm here to offend you. Crowd: gasp!!!(Murmurs) so settle down. it seems I can't reach your standards of presentation. is my hair to ***** are my clothes to cheap, hell anyone can see, I wear my **** proudly, Crowd: gasp harder!!! He did not! I did, oh **** I forgot I'm not supposed to cuss, o well too late, watch it unfold, my fate. this is my first time on the soapbox, let's talk about that, the box, is it needed? People use it as a trough to feed these stagnant ideas of life and how to live it. Why does everyone need to be categorized and seeded? Crowd: hmmmmm.... The disparities between race in class are magnified cause we are gentrified, so we all feel polar to the other, opposite the fact we are born from another, check me I have love for you because you are you no matter your crew. O you have a conflict of view, don't matter unless u mad hatter tryin to riddle your way through the middle, cause in reality most of us are in this middle group, are you following? You're a regular sleuth. Crowd: huh? We want truth. Try this on for size. I think you might find, the separation between elite and u is a lot, spot the differences? if you were part of the one you wouldn't be arguin with everyone. They got lawyers for that, they mouths stay strapped ready to ****** from you, so don't worry boo keep jaw jackin while the keep straight jackin, stealin, thievin, everything you see, reapin, the earth of its resources slowly turning it to hell. Its not a perception its a perpetual. why you think they always gathering, resources, yea they planning it, to own the world, don't be a fool. Crowd: no way!! I'm tellin you pray. Appreciate the ppl who stand upon the soapbox, why? Cause they be fightin for every ones freedom. No matter the cause, no matter the fight,
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Feb 16, 2012
Feb 16, 2012 at 12:06 PM UTC
Soapbox (unfinished)(uneditied)
Stand up Stand up Stand up proud on the soapbox U got something to say? Say it Say it Say it proud on the soapbox U ready now? Get up Get up Get up on that soapbox (Speaker crackles) Hi. Crowd: hi! My name is Prince L and I'm here to offend you. Crowd: gasp!!!(Murmurs) so settle down. it seems I can't reach your standards of presentation. is my hair to ***** are my clothes to cheap, hell anyone can see, I wear my **** proudly, Crowd: gasp harder!!! He did not! I did, oh **** I forgot I'm not supposed to cuss, o well too late, watch it unfold, my fate. this is my first time on the soapbox, let's talk about that, the box, is it needed? People use it as a trough to feed these stagnant ideas of life and how to live it. Why does everyone need to be categorized and seeded? Crowd: hmmmmm.... The disparities between race in class are magnified cause we are gentrified, so we all feel polar to the other, opposite the fact we are born from another, check me I have love for you because you are you no matter your crew. O you have a conflict of view, don't matter unless u mad hatter tryin to riddle your way through the middle, cause in reality most of us are in this middle group, are you following? You're a regular sleuth. Crowd: huh? We want truth. Try this on for size. I think you might find, the separation between elite and u is a lot, spot the differences? if you were part of the one you wouldn't be arguin with everyone. They got lawyers for that, they mouths stay strapped ready to ****** from you, so don't worry boo keep jaw jackin while the keep straight jackin, stealin, thievin, everything you see, reapin, the earth of its resources slowly turning it to hell. Its not a perception its a perpetual. why you think they always gathering, resources, yea they planning it, to own the world, don't be a fool. Crowd: no way!! I'm tellin you pray. Appreciate the ppl who stand upon the soapbox, why? Cause they be fightin for every ones freedom. No matter the cause, no matter the fight,
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25
By: Cedric McClester What’s happened to the neighborhood They say it’s gone from bad to good And if it has then knock on wood Cos some folks thought it never could Change the profile that it had And become the latest fad But in a sense it’s kinda sad That now we can’t afford a pad Remember when the neighborhood Was where we fled from if we could We should have stayed right where we stood Cos now that real-estate is good It’s as inevitable as it’s strange The only constant is the change That witnesses things rearrange In neighborhoods that ran the range Of urban ghettos caught up in blight That once inspired suburban flight Whether that was wrong or right Squarely lies in the beholder’s sight Remember when the neighborhood Was where we fled from if we could We should have stayed right where we stood Cos now that real-estate is good The politicians must have lied As the will of the people was defied And mom and pop stores slowly died While neighborhoods have gentrified Remember when the neighborhood Was where we fled from if we could We should have stayed right where we stood Cos now that real-estate is good They’ve now confirmed our worst fears Today nobody stops and stares At those urban pioneers Who’ve infiltrated everywheres Now it isn’t based on race Which in the past was the case The economics has replaced Past issues that were at the base The politicians must have lied As the will of the people was defied And mom and pop stores slowly died While neighborhoods have gentrified Remember when the neighborhood Was where we fled from if we could We should have stayed right where we stood Cos now that real-estate is good What’s happened to the neighborhood They say it’s gone from bad to good And if it has then knock on wood Cos some folks thought it never could Change the profile that it had And become the latest fad But in a sense it’s kinda sad That now we can’t afford a pad (c) Copyright 2015, Cedric McClester. All rights reserved.
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Apr 25, 2015
Apr 25, 2015 at 12:37 AM UTC
WHAT'S HAPPENED TO THE NEIGHBORHOOD?
By: Cedric McClester What’s happened to the neighborhood They say it’s gone from bad to good And if it has then knock on wood Cos some folks thought it never could Change the profile that it had And become the latest fad But in a sense it’s kinda sad That now we can’t afford a pad Remember when the neighborhood Was where we fled from if we could We should have stayed right where we stood Cos now that real-estate is good It’s as inevitable as it’s strange The only constant is the change That witnesses things rearrange In neighborhoods that ran the range Of urban ghettos caught up in blight That once inspired suburban flight Whether that was wrong or right Squarely lies in the beholder’s sight Remember when the neighborhood Was where we fled from if we could We should have stayed right where we stood Cos now that real-estate is good The politicians must have lied As the will of the people was defied And mom and pop stores slowly died While neighborhoods have gentrified Remember when the neighborhood Was where we fled from if we could We should have stayed right where we stood Cos now that real-estate is good They’ve now confirmed our worst fears Today nobody stops and stares At those urban pioneers Who’ve infiltrated everywheres Now it isn’t based on race Which in the past was the case The economics has replaced Past issues that were at the base The politicians must have lied As the will of the people was defied And mom and pop stores slowly died While neighborhoods have gentrified Remember when the neighborhood Was where we fled from if we could We should have stayed right where we stood Cos now that real-estate is good What’s happened to the neighborhood They say it’s gone from bad to good And if it has then knock on wood Cos some folks thought it never could Change the profile that it had And become the latest fad But in a sense it’s kinda sad That now we can’t afford a pad (c) Copyright 2015, Cedric McClester. All rights reserved.
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58
I. Drinking on a Tuesday is just a Tuesday here. When you wouldn’t walk me home for my contact case I cried like the rummed-up little girl I was (am) walking back to your place on the train tracks. It was the first time since I moved here I’ve been able to cry; so it all came down in snot and salt. Every last thing. The pressure and my father and depressive tendencies, my mother won’t see me. blurted on the grimy floor of your bathroom I couldn’t get up for sobbing. How I don’t love you. And I’m not going to love you. But I don’t think you’re going to love me either (I didn’t say that out loud). You held me anyway; shame. because no one sees me like this. This is the way that I am When my contacts fell out I stuck them in saline filled shot glasses and you told me to blow my nose on a paper towel. Then undressed me like I was two again and held me while I cried myself to sleep. II. Sometimes you’re at your lowest curled up naked in a helpless bed inadequate with nerves and pressure so we just talk about our lives and I hold you, and you cling to me It’s more intimate than *** anyway. About my weak ankle and your broken wrist, our families, all the times we’ve been kicked out of our homes. One day you might come home and listen to the jazz music in June with me we’ll take a picnic and meet my families One day I might go to your home and climb the tree on a cliff eat beef and broccoli with your uptight step mother and see all the walls you’ve painted in the city all the secret underground sewers painted with your name. III. Sat on a still plane in the gentrified south panicked about what exact day it was that month. One day too late. Which is when you start to worry. We love so young and free, but I know you don’t really love me. We’ve got big, big plans that don’t include each other. No mistakes can hold me down to you, nothing. I am meticulous with foil packets and times. My sweet artist, I don’t know how to ask why you stick around, if you’re following my rule, if you’re in it a little bit for my brain too. I’ll charm your friends and make sure you get your hair cut. You’ll teach me to brew your coffee and smoke a pipe As long as you don’t love me, I don’t love you.
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Jan 11, 2012
Jan 11, 2012 at 1:00 PM UTC
Place Holder
I. Drinking on a Tuesday is just a Tuesday here. When you wouldn’t walk me home for my contact case I cried like the rummed-up little girl I was (am) walking back to your place on the train tracks. It was the first time since I moved here I’ve been able to cry; so it all came down in snot and salt. Every last thing. The pressure and my father and depressive tendencies, my mother won’t see me. blurted on the grimy floor of your bathroom I couldn’t get up for sobbing. How I don’t love you. And I’m not going to love you. But I don’t think you’re going to love me either (I didn’t say that out loud). You held me anyway; shame. because no one sees me like this. This is the way that I am When my contacts fell out I stuck them in saline filled shot glasses and you told me to blow my nose on a paper towel. Then undressed me like I was two again and held me while I cried myself to sleep. II. Sometimes you’re at your lowest curled up naked in a helpless bed inadequate with nerves and pressure so we just talk about our lives and I hold you, and you cling to me It’s more intimate than *** anyway. About my weak ankle and your broken wrist, our families, all the times we’ve been kicked out of our homes. One day you might come home and listen to the jazz music in June with me we’ll take a picnic and meet my families One day I might go to your home and climb the tree on a cliff eat beef and broccoli with your uptight step mother and see all the walls you’ve painted in the city all the secret underground sewers painted with your name. III. Sat on a still plane in the gentrified south panicked about what exact day it was that month. One day too late. Which is when you start to worry. We love so young and free, but I know you don’t really love me. We’ve got big, big plans that don’t include each other. No mistakes can hold me down to you, nothing. I am meticulous with foil packets and times. My sweet artist, I don’t know how to ask why you stick around, if you’re following my rule, if you’re in it a little bit for my brain too. I’ll charm your friends and make sure you get your hair cut. You’ll teach me to brew your coffee and smoke a pipe As long as you don’t love me, I don’t love you.
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54
I remember the lights going off in the brains of young poets. Deep in the dank streets of New York or Columbia college. When the blues and twos would come and round up The beatniks snapping to the howl of a homosexual mind. When the generational attitudes of those too old to know, Control the ****** acts of “violence”, or The deepening scars of our philosophies. When the urbanization of historical prowess leads to Gentrified gypsies of the diamond deserts and endless skyways When the great in the country isn’t good enough For the red hats and spray tanned millionaires. When the stocks of corporate dragons burn down The attempts of upstart knights and online kingdoms. When the politicians of old become the scapegoats For the ironically gerontocratic few. When the female few who dared couldn’t find their lost primaries Or control the lifeblood leaking out of the Strait of Hormuz.   When the powerful and powerless fought in-between The dejected and all too often ignored. When the powered halogen lights flooded prison yards of Wrongly convicted and murderously in need of help. When the San Francisco clubs lit up with muzzle flash And the dancers lay weeping in their blood. When the schools became places to duck and cover Or learn to trip a friend when running from a gun. When parkland high became a manufacturing ground For casings, tears, and candlelight vigils. When the American dream came combo packaged And supersized with obesity and unemployment. When the education of the youth became about The profit margin in a spreadsheet full of debt. When the sun sets in the smoke filled horizons And sleepless rest settles on the western front.
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Dec 4, 2020
Dec 4, 2020 at 1:16 AM UTC
I Remember.
I remember the lights going off in the brains of young poets. Deep in the dank streets of New York or Columbia college. When the blues and twos would come and round up The beatniks snapping to the howl of a homosexual mind. When the generational attitudes of those too old to know, Control the ****** acts of “violence”, or The deepening scars of our philosophies. When the urbanization of historical prowess leads to Gentrified gypsies of the diamond deserts and endless skyways When the great in the country isn’t good enough For the red hats and spray tanned millionaires. When the stocks of corporate dragons burn down The attempts of upstart knights and online kingdoms. When the politicians of old become the scapegoats For the ironically gerontocratic few. When the female few who dared couldn’t find their lost primaries Or control the lifeblood leaking out of the Strait of Hormuz.   When the powerful and powerless fought in-between The dejected and all too often ignored. When the powered halogen lights flooded prison yards of Wrongly convicted and murderously in need of help. When the San Francisco clubs lit up with muzzle flash And the dancers lay weeping in their blood. When the schools became places to duck and cover Or learn to trip a friend when running from a gun. When parkland high became a manufacturing ground For casings, tears, and candlelight vigils. When the American dream came combo packaged And supersized with obesity and unemployment. When the education of the youth became about The profit margin in a spreadsheet full of debt. When the sun sets in the smoke filled horizons And sleepless rest settles on the western front.
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33
i do not feel safe on the fifth floor with all the windows locked and two turns of the deadbolt don't forget the chair under the door i do not feel safe walking home from the grocery store in this horribly gentrified neighborhood at 4pm on a sunny saturday afternoon i do not feel safe handing over my clothes to someone else i know they have to be washed i've gone too long already but i bite my lip until my belongings are back in my line of sight i do not feel safe alone in zoom office hours with my camera off how can i be hurt through a screen? but it never reassures me i do not feel safe when the electrician comes to fix the circuit i called it an electric circle he does not look at me that way the way that makes me sit in the backseat of my own mind but i cringe when he looks at me at all they call it hypervigilance vigilance from latin vigilare "be watchful" i am watchful, watchful, watchful maybe that's why i cant fall asleep.
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Apr 24, 2021
Apr 24, 2021 at 8:18 PM UTC
i do not feel safe
Primetime TV is asinine; Intellectual cyanide. Empty like a home in Palestine, And corrosive like an alkaline: It's the software for the poor. Subliminally shutting your doors Of perception, While they pump the town full of more -- More liquor stores And two cent ****** Deadbolted doors Adorned with gang graffiti Where the government ignores. So how can I sleep When all these kids never eat? And where's the sweeps For the bodies in the streets? They'll just pour more concrete Over our homes. Gentrified zones, Minorities in tow. High interest loans. Money's dried up, Foreclosure and drones Dropping tear gas on the protesters; Arresting anyone not in their homes Please tell me, how can I atone For the sins of a system That riddles the world with victims? This is the modern vista The ghetto is everywhere The aftermath of an affair Between the elite And their federal clientele. Predatory lending, Bailouts, drop outs, A culture without. Humanitarian drought. Where's the empathy? The love? The care and clemency? A solution for this endemic peasantry? Man, I wish I knew. I wish the numbers weren't true, And I wish the sunrise brought a nice view, Instead of billboards and condemned buildings, Abandoned homes, potholes, **** and trash: The ashes of a golden age long past.
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Apr 21, 2015
Apr 21, 2015 at 6:24 AM UTC
Ballad for the Poor