"gaggle" poems
In the last months of March 2014,
Soldier Othello the Moroccan moor
Was in Stratford-upon-Avon at the graveside
Of William Shakespeare the English bard,
He was observing the anniversary
Of Shakespeare and his European brother Cervantes,
He had in his pocket another charm and amulet
Given to him by his paternal grandfather,
This time round not a charm for love portion,
But a mystique totem to raise the dead from dusts,
As Othello himself has hitherto over-matured
Above the painful torture of *** with aristocrats,
He has left it for the Jewish aristotrash; Frantz Kafka,
Whose torturous appetite for *** with German women,
Was the sorriest eyesore of his thespic efforts.
Like Jesus at the grave of Lazarus
Othello groaned by shouting; William the son of John!
No response, he shouted again; Shakespeare the bard!
Then the mystique powers of Othello’s amulet
Electrified Shakespeare back to life,
What is your problem you black moor,
The ***** of Morocco, the soldier
Who beguiled Desdemona into betrothal,
Not because of glory of your work,
But due to charms of your love portion
Bequeathed to you by your witch mother,
What brings you to my sepulchre,
For only to perturbed my purgatorial peace,
What brings you!?
Questioned Shakespeare the bard.
Am no longer the moor, blackness is class
But not the race, as race is bankrupt,
I come here to salute you with good news,
That your European brother, Alfred Nobel,
Currently rewards thespic bards like you,
Whether black or white, blue or green,
The ***** bards from the natural forest,
He also rewards, so wake up and pick the prize!
Retorted Othello in virtue of truth,
And also tell me the native bricks
Of your beautiful architecture;
Where and how did you mold thy bricks?
Your brown English bricks that walled your culture;
***** clown, leapfrog, mercurial, oxymoron,
Falsitafity, Shyllocking, colleaguery and window,
Cauldron, graymalkin, woo, betroth, infatuation and so on.
From underneath his sepulcher Shakespeare broke
A violent gaggle of laughter as if he was ten English skeletons,
You Othello you are still a beautiful moor
Whose foolishness time has not condemned to oblivion,
You are as a fool as I created you ; I will only teach you
One brick, the window , that you go and put on
Your wind disturbed African huts,
Put the wind door on your hut,
And be flexible in your tongue
To give it English elegance
Combine and shorten wind and door
To get your cultural brick of; window !
Apr 11, 2014
Apr 11, 2014 at 9:39 AM UTC
Let me tell you about something I saw the other day,
when I was out walking through a field of hay.
The night was quite pretty, the air crisp and clear,
when I suddenly encountered a cat who was drinking a beer!
I walked a little farther and encountered some mice,
sitting around a card table, all playing dice.
The mice looked quite serious, they all dressed like thugs,
I was dumbfounded, and simply stared down from above.
Then I saw something that completely blew my mind,
it was a variety of animals, dancing in a conga line.
For hours and hours and hours they danced,
more animals joined in, even deer came to prance.
This party was larger than any I’d seen,
a couple of badgers were even smoking something green.
“Innocent” deer were snorting lines off of snakes,
and a couple drunk farm dogs were fighting with rakes.
A cat and a mouse were sitting in a barn,
entirely too drunk, they took turn telling yarns.
From across the field, you could hear an owl retch,
while a gaggle of geese slurred “Benny and the Jets.”
Sheep laughed, “Bahaha!” while dancing on tables,
the horses were getting it on in the stables.
This party was crazier than any I’d attended,
a pig even ended up losing an appendage.
As the sun came up, things started winding down,
all the cows went home, and the "Keg King" took off his crown.
I took this as my cue, it was time to depart,
so a couple mice and I hitched a ride on a farmer’s cart.
"Sayonara!" I yelled, "It's been lots of fun!
Everybody get home safe, try not to hurt anyone!"
But enough about me, let's talk about you.
That was my weekend, what did you do?
Nov 2, 2012
Nov 2, 2012 at 11:55 PM UTC
At Ellis Lake, an overcast Sunday afternoon.
A lake divided into two, oddly shaped bowls in the middle of the city, surrounded by a constant stream of birds, wind, and traffic.
A spotless white swan cleaning herself on a grassy knoll, ferretting out whatever filth lurked deep within her feathers, then smoothly sweeping her sideways bent head across her back, as if to remember the long forgotten affectionate touch of an absent lover.
A gaggle of four grey geese combing the lawn for food, waddling in unison side-by-side.
A line of five mallards barreling down the hill into the water.
A multilateral crescent of black and white pigeons receiving harsh dictation from a trio of angry snow geese strutting before them.
A red-faced duck slowly approaching in the quiet expectation of food, then the arrogant acceptance of the lack thereof.
Jan 28, 2015
Jan 28, 2015 at 11:13 AM UTC
A ****** of crows, an ostentation of peacocks,
a parliament of owls, a knot of frogs,
a skulk of foxes, a siege of herons,
a paddling of ducks, a charm of finches.
This bevy of birds is a vocabulary find,
But what can it all mean,
In the world of human being?
A troop of toddlers, a slurry of students,
a gaggle of gentry, a bevy of boys.
I am of a mind that in naming of kind
Human being is best defined.
Jul 3, 2012
Jul 3, 2012 at 11:46 AM UTC
The streets are clear, we're hydrophobic
Hoods propped by hats and socks pulled high;
The rain brings peace to the agoraphobic
Puddles form moats and clouds fill the sky.
Splash, droplets hit the window,
chauffeured by the gale outside.
Squint your eyes and flash back
boats tilt starboard, with the tide.
The captain shouts to the decks, paranoid
'Clear the decks and brace for impact'
Without turbulence we are disenfranchised
Boredom becomes us when we're boring.
Shake it off and stare at the dot to dot
the residual carving of water as it slides
Another droplet falls beside it, parallel
it aligns, growling thunder overhead.
Without stirring we are robotic workforces
Without awaking we are left inside
The constructs created for us, by corporate-
conglomerate elitist-psychopaths.
Two drops of water on the window
simmer red with burning anger.
Crash lightening sears the sky
Rage becomes you, girders melt.
The starry night undercurrent, flings
us backwards, never up, as democracies
which seek to serve sink into a sea of
stocks and shares, the wall street journal
sits atop the captains lobby, economies
were meant to tumble as the working classes
fumble for bread, men in suits gaggle
and toast to the millions they left for dead.
Resistance is futile, when eighty-five
of the richest suit owners sit on currency
that was meant for the three point five
billion who aren’t driven by gluttony.
Nov 7, 2014
Nov 7, 2014 at 12:51 PM UTC
Here I am; waiting,
Waiting for an old friend
On a deserted Railway Station.
She’s late; knew she would be.
Time behaves differently in
Such public places; very differently.
I stood waiting alone,
Then a gaggle of women
Clattered up the subway.
Stilettos and thick, heeled boots,
Beating out an echoing tattoo,
On the broad, concrete steps.
Now we wait together,
Myself and a Hen Party.
Blending of emotional alloys
Fused together, forming
Excitement; then I see her
And all heads turn to look.
Amongst the flower boxes,
Silence blossoms on the
Platform as my old friend
Glides serenely into the station,
She’s late; knew she would be
Even so, she’s on time for me.
Steam unfurls around her,
Billowing majestic clouds
Crowning this, ‘Queen of
The Rails’, last seen when
I was a boy, now in manhood
Her unsung glory is truly revered.
Steel wheels clatter, a rhythmic
Tattoo, then she draws to a halt.
Old friend from a previous age
Escaping through to this century,
Thronged by beautiful women, I
Smile, and step aboard a true beauty.
©Paul M Chafer 2014
Oct 29, 2014
Oct 29, 2014 at 3:21 PM UTC
My personal déjà-vu-time memory-prompts that frame
The blurring patterns of today’s hubcap-wheels, spinning
Kaleidoscope flashbacks of bathtub playtime.
A gaggle of giggling girls babbling about
What used to matter : umbrella-popping chewing gum
With gallivanting jargon laced in crushes-hushed : boy-talk.
Pillows : Comforters morphing, swarming like
Womb-entranced, half-cupped palms calmed
Palpitating mouths motoring off self-pitying rumble-grumbles.
How the clopping ball of opted-birr was a bent-mouth birdcall
Over-relished, over-zealous imploration : a round robin
Jumblemix of a jejune bombast for slap-sticked power.
By-and-by polysyllabic buds bloomed, baked, and wrinkled
Past-Gas’s long-gone jokes : those balmy snug-hugs guarding
Doltish vulgarity among the begrimed-glitch and old-grown-boring Jive.
Apr 7, 2011
Apr 7, 2011 at 11:49 PM UTC
First, I spotted the gaggle sagging innocently enough,
One might say blissfully reflected in the laptop screen.
Then out of nowhere came the phrase, "whodunit?”
And from the hanging sag, a sly, silky, voice whispered,
"Ahhh, don't stop before the good part."
Clearly a few clues were left behind, wispy hair strands,
Scattered age spots, skin tags, a few moles, posed upon a
Pale listless, crinkly, lightly pimpled, surface, and from a
Wrinkly, shallow crevasse a voice teased,
"Ahhh, don't stop before the good part."
Totally hooked, curiosity piqued, southward I spied,
A once upon a time perky, treasure chest, half hidden,
Now two solemn, empty grain sacks laid east to west,
And close to death but not quite, lazily they muttered,
"Ahhh, don't stop before the good part."
The final chapter, an ancient, untold mystery solved,
No crime, no villain, nothing stolen, only flesh alchemy,
Where a plateau of supple, touchable, skin once resided,
A lumpy, bumpy, flabby flesh pillow lolled, and it murmured,
“Ahhh, Boston cream pie, a quick nap, that's the ticket."
Apr 13, 2014
Apr 13, 2014 at 5:45 PM UTC
A gaggle of glamour girls,
Debutantes of Times gone by.
With talk of Aruba,
White Sands and clear blue waters,
Spoken to inspire jealousy to all those around.
And of organization,
Motherhood and label makers,
Construction of pigeon holes for every part of life.
And the Latino Girl at work,
Whispers of the lasciviousness of a life unknown,
In the silliness of two glasses of white wine each.
I smoke a barrier between them and me.
In an effusive hurried rush they leave,
In search of sustenance of the soul,
In search of Sisterhood.
I sit in a Dewar’s drought.
She walks by and grazes her fingertips across my back,
A touch of familiarity,
A touch that I long for.
Gently, I speak,
Within this microcosm,
You stand as Aphrodite.
Smiling, she goes about her work.
I return the appreciation,
The warmth of bad bourbon,
Exuding from my pores.
Cause I sit in a Dewar’s drought.
They sit down in the virility of youth,
Testosterone tilted hats,
Speaking the language of Poser Street,
In the melody of white noise.
Showcasing the uniforms of a self-created culture.
I turn and tune them out.
Jan 24, 2014
Jan 24, 2014 at 2:47 AM UTC
No clouds at all, winter, spring, summer or fall,
Tells the weather watcher no change at all,
Cirrus my friend with a fair weather bent,
Your swirls, streaks and curls, so very high,
when there are just a few of you, goodness is nigh,
but when you gaggle in bunches and take and
curl your lip to show your ornery sides and swirl in the cold,
I am told through the white and cold grey, BLIZZARD!
get in doors or receive a frosty reception.
Aug 19, 2013
Aug 19, 2013 at 10:47 PM UTC
Loving you is easy,
because you are belovedly lovable.
You have love handles,
and I never fear falling out
of love with you.
You have loving arms
that you lovingly embrace with.
You are double the lovable
of any other lover.
Many can claim
that love is hard,
but while life is hard,
and we have hit our rough roads
while traveling together,
it has always been easy loving you.
Anyone who doesn't love you
needs a copy of love for dummies...
Because only a dummy would not be able to see,
just how lovable you are.
I could compare you to a nursery full of newborns,
crossed with a gaggle of puppies and kittens,
a playlist of my favorite songs,
a cocktail of aphrodisiacs,
mixed with every memory
of every night spent with good friends,
the laughter of children,
and the Beatles in their prime,
and it wouldn't come close to describing,
just how belovedly lovable you are.
Sep 16, 2012
Sep 16, 2012 at 10:29 AM UTC
1. Grumble
Of pugs. Or old men. Correlates to the grouping
of wrinkles: smile lines (down) whiskers (up). Synonymous to a gaggle of geese. Or women.
A grumbleman steps on the Pug's tail
and a passing girl hears
a crack, yelp, **** She turns to help
but the grumbleman is gone and the pug
with him. She wonders why her neighbor's car
is still at her Mom's house? Why her Mom
wants to be called Veronica not Mary. One night she dreamed Veronica dancing on their roof
in the rain holding tight to an old red picture whispering to a woman on the lawn dancing
dry in white. She tried to call out to Veronica
she saw her slipping, but when she touched her lips
She felt them sewn shut with coarse, wet thread. Veronica turned and flew to her, to the window, grabbing her hands forcing fingers to feel
the brail graven into her Mother's giggling teeth that read, Don't look, your father will be bleeding soon. She awoke and her window was bound
in greased black leather. The floor ashen. Her lips still sewn
shut.
Anne stood,
picked out her fathers bones
Veronica had sewn into her
pillowcase
and
she
danced.
Jun 19, 2013
Jun 19, 2013 at 6:48 PM UTC
Fluctuating back and forth on the idea of how to relieve
The theme of cynicism throughout your life;
Tough like nails: too stubborn to let go of whatever
They were hammered into; the hits we take
Make us unstable and unmovable from certain aspects.
You chose to Stitch your eyes up
With a thin piece of cynical string and a metal needle.
Threading the idea of light and dark in each vessel,
Causing your body parts to glow and show
Off the direction of ideas, in out and down,
But never up, for the sake of falling for the
Instinctual trust and hope humans so conveniently thrive for.
Conquered and obtained the conflict from your child
Hood, fluctuating on the idea of morally right
And morally wrong. Cough, cough, cough. Right
Lung punctured by stale smoke, your lips twitch in
The environment. Blood swells in your veins, forget
That women’s ******* are to feed her children.
Wipe the grin off the old man whose sipping warm
Whiskey, tell him his wife is six feet under and partying
With the demons he drove her to acquire.
Like water, you are the universal solvent
Cleaning, clearing, conquering and
Creating a new symbiosis with human beings and
The world they are submerged in; We take it for granted.
Cynicism in brevity, is beautiful for the fact that it claims to be
Open and calm like ocean waves during low tide
Or a baby child’s gaggle and coo. Fluctuating between calm
And ignorant, more so unintentionally rational to the point
Of tearing your human anatomy apart and dipping the
Soon to be suffocated air in heavy smoke.
I’m afraid
Humans just can’t handle the **** truth of reality.
Nov 12, 2012
Nov 12, 2012 at 6:23 PM UTC
“The Maiden”
Over her long legs,
Hips sway in a salacious manner,
As she strolls,
Past the gaggle of gentlemen,
Mustering the valor to face,
Their glances varying from curiosity,
To disgust,
Perhaps intrigue as these men,
Behold this exotic form of femininity.
An aura of mystery emanates,
From a tenderly warm demeanor,
Welcoming the viewers,
Who encounter this daughter of Aphrodite,
Capturing attention regardless of,
One’s alleged reasoning.
Intrepid knights receive the blessing,
To witness the hazel windows,
Into a maiden’s soul,
Deeply adorned with unbidden intensity,
Bestowing a small glimpse,
Into a beguiling beauty,
Mistaken as a cozening siren,
To an untrained eye.
Many chaps desire her,
Until revelations bereave these fellows,
Of security interwoven into the fabric,
Of society sewn with fine threads,
Uniting into an existence of conformity.
Some licentious men lunge,
At the maiden,
Gaping at what these fellows,
Observe as a tantalizing goddess,
Desiring to place lascivious hands,
Upon her soft skin.
Misguided stories allow life to be given,
To glaring spectators,
Spewing jeers of rancor,
Bemused as the unknown,
Deftly saunters near,
The valley of Oblivion.
Like the majestic Mona Lisa,
The maiden consists of subtle nuances,
Painting her tributes behind cryptic techniques,
Allowing one to inspect her façade,
Learning her similarities to the wind,
Feeling her spirit,
Rather than glancing upon visual proof.
The souls encountering the maiden,
Gain respite from strangling thoughts,
Placated by her light,
Revealing the contrasts,
The highlights to expose,
An extraordinary beauty,
Manifesting from genuine kindness,
Breaths of generosity,
And irrevocable love of all shades and tints,
Within a painter’s palate.
Apr 6, 2013
Apr 6, 2013 at 9:15 AM UTC
I am awoken from a restful sleep aware of the fresh air
the open window brings as she begins to sing
it is the sound of the loon calling me to her side
I stride towards the beckoning sound and her shore
as the door swings open to a new dawn and a rising sun
the early morning mist departing to reveal her beauty
she is glass like this day, stillness the allure
her stillness belies her truth that she can be rough enough
as I stand beside her admiring the horizon she willingly displays
my ears are attune to her lapping sounds, my heart calm
launching my canoe I begin to paddle amidst her blueness
each stroke like the combing of her hair with twirls and curls
today she allows me to glide with ease yet she can also be a tease
the gentle breeze now professed can transform into a mighty storm
it is within her grace that she allows me this place of serenity
for she could as easily sweep off my serendipity with a rough sea
sounds of gulls take my eyes upwards into the clear blue sky
watching them soar all the while jealous of their ability for flight
a honking sound now has me looking to my right to catch sight
of a gaggle of geese in mid-flight her back their launching pad
and without warning there’s a splash as a fish leaps into the air
in search of its morning dish of insect and bugs, as it dives
back into the water, its sanctuary, its home I am reminded again
of her kindness that she provides in sheltering bays
her gentle waves taking me on a journey into the depths
of this lake they call Placid
Andreas Simic©
Jun 17, 2022
Jun 17, 2022 at 7:16 AM UTC
Poked & prodded at
Everyday Everyday Everyday
I walk outside naked regularly
(The only one, too)
A shady pornstar they've
Made me out to be
Every corner of flesh, Every corner of flesh
It's indecent to be clothed.
Spread open my legs to
A gaggle of flashing camera bulbs.
Express critique
Save a pic
Jot down notes
'Move it, kid.'
Spread open my legs to
A pod of alien queens
Scalpel wrenches, protozoan logs
I'm the life of the party
As their oval heads crowd around
My *** things
Experimented-on weird-o's meander
The halls of this wherever-I-am
Free to leave at last
I sometimes go home after
A day of that
And do an odd thing:
I cocoon myself in blankets
And sleep for long stretches of time.
May 21, 2012
May 21, 2012 at 7:33 PM UTC
Should I become a middle school math or English teacher?
Leave my bed early in the morning and return with test papers to grade.
With what authority will I persuade those kids to sit still and perform
calculations and interpretations.
I won’t be allowed to teach A Good Man Is Hard To Find. Nope, it’ll be
Catcher in the Rye, Lord of the Flies and Slaughterhouse Five. Novels
that annoy.
Poems and math are magic. Words and numbers are things no one has
ever seen or heard or touched.
But the administration keeps them separate. The curriculum’s
determinate.
The kids are beautiful but combustible. When middle school lets out at
the periapsis of Earth’s orbit, that’s the face of joy.
The purpose of school is to introduce us to the world’s innumerable
wonders. The periodic table, World Wars I and II, Huckleberry Finn
and Jim.
Once a gaggle of teenage girls bet whether I wore boxers or jockeys. I felt
ambushed and unlucky. Also a bit afraid.
There’s little love lost between the students and the teachers. Expect to
forget and be forgotten. Information.
I remember Mr. Killian my chemistry teacher. So boring about something
I now find so interesting and important. He wasn’t boring; I was
boring.
I remember Mr. Christensen my history teacher. He was fat and funny but
taught as little as possible. I was known to laugh so hard I cried.
I remember Mr. T my calculus teacher. He dressed everyday exactly like
Gene Kranz in mission control. I was confused past help so he didn’t
help.
I remember Tone Kwas my music teacher. He said I was the worst
trumpet player he’d ever tried to teach and switched me to
sousaphone. He was right but so what! Playing badly is the best
riposte.
Mar 2, 2022
Mar 2, 2022 at 6:40 AM UTC
Who’s to say how
He might come back for a second
inhumanely heaped-up helping,
if we grant that immensity
of our assumption He did come
kingly first into this inside-
out size from a do-you-miss-me-
yet’s mirthfully mythical realm
I have seen Him
lurking in a particle-board fine
finish on the thin outer membranes
of our estranged and better faces;
He’s Higgs-boson omnipresent,
but far too theoretical
for our broadly practical, turned-
away gazes to rediscover
There He is now
rising in the favela’s gap-
toothed grins with fabulously naughty
corners this glee-pawed grandpa twists
using cur jests his ***** charges
imagine as flightless quarrels
grey-hooded pigeons would gaggle
were they over-stuffed on golden grain
And there again
on a Calcutta mound’s cluttered
conic end, smog-like He slowly lifts
with the crust-gnawed, razor-wire crimps
of a soup-can’s unconsummated lid
as dainty fingers crawl in toward
a gelatinous glob still clinging
to the powerful pretense it’s meat
And there once more,
conceding oms, He restless flickers
at the margins of blocky beige
Beijing screens as crisply clicked clacks
circumnavigate the darkling
smooth patches and spit-spark a few
conscious drips to squiggle out from
the babble of noxious red seas
Emerged, this welp
won’t toddle off to dribble-stain
the dressy linens of a made-up
nanny’s well-mannered and ornate
evil; it will curl up instead,
a swaddled yawn with no yearn to
suckle under His real mother’s
gaping wide and grungy bloused best
Oct 20, 2010
Oct 20, 2010 at 11:04 AM UTC
Do you know what's funny?
No not a gaggle
Or a giggle
Or a chuckle
Nor a chortle
But a joke
Not a prank
Or a laugh
Or Baffonery
Nor a quip
That I have lived though
Not Survived
Or continued
Or maintained
Nor lasted
It's my love for you
Not admiration
Or devotion
Or obsession
Nor worship
That you do not return
Not respond
Or abide
Or answer
Nor give
Yet no matter what
I still want you
And need you
And feel you
Also can't live without you.
Jul 7, 2013
Jul 7, 2013 at 2:48 AM UTC
My personal déjà-vu-time memory-prompts that frame
The blurring patterns of today’s hubcap-wheels, spinning
Kaleidoscope flashbacks of bathtub playtime.
A gaggle of giggling girls babbling about
What used to matter : umbrella-popping chewing gum
With gallivanting jargon laced in crushes-hushed : boy-talk.
Pillows : Comforters morphing, swarming like
Womb-entranced, half-cupped palms calmed
Palpitating mouths motoring off self-pitying rumble-grumbles.
How the clopping ball of opted-birr was a bent-mouth birdcall
Over-relished, over-zealous imploration : a round robin
Jumblemix of a jejune bombast for high-brow, White-men polemics
By-and-by polysyllabic buds bloomed, baked, and wrinkled
Past-Gas’s long-gone jokes : those balmy snug-hugs guarding
Based-vulgarity amongst the begrimed-teeth-sucking and homegrown-Jive.
Dec 18, 2014
Dec 18, 2014 at 3:53 AM UTC
Getting Ready
On the go
Doing things
Need a blow
Giddy gaggle
Endless Gags
Toothy giggles
Tongues a wag
Dressing up
Getting down
Goofing off
Clownin round
Pretty girls
Wearing pearls
Dancing Swirls
Fluffy Furls
Blowing Kisses
Giving Hugs
Singing Ditties
Cut a Rug
Buoyant Banter
Flashing Smiles
Bubbly Blabber
Smoking Milds
Shakin *****
Gettin Down
Wigglin *******
Goofy Gowns
Keep a Groovin
Boogie all night
Shake Them Legs
Les Dames et Dynomite
Oakland
8/23/01
Music Selection:
Jackson 5
Dancing Machine
Mar 17, 2013
Mar 17, 2013 at 9:56 AM UTC
First see new photo, or else won't make sense.
Word is out
Animal kingdom on red alert,
No animus allowed near the chair,
Tween human and animal.
Good eats, good writes to be had,
Near that ye old adirondacke chair,
Where scribbles float in
L'air du temps,
Ripe for the plucking.
Arrived in the night dark,
Twelve eyes grinning, sheepish,
Wasn't tho no sheep, just a veritable
**** deer herd munching the shrubs,
Who when head lighted, indifferently said,
Yo ******* it is September, remember,
Get the fk off our lawn!
Argh.
Morning.
Coffee-armed. Tablet shotguned,
Went to write in the fall sun,
When to my shock n' awe,
A gaggle of geese, awaiting.
And I mean a good-god-damn giggling-gaggle, no sht!
Probably resetting, resettling, looking for forgiveness,
For ******** all over the hard scrabbled grass.
Well no atonement boys, Yom Kippur notwithstanding,
I ain't the forgiving type!
No, no poet!
We stand before you on the Jewish Judgement Day,
Decorously waiting, in a row,
Before the throne, tho honking a little rudely,
Impatient for inscribing in Natalino's
Hall of Fame, Book of Life for the coming year.
Harrumph.
Well, in that case,
(Ego melting secretly inside),
Here is a poem just for you.
Fly south safe,
Inscribed and sealed you will be,
In both the Book of Life and Prosperity,
But only if you, stay off my grass in perpetuity!
Done and off they flew,
Me smiling, proud of my new fame,
Until I found their presents
Under my flip flops.
******* deer.
******* rabbits.
******* geese.
I wish they were not such
Poetry fanatics.
Ok.
Forgiven.
10:11am Yom Kippur morning.
Sep 14, 2013
Sep 14, 2013 at 10:15 AM UTC
(Give me a London girl every time…)
*- I want to push my hands into your hips and smack you back to front against the wall, bunching your **** little skirt in my fingers, unclipping those fifties plastic beauties that cling to your thighs and I want you to be a right proper girl for me, a right proper girl -*
(…I’m gonna find one, I’ve made up my mind…)
So she got her phone out and
Smiled her Madonna-Gap smile,
Fine lines floundering
Like speech marks
Either side of her mouth.
So romantic!
A girl with a face of
Punctuation!
***** pennies,
she said,
Your eyes are
*****
*******
Pennies*
She would finger the holes
In my tatterdemalion
Charity coats,
And my shop-bought medals.
She would jab her fingers
Against each point
Of the Burma Star,
Spookily,
As though it were a
Pentagram.
She’s a washboard,
Her ******* are thumb-tacks
In a cosmetic shade of
Gold,
With a crucifix stamped
Like a dagger glyph
Right between them,
like a silver sneer,
on her precious metal chest.
*- I want to take your photo -
I want you in Pippi Longstockings
And to angle you just so, my no-knickered **** with her goosebumps on show -*
I’ll never forgot when she told me
She owned a leopard-skin
Pill-box hat ,
And I said
* “You’d have to be dead
Not to fancy that…”*
I’m not sure how aware she is though,
Of how many people
Tongue- to- the -floor want her.
She plays bored on purpose!
I’ve watched beautiful boys
Go to pieces
Trying to entertain her
With a curly straw.
She’s a real cheekbone feline,
And around her pupils
Rages a ring of jagged orange,
Like a jester’s ruff.
And I think of all this,
Whilst she stands there,
Moving from toe to toe
In her zig-zag heels,
And wooden bracelets,
And her little lycra
Landmine that
Shop assistants sell
To girls like her.
And then she clocks me.
and she doesn’t say a thing -
she just swims smilingly over
Through a parted gaggle,
Letting me grab her
Like I mean it,
Spanning her waist with my
Hands like
A corset -
And the fairylights
Are just smudges
Across her sequins,
And her mottled shoulders are
Ten shades
Of mostly white.
Sep 2, 2013
Sep 2, 2013 at 9:35 AM UTC