Either peace or happiness,
let it enfold you

when I was a young man
I felt these things were
dumb, unsophisticated.
I had bad blood, a twisted
mind, a precarious
upbringing.

I was hard as granite, I
leered at the
sun.
I trusted no man and
especially no
woman.

I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being
evicted, jailed, in and
out of fights, in and out
of my mind.
women were something
to ***** and rail
at, I had no male
friends,

I changed jobs and
cities, I hated holidays,
babies, history,
newspapers, museums,
grandmothers,
marriage, movies,
spiders, garbagemen,
english accents,spain,
france,italy,walnuts and
the color
orange.
algebra angred me,
opera sickened me,
charlie chaplin was a
fake
and flowers were for
pansies.

peace and happiness to me
were signs of
inferiority,
tenants of the weak
and
addled
mind.

but as I went on with
my alley fights,
my suicidal years,
my passage through
any number of
women-it gradually
began to occur to
me
that I wasn't different

from the
others, I was the same,

they were all fulsome
with hatred,
glossed over with petty
grievances,
the men I fought in
alleys had hearts of stone.
everybody was nudging,
inching, cheating for
some insignificant
advantage,
the lie was the
weapon and the
plot was
empty,
darkness was the
dictator.

cautiously, I allowed
myself to feel good
at times.
I found moments of
peace in cheap
rooms
just staring at the
knobs of some
dresser
or listening to the
rain in the
dark.
the less I needed
the better I
felt.

maybe the other life had worn me
down.
I no longer found
glamour
in topping somebody
in conversation.
or in mounting the
body of some poor
drunken female
whose life had
slipped away into
sorrow.

I could never accept
life as it was,
i could never gobble
down all its
poisons
but there were parts,
tenuous magic parts
open for the
asking.

I re formulated
I don't know when,
date, time, all
that
but the change
occurred.
something in me
relaxed, smoothed
out.
i no longer had to
prove that I was a
man,

I didn't have to prove
anything.

I began to see things:
coffee cups lined up
behind a counter in a
cafe.
or a dog walking along
a sidewalk.
or the way the mouse
on my dresser top
stopped there
with its body,
its ears,
its nose,
it was fixed,
a bit of life
caught within itself
and its eyes looked
at me
and they were
beautiful.
then- it was
gone.

I began to feel good,
I began to feel good
in the worst situations
and there were plenty
of those.
like say, the boss
behind his desk,
he is going to have
to fire me.

I've missed too many
days.
he is dressed in a
suit, necktie, glasses,
he says, 'I am going
to have to let you go'

'it's all right' I tell
him.

He must do what he
must do, he has a
wife, a house, children,
expenses, most probably
a girlfriend.

I am sorry for him
he is caught.

I walk onto the blazing
sunshine.
the whole day is
mine
temporarily,
anyhow.

(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
disillusioned)

I welcomed shots of
peace, tattered shards of
happiness.

I embraced that stuff
like the hottest number,
like high heels, *******,
singing,the
works.

(don't get me wrong,
there is such a thing as cockeyed optimism
that overlooks all
basic problems just for
the sake of
itself-
this is a shield and a
sickness.)

The knife got near my
throat again,
I almost turned on the
gas
again
but when the good
moments arrived
again
I didn't fight them off
like an alley
adversary.
I let them take me,
I luxuriated in them,
I made them welcome
home.
I even looked into
the mirror
once having thought
myself to be
ugly,
I now liked what
I saw, almost
handsome, yes,
a bit ripped and
ragged,
scares, lumps,
odd turns,
but all in all,
not too bad,
almost handsome,
better at least than
some of those movie
star faces
like the cheeks of
a baby's
****.

and finally I discovered
real feelings of
others,
unheralded,
like lately,
like this morning,
as I was leaving,
for the track,
i saw my wife in bed,
just the
shape of
her head there
(not forgetting
centuries of the living
and the dead and
the dying,
the pyramids,
Mozart dead
but his music still
there in the
room, weeds growing,
the earth turning,
the tote board waiting for
me)
I saw the shape of my
wife's head,
she so still,
I ached for her life,
just being there
under the
covers.

I kissed her in the
forehead,
got down the stairway,
got outside,
got into my marvelous
car,
fixed the seatbelt,
backed out the
drive.
feeling warm to
the fingertips,
down to my
foot on the gas
pedal,
I entered the world
once
more,
drove down the
hill
past the houses
full and empty
of
people,
I saw the mailman,
honked,
he waved
back
at me.

She is not just a woman, or just some mere creation to me.

Seeith, she hast a halo, fulsome and rapturous in highest degree.

Seeith, doth thou friend; her eye's as a muffled jungle panther;

They dance the uncultivated bush, the wind here is her laughter.

Cool, it bloweth upon thine sweltered cheek's, she's unseen;

Like a dream, she is the shelter every forager desires to keep.

I'm hidden amongst the shrub, dying to taketh a peek;

I want to catch a glimpse of her, in all her amour', her taste, fine;

Her spirit is mine, one of a kind, a dining shine, whilst the moon,

In ourn room, she clutches mine anatomy, O', how I'm so happy.



©Brandon nagley
©Lonesome poet's poetry
©Earl Jane nagley dedication ( filipino rose)

A Woman's Reflection on Her Reflection (Valence and Value)

one poem, written by two authors


~~~

Ever the analyst,
A mirror functions as surface to
Parse the fleeting constant
Of youth's beauty.

From genetic gift
Of symmetry and bone,
To technological tampering,
Until the equation is solved,
As experience and character
Models and maps the result.

The answer, a reflection,
Of individual valence and value

(written by S.D., a woman)

~~~

(written by N.L., a man)

unbidden and unannounced, a
"not fully formed poem,
but a simple reflection"
inbound missile arrives inbox,
armed with silent power,
the lethality of the
Holy Unexpected

the man reflects
on her mirror-on-the-wall's
fulsome reply,
parsing the words of a
woman's reflection,
while gazing on her own

every human's momentary glass notation,
but an instance of summation,
a human poem, whose editing,
unceasing

a comma here,
a period inserted,
an eye shadowed, an eyebrow tweezed,
a eye dark circle line added,
to tree-mark time's authorship

all  these
but a person's
excerpted extraction,
notarized,
then auto-erased and revised,
as out of date,  
instantaneously compromised

but,

it is upon  the conceptual,
valence and value,
more that the man reflects perpetual,
less on transitory morphing changes of
exterior mortality

while overlooking her
glassine realization from behind,
he concludes:

every reflection,
no matter how oft the snapshot,
the unfleeting constancy
of the combining of the

princes of principles,
valence and value

that he witnesses,
in the calming pool
of her eyes,
(those borrowed windows into her soul's well,)
so well reflect
her unchanging greater finery,

her character

this reflection,
metamorphosis transformed.
into a planetary permanency poem,
high placed in his the firmament
of their conjoined sky

My partner has a crush on Karen Black
He watches every movie and repeat
Anyone would wonder what they lack

As actors go, she surely is a hack
but “A Trilogy of Terror” is his treat
My partner has a crush on Karen Black

It’s not as if she has a fulsome rack
But something stirs his blood to boiling heat
Anyone would wonder what they lack

I dream of Idris Elba in the sack
Sheer perfection wrapped naked in a sheet
But my man has his crush on Karen Black

Her voice so harsh the underground would frack
Split layers of the earth beneath our feet
Her smiling face would every mirror crack

Despite all this, she seems to have the knack
To entice and tease every man to cheat
My partner has a crush on Karen Black
It makes me wonder what it is I lack.

Master of the murmuring courts
    Where the shapes of sleep convene!—
Lo! my spirit here exhorts
    All the powers of thy demesne
    For their aid to woo my queen.
       What reports
    Yield thy jealous courts unseen?

  Vaporous, unaccountable,
    Dreamland lies forlorn of light,
Hollow like a breathing shell.
    Ah! that from all dreams I might
    Choose one dream and guide its flight!
       I know well
    What her sleep should tell to-night.

  There the dreams are multitudes:
    Some that will not wait for sleep,
Deep within the August woods;
    Some that hum while rest may steep
    Weary labour laid a-heap;
       Interludes,
    Some, of grievous moods that weep.

  Poets’ fancies all are there:
    There the elf-girls flood with wings
Valleys full of plaintive air;
    There breathe perfumes; there in rings
    Whirl the foam-bewildered springs;
       Siren there
    Winds her dizzy hair and sings.

  Thence the one dream mutually
    Dreamed in bridal unison,
Less than waking ecstasy;
    Half-formed visions that make moan
    In the house of birth alone;
       And what we
    At death’s wicket see, unknown.

  But for mine own sleep, it lies
    In one gracious form’s control,
Fair with honourable eyes,
    Lamps of a translucent soul:
    O their glance is loftiest dole,
       Sweet and wise,
    Wherein Love descries his goal.

  Reft of her, my dreams are all
    Clammy trance that fears the sky:
Changing footpaths shift and fall;
    From polluted coverts nigh,
    Miserable phantoms sigh;
       Quakes the pall,
    And the funeral goes by.

  Master, is it soothly said
    That, as echoes of man’s speech
Far in secret clefts are made,
    So do all men’s bodies reach
    Shadows o’er thy sunken beach,—
       Shape or shade
    In those halls pourtrayed of each?

  Ah! might I, by thy good grace
    Groping in the windy stair,
(Darkness and the breath of space
    Like loud waters everywhere,)
    Meeting mine own image there
       Face to face,
    Send it from that place to her!

  Nay, not I; but oh! do thou,
    Master, from thy shadowkind
Call my body’s phantom now:
    Bid it bear its face declin’d
    Till its flight her slumbers find,
       And her brow
    Feel its presence bow like wind.

  Where in groves the gracile Spring
    Trembles, with mute orison
Confidently strengthening,
    Water’s voice and wind’s as one
    Shed an echo in the sun.
       Soft as Spring,
    Master, bid it sing and moan.

  Song shall tell how glad and strong
    Is the night she soothes alway;
Moan shall grieve with that parched tongue
    Of the brazen hours of day:
    Sounds as of the springtide they,
       Moan and song,
    While the chill months long for May.

  Not the prayers which with all leave
    The world’s fluent woes prefer,—
Not the praise the world doth give,
    Dulcet fulsome whisperer;—
    Let it yield my love to her,
       And achieve
    Strength that shall not grieve or err.

  Wheresoe’er my dreams befall,
    Both at night-watch, (let it say,)
And where round the sundial
    The reluctant hours of day,
    Heartless, hopeless of their way,
       Rest and call;—
    There her glance doth fall and stay.

  Suddenly her face is there:
    So do mounting vapours wreathe
Subtle-scented transports where
    The black firwood sets its teeth.
    Part the boughs and look beneath,—
       Lilies share
    Secret waters there, and breathe.

  Master, bid my shadow bend
    Whispering thus till birth of light,
Lest new shapes that sleep may send
    Scatter all its work to flight;—
    Master, master of the night,
       Bid it spend
    Speech, song, prayer, and end aright.

  Yet, ah me! if at her head
    There another phantom lean
Murmuring o’er the fragrant bed,—
    Ah! and if my spirit’s queen
    Smile those alien prayers between,—
       Ah! poor shade!
    Shall it strive, or fade unseen?

  How should love’s own messenger
    Strive with love and be love’s foe?
Master, nay! If thus, in her,
    Sleep a wedded heart should show,—
    Silent let mine image go,
       Its old share
    Of thy spell-bound air to know.

  Like a vapour wan and mute,
    Like a flame, so let it pass;
One low sigh across her lute,
    One dull breath against her glass;
    And to my sad soul, alas!
       One salute
    Cold as when Death’s foot shall pass.

  Then, too, let all hopes of mine,
    All vain hopes by night and day,
Slowly at thy summoning sign
    Rise up pallid and obey.
    Dreams, if this is thus, were they:—
       Be they thine,
    And to dreamworld pine away.

  Yet from old time, life, not death,
    Master, in thy rule is rife:
Lo! through thee, with mingling breath,
    Adam woke beside his wife.
    O Love bring me so, for strife,
       Force and faith,
    Bring me so not death but life!

  Yea, to Love himself is pour’d
    This frail song of hope and fear.
Thou art Love, of one accord
    With kind Sleep to bring her near,
    Still-eyed, deep-eyed, ah how dear.
       Master, Lord,
    In her name implor’d, O hear!

The gaunt brown walls
Look infinite in their decent meanness.
There is nothing of home in the noisy kettle,
The fulsome fire.

The atmosphere
Suggests the trail of a ghostly druggist.
Dressings and lint on the long, lean table--
Whom are they for?

The patients yawn,
Or lie as in training for shroud and coffin.
A nurse in the corridor scolds and wrangles.
It's grim and strange.

Far footfalls clank.
The bad burn waits with his head unbandaged.
My neighbour chokes in the clutch of chloral . . .
O, a gruesome world!

Semi-
——-

Something new, in our years of partnership,

during

the early morning semi’s, the half awake, yet
mostly asleep, passageway from rest to wake,
as per usual, I am awake before her, to write,
to think, to read, to do my variety of early morn
chores, but today, her semi is populated by a
new concern, an alert, mind programmed, silent,
no chirp, no beep, just human punctual new instinct,

let us
check if my man is alive and breathing, rub his
thankfully copious-headed hair & air supply,
rub-a-dub,
once, repeat twice, thrice, sense his beating brain,
confirming the night passage, always dangerous,
completed safely, for she feels my warmth, hears
my eyes-crinkle smiling, and ascertains, the
continuation of my existence and the statistical
probability, (her occupational hazard and habit)

that when

she crosses fulsome into the living day,
awakensgladly, that her not-too-hot-black
coffee, will be
mister milkman delivered on schedule with
a bedside delivery like clockwork-blonde, with a
half sheet of enwrapping paper towel within some
morning fruit, to  ensure that her coffee will have some company…

while she dances a beloved tango in her semi-,

I am:

in my only~pretending post-tense,
semi complimentary state,
mentally scrambling scribbling half a dozen
eggs of new poem ideas, mad pursuing these
very words, my way of saying good morning girl,
my beating heart muscling me to be sure I-remain,
in the good company of the Oompa-Loompas,
and yours too!

one morning
Sunilettan came
with a puppy.

i was writing a grand thesis on the orphaned existence of discarded people.

when the tether was removed
i gave her a dry fish.
did not eat it.
gave a fulsome bone.
did not touch it.
gave the milk from the ad.
did not even regard it.
kissed her.
did not show any reaction.

because she came on a monday
i named her luna.

whenever i called her
she wagged her tail.
wagged her ears.
luna luna luna
i whispered thrice
in her ears.

like the golden peaks
of mookaambika,
he sharpened his ears.
me and he did not play
any game.
before we could,
she came under the wheels
of a vehicle.
without autopsy
without a second look at the body
i buried him
under the hibiscus tree
with many blooms
falling to the ground.

two of the flowers
went to a  karnataka guy’s
father’s death rites.
some turned into hibiscus juice.
some were visited by butterflies.

frequently,
the earth where luna was buried
forgot her.
me too.

another noon,
a german dog named adi
was found playing a game
of placing fish bones
on luna’s tomb.

no dog will
cease to play
till the question hung in the air
“my little sister, you have forgotten me?”*


Kuzhur Wilson
Translated by Ra Sh



(( To S. Sithara who memorised  Khasakkinte  Ithihaasam (The Saga of Khasak) when she was still a kid)

<>for Sally<>

the heavens that guard your garden voyages,
the moonlight that illuminates the foliage,
your global family, and your recipes, are all in on it

rotating guardianship of souls that need overseeing,
for we don’t need, we desire,
that the world be fulsome

your
presence
is
our present
to ourselves,
fulsome and rich,
making our gardens more verdant

then again,
perhaps you are correct,
we do not need all our eyes upon you
but selfishness sometimes, is a fine thing...

The Show


I awake circa two AM to observe an Earth under siege.
Fearsome blasts of lighting lightening unceasing,
illuminate a sky that is divided into two; a grey white
boundary-less blob of cloud, bolt pricked in a steady
but random pattern for at the least the hour since I was
awakened and a blackened horizon lining defining the land of men.

I debate my choice of word; at some point I slip from the bed to
relieve myself for such is the age of burden I currently occupy;
but my fingers disobey wanting to write relive myself,
to assure myself, that I am, will be, a surviving witness to an awesome and terrifying spectacle, noting the appropriate dueling nature of “awesomeness” for it brings a joyous awe and a paralyzing fear with equal measure, but without any trace of forcible distributive equity.

The lightening is fulsome; sometimes well hid above in a
single whiteness that is the very definition of singularity,
without cue, but within, Z shape bolts of comic book proportionality.

Here’s the rub! All this demonstration is done in a complete,
comforter (!) of silence. The house periodically rumbles its
machinery, whether in fear, or because it must mechanically
do so in the same manner we breathe, or simply to alert me
that I frail human, am at the mercy of the skymaster above,
and the manmade array of pipes, compressors, big apparatuses pinstalled in the earth below to serve until they don’t, and then
we must service them.

The silence is amazing for it is total and domineering and absent thunder. The Show occurs in the largest venue available, the Bay,
but the well behaved audience makes no sound, not a whit,
no coughing, sneezing puncturing or punctuating (reader’s choice) the eerie quiet of a speechless world that cannot speak, as if its larynx was removed, but it’s eye were restored to the age of 20/20.

Well over an hour, closer to two, the demonstration is concluded
and we return to the supine, neutrally, even emotionless, for the gamut and gauntlet we have survived dry and in safety has
concluded and the thick picture window did its job admirably.

Wait Now, a pockmark of bursts in the absence of all light, the now blackness has replaced everything, except for a momentary pinprick of of cloud framed orange hue, a shell exploding far across the bay.

S. sleeps relatively unperturbed, until she does not; for a long minute she rattles the ship, kicking tantrum violently both legs, until the covers are disarrayed, only to fall back into a deep blue colored stage of sleep, and pulling the covers onto the custom fitted aperture neath the chin.

This secondary, receding lightening demonstration that has been taking place; as if a heavenly Lincoln~Stephens oratorical battle occurs over the nearby Atlantic of  nonstop proportion, leaving my my mind to dwell on this topic:

Resolved: This man, that pens this missive about sky missiles is a good writer, or even reasonably ok.

I am representing both sides (duh). and skip to the judges decision without further ado, for brevity is a skill I am profoundly lacking and appreciate, and the eloquence of the debaters is acutely not bad, as prideful acumen is the standard.

Sorry. Split decision, 3 -2, he is merely an ok writer.

Now past 4 AM, glance outside but once more, and there a slow slewing of dawn light emerging like springtime buds, the trees on the lawn are faintly distinguishable, outlined against a normalized, post-storm night sky full of debris EXCEPT in the not-faraway-enough-distance, a few straggler lighting bolts are yet appearing to remind me the night is indeed always awesome and full of terror, just like a good poem.

4:22 AM Jul 5 2023

Polished nails and faint fingertips
Soothing touch, but quaint red lips
Almond-shaped eyes, hazel iris gleam
Fair skin worthy of the loveliest dream

These words on paper
The very first
Starting the rhyme and verse
With more moments
And stories
All so poetic and stoic
Bleeding ink to fresh paper
Bleeding hearts to woeful ears
Tracing the lines
Of my formative years

Ashy mist skies nestled over
Bleak sleeping mountains
Ghost wood trees likes hands
Reaching from the earth

A girl named Olivia
Sitting in my grade school class
Dark hair woven
Threads of black silk

I never knew her as she grew up
Just an illusory form of a forgotten past
Imagining her as she could be now
I could walk up to her
And say:
      
       “Hello Olivia, It’s been a while
        You changed since being a child
        Your beauty’s been enhanced
        Maybe you’ll give the chance
        To talk and reminisce
        I just can’t resist
        Everything I see and hear
        Has never been so clear
        You make me feel content
        Whole, serene and free
        I just wish this wasn’t a dream.”

All things I wish I could say
To a person I could never forget
Where you simply forgot me
Because I moved away
And you lived your life

Stupid poems of love
Stupid songs of strife
I don’t want these things in here
On here
On these new pages
These quips don’t represent me
The way I want to be recognized
These aren’t the things I want to
Talk about.

Let these crisp pages tell of mutant women
And ******-****** fiends frolicking fiercely
Distorted, cathartic characters collapsing
Rippling, regal rodents ******
And cesspools shaping  
Bubbling, contorting, boiling, simmering
Cow intestines infused with cake batter
Incestuous fairies hopping and dancing to screaming metal
Crunching, chugging riffs and thunder-booming bass lines
Frightening, fulsome, fearsome, ******-up fire starters
Worshiping, boars and their tusks and piling carcasses
Blasting kick-drums and rolls of stomping toms
Orchestra of darkness, Symphony of Hell
Masquerade of puppets and angel witch choirs
Demon women and devil men, swamping
Over bodies and pulling me into the pits
Where the pleasure my body and tear my flesh
Eradicating goodness and lights
With blood, pain, salivating mouths over hardened *****
******* **** and trusting in and out like wild men
In a lake of burning coals  
And sins

I observe these happening(s) in this modern day
So I must write them and you shall read
And in the process
You will be
Shocked, surprised, disgusted, appalled and desired
Your body reacting to these words and phases

    Ever wonder what my voice sounds like?

I do too, at least in your mind

This is my voice.
This is not your own.

Bourgeoisie dinner parties fit for cannibals
White weddings stained with septic blood
Children racing across the burning fields
Chasing the reaper and his friends
rapid heart beats
cold sweating hands
stomach pains churning and squealing
forcible labor to invisible babies
pulling back lips and gums
and retracting teeth
sinking into warm necks
******* and stretching
moans
and beauty through depravity
animistic, egregious
brutal love and subtle kisses
bleeding hearts
and
bleeding pens


This isn’t bad.

I like this

Would Olivia find this mind attractive?
Maybe
Maybe not
It doesn’t matter
These scribbles and dabbles
On these ****** pages
Are the beginnings to something more
All sprouted from the memory
Of a girl.

triumvirate

the fulsome    
curse word
that deformed my tongue-

the teeth
in glaze
of remnant
soap-

and the shadow
my mother’s finger
left
inside my cheek
which I coaxed
into cigarette

and scrubbed with.


divine instance*

regarded by a daylight raccoon
a man tries to think of nothing.

the raccoon’s eyeful of hunger
a far off religion
the dead of which
orphaned only
a few.

the bent pipe of its back
the gnomic antique
of a raided circus.

its claws
the common salvage
of row fire.

    so fully raccoon
it might’ve been
earlier
what now
it would fight.

Delicious is a word I save for you.
Chocolate comes close but feeds me only
Famine.  Your skin is blest three times,
Once for new redolence.  Bay leaved
To the core, you proffer memories
Which chamber the years in round rooms,
Opening freely into rouge galleries
Of spice.  Secondly, it is soft as summer
Water.  It draws itself toward touch
Like ripples skipping over a sweating pond,
Lapping its way towards the creamy shore.
The third gift of your skin is the colour
Of desired destination, an instrument
Which maps the mirror of a universe,
Because you are deckled with stars so heady,
You are wet smoke from drooling galaxies
And rose white fathoms of sky, they are pooling,
And pulling me with force so fulsome
As to be almost—
Tasteless.

                 The firm green bread of spring,
The blue blood of heaven and the milky
Sun, these are your flavours all intermingled,
And three piquant senses speak to my tongue;
I smell, I touch, I taste— you are,
Delicious.

.
Delicious is a word I save for you.
Chocolate comes close but feeds me only
Famine.  Your skin is blest three times,
Once for new redolence.  Bay leaved
To the core, you proffer memories
Which chamber the years in round rooms,
Opening freely into rouge galleries
Of spice.  Secondly, it is soft as summer
Water.  It draws itself toward touch
Like ripples skipping over a sweating pond,
Lapping its way towards the creamy shore.
The third gift of your skin is the colour
Of desired destination, an instrument
Which maps the mirror of a universe,
Because you are deckled with stars so heady,
You are wet smoke from drooling galaxies
And rose white fathoms of sky, they are pooling,
And pulling me with force so fulsome
As to be almost—
Tasteless.

                 The firm green bread of spring,
The blue blood of heaven and the milky
Sun, these are your flavours all intermingled,
And three piquant senses speak to my tongue;
I smell, I touch, I taste— you are,
Delicious.
.

I have heard that the people who have

dam                                                            ­                   aged
you

are not the people that can help in piecing
you together again.
Yet, for right now, I crave your hands.
Your fingers
          running through
                              my hair.  
Untangled Worries.
Although your fingers are cold and boney,
this is what the feel of love was for me.
For so long.

I am trying my hardest to find a new love
within my own hands.

O lovely lady, poised for flight!
In the wondrous floral seas
Lightly lilting on the breeze
A flute of orange fulsome light!

Caesalpinia pulcherrima
Latin lover from tropic climes
With a dance, a sulry mime
I stand with longing as I see ya!

With antennai you touch the air
Zephyrs of sweet paradise
You could melt the frigid ice
With the fire of your stare!

O, how you send your leaves aloft!
Feathers like a Sensitive Plant
Small and delicate they slant
Your floral offering, clustered, soft

Though it be strange... you are a pea!
Yes, you own that family name
Wild though, you can't be tamed

Bird of Paradise!

YOU ARE FREE!!!


SoulSurvivor
7/22/2016

Delicious is a word I save for you.
Chocolate comes close but feeds me only
Famine.  Your skin is blest three times,
Once for new redolence.  Bay leaved
To the core, you proffer memories
Which chamber the years in round rooms,
Opening freely into rouge galleries
Of spice.  Secondly, it is soft as summer
Water.  It draws itself toward touch
Like ripples skipping over a sweating pond,
Lapping its way towards the creamy shore.
The third gift of your skin is the colour
Of desired destination, an instrument
Which maps the mirror of a universe,
Because you are deckled with stars so heady,
You are wet smoke from drooling galaxies
And rose white fathoms of sky, they are pooling,
And pulling me with force so fulsome
As to be almost—
Tasteless.

                 The firm green bread of spring,
The blue blood of heaven and the milky
Sun, these are your flavours all intermingled,
And three piquant senses speak to my tongue;
I smell, I touch, I taste— you are,
Delicious.

I am whole, one, contented and buoyant; as fulsome light I smile.

I'm crazed for her, craveth her I do; her slaver, her sable hair.

Her touch, her feel, her radiance; maketh me trance, hypnosis.

I was earthbound in mine bygone hour's, now elevated, towered.

She taketh me to unknown river's of life, a king, queen, man wife.

Thus wherein all is right, a perfect flight to peace and safety.

Mine Filipino baby, lifegiver to those whom hath none breath.

The only queen, within mine dream's; she heard mine screams.

And tis she's safety, from the bad in-between; mine Earl Jane.



©Brandon nagley
©Earl Jane Nagley dedication ( Filipino rose)
©Lonesome poet's poetry

Delicious is a word I save for you.
Chocolate comes close but feeds me only
Famine.  Your skin is blest three times,
Once for new redolence.  Bay leaved
To the core, you proffer memories
Which chamber the years in round rooms,
Opening freely into rouge galleries
Of spice.  Secondly, it is soft as summer
Water.  It draws itself toward touch
Like ripples skipping over a sweating pond,
Lapping its way towards the creamy shore.
The third gift of your skin is the colour
Of desired destination, an instrument
Which maps the mirror of a universe,
Because you are deckled with stars so heady,
You are wet smoke from drooling galaxies
And rose white fathoms of sky, they are pooling,
And pulling me with force so fulsome
As to be almost—
Tasteless.

                 The firm green bread of spring,
The blue blood of heaven and the milky
Sun, these are your flavours all intermingled,
And three piquant senses speak to my tongue;
I smell, I touch, I taste— you are,
Delicious.

From thy neck
To thy visage;
As thou doth
Ache, and thy
Head pound's;
Like a clock
With none
Ending. O'
How I want
To healeth thee, and sprinkle God's
elixírio upon thine twinging. As when I shalt,
In thine ear's; thou shalt feeleth ringing. The chiming wilt be
Of the prognosticator's breathing, as Yahweh's sovereignty, shalt explode through the poverty of the wrong's all flesh maketh. O' ourn Lord shalt giveth, not taketh, yet when he taketh; it's for the good to those that loveth God. His will unknown, a holy applause. As we wilt clap ourn hand's and bow to his throne. On knee's, head looking to his features, fulsome and overwhelming in the most amastery shown. His figure monumental, all ardent, upon his seat. Omnipotent in his pity; as therein lies the metropolis of the spiritual Host's, wherein none dead is aloud to enter, nor fearing, nor ghost's. Tis only a toast of the blueprint map of the city of King David, the new Jerusalem awaiteth to cometh down to earth. As thee mine vasílissa Jane, Elohim shalt cureth thine pain's; mayest the Almighty's name be praised, as right now the sickness is leaving thou, and returning to Tophet from whence it came.


©Brandon Nagley
©Lonesome poet's poetry
©Earl Jane Nagley ( Filipino rose) dedication

Delicious is a word I save for you.
Chocolate comes close but feeds me only
Famine.  Your skin is blest three times,
Once for new redolence.  Bay leaved
To the core, you proffer memories
Which chamber the years in round rooms,
Opening freely into rouge galleries
Of spice.  Secondly, it is soft as summer
Water.  It draws itself toward touch
Like ripples skipping over a sweating pond,
Lapping its way towards the creamy shore.
The third gift of your skin is the colour
Of desired destination, an instrument
Which maps the mirror of a universe,
Because you are deckled with stars so heady,
You are wet smoke from drooling galaxies
And rose white fathoms of sky, they are pooling,
And pulling me with force so fulsome
As to be almost—
Tasteless.

                 The firm green bread of spring,
The blue blood of heaven and the milky
Sun, these are your flavours all intermingled,
And three piquant senses speak to my tongue;
I smell, I touch, I taste— you are,
Delicious.

Sometimes I feel her creep the edge of sleep

Where the city is burning,
I dream her mouthful of ashes.
I taste her starfish nova against the tide.

Her body is a book of matches;
Mine, a text, highlighted and underlined.

She weeps the sea-scuttle into an undertow.
Her fulsome wing, span of nightshade,
Weight-casts the lure to take flight,
Carrying her two shadows into the valley.

He says: *Yes, I live in paradise.
The red tide is mine.
The bioluminescent.  The drowned,
The ungainly specie God has set aside.

Delicious is a word I save for you.
Chocolate comes close but feeds me only
Famine.  Your skin is blest three times,
Once for new redolence.  Bay leaved
To the core, you proffer memories
Which chamber the years in round rooms,
Opening freely into rouge galleries
Of spice.  Secondly, it is soft as summer
Water.  It draws itself toward touch
Like ripples skipping over a sweating pond,
Lapping its way towards the creamy shore.
The third gift of your skin is the colour
Of desired destination, an instrument
Which maps the mirror of a universe,
Because you are deckled with stars so heady,
You are wet smoke from drooling galaxies
And rose white fathoms of sky, they are pooling,
And pulling me with force so fulsome
As to be almost—
Tasteless.

                 The firm green bread of spring,
The blue blood of heaven and the milky
Sun, these are your flavours all intermingled,
And three piquant senses speak to my tongue;
I smell, I touch, I taste— you are,
Delicious.

I could talk about the fallen.
Pink blossom

lying on the green grass.
As if the fall of something

beautiful
something

you might cry
"innocent"

meant
something.

Or
I could talk about the flowers

"smothering the branches of the tree"
thickly. As if

they symbolize love.
Or something

like it -
fecund

fulsome
bright. We

could praise the Lord this way.
Some King

of some Heaven. But
that would be an image.

A pale reflection of our hope
for the wind-

fallen seeds.
But

it's just a tree.
Not a glance upon the face

of some deity;
a piece

of eternity.
Why

make an image out of love?
Isn't love

enough?