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Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”
No more of talk where God or Angel guest
With Man, as with his friend, familiar us’d,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam’d. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death’s harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous’d;
Or Neptune’s ire, or Juno’s, that so long
Perplexed the Greek, and Cytherea’s son:                        

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor’d,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas’d me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem’d chief mastery to dissect
With long and tedious havock fabled knights
In battles feign’d; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon’d shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall’d feast
Serv’d up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem.  Me, of these
Nor skill’d nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress’d; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring
Twilight upon the earth, short arbiter
“twixt day and night, and now from end to end
Night’s hemisphere had veil’d the horizon round:
When satan, who late fled before the threats
Of Gabriel out of Eden, now improv’d
In meditated fraud and malice, bent
On Man’s destruction, maugre what might hap
Of heavier on himself, fearless returned
From compassing the earth; cautious of day,
Since Uriel, regent of the sun, descried
His entrance, and foreworned the Cherubim
That kept their watch; thence full of anguish driven,
The space of seven continued nights he rode
With darkness; thrice the equinoctial line
He circled; four times crossed the car of night
From pole to pole, traversing each colure;
On the eighth returned; and, on the coast averse
From entrance or Cherubick watch, by stealth
Found unsuspected way.  There was a place,
Now not, though sin, not time, first wrought the change,
Where Tigris, at the foot of Paradise,
Into a gulf shot under ground, till part
Rose up a fountain by the tree of life:
In with the river sunk, and with it rose
Satan, involved in rising mist; then sought
Where to lie hid; sea he had searched, and land,
From Eden over Pontus and the pool
Maeotis, up beyond the river Ob;
Downward as far antarctick; and in length,
West from Orontes to the ocean barred
At Darien ; thence to the land where flows
Ganges and Indus: Thus the orb he roamed
With narrow search; and with inspection deep
Considered every creature, which of all
Most opportune might serve his wiles; and found
The Serpent subtlest beast of all the field.
Him after long debate, irresolute
Of thoughts revolved, his final sentence chose
Fit vessel, fittest imp of fraud, in whom
To enter, and his dark suggestions hide
From sharpest sight: for, in the wily snake
Whatever sleights, none would suspicious mark,
As from his wit and native subtlety
Proceeding; which, in other beasts observed,
Doubt might beget of diabolick power
Active within, beyond the sense of brute.
Thus he resolved, but first from inward grief
His bursting passion into plaints thus poured.
More justly, seat worthier of Gods, as built
With second thoughts, reforming what was old!
O Earth, how like to Heaven, if not preferred
For what God, after better, worse would build?
Terrestrial Heaven, danced round by other Heavens
That shine, yet bear their bright officious lamps,
Light above light, for thee alone, as seems,
In thee concentring all their precious beams
Of sacred influence!  As God in Heaven
Is center, yet extends to all; so thou,
Centring, receivest from all those orbs: in thee,
Not in themselves, all their known virtue appears
Productive in herb, plant, and nobler birth
Of creatures animate with gradual life
Of growth, sense, reason, all summed up in Man.
With what delight could I have walked thee round,
If I could joy in aught, sweet interchange
Of hill, and valley, rivers, woods, and plains,
Now land, now sea and shores with forest crowned,
Rocks, dens, and caves!  But I in none of these
Find place or refuge; and the more I see
Pleasures about me, so much more I feel
Torment within me, as from the hateful siege
Of contraries: all good to me becomes
Bane, and in Heaven much worse would be my state.
But neither here seek I, no nor in Heaven
To dwell, unless by mastering Heaven’s Supreme;
Nor hope to be myself less miserable
By what I seek, but others to make such
As I, though thereby worse to me redound:
For only in destroying I find ease
To my relentless thoughts; and, him destroyed,
Or won to what may work his utter loss,
For whom all this was made, all this will soon
Follow, as to him linked in weal or woe;
In woe then; that destruction wide may range:
To me shall be the glory sole among
The infernal Powers, in one day to have marred
What he, Almighty styled, six nights and days
Continued making; and who knows how long
Before had been contriving? though perhaps
Not longer than since I, in one night, freed
From servitude inglorious well nigh half
The angelick name, and thinner left the throng
Of his adorers: He, to be avenged,
And to repair his numbers thus impaired,
Whether such virtue spent of old now failed
More Angels to create, if they at least
Are his created, or, to spite us more,
Determined to advance into our room
A creature formed of earth, and him endow,
Exalted from so base original,
With heavenly spoils, our spoils: What he decreed,
He effected; Man he made, and for him built
Magnificent this world, and earth his seat,
Him lord pronounced; and, O indignity!
Subjected to his service angel-wings,
And flaming ministers to watch and tend
Their earthly charge: Of these the vigilance
I dread; and, to elude, thus wrapt in mist
Of midnight vapour glide obscure, and pry
In every bush and brake, where hap may find
The serpent sleeping; in whose mazy folds
To hide me, and the dark intent I bring.
O foul descent! that I, who erst contended
With Gods to sit the highest, am now constrained
Into a beast; and, mixed with ******* slime,
This essence to incarnate and imbrute,
That to the highth of Deity aspired!
But what will not ambition and revenge
Descend to?  Who aspires, must down as low
As high he soared; obnoxious, first or last,
To basest things.  Revenge, at first though sweet,
Bitter ere long, back on itself recoils:
Let it; I reck not, so it light well aimed,
Since higher I fall short, on him who next
Provokes my envy, this new favourite
Of Heaven, this man of clay, son of despite,
Whom, us the more to spite, his Maker raised
From dust: Spite then with spite is best repaid.
So saying, through each thicket dank or dry,
Like a black mist low-creeping, he held on
His midnight-search, where soonest he might find
The serpent; him fast-sleeping soon he found
In labyrinth of many a round self-rolled,
His head the midst, well stored with subtile wiles:
Not yet in horrid shade or dismal den,
Nor nocent yet; but, on the grassy herb,
Fearless unfeared he slept: in at his mouth
The Devil entered; and his brutal sense,
In heart or head, possessing, soon inspired
With act intelligential; but his sleep
Disturbed not, waiting close the approach of morn.
Now, when as sacred light began to dawn
In Eden on the humid flowers, that breathed
Their morning incense, when all things, that breathe,
From the Earth’s great altar send up silent praise
To the Creator, and his nostrils fill
With grateful smell, forth came the human pair,
And joined their vocal worship to the quire
Of creatures wanting voice; that done, partake
The season prime for sweetest scents and airs:
Then commune, how that day they best may ply
Their growing work: for much their work out-grew
The hands’ dispatch of two gardening so wide,
And Eve first to her husband thus began.
Adam, well may we labour still to dress
This garden, still to tend plant, herb, and flower,
Our pleasant task enjoined; but, till more hands
Aid us, the work under our labour grows,
Luxurious by restraint; what we by day
Lop overgrown, or prune, or prop, or bind,
One night or two with wanton growth derides
Tending to wild.  Thou therefore now advise,
Or bear what to my mind first thoughts present:
Let us divide our labours; thou, where choice
Leads thee, or where most needs, whether to wind
The woodbine round this arbour, or direct
The clasping ivy where to climb; while I,
In yonder spring of roses intermixed
With myrtle, find what to redress till noon:
For, while so near each other thus all day
Our task we choose, what wonder if so near
Looks intervene and smiles, or object new
Casual discourse draw on; which intermits
Our day’s work, brought to little, though begun
Early, and the hour of supper comes unearned?
To whom mild answer Adam thus returned.
Sole Eve, associate sole, to me beyond
Compare above all living creatures dear!
Well hast thou motioned, well thy thoughts employed,
How we might best fulfil the work which here
God hath assigned us; nor of me shalt pass
Unpraised: for nothing lovelier can be found
In woman, than to study houshold good,
And good works in her husband to promote.
Yet not so strictly hath our Lord imposed
Labour, as to debar us when we need
Refreshment, whether food, or talk between,
Food of the mind, or this sweet *******
Of looks and smiles; for smiles from reason flow,
To brute denied, and are of love the food;
Love, not the lowest end of human life.
For not to irksome toil, but to delight,
He made us, and delight to reason joined.
These paths and bowers doubt not but our joint hands
Will keep from wilderness with ease, as wide
As we need walk, till younger hands ere long
Assist us; But, if much converse perhaps
Thee satiate, to short absence I could yield:
For solitude sometimes is best society,
And short retirement urges sweet return.
But other doubt possesses me, lest harm
Befall thee severed from me; for thou knowest
What hath been warned us, what malicious foe
Envying our happiness, and of his own
Despairing, seeks to work us woe and shame
By sly assault; and somewhere nigh at hand
Watches, no doubt, with greedy hope to find
His wish and best advantage, us asunder;
Hopeless to circumvent us joined, where each
To other speedy aid might lend at need:
Whether his first design be to withdraw
Our fealty from God, or to disturb
Conjugal love, than which perhaps no bliss
Enjoyed by us excites his envy more;
Or this, or worse, leave not the faithful side
That gave thee being, still shades thee, and protects.
The wife, where danger or dishonour lurks,
Safest and seemliest by her husband stays,
Who guards her, or with her the worst endures.
To whom the ****** majesty of Eve,
As one who loves, and some unkindness meets,
With sweet austere composure thus replied.
Offspring of Heaven and Earth, and all Earth’s Lord!
That such an enemy we have, who seeks
Our ruin, both by thee informed I learn,
And from the parting Angel over-heard,
As in a shady nook I stood behind,
Just then returned at shut of evening flowers.
But, that thou shouldst my firmness therefore doubt
To God or thee, because we have a foe
May tempt it, I expected not to hear.
His violence thou fearest not, being such
As we, not capable of death or pain,
Can either not receive, or can repel.
His fraud is then thy fear; which plain infers
Thy equal fear, that my firm faith and love
Can by his fraud be shaken or seduced;
Thoughts, which how found they harbour in thy breast,
Adam, mis-thought of her to thee so dear?
To whom with healing words Adam replied.
Daughter of God and Man, immortal Eve!
For such thou art; from sin and blame entire:
Not diffident of thee do I dissuade
Thy absence from my sight, but to avoid
The attempt itself, intended by our foe.
For he who tempts, though in vain, at least asperses
The tempted with dishonour foul; supposed
Not incorruptible of faith, not proof
Against temptation: Thou thyself with scorn
And anger wouldst resent the offered wrong,
Though ineffectual found: misdeem not then,
If such affront I labour to avert
From thee alone, which on us both at once
The enemy, though bold, will hardly dare;
Or daring, first on me the assault shall light.
Nor thou his malice and false guile contemn;
Subtle he needs must be, who could ******
Angels; nor think superfluous other’s aid.
I, from the influence of thy looks, receive
Access in every virtue; in thy sight
More wise, more watchful, stronger, if need were
Of outward strength; while shame, thou looking on,
Shame to be overcome or over-reached,
Would utmost vigour raise, and raised unite.
Why shouldst not thou like sense within thee feel
When I am present, and thy trial choose
With me, best witness of thy virtue tried?
So spake domestick Adam in his care
And matrimonial love; but Eve, who thought
Less attributed to her faith sincere,
Thus her reply with accent sweet renewed.
If this be our condition, thus to dwell
In narrow circuit straitened by a foe,
Subtle or violent, we not endued
Single with like defence, wherever met;
How are we happy, still in fear of harm?
But harm precedes not sin: only our foe,
Tempting, affronts us with his foul esteem
Of our integrity: his foul esteem
Sticks no dishonour on our front, but turns
Foul on himself; then wherefore shunned or feared
By us? who rather double honour gain
From his surmise proved false; find peace within,
Favour from Heaven, our witness, from the event.
And what is faith, love, virtue, unassayed
Alone, without exteriour help sustained?
Let us not then suspect our happy state
Left so imperfect by the Maker wise,
As not secure to single or combined.
Frail is our happiness, if this be so,
And Eden were no Eden, thus exposed.
To whom thus Adam fervently replied.
O Woman, best are all things as the will
Of God ordained them: His creating hand
Nothing imperfect or deficient left
Of all that he created, much less Man,
Or aught that might his happy state secure,
Secure from outward force; within himself
The danger lies, yet lies within his power:
Against his will he can receive no harm.
But God left free the will; for what obeys
Reason, is free; and Reason he made right,
But bid her well be ware, and still *****;
Lest, by some fair-appearing good surprised,
She dictate false; and mis-inform the will
To do what God expressly hath forbid.
Not then mistrust, but tender love, enjoins,
That I should mind thee oft; and mind thou me.
Firm we subsist, yet possible to swerve;
Since Reason not impossibly may meet
Some specious object by the foe suborned,
And fall into deception unaware,
Not keeping strictest watch, as she was warned.
Seek not temptation then, which to avoid
Were better, and most likely if from me
Thou sever not: Trial will come unsought.
Wouldst thou approve thy constancy, approve
First thy obedience; the other who can know,
Not seeing thee attempted, who attest?
But, if thou think, trial unsought may find
Us both securer than thus warned thou seemest,
Go; for thy stay, not fre
Now Morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aery-light, from pure digestion bred,
And temperate vapours bland, which the only sound
Of leaves and fuming rills, Aurora’s fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest:  He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamoured, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus.  Awake,
My fairest, my espoused, my latest found,
Heaven’s last best gift, my ever new delight!
Awake:  The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colours, how the bee
Sits on the bloom extracting liquid sweet.
Such whispering waked her, but with startled eye
On Adam, whom embracing, thus she spake.
O sole in whom my thoughts find all repose,
My glory, my perfection! glad I see
Thy face, and morn returned; for I this night
(Such night till this I never passed) have dreamed,
If dreamed, not, as I oft am wont, of thee,
Works of day past, or morrow’s next design,
But of offence and trouble, which my mind
Knew never till this irksome night:  Methought,
Close at mine ear one called me forth to walk
With gentle voice;  I thought it thine: It said,
‘Why sleepest thou, Eve? now is the pleasant time,
‘The cool, the silent, save where silence yields
‘To the night-warbling bird, that now awake
‘Tunes sweetest his love-laboured song; now reigns
‘Full-orbed the moon, and with more pleasing light
‘Shadowy sets off the face of things; in vain,
‘If none regard; Heaven wakes with all his eyes,
‘Whom to behold but thee, Nature’s desire?
‘In whose sight all things joy, with ravishment
‘Attracted by thy beauty still to gaze.’
I rose as at thy call, but found thee not;
To find thee I directed then my walk;
And on, methought, alone I passed through ways
That brought me on a sudden to the tree
Of interdicted knowledge: fair it seemed,
Much fairer to my fancy than by day:
And, as I wondering looked, beside it stood
One shaped and winged like one of those from Heaven
By us oft seen; his dewy locks distilled
Ambrosia; on that tree he also gazed;
And ‘O fair plant,’ said he, ‘with fruit surcharged,
‘Deigns none to ease thy load, and taste thy sweet,
‘Nor God, nor Man?  Is knowledge so despised?
‘Or envy, or what reserve forbids to taste?
‘Forbid who will, none shall from me withhold
‘Longer thy offered good; why else set here?
This said, he paused not, but with venturous arm
He plucked, he tasted; me damp horrour chilled
At such bold words vouched with a deed so bold:
But he thus, overjoyed; ‘O fruit divine,
‘Sweet of thyself, but much more sweet thus cropt,
‘Forbidden here, it seems, as only fit
‘For Gods, yet able to make Gods of Men:
‘And why not Gods of Men; since good, the more
‘Communicated, more abundant grows,
‘The author not impaired, but honoured more?
‘Here, happy creature, fair angelick Eve!
‘Partake thou also; happy though thou art,
‘Happier thou mayest be, worthier canst not be:
‘Taste this, and be henceforth among the Gods
‘Thyself a Goddess, not to earth confined,
‘But sometimes in the air, as we, sometimes
‘Ascend to Heaven, by merit thine, and see
‘What life the Gods live there, and such live thou!’
So saying, he drew nigh, and to me held,
Even to my mouth of that same fruit held part
Which he had plucked; the pleasant savoury smell
So quickened appetite, that I, methought,
Could not but taste.  Forthwith up to the clouds
With him I flew, and underneath beheld
The earth outstretched immense, a prospect wide
And various:  Wondering at my flight and change
To this high exaltation; suddenly
My guide was gone, and I, methought, sunk down,
And fell asleep; but O, how glad I waked
To find this but a dream!  Thus Eve her night
Related, and thus Adam answered sad.
Best image of myself, and dearer half,
The trouble of thy thoughts this night in sleep
Affects me equally; nor can I like
This uncouth dream, of evil sprung, I fear;
Yet evil whence? in thee can harbour none,
Created pure.  But know that in the soul
Are many lesser faculties, that serve
Reason as chief; among these Fancy next
Her office holds; of all external things
Which the five watchful senses represent,
She forms imaginations, aery shapes,
Which Reason, joining or disjoining, frames
All what we affirm or what deny, and call
Our knowledge or opinion; then retires
Into her private cell, when nature rests.
Oft in her absence mimick Fancy wakes
To imitate her; but, misjoining shapes,
Wild work produces oft, and most in dreams;
Ill matching words and deeds long past or late.
Some such resemblances, methinks, I find
Of our last evening’s talk, in this thy dream,
But with addition strange; yet be not sad.
Evil into the mind of God or Man
May come and go, so unreproved, and leave
No spot or blame behind:  Which gives me hope
That what in sleep thou didst abhor to dream,
Waking thou never will consent to do.
Be not disheartened then, nor cloud those looks,
That wont to be more cheerful and serene,
Than when fair morning first smiles on the world;
And let us to our fresh employments rise
Among the groves, the fountains, and the flowers
That open now their choisest bosomed smells,
Reserved from night, and kept for thee in store.
So cheered he his fair spouse, and she was cheered;
But silently a gentle tear let fall
From either eye, and wiped them with her hair;
Two other precious drops that ready stood,
Each in their crystal sluice, he ere they fell
Kissed, as the gracious signs of sweet remorse
And pious awe, that feared to have offended.
So all was cleared, and to the field they haste.
But first, from under shady arborous roof
Soon as they forth were come to open sight
Of day-spring, and the sun, who, scarce up-risen,
With wheels yet hovering o’er the ocean-brim,
Shot parallel to the earth his dewy ray,
Discovering in wide landskip all the east
Of Paradise and Eden’s happy plains,
Lowly they bowed adoring, and began
Their orisons, each morning duly paid
In various style; for neither various style
Nor holy rapture wanted they to praise
Their Maker, in fit strains pronounced, or sung
Unmeditated; such prompt eloquence
Flowed from their lips, in prose or numerous verse,
More tuneable than needed lute or harp
To add more sweetness; and they thus began.
These are thy glorious works, Parent of good,
Almighty!  Thine this universal frame,
Thus wonderous fair;  Thyself how wonderous then!
Unspeakable, who sitst above these heavens
To us invisible, or dimly seen
In these thy lowest works; yet these declare
Thy goodness beyond thought, and power divine.
Speak, ye who best can tell, ye sons of light,
Angels; for ye behold him, and with songs
And choral symphonies, day without night,
Circle his throne rejoicing; ye in Heaven
On Earth join all ye Creatures to extol
Him first, him last, him midst, and without end.
Fairest of stars, last in the train of night,
If better thou belong not to the dawn,
Sure pledge of day, that crownest the smiling morn
With thy bright circlet, praise him in thy sphere,
While day arises, that sweet hour of prime.
Thou Sun, of this great world both eye and soul,
Acknowledge him thy greater; sound his praise
In thy eternal course, both when thou climbest,
And when high noon hast gained, and when thou fallest.
Moon, that now meetest the orient sun, now flyest,
With the fixed Stars, fixed in their orb that flies;
And ye five other wandering Fires, that move
In mystick dance not without song, resound
His praise, who out of darkness called up light.
Air, and ye Elements, the eldest birth
Of Nature’s womb, that in quaternion run
Perpetual circle, multiform; and mix
And nourish all things; let your ceaseless change
Vary to our great Maker still new praise.
Ye Mists and Exhalations, that now rise
From hill or steaming lake, dusky or gray,
Till the sun paint your fleecy skirts with gold,
In honour to the world’s great Author rise;
Whether to deck with clouds the uncoloured sky,
Or wet the thirsty earth with falling showers,
Rising or falling still advance his praise.
His praise, ye Winds, that from four quarters blow,
Breathe soft or loud; and, wave your tops, ye Pines,
With every plant, in sign of worship wave.
Fountains, and ye that warble, as ye flow,
Melodious murmurs, warbling tune his praise.
Join voices, all ye living Souls:  Ye Birds,
That singing up to Heaven-gate ascend,
Bear on your wings and in your notes his praise.
Ye that in waters glide, and ye that walk
The earth, and stately tread, or lowly creep;
Witness if I be silent, morn or even,
To hill, or valley, fountain, or fresh shade,
Made vocal by my song, and taught his praise.
Hail, universal Lord, be bounteous still
To give us only good; and if the night
Have gathered aught of evil, or concealed,
Disperse it, as now light dispels the dark!
So prayed they innocent, and to their thoughts
Firm peace recovered soon, and wonted calm.
On to their morning’s rural work they haste,
Among sweet dews and flowers; where any row
Of fruit-trees over-woody reached too far
Their pampered boughs, and needed hands to check
Fruitless embraces: or they led the vine
To wed her elm; she, spoused, about him twines
Her marriageable arms, and with him brings
Her dower, the adopted clusters, to adorn
His barren leaves.  Them thus employed beheld
With pity Heaven’s high King, and to him called
Raphael, the sociable Spirit, that deigned
To travel with Tobias, and secured
His marriage with the seventimes-wedded maid.
Raphael, said he, thou hearest what stir on Earth
Satan, from Hell ’scaped through the darksome gulf,
Hath raised in Paradise; and how disturbed
This night the human pair; how he designs
In them at once to ruin all mankind.
Go therefore, half this day as friend with friend
Converse with Adam, in what bower or shade
Thou findest him from the heat of noon retired,
To respite his day-labour with repast,
Or with repose; and such discourse bring on,
As may advise him of his happy state,
Happiness in his power left free to will,
Left to his own free will, his will though free,
Yet mutable; whence warn him to beware
He swerve not, too secure:  Tell him withal
His danger, and from whom; what enemy,
Late fallen himself from Heaven, is plotting now
The fall of others from like state of bliss;
By violence? no, for that shall be withstood;
But by deceit and lies:  This let him know,
Lest, wilfully transgressing, he pretend
Surprisal, unadmonished, unforewarned.
So spake the Eternal Father, and fulfilled
All justice:  Nor delayed the winged Saint
After his charge received; but from among
Thousand celestial Ardours, where he stood
Veiled with his gorgeous wings, up springing light,
Flew through the midst of Heaven; the angelick quires,
On each hand parting, to his speed gave way
Through all the empyreal road; till, at the gate
Of Heaven arrived, the gate self-opened wide
On golden hinges turning, as by work
Divine the sovran Architect had framed.
From hence no cloud, or, to obstruct his sight,
Star interposed, however small he sees,
Not unconformed to other shining globes,
Earth, and the garden of God, with cedars crowned
Above all hills.  As when by night the glass
Of Galileo, less assured, observes
Imagined lands and regions in the moon:
Or pilot, from amidst the Cyclades
Delos or Samos first appearing, kens
A cloudy spot.  Down thither prone in flight
He speeds, and through the vast ethereal sky
Sails between worlds and worlds, with steady wing
Now on the polar winds, then with quick fan
Winnows the buxom air; till, within soar
Of towering eagles, to all the fowls he seems
A phoenix, gazed by all as that sole bird,
When, to enshrine his reliques in the Sun’s
Bright temple, to Egyptian Thebes he flies.
At once on the eastern cliff of Paradise
He lights, and to his proper shape returns
A Seraph winged:  Six wings he wore, to shade
His lineaments divine; the pair that clad
Each shoulder broad, came mantling o’er his breast
With regal ornament; the middle pair
Girt like a starry zone his waist, and round
Skirted his ***** and thighs with downy gold
And colours dipt in Heaven; the third his feet
Shadowed from either heel with feathered mail,
Sky-tinctured grain.  Like Maia’s son he stood,
And shook his plumes, that heavenly fragrance filled
The circuit wide.  Straight knew him all the bands
Of Angels under watch; and to his state,
And to his message high, in honour rise;
For on some message high they guessed him bound.
Their glittering tents he passed, and now is come
Into the blissful field, through groves of myrrh,
And flowering odours, cassia, nard, and balm;
A wilderness of sweets; for Nature here
Wantoned as in her prime, and played at will
Her ****** fancies pouring forth more sweet,
Wild above rule or art, enormous bliss.
Him through the spicy forest onward come
Adam discerned, as in the door he sat
Of his cool bower, while now the mounted sun
Shot down direct his fervid rays to warm
Earth’s inmost womb, more warmth than Adam needs:
And Eve within, due at her hour prepared
For dinner savoury fruits, of taste to please
True appetite, and not disrelish thirst
Of nectarous draughts between, from milky stream,
Berry or grape:  To whom thus Adam called.
Haste hither, Eve, and worth thy sight behold
Eastward among those trees, what glorious shape
Comes this way moving; seems another morn
Risen on mid-noon; some great behest from Heaven
To us perhaps he brings, and will vouchsafe
This day to be our guest.  But go with speed,
And, what thy stores contain, bring forth, and pour
Abundance, fit to honour and receive
Our heavenly stranger:  Well we may afford
Our givers their own gifts, and large bestow
From large bestowed, where Nature multiplies
Her fertile growth, and by disburthening grows
More fruitful, which instructs us not to spare.
To whom thus Eve.  Adam, earth’s hallowed mould,
Of God inspired! small store will serve, where store,
All seasons, ripe for use hangs on the stalk;
Save what by frugal storing firmness gains
To nourish, and superfluous moist consumes:
But I will haste, and from each bough and brake,
Each plant and juciest gourd, will pluck such choice
To entertain our Angel-guest, as he
Beholding shall confess, that here on Earth
God hath dispensed his bounties as in Heaven.
So saying, with dispatchful looks in haste
She turns, on hospitable thoughts intent
What choice to choose for delicacy best,
What order, so contrived as not to mix
Tastes, not well joined, inelegant, but bring
Taste after taste upheld with kindliest change;
Bestirs her then, and from each tender stalk
Whatever Earth, all-bearing mother, yields
In India East or West, or middle shore
In Pontus or the Punick coast, or where
Alcinous reigned, fruit of all kinds, in coat
Rough, or smooth rind, or bearded husk, or shell,
She gathers, tribute large, and on the board
Heaps with unsparing hand; for drink the grape
She crushes, inoffensive must, and meaths
From many a berry, and from sweet kernels pressed
She tempers dulcet creams; nor these to hold
Wants her fit vessels pure; then strows the ground
With rose and odours from the shrub unfumed.
Mean while our primitive great sire, to meet
His God-like guest, walks forth, without more train
Accompanied than with his own complete
Perfections; in himself was all his state,
More solemn than the tedious pomp that waits
On princes, when their rich retinue long
Of horses led, and gro
MESSENGER

Now at the Seventh Gate the seventh chief,
Thy proper mother's son, I will announce,
What fortune for this city, for himself,
With curses he invoketh:--on the walls
Ascending, heralded as king, to stand,
With paeans for their capture; then with thee
To fight, and either slaying near thee die,
Or thee, who wronged him, chasing forth alive,
Requite in kind his proper banishment.
Such words he shouts, and calls upon the gods
Who o'er his race preside and Fatherland,
With gracious eye to look upon his prayers.
A well-wrought buckler, newly forged, he bears,
With twofold blazon riveted thereon,
For there a woman leads, with sober mien,
A mailed warrior, enchased in gold;
Justice her style, and thus the legend speaks:--
'This man I will restore, and he shall hold
The city and his father's palace homes.'
Such the devices of the hostile chiefs.
'Tis for thyself to choose whom thou wilt send;
But never shalt thou blame my herald-words.
To guide the rudder of the State be thine!


ETEOCLES

O heaven-demented race of Oedipus,
My race, tear-fraught, detested of the gods!
Alas, our father's curses now bear fruit.
But it beseems not to lament or weep,
Lest lamentations sadder still be born.
For him, too truly Polyneikes named,--
What his device will work we soon shall know;
Whether his braggart words, with madness fraught,
Gold-blazoned on his shield, shall lead him back.
Hath Justice communed with, or claimed him hers,
Guided his deeds and thoughts, this might have been;
But neither when he fled the darksome womb,
Or in his childhood, or in youth's fair prime,
Or when the hair thick gathered on his chin,
Hath Justice communed with, or claimed him hers,
Nor in this outrage on his Fatherland
Deem I she now beside him deigns to stand.
For Justice would in sooth belie her name,
Did she with this all-daring man consort.
In these regards confiding will I go,
Myself will meet him. Who with better right?
Brother to brother, chieftain against chief,
Foeman to foe, I'll stand. Quick, bring my spear,
My greaves, and armor, bulwark against stones.
Elizz Jul 2018
Quaking Earth shattering Revolting
And I'm in the middle of it
My heart is at least
I didn't realize or notice that it got so big able to lumber out of my chest
I guess that's ok because I can't do anything about it
Just like I couldn't do anything about the fire rising up behind "me"
You aren't with me I don't get to hear your laugh anymore
Sprinkling down through ivy covered walls
You aren't with me
I've realized that a lot
But I also realize that when I get up in the morning
Or in most cases never going to sleep to begin with
The moon a lovely
Complicit pale lover
Never questioning me
Never worrying me
Listening when I need to talk
And instead of telling me what to do
Or telling me what I'm doing wrong
it just listens
I knew it wasn't a mistake when I fell for your pale face
It was a mistake when I started liking someone
Who's face didn't stay impressively passive when looking at me
It was a mistake to fall out of orbit
For someone who never wanted to be free
From the confines of gravity
To  come into my sky
You know sometimes
I can still see your shadow
Just out of the corner of my eye
The way your hair would fall
How your eyes would even enrapture the sun
You aren't mine anymore
But the sun still deigns to rise
And the moon still loves me
I can't get back the love and adoration
I gave you over the past five years
And as I said I still see your shadow sometimes
But you aren't mine
And that's ok
Because even though you never cared
About being the meteor that knocked me out of orbit
I still cared about you being happy
Even when it wasn't with me
Even when it isn't with me
And each day since
I've gotten off of the ground
More and more
So thanks
For the broken insecurities
For the things that I never wanted
Thanks for submerging me into a vat
Made out of stress and emotional pain
Thanks
For the new sense of orbit
And the new outlook
And that sometimes
Dreams shatter
Possibilities shatter
But that's ok
Because when they shatter
The fractures
Lead to new doors
really really old four years at best
Steele Mar 2015
The Boxer stands alone tonight.
There are no crowds to cheer him on.
There are no opportunities to pass him by.

The Boxer stands alone tonight.
His head is bowed, no longer strong.
His heart no longer knows what's right.

The Boxer stands alone tonight.
He can't remember for how long.
He can't remember what it felt like

to live
       carry on
                  to be strong
                                    to fight.

The Boxer stands alone tonight.
There is no one here to hear him cry,
alone in the ring, as baroque music flies
through the air; through his soul,
and at last lets him sleep.

There is not a soul left there that cares to cheer him on;
When he passes, there is no one left that deigns to weep.
When life gets tough, sometimes the tough get going only to subsequently break down like the flawed human beings they are.
Donall Dempsey Jul 2018
I NEVER HAS SEEN SNOW

I lived my life as if
I had been written
into a Barbara Pym novel

so prim and proper lady I
my soul smoother'd in camphor
yet my life...wot the mot hath got

and here I be
curled upon the Persian rug
in the foetal position

being born
into my dying
as it were

me an elaborate motif
beside an exquisite phoenix
oh the warp and woof of me

so this is death
rather nice
as these things go

not too much( ouch )pain
more easeful and slow and
when ya gotta go...ya...gotta go

rather like that Manx man
was it Brown...or...something
"...if thou couldst empty..." oh what is it?

"...all thy self of self
to be a shell dishabited..."
bit like ha ha that...innit( agghh )

wonder what an anthropologist
from...say...Borneo
would make of me

I'd guess I'd be
so quaintly ever so English
so cue-cumber sandwich

settling down with a Pimms and a Pym
being one of those Excellent Women
**** this dying....haven't even read the book

only got as far as
p.15...how mean
the great unread

the words sticking in my brain
something being "...a welcoming
sort of place...

with a bright entrance..."
as if Mr. Death were saying
"Why...that's what I am!"

"Yeah, yeah...sure sure'"
I answer all Film Noir
another of life's little pleasures

the stuffed bird
stares at me sternly
deigns to speak

"Now that you are going to be
as dead as me...may I
have a word?"

it coughs unaccustomed
as it is
to public speech

"It's not so bad
being dead
it's being stuffed that hurts!"

the cat joins in
with its customary "I'm starving...
ya couldn't open this tin?"

now the cat howls
oh to have opposable thumbs
or a can opener at least

the stuffed bird and the cat and I
singing along to Beverly Kenny
smiling from the record sleeve

"Oh this used to be
my favourite as a girl
'I Never Has Seen Snow."

"Oh the girl I used to be
she ain't me no more!"
I could always carry a tune

the stuffed bird can't
sing for nuts but
the cat's got a good tenor voice

me...I'm letting go
the world is walking out on me
the world don't want to know me no more

I've even forget
can you Adam and Eve it
how to spell... fo'c's'le

my garden looks in
the window at me
well here's a howdy do

I never was '...a lovesome thing..."
even when young
"God wot!"

hee hee hee T.E. Brown
appears to invade the mind
when one is dying

and what would that Borneo
anthropologist make of that
or my love of Jazz

grabbing the music
by the tail as it shape-shifts
improvises world upon world and beyond

oh to be dying
in a smokey jazz club
thoughts climbing a spiral staircase of smoke

"All that is...is not!"
now I wonder where
I got ha ha that

would the man from Borneo know
that is Phil Woods on
the Quincey Jones arrangement

"Oh I love sax me!
never could say the same
for ***

well - enough of that
better get on with
my death

and what better way to go
than with Beverly singing low
always thought I looked a bit like her

she smiles that record sleeve smile
the one I tried to sculpt
upon my own features

"I saw a new horizon
and a road to take me
where I wanted to be...needed to be.... took"

"God! I'm only starving!" yowls the cat
"Ya couldn't feed me before ya go...no
**** those...**** those cans!"

"Oh ****...oh ****!" she purrs
the record's...the record's...the record's
stuck
INDWELLING

If thou couldst empty all thyself of self,
Like to a shell dishabited,
Then might He find thee on the Ocean shelf,
And say — "This is not dead," —
And fill thee with Himself instead.

But thou art all replete with very thou,
And hast such shrewd activity,
That, when He comes, He says — "This is enow
Unto itself — 'Twere better let it be:
It is so small and full, there is no room for Me."

T.E. BROWN

I Never Has Seen Snow Lyrics
I NEVER HAS SEEN SNOW

done lost my ugly spell
I am cheerful now
Got the warm all overs a-smoothin' my worried brow
Oh, the girl I used to be
She ain't me no more
I closed the door on the girl I was before
Feeling fine and full of bliss
What I really wants to say is this

I never has seen snow
All the same I know
Snow ain't so beautiful
Cain't be so beautiful
Like my love is
Like my love is

Nothing do compare
Nothing anywhere with my love
A hundred things I see
A twilight sky that's free
But none so beautiful
Not one so beautiful
Like my love is
Like my love is
Once you see his face
None can take the place of my love

A stone rolled off my heart
When I laid my eyes on
That near to me boy with that far away look
And right from the start
I saw a new horizon
And a road to take me where I wanted to be took
Needed to be took
And though
I never has seen snow
All the same I know
Nothing will ever be
Nothing can ever be
Beautiful as my love is
Like my love is to me

Harold Arlen/Truman Capote

from THE HOUSE OF FLOWERS musical

MY GARDEN

A GARDEN is a lovesome thing, God wot!
Rose plot,
Fringed pool,
Ferned grot—
The veriest school
Of peace ; and yet the fool
Contends that God is not—
Not God ! in gardens ! when the eve is cool?
Nay, but I have a sign;
‘Tis very sure God walks in mine.

T. E. BROWN

She used to sing along to the Quincey Jones arrangement with Phil Wood featuring....yea he of that famous alto sax solo on Billy Joel's JUST THE WAY YOU ARE.

Beverly Kenny is now more remembered for her I Hate Rock 'n' Roll but was a young  up and coming singer who died too early by her own hand.

My lady in the poem did indeed look very much like her and one was often disconcerted by a record sleeve looking back at one with my lady's young face. I never cared for her much except for her version of I Never Has Seen Snow. Curiously the Japanese to this day adore her. I was more of a Julie London man don't ya know.

The rather excellent Barbara Pym was another stand by or go to...EXCELLENT WOMEN was her second book and on p.15 there indeed occurs the line...

"A vicarage ought to be a welcoming sort of place with a bright entrance."

She was Philip Larkin's favourite novelist.

My lady was the very model of a modern curmudgeon and not everyone could stand her but I got on well with her seeing as I knew both Brown and Pym and could sing along to I NEVER HAS SEEN SNOW.

fo'c's'le was necessary to complete a crossword and she was getting very cross at not being able all of a sudden to spell it.

The forecastle (abbreviated fo'c'sle or fo'c's'le)is the upper deck of a sailing ship forward of the foremast, or the forward part of a ship with the sailors' living quarters. Related to the latter meaning is the phrase "before the mast" which denotes anything related to ordinary sailors, as opposed to a ship's officers
Awake, Æolian lyre, awake,
And give to rapture all thy trembling strings.
From Helicon’s harmonious springs
A thousand rills their mazy progress take:
The laughing flowers that round them blow
Drink life and fragrance as they flow.
Now the rich stream of Music winds along,
Deep, majestic, smooth, and strong,
Thro’ verdant vales, and Ceres’ golden reign;
Now rolling down the steep amain,
Headlong, impetuous, see it pour;
The rocks and nodding groves re-bellow to the roar.

Oh! Sov’reign of the willing soul,
Parent of sweet and solemn-breathing airs,
Enchanting shell! the sullen Cares
And frantic Passions hear thy soft control.
On Thracia’s hills the Lord of War
Has curbed the fury of his car,
And dropt his thirsty lance at thy command.
Perching on the sceptred hand
Of Jove, thy magic lulls the feathered king
With ruffled plumes and flagging wing:
Quenched in dark clouds of slumber lie
The terror of his beak, and lightnings of his eye.

Thee the voice, the dance, obey,
Tempered to thy warbled lay.
O’er Idalia’s velvet-green
The rosy-crowned Loves are seen
On Cytherea’s day,
With antic Sport, and blue-eyed Pleasures,
Frisking light in frolic measures;
Now pursuing, now retreating,
Now in circling troops they meet:
To brisk notes in cadence beating
Glance their many-twinkling feet.
Slow melting strains their Queen’s approach declare:
Where’er she turns the Graces homage pay.
With arms sublime that float upon the air
In gliding state she wins her easy way:
O’er her warm cheek and rising ***** move
The bloom of young Desire and purple light of Love.

Man’s feeble race what ills await!
Labour, and Penury, the racks of Pain,
Disease, and Sorrow’s weeping train,
And Death, sad refuge from the storms of Fate!
The fond complaint, my song, disprove,
And justify the laws of Jove.
Say, has he giv’n in vain the heav’nly Muse?
Night and all her sickly dews,
Her sceptres wan, and birds of boding cry,
He gives to range the dreary sky;
Till down the eastern cliffs afar
Hyperion’s march they spy, and glitt’ring shafts of war.

In climes beyond the solar road,
Where shaggy forms o’er ice-built mountains roam,
The Muse has broke the twilight gloom
To cheer the shivering Native’s dull abode.
And oft, beneath the od’rous shade
Of Chili’s boundless forests laid,
She deigns to hear the savage youth repeat,
In loose numbers wildly sweet,
Their feather-cinctured chiefs, and dusky loves.
Her track, where’er the Goddess roves,
Glory pursue, and gen’rous Shame,
Th’ unconquerable Mind, and Freedom’s holy flame.

Woods, that wave o’er Delphi’s steep,
Isles, that crown th’ Ægean deep,
Fields that cool Ilissus laves,
Or where Mæander’s amber waves
In lingering lab’rinths creep,
How do your tuneful echoes languish,
Mute, but to the voice of anguish!
Where each old poetic mountain
Inspiration breathed around;
Ev’ry shade and hallowed fountain
Murmured deep a solemn sound:
Till the sad Nine, in Greece’s evil hour,
Left their Parnassus for the Latian plains.
Alike they scorn the pomp of tyrant Power,
And coward Vice, that revels in her chains.
When Latium had her lofty spirit lost,
They sought, Oh Albion! next thy sea-encircled coast.

Far from the sun and summer-gale,
In thy green lap was Nature’s Darling laid,
What time, where lucid Avon strayed,
To him the mighty mother did unveil
Her awful face: the dauntless child
Stretched forth his little arms, and smiled.
“This pencil take (she said), whose colours clear
Richly paint the vernal year:
Thine too these golden keys, immortal Boy!
This can unlock the gates of Joy;
Of Horror that, and thrilling Fears,
Or ope the sacred source of sympathetic Tears.”

Nor second he, that rode sublime
Upon the seraph-wings of Ecstasy,
The secrets of th’ Abyss to spy.
He passed the flaming bounds of place and time:
The living Throne, the sapphire-blaze,
Where Angels tremble while they gaze,
He saw; but, blasted with excess of light,
Closed his eyes in endless night.
Behold where Dryden’s less presumptuous car
Wide o’er the fields of glory bear
Two coursers of ethereal race,
With necks in thunder clothed, and long-resounding pace.

Hark, his hands the lyre explore!
Bright-eyed Fancy, hovering o’er,
Scatters from her pictured urn
Thoughts that breathe, and words that burn.
But ah! ’tis heard no more—
Oh! Lyre divine, what daring Spirit
Wakes thee now? Though he inherit
Nor the pride, nor ample pinion,
That the Theban eagle bear,
Sailing with supreme dominion
Through the azure deep of air:
Yet oft before his infant eyes would run
Such forms as glitter in the Muse’s ray,
With orient hues, unborrowed of the Sun:
Yet shall he mount, and keep his distant way
Beyond the limits of a ****** fate,
Beneath the Good how far—but far above the Great.
The human sacrifices begin at noon. I must hurry to prepare the ruins.

Good: The pyramids retain their purity of line; the hieroglyphs balance out the skulls, more or less. Let us say, oh, two to one.

A Diego Rivera mural stretches from wall to wall of the Mayan ball court. (Are those blues really from nature?)

Heads will roll! I predict.

I need more coffee — any style. Bring me the big, steaming bowls of France that you must slurp two-handedly. Bring me the tiny espresso shots of Italy, bitter and inadequate, always calling for another cup.

Bring me café in an ornamental Mexican jar painted in bright ochres and reds. Set it on a geometrically designed serape with just a hint of purple on the fringe.

I will sop up the last drop of caffeine with my tortilla, while dining room tables multiply like serpents.

I must hurry. The sacrifices begin at noon.

Already, the humidity clings to my skin like a cheap cologne.

How stupid of me not to have worn a white linen suit, huaraches, and a Panama hat  (straw, of course).

In any case, I am the expert. My art criticism begins now.

Rivera’s human figures roll in a wave of revolutionary fervor: too rounded, too cherubic, too pastel. Industry, agriculture, fraternity, socialism. Hand me the hammer. But no bare *******, as in Delacroix’s Liberty Leading the People.

A careless oversight. ****** always adds a pleasant focal point to a painting.

Suddenly, bad news breaks. The sacrifices have been called off; the ballplayers  have converted to Communism. Viva la revolución!

                                                 + + +

Frida Kahlo twirls her mustache to match the flair of Salvador Dali’s.

Her heart flutters for the Spanish surrealist, who has bug-eyes only for Gala.

Kahlo deigns to paint his portrait, which turns out to be another of her
 self-portraits. So many selves. So many portraits.

This one sports ample ****** hair and a monkey on her shoulder, who leans across to eat the gardenia behind her right ear. Or is it a carnation? Ah, carnations only calcify into clichés. Let us call it a hibiscus, and be done with it.

(Still, are those lurid colors from nature?)

I must hurry. The exhibition will begin at 2 a.m., the hour when all the wine shops close, and the retablos disappear from the churches. No respect for authority after la revolución. Only the self, the self. Always the self.

Kahlo twists her mustache into a braid for her next self-portrait: Liberty Leading the Mexican People. She squeezes into an orthopedic corset, bare-breasted.

I pull out my droopy Dali watch to eye the time. The hands cross at midnight.

I must hurry. Yet Kahlo insists I sit.

She paints my portrait with a spike through my spine, a shattered pelvis, and partial paralysis of the legs. I can no longer walk a straight line.

She thinks I am she, in trousers. The self, the self. Always the self.

My moustache grows heavier than hers, however, and I painstakingly pluck out the unibrow.

But I adore her monkey, with his close-set eyes. He eats a carnation for penance each morning, then primps before the mirror. The self, the self. The primate self.

More bad news: Dali cancels the exhibition. He has been demoralized by the retablos, which radiate beauty in six dimensions: height, breadth, length and the omnipresence of the Holy Trinity.

A genuine milagro: The streets fill with gardenias and hibiscus. The Mayan ballplayers convert to Catholicism.

A white skeleton dances with Kahlo in the moonlight. He wears her leather-and-steel braces.

No matter. I am the art critic, and I declare all Mexican colors indigenous, naturalistic, and caffeinated. Then I turn out the dining room lights.

A starry, starry night. The humidity sinks into the cenote.

Tomorrow, I shall buy a monkey and teach it to paint. All colors from nature, of course.
This is an imaginative riff based on a trip to the Yucatan Peninsula. It's also a poem where the reader has to judge whether the speaker of the poem, the "I", is the author. I'll leave the answer to you. It helps to know the works and ****** portraits of Mexican muralist Diego Rivera, Mexican self-portraitist Frida Kahlo, who was impaled and had her pelvis shattered in a bus accident, and the Spanish Surrealist painter Salvador Dali. You can Google all of them.
Why did I laugh tonight? No voice will tell:
No God, no Demon of severe response,
Deigns to reply from Heaven or from Hell.
Then to my human heart I turn at once.
Heart! Thou and I are here, sad and alone;
I say, why did I laugh? O mortal pain!
O Darkness! Darkness! ever must I moan,
To question Heaven and Hell and Heart in vain.
Why did I laugh? I know this Being's lease,
My fancy to its utmost blisses spreads;
Yet would I on this very midnight cease,
And the world's gaudy ensigns see in shreds;
Verse, Fame, and Beauty are intense indeed,
But Death intenser—Death is Life's high meed.
What is the sorriest thing that enters Hell?
None of the sins,—but this and that fair deed
Which a soul’s sin at length could supersede.
These yet are virgins, whom death’s timely knell
Might once have sainted; whom the fiends compel
Together now, in snake-bound shuddering sheaves
Of anguish, while the scorching bridegroom leaves
Their refuse maidenhood abominable.

Night ***** them down, the garbage of the pit,
Whose names, half entered in the book of Life,
Were God’s desire at noon. And as their hair
And eyes sink last, the Torturer deigns no whit
To gaze, but, yearning, waits his worthier wife,
The Sin still blithe on earth that sent them there.
sobroquet Aug 2013
Our Father
         Woe! to these  demonic determined downtrodden deceivers,
         Woe! Oh Thine merciless mendicants of misery and maleficent mendacity
         Woe! Oh common corrupt conniving cunning calumnious crusaders of crucifixion...
          scurrilous screeds scribbling sorrows
          The Lord will sharpen thou pencils...
Thou pocket protectors whilst melt into thine *******...
Thou spectacles opaque and  permanently smudged...with  other assorted
myriad miseries
       Thou  mittens will be smitten with interminable degeneracy...
       Oh languid leaders of licentious lubricious larceny..
          Oh craving calculating copious concupiscent  calumnious falsifiers...
         Oh maudlin mocking  manipulators, multitudinous marauding machinations
  Thy God is an angry God
 a vengeful God
     a jealous God

  Oh **** pots and gall!  Oh sordid ****** insalubrious denizens of depraved      degeneracy
Take heed  thou names mightn't appear in the almighty book of life when  judgement deigns an  
 opprobrious order of objurgation
                     terrible tragic tempestous tribulations  of treachery                            
  Oh  Woe! Alas!
           They are fallacious febrile fabricators, fallen , fragmented flawed fugacious furtive     falsifiers!!      
          scalawags and rapscallions..rascals of ribaldry..forlorn fallen away backslidden  recalcitrants…
            Oh misguided miserable miscreants, maladies and agitation be thy lot!

         This rant has been brought to you by:
         The Most High and Holy Priest of the Ignoble Church of Alliteration & Utter Skepticisim
To be spoken with great force and fervent  magniloquent sententious fury as from the  pulpit in a lecturers sermon.
(hell and brimstone;  pompous, sanctimoniously vain glorious, strutting and finger pointing, with frenzied gesticulations)
onlylovepoetry Jul 2023
“Words are beautiful, but emotion is divine” (patty m)

~these are the divine words of a beautiful soul, patty m~


this Missouri grandmother writes and I am willfully, duty-bound,
to comply for she commissions a poem with every insightful pithy and
ever one of her dear hugs, of which these is no limit and each one a treasure of a gratitude that flows contra-directionally, surpassing given-grace and lawful gravity, for all of her words flow simultaneously north and south, heavenwards, and earth planted, east / west, magnetic poles attracting divinity wherever it can be found
and all I can do is proffer

just one more only love poem, which is the blessing and the curse the lord blessed me with, love is  beautiful and it is divinely originated in each of our humble hearts, plucked from trees and fed to us wherever fruit of the fields grows, shaped like sweet and **** berries…not all that is divine, of necessity to be beautiful, words, them too, a mixed blessing, vulnerable and subject by the abuse of human weakness and fragility…but this much I assure myself with confidence,
and you too,
her words, well,

limitless, her every poem is hand woven, unhid, in the fooling
plain earthenware that the potter’s wheel created,
all gifts to each of us;

But my fragility mandates I speak slow and hesitantly of things beautiful that contain the white glow sparkler light of divinity, for I have attracted and deserved many failures, far greater than the rarer success, so my knowledge yet oft suspect, is mostly merely well imagined but know this:
her skill,
her expertise
her intimate comprehension
within the beautiful and divine expressions of her kind appreciation she deigns to share…words like a mighty, beautiful like a powerful Missouri river, driven by all specie of love…but none more powerful, more divine than that of a loving womanly grandmother


this, yes, only a love poem to be sure,
for the beautiful,
The Divine Miss (Patty) M.
dant00ine Jan 2015
Observation. the act. a frenetic rat
turning the cheese around.
Twisted little turning fingers.

a scientist looks at two peas
in a pod, and deigns to his ******* child.

His spectacles reflect the world
and classify to a faulty eye.

As fingers manipulate the strings;
connected to divinity
or the prison-within-ity?

A man long flown towards freedom...
hanging high from the telephone line...

Triumphant introspection;
chains inwardly strewn;
a thrall to the matterless dark.

A slave to the unreal Master;
now free to plot against his enemies,
he curses the baker’s wife.

Turning the cheese around
the rat sniffs and inspects
with an eye for ratio,

a life applied ambitiously,
to the Holy cheese and gold trophies.

A ticket to the image of love
But how will he trust her fidelity?
The mail-order bride, she cries.
Hal Loyd Denton Apr 2012
Cruel Blackness




I want to do the unpopular possibly the scary I want to face the darkness but keep from getting
Lost that is the trick a guide lost is worthless my heart is heavy and it bears the condition of

Despair but not a cheap act or idea that would suit a magic show but to dispel darkness bring
Light out of nothing let it gradually form its unquestionable life sustaining power in the secret

Place prisons that are uncanny and profound easy to enter inextricable impossible to escape
Defeat fate's death chilling breath feeds on your soul until the outer man is no more here is where

Doubt is size less who can measure or plumb its depth the shroud tolls with silent bells if there
Be walls who can tell most would give into panic the sure music of pleasure to the heart of

Darkness within the darkest robe phobia’s all manner of emotional chains are stored quietly as a
Many legged spider they approach the tolling of somber is known it works masterful deigns

That reach thoughts that turn only with ease in a demon’s mind the feign is unreal but as the
Heart is desperately wicked who shall Know it enslaves it own without number you need the

One and only component that knows no fear its price and availability and its origin a mystery it
Is not in League with and on Terms with The tremulous waster that shakes and breaks

Foundations that seemingly have no beginning or end that runs crookedly to the unknown and
Its name is Disaster but it has a master it lives in void fueled world of incomprehension but a

Child can harness its attributes innocent’s forms It out of the nothingness we need it grows
Precipitously formable you start by denouncing your own mind the end of self and you have few

Weighted steps to the door there is no terror as terrifying as dependence on an outcome that you
Have no control over to come and blunder past warning signs that are insoluble is to annihilate

Such a foolish intruder thus the darkness in the first place when your heart is filled with darkness
How do you suppose to find light or life you have chosen death and not even God can wrest it

From your hand only by coming as an Innocent child believing and by having faith all darkness
Vanishes light is contrastive giving congruence to worlds of different languages that without

Faith all is meaningless there is no Intellectual connection possible and the dead remain dead
Because only the spirit can know spiritual things love stands in the offing forever out of reach of

Those who will not put self to death that only lives for earthy while the spirit heavenly the dead
Will be removed to darkness without remedy the living spirit will flash across infinity and will

Truly be the only ones that can pass through that terrifying door and instantly be at home in
Heaven
Sometimes I fain would find in thee some fault,
That I might love thee still in spite of it:
Yet how should our Lord Love curtail one whit
Thy perfect praise whom most he would exalt?
Alas! he can but make my heart’s low vault
Even in men’s sight unworthier, being lit
By thee, who thereby show’st more exquisite
Like fiery chrysoprase in deep basalt.

Yet will I nowise shrink; but at Love’s shrine
Myself within the beams his brow doth dart
Will set the flashing jewel of thy heart
In that dull chamber where it deigns to shine:
For lo! in honour of thine excellencies
My heart takes pride to show how poor it is.
Jill Stinehart May 2013
There once was a TV network
That made me want to exult
But now I am sad and despondent
And it’s mostly Steven Moffat’s fault

I enthusiastically started Doctor Who
Who’s chronology is twisted and bizarre
It seemed like such fun to travel through time and space with a man
Who used a blue box as his car

But soon the companions’ aspirations
To travel to planets and stars
Were crushed by the Void, lost love, and gargoyles
And the Doctor is lonely and scarred.

Not yet wise, I began watching Sherlock
His deduction left me amazed and bamboozled
He and John drank some tea, and solved crimes with glee
Although each case took quite some perusal.

They lived happily with their cool flat decorum
Mrs. Hudson made biscuits below
Then along came the menacing, mean Moriarty
There was nothing that he didn’t know.

Because of the fallacy that Sherlock’s a fake
He’s dead and John’s in the doldrums
The only thing done to commemorate him
Are John’s “I do believe in Sherlock Holmes”

Hoping for a show that was boisterous and happy
Instead of the peaceful, yet sad
I turned to the medieval Merlin
who was quite a cheery lad

He worked for the king’s son, Arthur
who eclectically chose his knights
There were sirs Lancelot, Gwaine, and Leon
The bravest people in sight.

Merlin used his job as camouflage,
His secret he did not divulge
for if they all knew he was a powerful wizard
In his execution King Uther would indulge.

Since Merlin’s destiny was to keep the prince safe
He faced many scary things
He would cower in fear, but when Arthur was near
He felt brave enough to sing

Merlin’s feelings for Arthur were obvious
But does Arthur feel the same way?
When Arthur deigns to exchange dialogue with him
It instantly brightens his day.

But Lancelot died doing Merlin’s job
And Arthur is in love with Gwen
Morgana, a wizard who was once Merlin’s friend
Is evil and wants Camelot dead.

So the Doctor is lonely and growing old
Sherlock left John all alone
And Merlin feels guilty and outcast
They’ve lost all the good they’ve ever known.

And I am left crying and angry.
How could the writers do this to me?
But still, they’re the best shows I’ve ever watched
And I’ll always love the BBC.
I wrote this for school lol
I like British TV shows okay
Jax slinks to the bowl
swipes a paw across the brink
litter in his drink

Java to the sink
jumps up to drink faucet drops
before they ker-plink

M J stops to think
before deigns to take a drink
lynx philoso-fur
just for fun

Copyright 2010 JB Marshall
1.
My mother hates me!
My father hates me!
Oedipus screams to the
stealthily silent Sphinx.

He scatters riddles like laurel leaves
waiting to be braided into
a playwright's crown. It is too
grandiose to fit his cracked. cramped cranium.

His unconscious mind flies open
like the Sphinx rocketing to the sky.
Sacred haunches soar. Wings beat
steadily to reach titanic heights.

Blind to his murderous fate, Oedipus
cannot know himself. Before the
Delphic Oracle, his life shrivels,  
unexamined by his bleeding eyes.

2.
Freud exults in triumph.
Maternal love births eternal love:
endless comfort and affection
for the newly bloomed beloved.

Soon, comfort metamorphoses
into feral eros, unspeakable, unthinkable,
beyond the bounds of catastrophic evil.
Submerged desire sullies the chastest kiss.

Jacosta embraces her son
as her new living king, her husband's
royal blood bubbling brazenly
on the bitter road to Thebes.

His hands stained, Oedipus strives
to transmute his trauma as our own.
We become him when Freud deigns
to interpret our darkest, direst dreams.

Blindly, we mimic him: carnal union
with the mother, lethal rage against
the father. Mourning Becomes Electra
beckons to the wary second ***.

3.
The Sphinx belies its own riddle:
How can prophecy spring from
the sculpted, smooth stone
of these perfect *******?

Only blind Teiresias plumbs the depths
of Oedipus' fate: Judgement lies blinded,
action lies blinded by the ventricles of
violence, the twisted telos of the mind.

Humans sin against the world, against
nature, siphoned of joy. They sin without
a sacred perch to rise from. Blood and *****,
mud and blindness fashion their Oedipal souls.
ohNoe May 2014
Do You Know Crescendo?
If So, What Do You Know?
Will you Tell Me What You've Seen?
Can you Tell Me What It Means?


Hello Mister Man
  doing what you can
Praying for enlightenment
  or perhaps just some excitement
Playing with the magic marbles
  or maybe merely bruised baubles

You've known it all
had it all
yet still sometimes you stall
hesitate to call

blast away from your past
allow yourself a brand new cast
walk talk some suave smoothness
stalk absolute awesomeness

grab the sunrise with your eyes
and stare at the rare glare
grasp the moonrise in your skies
and make it want to make you rise
(and yes I mean between your thighs!)

you're just the whole of your sums
a man whose time has ***!
so ****** what Love you can
catch a match if you can!
find a fondler for your heart
wherever you have to start.

I know memories and nightmares remain
mayhap your soul is scared of its stain
but we all hold those spirits
and it don't help to fear it

best to just watch it and cry
and know you wont know why
then begin to want to win
and start to watch the when!



Do you Know Crescendo?
  Can you Feel the Glow Grow?
Do you Sense the Inspire
  in the Incense Almost on Fire?
Have you Felt the Intense
  From the Moment just Prior?
  


bye bye blue balloon in a bluer sky
whom we watch and all ways wonder why
maybe at the beach where we peer from the pier
or inside memories where emotions rear

people die daily
most matter not to me
and if you tell me true
they're meaningless to you too
(they mean less than little to you too)

and although they have no name
thoughts are just the same
bright and well spoken
turn burnt and broken
the most magical emotional mental dancer
succumbing to age, betrayal or cancer

same as always
gloom zoom
doom bloom
perfume plume
a whom who boom

fabulous fantastic and feverish ******
long ago dichotomies caught me
and it's been so ever since



Do you Know Crescendo?
  Have you Felt Lick BeCum Blow?
Because you need to Know Foreplay
  Before you can Play!
And if you Stay For FivePlay
  THEN You Gone ALL THE WAY!



are you ******' ready to rock?
are you Warp 10 Mr Spock?!
Cuz we're Boldly Going
Where only Crescendo is Knowing!
drum beat sweet
bass in your face
guitar going far
keyboards a sweet sword!

well on the way to wasted
ere the day is even tasted
whatcha gonna do?
what are you going to do?

well, at this minute within infinity,
this minute moment of eternity
all I really want is pizza
mmm, oh yah

And, by the way,
Do You Know Crescendo?
  When the Spun's just Begun
     will you Ride Inside?
When Fast is still Slow
  Breezing towards the Tornado
Will you Float in the Flights
   of Increasing Insights
Until the Spirit that Excites
is Dizzied by the Heights?



Once my guitar was in tune
with the stars and the moon
but a stutter befell my lips
when there did swell an eclipse
And then as if the first dawn
all darkness and doubt was gone!

Sunrise proceeded to Crescendo the skies
soulfire blazing clouds and  kissing my eyes
reaching out from above
  with All We Need Is Love

IT excites marvels and magics me
as much
as it did the first time I felt it
twas instantly so much infinitely more
had I ever even felt before?


That's Noe Crescendo
It's Intellectual Individualism
Emotings Within Emotions
Encircled Within A Warm Wet Circle
And A Beer


You can't just “C'mere” Cashmere
You needs must earn
each and every sideburn
To wear That Hat
You Must Learn Where It's At
Is Your Soul So Full As To Be Soulful?
Does Your Every Move Prove The Groove?
Have You Seen Brian Wilson Smile From A Few Feet Away?
Have You Survived ALL Of The Games Reality May Play?
Do You Want “Tom Petty? and “Wrote A Song With Me”
  to be part of your eulogy?


Do you Get Velvet?
Do You?
I doubt it.
Not yet.
But when the wind wends its way
within the grooves and gusts his guitar may play
Be still
and in the eventual
you will...



Do you know Crescendo?

Can You Relax
  And ******?
Have you ever added a line to a Beer Frenzy?

Have You ever Smelled a Sound
  and Heard as your Head Said
    there's a Lot of Weirdness Goin' Around?


Death drinks deep
   of the dreams you sleep
Dines with blatant assassins
Deigns to act as if he's welcomed in
Drives over the cliff of irony
  and decomposes all of your symphonies.

Life lives in leaps
  of the loves you keep
Lyrics your mostest moments
Listens to all of your “I Meants”
Links all of the lines you've written
  and lingers longingly in every when.

Both spin within the spiral
that is the crux of Crescendo.



Within Crescendo there is some Solo
Some Jimi Sayin' “Hey Joe”
Some Moon & Some Bonzo!

Forever Upon A Time
You Heard THE BEATLES For The First Time
And Instant Complete Understanding Occurred
You Heard
You Heard
Music Mind Body Spirit And Soul
Being The Presence And The Promise Of  Whole
All Is Everything
To Be Is To Always Sing
And as you drank in some Beertles
You Knew Crescendo
Cashmere & Velvet are rockers I know. Jimi, Moon & Bonzo are rockers you should know. A Beer frenzy is a silly list of "beer" replacing parts of words, like Albeert Einstein or Beauty & The Beer or Beer All You Can Be, etc
Hal Loyd Denton Feb 2012
Bitter Water

This is prompted by the death of TV actor Peter Breck the emotion is defiantly not nostalgic
All though it can cause that strange feeling of bitter sweet sorrow no his is the images and the loveliness

Of the man to catch that certain something the endowment of grace that is set apart and alone
Expressions that linger like the sight and smell after a fresh rain as if you tried to hold that which is

Exquisite and fragile it can only be observed and honored but never possessed it is the richest and rarest
It is life’s human brevity like art’s master pieces they appear unbidden they blaze they ignite the very air

Then evaporate but at times the right person is there when contact is made and they are gifted in a way
That they are not only able to capture wonder and appreciate it but they are able to reproduce it in the

Most extraordinary way that baffles and enthralls everyone else with shadings of colors that are alive it
Parades magnificence in common paths that cause the piece to resonate the divine impetus of creation

Spell binding earthmoving in the true and great idea of what art is supposed to be to see what is
Forgotten and missed by most but through intensity of vision you quell chaos peace assuredly is

Harnessed a new never was it viewed in this dimension and grandness of scale impart to me thy secrets
And give visitation to strains that are the bleeding forth of Heavenly deigns in the mix of earthen woes

Treasures are indifferent to me after this awaking I wonder seeking another glimpse and then at a great
Distance the slightest glimmer a tiny spark of promise causes the eyes to brighten the pulse rate to

Increase you are closing in on the mystifying impetus of creative power you begin a dance that recedes
Only after fire has spent its glory through your veins such was the life Peter lived and gave to us all
Thanks Peter you will be sadly missed
R Leo Oct 2016
Ages past and ages new are swirling in my mind.
Devils' broth and angels' brew are stirred…and then combined.
From that I spring and stand aloft the precipice~ balanced on a dime!

On one side hovers lightning, on one side shines the sun.
'Twixt them both I dance and whirl, my heart and soul undone.
Nothing hidden, all is bared: which way shall fall the dice?

"Neither nor!" I shout
then soar to fuller heights where coolness reigns
and the Goddess deigns to hold me.

Open arms enfold me: Soft are Her delights!
Her kisses soothe my fevered brow. Our hearts gently beat as one.
All parts of me become one Whole and then!  Her work is done!

I glide through clouds and waterfalls~  my laughter fills the air.
My soul is one great Fullness~ I am neither here nor there.
My wings unfurl their splendor embracing all below.

For I have reaped a Lover's harvest.
And its seeds I now shall sow.

                                                                    ~~R. Leo  10-15-16 (C)
betterdays Jun 2016
little ***** and rings
of metal move
as he talks

three studs,
on his eyebrow
wander like a slugish
overfull caterpillar

the bullring ring in his nose,
condenses with each breath
of the frigid  winter morn

and his earlobes swing and dangle
with blocks and spheres
of a dark wood like substance

I ask him, does that hurt,
he deigns not to answer.....

We get on with the matter
at hand, his idea for a thesis;
with regard to dramatic reflection
in Shakespearean adaptations

He speaks of Othello, Richard III
and Romeo and Juliet....
the use of water, sunglasses and mirrors

I ask if he believes there is 70000+ words
in his exploration of reflection....
all the time watching the metal caterpillar
try to escape the forest of his eyebrow....

He sighs, and the bullring mists over
the ears lobes waggle and waft around.
He states not really sure......but he likes the idea
I send him off to look for other plays
Shakespearean or not that he could include
in this work.....and to come back in a month
with a precis and chapter plan....

He leaves, shoulders slumped, muttering
and I think....I may have added  one more peircing
to his intellectual life
Andrew Fort May 2022
The river is quiet
with velvety darkness.
The moon leaves her perch,
the clouds as her garment.

A trail of dreams,
lucent with meaning,
battered, not broken,
follows, careening.


He rowed through the bayou,
  Searching for the stars;
But the branches of the cypresses
  Had captured them in jars.
His little iron lantern,
  Flick’ring kernel of light,
Won’t discern though it burns
  Gold as sylvite.

You saw him there,
  A statue of wax;
You took your hammer
  And shattered the glass.
Though, like a bird,
  He’d molted his cloak,
You remembered the password—
  To which he awoke.


You did not know (for how could you?)
  That I was all alone.
But still you deigned to look at me
  And bind my broken bone.

My anxious wings had taken flight;
  The perch bore not a trace—
You taught me how to not recoil
  When human hands embrace.

You didn’t know what you had done.
You didn’t know what you had done.
You couldn’t have known what you had done.
  But thank you anyway.

Oh, Jonathan—
May your heart enfold:
Can’t you see your gold?
Can’t you see you’re gold?


The constellations still evade—
  I’ll climb the tree.
Keep ascending; no dismay
  (This I decree!)
I’ll catch a star, I swear, some way—
  On wings of chim-choo-rees.
But if I die before that day,
  Will you take one home for me?

. . . . .

There in that desert,
Hot as the stars,
I played my harp
And you the guitar

And with the smell
Of creosote
On the cool wind
You shed your coat.


Wending through the branches,
  Aloft in the sky,
Laughing and joking
  All through the night,
You found your love,
  To my great delight—
And when you pair embrace,
  I can’t help but sigh.

Let me bear that spear
  Thrown by your dad.
(“Don't worry or fear;
  The blood’s not so bad!”)
No!—could you have been saved
  Had I been there in time?—
For I’d rather brave
  That dagger in your spine!


Jonathan, my dearest friend,
  Won’t you lift your eyes?
Though you bleed and from there grieve,
  The seed of God’s inside.

I see your fear, though not so clear,
  For you take care to guard.
But you will neither raze nor pierce
  Your son where you’ve been scarred.

You hardly know how much you’ve grown.
You hardly know how much you’ve grown.
You can’t imagine how you’ve grown.
  But you have. You have.

Oh, Jonathan—
May your heart enfold:
Will you see your gold?
Will you see you’re gold?

. . . . .

The grass may wilt and flowers fade,
  But He steadfast remains.
And though carved ice resigns to melt,
  It runs into the lake.

For what are we but jars of dust?—
  Made that we may bear
The image of Him who painted us,
  Who deigns to hear our prayer.

We do not know where we will go.
We do not know where we will go.
We can’t begin to fathom where we’ll go.
  But—know it’s not in vain.

. . . . .

When moths at last consume my clothes,
  Will you remember?
Where stone-faced, dusty night arose,
  Will you remember?
When light endures its final throes,
  Will you remember?
Should I be lost within this grove,
  Will you remember?

When street-doors shut and grinding slows,
  We will remember.
Though hunters maim and shades enclose,
  We will remember.
All praise to God—the veil’s deposed;
  We can remember.
Because from death the Son arose,
  We can remember
  He will remember.

When, from my grave, the cypress grows,
  You will remember.
And when you sleep 'neath mountain snow,
  I will remember.
The epilogue eternal goes—
  “We shall remember!”
Forevermore we shall compose,
  cleansed by the ember.


      Oh, Jonathan—
      May your heart enfold
            (And should I be told?):
      Do you see your gold?
      Do you see—you’re gold?
Á Liam,
mon ami—
mon frère.
.
“A friend loves at all times,
and a brother is born for adversity.”
Proverbs 17:17
When does,
the cobra strike?
When it deigns so?
No...
The cobra strikes when you...
Flee!

Parade before it.
Drink your fill,
and a little more...
Be merry,
that it knows its greatest weapon,
is laughing stock.
Strange one here, when you think about it.
Is it worth becoming immune?
Don't we then "become" the snake, when this is done?

You be the judge.
Ghelli Apr 2014
Require desire and delegate the choir to my sire, redesign and perspire; the liar deigns to fire the dire hire. I sleep soundly and softly while the people shoot aloofly so sooth sayers deny a responsible player and quietly quiet the last word.
Sonorant Oct 2020
Weeping Winter
Deigns his spine
In small whispers of magic.

The fingers of a ghost
He Almost
Mourned the loss of them.

Until he tastes
The fruit of rot.
And felt
Old daggers in the dark.

Like a drop of dew
In Summer heat,
He recedes towards the Sun

To await the Winter Mourn
And scorn
A mother of her forgotten son.
Nat Lipstadt Aug 2020
~ per la bombardiera italiana di Vienna~

you want a poem of (a)side dishes, instead of a main,
you prefer a side vent, instead of a main event,
but always commence at the commencement ending,
another day begs for the first poem of the day (FPoTD)

the sky produces another hue, a whitish blue,
with violet shadings, majestic clouds slow moving,
heading north, Northwest by North(NWbN)
to New England, onto Toronto, then west to B.C.
but me won’t be there for that new course correction

sent some messengers your way, umpteen Canadian
snowbird geese, returning home, Florida too **** hot,
hurricanes not to their liking, quite the sight, brave old
man in dracula cape-flapping bathrobe, clapping and heehawing them intruders into the bay waters, off his land, their partying
in my no-noise motel against a law, not to mention their
empties and plentiful droppings, but I side vent digress

from where this Mariner’s tale began, but the mental alarm
signals seven bells, return to port, now a mess mate, inside,
delivering coffee in white china teacups to the Captainess,
who in time of war makes tremendous sacrifices, par example,
who due to the pandemic, graciously deigns, accepts paper(!)
napkins, a sign of the gravity of the times, no ironing!


god, I do not understand how you do it, vast eternal patience,
every way, every day, a new shade, you musta been an art major,
or very bored, either way, this goose chasing, cook, exterminator,
driver, poetry-writing no-maven son of a Canadian woman, is
your devotee, morning glory audience, who accepts your sky tapestry, your cloud interweaving laddering, with humble gratitude, a still life never stilled, my eyes, my tongue sings your praises like King David, and that other court-appointed Canadian psalmist^ who  understood, conversing with you is where all hallelujah poem songs main event must begin, fiddle middle, and perforce must conclude, that! the! main event

everything else just a side event, a side venting, a prayer-in waiting,
a get-in-line for another paradise, where poets play cards, smoke see-gars, checking their stockings for runs and new poem ideas, word worshipping the gifts of existence, a child’s ice cream dotted nose, a body’s curves, but I digress...he LoL’s to himself, wondering why his eyes are tearing...as usual, he is clueless, the last to know, but the first to weep because the winter is coming, yet again, a sky will be less frequent friendly, but the know-nothing-man will digress yet again, once more unto the breach...


2020
8:18am
Sat Sabbath Aug 29
All about the geometry,
getting tangled in
her sorcery when the
Angels
want you too.

Muse.

And I use Chanel to attract,
my lips are dry and cracked so
I ladle on some balm,
calm?
nope,
but
I live in hope as most of us do.

The low down on the cosine is a
sign for me to come up and see her
sometime and I've heard that one
before.

These are the searchlights.

Flares that bring night down
and candles to warm Saki.

Back at the Inn
Ingrid
deigns to let me enter and
pin my colours to her mast,
happiness.

That's all a man can ask
unless he's an absolute cad
and although I'm a bounder
I've
never been that bad.


At Andrews,
we are back to the base
counting to ten with
mud on my face,
flying to
Dallas
and all of us
laugh wildly at the child that's
inside of me, but I know he
left years ago and
is still on the
way.
Jack P Apr 2018
Funny, really, how we
All refer to love and practical jokes,
Broaching the subjects from the same angle.
Referencing both the feeling and the prank,
I lament: "I fell for it/I fell for her",
Concerning the lies I've been told,
About the playful manipulation of truth.
Tall tales told to exploit one's trust.
Eccentric bedfellows, if you ask me.

Though, at least the infamous 'prank',
Has the integrity and the courage to
Enter the frame without a pretty facade.

Graced with either, I'd choose falling for a joke
Over falling for another human being, because
One is light-hearted, and the other
Deigns to light this heart afire.
oh shut the [redacted] up mate
B Morgan Talbot Aug 2019
Timpanic membrane mumbles transform into
Crescendoes, dumb  except   within skull walls.
Not quite like a burn, not quite like a sting this
din deigns to drag out old heartaches and new
failures and fresh ideas and stale aspirations but
stuck in staccato can any one idea stay  or   are
they doomed to rattle, to deafen?  They come
and go and is the thought  even  finished  with
these streams  of   consciousness  up  against
dull  tasks,  wasting  commands  and  ­all  these
commands waste so much energy. When I just
want the world to  stand  still  is  there any
one – yes it is                                 who  weaves
back in and               YOU                 that resonates
in overtones.                                 have made the
mental madness manageable when  you quietly
                          stop the leaking gap.
A plane on which to  balance.  A  grip  with   which
to bolster stronger blisters.
                            A quieting yes to block out
out the trembling timbre.
You are order out of chaos.

In the evening’s repose,
My silent film dreams
honor you, and
in the morning
I wake to noiselessness
and a thunderous heart
4 January 2017
Best read on a computer browser to preserve the shape
Dawnstar Oct 2018
The moon above Maracaibo
Deigns to lower its great arm,
Sending broad white streaks
Across the mighty dark.

Around the lakeside chanting
Songs of the evening hum,
Couples dwell beneath her,
Drinking their watery ***.

The moon above Maracaibo
Likes to glint in your glass,
Tasting a bit of that mixture,
Dabbling in perfect romance.

But when the day arrives
To turn the blue grass green,
It waits for pitch-black night
To make Maracaibo sheen.
xmxrgxncy Feb 2016
So it finally happened.

And I'm feeling so philosophical.

So I'll drop this paragraph I'm supposed to purport Toulmin in and instead, drop a beat through pentameter that means nothing like it should.

Those words were spoken in the right order, in the right way, at the right time, when I needed to hear them most. He knew. YOU KNEW. How, I can't exactly be sure. Hell, I don't even know if your conciousness deigns to dwell in the reaches of digital activity where my poetic inner goddess reigns, but I can hope.

If you're reading this....

Tell me.
The words were finally exchanged. I don't think I'll ever be the same.
ConnectHook Oct 2017
Me, whom no Muse of heavenly birth inspires,
No judgment tempers when rash genius fires;
Who boast no merit but mere knack of rhyme,
Short gleams of sense, and satire out of time;
Who cannot follow where trim fancy leads,
By prattling streams, o’er flower-empurpled meads;
Who often, but without success, have pray’d
For apt Alliteration’s artful aid;
Who would, but cannot, with a master’s skill,
Coin fine new epithets, which mean no ill:
Me, thus uncouth, thus every way unfit
For pacing poesy, and ambling wit,
Taste with contempt beholds, nor deigns to place
Amongst the lowest of her favour’d race.
by Charles Churchill (1732– 1764)

https://www.poeticous.com/charles-churchill/the-prophecy-of-famine
Donall Dempsey Nov 2017
'THE PAST IS ANOTHER COUNTRY."

July 16th
day after my 61st birthday

in the year of our Lord
2017.

And with a flick
of a switch

Big Ben strikes
half past ten

but in the July
of 1890.

The Past is
present again.

I wash up a cup
as Trumpeter Landfried

sounds the charge
as he did at Balaclava

as if 1854 had never
faded away.

And now the kettle boils
Earl Grey in a blue and yellow cup.

Florence Nightingale enters and
interrupts, with:

"When I am...no longer..."
she says so quietly

inserting a pause
like a book mark in her voice

then deigns to go on
again.

"...even a memory...just
a name..."

I sip my tea
as Lord Alfred recites

in a heavy pendulous voice
"The Charge of the Light Brigade"

thanks to Mr. Edison's
brown wax cylinders

as they bring back the Past
even with a trace of

fungus upon it
to live another day

and Florence's voice
once under glass

steps out of the museum
into the newly fashioned

light of 2017
blinking

here she is again:

"...I hope my voice may
perpetuate

the great work of
my life."

Just then the phone
rings and I

tumble back into
the here

and now.
In 1890 it was found that many survivors of the famous Charge were destitute and it caused a minor political scandal. A Light Brigade Fund was set up and so Tennyson, Miss Nightingale and Trumpeter Martin Landfried were all brought in and plonked in front of this new fangled invention...some kind of talking machine and urged to recite, speak and blow so that monies come be raised for the brave few who fought the foe. And so comes to be that just on the cusp of voices being recorded we can the long-dead-never-thought-to-be-heard manifest themselves before us and speak to us as John Lennon once said: "This is John speaking to you in his own voice!" Or as Prime Minister Gladstone once put in back in the scratchy old days of 1888 "...to receive the record of my voice..."

The full transcript of the Nightingale recording says: 'When I am no longer even a memory, just a name, I hope my voice may perpetuate the great work of my life. God bless my dear old comrades of Balaclava and bring them safe to shore. Florence Nightingale.' In fact, two versions of this recording exist the second has slightly altered wording to the first, which was presumably a practice session.
And Martin Lanfrie's text is thus:

‘I am Trumpeter Lanfried. One of the surviving trumpeters of the Charge of the Light Brigade at Balaclava. I am now going to sound the bugle that was sounded at Waterloo, and sound the charge as was sounded at Balaclava on that very same bugle… on the 25th of October, 1854.’

The Tennyson I think you may know!

There is also a recording of Robert Browning reading in 1889...the year of his death in Venice.

It was recorded in a dinner party given by Browning's friend the artist Rudolf Lehmann, on May 6th, 1889.

Colonel Gouraud, the sales manager of Edison Talking machine, had brought with him a phonograph and each of the guests was invited to speak into it. Initially reluctant, Browning eventually relents and can be heard reciting from his poem 'How They Brought the Good News from Ghent to Aix'. Unfortunately, he forgets the words after a few lines, tries again and then gives up, but can be heard expressing his astonishment at this "wonderful invention".
"I'm terribly sorry but I can't remember me own verses...but one thing I will remember all my life is the astonishing moment by your wonderful invention. Robert Browning!"

They all give him a few hurrahs all the same!

Although the recording is very inaudible, it is still worth to hear one of the greatest poet of Victorian era.
Donall Dempsey Jul 2019
I NEVER HAS SEEN SNOW

I lived my life as if
I had been written
into a Barbara Pym novel

so prim and proper lady I
my soul smoother'd in camphor
yet my life...wot the mot hath got

and here I be
curled upon the Persian rug
in the foetal position

being born
into my dying
as it were

me an elaborate motif
beside an exquisite phoenix
oh the warp and woof of me

so this is death
rather nice
as these things go

not too much( ouch )pain
more easeful and slow and
when ya gotta go...ya...gotta go

rather like that Manx man
was it Brown...or...something
"...if thou couldst empty..." oh what is it?

"...all thy self of self
to be a shell dishabited..."
bit like ha ha that...innit( agghh )

wonder what an anthropologist
from...say...Borneo
would make of me

I'd guess I'd be
so quaintly ever so English
so cue-cumber sandwich

settling down with a Pimms and a Pym
being one of those Excellent Women
**** this dying....haven't even read the book

only got as far as
p.15...how mean
the great unread

the words sticking in my brain
something being "...a welcoming
sort of place...

with a bright entrance..."
as if Mr. Death were saying
"Why...that's what I am!"

"Yeah, yeah...sure sure'"
I answer all Film Noir
another of life's little pleasures

the stuffed bird
stares at me sternly
deigns to speak

"Now that you are going to be
as dead as me...may I
have a word?"

it coughs unaccustomed
as it is
to public speech

"It's not so bad
being dead
it's being stuffed that hurts!"

the cat joins in
with its customary "I'm starving...
ya couldn't open this tin?"

now the cat howls
oh to have opposable thumbs
or a can opener at least

the stuffed bird and the cat and I
singing along to Beverly Kenny
smiling from the record sleeve

"Oh this used to be
my favourite as a girl
'I Never Has Seen Snow."

"Oh the girl I used to be
she ain't me no more!"
I could always carry a tune

the stuffed bird can't
sing for nuts but
the cat's got a good tenor voice

me...I'm letting go
the world is walking out on me
the world don't want to know me no more

I've even forget
can you Adam and Eve it
how to spell... fo'c's'le

my garden looks in
the window at me
well here's a howdy do

I never was '...a lovesome thing..."
even when young
"God wot!"

hee hee hee T.E. Brown
appears to invade the mind
when one is dying

and what would that Borneo
anthropologist make of that
or my love of Jazz

grabbing the music
by the tail as it shape-shifts
improvises world upon world and beyond

oh to be dying
in a smokey jazz club
thoughts climbing a spiral staircase of smoke

"All that is...is not!"
now I wonder where
I got ha ha that

would the man from Borneo know
that is Phil Woods on
the Quincey Jones arrangement

"Oh I love sax me!
never could say the same
for ***

well - enough of that
better get on with
my death

and what better way to go
than with Beverly singing low
always thought I looked a bit like her

she smiles that record sleeve smile
the one I tried to sculpt
upon my own features

"I saw a new horizon
and a road to take me
where I wanted to be...needed to be.... took"

"God! I'm only starving!" yowls the cat
"Ya couldn't feed me before ya go...no
**** those...**** those cans!"

"Oh ****...oh ****!" she purrs
the record's...the record's...the record's
stuck

— The End —