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You are my
Ensorcelled Elysium,
You are my
Eden Dream.

You cascade
Upon my Dreamscape,
Enshrine my slumber in
A flowered gale of aromatic petals
That envelop me, beckon me
To herald the rebirth
Of Days of Yore.

You vein
The Glistening Glade of Memories
With your
Brooks of Aqueous Emerald.

Tis' the
Phantasmagoric Plane
Where still
My wayworn spirit wanders, wearily
In search of the magic
To enfetter
The Hands of Fate
(For they conspire against us).

Swifter than your descent
Into my soul
(Five seconds still and flat)
By
The nexus of your affections,
You evanesced
Like vapor,
Yet
I shall not concede to
The Malevolent Matriarch of Destiny.

For you
O, Breath of Life,
Forsook me not
So I sublime all stains
Tarnishing my flesh
By cries to The Ethereal.

At midday
Awaiting the Twilight
I long for
The birth of The Womb of Aether’s
Progeny,
Starlit winds.

I muse
Swimmingly in Seas of Reminiscence,
Banished from that Blackened Bastion
Of Shadowed Heavens,
For when darkness shrouds
My dreams can be seen
Draping the skies.

I then fathom,
You must not be far off,
Wishing,
Hoping,
Believing
That perhaps
You too
Wonder upon stars
Longing to find that one
That entwines us anew.

You shall alight,
Upon me once more
As
August Sun’s Nimbus
(If only for a moment)
Is thwarted
By
Ebony Miasma
That drenches Cimmerian skies.

In search
Of Ardor’s Light abiding in
The Sylvan Shrine of Your Numinous Eyes
I plead that
The Crag oppress
The Coals of Tribulation,
Until my anguish is
A Diamond Heart.

The pilgrimage
I must bear,
Must be traveled by
The Adamantine alone.

Where have you gone,
Tree of Life?
Why have you withered,
Yggdrasil?

Do I possess
The Eradia of Souls,
By which you shall
Effloresce?

I would halt the cogs of time,
Relinquish my liberty,
To slumber for eternity
In crystal stasis
By your side.

Even in that crystalline quietude,
I would be eminent,
I would be exalted,
I would be ennobled,
In the knowingness that
Your
Stalwart Heart
Radiates
Just beside me.

I exhale Empyrean Winds
When rapt in reverie,
Yearning to be
Captive to your devotion,
Yours alone.

The Bliss of Your Most Holy Kiss
Would signet me
With the
Bounty of Your Name
Burnishing the skin
On my lips.

Though ephemeral,
Your presence divined,
Your presence
Was my anointing.

To be solaced
By the astral resonance emitted
By your touch
Sent the
Pulse of Nirvana
Surging, rippling,
Like a kaleidoscope tide,
Down my spine

You are
The Waters of Vitality
That floweth from
The Creeks of Eden,

You have been
Poured upon my palate
From the
Goblet of Redemption
That I may drinketh
Of
Supernal immortality.

When once again we meet,
Perhaps the tears you summoned
From my spirit
By your
Stirring caress
Shall have absolved me
Of the pangs
In loving a man
(And man alone).

Perhaps then,
The sentiments
I pine to profess,
Will resound.

A melody
Sung in legato,
A  mellifluous melisma,
Flawlessly delineated
And
Intonation in deiform
Or perhaps,
Flowering fioritura
Lacing airwaves,
By the Empress Coloratura.

Perhaps then, piety
Betwixt you and I,
Will waft the air
And I might then,
Permit my quaking body
To succumb to
You alone.

Until that morn,
I shall be vigilant,
Counting the Dawns,
Counting the Twilights,
Until
I can gaze
Into your forested eyes
If even for but a moment.

For even but a moment
Spent with you,
Will bleed a nostalgia
Across my mind's sky,
Painting clouds crimson with passion,
And
That I shall revere,
And
That shall last
And last
And,
Last… And
Last.

O, it will last,
To Elysian Infinity.


            I am a vestige,
               But I shall live once more,
                  In the light of memories
                       That blossom, are perennial,
                           And imbibe the dazed glory of the past
                       Until the past is vanquished
                 By a future that is fragrant
             With the mist of romance
          And eclipses the simulacrum,
       A fictitious sun of the infernal masquerade,
    The antithesis of the truest holy,
Then, rapture of life shall mystify no longer,
For the Numen of Truth,
  Shall cleanse creation without a drop of façade,
      His Providence shall emancipate the hollow,
             The Death of Dreams shall writhe
               In everlasting abeyance,
                 Absolving our wayward spirits,
                  The Winds of Change,
                  The Scourge of Pain,
               And
          The Loveless Wraiths
        That haunted our husks
      Shall be transcended for aeons,
  And tribulation made distant, made nebulous
As the Genesis of Time and Space itself
  For we embark on an exodus,
     Beseeching salvation to redeem us
        When the Requiem of Iniquity
           Is triumphed by everlasting cadence.

Be Valiant,
                 Be Sapient,
                             Be Love
                                       And
                                          By this
                                                You shall conquer the world
                                                           ∞
Hello my fellow comrades! This piece was originally written as a means of catharsis. I wanted to express the romantic sentiments begotten by an individual who deliquesced from my world as swiftly as they arrived. I hope you guys can glean virtues of humanity, poignancy, candor, and (an organic) transparency in this piece. I want to impress the density of reverence pulsing in my heart for the person who enraptured me by the thew of their tenderness and kindred spirit.

Hopefully the massive length of this piece does not deter from reading its contents. Holistically speaking, the volume of content in this piece is the metaphorical incarnation of the Ocean of Affection that ebbs and flows within my soul (for this individual). I would love to improve, so if you have any constructive feedback you'd like to convey I would be most grateful. Anyhow, I hope that on some level you can connect with the overtones of undying piety in love that deluge this piece. Thank you all for reading and God bless!
Nat Lipstadt Oct 2013
Created June 1st, 2011

I am not gay.
I am not straight.
I am not curved,
or warped or woofed
I am bent, cylindrical,
a burnt human.

but not weak, nah!

tempered stronger than
furnaced scarred,
hard-stained steel,
a fire shaped child of El.

The sum of,
the product of,
the multiple divisions of:

my hard-on
experiential, existential
hand to hand
combat learning,
life's red copper burnishing,
and my very own
genetic, tantric
commanded tablets,
my natural earnings,

and I guess I am just like
{you, man}


obedient factotum to the
twists and turns of the
curve ***** and spitters
life pitches at my head,
that end up as
body blows.

multiple contusions outside
worn with pride inside,
I award myself a
medal of honor,
and elect myself,
Most Valuable Person,
an All Star of David,
for having survived
one more battle scarred
game day,

and I guess I am just like
{you, man}


when I awake,
in the raceway courses
of my veins,
the speedways to my
heart and brain,
runs the bitter herbs taste
of fear of how
I shall yet again,
earn this day,
my body's keep and shelter,
earn some table scraps of
peace of mind,
that I may lay
myself down to sleep
if ever so briefly,

and I guess I am just like
{you, man}


When I prowl the mid of night,
the fever of combat fear,
my skin sears,
and there is no narcotic
that anesthetizes
even surficial  
the anxiety,
the ailment of
melancholia
that hallmarks my soul,
the overflow of which
spills over the ****
of my vocabulary

So every new day
is a new year,
and I start the diet
of my soul
yet again

and I guess I am just like
{you, man}


Once I was a soldier
who wore the
black and white stripes
of the uniform that stretches
to the four corners
of the world.

I used to sway to the R&B;
of someone else's tunes,
prostrate fell to my knees
speaking someone
else's words,
touched my forehead
to the ground.

but the melancholia that
sterling hallmarks my soul
never disappeared and
renewal was a gift
denied and refuted,
by the lack of clarity
to which I was not
part and parcel

and l guess I am just like
{you, man}


Took a new oath,
swore allegiance
to the alliance of
I don't give a ****
and acceptance of
the infection of
flawed humanity
inside of me
lies buried in the
permafrost of my mind,

So every new day
is a new year,
and I start the diet
of my soul,
yet again

The first new words
daily uttered,
chanted with vehemence
of an out loud prayer
to no one but we two,
me and you, man,
unashamedly clear and enunciated
not mumbled,
not muttered,
seven parts blessing,
three parts curse,
are these words.

l guess,
I am just like
{you, man}


Found and founded a brotherhood of me and
{you, man},
one mantra,
you and I are just alike,
now we have a new
holy romantic empire,
we are human
{you, man}
slaves to
nothing,
no one
but each other.
How I used to write...when I was....
I am the grand central
swirling vortex of the known universe

pathway of consciousness
a worldwide metaphysical interconnection

hub of modernity’s magnificent  metropolis
prime mover of it's empowered citizenry

eye of a Mid-Atlantic megalopolis
bridging an expanse from Boston to DC
trajectories of an Acela Express
accelerates time, coheres a region

magnetic compass axis
gyroscopic core
web of iron rails
touches all
transcontinental
cardinal ordinates

my constitution of chiseled granite blocks
manifests steadfast immutability

opulent terminus of marbled underground railways
subconscious portals to inter-borough worlds


the Zodiac streaks across my painted heavens
splashing aspirational mosaics of
bold citizens onto universal canvasses
my exhalations burst galaxies,
birthing constellations
promising potentialities of
plenteous abundance
as a right of all
global citizens

transit vehicle for mobilized classes
of fully enfranchised republicans

my tendrils plunge deep into
cavernous drilled bedrock
firming an unshakable edifice
-a new rock of ages-

rails splay out to the
horizons farthest corners
northern stars, southern crosses
nearest points on a sextants reckon

I am the iron spine
of the globes anointed isle
I co-join Harlem and Wall Street
as beloved fraternal twins

commerce, communication and culture
is the electricity surging through my veins

the worlds towering Babel
rises from my foundations
the plethora of tongues
all well understood

I open the gateways of knowledge
guarded by vigilant library lions

route students and scholars to
the worlds most pronounced public schools

beatific Beaux Art is boldly scrawled on my walls
in dark hued blues sung in gaudy graffito notes

swanky patrons sip martinis,
nosh bagels with a smear and **** down
shucked lemon squirted oysters

reason, discovery and discourse tango
to the airs of Andean Pipe flutes
with violence and discordant dissonance
deep within my truculent bowels

I am the road to work,
a pathway to a career and
the ride to a Connecticut
home sweet home

my gargoyles and statuary laugh
at pessimistic naysayers

I am the station for
centurions, bold charioteers
homeless nomads and
restive masses

I stir a nation of neighborhoods
into a brilliant *** of roiling roux

beams of enlightenment
stream through colossal windows
today's epiphanies of the fantastic
actualize resplendent zeitgeists

sipping coffee in my cafe's
the full technicolor palette
of humanity is revealed;
civilizations history is etched
forever upon the mind

eight million stories
of the naked city is bared
as splendorous tragedy
it's comic march
of carnal being
exalted

a million clattering feet
scurry across marblized floors
polishing the provenance
burnishing a patina
exuding golden footprints

I am 100 years young and
thousand years away from
the crash of a demolition ball

Doric Columns and
elegant archways
coronate commuters
each day with a
new revelation of a
democratic vista

I am the grand central
my spirit flows as
one with the mass
in the vibrant
heart of our
throbbing city

Music Selection: Leonard Bernstein, On the Town

written to mark the 100th Anniversary of Grand Central Station


Oakland
2/8/13
treacherously torrid and torrential torrents of totally tangential tumultuous tortuous ; tyrannically torturous adjunct viably salient seethe.    

procrastinating pandemic plenipotentiary prosthesis ; prosaically pragmatic parenthetical predication predilection premise prognostication
                                                                ­      
panoramic tableau preternatural propensity proclivity prestidigitation gesticulation :

gyration guidon ; ghastly gruesome grotesque hideously horrible horrendous heinous

grotty gnarly

diabolically maniacal dementia brusque macabre abrupt

awful

amalgamated anathema analysis agnate aggregate aberrance
somatalogy virtuoso cognate obduracy

worse

rudiment ebullience , confluence effluent effusion affluent , prolific profusity opulence , cogent fecund secular secund , recondite redolence abstrusely obstreperous mesomerism resonance resilience

protractive perpetude futurity
  
blither blandishing blabber burnishing boresome blahs
lithe blithe jabber prattle chatter tithe
morose morsel moribundness
  stolid stoic
stalwart bastion bulwark
Vitæ Sep 2023
The misty dawn unveils
her starry robes
and becomes the day
inside the day,
the Sun inside my home.

The light
lifts into the sky
shrouding the face
whose name was the Moon.

Daylight is a message
that burns through us
burnishing what shadows
lay unfolding.

To live in an ocean
between two nights
seeking the star
within us turning,
each day is glorious and bright
and finds us kneeling
to the Universe
becoming.
God Appears & God is Light
To those poor Souls who dwell in the Night,
But does a Human Form Display
To those who Dwell in Realms of day.

- William Blake
Anecandu Sep 2016
Someone said your eyes were like crystals
I say they are exquisite diamonds that make you sparkle
For even though my station of poverty is cruel,
You are now and always my most precious jewel

To be beholden by your golden charms at leisure
Brings me daily so much pleasure,
Each time you glide into view
As an angel on gilded wings of air.

You persuaded me illicitly with your smile
So captivating it entrapped and dangled keys to a cage of fate,
Where I grin beyond its iron gates,
Here I am yours truly, the world’s happiest prisoner.

For this prison of fate holds and subjugates
My fickle heart to your powers innate,
At any time you could with one wink command me to remain
Enslave me with your iridescent eyes to tame, in your domain

When you speak,  little bells register in my head and echo in my heart
Striking me sharper than Japanese swords... your romantic words
And love, our hearts greatest reward, comes forward so delicately,
Shored and anchored by respect.......... pure in every aspect

Treating your fickle heart as gently it deserves,
Yet how cruel thou art to taunt me this way,
To withhold thy love until now........ all this bliss I missed,
Knowing you could transform my world with a kiss.

Thus you pulled my heart from an Abyss,
Stripping me and burnishing my feelings with happiness,
The freedom of innocence and youth come back as the only truths,
The truth is I would give it all to have just only you.
The Profitis Ilias was snorting the exokartic energies through the sinkholes that filled the thickness of the Arms of Christi and the Souls of Trouvere, from Leros came Ezpatkul with the Gerakis for the closing of the Codex of Raedus. Stratonice was dressed for spring with Persephone for the amendment of the wind tunnel so that everyone would go back to the esplanade at the top, where Vernarth was inspiring all the children of the Codex of Raedus-Vernacentricus-Profitis Ilias. Zefian brought the Toxota and Pezhetairoi arrows, they were sovereign moldy points of the Bronze tips of the Taxota Archers and the Falangists. That in turn from the high sky formed a great pinwheel when from the great dimension they shone from the flat equinoctial sky, bumping the chins of Kaitelka that the Parthenon dealer lost, that they rang the great bronze pineapple, kilometers in length forming the makro koelum from Patmos; with vertices of the Pythagorean canon of Polykleitos. A large horizontal Lecedemonia “V” was visible from Aorion's falling acrotera, projected in a copper mega bolt coming from Betelgeuse's armpit, and forming a Barnard looped sidereal Vee, fired by the hunter Aorion from his constellation. This would be an architectural last, and Pythagorean canon-mathematical for purposes proportional to the Mandragoron. They fell from the four arrows that Zefian launched, from Crete, since they were approaching the contravention of Apollo, and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points. This is how they began with the first two sagites that are placed on the arc string, each one belonging to north-south trajectories and the other two that once again clashed with the eastern arc, to shoot the east-west arrows with limits of magnetism. southern. Three arrows are deposited in the canon of Polykleitos, and in the reticulum of the Pleiades that Aorion pursued. The points of the Taxotas were approaching with the North: Vóreios (Boreal de Zefian) South: Nótos (Austral de Borker), then Pezhetairoi: West: Dyticá (Sunset of Leiak) East: Aftó (Equinoctial of Kaitelka). The Codex came to an end in an aureole of the Melismatic hymn, within a lyric towards the rebellious polis of the Hidro Saltinbanqui, who listed their antiphons on the thirty-three codes, embodied in green fields and Lavender fields, where they exhorted the Lotions to stand until death, clinging where kings come down from their altars, under the ultimatum to celebrate the feast in the Persephone canals, pouring out the mouths of those who have perished in the desert of lyrical abstention, and wine in the cruel kindnesses of satiating her after falling into the arms of lavender.

Wonthelimar climbed up the caliginous air differential that emanated from the Basilisk's snout, which surrendered to the propagation of the ascent through the firebreak that took him to the top to meet Vernarth and Zefian, along with all the Sibyls who were also levitated towards the meeting. of the Fourth Arrow. Lochnith, Sibyl Herophila, Mardiath, Elpenor, and Vlad Strigoi were featured, all of them joined to the Phalanx of Arbela, leading to the restitution of the belligerent site, along with a great compacted mass of citizens who heard from all over the Aegean world and surroundings. The bay of Skalá was full of ships that poetized in the roadstead with intense poetry, before a new and heroic rebirth of the bones of the fallen in the transversal battles, each one carrying in their hands a bunch of lavenders, for the brave hearts that they wanted to be reborn in the bones, towards the arrival of Zefian and the raising of all the panoplies united in his bones, as a whole taking over the Patmian island. They did not let go of the bundle, but until they released the last momentum of repose, to activate the beauty of being all united in the building of the Megaron Mandragoron.

The men became more men, and the children became men, their wives were legitimate invincible forces as if they were Moiras burnishing Panoplias that rudimentary the most incomprehensible noises, until they awakened from the chin to those who had difficulty reaching the top to renew their bones Who, full of death, retired from their enslavement. This will be a truth, which was hiding behind the falsehood of a contingent greater than all the archaic invasions of foreign civilizations hungry for wisdom. Everything is great before the small because everyone wants a hero who dies and is reborn again, the brave one dies twice and is reborn twice before the arms of Vernarth, the pain is three times greater than the relief of a mother who longs for the return alone of one of their own after each battle, by wandering wastelands of enemies who dream of wanting the legitimate escape signals of the Ghosts of Shiraz, who made their crying and howling that they cannot console themselves. Poverty is tinged with gold, and those who need a similar shelter will be the object of their own unity as they are prisoners of ill-fated wealth. The Hoplite could have a parallel from the ninth book of the Iliad, towards an Arete or courage of his brave cop that filled him with branches from the spray of every morning when he was pubescent, with the Agathos or Courage, which led them as great splendors through the tube or wind tunnel rising at the speed of the Lambda, in the notch of the Lacedaemonian fold in its bronze duplicates Kardiá or Hoplite hearts. The shields were crowded upon the awakening of the same gods of Olympus, all sleeping together the same mirage during a Long Night that would rescind the power of each member and fabulous lost, before the new Megaron superior to Olympus itself, presided over by Vernarth, and assisting also Zeus; this time carrying an oak in his hand and a Dorus, detached from its rays of a beautiful Death that is reborn in Patmos, carrying in the other Hands the bunch of Lacedaemonian Lavenders, solving them from the Trésas or doubts of facing the sun of victory in both eyes divided, the heterochrome with the beautiful green green of Alexander the Great and the Lavender of Vernarth from Lacedaemon, providing the Demiourgía with his brother Etrestles, with the power or full Aristokracia of the moving spinners of Ezpatkul and Stratonice, for the purpose of unleashing the wind tunnel with the Gerakis from Leros, sharpening with remnants of Miletos, already degraded to aristocrats submerged in the dawn of the Alikantus and Kanti ridges of Crete, who still dwelt restlessly with their wounds on their backs, taking with them robes from the laurel forest of Matico and Sauco, who wrapped themselves on the perches that fringed on their heads to welcome them, and round them with some dark orange blossoms, which They muttered between their gleaming incisors in bronze greaves, woven into their corselets that continued to walk the wounds on their backs that pointed and implored Aorion, recesses in aristocratic awards for the Hetairoi hall that awaited them, very close. Vernarth rehearsing his Himation on his way to the Seventh Paradise.
The Profitis Ilias
Nat Lipstadt Jan 2015
dying and living in a pantheon
~


a dusty storage place
for basement keepsakes,
somewhere out back,
full of emeritus stocking stuffers,
an ex-trendy,
royalty-dethroned room

where kept
ancient scriveners,
last year's flash frozen princesses and
plastic wrapped scribes,
cloud stored,
on soft decaying hard drives

prior renters, leases unrenewed,
now pushed aside,
upcoming upstanding upstarts,
looking to trade up,
let bigger quarters,
an existential reminder,
that in the word game,
no perm-press recognition,
in today's poetry biz,
it's what ya done lately

deaf dumb blind,
unsung former idols,
talk to mirrors
that no longer answer,
dial 1-800-pantheon,  
sorry, number no longer in service,
so you voyageur-visit
the other side of Styx,
a bluff overlooking
a body's work,
where glory fleeting
comes to rest,
where time judges well,
partiality impartial,
selects thy best

author an audience of sole one
that be more than
good and plenty,
a heaping teaspoon of sufficient,
glance back at discarded, outdated maps,
glory may transit
but satisfaction eternal,
when you read the old writes thinking
****, did I write this?
"Yes," answers a creased smile
cracking crusted lips

~~~~~

then blood of pride and satisfy, rejuvenates

chest warms, heart thumps,
quill beckons, tablet charges - jot hot

write for whom the bell tolls,
knowing full well
this raucous bell tolls for thee,
you re-become an
irrational ill-defined room possessed

heat,
this realized, fevered and fervent, physical pleasure,
sensory gladness,
the fat fullness of creation,
flooded breathable sunlight,
stormy uncalming indigo waters,
a natural disquietude beckons,
arousal of an old-friend welcoming

this encompassing emotion,
no-direction-known fearful commotion,
your mind, all skin,
tissues enflamed,
your ears speak,
your tongue listens,
five senses unified in
disheartened happy discordant perfection,
this you recognize,
this familiar,
is not a storage place
this, your true everlasting pantheon


glory glory - expel thy word works,

*the burnishing of fain fame
is not walled jailed,
but in-deed
actionable and transitory best honored,
peaks of mountainous-emotions, homeland, motherland,
recording, recoding in words-vision notions,
this is the one,
the inky clarity pantheon place
of the living poet
David Tollick Apr 2011
You carve your trade
Above your door
The chisel bright and keen
Looking for work
Like a collie dog
Mallet wagging
Weightless in your hand
Rounding the letters

The letters speak of rowan
Fetched from a'side
A mountain burn
Fed by snow-melt
Even in summer
Hot sun through thin air
Burnishing each day
The wild, burred grain

Adorned with marquetry anemones
Each petal in fine horn
Further etched with pewter
And you will love that sign
The thought of that sign
Even if you never carve a single letter
Nor ever hang it until
You have something to trade
Nick Kroger May 2014
+
On the West Side of a flagpole,
In December's later breaths,
The wind whipped Winter's white quilt
Burnishing words, words, words,
From the ***** metal monument.
Knives and pens had etched
Their love into malleable matrimony
Beneath the flicker of that flag,
But the etchings became wishes
Of Winter's White Wedding.
My fingers grazed the forgetful frost
As muscle memory recalled
A pair of initials and an addition sign.
Fresh drops of condensed ice
Hung within the ridges
Of our four lettered addition problem.
I exhaled a condensed breath
Which sifted towards the pole
then dissipated.  
I glanced over as the moths
Attacked the only streetlight
Causing flickers of light
In the starless night sky.
A half second stare
Was a half second too long;
I looked back at the iron pole,
And the letters were gone.
A white wash of frost
Mixed with my exhale,
Covered the West Side of the flagpole.
Pockets of wind snapped in the flag.
I peered up at the streaks of crimson
And field of blue whipping in misery.
The seams of the flag's fabric
Became weathered and torn,
As I walked away from the flagpole—
Tired of dreaming in the stars.
a m a n d a May 2014
that cool feeling of
leather-hard clay
going over and over it
with your fingers
patiently (desperately)
slipping new pieces on
burnishing
scrutinizing from all angles
the heat
the waiting
the care
the cracking
the glaze
the inevitable end.
Oblatum - Magnus Volumine

John is defined in the Gospel of him as the disciple whom Jesus loved (cf. Jn 13:23). Thanks to the special signs of predilection that Jesus showed him at very significant moments in his life, John was closely linked to the History of Salvation. The first sign that showed him the great affection of Jesus was that he was called to be his disciple along with Andrew, Peter's brother, through John the Baptist who baptized in the Jordan River and of whom they were already disciples.. In fact, as Jesus passed by, the Baptist introduced him to him as "the Lamb of God" and they immediately followed him. John was so impressed by his personal encounter with Jesus that he never forgot that it was around four in the afternoon that Jesus invited them to follow him (cf. Jn 1:35-41). The second sign of predilection was having been a direct witness of some events in the life of Jesus, which he later reworked in the fourth gospel, in a theological way very different from the synoptic gospels (cf. Jn 21:24). And the third moment in which Jesus himself made him feel his friendship and his very particular brotherhood was when Jesus, about to give up his spirit (cf. Jn 19:30), wanted to associate it in a privileged way with the mystery of the Incarnation, expressly confiding it to his mother: "here is your son"; and expressly instructing his mother: "here is your mother." (cf. Jn 19:26-27).

The sources from which the data on John's life as an apostle, as an evangelist and as "adopted son" of Mary have been extracted do not always coincide. Some sources are more convergent and others are more dubious or apocryphal. From the gospels we know that together with his brother James - who will also be an apostle - the two were fishermen originally from Galilee, from an area of Lake Tiberias, and that together they were nicknamed "the sons of thunder" (cf. Mark 3:17). ). His father was Zebedee and his mother Salome. We find John in the narrow circle of the apostles who accompanied Jesus when he performed some of the most important "signs" (cf. Jn 2:11) of his progressive revelation as a type of Messiah very different from the one that the people of Israel was expected (Lk 9, 54-55). In fact, when Jesus resurrected Jairus' daughter (cf. Lk 8:51), when he was transfigured on Mount Tabor (cf. Lk 9:28), and during the agony in Gethsemane (cf. Mk 14:33), Jesus tried to make them understand that they had to transform their mentality linked to hope into a violent Messiah, similar to Elijah because, on the other hand, he was the beloved Son of the Father (cf. Lk 9:35), he was the Messiah come from the heaven to communicate divine life in abundance (cf. Jn 10:10), and that he was also going to suffer rejection and injustice from the religious leaders of his people (cf. Mt 16:21). In the Gospel of John, Jesus appears as the Teacher who also tries, in vain, to make the Jews understand the paradoxical logic of the Kingdom of God (cf. Jn 8, 13-59). His disciples, on his behalf, are invited to be born again (cf. Jn 3:1-21) to worship the Father in Spirit and Truth (cf. Jn 4:23-24); Jesus prays for them so that they remain united by divine Love (cf. Jn 17:21) and that they are fed by the Bread of Life (cf. Jn 6:35).

During the Last Supper, John had leaned on Jesus' chest and asked him: Lord, who is the one who is going to betray you? (cf. Jn 21:20). John was the only one of the apostles who accompanied Jesus to the foot of the Cross with Mary (cf. Jn 19, 26-27). John was the first to believe the announcement of the resurrection of Jesus made by Mary Magdalene (cf. Mt 28, 8): he ran quickly to the empty tomb and let Peter enter first to respect his precedence (cf. Jn 20, 1-8). Tradition adds that some years later he moved with Mary to Ephesus, from where he evangelized Asia Minor. It also appears that he suffered persecution from Domitian and that he was banished to the island of Patmos. Finally, thanks to the advent of Nerva as emperor, he (96-98) returned to Ephesus to finish his days there as an ultracentenarian, around the year 104.

The Gospel attributed to John was named after Origen. It has also been called the "Spiritual Gospel" or "Gospel of the Logos." His style and literary genre are full of "signs", symbols and figures that should not be interpreted literally. In the prologue of his gospel, John uses refined theological language to show how at the beginning of the New creation, in the New beginning the divine "Logos" already pre-existed; logos meaning the eternal creative Word of the Father, which was later translated into Latin as "Verbum". In the prologue of the fourth gospel Jesus is presented as the "Divine Word", the "Light of life" and "the pre-existing Wisdom of God" (cf. Jn 1:1-18). This gospel invites us to accept, through a faith full of amazement and gratitude, the surprising revelation that the Word of God, which no one had seen, became flesh and has made his home among his people. (cf. Jn 1:14). For this reason, the word "believe" is repeated almost 100 times, because God wants all men to be saved (cf. 1Tim 2:4) and to have abundant life through faith in Jesus Christ, God made flesh (cf. Jn 11, 25).

The Gospel of John also presents us in two very emblematic episodes the identity of Mary and the special relationship of John as her "adopted son" to her: at the wedding at Cana and at Calvary. In the narration of the sign of the water transformed into the new Wine during the wedding at Cana, Mary is shown to us as the powerful intercessor who anticipates the hour of Jesus' revelation to his People (cf. Jn 2:1- 12). On Calvary, at the moment of the glorification of Christ, Mary is presented as the Woman who is transformed into the New Eve or Mother of the disciples of her Son (cf. Jn 19:25-27). If we consider the close filial relationship between John and Mary, it is not difficult to imagine that the revelation of the figure of the Messiah in the Gospel of John has also been nourished by the direct testimony of Mary, since she, better than anyone else, in her last years of loneliness, he collected in his heart and in his memories the "signs", the "signs" and the words of life of Jesus. It is therefore conceivable that the unique experiences that she preserved in her memory, she later shared with the disciples of Jesus, and in particular with John. Therefore, it can be considered that Mary herself also progressively welcomed and interpreted in faith the revelation that the Son of her womb was at the same time the eternal Son of the Father, (cf. Jn 10:30), the only Bread. of life (cf. Jn 6:34), the Light of the world (cf. Jn 8:12), the Door (cf. Jn 10:7), the Good Shepherd (cf. Jn 10:11), the Resurrection and life (cf. Jn 11:24), the true Vine (cf. Jn 15:1) and the Way, the Truth and the Life (cf. Jn 14:6).

The three "letters" are attributed to the tradition of the disciples of John, which also have the flavor of brief homilies. The Apocalypse is a canonical book, recognized as inspired, that was born in the environments of the churches of the Johannine tradition that suffered the attacks of Gnostic doctrines. This, which is the last book of the Bible, uses a literary genre similar to that of some prophetic books of the Old Testament, such as the book of Daniel (cf. Dan 7), Ezekiel or Zechariah. The word apocalypse is the transcription of a Greek term that means revelation and not destruction, as is sometimes thought. John addresses seven letters to the seven churches (cf. Rev 1-3) to transmit to us, through very fascinating characters and symbols, a very concrete message of hope in which the slain Lamb (cf. Rev 5:12), i.e., Christ the Savior will triumph over all persecutions and oppositions of the forces of evil to the Kingdom of God and will make all things new. This will happen when God will establish his Kingdom of justice, love and peace at the end of time. In this book it is shown, with numerous and suggestive symbols, such as the seven seals (cf. Rev 6-8, 1), the seven trumpets (cf. Rev 8, 6-11, 19), the seven angels with the seven bowls (cf. Rev 15, 5-16, 21), the tiring path and the struggle that believers of all times have to face so that one day the building of the New Jerusalem will be carried out (cf. Rev 21-22), today we would say the Civilization of Love, brotherhood and care for life, when Jesus, the Alpha and Omega (cf. Rev 22:13), returns at the end of time. In this sense, the Apocalypse is also a prophetic book that interprets God's action in history, ensuring that the faithful and truthful Witness (cf. Rev 3:14) will return soon (cf. Rev 22:20) and will definitively conquer. to evil, pain, and death (cf. Rev 22:1-5).


Dedicavit

This manuscript is dedicated to Sauter Bernardino Edmundo Carreño Troncoso “ Primum Coniugem Alexandri Magnis ” of the first of the Gamelion of Dionysius of Leneo, to his Adelphos of Etrestles of Kalavrita, to Alexander III of Macedonia, known as Alexander the Great (July 21, 356 BC - June 10 or 11, 323 BC), Leonidas of Epirus, Lysimachus of Acarnania, Aristotle, Bucephalus, of the sixth of Hecatombeon, the month in which the Macedonians called him with the paelative Loios, the same day as the temple of Diana in Ephesus was burned; As Hegesias of Magnesia makes occasion for a presumption, Cassander, Ptolemy, and Hephaestion would become his lifelong companions and generals in his army. Callisthenes, another friend, was Aristotle's nephew. Dedicated to the dignity of Raeder of Kalymnos; son of Etrestles of Kalavrita, especially to Saint John the Apostle, distinguished relatives of the Transverse Valleys of Horcodndising and Sudpichi. Finally to my parents Luccaca and Bernardolipo Monarchs of Horcondising. And all the characters who will live eternally in this colossal Magnus Volumine. “Gratias Ago Tibi Propter Heroismum Tuum Vernarth, Et Doce Nos Viam Messiae” Thank you for your heroism Vernarth, and teaching us the way of the Messiah!

“I must tell you of my great admiration for my steed Alikantus, with which I will come to visit you soon, also to Kanti who have been a great precursor to take you to Athens, Thessaly, Delphi and Lefkandi. You can see that Bucephalus has joined our fight; where the “Sons of Iaveh, have eyes like a flame of fire or Aish, and feet like to go burnishing the chaff of bronze towards Patmos”, which will instigate you for the contrition of Thyatira, under the trick of my Rabbi Saint John the Apostle”


Thyatira

City rebuilt at the beginning of the 3rd century BC. E.C. by Seleucus Nicátor, one of Alexander the Great's generals. It was located about 60 km from the Aegean coast, on the banks of a tributary of the Gediz (ancient Hermos River), in the western Asia Minor. The Christian congregation of Thyatira received a message written by the apostle John as revealed to them by the Lord Jesus Christ. (Revelation 1:11) “which said: I am the Alpha and the Omega, the first and the last. Write in a book what you see, and send it to the seven churches that are in Asia: to Ephesus, Smyrna, Pergamum, Thyatira, Sardis, Philadelphia and Laodicea.

In this regard, the Lord declared in a reproving tone: “You tolerate that woman Jezebel, who calls herself a prophetess, and she teaches and leads my slaves astray to commit fornication and eat things sacrificed to idols.” This “woman” was probably named Jezebel because of her wicked behavior similar to that of Ahab's wife and her stubborn refusal to repent. However, it appears that only a minority of the members of the Thyatira congregation approved of this Jezebel influence, as the message continues to address “the rest of you who are in Thyatira, to all who do not have this teaching, to the very same ones who did not come to know the 'deep things of Satan'." (Revelation 2:18-29).

“ Children of Iaveh, you have “Eyes like a flame of fire or Aish, and feet like burnishing the chaff of bronze” toward Patmos that has freed me from your Xorki, how to say and what not to say to you; that my voice has stammered, making me feel that once I flee, I must adhere to the Eternal fire of the Mayim, children of Iaveh, the Mayim of Hydor and saint of water, the Windmill and its sad Myloi, fall on my face ”


Magnus Volumine I    


The Vernarth's intensification of this prosopography as Prosopography Magistri Militum Strategos Typology; he has used the raffle of a History it was not known but it is Vernarth now introduces in Historiography as an auxiliary. The methodological fragment could be torn apart from its screens of a mind enslaved to having to worship a cycle that condemns it to surrender to its loved ones leaving it at the same time to be sectored from a condemnation, to prostrate itself to an Eternal Life its images nor Masterful Words that would have to distinguish the parasciences from subdividing their corporality into thousands of Othónes or Screens, in order to be able to sustain themselves from others that do not compose the knowledge of what is not History; but rather that what happens typical of prosopography allows to obtain visibility regarding the different sectors of society, and the possibilities of their members to access positions of a present that never leaves the power of the Space of a Strategoi, as Time-Space at levels of superior Intelligence subject to mandates of divine Power that oscillates in a mental power of the Militum that coexists with the Community of the Strategos, creating the entire Quantum Band of the antiquity as an omnipresent being par excellence. When its ****** envelope is reflected in its Purgation, it will trigger a presence that governs itself and leads in the trend of a "Duoverse that will only be built in its Unique unity"... given the trend of all crowds that bustle beyond the mass of their Villas or Cities that they inhabit, creating sensations and an unreal genetic world even that amalgamates a large number of generations that only increases its demography based on the autarkic mandate of a history that goes back for not knowing what to imagine of the past and of a future without present that is sustained in a Spiritual Intelligence.

The sociological mutations will be circular, and the retrograde since the collective of images will exceed everything that is sustained on a material floor and therefore it denies that what develops in an empty heart will be a specialized material of a periodicity, that does not spare New Universes that a pillar or support be added that tends to calligraphy better where imagery could prevail all the limits of common language. The grammar of ancient Greece will defend periods that are neither static nor finite, leaving free space for words that are engulfed by vast seas of stagnant bibliographical records never known never written nor destined for a secular record. The Submythology Potential is provided by the entire Belt that surrounds from South America to the Mediterranean as an infinite cord of Eternity to re-hold itself in a matriarchy in the societies of the past to recognize, that femininity is the real genesis of research from where a frequent human origin proceeds, so this it is the transcended in the Universality that transcends in the investigation of the sphere of Unknown History; pretending its ligament of prosopography, and the vivifying instance of Submythology as a unifying entity to summarize the condition of Strategos/Magister Militum we have taken into consideration the situation of our utter information in this existing prosopography works. Parapsychology is subject to a dimension closely linked to non-reflection to even the Primordial Quantum to governs, and governs everything just as this Magnus Volumeni I tries to express the independence of all literary expression if it is about Vernarth, rather it is a documentary space.

Afterward six years of knowing and introducing myself to the area of   Technology, and the Science in the Tourism industry, I made my presentation at Macromedia University, Berlin-Germany. Through this university management I had the option of presenting my concept and avant-garde projects, which condescended me to get to know the E-Tourism Perspectives area of the University of Svizzera Italian-Ticino. This allowed me to meet and join an independent study challenge with the slogan of deriving a full range of analysis, and dedicated study Heritage Sites of UNESCO. All thanks to the agreement that consecrated me at the Pantheon-Sorbonne Université, specifically Maria Gravari-Barbas, Directore de la Chaire UNESCO, Culture, Tourisme / Lorenzo Cantoni, professor at USI Universitá della Svizzera Italiana.

The university has had here in South America, in Chile an intrepid collaborator who has tried to interpret the postulates of the Sciences of Humanity exposing the nature of preserving, and keep investigating everything in the lost history of Europe, which has great significance for Culture that has branched out through the Tourism Technology, and its Digital transformation for this purpose of understanding public life in dissimilar fields that are still hidden in intangible archives, which deduce important material of study in areas of Science, Philosophy, History, Politics, Geography, Jurisprudence that would add to the world of the conservation of the ancestral peoples with all its courageous identity of the Prosopography, and the archaeological demography.

The United Nations Educational, Scientific & Cultural Organization, known for short, as UNESCO is a specialized agency of the United Nations. It was founded on November 16, 1945 with the aim of contributing to peace and security in the world through education, science, culture and communications. The constitution signed that day entered into force on November 4, 1946 ratified by twenty countries. In 1958 its main headquarters were inaugurated, in the VII district of Paris. Its general director is Audrey Azoulay the specialization and search for Culture, Education and Science is a way of contributing to humanity, peacefully granting security through the entire International community for this reason we believe that this work fulfills that prerogative narrowing organically, as been always it is here with the multidimensional epic narrative that is broken down with the prose, and parapsychology other than is a field closely linked to the intrinsic link of all the treasure that has been transmitted for thousands of years, leaving before our expectation what its ruins and works have wanted to demonstrate with their laudable dedication foundations, and expansion of multiple Sites in their musings that have traveled the history of diction of the science of culture, information, communication to create knowledge that this still remains with our reality of society that has the pattern of explosive generation of the current one. One of Vernarth's is the most important premises to create the roots of systematic knowledge, that is to say to provide platforms for their family trees, prosopography and the art of writing Submythological Prose whose the objective tends to occupy the expanded universal literature that has advanced for thousands of years on the other hand, Submythology is free of format cancels many aspects of the temporary format, and creates a relationship link between the academic and the secular attracting infinities of Cultures, historical landmarks, hybridity of languages, and above all merging and re-transforming existences of the post-Classical period; where the source and personal question does not daunt the distances of the inheritable that distanced us by geological-Historical periods, rather it makes the viability of an unexplored field up to now as Vernarth is the granting a hierarchical international value that will retransmit knowledge and skills.

In this way, agglutinating ourselves in those interstices that are not visible, qualifyable or quantifiable, only have to materialize when patrimonial beings are chosen by others who are already hereditary of an industrious will it occupies the supports of a platform of earthly inheritance, and later disseminate it throughout different sectors of the field of knowledge and the research, connoting that there are many variables that could help us interpret the foundations of the UNESCO heritage, today are far removed from communities that want to invest time in inquiring more deeply about them. For this reason, Central and Eastern Europe is at the forefront of generating multi-channels that can ensure the treatment of technological routes or flourishing that want to be found again, such as the Qhapac Ñan, or perhaps the Jacobean Route, perhaps the Route from Patmos to Judah pointing to Vernarth by demonstrating that hindsight could be perfective when visualizing facts that were not witnessed or written as they should be, VG the return to Galilee of Saint John the Apostle in the Hegira to Judah, relegated to Greece by Emperor Domitian. The amendment of such a well-deserved return confirms the wait for an immortal being in the Eclectic Portal for three months, who will mean the ordinary that rises up from the phenomenal investing in roles that many times, as indicated by the dogma of the baptistery indicating that we can be saints and apostles to preserve the patrimonies to educate and retransmit values to follow.

Vernarth Trilogy II at its end, is reiterated in deliberating that this work never ends because each chapter of Paraps, inaugurates a new infinite regressive dimension as it is in the case of Poielipsis; as it is a liquefaction of the parameter of Poiere, and the inverted Apocalypse to make changes after personalities that manage to impact the successive episodes of alteration of Life periods, as in this case Vernarth when he was legitimized to assist Gaugamela by the god Spílaiaus to make the support to Alexander the Great not only for winning the battles but for saving and winning the souls of the fallen Hoplites, generating in them an idyllic prose that promotes and sublimates the possession of the principles of an Apocalypse, that suggests protecting those who should believe without pain of what will await them later for an indefinite death. The Souls of Trouvere will stand out with the bulwark of enthronement of the state of energy that would mobilize Charles the Great by taking him to the platform of conquest of Europe crowned as emperor by Pope Leo III taking the lessons strongly rooted, and letters that would subscribe the cheers where nothing dies in the center of its own fear, because that is where the edge of a sword loses its value that it cannot use the other as an arbitrary neologism of only reigning without the sacrifice that every regime bets on, including the crown when Charlemagne assumed his great legacy at twenty years after expiring later at seventy-two. This is where fears die, not being able to hope or convalesce in concepts of Energeia that vitally moved from the similar aspect to Alexander the Great in the same even numeral but thirty-two, and letters that would be signed by cheers where nothing dies in the center of its own fear because that is where the edge of a sword loses its value that it cannot use the other as an arbitrary neologism of only reigning without the sacrifice that every regime bets on, even the crown when Charlemagne assumed his great legacy at twenty after later expiring at seventy-two.

In another topic, Vernarth after witnessing Stratonice's intermission decides to run at her bare feet for those who banish with their needs on the parental scale of their range, succeeded by Energeia's need for the impudent sense of being enraptured in possibilities, here insulting also the principle of quantum science with the spin of subatomic particles, alembicated in the timeless particles that could leave out of the nucleus the proportion of rotation of time that could be found, and rooting of memories in rectilinear lines of the imperturbable Hellenic mental axis. One could also amend here all the licentious action of Seleucus by Stratonice when she splits the gross threshold of her son Antiochus, and Antigonus I Monophthalmos referring to the father Stratonice of Macedonia for never marrying her to Seleucus. All this generates the Epistle addressed to Vernarth to solve the strident and impalpable of the warlike Diadocos that greatly affected the female descendants, confining them to their domestic avatars in disloyal empires, where these vilifications devastate the imperial partiality through the centuries of an oppressive strength, and disagreement in their moral wrongs. From this quality the coordinate of the Souls of Trouvere that remains in the present, always allying themselves in saviors of oppressed and abandoned peoples who strive in the neologism of the Epsilon or Vernarth's fifth dimension, and not restrict themselves as Aristotle affirms, investigating the entity towards a mono-meaning in this causal of such an alpha that says the paradoxical demonstrating diversity of optics. Prior to this diatribe, Vernarth decides his naturalness that he decides to promote the Souls that are part of both topics to alleviate the potentialities of the acts that are apprehended in the light of genius that coexists with both. What he judged us in the unfolding of his entity and will deliver it by divine intelligence so as not to reduce the free power of the Epsilon that was extracted in the welcoming the presence of Stratonice on the (substitute scale of Vernarth's relativistic emotions). There are few seconds that can be extended more from a selective argument of tendencies in ex-sheets that could be attributed to dimensions of the period of Trouvere's souls, lacking stillness in simulated biological environments.

The dynamics of this Poielípsis is to adorn the Voielípsis as an analogous addition of quantum causality and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas heading towards the mainstay in the mega absorption of Christian Aristotelian ideals. The souls will be residents of the indeterminate spiritual mechanics to put effects of the incredulous versatility on themselves, in sub-aquatic depths that coexist with the geological structure of the cavern of Saint John Apostle more than sub-earthly concomitance under the same axial of geological sustaining coordinate. Namely; they will live together while the temple is established except three hundred, and eight meters from its antipode in the underwater base of Prophytis Ilías.

The upholstery of the Pithya Herophile attacks the subtending of the flying buttress that was supported by the cavities of the volcanic rocks of Patmos, indicating its agreement with the Souls due to the disoriented cognitive dissonance that was generating paradigms, which tracked the stones that formulated Aquarian sounds in their dominant tonality due to the minuscule machine of light, more distant in the incommensurability that evaded its eclipsed in the resplendent major note that became monarchical due to the hypotenuse of the rectangle in three subdominant angles. This means that the Sybille was in the high point of observing her premonitions towards the creation that was born from another end to end in the recycling of creation in the dim light of clarity of the destinations that were going to present themselves as a song of remembrance of the Poielipsis, venturing the new restart or attempt of the Delphic oracular. The songs remain in the spell, and in the banal desires that would harm a mortal that will expand to the hypotenuse or line of the sentence that marked a step impelling in the misgivings and forgiveness of the banner of risk. Santiago of Compostela was going to Stratonice with his inclinations, like a geometric racconto subduing the fears that slip through the veil of the dogma of the arch where no philosophy can look higher if it is not allowed, typical of vegetating or freeing oneself from what revives in fears that do not shed light on eternal life, perhaps of a the Matematikoi himself who doubts an Ad finitas basis, and who finds out without the limits leading Pythagoras to the ground handcuffed from Crotona, always ignorant of the linguistic power that urges to rewind the spheres that still weave crossed angles placing themselves in trial, and error when considering a non-renewable past the soul of the Poielípsis adopted a Pythagorean conception in the halters of livid legions of Orpheus, as if it were his consecrated to the hypogeum where the level was to stir the embankment that will merge with Zefian's Arrows.

A diminutive atonal music possible existed in the molecules, and in trigonometric periods in which the measures were united in time as a stationary whole vivifying a great variety of fractional numbers as souls of the same numeral that finally appear to be Pythagorean digits. Vernarth's military of Phalanxes in this epic made the crucial oblique moment to break Dario's troops like a dozen Elegy that was going to re-flower what he knew of his already sub-treated destinations, other than will only be souls tired of keeping themselves alive in their morbidity, and the dissociated causal of immortality that will distance itself from the prohibited abstinences in libertarian exercises of any counting that ponders on the coming etymology of the Vita Pythagorae on the couch of joy, and serving his doctrine that saves himself that will save us in the Messiah for those who in their souls do not have the sacrifice of a lamb that feeds, nor a base that goes ahead in the centuries grazing what no one was capable of. In the second triad of Apollo the oracle of Apollo with the Souls that reveal Charles the Great to be his favorite for the protectorate of Compostela, and his spiritual regency the invitation to Charlemagne breaks out from Aachen after 33 consecutive years in the sword dispute stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne put himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence in the second concave wasteland, and the straight ascending of the Trouvere Souls crowning Charlemagne emperor of Rome and Francos chosen by Leo III, predicted by the Apostle Santiago in defensive pontifical struggles, and defenders of Christianity. In this paradigm there is a deceased seep through of an elusive world that was joining from here in the vein of Poielípsis for the sake of some eras that came from the mutes, and anonymity that augured to link them to know within their endless intrinsically organic movement, also as a diligent active cosmos of the discovery of the Jacobean route longing to be a better region than the Dodecanese merged by the twelve apostles, and now the brother of the son of Zebedee; Santiago, brother of Saint John the Apostle, ennobled in the 778 AD tying it to Hispania. In ****** and constant fighting, Charlemagne besieged the Saxons, he entered Hispania crossing the Pyrenees as an anticipation of the aforementioned the Jacobean Route, everything worsened in this way witnessing the subjugated places in the jurisdictions of the Trouvers who were Pythagoric elite of soldiers who they had be bilocated in this Christian Era, preceded by this perfidious Basque in the woods subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to pursue them to Pamplona with Charlemagne. Everyone was escaping from Islam, and not a few Christians resented this affront in the dynamics that will reveal the Songs of the French Deed.

This previous paragraph exhibits the eloquence of how the interlining that Vernarth had to create a Brotherhood Code called "Raedus Codex" for the high nomination polished in the Infant Raeder as a twitch of the sacrifice of his young soul, who fought battles in pursuit of defenses pure and free with the freshly grown grass of the spring of the world in Genesis. The Souls in Trilogy III will be the compendium of the Codices that will enter the Wind Tunnel what will be governed by the warm Meltemi wind, and swirled by the winds of Eolonymy, ascending all those who should be admitted and not purging those in between who they enjoyed a pre-Christian heritage citing Pythagorean antiquity behind those who must have dressed it up as a Codex Calixtinus. From this arrangement Charlemagne will drive souls with antiphons, the Apostle Santiago will come lacerated to meet his brother Saint John the Apostle, his barge will be abandoned in the Strait of Gibraltar and then arrive at Santiago of Compostela from here he will make tributes of name to ascend to Patmos. Just as the end of Vernarth's Trilogy II is faithfully transcribed, also Stratonice, the Hexagonal Primogeniture, Alexander the Great, King David Elias, Malachi, Isaiah and all the acquirer flashed in Raeder and his Pelican Petrobus, as self-sustaining defenders of the Infantile Fantasies that they continued in this complex work after a finding that fed them up in Vernarth as well as everything related to their release and investiture to say that all roads lead to Patmos, as Locus Sanctus of all the shepherds who heal their sheep that do not belong to others that are populated with white souls, for the good of other shells 308 meters below the Prophytis Ilias with the consent of Stratonice who would be arriving in Macedonia where the pass of the centuries they would tell them about the Jacobean Route instructed in confrontations, and concordances with the airons of the Trouvere protected by a rectangle of three Pythagorean subdominant angles in dissipated darkness of the golden astrological ambiguity of Theoskepasti of the meridian of the Kimolos. He will go away saying explicitly that the darkness became visible mists where there was nothing to hide from Psathi Roadstead in Kimolos, until reaching the Agia or the Chapel of Theoskepasti that would become visible for the phenomenon of Faith, alluding to a portentous desire that everything was tied to the same sense of compression of which the image or sound of the creation at times to became invisible but precisely understandable, as it was when imagining palpable the reality of what allows the human eye to feel for an instant that everything is real imperceptible, more present of all what can be detected by superior senses more than humans, giving way next to the Raedus Codex more present of all what can be detected by superior senses more than humans.

From Ios or Nios, bordering on Psathi, the Trilogy is unleashed when the association of all the spaced Cyclades of Vernarth will come to every equinox to shine the careful nap of the villagers of the Cyclades, close to the torpor of Thira. It will raise each Hoplite that from the point of Nios drags them with its abandoned body that could never receive the roads that led to Chora in infinitesimal distances and in white spots of all the Cycladic ghosts, who try to exalt themselves and assimilate to the villagers of Psathi.

According to Plutarch, the name Ios or Nios is believed to derive from the ancient Greek word for the violets "Ία" (Ia) because they were commonly found on the island, and is the most accepted etymology. It is also postulated that the name is derived from the Phoenician word iion, which means, "pile of stones". It was called "Φοινίκη" (Phiniki) named after the Phoenicians in the 3rd century when the island joined the League of Islanders it was probably temporarily called Arsinoe after the wife of Ptolemy II. Today the inhabitants of the Cycladic Islands call Nio Island a name derived from the Byzantine era. The name Little Malta, found in traveler's texts during Ottoman rule, is related to the permanent presence of pirates on the island of Latin-script languages.
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Am I supposed to be enjoying the weather?
It’s fall
and my biscuits
are burning

Last night, driving with no finish line
I missed the old roads
out in the nowhere
out where I found my direction
infinite turns
but never lost
you see the signs up ahead
with your brights on burnishing
the cigarette in my hand
is my passenger and
I talk ******* with the butts

My biscuits
are burning
and I feel the fire
from our Indian summer
bonfire melting my soles
Arms in flame typing my game

Close friends in small towns you’ve never heard of
Night bringing the other uncomfortable temperature
Dancing in my pants, weak and wanting inside
The young dog watches and waits for love in the touch of my palm
I ignore and talk talk talk about where we’re all from
Late night 2:40AM drunk, the middle man gets angrier every time
That I miss the times most important, instead I sit here and rhyme
I rhyme time with rhyme
Loser

I missed the revolution today
But I’m okay
Slept well
Had my first shower
In
4
days
I bought some used CDs
and took in the overwhelming rays
Of this fake fall reign
I’m hungry
I’m happy
I’m working
and my biscuits
are burning.
Morning walk in semi-sun.
Light gilds the last
of the figs, high up
on the branches,
burnishing them the bronze
of new pennies.

At the end of the year,
when all the months'
deeds, lessons, things done,
undone, the words uttered and not,
lie at my feet,
I exhale into light.

I wonder what
this day will bring?
Spílaiaus, noticing that Vernarth felt unprotected on the iridescent Nimbus, greeted Zefian; he was in the Phlegrean Fields reliving the Sibylline Treatises of the Pytia Cumea, when the last death rattle of the Universe began to beat with force Zefian sent from his Thracian Gold Quiver right next to where the Sibylline Treatises could materialize again by withdrawing the Arrow of the Vóreios where it began to protrude from the Doric stylobats of the Megaron, everything was comparable to the Parnassus from which Leto; Apollo's mother would grant them Vernarth's Megaronic Songs, making up for her withdrawal since he was saved from the fire in 548 BC.  from the Acropolis, being able to assent to the presence of Triads Women who moaned at him due to his deserted unbalanced voice without being able to receive his exclamations. Zefian then before the lightness of his cosmic phalanges withdrew the Fourth Arrow from the Phlegrean Fields; before it from the volcanic caldera, he released the nine books recovered in total from the six cremated, to then be pierced by Zefian's Arrow to finally project them towards the contiguities of Prophyits Ilias where their spirits appeared here with such reflections of Miletus conversing with each other that the beauty of Coronis was not enough tenor of Paralesias of the Firmament of Apollo, so the Heavens of Patmos had to be opened with the nine sybilline books along with Vernarth's Hellenic Trilogy to establish the Duoverse as paralesias of the world that would restart from the Ádyton to save the Inheritance and his astrophysicist strangulation.
Both vicissitudes of the Fourth Arrow were heading at incalculable speeds to collide and merge with the Arrow that pierced Apollo's Lynothorax to the detriment of Coronis, thus abandoning transcripts of the oracles that crossed paths in the Seventh Hour of Paralysis to later touch with holistic chrysanthemums with their pointed ivory ornaments that hung from the Universe wrapped in an omphalos, which became a Kosmous of wands encrusted with igneous flames to burn to a great degree among the stylobates that the upper canopy prevented from being incinerated from the rest, protecting the parapets from the Megaron that depended on the nearby Cloud of the Iridescent Nimbus where Vernarth resided in the armband patterns of the monarch Croesus.

Spílaiaus replies to Vernarth: “From this promontory, I go to your parents, I tell you that I see signs of great parapets where the center of the Kosmous rises; “The Ádyton, is closely linked to the fusion of the Quarta Saeta, and Septenario del Ibic or Virola to the depths of the Katabainen; whose Katabasis grows through places of impious land from a Megaron that is nothing more than traces of Lycurgus in limber blood that the tabernacle could not contain, nor could it dispossess for a chalice the firmness of an instigated Christus that could now flow and be reborn by submitting to Cyrus, and other satraps of the past, referring to the fact that Vernarth's asceticism depended on the minimum luminance that could come out of Tartar. Vernarth, distinguished himself more calmly when he perceived that Eurydice filled him with greater agreement with the one who is delimited from an underground room, than from a sub-empyrean who began to separate him from the parapets of the Megaron with the shape of a Howling Kosmous burnishing from the same district Strategoi.

In this way, the Adyton was made up of a temple with Seven Steps until the arrival of the fusion of Zefian's Arrow to collide with that of Apollo, then both being the curtain of the interface of the Duoverse that became oracular with the presence of Jerome de Estridón, and Spílaiaus taking them to the Forests of Parnassus and Kanthillana with the Pythonesses in the spurious Oracular of the nuptials. The Sybilla Herofila is present with her veil with the darkness of Castalia, with ceremonious gestures also in front of her the Sybilla Cumea for the brothers of Delphi and Adyton who reopen it with the power of their God, who was accumulating access to an infinite where nothing isolates it, not even from the sip of a sea that does not grant the gift of quenched thirst, then the Psiloi custodians as advisers of their "V" of the pentagram would take charge of the Oracle's minions to unite the center of the Kosmous with the Universe-Duoverse where he rested on the niche of Hestia.

Apollo emerges between some proxenos that accompanied him before noticing the impact of the Arrowheads, and compasses between proxenos that would admit the New Duoverse of the Oracle of Adyton, for a new universe that was gestating from a polymer towards a multidimensional height that rotated to exhibit only the edge that would admit the mass of Saetas to create rings of vibration, and frequency of Apollo in front of Vernarth looking from the magnanimous lookouts of all Greece. This is where the shepherd Coretas juxtaposed himself with his flock to swarm in the thin strips of landslides that would be left by the atomic detonations of both colliding Arrows, whose cracks would drop obtuse crude oil down mysterious empty cliffs in the face of a Greece that would be born before Anthropotite or humanity, only eclipsing Vernarth in the company of the atomic hatching in the middle of the sieve of the same faces of his entourage that will make him return every day of his transition, like fiery Ashin of the Roman Vestal in assiduity of Naples.
Apollo indicates to Vernarth: “If you stay alone in the drift of Astro Cirrus, you stay with the shadow of Coronis, or you will tell me that it dissipates from the discharges of Tarquino Prisco, you must treasure your Trilogy as a pendulum on the towpath of the Dodona or from the hiding places of the fetish between leaves of the inventory that unknown is not by an auspice that will open from the greatest Paradise ”

In advance of the hallmarks of the Itheoi Duoverse; with the Pre-Kelesete or Possession, they decide to contribute the Anticipatory that will open the doors of the Soul that they have to enter the Universe of San Juan Apóstol, from then on a whopping bump are unleashed with the hatching of Saetas between Zefian and Apollo. The Cabal skirmish was accomplished in the dark! The macro transport of spiritual masses begin to coexist transporting the end of the Himation Ceremonial, later until an impartial right here appeared from Camphor, it was his signature Macrowave protoform of the Himation itself; called Camphor-Xórki (syllabus). The Pre-Kalesete began its walk through the Nothing when Vernarth tried to look down on the limpid spheres of Patmos seeing the holistic whole involved in a Greece that was hailed from the Hatching Arrows coming from the last breath near the Camphor-Xórki of San Juan Apóstol where the Xorkí began to syllable “O θάνατός σου είναι τώρα Ζωή – Your Death is now Life”, from the Quantum atomic that began spelling out by Vernarth's Stóma; or beginning of his astonishing mouth that was regurgitating the oscillating lapses between the Keselete and Xorkí.

With expeditious speed came the Arrows of the Phlegrean Fields, forking one by one until the Fourth Sagittal that was isolated in the evolution of myriads of stars that were made up of the proximity of the Nimbus where Vernarth provided himself in decades of nebula Celestines that shone to tear pimps fibers that still aspired to hijack the remains of the Millitum Vernarth, in the form of clusters of radio galaxies that moved towards the reddish, expanding from the Campos Phlegraios in Naples itself; like geological hydrothermal fissures that clustered behind a sudden crimson blue of the great Universal that split receiving the Saeta Prima from said field of fire. The gravitational completion of the curve generated the Saeta Prima that was made conventional with assistant telescopes, before exultant excesses of wanting to see it as a Quasar that descended from Andromeda together with the Auriga, in such a radio galaxy journey to melt the bars of the Universe to be distended by Vernarth's bombastic Stóma that expressed itself more than his dwarfed senses by the Galaxy that was propelled by the waning of the radiance of the Quasars.

The Primal Saeta is abducted in the intermediate vortex of the Quasars, it remains in the orbit of the Nimbus where Vernarth remained in photometric that allowed him to reflect it in its silhouette with the closest astral referent of Orion. The Secunda Saeta came out of the transversal valleys, this came with the agreement of the Pre-Keselete of Saint John the Apostle bathed in ultra-luminous infrared Ouranos, making vibrating strings of the frequency of the Universe in an ultra-luminous dream emanating from molecular gas, adapting to the new fusion of Zefian's Prima and Secunda Saeta with the determination to split the monoxide at the base of the Nimbus from the acroteria that still accompanied it with the universal entity of the Empyrean as hydrogen that formulated the Saetas clash in homologation of the same aerodynamics prop of the Xiphos, from solid metal to liquid in pearly spirals from the magnitude collapse of the Tercia Saeta, this would bring the same from the Horkun hydrothermal or Horcondising Mountain with thousandths of a thousand light years that would unify on their Solid and Liquid pedestals as the Fifth Essence of the Horkun, the Third Bolt arrived between five Kyrios who followed her through the atrium that was beyond the Hydor that incarnated in collusion with her deformation to soon reform, beginning to go towards the manifest of shared energy towards magnitudes divided by the coefficient 0.7 Micron of atomic energy levitating from the quasar equivalent that stretched from the luminous zenithal meridian in front of the mast of the Four Leaf Clover, which pretended to be a Cherub still emanating from nothing, towards the fractal splendor of the Patmos region ten times greater than the hydrothermal that reconfigured Greece at a distance of ten molecular cycles minus a molecular trace of the carbonate crystal. The diameters of the absolute observable were coming out to the delight of a Hellenic Ego observable in the wide Cosmos rendered in anti-gravity of the Fourth Arrow; being competent to see how he appropriated a snowy-blue sky that softened with the obstructed eyes of Saint John the Apostle, granting more than ninety percent of the explosiveness of the Quarta Saeta above the infrared that dominated the collisions, leaving them inactive for only seven seconds before concluding the snowy waves with the dense and glacial gas helically topped by few waves of any gas that sprout from each galaxy that never ended as an isolated Nimbus as Kant preceded, in a time that becomes more extensive than our own light that lives in its bright end. The dislocated morphology of the Fourth Saeta would ignite the border of the Pre-Keselete from the Phlegrean Fields, Kimolos, the Horkun, and Patmos in an unleashed spiral since the matter was uncontrolled from other unknown matter between myriads of collisions caused by Zefian to the limit that cuts his inspiration, only falling asleep all the previously mentioned Duoverse with Vernath's Megaronic Odes in Epilogue of Xorkí, from here towards the metallic lithic tip of the Xiphos with its spelled enchantment.

Megaronic Odes

"You see from the Enchantment in which all matter becomes Free, You see how each one of them after being Four will now be one that speaks of their very existence that you do everything... you realize that the noise of the Duoverse is born from the Xorkí, where everything dark turns grey... and black is Xorkí.

“Everything that has four digits moves with your four wings, everything that you call Quarta Saeta is a Xorkí syllable…”
Camphor is the heat of friction of the contracted memory, it is here that all pain that is in this field of tragedy urges it, and leaves you distrustful of sap that is another that you lead to the Pre-Keselete as an environment of infernal turns that seem to be good of a good that is born to crash fatally. I want to tell you with these Megaronic Odes that I write, which do not belong to me, they are concise clashes of two atomic ignition fields of the Keselete and Xorkí of San Juan Apóstol that make me not mortified, that you will destine me to the gross speed of the blinking of my Hellenes eyes quicker than those of enchanted thought.

“I need to tell you that between La Prima and Quarta Saeta, my charms between frictions will rest on herbs from Corinto and Sudpichi, I will join the choir that will begin to rise for me, it will do so for you who have just begun to know me, soon we will see you, my dear Adelfos"

"As for the Primal and Quarta Saeta, it is the fanfare of a being that would visit every night, it would invite you to live your own experience that was seen to shine for the last time while being handcuffed to an agro bush, which would sustain itself against an enchantment of the Xorkí in a revived future of the brand new Vernarth with his prodded and resonant Xiphos”

Vernarth utters: “Eurydice... here I am, a closed pilgrimage looms towards the dim light with the nocturnal phrase of him endowing me through the conclusive!! Father... Mother, Myloi of the Sad Wind, here I am with your Primordial Arrow endorsing Pillows, beloved Adelfós, the Rabih San Juan? Almighty God bless you from this Quilt holding our spirited hope of seeing you again! "

Between The Prima and Quarta Saeta, enormous hydrothermal plasmas of the drained Don would be cited, which would conglomerate between the interdimensional of the four Saetas, to later send them from the "Heroon Hurkun Funeral Home of Kanthillana", from there to Lefkandi for the transition of his cremated body that began to revive from there ipso facto, later from the Phlegrean Fields with the Fourth Arrow that Zefian would finally bring with the III Trilogy of Vernarth Hellenic being transferred from the iron prop, supremely seconded by settling in the Prophytis Ilias to revive in autonomous descent of the body of a “Hero in his Heroon who will be reborn from his immolated body”. Incontinently, the arrows will be spaced through the interdimensional strapping of all of Greece to revive its awakening just as it happened with Erestles in Messolonghi; but this time of Orion's Wagon breaking with its coined bar eternity in its Hurkun chamber. In this way, Vernarth is distracted by looking at him at three hundred and sixty degrees looking at the Prima, and from this Secunda Saeta seeing how he rose and accelerated his trajectory adjacent to the Tercia and Quarta that would take him towards a failed break over Thyatira; with the Son of Yahweh, who has eyes like a flame of fire or Aish, and feet similar to going burnishing the bronze chaff towards Patmos to revive immediately with the subrogation of his body in the company of the almighty Mashiaj, Saint John the Apostle and the granted Right of the Hexagonal Birth, with the posterity of prosapies remaining everlasting to resurrect him from the neophyte and Hellenic Hortus Heliacus.
Quantum & Alchemy  https://www.academia.edu/105786699/Hortus_Heliacus_Hellenic
Paul Hansford Sep 2016
The chair she sat in had seen better days,
any resemblance to a burnished throne
pure fantasy, for half its springs were gone,
cover and stuffing on their separate ways
towards disintegration; in the maze
of wire and fluff inside it a half-done
crossword, peanuts, a sweet, a dried-up bone
the dog had lost. In fact, to turn a phrase,
burning, not burnishing, was what it needed;
all thought of restoration or repair
into a distant hope had long receded.
Once it had been a comfortable chair,
the children's cosy nook, almost a friend,
but things wear out. The bonfire was its end.
"The chair she sat in, like a burnished throne, / Glowed on the marble ... " - Eliot, The Waste Land

"The barge she sat in, like a burnish'd throne, / Burn'd on the water ... "  - Shakespeare, Antony and Cleopatra
Seán Mac Falls Apr 2015
High atop shining mountains,
Where Gods glint as they spy
On wanting mortals, cast in heat
And toil, in heavens that are always
Basked by sun and days of grape,
That flow from the endless pour
Of golden casks, give mirth to always
Blue veins as they revel in mighty
Perfection and beauty, enameled
With imperishable face and statuary
Form, who thunder above feathery
Cloud, rumbling beyond all earthly
Ken and dream— in these heavens,
Is there myth only of desire?

Or do they yearn in cradle sleep,
As all those landed babes in need
Of mercies and fable, do gods shape
Subtle creations with the music of love,
Of blood in a touch, of dawn and hope
In the flowering of family and learning?
Can the gleaming child ever know needs
As they are met, held by eyes and lip,
The windy caress of kiss and nod
And rarest time as it wanes?

On radiant, fabled Olympus, where
Eagles, golden in the sun, only rake
The rims of Elysium as they song glide
So effortlessly, unlike the perilous, shy,
Wandering tribes basely set so far below,
The sun clad Titans home eternal, who always
Are held, perpetual in ever engulf of skies, rest
Starry, in their sparkling, immortal cloaks
Of milky cosmos and ambrosial aethers.

Above the murmuring clamours
Of the under strays and dogs of plain
And sea, do chose children of light ever
Quake or shudder in awe, never moved,
Or are they but weilders of storm and fierce
Lightning strikes, burnishing in judgement flame,
Never to be struck by leaves that come in fires of autumn,
Such monumental peace in a seasons turn, the simple joinings,
Of lovers, by a hearth, by a road, by rush of mountain streams?
In high heavens do even the Gods not dream
Of deep, down, sole earthly pleasures?
Hailey Piper Jul 2018
I’ve not yet found home within myself,
astray in a place so dark and hollow.
Redecorated my insides,
still my heart does not follow.
My veins are filled with poison
and my teeth are turning yellow.
flesh plastered in scars,
the only company I have are my demons and sorrow.
The lights need mending,
and the engine has to go.
My soul requires burnishing,
maybe I’ll feel at home tomorrow.
Seán Mac Falls Apr 2016
High atop shining mountains,
Where Gods glint as they spy
On wanting mortals, cast in heat
And toil, in heavens that are always
Basked by sun and days of grape,
That flow from the endless pour
Of golden casks, give mirth to always
Blue veins as they revel in mighty
Perfection and beauty, enameled
With imperishable face and statuary
Form, who thunder above feathery
Cloud, rumbling beyond all earthly
Ken and dream— in these heavens,
Is there myth only of desire?

Or do they yearn in cradle sleep,
As all those landed babes in need
Of mercies and fable, do gods shape
Subtle creations with the music of love,
Of blood in a touch, of dawn and hope
In the flowering of family and learning?
Can the gleaming child ever know needs
As they are met, held by eyes and lip,
The windy caress of kiss and nod
And rarest time as it wanes?

On radiant, fabled Olympus, where
Eagles, golden in the sun, only rake
The rims of Elysium as they song glide
So effortlessly, unlike the perilous, shy,
Wandering tribes basely set so far below,
The sun clad Titans home eternal, who always
Are held, perpetual in ever engulf of skies, rest
Starry, in their sparkling, immortal cloaks
Of milky cosmos and ambrosial aethers.

Above the murmuring clamours
Of the under strays and dogs of plain
And sea, do chose children of light ever
Quake or shudder in awe, never moved,
Or are they but weilders of storm and fierce
Lightning strikes, burnishing in judgement flame,
Never to be struck by leaves that come in fires of autumn,
Such monumental peace in a seasons turn, the simple joinings,
Of lovers, by a hearth, by a road, by rush of mountain streams?
In high heavens do even the Gods not dream
Of deep, down, sole earthly pleasures?
Meagan Moore Jan 2014
I fall in love with facets, and the degrees and extents to which things circumnavigate about individuals, experiences, and those betwixt and be beyond either. My love for everything and everyone develops about these multi-faceted musings evoked in atomic and energy form about and within myself. Thank YOU for being you, especially the raw things beyond your control - I appreciate you not burnishing your edges/grit.
Sequoia Sawyer Mar 2016
Seraph and Ephedrine*
     or *colliding, and by ash


Blond rain, hot, braising a brunette burn.
The stage was taking turns when she turned up
beneath me; meek petite, turned out to be
a wishing well while I adored the ring-
song of another southern belle. "Fall in,"
our notes implored to me and I, delighted, did.

She astride, we twisted up in splendid
flow, the baby blue's and sultry auburn's
nightly sojourns. Tucked unknown inside
her chest's soft comfort, lazing, I'd wake up
and glow. Two autumn lovers racing spring's
escaping tide, colliding, and by ash besnowed.

Scottsdale found me prey in unbecoming
news of winter crimes. I learned of didoes,
sickening grit, soirees of summer scoring
lines and picking pits and nursing burns
and being crooked all the time. Upside-
downing and dying, still, I bided her decline.

Bushy tailed and bright eyed, I entertained
elides not all bright white inside. I climbed
Sioux Falls and foraged for seduction. Lit up
and afflicted? Fix: a sick and sordid
sort of wickedness, a Pyrrhic forfeit's burnishing
reduction. Spurred, I galvanized, ceased her ringside

and matured. I'd drift immersed in suffering,
so, and surface shown not shore or certain
earthen berm; soon I earned my sideburns,
emerging taciturn, eternally, to her. Beckons
chirped at first, then mewed, then roared, candid
advents went ignored, an epoch couped

with cruel and sober sword. I suppose
the years assuaged the ache enough to wring
my rage awake and tough; seeing the iodide
wraith herself, withered and rough and raked in
such concern, she saw me unperturbed
because I finally wasn't shamed how things had burned.

I was always proud of her suffering; her ruin in bedlam by design,
but burned-up notes and buried bedding didn't seem so tragic at the time.
I'm always seeking crituque.

This is a sestina that I've been working on for 10 years. It's still far from any good, I think; but I like it more every time I revisit it.
Seán Mac Falls Sep 2015
High atop shining mountains,
Where Gods glint as they spy
On wanting mortals, cast in heat
And toil, in heavens that are always
Basked by sun and days of grape,
That flow from the endless pour
Of golden casks, give mirth to always
Blue veins as they revel in mighty
Perfection and beauty, enameled
With imperishable face and statuary
Form, who thunder above feathery
Cloud, rumbling beyond all earthly
Ken and dream— in these heavens,
Is there myth only of desire?

Or do they yearn in cradle sleep,
As all those landed babes in need
Of mercies and fable, do gods shape
Subtle creations with the music of love,
Of blood in a touch, of dawn and hope
In the flowering of family and learning?
Can the gleaming child ever know needs
As they are met, held by eyes and lip,
The windy caress of kiss and nod
And rarest time as it wanes?

On radiant, fabled Olympus, where
Eagles, golden in the sun, only rake
The rims of Elysium as they song glide
So effortlessly, unlike the perilous, shy,
Wandering tribes basely set so far below,
The sun clad Titans home eternal, who always
Are held, perpetual in ever engulf of skies, rest
Starry, in their sparkling, immortal cloaks
Of milky cosmos and ambrosial aethers.

Above the murmuring clamours
Of the under strays and dogs of plain
And sea, do chose children of light ever
Quake or shudder in awe, never moved,
Or are they but weilders of storm and fierce
Lightning strikes, burnishing in judgement flame,
Never to be struck by leaves that come in fires of autumn,
Such monumental peace in a seasons turn, the simple joinings,
Of lovers, by a hearth, by a road, by rush of mountain streams?
In high heavens do even the Gods not dream
Of deep, down, sole earthly pleasures?
Seán Mac Falls Feb 2015
.
High atop shining mountains,
Where Gods glint as they spy
On wanting mortals, cast in heat
And toil, in heavens that are always
Basked by sun and days of grape,
That flow from the endless pour
Of golden casks, give mirth to always
Blue veins as they revel in mighty
Perfection and beauty, enameled
With imperishable face and statuary
Form, who thunder above feathery
Cloud, rumbling beyond all earthly
Ken and dream— in these heavens,
Is there myth only of desire?

Or do they yearn in cradle sleep,
As all those landed babes in need
Of mercies and fable, do gods shape
Subtle creations with the music of love,
Of blood in a touch, of dawn and hope
In the flowering of family and learning?
Can the gleaming child ever know needs
As they are met, held by eyes and lip,
The windy caress of kiss and nod
And rarest time as it wanes?

On radiant, fabled Olympus, where
Eagles, golden in the sun, only rake
The rims of Elysium as they song glide
So effortlessly, unlike the perilous, shy,
Wandering tribes basely set so far below,
The sun clad Titans home eternal, who always
Are held, perpetual in ever engulf of skies, rest
Starry, in their sparkling, immortal cloaks
Of milky cosmos and ambrosial aethers.

Above the murmuring clamours
Of the under strays and dogs of plain
And sea, do chose children of light ever
Quake or shudder in awe, never moved,
Or are they but weilders of storm and fierce
Lightning strikes, burnishing in judgement flame,
Never to be struck by leaves that come in fires of autumn,
Such monumental peace in a seasons turn, the simple joinings,
Of lovers, by a hearth, by a road, by rush of mountain streams?
In high heavens do even the Gods not dream
Of deep, down, sole earthly pleasures?
Seán Mac Falls Jan 2015
High atop shining mountains,
Where Gods glint as they spy
On wanting mortals, cast in heat
And toil, in heavens that are always
Basked by sun and days of grape,
That flow from the endless pour
Of golden casks, give mirth to always
Blue veins as they revel in mighty
Perfection and beauty, enameled
With imperishable face and statuary
Form, who thunder above feathery
Cloud, rumbling beyond all earthly
Ken and dream— in these heavens,
Is there myth only of desire?

Or do they yearn in cradle sleep,
As all those landed babes in need
Of mercies and fable, do gods shape
Subtle creations with the music of love,
Of blood in a touch, of dawn and hope
In the flowering of family and learning?
Can the gleaming child ever know needs
As they are met, held by eyes and lip,
The windy caress of kiss and nod
And rarest time as it wanes?

On radiant, fabled Olympus, where
Eagles, golden in the sun, only rake
The rims of Elysium as they song glide
So effortlessly, unlike the perilous, shy,
Wandering tribes basely set so far below,
The sun clad Titans home eternal, who always
Are held, perpetual in ever engulf of skies, rest
Starry, in their sparkling, immortal cloaks
Of milky cosmos and ambrosial aethers.

Above the murmuring clamours
Of the under strays and dogs of plain
And sea, do chose children of light ever
Quake or shudder in awe, never moved,
Or are they but weilders of storm and fierce
Lightning strikes, burnishing in judgement flame,
Never to be struck by leaves that come in fires of autumn,
Such monumental peace in a seasons turn, the simple joinings,
Of lovers, by a hearth, by a road, by rush of mountain streams?
In high heavens do even the Gods not dream
Of deep, down, sole earthly pleasures?
MRQUIPTY Aug 2016
Hard brittle lights.
Faked without heat.
Hurts eyes driving
home words. Finger
sharp pointed pixels.
crack sleep little.
cold and floored
glow of heat
calls

me giddy and on
gentle pads I secure
myself to a rapture of
rest and a heart beat
be love
be love
be love
to fall away again
under waxy light
slowly burnishing
my analogue world of
slumbers

shaken by distant call to rest

glare of harsh blue
white is softened by
day. heat lifts
and maintains
fight back through
bitter coffee.
digits are soft coloured
and in laundered whisper of
emotional thrill
as fortune and dreams
call out softly
let
us
g
o
Seán Mac Falls Jun 2020
.
High atop shining mountains,
Where Gods glint as they spy
On wanting mortals, cast in heat
And toil, in heavens that are always
Basked by sun and days of grape,
That flow from the endless pour
Of golden casks, give mirth to always
Blue veins as they revel in mighty
Perfection and beauty, enameled
With imperishable face and statuary
Form, who thunder above feathery
Cloud, rumbling beyond all earthly
Ken and dream— in these heavens,
Is there myth only of desire?

Or do they yearn in cradle sleep,
As all those landed babes in need
Of mercies and fable, do gods shape
Subtle creations with the music of love,
Of blood in a touch, of dawn and hope
In the flowering of family and learning?
Can the gleaming child ever know needs
As they are met, held by eyes and lip,
The windy caress of kiss and nod
And rarest time as it wanes?

On radiant, fabled Olympus, where
Eagles, golden in the sun, only rake
The rims of Elysium as they song glide
So effortlessly, unlike the perilous, shy,
Wandering tribes basely set so far below,
The sun clad Titans home eternal, who always
Are held, perpetual in ever engulf of skies, rest
Starry, in their sparkling, immortal cloaks
Of milky cosmos and ambrosial aethers.

Above the murmuring clamours
Of the under strays and dogs of plain
And sea, do chose children of light ever
Quake or shudder in awe, never moved,
Or are they but wielders of storm and fierce
Lightning strikes, burnishing in judgement flame,
Never to be struck by leaves that come in fires of autumn,
Such monumental peace in a seasons turn, the simple joinings,
Of lovers, by a hearth, by a road, by rush of mountain streams?
In high heavens do even the Gods not dream
Of deep, down, sole earthly pleasures?
.
onlylovepoetry Feb 2020
Evening Song
Willa Cather - 1873-1947



Dear love,                                              
what thing of all the things that be 
Is ever worth one thought from you or me, 
             Save only Love, 
             Save only Love?
The days so short, the nights so quick to flee, 
The world so wide, so deep and dark the sea, 
              So dark the sea; 
So far the suns and every listless star, 
Beyond their light—Ah! dear, who knows how far, 
             Who knows how far? 
One thing of all dim things I know is true, 
The heart within me knows, and tells it you, 
             And tells it you. 
So blind is life, so long at last is sleep, 
And none but Love to bid us laugh or weep, 
             And none but Love, 
             And none but Love.


______


Evening Song Twice
O.L.P. 1950-


Dear love,
your soft sleeping+breathing sounds require
Recitation of this, an Evening Song, singular thoughts,
           Save for only your love,
           Save for only your love,
Days are short, long nights grant permission,
Days are short, long nights grant commission,
            So dark are the seas of interruption,
The voids, the emptying spaces of inhibition,
Dim my eye lights, you, envisioned, me, tremulous and weak,
             Who knows when I shall see you again so clearly?
Of all things past, so well remembered burnishing caresses,
My heart within speaks, once more into the clouded atmosphere,
             Even as you sleep, my love, yet full on complete,
Tho my senses impaired, my thoughts thru your sleep, I’ll penetrate,
And none but Love to bid us laugh or weep, 
              And none but Love, 
              And none but Love.
nomiddlename Oct 2018
flickering flurries
‘neath burnishing beams
of molten moonlight’s
own gleaming iced dreams

in glistening glimpses
on winter whipped walk
stung lips cite the script
yet besotted eyes talk

under chunky knit pom-poms
cheeks peach’ily pink
over lingering indigo
brassy stars wink
mind is a consequential urn  
reminiscences to hold on
burnishing , adjourning master piece .



©Mrunalini.D.Nimbalkar
#17.09.2019#
Three line poem #modern haiku #unrhymed#
ravendave Nov 2017
The man-god stands apart,
burnishing his youth.

The sword he clutches drips
with gore more green than red.

The sisters hover round
her broken frame and murmur,

Pity, pity. Their tresses hiss
and snarl, coiling, writhing,

coiling, writhing. Her serpents
lap her clotting blood. Her sisters

stretch their leather wings
and fly to purge the bitter gall

of their revenge, singing,
Sorry sister, Better you than us.
Dearth Mar 2019
What's it like
To be undying
Eternal
Staring at the edge of eternity

What's it like
Knowing this will never end
With every breath you draw
Burnishing the brass in your lungs
nivek Nov 2018
Endless love
intense fire
burnishing
colours
onto, into
souls, the
furnace of
the eternal
God. God
of love, God
of new
creatures.

— The End —