Schadenfreude reigns:
******* spawn of Lust and Wrath
bites at trying hearts.

Just once,
I should like to see
a pretty truth.

I am too used to self-curating
— slipping into silken words —
shimmering golds that complement
my skin just right
(not wash it out
upon the threat
of natural light).

Confessions speed to
halts,
flushed-faced;
pause,
dismayed
they cannot catch the sun
from a gentler angle,
to soften, to lovingly blur
and still pass for the same entity.

From the cradle, I've been
my own ******: half-enthusiasm
borne from rubbernecking thrills
— real-time collisions
at the mirror's appraising edge.

rows of two!-three!-four!-boys-bloc-king-the-cor-rid-or
will soon be gone
and the RHYTH-mic-tick-tock-of-my-leg-BOUN-cing-on-the-floor
will be no more
it's fresh cadavers wrapped in string
it is a joyful gospel hymn
mourning the best and worst of youth
(those shiny kids who'd first walked in
with all the grace and all the poise
of hatched arachnids missing limbs)

but what of "her" – you know her name –
that overfed, reptilian thing
who shed her hair and scratched her skin,
cursing the odds at Him upstairs, demanding He re-shape her?

some say she cried herself into extinction
– sailed away on a crimson tide –
balking at the trauma of being seen
(enforced, cursed vulnerability
in being known to man).

the rest knew better;
they were voyeurs in this
fruit-carving tutorial
on 'how to grow up':

STEP 1) consider all other alternatives
2) take the scalpel and initiative
3) before adrenaline gives way to doubt,
turn the flesh-vessel inside out in a cocoon of your own creation!
while organs may rupture and it aches like you've skinned yourself alive (good for her, setting herself free!) you'll look cuter in the class photos and has you-know-who... finally... shifted the weight?
4) breathe through the blood loss and searing pain
5) notice
           you
                can
                     breathe again.
                     at this point, does it matter that it aches?

Ingredients:
    • 1 springtime
    • 1 brain, bruised and ripe for the picking
    • As many hours as can be held in your arms
    • A handful of mantras that got you precisely nowhere, e.g. "this too shall pass"

1) Before declaring yourself insane, remember you are not immune to your own humanity and every emotion seems as though you were the first to discover it. There is, ironically, a word for this - qualia - meaning however elaborate the description, words alone cannot replicate an experience (a yellow sky; a minor key). You are as much an explorer as every other living being, and these are communal journeys taken in solitude.

2) Acknowledge that when you feel blue, it is the colour of forget-me-nots. Unbolt your door, against your better judgement. Spend time among the flowers, knowing this is what the earth is capable of. This is what it creates of its own volition. Wander until no longer threatened, but comforted in the presence of beauty. It is their cycle of blooming and wilting that makes you kindred spirits and—at least this season—you're in friendly company.

3) Notice your conscious hunt for reasons to feel alienated, undecided on whether you are possessed or defective. Recall that for all the nights spent on self-interrogation, indulging in sweeping guesses and bolting your door shut as a service to humanity, you've found nothing of significance. Consider what this may mean. (For best results, do this under the sun. You will sit beside a shadow that has seen enough to understand, and wordlessly pledged its lifetime to you. Do not take its loyalty for granted.)

3) Try to reconcile your hatred of being looked at with your burning, inescapable need to be acknowledged. You will fail. Repeatedly. Keep trying, keep failing, and treat it as a success you've yet to fully comprehend.

4) When it seems as though self-acceptance means turning a blind eye to every wrong you've ever committed, or waving a dismissive hand to all the methods in which you can wound people, re-write a definition that makes sense to you. So long as your hands can wield a knife, they can hold a plant stem or a human cheek, and that is your permission to exist.

5) Repeat until the word 't-m-rr-w' doesn't desperately warrant censorship and you can look into an hourglass without the need to smash it open.

'YOU'RE NO PROPHET (YOU'RE BARELY A POET)', BY PERSON I
"O woe, O why--" --O what a way to live!
Never finding what you hunt, scarcely saying what you mean,
with the audacity to worship those who can;
adoring all that's good, or brave, or noble; learning nothing.
Shameless indignity is the boldest you get:
compare them speaking their hearts against
the postmodern cowardice in all that you are.

Language is a gift you abuse:
you may as well have abandoned your voice;
paragraphs wasted on your camouflage of choice.
Half-built cities on foundations of beige-coloured water --
you keep the imagery pretty and the metaphor alluding to just about anything.

You're scared to speak if it's not been said before.
You're ashamed to speak if it's all been said before.
Reluctant to be original! Embarrassed to be derivative!
The shame is in the fact you don't bother!!
Would you say it matters if it's all been thought before?
Voiced before? Done before? Does it wound your pride
to know that your actions are barely yours?
Does it shatter your resolve, seeing your face in my words?

Omit the omnipresent and stay oblivious to obvious.
Can we call it thorough? -- this solitary hunt for truth?
-- almost commendable, almost fruitful,
had you only checked the blind-spot under your nostrils.

'MEANWHILE, IN THE OUTSIDE WORLD...', BY PERSON II
So... 'just shut up and say it'? Wow, noted. Thanks.
Tonight's been a blast.
You'd hate it.

Where'd you wander off to? I was one lonesome night-shift from writing another piece entirely – Allen y Federico, chasing Whitman as he climbs the paywall guarding Bohemia, ashen fog of beard left trailing in his wake. Ah, but here you are, my High Court of Muses! Lavender castoffs of two mechanical empires, camped outside on the supermarket pavement: awaiting a dawn delayed by the skyscrapers it hides behind. The Best Minds Left Standing... Lorca’s feet beating faraway Gitano rhythms; Ginsberg spouting love-letters re: the weeds’ anarchic growth from the concrete cracks... and one smaller sycophant.

I’ve offerings of oranges – Spanish nostalgia reduced to contraband – ‘stolen’, bruised, saved from dumpster fates. Wouldn't you have done the same? Isn’t food waste just state-sanctioned sacrilege? Naranjas, clementinas, full miniature moons split into crescents: I figured (halved) you'd (quartered) be starved (eighths). You savour each sacred drop of juice in ways I've yet to master. I’d always been preoccupied with expiry dates... Moloch who sets up shop inside my brain... yet time melts between my lips and I am with You under UV floodlights. I am with You where the overhead glow may not be starlight but it’s not the worst alternative. I am with You – until the checkout boy steps out for a cigarette and when Allen’s eyes follow in pursuit, I’ve lost him again. Holy, he mutters into his final segment of fruit; holy, I repeat, imagining Eve’s overeager sprint into the wide-open prisons of thought.
    I am a woman cloved in two, better half wrapped in citrus peel and tied with string – para tí, maestro Lorca. Does it bother you that these buildings stand closer to the Sun than you could have ever reached? Yet you were nothing short of an Icarus, and how close you came! Abstract wings borne from words and notoriety! Your mythology was written to fit a flamenco guitar – if they don’t know that, they don’t know you – through musical folklore, Franco tried to **** that which was immortal. His legacy is a nation of graves and a granddaughter in the gutter press.
    I begin to feel that history is a ripple-effect of looking over one’s shoulder and deciding “you’d hate it here.” There’s always the dawn. You wait for it with practised patience – pervasive optimism – the ability not to end an “always was” with “and always will be”. Is it all you’d waited for? Has time diminished its novelty? Will you write it down and tell me what I’d slept through?
    Out cold, you turn me onto my side so I don’t choke when Moloch finds his way out.

the gods debate and then concede:
"His punishment is empathy!"

they could have excused the self-assurance,
the love of an entity built in their holy image;
the conclusion that You are the only one good enough for You.
they could not condone Your vicious deeds --
they would not condone the blood.

the gods debate and then concede
Your punishment is empathy
(though never enough to spare a thought
for my voice within the cavern walls
or the spattered blood of Ameinias
or the righteousness of Nemesis)

**** You, bless You, Your Holy Reflection
condemning the flowers and mountains to dirt;
the suitors (silent in Your wake) reduced to peripheral blurs,
forgoing all the world for the sake of Your one true love --
still steadfastly playing martyr,
not the fool with His fingertips hovering inches from the water,
doting on His Image! loving like gods love irony and a brute-force punchline!

the gods' one choice was to concede
Your punishment was empathy
while the verbal paradise in my mind smoulders into ash.

if You spared just a thought for me (love was never a necessity)
Your words would then be mine:
instead i speak through nobody with thoughts that barely rhyme.
i am small, a silent letter in an 'echo';
arms linked, moving in rhythm, with my siblings --
Your story rhymes, each chapter weaving into a chorus

the gods reprise when they concede:
"His punishment is empathy!"

[NOTHING]: seven letters long, pronounced like [SILENCE]:
not a nuance to unravel, nor utterance un/spoken to linger in the air.
these rewards i reap for loving too loudly:
blooming, bountiful  _ _ _ _ _ _ _ ;
self-flagellating  _ _ _ _ _ _ _ .
i choke upon this  _ _ _ _ _ _ _ ,
still clinging to Your _ _ _ _ _ _ _ .

the water's silent ennui:
Your punishment, Your empathy.

in a nicer world, my fury burns the love away
-- but still, it simmers. still, it stays.
You wilt like heaven's roses, exquisite in (and after) death
whilst i spoil into _ _ _ _ _ _ _  and watch the world forget.

lady of steel gaze:
let me learn your native tongue,
iron-clad and cold

It's a birthright, not a dream:
the rising sun is mine to chase.
I grow upwards, each newborn cell rejoicing,
petals outstretched to scale the clouds
and I do not know where I'll go afterwards --
only that it'll sink into my touch
like an animal seeking affection
and I will say THANK GOD
I didn't shrink like a violet at the burn of judging eyes
when my soil-buried roots hadn't yet much to offer
or deem myself good as wilted and cut my growth off at the stem
(the call is not mine to make)
or declare the fruits of my labour would be poisonous
so time, effort, water are wasted acts of love;
how easy it is to give up
so as not to face the prospect of a hungry autumn
or feel my promises break in my clumsy grip.

We owe it to ourselves to wait and grow
for we may never reap what we don't sow.

you wish to buy my meat.
the butcher's cut is ripe and cheap;
a fresh-faced lamb of london streets
and everybody craves a piece.

*******. ribs. thighs.
money is no issue and they'll all see you gloat:
"my spread-eagled angel will be gnawed down to bone."
(god knows there's no heart in the matter.)

you wish to play the maggot.
you want your prey half-dead.
my flesh rots and decays on your tongue,
bloodied on the slab of your mattress.

Momentary
mourning peace.
Mama pours a glass of mulled wine,
lights a scented candle
                               (- "cherries on snow" -)
and drinks to ol' Joan.

Passed down with the jewellery box,
somewhere in the will, the daughters
receive the annual chore of roasting
the turkey (delicious!) and the veggies
(good job!) and (could you pass the?) breadsauce
for their brothers and husbands huddled
            on a threadbare sofa -- and a younger girl,
            barely there, staring at a laptop screen.

Mama's not festive - always too tired -
barely celebrates, but orchestrates.
Years barely there 'cause she's needed in their kitchen
and someone's gotta cook can she please get a hand? and
one chivalrous male puffs out his chest, takes one for the team, gestures to the girl with no discernible attention span and
half-laughs an "ay, one day this'll be you!
Best get in there while you're young!"

                                                       ­   ((A baritone chorus of laughter.))

"You outdid yourself on the turkey."
"S'great, ain't it? Pass the potatoes."

Sometimes here, sometimes Spain.
We stay over. It's tradition: we're
scattered across the country,
maid duties are the least she can do.
Never our kitchen or living room.
Tiny. Messy. Unwelcoming.
Come Boxing Day, Mama gives
a bear hug goodbye and an
"it's good to see you";
Because it is, she thinks.
Thank you for inviting me
to carry out your labour.
I'm just grateful to be needed.

A month of red 'SALE' tapes
scouring the clearance shelves;
overtime for extra cash
scraped to afford the food she cooks you;
paying half for gifts she'd brainstormed
while Dad buys partial credit on the gift tag.
We vanish from your house
- like elves -
by morning.

Hindsight, hallowed be thy name.

All I've got is luggage... luggage!
My God! Turn around; find my comrades slumped under the weights strapped to their spine!
Limping, bearing, burdened by non-negotiables while the High Court of Good Karma takes collective sabbatical —
and this knapsack of shame, I've partial credit in filling.

Grey handkerchief, original sin:
one. single. suckerpunch. and my fists are raised forever,
begging for the chance to swing and prove my own strength
— supposing the opportunity never fell into my lap — I'd said "**** it," packed a

hundred grams of bushy brushed-out curls, stop-sign red
fifty grams of lips to match (uniform too, now I think about it)
fifty grams of raccoon eyelids and coloured-in brows
hundred grams of halls of mirrors, circus-attraction Alice
lose a hundred/gain a hundred/repeat til dizzy
hundred grams of ******-in stomach, eyes averted in changing rooms
wigs by the armful — that's three — nom-de-plumes thrown in gratis
(it's only a journey to the rest of my life anyway, I'll need them,
alternative being cinematic debut as Myself)
hundred performances to imaginary audiences, less-than-stellar reviews
hundred grams of overwhelming then underwhelming "on purpose"
hundred grams of laughing off any belief in potential
hundred grams of scratch-marks and verbal fountains of venom
hundred grams of giving almostneverquite as good as I got
hundred grams of group-work alone thank ****(?)
hundred biro-holes stabbed in martyred pencil cases
feral in broad daylight spoiling for a fight
kilo of aiming for 'scary' and landing on 'strange'
kilo of being third to make good company a crowd
kilo of taking sixteen years to find Her
— Shadowboxer Fiona, rhythms invisible, catharsis in art —
hundred doodled superstitious evil-eyes in the ruled margins
hundred laments over the inability to provide a better future

(removed one by one whenever I think the future's mutable)

that one glimpse of white lightning in a violet storm
one single minute's pause to look over my shoulder
scarce-to-zero progress made
endless miles to go
breathless body soaked to the bone
and this useless! *******! bag! of Everything and nothing of value!!
mansions worth of loathing yet there's nothing to lose
did I decide that because I can't change the world, I can change nothing at all
(instead throwing darts at reflections/emotional *****/kicking stray dogs as a full-time hobby)?

O clarity so saccharine that I cannot be angered by the wasted years
only because THERE ARE MORE TO COME
I take it
   off my shoulder,
the first kind action I have spared myself in time unguessable
empty
     the
        contents...
   really
    air it out...
and trudge on
    unaccompanied.
The world's enough of an uphill climb.

Remember:
be sure your sin will find you out.
Place your ear to the ground.
Listen out for shrieking sounds.

                          Remember.
                    ­       Mould a tinfoil helmet
                             and a bomb shelter made from leaves.
                                   Watch the sky for stars with teeth.

unknown entities
snatched from their liminal space
into binary

I daren't (rather, shouldn't) breathe:
I'd built a tower of hearts from cards.
The gaps and breaks are real estate --
I'm nestled in the in-betweens.

                                              (Sapp­**'s spirit sighs.
                                              How human to not move quickly enough,
                                              or to yearn for whatever's inches from reach
                                              - blissfully unhinged by "almost".)

She's marble-carved and still as stone:
if I kissed her, would she spring to life?
I'd offer nought but foolish flesh,
this trembling frame, and bone.

                                                          ­  ("Tell me yes, tell me no;
                                                             either way, you're in the right,
                                                          ­   but for the love of Venus -- speak.")

Spring, cherished maiden ambivalent:
three parts rain, one part intemp'rate sun.
Show sympathy for clouded, rueful weather -
and let her weep 'til she, at last, is done

for there is no permanence in her grief.
She's winter's lover, moreso summer's child:
clutching daisy chains like bespoke rosaries,
new petalled life retrieves her golden smile.

see, atlas nearly dropped the world at the first sign of tremors
and gaia would've blown her top with wrath
and it nearly toppled sisyphus' boulder til it crushed him
but the 'nearly' doesn't matter 'cause the world's still in his grasp

and if paris picked selene, we might've had a heart-shaped moon
but we got the trojan shitshow, millions died
and we nearly went extinct just 'cause some ******* greek was *****
but the 'nearly' doesn't matter since we just about survived

"THE BREAKDOWN COMES WHEN YOU STOP CONTROLLING YOURSELF / AND WANT THE RELEASE OF A BLOODBATH" - JENNY HOLZER

I. Vanitas Vanitatum
[The stage is set: a paper moon against a starless, greyscale sky. GINSBERG howls. He's nostalgic for all he'd assumed was forgotten; desperate to never recall it again. His numbered days are manufactured: ELIOT reclines, watching the world end.]

CHORUS OF PROPHETS:
In our own sins we trusted,
both in essence and in nature.
Hell was never an inferno:
it is an echo chamber.

We have nothing (-- we have nothing --)
but maxims and jumbled alphabets
and lightly-sparkling bitterness
when the cork pops feebly from the bottle;
(-- nothing! --) dripping saltine hate.

We've lived large and small, been tiny and tall;
always filling too much space in a too-big room
where our presence is ironically scarce.
There is nothing for you here,
bar vacant lungs and river water --
take a breath and join us
                               in sinking to
                                            (sinking!) the
                                               (sinking!) bottom
                                                  (sinking­,) of
                                                        (sinki­ng...) the
                                                             ­              Styx.

II. Et Omnia Vanitas
[Enter PLATH, SEXTON, WOOLF, BYRON, DICKINSON and VARIOUS PHARMACEUTICAL BRAND REPRESENTATIVES.]

You know not what you could be
but merely what you are
and that alone is traumatic enough.
Taste it, a slice at a time:

the disillusionment from having raised your hopes beyond rotting in the soil,
the anger upon realising this was your own fault and all you want to do is scream,
the bargaining, the denial, the scream (you were not born to live). The gradual processing. The scream!
Scream at the moon and scream at the walls and scream into pillows and howl and wail and hack away at the flesh and screech until plastic surroundings melt and it is only you and the void you willed upon yourself.

III. Epitaph (What Now?)
[A white-fur baby seal is camouflaged upon the ice
and, eyes closed, fools itself into thinking it survived.]

What happens next is no act of evil:
this is survival of the fittest.
We are bottom-rung of the food chain
and starving predators need to eat.

[We lick the ground and taste defeat.]

Ruby poppies reach heavenward --
small birds take their maiden flights.
I shrivel, putrid in the soil,
in the winter of my life.

Every
"fresh start" I
seize. I paint myself a
different colour every time, only for the
tide to drag me in
and soak it
all
away, and it'll
dampen my spirit and flood
my lungs with seawater but it will
never submerge me no matter
how much I
beg
it to -- or
maybe it's because I beg
it to, and there's more joy to
be reaped in wounding me
with its grinning
denial.

i.
you wonder if somewhere there's a voodoo doll with your face stitched on
(and if it's covered in pins since god knows that would be the logical explanation)
who goes away in winter? he'd laughed and laughed
-- and in spite of yourself, you let him

you very patiently explain that with european winters
'the sun's still out but it's no cancer risk
and the air's still hot at night but it doesn't try to choke you
and what's more cathartic than a spanish caravan park where you're serenaded by crickets?'
playing it off as a quirk, not an excuse to be anywhere else

he'll never know the comfort in being
little more than a passing stranger
a face on a street or in a window or a car
transient, fleeting; the short-term memory lasts roughly thirty seconds
so you're a stranger in a yellow polo and then you're nobody:
it's the circle of life, but compact and mildly less terrifying

ii.
unexplored streets and brains are bigger than home:
you can only be your true self when you are not at home
eyerolling, rotting from air pollution and complaining about first-world problems
you're hardly ill at mind but you're jaded and sad and sufficiently middle-class
so when in doubt, you pack a bag and think nothing else of it

you buy the guardian and a kitkat from a sullen newsagent
whose hands look like your grandmother's
(why do you notice this stuff?)
the poor guy's only middle-aged surely - he can keep the change
counting coins is weird and confusing anyway

happy flying says the hostess with a ribbon around her neck
she means it and you know exactly why she'd taken the job on:
fixed addresses are awfully limiting
and the swarms of crying babies are probably worth it
to get to go everywhere EVERYWHERE

iii.
package holiday dj digs out his usual and plays 'come on eileen' for an aging crowd
your eyes are upturned to a foreign sky and you breathe warmth
the stars are out and you are floating quite carelessly at the top of a swimming pool

happy birthday

(No puedo hablar la lengua.)
I cannot speak my father's native tongue.
(No puedo hablar suficiente...)
At least, not enough of it to get by.
(...no entiendo, lo siento.)
The body I inhabit feels like foreign territory.
(No lo se.)
My grasp of it ends here.

I. OTRA VIDA

Dia de san valentin, 2000: mi padre aprendió inglés por amor; voló a través del mar Mediterráneo. Él tiene miedo de los sonidos cuando trata de hablar. Pero él lo intenta. Él habla casi perfectamente -- mientras, estoy teniendo una conversación uno-a-uno con Google. Es vergonzoso.

I recall two or three trips, max. There's a blend of urban and natural that's a haven for the eye -- the buildings themselves are seduced by the sun; divine blends of amber, tawny, white. Classically Romantic. That nighttime humidity fogs up your lungs and makes it feel like a hug. There was a time when we were poised to move back there - and in Dad's case, another, nearly leaving without any desire to take me with him.

My makeshift home is built upon stereotypes: orange trees, olive oil, generous glasses of vino. Pienso qué un otra vida where I'm stood on the beach at dusk, with heavy-lidded eyes and ears attuned to cicadas and rolling waves. This is narcissistic lust for the woman I could've been - she is all smiles, bilingual, peace embodied. Those are the nights when I'm not careful: she leaves my bed by morning.

II. ESTA VIDA

To mourn the "what ifs" shows a lack of gratitude for what is, and god, what luck! For inglés to be the second most-spoken language, de-facto "centre of the universe"! To migrate most anywhere and get by; for the Western world to be coerced into Anglophonic bliss since tourism makes their ends meet!

On a holiday, I clam up ordering "una batista fresa" and get a taste of how my father feels. José Francisco: his colleagues call him Frank, in the same way I shun my legal surname because a Spanish 'LL' is too hard for others to grasp. I reek of privilege - post-post-Franco, white European, playing with my non-language behind closed doors. There's private delight in a rolled 'r': momentarily, I'm local, not a mere faux-foreigner appropriating my own heritage. Ironic - he tries to be "less immigrant" whilst I've got the fortune of trying to be more.

I was born into a universe of possibilities. A million options feel like fate -- screenwriter, Oxford grad, Spanish barmaid-or-waitress-or-I'll-take-whatever -- each unchased path is a reminder that, somehow, I'm choosing wrong. I've never perceived myself as small (ex-tall child, "ex"-chubby kid with a head outstretching the clouds, first of the eleven-year-olds to grow **** and got gawped at like I'd grown an extra nostril). Outside this hall of mirrors, I am tiny -- too small to have this many dreams -- manifesting as terror-borne paralysis because I want to do more than I'm built for. Solution: aim smaller or grow up.

would you listen or laugh at me
           for claiming love's an ocean?
neither a knife, nor a blindfold
                                                      .­..but a sea.
there's a human-borne catastrophe.
                       cast your eye upon those with no share.
          the contents of their buckets
are polluted and impure
                                yet all but 5%
                                goes unexplored.
do you find yourself choking in your sleep?
  why watch the waves from safe dry ground
                                                  when you could delve in deep?
do you live in fear of unchartered seas
                                                   and life still left unfound?
are you overheating if only not to drown?
we 'love addicts' are water children.
i run outside and taste the rain.
  let's go! let's drink! let's swim! let's bathe
                   and watch it seep into our pores
                         -- it escapes me how you stay indoors!