"viewer" poems
the angel amongst us
~for Alexander, master splasher~
*flexibility is important when poetry writing in a warm tub and a long day ahead is scheduled; so willingly accept the autocorrect
for I am both an experienced poet and bath soaker and
believer in wondrous mystery and unexpected fumbles
that lead to to miracle touchdowns
~•~
the two mathematicians examine the angle, measure the degree of difference at intersection and bless it with an identity,
calling it by its name,
perhaps obtuse, perhaps right, perhaps both
two sets of eyes examine the angle,
study its ****** expression
the old man says:
see the angle on the clock formed by the big handle on the twelve and the little hand on the eight?
this is angle of eight o’clock:
time to stop the splashing and start the get-readying
for we have miles to go before the ocean can say hello!
little angel says angle no go
and slashes the water with both
hands to establish the firmness of his views
and change Einstein’s time from present to future
the angle depends on the perspective of the viewer
the old poet comprehends leaving a warm tub is a regretful thing
but he measures the degree of difference at this
intersection
of time and bath and blesses it with an identity
“time to go”
the angle of my angel is now 2 pointed arms, pointed straight up,
at the twelve o'clock,
as he stands up in fevered protest,
my arms sweep his little legs to
a point at eight o’clock,
angel, commenting on his swift flight
disputes the grandfathers physics
"no go now,
now go later^"
though the angle is unchanged
the perspective of time and space
(and traffic),
yet differs
one sees an angle,
the angel sees time
eternally folding in on itself*
that is the angle amongst us
Aug 29, 2018
Aug 29, 2018 at 8:58 AM UTC
Inspired by a vintage ****** postcard from the 1920s - 30s:
The Muse sits resplendent
caressed in sepia tones and pastel cream
gilded with the glaze of a bygone era
her silk Charleston negligee
worn proud like a vintage ornament
perched on an aesthetically pleasing
shapely pert insolent *****
blossomed with tiny beads of sweat
the heat of such anticipation
entices the pearls of the ******
to pamper and pleasure their perversions
etched as if in a radiance of candlelight
the flickering limbs pulse their bloom
nimble fingers of dancing shadows
cupping the feline curves of a chaise longue
the purposefully out of place set piece
the fantasy of a gentleman's reading room
caked in casked sherry
and Nat Sherman cigar infused aromas
her elegant pose sumptuous reclining
elbow length satin gloves
sensually wrapped in wanton desire
two fingers clasp a Sorbranie Black Russian
smoked like a sultry gypsy
with a fervent demeanour
from a silver opera cigarette holder
beckoning with the cats eyes of mischief
over Pinced nez eyeglasses
with a fascination imbibed
in the praxis of passion
the peach skin of refulgent youth
directs the viewer downwards, slowly
survey each contour of olive skin
and stroke every hidden cleft of fabric
to glimpse the nubile thighs of grace
leading the eye to the arch of an ankle
slipped like a fitted glove
nestled in the cleavage of her calf
and the chastity of future wonderment
the forgotten photograph
captures a period in time
the memories of the muse
now in motionless existence
a demure allure forever frozen
once lost, but now
never forgotten
Dec 1, 2012
Dec 1, 2012 at 2:40 AM UTC
Poet : " Hey peeps"
Singer : "sup"
Artist : " Hiii"
Poet : " I was wondering, its quite intriguing how we are all quite similar , yet different as well "
Artist : "How so ?"
Poet : " Well, we all show , some feeling or emotion or portray any message in some sort of form, one way or another "
Singer : "Thats true , I use my voice so that many can hear my lyrics whether cryptic or not "
Poet : True, but you also forgot...
Artist : "Poet does this as well , despite the words on paper for many to read , poet doesn't quite sing in melody , but speaks so that many can hear the words to tell the message "
Poet : " Exactly , thank you Artist "
Artist : " No problem , as for me I neither Sing nor speak , my art paint the words I want to convey in the mind as an image "
Singer : "Yes,Yes, But don't you at times say what your art means , so technically you do speak kinda"
Artist : " Hahaha , ******** yes but I would only say 15-20 per cent of the time , to convey what i'm trying to define "
Poet : " Fair enough but technically poets can do this as well , in fact there is a type of poetry called...
Artist : " Concrete, Yes I know , such a flattering name by the way, hahaha "
Singer : " Hahaha"
Poet : " Anyways! , to add to poetry we need not have to create art , for our message to be visualized "
Singer : " Thats all well and good , however in the rhythmic sway in the melodies of song , I quite literally move people , you could even say the way they dance to my songs to show how it makes them feel , expressing themselves, as well as painting a picture ...."
Poet : "Hahaha damnnn, are you trying to show your the best ?"
Singer : " Just saying facts , not my fault it might come across as me being the best "
Poet : "Do try and remember us Poets do move those who read or listen to our poetry , they can relate. On the words , they think and meditate plus with those lines an image in there mind they do, re-create"
Singer : " Really , you just couldn't help not rhyming ? "
Poet : " Don't hate , appreciate.. "
Singer : " Oh gosh... "
Artist : " Hahaha"
Artist : " Don't forget us Artists , our art , can move people , maybe not as physically as you Singer, but we can cause a sway of thoughts for a painting can have a multitude of meanings"
Artist : " Sometimes it is better not to tell them my definition of the painting, but to see what it means to them and how it makes them feel "
Singer : " Sigh fair enough you got me there... "
Poet : " Its like I said , we are similar in the fact , that we portray something in our own unique act , to wonder and see how the viewer will react , to see the thoughts and feelings in our different dealings... To..."
Singer : " Oh my gosh we get it... No need to rhyme us to oblivion"
Artist : " We all basically show some sort of message just in a different way "
Singer : " See , why couldn't you just say that poet ? "
Poet : " Oh shut up."
Artist ; " Hahaha"
Sep 3, 2018
Sep 3, 2018 at 9:04 PM UTC
~**My portrait was painted by Jackson *******
<|>
“***there are no lines or lies in my writings
there are no definitions and perception is only your truth.
Therefore,
my poems are splats and drips, you make them into paintings that hang in your own private museum,
but signed by me as first passenger***”
<|>
when did I write these words?
can’t recall, though undated,
they seem all too familiar, and thinking that if I didn’t,
I should have…
for the title of this ‘poem painting’ has lain in quietude,
a resident in my file of
“someday writs, awaiting,”
when the itch demands you will
essay
**the admixture of words and swords
that will cut a newborn corded reciprocity of thee and me,
an unbound bind that ties and frees us
from and by our shared senses…**
today, an inadvertent blinding sunlight stumble is demanding a
fulsome scratching
<|>
the portrait of each is the irrational intersectional of splats and drips,
each viewer, reader, filters the image through a common
uncommonality,
which is as it should be,
**for if we are each created in His image,
how glorious is the diversity of our deities,
each of us a tiny drop of paint on a tableau
of a small planet, insignificant but
uniquely beautiful intelligent species of godlike creatures,**
human
<|>
the précis of this conundrum conversation bewilders,
a single word drops,
of plaint, paint, blood,
a seconds blush blurred
that is the building blocks of imagery
I state is mine,
but now realizations swiftly fertilize,
**the portrait is not of me,
but of me blended into thee,
and this poem,
is our composition**
that hangs in each of our primary
museum,
newly re-titled,
A Passenger, Realized
Sep 14, 2023
Sep 14, 2023 at 7:10 AM UTC
“there are no lines or lies in my writings
there are no definitions and
perception is only your truth”
**Jackson *******
*my poems are splats and drips.
you make them into paintings that hang
in your own private museum,
signed by you, truthfully, forever,
as first viewer,
and thus as,
co-creator*
Nat Lipstadt
Sep 29, 2018
Sep 29, 2018 at 1:27 PM UTC
The truth is, I’m not really sure who I am. She told us to draw ourselves and then to draw our souls; so I drew my face scratched and uneven, just as I’ve always seen it, and frowned at the result both in the mirror and on the paper. The only soul I’ve ever really known was the one that shone through the strokes of the keys I punched, the scrawling of ink on paper in mismatched arrays of awkward thoughts, disorientated and unorganized, shaded different spews of emotion and rearranged through the lens of ever last viewer’s eye. Even so, this soul that is composed of words that defined me painted a picture vivid in its contrast, though blurry from both afar and close enough to squint, no details able to be made out. These words that have wrapped around my soul rubbed raw from the time my skin first flinched at the cool March air cannot be deciphered by their author, though I know somehow that their letters flowing into one another say more than any curve of my face ever could. These words are black and white, two extremes crafted in the pallet of the Universe’s toolshed, and perhaps that’s exactly what I am. Black or white. I’m dark and lost and scrounging for some rusting wall or tree branch to cling to as to ensure the shimmering waves, onyx and charcoal in their nature with the flow of blood in its spine, do not flood into my mouth at a rate in which is too quick to balance myself upon them, or, I’m white, drifting snow from a cloud scraping the vast expanse of brilliant blue gazing as a sky above all the world, pure, innocent, unscathed with the potential for creation in vibrancies yet unknown, or to be ripped to bits, scattered amongst piles of cream and autumn leaves drained of their color beneath months of shivering frost. And so, perhaps any physical representation of my being would be all wrong, because that’s not what I am. Myself, my soul, it resides in the murky depths of heights I’ve yet to discover, tethered endlessly and uncertain among the caverns of my inners, pink and mushy, stirred and ****** untouched from the harsh light of a world encased in brevity.
Jun 1, 2015
Jun 1, 2015 at 8:20 PM UTC
*all poems write themselves, following plans that are drawn only
as the poem goes along, neither leading or following, but
carrying the writer along as first violin, a VIP passenger,
the first viewer, a consultant but not a conductor*
***a poem is written based on what has happened
a poem is written based on what was hoped to happen
a poem was written based on what could never happen
but is so well imagined that it is more real than if it happened***
*I willingly tell you I will not tell you which is what, for there is no difference between them for the writer, the first passenger,
though undeniably fully aware of the quality of the ware
that is proffered, plottered or just perchanced
perhaps you are thinking, but of course,
this is the way,
the way of all of us,
the way it has and will be and no
disclaimer needed for no believable claims are made
perhaps
for the weave is oft tight, tight as near-truth, and so well imagined, it wraps the first passenger in a cloak of skin
that actually feels, though cloaks cannot feel,
but belief is easily eased
there are no lines or lies in my writings
there are no definitions and
perception is only your truth
Therefore,
my poems are splats and drips.
you make them into paintings that hang
in your own private museum
but authenticated by me as
first viewer,
3/13/18
1:09am
Mar 13, 2018
Mar 13, 2018 at 2:21 PM UTC
viewer discretion is advised. The following program has graphic images that may not be suitable for all audiences
The television stains my eyes
I can barely see myself in the mirror
While steady reporters shed not one tear
Don't you see the dead behind you?
Don't you feel the pain of their families
While you just "tell the story"?
27 dead, most of which young children, in a school shooting
The sickness creeps into my bones
Its impact rattles my spine
Debilitating me, confining me to a stupor
Why? Why?
Why end such bright futures and presents?
Do you not see the damage that you've done?
Do you not feel the blood pouring from
Your own body? Do you?
back to you, overpaid talking man
A three minute blurb
That's it
Hundreds of people have been forever changed
Millions more afraid
And all you can do is harass them
Beg for interviews
While they still are in disbelief?
But beyond that
You show it over and over and over
All with the political lean
Of your respective stations
Could you not stop for once
And let mourners mourn?
Apr 6, 2013
Apr 6, 2013 at 10:27 PM UTC
I have a dream! I have a dream,
To the racial discriminators, said Martin Luther King,
I have a dream! I have a dream!
To the evil-creating economists, I warn and ring.
Globe witness hunger, inequality poverty and unemployment
The world turns out to be bitter,
To all of you, I write this letter.
To create a world relieved from these and turn better.
I am a mad aspiring economist, a fool,
Searching for the right tool,
You turned the world with full of mess,
People are left with nothing less.
To the world, you gave theories,
Pushed us into a vicious cycle of injuries,
About your theories, you boasted,
It has created a few ruling and bloated.
Most of you worked as economic hitmen,
Turned victim laymen to fighting gunmen.
To the realities, your theory is distant,
Served no solution to the dying peasants,
To the few, we remain a psychological slave and servants,
Tuned our lives to a depended migrant.
With your development lecture,
You have killed the entire nature,
In the name of ventures, corporates turned vulture,
Hunted and looted our generations’ future.
We lived a self-reliant community,
You killed us with imposed liability,
Our lives are now placed in intensive casualty,
The word that remains imagination still is equality.
We lost our humanity and identity,
In your eyes, we are just a market and commodity,
Your play with scarcity, was a mere futility,
We finally became a society, filled with atrocity.
Your useless lectures of development,
Put us under frightening & irrecoverable unemployment,
For a few, you got us into a deep-rooted enslavement,
So, now for you instead, we make a replacement.
To my questions, you neglected and ran,
In your eyes, I am foolish stupid common man,
To you short-sighted range,
I say I will bring in a change!
Today, I may remain lower and mere viewer,
A day will come, where you will stand to answer,
Writing a new rule, I would seize your beloved positions,
This will be my lifetime mission and ambition.
I say with all my limited experience,
I will put a test to all your conscience,
Are you just a fat-big corporate’s hand?
With people will you always stand?
I am not an economist,
I am neither an egotist,
I proclaim! I proclaim!
I am a revolutionary economist,
I know you will fit me a label,
I am sure I will be an economic rebel,
A rebellious economist.
I dream a world without huge inequalities,
I dream a world free from imposed liabilities,
I dream a world without poverty and disparities,
I finally dream for becoming an economist with no ambiguities.
Oct 17, 2018
Oct 17, 2018 at 7:43 AM UTC
As with everything else in American life, the national government is just another commodity packaged for mass consumption. We're all being spoon fed a spectacular narrative which by its very nature is designed to evoke the passions.
Every day, someone gets on TV and says or does something which provokes outrage, drawing the viewer in like the iridescent lure of an angler fish, and keeping them hooked just long enough for the hypnotic messages of the corporate sponsors to burrow their way into the collective consciousness between "newscasts."
It is precisely for this reason that these frivolous displays SELL like hotcakes. There's no government going on here. There hasn't been for who knows how long? All that is left is BUSINESS. Raw and unfettered. The United States of America is now nothing more than a 'reality' show, and boy, I tells ya, the revenue stream is OH, SO LUCRATIVE!!!!!!!!!!!!!!!!!!
Feb 7, 2019
Feb 7, 2019 at 12:13 AM UTC
~
*Here is an assertion
and showiness
in the expanse
of white skin – from her
high forehead,
down her graceful neck,
shoulders, and arms.
Although the black
of her dress is bold,
it is also deep, recessive,
and mysterious.
He stalks her
as one does a deer,
his palette composed of
lead white, rose madder,
vermilion, viridian,
and bone black.
A dash of light rose
over the former
gloomy background,
you see, and
the élancée figure
shows to much
greater advantage.
Her body boldly
faces forward while
her head is turned in profile.
A profile of both
assertion and retreat.
The table provides support,
and echoes her
curves and stance.
One strap of her gown
has fallen down
her right shoulder,
suggesting the possibility
of further revelation;
one more struggle
and the lady will be free.
Everything converges to
imply a distant sexuality
under the professional
control of the sitter,
rather than offered for
the viewer's delectation.
Her untamed wilderness
remains unseen.*
~
Aug 4, 2021
Aug 4, 2021 at 9:59 AM UTC
Eat, drink - and savour body
It burns - and freshly blushing
Of ankles, knees - the jutting crags
Eat, drink - get lost - in moaning
Of own thoughts - heads' fog
Is rooted deep in groin
Eat, drink - yell over famine
With belt and taunt
Draw tight the ego's thirst
For thinking - shame yourself
For narrative of truth - give up
And joyfully accept
The informational injection
Comparison, identifying, drama
"I believe!" - a dream forgotten
Neglected honour - recognizing game
Unheard is role - a viewer
Yet - to the wall of lies - another burst
"Why do you peel own skin away?!"
Waste life attire
Save in affliction - reason
When silence in the head
Shrieks - "Jump! Take step! Put hanging!"
Just watch - and call for an encore
Applaud - from stage - from audience
Out of theatre - "Louder! Louder!"
With tears - splutter
Sep 2, 2025
Sep 2, 2025 at 11:34 AM UTC
I’ve been in every angle of love.
Love is not good.
It doesn’t matter which viewer you are,
It’s just not good.
I’ve been the one who gives,
I’ve been the one who receives,
I’ve been the the one who gives and receives,
I’ve even been the outsider.
And none of them feel good.
Now I’m with someone that,
For the first time,
Embraces more than I do.
And it’s funny, because I don’t love him.
I like him,
But I don’t love him.
And I don’t know why.
Whenever he searches for my hand to hold,
I smirk,
Or when looks at me, asking for a kiss with his eyes,
I melt.
And when we sleep together
It’s never for ***
It’ll never be for ***
We only go to bed when we want to go to sleep.
And when he puts his arms around me,
And lies his head on the back of my neck,
I grab his hand, and fall asleep.
Now I’m a huge snorter,
I snore in my sleep,
Pretty badly by the way.
But I never snorted when I slept with him.
And it’s funny how my soul doesn’t burn when he comes to my mind,
Instead it reboots and buffers around,
searching for something that’s missing.
The love and passion that I have for another man.
Aug 14, 2017
Aug 14, 2017 at 2:39 PM UTC
*step this side..
no, you.. that side!
in a line, in a line.. quiet now – get ready for fire.. no miss!
please line up the children in neat rows, get them ready…………………..*
1.
eyes are misted over – something happened in the gap
hooking-up strangely with estranged sons lost in custodial-wrangles
alienated values;
family-core defunct like a super-shiny apple with putrescent-flesh
long-beard wants a son after so many daughters, sits unwashed in the smoke
gender-penalty – sorry, sister.. you chose the wrong straw
you remain in that cage till we say come out
2.
bread-basket filled with stealth-grenades
rights and benefits squirm in slick-oil of rules
peasant skirting the limits of the city; even rats fare better
cloak of goat-skin, the shield hides serpents beneath
the hunter will aim for the head, land in the centre..
yet an inch or two too high
sentry, close the gates and bar the window-frames!
3.
inadvertent greed and control; aggressive power
news-man dies for feed that’s untrue, anyway
picture-man twists an image to suit the viewer
all kinds of lines disappear so quick – ****** jokes, theatre, life, even poems
and if you’ve never had the sad combo of sick and homeless,
famished and cold,
tired with sores
oh, war will be courteous enough to bring you all these, on a platter
and more..
*there is no border when we all roam in hunger and in fear
like the orphans in crowded-camps
high-rankers sit far away.. ominously "well-off"
chew on hard-cheese
gulp down red wine
but the throat still feels parched, and that bayonet is too short
its fear will kick in.. on a day least anticipated
would you be shocked if it is a child who will drive that wedge-stick home?*
st – 14 march 2014
Mar 14, 2014
Mar 14, 2014 at 9:26 AM UTC
Intellectual stimulation from a twisted mind
Bringing life to the insanity I tried to hide
Cracking whips to break the chains, feeling death drip from my veins
Pouring poison down the drain from infections inside
Chasing rumors through the sewers, lost in tunnels of depravity; God's the only viewer but this show's not quite reality
Gravity scraped knuckles with me all the way down
A brute stuck in a boot loop asking me to drown
These restarts after crashes turned my synapses to ashes
Now I can't feel the rats in my cyber cerebral casket
Dead in the head and strapped into my bed
I dug at my wrists until I saw red
The doctors applauded at everything the gauze did
It still couldnt stop it so on it bled
Nov 18, 2017
Nov 18, 2017 at 9:46 PM UTC
My girlfriend has coveted
Installed bookshelves
For over thirty years.
She has imagined them
Bookending her hearth,
When a visitor walks up
To scan her collection.
She has books lying about
On her tables, my tables,
A few on outside tables.
She is an insatiable reader,
But never had shelves.
So, as a double gift,
I fabricated,
Installed and stained
To match her gum wood mouldings.
From vision to reality,
Better than Plato.
She's so pleased and proud
She refuses to use them;
To distract the viewer's looks
With books.
Jun 9, 2015
Jun 9, 2015 at 10:43 AM UTC
The Village was nearly swallowed by darkness,
Until I stumbled upon a fresh fluorescent light,
Emitting an eerie glow out of a subtle all-night diner.
Suddenly, eyeballs projected a noir-style movie.
This unique heaven lit a cemented pathway,
Which led toward nowhere but American desolation.
Exploration of blank stores was not an option;
A disconnected joint across the open street was obvious.
The cornered beacon called to me as if dreams lived,
Though the seamless wedge of glass deflected observation,
Onto the viewer I represented, isolated from the anonymous.
Lungs were not interested in Phillies, only graveyard shift.
The scene held four strangers shut in spacious congregation.
The figures filled in the white void with physical presence,
While each owl was remotely lost in their own thoughts.
Was it the tragedy that occurred at Pearl Harbor,
Possibly the hopelessness World War II offered?
Could it have been the disappearance of happy innocence in ’42?
Hopper alone can probably discover a whole to the loss of words.
Somehow the constructed simplicity was overwhelming:
When late night minds meet morosity yet still produces beauty.
Subjected into one, the loneliness of a large city can exist too.
Oct 27, 2014
Oct 27, 2014 at 2:50 AM UTC
Golden arches,
Some stop to eat.
Mouse ears,
Some stop to retreat.
All these shops that we see
And all the smiling faces
Plastered on a mascot
Brings the viewer to higher places.
The holidays come,
The people gather 'round
A flat screen TV
And knock each other to the ground.
Here used to lie an orange grove
That provided for the land.
Now times have changed, values too.
In its place a theme park stands.
This generation's happines
Can be bought and sold
By paper we deem valuable
For that is what we're told.
Yet the sight of a valley
Brings me more joy
Than any handy dandy
Service, gadget, toy.
Aug 26, 2013
Aug 26, 2013 at 12:08 PM UTC
Hexes, rejuvenation
Strange carbon based life forms
The history of their cries
Scrawny weak-minded kings
Weaseling nocturnal betrayers of fortune
Over the shoulder paranoia
Puzzled tourists
With fragmented egos
Yet they produce
Painful generosity
To those who have relived them of their joy
I abandon me dagger eyed campaign
Let them live
I wish to see how they progress and prosper
Dec 19, 2013
Dec 19, 2013 at 1:11 PM UTC
bobbing up and down in the azure blue sky
brightly colored air filled spheres
big or small their sizes maybe
bringing much enjoyment to the viewer's eye
baskets attached have people standing in them
breezing above tranquil lakes and verdant glens
brothers Joseph and Jacques Montgolfier invented them
Nov 2, 2013
Nov 2, 2013 at 4:51 AM UTC
Injection of love has no limits,
Diminishes bad habits, only traces of a worthy candidate.
We ride the wave of feelings and serenade our ears to the rhythmic beats of our hearts.
How often do the least get rewarded, unseen and unblemished by the horror of life.
This world is paved with gold, pity those treasures are covered by things stale and old.
But not this love...it awakens the soul and traces back the lies we were told.
Capture my runaway train of thought and reign my wishes,
Drowning in my blushes, if words were permanent and memories paintings.
They would create what's never seen...write a story using the strokes of colour displaying my thoughts.
This pie in the sky feeling is blowing up the dust off my feet,
Keep my eyes smiling and inspiring me to always appear neat...spit in the face of defeat,
For after brokenness comes something sweet.
It's me again...leaving behind what was and forgetting there is such a thing as pain.
We keep moving, this love keeps sowing, and unaware of the growth underground, we keep growing.
I love this love. It looks appealing...something out of your dreams which comes alive before your eyes.
It looks great and fun, anticipating excitement and never being out done.
Time...I picture it sitting in a corner with its legs crossed and watching from a distance. It knows when and even know and even beyond the now.
The human heart carries so much...how it can carry hate and love together is hard to imagine.
How does it do it...carry such strong repelling emotions yet still survive...I choose the latter.
There is no darkness in it nor is there despair...
See when you let love take you...you welcome a gentle peck from the heavens.
It warns your soul and melts the concrete that had engulfed the heart...now finally you can hear your soul mates knock.
Laughter and long walks, sunsets and crazy talk....
This image might not be for everyone, but love invites everyone.
I love love...it sees no faults, just purity on the eyes of its viewer.
It hurdles you when the world batters you...keeps you sain.
How can I not love love, when it rescued me in my most deepest and brutal pain.
Feb 12, 2016
Feb 12, 2016 at 7:43 AM UTC
I belive it was in a rest stop outside of Nashville when I first discovred just what lost truely
was.
The people moved ants to a hive.
Ghost's to the shell so to speak.
Looking up routes streching worn stiff leg's and existing in personal bubbles.
Affraid a seconds conversation would burst a moments ******** cast
existance.
But I only sat watching happy to be a viewer to many seperate acts in a bound for nowhere
play.
Hey you have the time?
I dont even have a watch.
I replyed to some lost south bound kid more ******* up looking
than myself.
He said nothing more as he simply faded into the herd.
They were all bound for somewhere and me I was just killing time.
My home was wherever I could catch a few hours sleep.
And hopefully I'd be outta this state befor long.
I was a nomad most called me a ***
A traveler of fate and a lazy ******* to caught up in my own personal gains to settle down.
The voices of reason would seem to echo through strangers.
Whenever I'd take time to speak like some twisted record player
they'd always repeat.
So where you heading?
Nowhere and hopefully it has a bar.
Why you on the road?
Well really I just decided to take a walk one day.
Where from?
North Carolina.
Wow why you in Texas.
It's a long walk.
Man your weird!.
Arent we all in some way?
And with that the conversation would fade into my beloved silence.
And I would view the highway and it's ever changing landscape.
The mountian sunset's ,the desert in the moolight ,
A city slum to a rest stop outside of Nashville where you find me now.
I'd seen Americas watercolors and her sharp edges and still charming sleeze.
And from a shared ride to a cold park bench.
I was embracing the forbidden fruit spoken of by
far better fools and writers than me.
For true freedom was seldom safe.
But I viewed this world a travller a stranger to all including myself.
And from strange looks to even more bizzar remarks from thoose who couldnt fathom
someone existing with no true purpose.
The question always was asked
from so many forgetable faces.
So where are you going?
Im just taking a long walk home.
Sep 25, 2012
Sep 25, 2012 at 8:23 PM UTC
Pompous:
"Oh God, no, not another shallow rhymer,
fitting each word to its neat little place.
Oh God, no, not another painterly composition
with planal directions going round and around or leading that way and this.
They did that in the past; get to the new.
Make sure the reader or viewer knows that the masterful
knows more than than the masterful lets t/h/r/o/u/g/h/ out.
Disdain extenuating weakenings caused by straining for clarity
or unnecessary exertions in expressions of cohesion.
Words, though plain, arouse astonished wonder by nonchalant impenetrable shufflings.
Be clued-in, be bold, be tough and show it when you sculpt the clay.
When shaped, use your trowel to scratch the surface, evoking even more obscurity.
Toss it off in broad strokes of masterful negligence.
Be above the miniscule.
By these means show in shadowy hints the profundity that winks beyond merely ordinary restrictions.
Break the barriers, fly the constructive. Those old shackles lie about the world.
Show you ain't no conforming sissy.
Display in impatient referenceless strokes
Your forceful awareness of the world as known."
Facetia:
"Oh?
A world which evidences no form and structure in living creatures;
no eons of effortful evolution;
Forests have no ecology, and laws of nature aren't for binding.
Mind never happened, spirit's a farce,
unions only expedient plottings.
Lessons of history describe the disruptive;
it's what you grab and who you club;
others are only take or be taken.
Show 'em who's boss,
stash it away,
it's dog eat dog until there's nothing.
Shake it all up and break it all up.
It's only entropy."
Mar 21, 2010
Mar 21, 2010 at 7:17 AM UTC