you danced
in dark silent streets
letting icy snow
fall like tacks
on your tongue

caught in a dreamy pirouette
your arms out wide
in surrender to the heavens

beyond pale streelights
your eyes to the sky
reigning down upon you

snow falling like
a slurpee spilling onto the tile floor
of a 7-Eleven
our boots sloshing through it

your three-year absence
from it
ends with a nostalgia
and an innocence
you felt you lost

yet it descends upon you again
as you twirl
under snow like tacks
on your tongue

A woman
who loves a woman
is forever young.
The mentor
and the student
feed off each other.
Many a girl
had an old aunt
who locked her in the study
to keep the boys away.
They would play rummy
or lie on the couch
and touch and touch.
Old breast against young breast...
Let your dress fall down your shoulder,
come touch a copy of you
for I am at the mercy of rain,
for I have left the three Christs of Ypsilanti
for I have left the long naps of Ann Arbor
and the church spires have turned to stumps.
The sea bangs into my cloister
for the politicians are dying,
and dying so hold me, my young dear,
hold me...

The yellow rose will turn to cinder
and New York City will fall in
before we are done so hold me,
my young dear, hold me.
Put your pale arms around my neck.
Let me hold your heart like a flower
lest it bloom and collapse.
Give me your skin
as sheer as a cobweb,
let me open it up
and listen in and scoop out the dark.
Give me your nether lips
all puffy with their art
and I will give you angel fire in return.
We are two clouds
glistening in the bottle galss.
We are two birds
washing in the same mirror.
We were fair game
but we have kept out of the cesspool.
We are strong.
We are the good ones.
Do not discover us
for we lie together all in green
like pond weeds.
Hold me, my young dear, hold me.

They touch their delicate watches
one at a time.
They dance to the lute
two at a time.
They are as tender as bog moss.
They play mother-me-do
all day.
A woman
who loves a woman
is forever young.


Once there was a witch's garden
more beautiful than Eve's
with carrots growing like little fish,
with many tomatoes rich as frogs,
onions as ingrown as hearts,
the squash singing like a dolphin
and one patch given over wholly to magic --
rampion, a kind of salad root
a kind of harebell more potent than penicillin,
growing leaf by leaf, skin by skin.
as rapt and as fluid as Isadoran Duncan.
However the witch's garden was kept locked
and each day a woman who was with child
looked upon the rampion wildly,
fancying that she would die
if she could not have it.
Her husband feared for her welfare
and thus climbed into the garden
to fetch the life-giving tubers.

Ah ha, cried the witch,
whose proper name was Mother Gothel,
you are a thief and now you will die.
However they made a trade,
typical enough in those times.
He promised his child to Mother Gothel
so of course when it was born
she took the child away with her.
She gave the child the name Rapunzel,
another name for the life-giving rampion.
Because Rapunzel was a beautiful girl
Mother Gothel treasured her beyond all things.
As she grew older Mother Gothel thought:
None but I will ever see her or touch her.
She locked her in a tow without a door
or a staircase. It had only a high window.
When the witch wanted to enter she cried"
Rapunzel, Rapunzel, let down your hair.
Rapunzel's hair fell to the ground like a rainbow.
It was as strong as a dandelion
and as strong as a dog leash.
Hand over hand she shinnied up
the hair like a sailor
and there in the stone-cold room,
as cold as a museum,
Mother Gothel cried:
Hold me, my young dear, hold me,
and thus they played mother-me-do.

Years later a prince came by
and heard Rapunzel singing her loneliness.
That song pierced his heart like a valentine
but he could find no way to get to her.
Like a chameleon he hid himself among the trees
and watched the witch ascend the swinging hair.
The next day he himself called out:
Rapunzel, Rapunzel, let down your hair,
and thus they met and he declared his love.
What is this beast, she thought,
with muscles on his arms
like a bag of snakes?
What is this moss on his legs?
What prickly plant grows on his cheeks?
What is this voice as deep as a dog?
Yet he dazzled her with his answers.
Yet he dazzled her with his dancing stick.
They lay together upon the yellowy threads,
swimming through them
like minnows through kelp
and they sang out benedictions like the Pope.

Each day he brought her a skein of silk
to fashion a ladder so they could both escape.
But Mother Gothel discovered the plot
and cut off Rapunzel's hair to her ears
and took her into the forest to repent.
When the prince came the witch fastened
the hair to a hook and let it down.
When he saw Rapunzel had been banished
he flung himself out of the tower, a side of beef.
He was blinded by thorns that prickled him like tacks.
As blind as Oedipus he wandered for years
until he heard a song that pierced his heart
like that long-ago valentine.
As he kissed Rapunzel her tears fell on his eyes
and in the manner of such cure-alls
his sight was suddenly restored.

They lived happily as you might expect
proving that mother-me-do
can be outgrown,
just as the fish on Friday,
just as a tricycle.
The world, some say,
is made up of couples.
A rose must have a stem.

As for Mother Gothel,
her heart shrank to the size of a pin,
never again to say: Hold me, my young dear,
hold me,
and only as she dreamed of the yellow hair
did moonlight sift into her mouth.

Part I

It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.’

He holds him with his skinny hand,
“There was a ship,” quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropped he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—”
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine.”

‘God save thee, ancient Mariner,
From the fiends that plague thee thus!—
Why look’st thou so?’—”With my crossbow
I shot the Albatross.”

Part II

“The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners’ hollo!

And I had done a hellish thing,
And it would work ’em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor dim nor red, like God’s own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
’Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropped the breeze, the sails dropped down,
’Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The ****** sun, at noon,
Right up above the mast did stand,
No bigger than the moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch’s oils,
Burnt green, and blue, and white.

And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.”

Part III

“There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye—
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I ****** the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.

And straight the sun was flecked with bars,
(Heaven’s Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?

Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman’s mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man’s blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
‘The game is done! I’ve won! I’ve won!’
Quoth she, and whistles thrice.

The sun’s rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o’er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman’s face by his lamp gleamed white;
From the sails the dew did drip—
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.

One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly,—
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!”

Part IV

‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.’—
“Fear not, fear not, thou Wedding-Guest!
This body dropped not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the ***** like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Her beams bemocked the sultry main,
Like April ****-frost spread;
But where the ship’s huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.”

Part V

“Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.

The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all ‘gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.

The body of my brother’s son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me.”

‘I fear thee, ancient Mariner!’
“Be calm, thou Wedding-Guest!
’Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she ‘gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

‘Is it he?’ quoth one, ‘Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.’

The other was a softer voice,
As soft as honey-dew:
Quoth he, ‘The man hath penance done,
And penance more will do.’

Part VI

First Voice

But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the ocean doing?

Second Voice

Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.

First Voice

But why drives on that ship so fast,
Without or wave or wind?

Second Voice

The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.

“I woke, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen—

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.

Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?

We drifted o’er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot’s cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot’s boy,
I heard them coming fast:
Dear Lord i

Being kissed on the back
of the knee is a moth
at the windowscreen and
yes my darling a dot
on the fathometer is
tinkerbelle with her cough
and twice I will give up my
honor and stars will stick
like tacks in the night
yes oh yes yes yes two
little snails at the back
of the knee building bon-
fires something like eye-
lashes something two zippos
striking yes yes yes small
and me maker.

i have not spoken to you in

four or six years but

the hex code for the color of your eyes

i could determine from:

strawberry-kiwi juice, thumb tacks

CD rainbows

softball (

and kickball, hours of it)

chicago in 2007, white pebbles like teeth, and converse shoes—

There's this special seed inside of us
That glitters, shines, and grows
Planted by an equally special person
One that everybody knows.
The one that woke up early this morning
And downed their coffee for the day
While you dig out your favorite shirt
And they keep their nerves at bay.
The person that decorates for new children
Hangs up posters and note cards
Tacks up the yearly alphabet trim
And clears the weeds from the school yard.
Stands and greets equally nervous kids
Hands them name tags and a book
And hopes that their anxiety melts away
To be excited like they should.
The history and math books open
Pages are assigned
They're there to help you through it
To make problems easier to find.
To journey across another dimension
Of equations and butterflies alike
That prepares you for ACTs ahead
And tests that you'll probably dislike.
Well, that's all fine and dandy
All these books and passing grades
But what's more important is the seed inside
That's planted in your brain.
The seed that fuels your drive to learn
Creates a light to help you grow
Makes you crave another book
Acquire everything there is to know.
And I know a certain farmer
That specializes in these seeds
Who wants to make you reach the top
So you'll realize everything you can be.
These farmers go by 'teachers'
The most amazing you can find
Because of them, I try to be my best
So I thank my teachers for their time.

We are all strings held together by a thumbtack
Placed there by a man just trying to get his hope in humanity back
We all connect to somewhere else that we don't want to be
Held in place by more tacks in the backs
Of greasy men and stepped on women and children
In this world tossed  and forgotten in a rucksack
Thrown around amongst a gun, huncuffs, and a gum pack,
Extra...

What to do about wanderlust?
Should it be quelled?
Desktop backgrounds are my only escape
Maps with tacks and backpacks with knick-knacks
It all seems so far away
Cobblestone steps are wearing down
By the feet of enlightened in wondrous towns
While chairs are pushed in
Or left out of place
Thoughts are escaping to the vacuum of space
This Earl Grey is mint tea in Tangiers' seats
Or gold and black Yunnan at her highest peaks
It's sifting through pans of Fynbos' red leaves
What to do about wanderlust?
Should it be quelled?
I seem to dwell

pruning fingers from a cold dead hand to gain twenty index
to power point a disjoint nexus, amongst ill guests
to better frame the nameless tool,
thumb-less apes could truck with -
in bands of frantic lack-wits
hording alabaster thumb-tacks
to pin jokes, they don't get.
a lapse in queens, the hard Chess...
an hour glass
with a grain of sand left -
wearing a jet pack, to delay the turn next
that checks your king.
or telekinesis, ghost-grips the silicon
in free fall... on pause to stave off
a game lost.

pruning fingers from another world of empty reach,  i grasp -
at long last;
the short girl with the long red hair -
has two eyes, on task...scanning my true intent
with deep shy, heavy lids; a bright green
fixed on my nervous
laughter.

smitten; then, a Pabst
Blue Ribbon
kiss.

and sweet
disaster.

I'm the sand in an hour glass
Waiting for some time to pass
And the brass tacks
Is time and space now
For what will last

vanishing hope
for consumption as a way of life
obese children shovel pharmaceuticals
down the throats of the infirm
internally developing low-tone hymns
relating to slow death by corporate greed –
albino judicators
pass melanin laws
felonizing  the populace
perpetuating the proletariat
while pontificating
on the post 9/11 society –
isolated rabble-rousers
screaming at eggshell walls
dislodge tacks holding together
the fabric of American culture
with ingrown and chewed fingernails
flailing armies
think back to trench warfare –
robust midwives mediate
heated discussions
as the United Nations blindly
support U.S. imperialism
looking for kickbacks
from energy companies
globalization giving all humanity
incurable S.T.D.’s –
the last free house mouse
bounds betwixt the ruins
energetically sniffing the rubble
seeking some small morsel
to satisfy its hunger –

When you die I will surely mourn,
I will miss the warmth of your embrace,
A blanket in the cold cruelty of the night,
I will miss how you'd tell me,
"Darling, it'll be better in the morning"
But it'll only be better after the mourning,
Oh Mother we're all going to die,  
That's certain,
And there will be just as much not to miss,
I will not miss your words sharp as blades,
Cutting away slowly at my insides,
And the way they stuck like severed tacks in my mind,
I will not miss your beliefs,
So isolated and different from mine,
Your good intentions and fouler methods,
I will not miss the strike of your hands,
Like thunder,
Or your temper,
Like a hurricane,
Nor the vigilant and wary eye of a self-proclaimed victim,
An agent in broad daylight, lurking, critical and hideous,
But most of all, I will not miss your condescension,
Oh Mother,
I know I told you I'd never bow,
But just this once,
At your tombstone,
I will be free of it,
The best of the worst and the worst of the best,
I will mourn,
I'll take a bow for you,
Good riddance, I'll miss you,
Adieu, I love you,
And Mama?
Godspeed Mama, Godspeed.

January brought cold weather, as well as a igloo shaped as home
fabricating a sort of warmth in a desiccated environment, it's a
sandpaper type coarse tip toe around the tacks scattered on the
floor type cold, childishly misplaced and a childish ignorance.
February brought one of the purest primrose flowers out of the
field, stuck in drought drowning in murky waters, covered in
dirt, and i washed away the dirt marks that i recall, was all over
you. It's a sobering feeling to find someone who completes you.
March brought lightning, but clouds shook the strikes away into
Davy Jones locker collected in mason jars, but lightning is not a
controlling virus. It doesn't hide it's burn marks or it's scars left
on vulnerable bodies that are at their tallest height, their peak.
April caused me to be a narcissistic but raucous child, enjoying
the effulgence showered on me, as well as the rain that poured.
This smile was stuck climbing to my ears, and I let life take the
rains as I stayed acquiesce to my worries. When it rains, it pours.
May brought a forest of doubt, growing introverted and placing
dynamite in my path, these mirrors won't show me anything but
the truth, anathema's bile spilled onto the yellow brick road and
I was dragged along for the unfortunate ride constantly mocked.
June was the end of the road and the start of a new and brighter
one, like a window flying open with all of my hopes and dreams
being carried by owls. My algorithm is being solved, one step up
without a tyrant. I'm going to dissociate myself from everyone.
July let the mirage give in, five years of desire to visit arizona
with it's rusty colored mountains and spiky tumbleweeds
sprawling hope back into my lungs that there is bandages
for the wound imprinted on my heart back in soggy April.
August showed me that it smells like burnt hair here, but the
good kind, if it makes sense, with hot air brushing against
my skin twirling with excitement that I've arrived, bringing
a bit of Texas with it. I've never been more happy to see rain.
September introduced me to jets at seven in the morning and
trains at ten, mountains that are almost an optical illusion, like
cardboard standups I could push over, and feelings of a lost friend
brought back after glancing back at my ex best friend of five years.
October was dressing up as my favorite movie character, kids
are quoting the movie as we fill our backpacks with dozens of
candy bars and filling me with the fresh october air and freedom.
Texas never provided that comfort. It's so real and overwhelming.
November was the interlude, 1,000 miles back to Texas brought
melancholy but i unraveled my roots back to the Greyhound,
an akin aching grandmother I brought back to her feet, as well
as got back to my feet when i slammed on my brakes and hit hope.
December brought me slamming my feet back onto the ground
when i left her walking home alone, but it taught me to love hard
and let go when you're given up on, that Christmas is all about
soft piano playing corny songs that are meant to bring you cheer.
Today brought me here.

- kra

Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor—
Bare.
But all the time
I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So, boy, don't you turn back.
Don't you set down on the steps.
'Cause you finds it's kinder hard.
Don't you fall now—
For I'se still goin', honey,
I'se still climbin',
And life for me ain't been no crystal stair.

She remembers the day the stick turned blue, “wow for **** up the spout”
He remembers her smile when she told him.  Smile, really?
Then there was telling her parents, “okay we'll make this work”
Then there was telling his parents, “You threw your scholarship away for this *****, you're a *******”
She remembers the morning sickness
He remembers the hangovers
She felt warm inside when he said it was her choice
He felt like dying when she said she was keeping it
She framed the first ultra sound photo
He deleted his Myspace page
She noticed the day she started showing
The same day he noticed the legs on the waitress
She was snickered at behind locker doors
He quit the team
Her mom brought home baby shoes
His mom circled the classifieds
She got peanut butter cravings
He got hand gun cravings
It's a girl
It's a girl
She remembers finally talking again after four months
He remembers being cornered after 3rd period
She wanted to pick names
He wanted to hang up
She remembers their second first date
He remembers how nice she was
This could really work please kiss me goodnight
We'll see how this goes please don't kiss me
The doctors say the shadow on the ultra sound could be nothing
What if the thing on the picture is something
She prays for the health of Amelia
He begs God to do something about this
They have such a bright future ahead
He had such a bright future ahead
She goes to Goodwill for maternity clothes
He rings her up at the cash register with a kiss
She remembers buying baby clothes at the mall
He remembers how cute the onesies were
She sees him smile
Amelia...good name
She's due next week
He packs his cleats to make room for the crib
She packs to move into his house
His dad packs for a motel
She's still craving peanut butter
He's still craving the waitress
She ate peanut butter
He ate the waitress
She's in labour
He's in traffic
Hold my hand
Ouch...Okay breathe honey...ouch
There's no crying
Nice, quiet baby
Amelia's dead
I'm not a father
She cries into her shirt
He leaves the hospital
She cries into the onesies
He returns the crib to Wal Mart
She burns the ultra sound photos
He grabs his cleats
She gets a hair cut
He quits his job
She returns the diapers and shower gifts
His new Myspace says “single”
She shops for a prom dress
The waitress finds out he's seventeen
Her mom hugs her as she falls asleep
His dad pats him on the back after wind sprints
She can't stop starring at him during prom
He wonders if she went to prom
She writes Amelia in bubble letters on a piece of paper she hangs on her wall a reminder of what's important
He buys a Costco pack of condoms and tacks one to the wall a reminder of what's important

Reams of paper lay still at your feet
words once written, your desolation

Notes torn and shifted litter beneath,
tread softly and expect nothing in return

The coward's heart locks inside
the words you seemingly long to sing

Throats on pause and agony in slow motion,
gaping mouths flood though all is silent

The pictures depict other places
in times so foreign and unfamiliar

Your pen is stilled, young girl,
and your grip explodes into bits and pieces

Tender care and triumphant losses,
your words tumble on to the ground

The evidence on clear display,
reams of paper at your feet

Clutch your weapon to your chest girl,
as swirls of dust encircle your body

In your sights terminals exist,
and hope is scrawled by your literate hand

Eyes strike deviance and choices deem unworthy,
as they cast aside your failing graces

Such is life, young girl,
smoldering in reams of paper at your feet

i can move furniture around as much as i’d like, and you will still bounce off the cushions;
you’re down the hall, i’m waiting for you to come home, you’re in the holes from thumb tacks, you’re calling my name from the other room
do you still feel the weight of the wall/door/body on your knuckles? does it still sting from contact?
you’re in every song, you’re the space between here and there, your fingerprints on DVD's, your mark on my bedroom door.
how is it that i am stuck holding your rearview mirror in all of this rubble, how you went from always watching your back to checking mine for exit wounds to becoming one?
months later, and you’re in bills and documents, your shorts in the old closet, your tie from prom under the dresser
your ocean eyes cracked into old photographs ripped from frames, your chicken-scratch left handed writing across paper in green marker, i should’ve read the signs.
how is it that somebody can take every bit of you with them, but leave pieces behind so you can remember the crash?
even the stars spelt out your name, the moon held us together, i handed you all of me on a silver platter and you spat it back in my face
remember when the world felt so small, so effortless, when love was always returned? I didn’t know what I was getting myself into that day in March, I didn’t know how it would feel to rest my head on my pillow, swallowing back tears. somedays I wish I had been less reckless, but most days I think about the way your tongue wandered my mouth and I remember that love isn’t meant to be held carefully.
why is it that i cannot get your ghost out of these walls, why is it that i cannot get your voice out of my head, everything moves in clockwork, if only these clocks worked.
maybe things would be different, maybe everything wouldn’t feel like deja vu, maybe i wouldn’t be checking my back for you to re-enter,
im gaping.
you made me feel like something more than a few broken plates and then you broke one over my spine and the world shifted on it’s side, what happened to us, baby?
your hands suddenly on my throat over you ******* another girl behind my back, i caught you but you snatched my breath right from my body
and i was blue like your eyes and i forgave you
and here i am, clinging onto pain because that’s all that’s left of you
when will you stop poisoning my thoughts? when will i be at peace?
you prey on the weak, but i am not a weak thing. it takes the strongest kind of person to hold another up when they’re already falling, my hands never shook when being your brace, maybe you just needed something to reduce the swelling of your mundane childhood, maybe it was the absence of your father and the anger you had built up for him, maybe you could contort my face into the one of your father, i can tell you now that painting my skin black and blue gave him no consequence for his leaving.
you cannot hurt me anymore. i no longer fear you. you cannot hurt me anymore. i no longer fear you.

Little Box talks back
With a new set of teeth
And pink gums
A fake nose and a wax mustache
She disguises her voice
To sound like Groucho
  
•

Little Box opens up
And cries to her psychiatrist
I don’t know why they hate me
I’m such a sweetheart
I volunteer at the zoo
And teach Mandarin
To their bratty children

•

Little Box is not happy to see you
So she closes herself up for months
Years, decades, and two millennia!
She tacks up a sign that says
Nirvana

•

Little Box is undead
She sleeps all day in a coffin
Hands over chest
At night she cruises the mall
For juicy victims

She prefers type A
But AB if she has to
What can you say
Vampires can’t be choosy
She likes your stupid brother

•

Little Box is on the psychiatry couch
Everybody hates me
Nobody loves me
Little Box lies on her side
And spills her guts

•

What’s in Little Box
A perfect orchid
A chocolate-covered strawberry
A new iPhone
With a glittery sleeve
Amber earrings from Pushkin

Keys to a new Porsche
A retro Chanel brooch
A Getty scion’s left ear
A Czar’s *****
Gifts so rare
Please don’t stare

•

What’s in Little Box
Rancid chow mein
A sliver of cold pizza
Last week’s hummus
You’re a starving orphan
From East Brooklyn
And you’ll eat it

•

So you want to **** Little Box
You want to know her secret
She won’t open up
She won’t give it up
And you are genuinely repelled
By her filthy ribbon

•

You want to DO the Little Box
You are a sorry story
You big creep
Why don’t you get off the couch and find
A real girlfriend!

•

Boss Box
White, square, and without a soul!

•

Please don’t analyze Little Box
She’s just cardboard clogging the landfill
Her mother Precious Jade Purse
Has been regifted

I am a ***** of the very worst kind
Not of *** and promiscuity
A ***** of my own
Creation
You come up on my radar
Latch
Seek
Destroy
And you will never know
Each and every one of my
Dead lovers
Never loved me back
Tear them up
Spit them out
Abandoned
Just like me
But I hurt
I feel emotion
Like clods of dirt
Inside my chest
Rip it open
Scream at each
Small thing
Wrong thing
I want only this
That I can never have
Curses
Plagues
Dead
Ex-lovers
Stars in their eyes
That look past my
Efforts
Hints
Advances
I am invisible
Invincible
Or so I like to think
The invisible *****
You never saw me coming
Till I cry these three tears
Drop
Drop
Drop
Two from the right
One from the left
Just like the rest
So many to name
That wouldn’t even know my
Hurt
Abandonment
What have you done to me?
Nothing
It is I
Only I
Want so desperately
To touch
To be touched
3 little tears come from
Within this cold hard
Clenched fist
Wetting my palm
Trying to escape
Flung at your calm
Silent face.
I want to be empty
I want to not feel this
Gift.
Emotion.
In the pit of my stomach
Back of my throat
Behind these eyes
Sick
And they fall
One
Two
Three
The time it takes to
Break
Die
Latch
Seek
Destroy
I am on a rampage
To eat each man up
Bone by bone
Flesh and blood
Thoughts and loves
Till I spew it all back out
To every person I meet
I am a ***** of the very worst kind
I’ve been everywhere
Nowhere
Inside everyone
No One
You cannot pay for me.
I’m too cheap.
You do not want me
I am curse
Brought on by
Liars
Abusers
Molesters
I am the product of
A past
Mistakes
And I want you to
Make me better
But I become
Worse
Liken me please
To those on the street
Full of disease
Because I am worth
Nothing
Of your time
Energy
Nothing
And I expect
Nothing more
Than this
Agonizingly
Painful
You
Are just like
Everyone else
That I never wanted you
To be
So much more than
Dead
Ex-lovers
Death from their lips
In long streams of wire
Attached at my wrists
Ankles
Binding me
Cutting deep
Blood
Red
Stains like my shirt
Cutting me
Scarring me
Until I feel so much
Nothing
And uncountable tears
Flood cities
Destroy taverns
Come knocking
Breaking free
Again
And again
And again
And you are
The same
As those
Starry-eyed, wire binding
Dead
Ex-Lovers
So much alive
Reminding me of every
Failure
Each scar on my wrist
In the form of a name
And now you join the rest
In this shallow unmarked grave
You are alone
With them
And I will
Consume this hurt
Like a breakfast
Of nails and tacks
Each bite will puncture
The last remaining composure
Till I am nothing once again
Radar
Radar
Detecting
Latch
Seek
Destroy
All over again
The very worst kind

There are two types of secrets
the ones sworn under oath never to tell anyone
whispered in crowded hallways
and while getting cold water from the corner store
and the ones you weren’t supposed to hear
the ones tossed in the dark, the ones forbidden
under the fingernail sensitive
top of the tongue scalding, threatening to
taser your skin with the weight, the electricity
that these words hold suspended in thick air
every Sunday evening I would listen to the
perfect consonants through the wall
the sacred sermon my mother and father would ritualize
the stories from before child, B.C
it would start with a question, so daintily pressed through
gleaming teeth
and he would bellow triumphantly about the hero within him
the time he intervened between two bloodied men with
pulpy faces touching with the grace of dancing gods  
his fists gracefully gliding between a pool of face
and can’t we calm down, and can’t we breathe the hot asphalt
of the day, the gravel of car exhaust ******* out
our sweat, I think you can
and these men with missing teeth and missing souls
would spit but their heads would level and my
heart would soar up through the ceiling, flutter right out
through
but these fairy tales were also horror stories
about the time the man was a boy and his father would
chase after him with a crowbar never to return home,
running barefoot through the hot concrete of the streets
causing blisters to appear like water balloons
popping them like the lungs that burst that day
but nothing but tears exploded out of them
and I thought I understood
the legend of the damsel in distress
my mother waiting by the door, waiting for the burns to fade from
her skin, waiting for the roof to cave in like the feelings
she promised she would swallow with cough medicine
and funerals are only birthday parties when you’re surrounded
by death, oh to be young
but then the secrets started to venture out of the confines of
my home, spilling out of my bed to become
real stories I told myself at school when I didn’t have
a Band-Aid for the scorching burn of sitting all alone
so I started living them, as I sat huddled in the bathroom
envisioning a toy cowboy stranded in the middle of the
bathtub, repeatedly soaked to make his clothes almost sun
bleached and his smile submerged, blotting, erasing
teaching myself that there’s no such thing as free will
when decisions are made for you
and this toy cowboy with his gun perched politely on his hand
Ready to deal some bullets or a handshake,
I never knew which but it didn’t matter
when there wasn’t conversation exchanged and
I wondered if he tried to escape when I wasn’t looking
did he feel like a goldfish in a bowl
his reality distorted, the glass too thick to realize
there was more than loneliness, more than
constant drowning, that being cold wasn’t a
state of being
no I don’t think so
that was the big secret you see
listening when one has nothing to say
you pick things up like lost puppies
or thumb tacks left on the floor
or you lose them like bobby pins and self-made money
my memories, my worst enemy
coming to an empty house at age 13
no home-made meal like pressing my face against
the carpet, being stealthy quiet
until I heard sound downstairs
the neighbors, the clatter of dishes being distributed
around the dining room table
laughter and television news about the ****** of a
teenager being shot outside his front yard
and this was my bread and butter
screaming of kids wrestling about who gets the
bigger piece of cake
the movement of chairs, the kissing of feet
walking from one room to the other
and although these mumbles didn’t tell their story
it told mine
the living room turning from bruised peach
to melancholy blue, solitude buzzing
through the creme brulee walls of my parents
studio apartment,
the tapping of a faucet, the slight erratic breathing
of a pipe leaking gas nearby but I survived
there are two types of secrets told
the ones you’re supposed to listen to
and the ones you forgot you knew

Consider
a girl who keeps slipping off,
arms limp as old carrots,
into the hypnotist's trance,
into a spirit world
speaking with the gift of tongues.
She is stuck in the time machine,
suddenly two years old ******* her thumb,
as inward as a snail,
learning to talk again.
She's on a voyage.
She is swimming further and further back,
up like a salmon,
struggling into her mother's pocketbook.
Little doll child,
come here to Papa.
Sit on my knee.
I have kisses for the back of your neck.
A penny for your thoughts, Princess.
I will hunt them like an emerald.

Come be my snooky
and I will give you a root.
That kind of voyage,
rank as a honeysuckle.
Once
a king had a christening
for his daughter Briar Rose
and because he had only twelve gold plates
he asked only twelve fairies
to the grand event.
The thirteenth fairy,
her fingers as long and thing as straws,
her eyes burnt by cigarettes,
her ****** an empty teacup,
arrived with an evil gift.
She made this prophecy:
The princess shall ***** herself
on a spinning wheel in her fifteenth year
and then fall down dead.
Kaputt!
The court fell silent.
The king looked like Munch's Scream
Fairies' prophecies,
in times like those,
held water.
However the twelfth fairy
had a certain kind of eraser
and thus she mitigated the curse
changing that death
into a hundred-year sleep.

The king ordered every spinning wheel
exterminated and exorcised.
Briar Rose grew to be a goddess
and each night the king
bit the hem of her gown
to keep her safe.
He fastened the moon up
with a safety pin
to give her perpetual light
He forced every male in the court
to scour his tongue with Bab-o
lest they poison the air she dwelt in.
Thus she dwelt in his odor.
Rank as honeysuckle.

On her fifteenth birthday
she pricked her finger
on a charred spinning wheel
and the clocks stopped.
Yes indeed. She went to sleep.
The king and queen went to sleep,
the courtiers, the flies on the wall.
The fire in the hearth grew still
and the roast meat stopped crackling.
The trees turned into metal
and the dog became china.
They all lay in a trance,
each a catatonic
stuck in a time machine.
Even the frogs were zombies.
Only a bunch of briar roses grew
forming a great wall of tacks
around the castle.
Many princes
tried to get through the brambles
for they had heard much of Briar Rose
but they had not scoured their tongues
so they were held by the thorns
and thus were crucified.
In due time
a hundred years passed
and a prince got through.
The briars parted as if for Moses
and the prince found the tableau intact.
He kissed Briar Rose
and she woke up crying:
Daddy! Daddy!
Presto! She's out of prison!
She married the prince
and all went well
except for the fear --
the fear of sleep.

Briar Rose
was an insomniac...
She could not nap
or lie in sleep
without the court chemist
mixing her some knock-out drops
and never in the prince's presence.
If if is to come, she said,
sleep must take me unawares
while I am laughing or dancing
so that I do not know that brutal place
where I lie down with cattle prods,
the hole in my cheek open.
Further, I must not dream
for when I do I see the table set
and a faltering crone at my place,
her eyes burnt by cigarettes
as she eats betrayal like a slice of meat.

I must not sleep
for while I'm asleep I'm ninety
and think I'm dying.
Death rattles in my throat
like a marble.
I wear tubes like earrings.
I lie as still as a bar of iron.
You can stick a needle
through my kneecap and I won't flinch.
I'm all shot up with Novocain.
This trance girl
is yours to do with.
You could lay her in a grave,
an awful package,
and shovel dirt on her face
and she'd never call back: Hello there!
But if you kissed her on the mouth
her eyes would spring open
and she'd call out: Daddy! Daddy!
Presto!
She's out of prison.

There was a theft.
That much I am told.
I was abandoned.
That much I know.
I was forced backward.
I was forced forward.
I was passed hand to hand
like a bowl of fruit.
Each night I am nailed into place
and forget who I am.
Daddy?
That's another kind of prison.
It's not the prince at all,
but my father
drunkeningly bends over my bed,
circling the abyss like a shark,
my father thick upon me
like some sleeping jellyfish.
What voyage is this, little girl?
This coming out of prison?
God help --
this life after death?

Fell heal over heads
          in love with a poet,
  he's mostly a rhyme schemer
       likes Poe and his dark Raven,
  in actuality,  I'd fancy him more if
    he were like Pablo Neruda, but I digress
I'm much accurately fashioned after Emily Dickinson
        chasing heaven's June bugs toing and froing,
we'd meet at a perfectly superfluous coffee shop
    he'll be murmuring elegiac pentameter
I'm simply looking to devour precious words,
    we'd argue about abstract destinations,  
            straight forward persuasions and
               premonitions of wayward ink allusions,
some days I want to claw mine own eyes out
               amid all that nonsensical alliteration
  others, I want to rip out embellishments
                   of his black heart's magnification,
he mutters tumult under his breath,
     states he's abundantly sickly tired of all my
         fanatical froufroutant  flourished fantasies,
albeit, we're mild mannered artistes
         of overstatement and simplification
               thus, we continue laying it on thickly
I, with my hyperbolic cuppa tea and honey,
       he's all brass tacks, no nonsense black coffee
ultimately, we reservedly seek gratification,
      envisioning who functionally makes it first
to a finished line of manifestations's publication,
           in eternity's poetic intentions and beyond

the damage
has already
    been done
by the time
  brass tacks
rise to
  the surface,
and all the pretty
maidens are stacked
   like Russian wooden
       nesting dolls,*
in an insatiable
  hunger, yearning
   to possess
     the most toys

We continuously make a fool of ourselves, unconsciously for the enjoyment of others, not lacking the self esteem self belief on the contrary we're encouraging individuals who slide through the ******* getting nicks an nacks ticks an tacks on our hearts an our backs slaps an pats patronized for our looks an our hooks the way dance or we cook we guide you through life like an open book but then treated like an unknown crook, but look I'm not shook  I won't be that crook I slide through ******* getting nicks an nacks ticks and tacks on my heart an my back because I don't lack and I won't look back I'm way stronger then that.
D.J.Turner

for Daniel,
                   and anyone else who cares*

I'm relatively new at this,
if you consider that I've
never done this before.

And this is the only time I'll read this;
this is the cherry
exploding in your mouth,
between your hungry teeth
digging into the skin.

You are a window pane,
but you are not stained glass.
You are less clear than that.

You make less sense than
the spider veins of a kiss imprinted
on a bus window.

You make less sense than kissing a bus window,
arching and aching for that semi-perfect,
seventy percent reflection of yourself
as you float above and before
birds picking at beetles in the grass.

You make more sense than a thousand
kisses on a bus window
the driver has to keep cleaning off because
who really wants to kiss a bus window, anyway?

And still they're there, the oils and grease
immortalized for a few months,
the impression of imagined romance
pressed against the scratched glass on which someone tried to write,
"*******," backwards with a safety pin.

This is my first time reading this,
and the last time I will say it,
though it sounds much better when
the man inside my head so charismatically reads it aloud
to his audience
kind of like a dry comedian would tell a joke.

This is my first time standing before you,
and let me say that sometimes
I might offend you,
preachers, and speakers, and pew sitters;
evangelists and full blooded, God-fearing sinners alike.
And maybe you can forgive me
if I occasionally step on your closed-minded toes
in your sensible shoes.

Or perhaps they aren't so sensible.

And I got a haircut recently--
and here I'm expected to say something profound.
Something that perhaps sounds like,
"I got a haircut recently
while you stood in the bathroom with an electric razor
and shaved ten months of memories from your scalp."

Scalp.
The word makes me think of natives,
and it makes me wonder how long it takes
to collect the bleeding wigs from
the hairless children you left in the street.

Street.
That word makes me think of--
and here again I must choose my words carefully,
because the next thing I say will expose myself
poetically and psychologically--
spinal injuries.

All the careless children walking down sidewalks
not thinking of their mothers as they step
on every single crack in the pavement.

But what if everything we were superstitious about
were real?

Would we repave the world every week
so that there would be no chance of breaking
an innocent woman's back through carelessness?
There will be no cracks for thoughtless children
in their sneakers
they are too young to tie on their own.

Or perhaps the world would be covered in grass,
and every day mother would wrap the scarf
tightly about her son's ears and whisper,
"Don't step on any rocks today, my love.
I'm still recovering from last week."

But that's ridiculous.

I suppose it's surprising to me how many words
the man in my head can say while staring at a
Manhattan Morning in black and white
hung on your wall by three thumb tacks.
The lower right corner hangs idly where I took
the fourth one out to make this poem sound better.

There is a solar system in your ceiling,
did you know that, my love?
It is not in the asymmetrically placed
glow in the dark stars you placed at random,
nor is it in that one dolphin that seems to
swim amongst the Saturns and galaxies
that make no sense in context.
It isn't the seahorse, either.

Would you say that the Milky Way is made of wishes?
When I lie next to you in the darkness
uttering soft lullabies, I make wishes to your ceiling
that my voice doesn't crack
and you don't wake up again.
And also that perhaps one of us is wrong about God
and maybe he is out there after all
and mass-delusion doesn't exist.

I still think I'm right, though.

You make less sense than a kiss that means nothing.

But you, my love, you are more than a thousand kisses.
You are more than the thousand words
a picture may be worth.
And if I were better at saying things
maybe I could preserve you in a poem.

But I don't think anyone can.
No one can shape words and pages to your figure,
the fullness of your lips and
the strength of your nose;
the holes in your ears and
the life between your legs.

I got a haircut the other day
and cut twenty months of memories from my scalp.
It feels nice to not remember,
anymore.

There was a girl named Peg Leg Peg,
Called her that because of her wooden leg,
She was known as the best in town,
Guys would come from miles around,
You see, Peg’s leg could detach,
For better access to her ******,
And though it wasn’t ***** that bite,
There was the occasional termite,
But this did not seem to deter,
All the guys who called on her,
And though there were occasional cracks,
About how she held her stockings up with tacks,
All the guys would practically beg,
To put another notch in Peggy’s leg.

04-19-10.

You've placed tacks on my lungs
Pinning every vessel you could find
Calling it acupuncture
Just as I was losing my mind.
But I'm addicted to you.
I plead for you to stop
But when you remove your tacks
I'll bleed in yearning for you.
My body will go into shock
Because what is life without your pins and needles.
I'm so addicted to your presence
That I call this hell my home.
To the point that I'm confused
If this is unconditional love
Or if I'm just dying over and over again.
I thought you were good.
I never knew taking my breath away
Would cause this much pain.

wearing your heart on your sleeve is a dangerous game
that only the lonely people play
and i have found, that when you smoke a pack of desire a day,
you are constantly searching for a flame.
onlookers examine all the fissures and clefts left by yesteryear's guests
the men who treated your heart like a map, riddled it with tacks,
realized it lacked a place to live in, and left.

all the antiquated philanthropists who searched for their languages in your pulse,
strands of hair in your bed, so pleased to have left their scent on the pillow
and you've begun to hold your breath
to prove to them that only you can make your heart skip a beat
and you've begun to dry clean your sheets, cold water
hanging them from the rafters of your childhood bedroom in your mother’s house
sweat it out girl, you’ve gone too far south
found yourself melting like butter in the devil’s mouth
and now you wring out the warm bodies tucked in your every pleat and crease,
letting the sun bleach away the pieces of people still surviving in me.
when you look at the sky, blink your eyes and change your rotation
so what if this society treats infrared incubation like it’s latent
I’ll rip the past from every pore, i abhor those kind of TV audiences,
the ones that are obedient and well fed
coming back to dine on the same lines each time, it's high fructose revenge
the sinister scent of stereotypes is hanging in the air
those little lies people tell when insisting that they care
about anyone outside of themselves.

and genuine kindness never really seems to come in stock
but i never **** the birds because i refuse to throw the rocks
my life is not just another kiss laced with arsenic, that
sick kind of hint about how thick my blood really is.
this is not a drama, this is not a soap opera
my life is not a novel and you are not the author
sure you’re having a hard time but you’ve been improving your posture
and it looks like he didn't know you were nitric until you dissolved a linguistic string,
and now he's realizing you bite back when attacked, and you have some surprises to bring
my new hype track for the evening is silence not seething
they didn't know; arsenic can only dilute a nitrous being
so this time, my knees will not break like the fickle figs from their stems,
sequestered in skin cells, ****** shell dropping dead
and this time I’ll find the strength to change, isn't it strange,
how you can wake up one day, and refuse to keep being misled.

and today they brought my bones to the cellar door in his chest
he didn’t mistake even an instant of no for the plump petal of yes
and he tells me, "there will always be people out there who will love even your
imperfect blisters cracking like transistors,
because when you're looking electric everyone’s listening to the frequency within ya
you were put here for a purpose, you will never be worthless.”
and this is no longer a decision; there are places you belong and places you'll fit in
where you'll flourish and gain a thicker skin
and it's about time we stopped chalking up our mistakes to bad habit.
so when i see that golden ticket i'll grab it and let life flow because see i've been told
rivers reflect train windows in the mornings till they glow, first gilded and gold,
then subtle and slow. the hope creeps in, i make the decision
to go

Whisper, whisper but I can still hear you.
Your eyes tell it all.
You don't even know me and you don't even care. It's people like you who ****** onto me a two ton weight that kept me from walking tall all these years.
It's people like you that ignited a feeling of torment for the unrelenting realization that I will never escape people’s stares.
Days like these I wonder why, friends aren't friends and everything seems like a lie.
“I never asked to exist”, (words that echo through my head every time someone falls from exceptional to unbearable) .
You don't have the courtesy to talk behind my back, instead you boldly break me with your tacks; tacking your words onto my skin, until my pride and self-worth wears thin.
That’s why on weekends I would sometimes cage myself in my room because though I was not free, I was at least free from your gazes, and though I was not living, at least I was alive.
I stayed inside because outside there were wolves and I refused to be a meal. I've seen what they do to their prey, cornering, growling in order to strike fear, battling with their eyes, and then they consume them until all that is left, are bones.
This is what they do,
and many of us can attest to their brutality.

Lets not **** around anymore; you feel pain.
You have to learn to be alone.
You're weak.
It takes practice.

I've invested a lot of time in trying to make an us
out of a me. I am so very empty.
After a year, I'm still a stranger in your home.
You distance yourself, and next
yeah you'll run.

I ******* see it.
Future? Me?
Nobody stays for this.
Nobody wants this.
Mood swings, erratic behavior,
late nights, crying, crying,
thoughts of suicide,
dependency,
nobody
wants
this.

Nobody wants me.

Two days ago you broke down at 12am
in the aisles of the supermarket, crying.
Swore every set of headlights that danced
by you was another set of eyes to
see you through to nothing.

Spent the next night awake and laughing,
quiet as a mouse,
except the repetitive cackle
and spite for all things.
You lost your mind.
You're scared kid.

Scared of losing.
Tired of losing.
Always braced for losing,
too stiff to just take the next step.
Haunted by your own shadow.

Nobody wants an insane person.
A walking corpse.
A MANIC.
A ****-up.
A dead-beat.

Austin Heath.
They come looking for you sometimes,
but the reality is so much more terrible.
The reality is so much less than mediocre.
No one cares.

cocktail heels
sharp as tacks
watch your feet
every step the green mile
you could hear a pin drop
(or was that a pearl earring?)
the lipstick on her teeth smiles at you.

skin so creamy
it’d feel right at home in a cup o’ joe
free that poor hair from *******
so the red sea comes tumbling down her shoulders
just ignore the diamond on her finger—
it’s merely a suggestion.

that dress
smooth black and form-fitting
follow the zipper towards the small of her back
now emerging from the chrysalis
madame butterfly
nice clothing like hers looks better on the carpet.

Toad sand and frog pebbles,
warted rocks kicked and toed.

Tease the ocean with chocolate dipped feet,
spiced and salted teas.

Taper off mid-sentence, paragraphs tepid
long arms and zebra stripes, a crosswalk tepir.

Tocsin alarm clocks poison innocent bystander’s sleep,
slipping things in their drinks, filling their ears with toxin.

Tie a scarf around the forehead
of the middle child. Teach them beginning syllables of Thai.

Throes and spasms of overachievers
motivate for longer strides, faster throws.

Tense shoulder muscles
hide in sleeping bags, badly pitched tents.

Told injuries snuck in when the door opened,
we heard the miniature silver bells as they tolled.

Ticks count every second second, punctuated by tocks.
With each, a twitch, conscious nervous tics.

Titan tool boxes hold spare screws,
on Coeus’ threaded axis, we spin and tighten.

Terne sardine cans filled with mercury,
pollute our science tests, killing tern.

Tied red string around our pinkies so we don’t forget
when to go to the beach looking for clams at low tide.

Tacks pin talented teens to cork boards,
alongside instructions on regretting the harmonised sales tax.

Tire prints border the country,
left by jeeps that never tire.

Tails directing orchestras,
swarms of swan swim, tattling and telling tales.

I’m praying for Pangaea so I can run to the ends of the earth for you. Mixed signals are cancerous so I swallow yours down to keep you safe. Sure, souls like fire in my bloodstream burn on the way out but they’re streaming for you into this chest cavity missing a heart, my own Judas, betrayed me for your eyes. Even saints can be lost causes, darling, but you’re neither. You’re a superhero, all technicolour capes and dollar-store disguises and you’d think I’m the damsel in distress but I’m your nemesis. Why else do you think I’m burning Earth to the ground, for my own perverse enjoyment? I’m pulling your hair, putting tacks on your seat because I’m too afraid to say I love you, which is a truth, which is a bomb to defuse before our bed becomes ground zero. I laugh at your jokes and offer myself up for slaughter but you’re not biting so I’m walking home in the snow, alone. I’m cold, I’m frozen. I’ve gone home to a Heaven of ice, heads in the freezer like a good luck charm, your words carved into my palms so I won’t forget. Back to the lab, back to the drawing board. Maybe I’ll close the warplans for tonight.
I know you belong to her but I’m jealous, baby, I’m so jealous. I’ll tell you to bow down, defer, sing a hallelujah to lull me to sleep before I remember how much it hurts to love you. And tomorrow when you’re gone I’ll plan death: hell, maybe the world’s. You might love me then. I’m not too hopeful.

In this moment all I can possibly wonder is the way I will remember you,
Will I remember the sweat on your bottom lip, like thumb tacks puncturing a map,
Puncturing the places I would like to visit;

Or will I remember the way your eyes look in sunlight,
Iridescent and blue like the sea the day after a storm.
Except you are not a reflection of something else.
You have not shriveled up and died,
Or reserected yourself from your most sinuous nightmare.

I always wanted to take you apart ; leave your fragments to sun dry.

That is the silver barrier that separates us,
I am wasted potential, a sick twisted mind, I will spit in your mouth and smile.
I have been thrown to the vultures,
And although I clawed my way out,
Something inside of me has died.
A candle has burned out;
And then there’s you.
And you light up the sky with sparks,
And set my whole world ablaze.

We are burning,
Burning down the cities and engulfing the towns,
Swamping the planet with embers.
We are a flood of inferno,
A glittering holocaust.

I have loved before, and that was much softer,
It’s different when you don’t know how bad it hurts. I could write a book about all the different places in my body I felt heartbreak.

I wonder if I will always carry this flame with me. I could keep my heart in my pocket, leave my memories in the photo frames and card board boxes.

Oh dear,
If only it was that easy.

Happy Halloween

Trick or treats at the front door,
give them candy, but they want more.
I put poison in their candy bar,
razors in their apple will leave a scar.
Tired of hearing, the ringing of my bell,
all these **** kids can go to hell.
Putting tacks in their Milky Way,
don't they know candy causes tooth decay.
Even with the lights off, they still knock,
I hate every kid on this **** block.
I give them lint from my dryer,
their stupid costumes, I light on fire.
I put pennies in their pillow case,
some kids so ugly, don't need masks on face.
I smile at their moms, standing on the sidewalk,
all the hot ones, I can't help but gawk.
When they say trick or treat,
I make them lick my smelly feet.
Putting pins in their Baby Ruth,
no longer will they have a sweet tooth.
Putting nails in their peanut butter Twix,
I have a big bag filled with rotten tricks.
I put Anthrax in their Snickers,
on the Kit Kat i cover with chiggers.
Three Musketeers are filled with staples,
Butterfingers have splinters from wooden tables.
Naughty kids get a bag of my ****,
from the toilet, that I often sit.
Maybe next year they will learn,
or I'll give them ashes from their parents urn.
Sometimes I scare them and make them beg,
their so scared, you can see *** running down their leg.
I've even given left overs from the fridge,
all the maggots make their bodies twitch.
Next Halloween, if I'm not in jail,
I will urinate in every candy pail.

Chew slowly so when you swallow...
You swallow your pride.

All the roads are closed. Silence metastasizes through the stretch of EDSA. Cold seeps in bone. Sun still flagellates.
        Oscillate through sound space and whitewashed walls. Seismic grunt of jeepney awakens the signs: no avatars, yet. The night was as deep as any lover, a fine blistering moon glares through lit rivers.
   Nothing exists except heads of tacks and maimed populace ambulating across roads sequined with ermine light. The disquiet approximates   the lightness of
buildings in repair. Scaffolds, ubiquitous lovers,
    clouds explode into white, and everything else like pain, pales in comparison with the slow twitch of everything.
     Today there will be no siren nor
   simultaneous joust of cyclists in perpetual motion— just you contending
   against hues of all graffiti:
Cataract of anguish. News of killing.
    Incarnadine trees netted with aureoles burning bright in solstices. Penumbral undulation of
           forethought and afterthought.
   Dislimned – all; you, left
       in polaroid taken in solitary shutter,
    in pursuit of light.