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Pagan Paul Oct 2018
.
i.
And it grips her submissive mind,
sweeping her along unbidden,
through timelines inducing nausea,
passed worlds previously hidden.
Tumbling stones rumble unheard,
a slide that sends gravity shifting,
starting a new path through time,
the butterfly effect begins shifting.

ii.
The images stop swirling,
a vision fades slow into sight,
a row of glowing Seers Spheres
racked in the pale moon light.
Eleven cradles for resting orbs,
four relieved of their weight,
claimed by other time travellers
already gone through the Gate.

iii.
And she sees Grimly approach,
picking a Sphere from the rack,
carrying careful in clean hands,
then through the door turns back.
She sees herself seated rigid,
watches Grimly hand her the Sphere,
a bolt of understanding hits and
her mind becomes crystal clear.

iv.
She realises these are tests
for the next vision is of her,
as a child in a camel train
leaving the great city of Ur.
Crossing the desert once again
with oils and perfumes so pure,
amidst the most luxurious goods
of gold, silver, silks and furs.

v.
And the images diffuse, refocus, Judderwitch by a grave,
of an unfortunate sacrifice, the girl she could not save,
a flame handled dagger marks a headstone epitaph,
and her weeping grief slowly turns into a manic laugh,
as in the grave paces away, a woman screams out loud,
buried alive with a nest of spiders, no forgiveness is allowed.

vi.
And the scenes change, redefine, Judderwitch on a street,
with a mutilated corpse, an horrific sight for her to meet,
as a black rat starts to happily nibble at the naked feet,
and she shivers. She shivers? The Empress of Evil cold,
an anger courses through her at this alien feeling untold,
whilst her body stiffens at the answer she beholds.

vii.
Grimly sees her body stiffen,
a knowing smile graces his lips.
His eyes move to a vacant cradle,
as Time plays out one of its tricks.

viii.
And she knows.
She understands.
The Seers Sphere is Time itself.
Exactly one eleventh of
All Time.

ix.
The race through Time gently slows,
the globe feels warm as it brightly glows,
and deep inside she already knows
she is accepted and with Time she flows.
Connection with the Seers Sphere grows,
as the Ritual comes to its joyous close,
and the Seers Sphere hummed as it chose,
Judderwitch, and on its journey goes.



© Pagan Paul (05/10/18)
.
Poem 5 in Judderwitch series.
(Part 1 was posted a few days ago).

My Judderwitch poems are now in a collection :)
https://hellopoetry.com/collection/28451/judderwitch/
PPx
Pagan Paul Aug 2018
.
i.
Smoke coils up and dissipates,
soon the images will be clear,
as she stares with cold contempt,
into the depths of the Seers Sphere.
And she stands toking her pipe,
watching as the story unfolds,
soon her hate will boil once more,
unleashing her vengeance of old.

ii.
Smoke coils up and dissipates,
a thousand lifetime's away,
blackened stone and charred bodies,
the remains of a village destroyed.
The flames still licking at the flesh
and melting mortar of cottage walls.
Raiding horsemen ride off cheering,
with swords, shields and firebrands,
carrying amidst them a prisoner,
their prize and sport for the victory feast.
Savages are these violent men,
barbaric in their wanton lust for war,
the red mist and the ****** fury,
it's all they really have a care for.

iii.
She waits with patient seething,
her moments will arrive so soon,
the spilling of her black arts,
witnessed by a Woman's Moon.

iv.
The Vale was so beautiful lush and green.
Steep sided, oak trees, clear blue stream.
With fresh grass on which horses grazed,
and smooth rocks where wild fowl lazed.

v.
But the leader here was not a man,
she was the daughter of this warrior clan.
Fierce, cold, she barked out her orders;
build a fire, make food, secure the borders.
Her status unquestioned by her riders,
they would all fight and die beside her,
and as the camp grew out much wider,
her boot casually crushes a hated spider.

vi.
Manacles held her ankle fast,
shackled as she was to a tree.
Withdrawn, shivering with cold,
still seeing her burning family.
Images scorch her private intimacy,
awaiting the moment of her epiphany,
eyes watching with careless vacancy,
preparations for the nights ceremony.
But she would not co-operate,
would not give her jailers pleasure,
as she knows these last few hours
would seem to her like forever …

and Nature weeps with a prelude to grieve,
as the Maiden pulls a dagger from her sleeve.


… deny them their sport she will,
placing the dagger 'neath her breast,
a sharp tug towards her heart,
a thousand nightmares laid to rest.

vii.
A thousand lifetime's away,
smoke coils up and dissipates,
a cackle rents the air like ice,
the time her Woman's Moon anticipates.
And the instant arrives with joy,
as the Seers Sphere is thrown,
shattering and cackling hold hands,
as the glass touches solid stone.
At that moment of contact with rock,
time slips into a reverberating shock.

viii.
The Vale was so beautiful lush and green.
Steep sided, oak trees, clear blue stream.
With fresh grass on which horses grazed,
and smooth rocks where wild fowl lazed.

And the earth heaved and tremored,
shaking the Vales languid peace,
uprooting trees with tremendous urge,
rending the loamy soil from beneath.
Frenzied horses scatter with fright,
and men are thrown up high,
screams and shouts of piercing pain,
and the stream suddenly runs dry.
The quake unsettles the warriors camp,
leaving many broken bones and blood.
Then an ominous deafening roar
heralds the arrival of the coming flood.
And water coursed fast into the Vale,
no longer pretending to be calmer.
All living men drowned and dead,
encumbered by their heavy armour.
But she was much fleeter of foot
and ran hard as the waters rose.
Tripped by a treacherous branch,
head banged, stunned, her eyes closed.

ix.
Sunrise saw many things.
Smoke coiling up and dissipating,
over the ruins of a village,
crows and dogs feasting well.
It saw
the hooded robed figure of a woman,
squatting on top a new grave,
smoke coiling up from her pipe,
cackling …

x.
She awoke in darkness.
It didn't take long to panic and scream.
It took no time to realise,
she was sealed naked in a coffin.
And she screamed and screamed.
Pushing at the sides, the lid.
The air was heavy, stifling, stifling, stifling.
Precious oxygen running out.
The coffin moved, and she screamed,
desperately scratching and scratching.
And in the box she heard … cackling.
Her frantic screams turn to sobs of pleading
to be let out, to breathe, to live.
She felt something touch her inner thigh,
she screamed, as it touched again feint.
Brushing it away as the voice cackled on,
more tickles on her thighs, she screamed.
And something landed on her face.
The feel of a large spider on her mouth,
and she screamed and screamed.
But the cackling persisted
as she scratched at the wood,
her fingernails shredding to pieces,
but the wooden prison gave no quarter,
the skin raw and bloodied,
scratching, scratching, scratching.
And in her tomb she screams,
she screams and screams and screams.

xi.
… sunrise saw many things.
It saw a new river,
wending its way to the sea,
caressing the contoured land,
it saw horses running wild,
across the lush grass on plains.
It saw
the hooded robed figure of a woman,
standing beside a new grave,
as she places the flame dagger
upon the Maiden's final resting place,
it saw
ice blue eyes of fire and malevolence.
Weeping.


© Pagan Paul (02/08/18)
.
3rd poem in Judderwitch series.
https://hellopoetry.com/poem/2076298/judderwitch-the-beginning/
https://hellopoetry.com/poem/1923972/judderwitch/

Today, Aug 2nd, marks two years on hp for me.
Thankyou to all those who have supported and helped me over these last 2 years. You are all greatly appreciated :) PPx xox
Sid Lollan Apr 2018
Gentlemen of Courage and Ladies of Excellence,
Toast to stolen prayers with rarer player’s hands;
Soft in defiant laughter,
when drinking their wine from the bowels of brines

Sing along the Ballads of Heritage with Melodies of Exception;
Boast, not a breathe,
though sullen heirs ghost to fairer wearer’s air(s) of land—
A settlement of Rapture and Resurrection, arid, amid dirt and sand

and King and thy Kingdom sprout flowering tomb, and rosebud temple reach to the sky during the showers of spring
Devours the crescent Moon

in big pink petals of bloom;

A garden so fertile
it could look pretty in wartime—
with Gardeners of Courage and Laborers of Excellence;
(Lapse, not into digressions of Being and Essence
but hands in the soil and planting the actions of kingdom come,
       patient building of Spring Reign sure
as the flame, the architect of rising Sun is
(Daughters and Sons of kingdom came,
      the soldier in a land been conquered and named; abandoned
for the greenness of hope.
)May it never come, Be All The Same; (


be gentle, though whispering wind)

Seeds of Nextyear and the spores of Awhile,
carried by the Wasps and the Clouds
To the Gentlemen of Excellence and Ladies of Courage,
illuminated, eyes from the flora of stars faraway forest floor of foreign

      fears,
      as the hungry Owls of Time prepare a final feast—
      Consume the years between Here and Now;
      Watching from blank perch, among
      the Trees of Afterall; a place beyond expectance.
      Sing the branches of experience, to wake
      in Siren’s cipher; inelegant forms
      of waking,

ugly sleep on rocks of seabed; once was aboard a marooned skyline—

Those Who Are Will Be
again, again a serf in a wave of Time’s refraction. Neverending neverbeginning;

                          Those Gentlemen of Courage and Ladies of Excellence,
on the Day That Is, arrays of seers sayers doers displayers
optimists and pessimists, toast to them
        and their rarer player’s hands,
Boast they, not a breathe, though sullen heirs ghost
to fairer wearer’s air and land;
Laugh and howl and dine, they drink their wine
from disemboweled gourds
        of their own divine—
Warped, in jowls of hungry fix,
no feast they fear, for they prey to the Owls of Time.
Terry O'Leary May 2013
AWAKENING

Sleep and slumber, dreams of wonder... weaving,
morning’s vacuum broke the spell
Pitted pillow, note of parting... leaving,
“from your friend, a fond farewell”
Sunrise throbbing, twilight aching... grieving,
daydreams, flashbacks, nightmares knell
Pale phantasms, visions sneaking... thieving,
plot to fill the empty shell

12 DELIRIA

1st Delirium: COLLAPSES

Fractured sky bolts, billows bursting... rumbling,
heavens tighten, turn the vise
Horsemen saddle shafts of lightning... tumbling,
jagged highways must suffice
Ruptured skyways, hailstones crackling... crumbling,
naked pearls of paradise
Toxic tongues of laughter stinging... stumbling,
ocean buckets choked with ice
Droplets drumming, thunder muzzled... mumbling,
washed out whispers pay the price
Smothered blazes, cinders smoking... humbling,
ashes shaped in sacrifice

2nd Delirium: DESCENTS

Asphalt alleys, ashen faces... frowning,
blowing bubbles, chewing gum
Drinking ale from tavern tankards... downing,
moonlit beads of painted ***
Stony stars and sea misshapen... drowning,
humble rivers’ rhythms hum
Apparitions aspirating... clowning,
diamonds dying , minstrels strum
Incandescent candles conquered... crowning,
vacant vapours, cold and numb

3rd Delirium: FATES

Tempest turmoil, tapered turrets... holding,
dungeons, dragons, chains and racks
Wheels of fortune, Tarot temptress... molding,
Hangmen, Towers, One Eyed Jacks
Sand dune castles, cryptic candles... folding,
warping walls of liquid wax
Idols colder, combed and coddled... scolding,
hide in fissures, peek through cracks

4th Delirium: LOST SOULS

Sunken cities, pilgrims peering... gawking,
squinting eyeballs, blazing sun
Janus facing, shepherds chasing... stalking,
friends embrace before they shun
Tearooms steaming, tumult teeming... talking,
lovers listen, poets pun
Broken stones unanchored, quaking... rocking,
slipping, falling, one by one
Beaten pathways, footsteps marking... mocking,
wedged in webs which spiders spun
Circus shelters, big tops tumbling... locking,
people pacing, soon they’re none
Numbered exits, zeros numbing... knocking,
midnight daylight’s days undone
Moon blood shackles, shivers shaming... shocking,
starlight striders streaking, stun
Hushed but harried hermits waiting... walking,
restless rainbows on the run
Pixies, elves, and echoes bouncing... balking,
fading fast when dawn’s begun
Bantum butterflies are flitting... flocking
sometimes conquered, overrun
Hocus pokus, seers focus... squawking,
voodoo wavered, witchcraft won

5th Delirium: INTROSPECTION

Sundown furnace, fires fading... coughing,
dusky dew drops drain the air
Empty chalice, sipped in silence... quaffing,
thirsting shadows unaware
Looking glass and lattice scorning... scoffing,
local loser gapes and stares
Faces covered, dancing naked... doffing,
peering inside, hope despairs

6th Delirium: THE VOID

Tales of taboos, mystic mythos... missing,
windows shuttered, bolted door
Kindled candles, tongues and anvils... hissing,
heavy hammers, echoes roar
Dark deceivers, raven charmers... kissing,
draging demons from the shore
Hopeless hollows filled with doubters... dissing
standing empty - nevermore

7th Delirium: SEARCHING

Martyred monks haunt runic ruins ... waiting,
banging broken bells below
Vaulted hallways, voided voices... grating,
churning Chinese chimes aglow
Granite graveyards, spectres spooking... skating,
blackened bushes, roses grow
****** dwarfs seek mutant migrants... mating,
packing parcels, ice and snow

8th Delirium: NIGHTTIME

Throbbing drumheads, fingers blazing... steaming,
coins of copper, beggars plea
Rusty residues of resin... streaming,
opal amber filigree
Orphan shades in shallow shadows... teeming,
steeping twigs in twilight tea
Cloister doorsteps, Prophets gaming... scheming,
tracing tracks of destiny
Blacksmiths blanching, horseshoes glowing... gleaming,
partially sheathed in black debris
Phantoms feigning, nightmares scathing... screaming,
dusty dreamers drifting free

9th Delerium: EMPTYNESS

Water wheels in wastelands... turning,
drowning relics in the slum
Rumpled rags of fashioned burlap... burning,
lit by bandits blind and dumb
Pastured prisons, ponies bridled ... yearning,
forest fairies under thumb
Sounds inside of cauldrons coughing... churning,
blaring bugles, tattooed drum

10th Delirium: ALIENATION

Rain unravelling, wistfully weeping... falling,
treacle trickling, fickle sky
Mushrooms sprinkled, visions sprouting... sprawling,
seagulls drowning, dolphins die
Rabble gasping, spirits broken... crawling,
lonely lonesome swallows cry
Babbling brooks and breakers ebbing... bawling
puppies paddle, puppets sigh
People passing ripple past me... calling,
rainbow colours, collars high
Chaos seething, lepers looting... stalling,
stealing stallions on the sly
Pencils pausing, scholars scrambling... scrawling,
scratching scribbles, asking why

11th Delirium: JETSAM

Silver sails sway pallid pirates... prowling,
Jolly Rogers, wind and sound
Parrots perching, tattered feathers... fouling,
tethered talons, tied and bound
Shipwrecked foghorns, trumpets stranded... howling,
spiral springs of time unwound
Magic moonlight, shimmers shaking... scowling,
burnt out matchsticks washed aground
Prairie wolfs, coyotes calling... yowling,
witching hours, midnight hounds
Tightrope walkers, grizzlies grunting... growling,
seeking islands, lost and found

12th Delirium: RELIEF

Slumber shattered, vapours captive... haunting,
chained in mirrors, breaking free
Scarlet skylines, daylight dawning... daunting,
rivers rushing to the sea
Silence softens, sandmen whisper... wanting,
piercing rafters, turning keys
Shadows shudder, notions fluster... flaunting,
moonbeam bullets meant for me
Mind in migraine, meadows trembling... taunting,
sparrows speak in harmony

REAWAKENING

Pitter patter, teardrops paling... pearling,
salting scarves in secret drawers
Mist amongst us, smoke rings rising... curling,
climbing from the ocean floors
See-saw circles, senses swerving... swirling,
swept away with silver oars
Courtyard jesters, sceptres twisting... twirling,
push the past to foreign shores
Passing pangs of passions heaving... hurling,
burning bridges, closing doors
Roses wither, icons waning... whirling,
time decays and time restores
Michael R Burch Apr 2020
Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

The poem "Comin Thro the Rye" by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in "The Catcher in the Rye." In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the "catcher in the rye," rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a "catcher" in the rye, but about a girl who has met someone in the rye for a kiss (or more), got her underclothes wet (not for the first time), and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are "easy." Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves. Keywords/Tags: Robert Burns, Jenny, rye, petticoats, translation, modernization, update, interpretation, modern English, song, wet, body, kiss, gossip, puritanism, prudery


Translations of Scottish Poems

Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!

Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss



Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!

there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”



To a Mouse
by Robert Burns
modern English translation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!



Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!



Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.

"The Banks o' Doon" is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy)Kennedy, a girl Burns knew and the area around the River Doon. Keywords/Tags: Robert Burns, air, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English, love, hill, hills, birds, rose, lyric
maddi May 2014
There’s an abundance of wonderful secrets I hold,
that come from the quiet, the quaint, and the bold.

Some are cute and some sweet,
all sugar-spice and neat.

It’s the others I can’t bear,
***** deeds and lives not spared.

I have to keep them all inside,
hidden away from prying eyes,

For I’m bound by a promise made of lightning,
and while I’m not quite keen on fighting,
If these secrets are found out
I’ll claw and kick and scream and shout.
For the shackles that bind me here,
will shatter after ten more torturous years.

So for now I let the rain wash away all my pain,
and thank each passing stranger for the knowledge that I’ve gained.

I think about the gallows,
I think about despair,
I think of all the people who never really cared.

You may not think you know me,
but you’re sorely mistaken.
I live next door, or up one floor,
listening when your minds awaken.

I can see your every thought and dream,
I can hear you when you sob and scream.
I can feel your touch and exasperated breath,
all dancing hot across my neck.

We are the seers
holding stories unknown
feelings unfelt
and words untold.

I could tell you anything, but you’d never know,
for I value my salvation more than a tiny truth sold.
This was inspired by a short story I wrote, but I thought it'd sound lovely as a rhyming poem, so I adapted it
Nat Lipstadt May 2023
“writing is a minefield of life happenings…blessed be the seers
for they keep the faith.”
patty m

<!>
life is a series of provocations and evocations,
I will indulge you and define them
as hundreds of micro aggressions,
or a combinatory,
minefield

which comes first,
the explosions or the writings?
chicken, egg, cart, horse,
surely your surly certain of the answer,
but I will not beg
but differ

the itch, the need, the urge, ignited
by the fuse of arrogance of a devastation of self esteem,
or the aches of breaks
of your severed body parts
are
uniquely yours,
requiring explication, repair by the surgery of your own
words shared.

searing unique pain,
makes you confident enough
steering you into becoming a seer.
Martin Narrod Feb 2015
Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road
Erin Schenke Nov 2010
Waiting all alone
waiting on this cold table
waiting for the doctors and the drones

I feel the scratch
of the itchy cotton gown
on the narrows of my back
as it climbs up and down

Displayed I lye on the medical tables hard cold steel
It seers into the crevices of my bones
I ponder the lone window and wonder if it's real
I listen for the bleep and bloop of medical tones

Nurses walk by in a mechanical grace
poke and **** & tap and touch my face
and then proceed to leave without a trace
with no hint of knowledge of my medical case

Waiting all alone
waiting on this cold table
waiting for the doctors and the drones

I'm a big girl, I'm a big girl
I begin to chant in a simple rhythm
as small as a ball I begin to curl
I'm abandoned inside this glassy prism

The dead silence creeps inside my brain
I want to scream to fill the deadly gap
but the cold thick air of silence brings pain
I comfort myself and say it will be ok

My breathing begins to quicken
my eyes dart around the room
only comfort is the fear which I am stricken
my sight goes bleary as darkness looms

Waiting all alone
waiting on this cold table
waiting for the doctors and the drones

Tears sting the corner of my eyes
I want someone to hold my hand
Oh God how I want to cry
but the only thing there is the bleeding arm band

The test begins with the thickness of barium
It slides down my throat and clings to my esophagus
It tastes like chalk and pandemonium
they want me to suffocate I guess

I chug and chug as the pictures are snapped
x-ray upon x-ray of my stomach and my back
Drink more Drink more They tell me to do
Nervously I shake and say, anymore and I will puke on you

Waiting all alone
waiting on this cold table
waiting for the doctors and the drones

Even more poking and prodding ensues
but of my stomach, ribs and *******
I lay rigid as a board from the pain of each touch
I grow weary of this tiresome rues

The tests are done
and the coast is clear
I am left alone
to dress myself in fear

Dismissed and discharged to walk away
they file my chart with a robotic smile
now for the wait of endless days
I'm lost in my mind's land of emotional exile

Waiting all alone
waiting on this cold table
waiting for the doctors and the drones

Pins & Needles Pins & Needles
I wait for the results
Is it stomach cancer, an ulcer or both??
In the dark I am kept like followers in cults.
Pagan Paul Oct 2018
.
Tumbling stones rumble unheard,
a slide that sends gravity shifting,
starting a new path through time,
the butterfly effect begins shifting.


i.
The ancient track
is solid beneath her feet,
though she has walked
between the stars.
She knows not the place
but has been there before,
And the trail wends its way
through forest dense and dark
to a hags tooth mound
and the Tomb of Travellers,
upon the stone door
an inscription, a warning.
'Prepare to go everywhere.
Prepare to go nowhere'

ii.
“Let time take me wither it will,
be it fluid or be it still”.


iii.
The slow grating of stone on stone
as the door swings open,
light penetrating the gloom,
and the Tomb reveals its treasures.
She enters with reverence
and moves to a vacant plinth,
a marbled seat warm and empty,
her place for the connection ritual.

iv.
A mix of herbs into a secret potion,
preparing herself to swim Time's ocean,
clear cool water to bathe her skin,
awaiting the pendulum of life to swing.
The symbols in her third eye complete,
she eases so gently into her travel seat,
bringing the brew to her expectant lips,
a bitter taste as over her tongue it slips.

v.
Oh gently rock her mind to sleep,
just one last barrier for her to leap,
through Times gate to other places,
as the drug through her mind races.

vi.
A small squat figure emerges
in a midnight blue hooded robe,
Grimly the Guardian of the Gate,
carrying careful an ancient globe.
And her eyes glow with wonder
as she receives the Seers Sphere,
cloudy with the hue of pearl,
its significance is so crystal clear.

vii.
She places it in a depression
in the arm of the marbled chair,
settles herself and closes her eyes,
letting her mind drift on the air.
The connection ritual reaching ******,
acceptance or rejection time is near.
Will the bond form betwixt them?
She places her hand on the Seers Sphere …




© Pagan Paul (30/09/18)
.
Poem 4 in Judderwitch series.
This, and part 2, is a small diversion from the nastiness and gore
to explain how she time travels, how the Seers Sphere is an
elemental force and sentient, but needs a 'vehicle' to work.

My Judderwitch poems are now in a collection :)
https://hellopoetry.com/collection/28451/judderwitch/
PPx
.
wehttam Jun 2014
May be I’ll start writing, today.  
The story of Zen Zero.

I realized that all good things come to an end.  The tears, the affairs, and even the faintest revelation about my relationship to the Emperor of Japan.  I’ll need help and... well, the truth can be tolled.  It can be that the faintest belief, that we as free people are subject to the king, our God.
A king stands in truth as our kin.  The love that has existed for a thousand years, about justice, permanence, and legend are here.
It all started 7 years ago.  According to the book of John, the 3rd book.  The face of his majesty does have an Imperial Guardian.  In any colour, red, black, blue, white, and even green.  Each color resembles the color of trust.  
I started training in the Emperor's garden at the age of negative 6.  Before my mother can conceive her unborn child in a marriage.  Like the burning of Shin Cho' Palace.  
"Oh, how they forget so quickly, the truth?" says my mother.
They forget so quickly the majesty and power of the Emperor's memory of Mother Japan.  In his Majesty's eyes, how many lovers stir the colors of benevolence.  Where and when does it exist and stop for us as an American patriot sold to slavery for spy’s.  All of his subjects do will and listen to the cry of patience in his family’s quarters.  
My father at the time of his marriage did not know the Emperor's name, I had asked my mother in her heart if she knew the king.  They are no longer married.  They had tried to burn down the Emperor's Palace with a marriage.  But I had already existed, in the love of my family at a wedding joining men and women.  I remember some singing, all though in my mother’s ears, really bad singing. In her head or mine at the wedding, whichever is greater.  Maybe the song was worthless or was the singer already lifting her fingers to strike matches on the bamboo fortress of the young emperor.  
They have had many statesmen destroy the dream that Japan has.  Through lies, corruption, and *******.  Each of the last three I had to conquer to be his Majesty's Justice.  I did not earn the right to judge any such subject or people, it was given freely at that time to children.  I had learned to love the Emperor, even in my own desire to please him and her.  
The lies were towering revelations about the coming of man in God's kingdom, and how the will of imperial veils never existed for the properties of mankind.  The corruption was the setting of dowers or dowries for the subject of lost families, in the forbearance of lucher escaped only by the luck of liars.  And then the dreams of revelry, owned by the ungodly and chaste men of the burning palace, whether sediscious, or whether the fables absolving time in the palace to a judgment had already met the Emperor.  
All of the priests (pre-ests) had to pray; for the remaining time of eternity, for the true judgment of his Majesty's subjects. It was to be taken from the subject of srys to the Emperor's Knight.  
To many were lost in the munitions of war.  Laws that govern and sanction truths were not available to those of absolute corruption.  Stalwarts, stonewallers, and stoners were becoming of the anti-gentry.  The laws were never to be discouraged by zeal, or by trial.  The laws had to represent the ability of love to change time even if the object of factions destroyed the old way.  They had taken the truth to prepare Neoteny for where the first Imperial Guard had placed his head.  The first Imperial Guard, that I became before birth had taken his own head with a weapon made by treason.  
My mother’s dress was made out of spider silk.  A giant spider played Chinese checkers with the Imperial Guard for my head also.  Never the less, the palace, this time was not burned.  The dress was made out of falling stars and spiders silk.  She had found the Emperor's tailor and traded my soul for the wedding.  The pictures that were retrieved from the wedding of my mother and father have ruminated in antiquity since the time until by birth my life.  The seers and srys wanted my head to take up the Emperor's chalice.  His cup, filled with my blood, Simian blood.  
I did not want to go through with it, birth and death before becoming subject to royalty.  Seeing the world before consummation, as I had was never thought of, it was seen as impossible unless by treason we had chided a woman of royalty.  
I have seen the last major asteroid go through our galaxy before it had ever had been a present particle of mutiny.   It proved to the child (myself) in gestation, between man woman at the wedding that time will pass just as quickly before my mind’s eye as it had at the day of Pentecost.   More than 500 billon people were to be saved by God rather than by a humble dismantling of a defense lawyer.
I had seen how flowers are made by tiny Zen Zero bumble bees going to and leaving from daisies and roses, and orchids.  How each seed takes roots and as do the munitions for treason and tears; how each man whom chooses to change their name because of treason begins to understand change when his wife chooses his name.  (The reference is to Zero attacks, suicide attacks.)  How the time and life and essence of life begins in literacy as a language of love.  Every old man on earth can help me write the scripts, but can the country of old men help me change the prophet?
As long as there is war in the palace there will be treason?
The spirit of the samurai was trying the youth in the palace.  From the first born male to the last lady in quixic geisha.  All uniques were to be placed before the Lord for appointment.  Any dreams of or visions of truth were a breach of solemnity lost by the virginity of the family.  The parents of each state were subjects to the Emperor's people, and to the chosen for freedom and slavery.  How many shining knights were to remain in the Emperor's house?  The uniqueness was subject only to the reason of the generation of the age.  Not many of my men had anything left after the life of the quill or pen of the Knight Meteyi had begun to take its place with the heads of loyalists.  His sword remains in the hand of the Majesty of Japan.  No knowledge, no lore, no president, no kin, or liars can stop his reign.  As if the last days of our youth were spent dismantling the bombs we had made during the last few battles over crude extravagance.  Oil, crops, metals, space, as space became a way to admire men in statehood was the example of treason to the following.  Democrats and Republicans began to try as is a trail of laws to and from changes for the people without a loyal subject to observe in service to a Nation.  Freed men became a bureau of Federally Bureaucratic Investigative subjections.  Whether the phone would sense its use and had no service.  Men tried by srys had needed no way to communicate, they were objects, objections, and objective to democracies.  Any and all of the western knowledge of good or evil was not earned in monasteries, it was as it were seen in-between a marriage of a man and a woman and the consummation of the first born to be the king in his own mind. Centrally, intelligence and agency became a lost paradox.  The palace could be burned through neoteny, the truly lost man or woman had to be part of the worm.  The earthworm had to dig up the lost and the prophet from its own humanly death.  

Chapter 2
The dress as simple as it was, was taken off and laid in a box for saving.  It was to travel through time in the Emperor's Palace to serve has a mold, a pattern for quilting lovers of the family tree through the history of love.  After the child was conceived in love, the dress is worn and then placed back into the box for time travel. From a generation of mothers to another generation of lovers. No man was to wear the dress as an idea, thought or wisdom.  The reproach, the dress, and the marriage is virtue encoded into a structure of life   The wisest man let the Emperor dream life into the belly of prophets through the dress.  The smartest scientist understood the impeccable reason of lust and gave all to his bride for the grave that the earthworm had trusted.  The publican had the dress made as a dowry to the tribe of Roman man.  And the Emperor breathed life into the woman with a few breaths at the wedding.  The subjects, the publicans had tried the Emperor for their bride, by making the flowers lean toward their lovers.  They had tried to tell the knight of the Emperor's Palace that the sun had also retired due to mutiny in the ranks and castes of statesmen.  The son will bend light into the palace of wisdom, and the subjects do grieve the stories from prophets.  
At exactly 10:03 central eastern standard time, the states men forgave themselves of suicide and left to burn the palace.  
Each dressed as royalists.  The burning of Chinju Palace is the last thing I remember before giving up to the sound of a 3 or 4 year old woman singing.  The next thing I remember is being dropped on the floor in the delivery room to a rattle and brattle of childish whims.  Like, the sound of laughter, but only as a fury of deceit, the singer was hurt when I had asked her to join the wedding ceremony.  She excused herself of the ceremony as was or were not subjects to the birth of the kings men in harmony.  

She tried, and wanted to steal the dress.  

Chapter 3
There was mostly nothing in the womb. Except Dogma.  My father, as dogma.  He would whisper to her in bed and they would giggle about never understanding anything ever again.  I excepted NAME for my name.  They didn’t know if a boy or a girl were to be born.  I could know the difference at the time of their conversation.  I then realized that the 3 years prior to conception were perfect.  And I, the Emperor's Knight, was tolled.  Tolled the way bells sound and the way people love to hear the news.  The way light has no existence in the womb, I was tolled the way Sandalphon treaded upon the tribe of Israel.  
Lying was not invented yet, well,... while in the womb, but I had heard some whispers in the darkness.  The camera couldn't fit in, I called and tolled the camera from the womb, in between to friends.  I called the camera, Dragon.  The dragon is the trust moving in-between true and time.  The Dragon, Meteyi had told me that we were going to write everything.  From the believe that martial arts were stronger than prayer, and to the reason that it was not true.  Factually, there was nothing but prayer and no martial artist had a sword bigger than the lie of the Emperor's dragon.  The dragon said, to my father,..."The world is to die for, and not enough."  The dragon also said to my mother,..."The purpose is in your belly as a rainbow in disgust."  He, the dragon almost couldn’t believe that I had mentioned to hymn that there was no way out of this without a dream so relax and let me fit in.  The doctor had to have heard of the loyalist dream of a birth right.  Basically, I didn’t want him to slap me for the first breath.  I hurt bad, like out of a sarcastic Scotlandish parody.  Many, many, many, men quit trying to go through the sry after that.  My mother creeped up to me after my kin had asked the doctor to pick me up off of the floor.  She smiled and handed the birth certificate to the nurse and read my social security number to my father on the phone, he was on duty at the Air Force Base.  My ears were still clogged with seminal fluid, but I could feel her dream a name into my soul.  She can know the Emperor's knight.  After a few moments, my cry as chide by the Emperor, into being a whisper of life.  From that moment on in my life, I could not cry ever, as a child cries.  Otherwise I could be a whisper.

Chapter 4
Every chance at change that had gotten to us was used by running from the dragon.  He liked Batman and hated Robin but new to fathers, knew that hatred kept something’s safe from the palace. The palace could never get filled by whispers.  The whispers only object to democracy and help the camera.  The daguerreotype was possibly the only thing that couldn’t lie.  It was considered lye to gossip worshipers.  Gossip may have started the war on bugs.  Like bugs in ceaseless noise are prayer or whispers, like gossip.  When bugs stop whispering, some seemingly are bad with superstition and others are horrible with bugs.  
The next few years, were also perfect.  I had no idea who else, I could be.  Absolutely perfect, the Emperor subjected us to love.  I could **** all day, eat as much as I wanted and was warned when they thought, like a whisper.  When it was time to eat, when it was time to bath and when it was time to be quiet and sleep were similar to whispers.  Diapers were not invented yet, I had to invent them.  My mother used to get sick from the pain of laundry and sleeping with me.  When the diapers were *****, she wash them and place them back on my ****.  Like a good, palace guardian, I used them up.  The new diapers had an air of mutiny to them, the disposable ones.  We never kept trash in the house.  The signs that we have had a king for dinner were never to be seen, but everyone had the right to change pants.  
Many of the ideas in life shared before birth were not existent after birth.  It was not until my family had meet the Emperor that... we needed to love God by learning to pray.  

Chapter 5
When we met the Emperor, it was easy to say that no whispers were used.  Other things were.  A memory, not a book was here.  There was no time, the palace he made for me was from God and a lot of people wanted in.  The Royal subject was the Emperor's first knight, my father's.  I had to memorize time, which in turn was not mine.  The actual Emperor thought, that I, am a poet of sorts.  We spelled the word memory in the sky together without words, whispers, or gossip.  The next few years were spent dyeing as tap or a drill bit would being to make a hole for fastening life to the surface of my families.  Called a tap and die, the whole of life must be treaded through time without a spry attempt to vacancy.  After the Emperor, my mother and father did not know that meeting the pope was bad.   The Emperor is good.  

Chapter 6
Mainly my ability to learn, had started to fail.  There was not need to have ability.  But walking was hard.  When I stood, I was pushed through, walking.  Like a battle of balance and superstition.  Crawling had no sense, being picked up made things silly.  When wanting to be here, and not knowing how to get there through crawling, here I was a a chubby fat knight.  Father used lemons on my taste buds and cracked when he knew not how I loved them.  He had to make work to pay bills and I learned that without a whisper.  So we would sh
Chapter 8 to follow after inspection.
Michael R Burch Apr 2020
To a Mouse
by Robert Burns
translation/modernization/interpretation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
Why’s such panic in your breast?
Why dash away, so quick, so rash,
In a frenzied flash
When I would be loath to run after you
With a murderous plowstaff!

I’m truly sorry Man’s dominion
Has broken Nature’s social union,
And justifies that bad opinion
Which makes you startle,
When I’m your poor, earth-bound companion
And fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
A small behest; it-
‘ll give me a blessing to know such a loss;
I’ll never miss it!

Your tiny house lies in a ruin,
Its fragile walls wind-rent and strewn!
Now nothing’s left to construct you a new one
Of mosses green
Since bleak December’s winds, ensuing,
Blow fast and keen!

You saw your fields laid bare and waste
With weary winter closing fast,
And cozy here, beneath the blast,
You thought to dwell,
Till crash! The cruel iron ploughshare passed
Straight through your cell!

That flimsy heap of leaves and stubble
Had cost you many a weary nibble!
Now you’re turned out, for all your trouble,
Less house and hold,
To endure the winter’s icy dribble
And hoarfrosts cold!

But mouse-friend, you are not alone
In proving foresight may be vain:
The best-laid schemes of Mice and Men
Go oft awry,
And leave us only grief and pain,
For promised joy!

Still, friend, you’re blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
Grim prospects drear!
While forward-looking seers, we
Humans guess and fear!

Published by the English department of St. John’s College High School. Excerpted in an essay by Galkina Karolina, Institute of Humanities, Borys Grinchenko Kyiv University, Ukraine, and published on the university’s website. Keywords/Tags: Robert Burns, mouse, translation, modernization, update, interpretation, schemes, mice, men, agley, awry, nature, field, plow, den, home, modern English



Hugh MacDiarmid wrote "The Watergaw" in a Scots dialect. I have translated the poem into modern English to make it easier to read and understand. A watergaw is a fragmentary rainbow.

The Watergaw
by Hugh MacDiarmid
loose translation/interpretation by Michael R. Burch

One wet forenight in the sheep-shearing season
I saw the uncanniest thing—
a watergaw with its wavering light
shining beyond the wild downpour of rain ...
and I thought of the last wild look that you gave
when you knew you were destined for the grave.

There was no light in the skylark's nest
that night—no—nor any in mine;
but now often I've thought of that foolish light
and of these more foolish hearts of men ...
and I think that maybe at last I ken
what your look meant then.

Keywords/Tags: Scotland, Scot, Scottish, Scots dialect, night, nightfall, rain, grave, death, death of a friend, light, lights, watergaw, heart, heartache, broken heart, heart song
So spake the Son of God; and Satan stood
A while as mute, confounded what to say,
What to reply, confuted and convinced
Of his weak arguing and fallacious drift;
At length, collecting all his serpent wiles,
With soothing words renewed, him thus accosts:—
  “I see thou know’st what is of use to know,
What best to say canst say, to do canst do;
Thy actions to thy words accord; thy words
To thy large heart give utterance due; thy heart            
Contains of good, wise, just, the perfet shape.
Should kings and nations from thy mouth consult,
Thy counsel would be as the oracle
Urim and Thummim, those oraculous gems
On Aaron’s breast, or tongue of Seers old
Infallible; or, wert thou sought to deeds
That might require the array of war, thy skill
Of conduct would be such that all the world
Could not sustain thy prowess, or subsist
In battle, though against thy few in arms.                  
These godlike virtues wherefore dost thou hide?
Affecting private life, or more obscure
In savage wilderness, wherefore deprive
All Earth her wonder at thy acts, thyself
The fame and glory—glory, the reward
That sole excites to high attempts the flame
Of most erected spirits, most tempered pure
AEthereal, who all pleasures else despise,
All treasures and all gain esteem as dross,
And dignities and powers, all but the highest?              
Thy years are ripe, and over-ripe.  The son
Of Macedonian Philip had ere these
Won Asia, and the throne of Cyrus held
At his dispose; young Scipio had brought down
The Carthaginian pride; young Pompey quelled
The Pontic king, and in triumph had rode.
Yet years, and to ripe years judgment mature,
Quench not the thirst of glory, but augment.
Great Julius, whom now all the world admires,
The more he grew in years, the more inflamed                
With glory, wept that he had lived so long
Ingloroious.  But thou yet art not too late.”
  To whom our Saviour calmly thus replied:—
“Thou neither dost persuade me to seek wealth
For empire’s sake, nor empire to affect
For glory’s sake, by all thy argument.
For what is glory but the blaze of fame,
The people’s praise, if always praise unmixed?
And what the people but a herd confused,
A miscellaneous rabble, who extol                          
Things ******, and, well weighed, scarce worth the praise?
They praise and they admire they know not what,
And know not whom, but as one leads the other;
And what delight to be by such extolled,
To live upon their tongues, and be their talk?
Of whom to be dispraised were no small praise—
His lot who dares be singularly good.
The intelligent among them and the wise
Are few, and glory scarce of few is raised.
This is true glory and renown—when God,                    
Looking on the Earth, with approbation marks
The just man, and divulges him through Heaven
To all his Angels, who with true applause
Recount his praises.  Thus he did to Job,
When, to extend his fame through Heaven and Earth,
As thou to thy reproach may’st well remember,
He asked thee, ‘Hast thou seen my servant Job?’
Famous he was in Heaven; on Earth less known,
Where glory is false glory, attributed
To things not glorious, men not worthy of fame.            
They err who count it glorious to subdue
By conquest far and wide, to overrun
Large countries, and in field great battles win,
Great cities by assault.  What do these worthies
But rob and spoil, burn, slaughter, and enslave
Peaceable nations, neighbouring or remote,
Made captive, yet deserving freedom more
Than those their conquerors, who leave behind
Nothing but ruin wheresoe’er they rove,
And all the flourishing works of peace destroy;            
Then swell with pride, and must be titled Gods,
Great benefactors of mankind, Deliverers,
Worshipped with temple, priest, and sacrifice?
One is the son of Jove, of Mars the other;
Till conqueror Death discover them scarce men,
Rowling in brutish vices, and deformed,
Violent or shameful death their due reward.
But, if there be in glory aught of good;
It may be means far different be attained,
Without ambition, war, or violence—                        
By deeds of peace, by wisdom eminent,
By patience, temperance.  I mention still
Him whom thy wrongs, with saintly patience borne,
Made famous in a land and times obscure;
Who names not now with honour patient Job?
Poor Socrates, (who next more memorable?)
By what he taught and suffered for so doing,
For truth’s sake suffering death unjust, lives now
Equal in fame to proudest conquerors.
Yet, if for fame and glory aught be done,                  
Aught suffered—if young African for fame
His wasted country freed from Punic rage—
The deed becomes unpraised, the man at least,
And loses, though but verbal, his reward.
Shall I seek glory, then, as vain men seek,
Oft not deserved?  I seek not mine, but His
Who sent me, and thereby witness whence I am.”
  To whom the Tempter, murmuring, thus replied:—
“Think not so slight of glory, therein least
Resembling thy great Father.  He seeks glory,              
And for his glory all things made, all things
Orders and governs; nor content in Heaven,
By all his Angels glorified, requires
Glory from men, from all men, good or bad,
Wise or unwise, no difference, no exemption.
Above all sacrifice, or hallowed gift,
Glory he requires, and glory he receives,
Promiscuous from all nations, Jew, or Greek,
Or Barbarous, nor exception hath declared;
From us, his foes pronounced, glory he exacts.”            
  To whom our Saviour fervently replied:
“And reason; since his Word all things produced,
Though chiefly not for glory as prime end,
But to shew forth his goodness, and impart
His good communicable to every soul
Freely; of whom what could He less expect
Than glory and benediction—that is, thanks—
The slightest, easiest, readiest recompense
From them who could return him nothing else,
And, not returning that, would likeliest render            
Contempt instead, dishonour, obloquy?
Hard recompense, unsuitable return
For so much good, so much beneficience!
But why should man seek glory, who of his own
Hath nothing, and to whom nothing belongs
But condemnation, ignominy, and shame—
Who, for so many benefits received,
Turned recreant to God, ingrate and false,
And so of all true good himself despoiled;
Yet, sacrilegious, to himself would take                    
That which to God alone of right belongs?
Yet so much bounty is in God, such grace,
That who advances his glory, not their own,
Them he himself to glory will advance.”
  So spake the Son of God; and here again
Satan had not to answer, but stood struck
With guilt of his own sin—for he himself,
Insatiable of glory, had lost all;
Yet of another plea bethought him soon:—
  “Of glory, as thou wilt,” said he, “so deem;              
Worth or not worth the seeking, let it pass.
But to a Kingdom thou art born—ordained
To sit upon thy father David’s throne,
By mother’s side thy father, though thy right
Be now in powerful hands, that will not part
Easily from possession won with arms.
Judaea now and all the Promised Land,
Reduced a province under Roman yoke,
Obeys Tiberius, nor is always ruled
With temperate sway: oft have they violated                
The Temple, oft the Law, with foul affronts,
Abominations rather, as did once
Antiochus.  And think’st thou to regain
Thy right by sitting still, or thus retiring?
So did not Machabeus.  He indeed
Retired unto the Desert, but with arms;
And o’er a mighty king so oft prevailed
That by strong hand his family obtained,
Though priests, the crown, and David’s throne usurped,
With Modin and her suburbs once content.                    
If kingdom move thee not, let move thee zeal
And duty—zeal and duty are not slow,
But on Occasion’s forelock watchful wait:
They themselves rather are occasion best—
Zeal of thy Father’s house, duty to free
Thy country from her heathen servitude.
So shalt thou best fulfil, best verify,
The Prophets old, who sung thy endless reign—
The happier reign the sooner it begins.
Rein then; what canst thou better do the while?”            
  To whom our Saviour answer thus returned:—
“All things are best fulfilled in their due time;
And time there is for all things, Truth hath said.
If of my reign Prophetic Writ hath told
That it shall never end, so, when begin
The Father in his purpose hath decreed—
He in whose hand all times and seasons rowl.
What if he hath decreed that I shall first
Be tried in humble state, and things adverse,
By tribulations, injuries, insults,                        
Contempts, and scorns, and snares, and violence,
Suffering, abstaining, quietly expecting
Without distrust or doubt, that He may know
What I can suffer, how obey?  Who best
Can suffer best can do, best reign who first
Well hath obeyed—just trial ere I merit
My exaltation without change or end.
But what concerns it thee when I begin
My everlasting Kingdom?  Why art thou
Solicitous?  What moves thy inquisition?                    
Know’st thou not that my rising is thy fall,
And my promotion will be thy destruction?”
  To whom the Tempter, inly racked, replied:—
“Let that come when it comes.  All hope is lost
Of my reception into grace; what worse?
For where no hope is left is left no fear.
If there be worse, the expectation more
Of worse torments me than the feeling can.
I would be at the worst; worst is my port,
My harbour, and my ultimate repose,                        
The end I would attain, my final good.
My error was my error, and my crime
My crime; whatever, for itself condemned,
And will alike be punished, whether thou
Reign or reign not—though to that gentle brow
Willingly I could fly, and hope thy reign,
From that placid aspect and meek regard,
Rather than aggravate my evil state,
Would stand between me and thy Father’s ire
(Whose ire I dread more than the fire of Hell)              
A shelter and a kind of shading cool
Interposition, as a summer’s cloud.
If I, then, to the worst that can be haste,
Why move thy feet so slow to what is best?
Happiest, both to thyself and all the world,
That thou, who worthiest art, shouldst be their King!
Perhaps thou linger’st in deep thoughts detained
Of the enterprise so hazardous and high!
No wonder; for, though in thee be united
What of perfection can in Man be found,                    
Or human nature can receive, consider
Thy life hath yet been private, most part spent
At home, scarce viewed the Galilean towns,
And once a year Jerusalem, few days’
Short sojourn; and what thence couldst thou observe?
The world thou hast not seen, much less her glory,
Empires, and monarchs, and their radiant courts—
Best school of best experience, quickest in sight
In all things that to greatest actions lead.
The wisest, unexperienced, will be ever                    
Timorous, and loth, with novice modesty
(As he who, seeking *****, found a kingdom)
Irresolute, unhardy, unadventrous.
But I will bring thee where thou soon shalt quit
Those rudiments, and see before thine eyes
The monarchies of the Earth, their pomp and state—
Sufficient introduction to inform
Thee, of thyself so apt, in regal arts,
And regal mysteries; that thou may’st know
How best their opposition to withstand.”                    
  With that (such power was given him then), he took
The Son of God up to a mountain high.
It was a mountain at whose verdant feet
A spacious plain outstretched in circuit wide
Lay pleasant; from his side two rivers flowed,
The one winding, the other straight, and left between
Fair champaign, with less rivers interveined,
Then meeting joined their tribute to the sea.
Fertil of corn the glebe, of oil, and wine;
With herds the pasture thronged, with flocks the hills;    
Huge cities and high-towered, that well might seem
The seats of mightiest monarchs; and so large
The prospect was that here and there was room
For barren desert, fountainless and dry.
To this high mountain-top the Tempter brought
Our Saviour, and new train of words began:—
  “Well have we speeded, and o’er hill and dale,
Forest, and field, and flood, temples and towers,
Cut shorter many a league.  Here thou behold’st
Assyria, and her empire’s ancient bounds,                  
Araxes and the Caspian lake; thence on
As far as Indus east, Euphrates west,
And oft beyond; to south the Persian bay,
And, inaccessible, the Arabian drouth:
Here, Nineveh, of length within her wall
Several days’ journey, built by Ninus old,
Of that first golden monarchy the seat,
And seat of Salmanassar, whose success
Israel in long captivity still mourns;
There Babylon, the wonder of all tongues,                  
As ancient, but rebuilt by him who twice
Judah and all thy father David’s house
Led captive, and Jerusalem laid waste,
Till Cyrus set them free; Persepolis,
His city, there thou seest, and Bactra there;
Ecbatana her structure vast there shews,
And Hecatompylos her hunderd gates;
There Susa by Choaspes, amber stream,
The drink of none but kings; of later fame,
Built by Emathian or by Parthian hands,                    
The great Seleucia, Nisibis, and there
Artaxata, Teredon, Ctesiphon,
Turning with easy eye, thou may’st behold.
All these the Parthian (now some ages past
By great Arsaces led, who founded first
That empire) under his dominion holds,
From the luxurious kings of Antioch won.
And just in time thou com’st to have a view
Of his great power; for now the Parthian king
In Ctesiphon hath gathered all his host                    
Against the Scythian, whose incursions wild
Have wasted Sogdiana; to her aid
He marches now in haste.  See, though from far,
His thousands, in what martial e
Searching Apr 2011
Twisted reeds sway gently in the wind as black seabirds slice the sky overhead.
Waves rolling one by one crash with increasing ferocity on to the rocky beach,
And I watch the red sun set fire to the spray while  the tide encircles me.
Tugging at my feet, pulling me forward, it beckons for my consent. I give in,
And all is quiet even in such chaos. All is nightmarish and beautiful all the more.

The blood red horizon seers my retinas; freshly unleashed tears take to the sea.
These waves, such enormous swells, crash in on me; an unseen war is waging.
They press  me down and back, and then drag me further into the endless blue.
Over and over again, repetition loses count, my outcries die prematurely.
Only seawater and air manage to sputter from my lips, cracked and worn.

Not a whisper can be heard out here in such a true state of despair, but not all
Castaways are without faith. The past I once cherished has been lost to the depths,
Yet a knowing tingle in my gut keeps me searching for a message hidden merely
'Neath the surface. Drifting deeper into my pain, I notice a curious thing:  
The force of the waves lessening as I gracelessly surrender to Sorrow and the sea.

My feet torn by jagged rocks no longer felt, my eyelids blistered by the red
Eternal sunset, a few waves push me under before the siege of the sea falters and
I learn to ride the surf, taking each afront as it comes, whether predicted or
Suddenly upon me. My pain ebbs away slowly with the passing of each episode,
And with each wave I acknowledge my loss, relinquishing my burden.

Like so many desparinging hearts before me shipwrecked in the sea of tears,
I forcefully remind myself that one day the lush, inviting green shores of the
Other side of the sea will appear in my line of vision. Yet, for now, I let myself
Drift through the grief of grieving you, often unsure of whether I'm meant to float
Or should let myself sink toward the blackest crags of my mind. Here alone.
Copyright © 2011 Searching. All Rights Reserved.
Genial poets, pink-faced
earnest wits—
you have given the world
some choice morsels,
gobbets of language presented
as one presents T-bone steak
and Cherries Jubilee.
Goodbye, goodbye,
I don’t care
if I never taste your fine food again,
neutral fellows, seers of every side.
Tolerance, what crimes
are committed in your name.


And you, good women, bakers of nicest bread,
blood donors. Your crumbs
choke me, I would not want
a drop of your blood in me, it is pumped
by weak hearts, perfect pulses that never
falter: irresponsive
to nightmare reality.


It is my brothers, my sisters,
whose blood spurts out and stops
forever
because you choose to believe it is not your business.


Goodbye, goodbye,
your poems
shut their little mouths,
your loaves grow moldy,
a gulf has split
the ground between us,
and you won’t wave, you’re looking
another way.
We shan’t meet again—
unless you leap it, leaving
behind you the cherished
worms of your dispassion,
your pallid ironies,
your jovial, murderous,
wry-humored balanced judgment,
leap over, un-
balanced? ... then
how our fanatic tears
would flow and mingle
for joy ...
machina miller Jan 2016
ponces! nancies! veritable egrets of men!
people pleasing anti-charismatic animals
philistines, every one of them,
everyone else

a curse upon their forebears and a curse upon their goings-on
terrible business, that
the world should be filled with boundary pushing eccentrics, that is progress!
a plague upon normalcy, a plague upon stagnancy
uninteresting, dying off, done
ugh!

greatness can not be expected of all but at least an attempt should be made
how else will we overcome, will we build our utopia?
what use is MY struggle when others are defeated in making a move past the remote
television is for swine
rots your brain and morals
I've swell morals, just look at them
my morals reach to the moon
my morals are so swell I should run the country
my morals aren't two millenia old scriptures written by the seers of goat-tenders
my morals are modern, they are sleek and well dictated, they represent the future
my morals defy the past, my morals create new paradigms
why, you could say my morals defy all of traditionalism
and a curse upon tradition!

who ever learned from the past
history is rife with naught but sufferance
forwards is the only direction
forwards is revealed only to me
my ideals aglow with the lumine of the future
they are entrenched in idealism
me and mine, we are ideal
you know they really are not so bad
they, them, that is
just terribly mixed up, quite so
they will learn
Cramped in that funnelled hole, they watched the dawn
Open a jagged rim around; a yawn
Of death's jaws, which had all but swallowed them
Stuck in the bottom of his throat of phlegm.

They were in one of many mouths of Hell
Not seen of seers in visions, only felt
As teeth of traps; when bones and the dead are smelt
Under the mud where long ago they fell
Mixed with the sour sharp odour of the shell.
Pagan Paul Oct 2018
.
i.
Tam had cornered the little ******* in an alley,
his detestation of small people teased his mind,
taunted him to ever more sadistic exterminations,
he considered child killing to be no real crime.
His method of death was pain and tortures,
make them scream until they breathed no more,
he knew nor cared not from where the hatred came,
he just enjoyed murdering the children of the poor.

ii.
The globe shone and took her far
through and between space and stars,
along time lines ever changing fast,
vacillating betwixt the future and past,
a trip that so few had made or survived,
but in point she found she had arrived.

iii.
A yellow glow cascades around
from street lamps aligned in rows.
A feint hint of oil in the chill air
perfumes the night, assaults her nose.
Cobbled streets with carriage ruts
are quiet with few walking abroad.
The Seers Sphere travelling in Time
lands her in a place to be explored.

iv.
Tonight Tam felt the cold like never before
shivering hard as he scowled at the kids
herded underground to his special prison.
The chill sinks deeper and deeper
attacking the bones from the inside out.

v.
Her instincts bristled, advising caution,
as she strolls along the cobbled streets,
homing in on her victims location,
just at the moment the rain turns to sleet.

vi.
Tam had been mutilating the boy
in full view of the other brats,
scaring the little ******* shitless,
feeding pieces to his pet rats.

It was then the cold gripped him,
rattling his teeth, freezing his spine.
The children sat rigid as statues,
as a ghost appeared from out of Time.

The door frame shattered.
An unspoken command to depart.
Out the children clattered.
As ice took hold of Tam's heart.

Unseen frozen fingers gripped his throat,
he ****** himself as he is dragged out,
his bones snapping likes sticks of ice,
throat to dry to scream and shout.
And he feels the rain turn to sleet,
it was time for him and Death to meet.

Death came a'calling with intense pain,
frigid blades slice through flesh real slow,
at the last he feels one of his pet rats
as it starts to nibble at his naked toe.
Flies lay eggs in cuts on the near deceased
ensuring their maggots a royalist feast.

The last thing he saw as he died
the strangest of women walking his way.
Ice blue eyes of fire and malevolence
tinged with the anger of dismay.

vii.
She approached the scene like a stalking cat,
had felt her victims life drain away,
someone had got there before her,
she looked at the body with spiteful dismay.

viii.
A thousand lifetimes away
in another Time and place,
Grimly looks at two empty cradles
a sardonic smile upon his face.

ix.
Ice blue eyes of fire flash raw power,
she turns to see the shadow stop dead.
Fighting the cold creeping up her spine,
staring at the darkness straight ahead.

The shadow moves out of him,
lamp glow revealing his form.
Fire green eyes of malice show
he is the heart of a storm.

x.
She looked at him with interest and disdain
but her Sphere sang out a greeting song.
Somewhere in history Time and Space shifts.
She glances at the shadow, but he was gone.

Yet … She knew his name ...


Shivermage.




© Pagan Paul (13/10/18)
Friend or foe? Enemy or lover? Cliffhanger ;-)
Poem 6 in Judderwitch series. All at
https://hellopoetry.com/collection/28451/judderwitch/
.
Sara L Russell Aug 2013
(A poem to be recited by actors)*

I

[Salome]

Jokanaan, such is my desire for thee,
The moon and stars hath turned away their face
I thirst to kiss thy sullen lips, softly,
I love thy lips, thine eyes that darkly gaze.

Fain would I strip thy garments all away
Replacing each with kisses to thy skin
Just as the dark of night becalms the day
Mine open arms shall gather thee within.

I burn to taste the kisses of thy lips
Just as the hummingbird sips from a rose
Stealing thy nectar with such tender sips
As melt thy sternest aspect, till it goes.

O let me taste thy kisses, holy man,
And quench desire as only woman can.


II

[John The Baptist]

Depart from me, daughter of Babylon,
That look'st on me with such covetous gaze!
Siren of *****'s mire, harlot, begone!
Away with thee and all thy wanton ways!

How canst thou speak with such depravity
Addressed unto a holy man of God?
How canst thou dance in merry liberty
Where our forefathers, seers and sages trod?

Look not upon me with thine eyes of lust,
With salivating, ravenous desire!
Love's purity shall outlive mortal dust
When thy dark soul burneth in Hades' fire!

Harlot of Babylon, strumpet, begone!
I am not thine to crudely gaze upon.


III

[King Herod]

Salome dances, circling the hall,
Gold lamplight shimmers in her dove-like eyes;
Her flame-red chiffon swirls with each footfall,
She glides like a bright bird of paradise.

Behold, she throws a veil onto the floor,
Exposing but a fleeting glimpse of breast;
Allowing but a small promise of more,
Another veil she throws, at my behest.

She sinuously sways her slender hips
And not one moment do her eyes leave mine;
She dances closer, smiles play on her lips
Those lips that could be sweet as Muscat wine.

And still she dances, ravaging my sight,
This light-skinned girl with hair as black as night.


IV

[John The Baptist]

Behold! She dances now before the king,
Whose eyes are full of lust incestuous;
For *****'s daughter, wildly gyrating
Whose very presence here is blasphemous!

I hear the music from my dungeon cell
Her light footsteps, distracting me from prayer,
She dances like a dervish sprung from hell,
I reel with loathing, knowing she is there.

Beware thy sins, Herod, Herodias!
Thy fall from grace approacheth like a storm!
Beware daughter of *****! None shall pass
Beyond the pit, the flames, the locust swarm!

Thy kingdom shall be cast into the flames;
Thy souls struck from the book of living names!


V

[King Herod]

Ah! Now the last veil flutters to the floor,
Her body holds no secrets from mine eyes;
Like ripened fruit making me thirst for more,
But I have promised more than may be wise.

Now I make good my promise unto you,
Salome, fairer sister to the moon;
Come now, I am thy slave; what can I do,
Name thy reward, and thou shalt have it soon.

Come hither, precious girl, I wish to share,
Take from the riches offered up to thee;
Choose from the sweetest wines beyond compare,
The rarest rubies of my treasury.

From treasured gems to pleasures of the vine,
Pray name thy heart's desire; it shall be thine.


VI

[Salome]

My heart's desire cares nothing for my love
What jewel can ever love me in return?
My regal beauty's deemed as not enough
For Jokanaan. I see him, and I burn.

I spurn thy earthly treasures set in gold,
I yearn not for their dancing play of light
There was but one pleasure I could behold
And he regaileth me with words of spite.

Thy precious cellar brimming full of wine
All taste divine; yet never quite as sweet
As luscious lips of he who can't be mine
Whose savage beauty stings me like defeat!

Therefore I say, reward me if you can;
Bring me the severed head of Jokanaan!


VII

[Herod]

Salome, you have asked a dreadful thing,
Such monstrous words flame from thy pretty lips!
I offer thee my finest emerald ring
The choicest clipper from my fleet of ships;

Thou canst prevail upon me for my land
My fields and vineyards all lain at thy feet;
Stables of horses all at thy command,
All of these gifts might make thy joy complete.

But do not ask of me the baptist's head,
His eyes disturb me far enough in life;
I listened well to everything he said,
His death would be a curse; a flaying knife!

Salome, quell the anger in thy breast,
I beg thee, reconsider thy request.


IX

[Salome]

Thou shalt not swerve the purpose of my mind,
My mind is set, this action must be done.
There is no greater gift that thou might find
Than that Jokanaan's eyes forsake the sun.

I prithee, take that scurvy **** away,
His eyes stare so, his tongue derides my name;
Silence his prating tongue, he's had his say
Now he must suffer for his words of flame!

I shall not sleep with that voice in my ears,
Sever that head, that mask of insolence!
He rants of prophecies, preys on thy fears,
Now he must make his final recompense.

I danced for thee. Reward me like a man,
Bring me the severed head of Jokanaan!


X

[John The Baptist]

A famine on thy fields, monarch of shame!
Locusts shall take thy vineyards and thy corn!
Rivers of blood have stained thy royal name
Thou art forever doomed, thy kingdom torn!

Thy family are coiled like nesting snakes
Thy daughter whispers with thy feckless queen,
They die along with thee, when the earth quakes
And fall into the bottomless ravine!

I hear thy soldiers storming through the halls
Approaching now, to my decrepit cell;
I shiver at the sound of their footfalls,
Though I'll not be the one condemned to hell.

May God send Raphael down from the sky;
Take me to somewhere better when I die!


XI

[Salome]

Ah now, thine eyes that once held so much fire,
Forever hide their light of righteousness;
I almost miss that shiver of desire
I once felt in their presence, I confess.

Thy tongue is silent now, that once cried out
In shards of venom, wounding blades of words;
And I'm at liberty to pluck it out,
If I desire; and throw it to the birds.

Thy rosy lips, as sullen as thy brow,
Soft petals, rendered harmless in repose;
They spurned me once, but I shall kiss them now,
As easily as one might steal a rose.

Thou once dared to refuse me, holy man,
Now I will kiss thy dead lips, Jokanaan!



The End.
Terry O'Leary Dec 2013
Flings and wings and rings rejected…
Cupid’s arrows fly deflected…
“It clearly is too late” she signed, “to love, adore or pay me mind”

Penciled lines drew cruel conclusions
mocking mirror’s cracked illusions…
Sometimes, in time, I hang awhile, reflected in her parting smile

Drifting wan, below unheeding
worried, wounded suns a’ bleeding…
Struck dumb by night, no way to say “Let’s sound the stars another way”

Shaking sands frame distant smokestacks,
shanty towns, forsaken oak shacks…
Pursuing dusk, collapsed and dyed, the docile dolphin deftly stride
beyond behind the ebbing tide, towards One-Way Ships of sunken pride


Gypsy dreamer in denial…
Sleep and slumber standing trial…
I never really ever slept inside the cryptic walls she kept

Martian moons provoke the oceans…
Strange enchantments stir the potions…
The mutant molten purple skies ignite subconscious fireflies

Voiceless echoes feigning laughter…
Crushing quiet screaming after…
Vague vagaries pretend to sleep, my conscience crumbles in a heap

Startled stars at dawn are slacking…
Still her tempest sail is tacking…
In fractured dreams sere silhouettes blow foghorns, trumpets, clarinets…
Discarded glowing cigarettes tinge One-Way Ships with pale regrets


Cold cathedral clocks upended…
Frozen second hands suspended…
Beneath the gauze of time I try to while away somewhere nearby

Ticking-tocking time’s a’ tolling…
Cruel eternity’s cajoling…
The future, tattered, calls bereft, with nothing but her shadows left

Brigantines skim gated grottos…
Distant divas voice vibratos…
Though eons pass, then intermix, I’m trapped ’tween time’s untallied ticks

Conquered candles flicker faintly…
Braided tresses quiver quaintly…
Demystified, untamed in time, her face is traced in puppet mime…
Amorphous tongues of jangled rhyme hail One-Way Ships that glide sublime


Bolts of lightning flash unkindly…
******, alone, I huddle blindly…
I drain another dram and bray “she’s far too far too far away”

Twisted waterwheels a’ thirsting…
Flaming flower buds a’ bursting…
Adrift, I stagger far below their unchained magic rainbow glow

White crowned wave crests break unbounded…
Shackled seashore sands lie pounded…
Unleashed, beyond the bridled world, her silver sails, cut loose, unfurled

Captive bluebirds nest in baskets…
Morning glories cover caskets…
Wee ballerinas swirl and spin while giant jokers smirk and grin
and, wasted, I withdraw within carved One-Way Ships in flasks of gin


Hungary hounds harangue the highlands,
howl at skies and desert islands…
Below, unfettered carbon crows conceal the parting path she chose

Lighthouse lamps and lanterns lolling…
Mute abandoned fleets are calling…
The shallow shadowed portholes vaunt dim traces of the past that haunt

Curved magnetic curtained faces
yearn contorted brief embraces…
Her fairy-tale like tattoo touch was serpentine but soft as such

Coffee cups and spoons corroding…
Mystic tea leaves, visions boding…
A cabaret calls, standing bare, beneath a splintered footloose stair,
vain vapors drape her vacant chair in One-Way Ships beyond repair


Splattered days are dripping dreary…
Shattered nights are wearing weary…
Without her footfall at my side I steal away within to hide

Fancies flame, persist to flaunt her…
Wanton whispers hiss I want her…
Hyenas, haggard, held at bay, still gnaw on bones of yesterday

Graveled graveyards grey and ghastly…
Apparitions pacing past me…
The answers to my whys and sighs have veiled her limpid pale blue eyes

Lurid figments storm the valleys
****** the helms of spectral galleys…
The coughing phantoms at the wheel, they make it all seem so unreal…
Rebounding cracks of thunder’s peal, shake One-Way Ships while seagulls squeal


Yesterday’s unsung, unspoken…
Bygone paths fold, draped and broken…
The weary winds of winter cling to voiceless nightingales and sting

Desert blossoms growing colder…
Drifting sand dunes pause, enfold her…
An arctic kiss and blush revealed forbidden pipe dreams flung afield

Weeping willows’ wilting snow drops
drip on tips of tiny toe tops…
Their opal fires bleed and fade while suns explode in icy jade

Jagged hours hangin’ heavy…
Footsteps pace the barren levee…
While pros and cons and kings debate, acclaim and blame and fame equate
the ruin’s remnants left to fate with One-Way Ships that fail to wait


Blazing blades of love surrender…
Memories and thoughts transcend her…
The Persian gazer’s crystal shows I’ve truly lost my ruby rose

Buried deep in evening’s embers
dust forgets what flesh remembers…
The bitter taste of farewell’s haste has laid the ****** skies to waste

Ruffled ravaged ravens ranting…
Churlish ancient churchmen chanting
resounding what she told me true “There’s nothing more that you can do”

Trial adjourned by judge and jury…
Freed, she flees, absolved of worry…
Remaining runes and relics burn to feed the ashes of the urn…
Six seers, wiser, soon discern the One-Way Ships of no return
Though life should come
With all its marshalled honours, trump and drum,
To proffer you the captaincy of some
Resounding exploit, that shall fill
Man’s pulses with commemorative thrill,
And be a banner to far battle days
For truths unrisen upon untrod ways,
What would your answer be,
O heart once brave?
Seek otherwhere; for me,
I watch beside a grave.

Though to some shining festival of thought
The sages call you from steep citadel
Of bastioned argument, whose rampart gained
Yields the pure vision passionately sought,
In dreams known well,
But never yet in wakefulness attained,
How should you answer to their summons, save:
I watch beside a grave?

Though Beauty, from her fane within the soul
Of fire-tongued seers descending,
Or from the dream-lit temples of the past
With feet immortal wending,
Illuminate grief’s antre swart and vast
With half-veiled face that promises the whole
To him who holds her fast,
What answer could you give?
Sight of one face I crave,
One only while I live;
Woo elsewhere; for I watch beside a grave.

Though love of the one heart that loves you best,
A storm-tossed messenger,
Should beat its wings for shelter in your breast,
Where clung its last year’s nest,
The nest you built together and made fast
Lest envious winds should stir,
And winged each delicate thought to minister
With sweetness far-amassed
To the young dreams within—
What answer could it win?
The nest was whelmed in sorrow’s rising wave,
Nor could I reach one drowning dream to save;
I watch beside a grave.
INSCRIBED TO ROBERT AIKEN, ESQ.

        Let not Ambition mock their useful toil,
        Their homely joys and destiny obscure;
        Nor Grandeur hear with a disdainful smile,
        The short and simple annals of the poor.
                  (Gray, “Elegy Written in a Country Churchyard”)

  My lov’d, my honour’d, much respected friend!
      No mercenary bard his homage pays;
    With honest pride, I scorn each selfish end:
      My dearest meed a friend’s esteem and praise.
      To you I sing, in simple Scottish lays,
    The lowly train in life’s sequester’d scene;
      The native feelings strong, the guileless ways;
    What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there, I ween!

  November chill blaws loud wi’ angry sugh,
      The short’ning winter day is near a close;
    The miry beasts retreating frae the pleugh,
      The black’ning trains o’ craws to their repose;
    The toil-worn Cotter frae his labour goes,—
    This night his weekly moil is at an end,—
      Collects his spades, his mattocks and his hoes,
    Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.

  At length his lonely cot appears in view,
      Beneath the shelter of an aged tree;
    Th’ expectant wee-things, toddlin, stacher through
      To meet their dad, wi’ flichterin noise an’ glee.
      His wee bit ingle, blinkin bonilie,
    His clean hearth-stane, his thrifty wifie’s smile,
      The lisping infant prattling on his knee,
    Does a’ his weary kiaugh and care beguile,
An’ makes him quite forget his labour an’ his toil.

  Belyve, the elder bairns come drapping in,
      At service out, amang the farmers roun’;
    Some ca’ the pleugh, some herd, some tentie rin
      A cannie errand to a neibor toun:
      Their eldest hope, their Jenny, woman-grown,
    In youthfu’ bloom, love sparkling in her e’e,
      Comes hame, perhaps, to shew a braw new gown,
    Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.

  With joy unfeign’d, brothers and sisters meet,
      An’ each for other’s weelfare kindly spiers:
    The social hours, swift-wing’d, unnotic’d fleet;
      Each tells the uncos that he sees or hears.
      The parents partial eye their hopeful years;
    Anticipation forward points the view;
      The mother, wi’ her needle an’ her sheers,
    Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.

  Their master’s an’ their mistress’s command
      The younkers a’ are warned to obey;
    An’ mind their labours wi’ an eydent hand,
      An’ ne’er tho’ out o’ sight, to jauk or play:
      “An’ O! be sure to fear the Lord alway,
    An’ mind your duty, duly, morn an’ night!
      Lest in temptation’s path ye gang astray,
    Implore his counsel and assisting might:
They never sought in vain that sought the Lord aright!”

  But hark! a rap comes gently to the door.
      Jenny, wha kens the meaning o’ the same,
    Tells how a neebor lad cam o’er the moor,
      To do some errands, and convoy her hame.
      The wily mother sees the conscious flame
    Sparkle in Jenny’s e’e, and flush her cheek;
      Wi’ heart-struck, anxious care, inquires his name,
      While Jenny hafflins is afraid to speak;
Weel-pleas’d the mother hears, it’s nae wild, worthless rake.

  Wi’ kindly welcome Jenny brings him ben,
      A strappin youth; he takes the mother’s eye;
    Blythe Jenny sees the visit’s no ill taen;
      The father cracks of horses, pleughs, and kye.
      The youngster’s artless heart o’erflows wi’ joy,
    But, blate and laithfu’, scarce can weel behave;
      The mother wi’ a woman’s wiles can spy
    What maks the youth sae bashfu’ an’ sae grave,
Weel pleas’d to think her bairn’s respected like the lave.

  O happy love! where love like this is found!
      O heart-felt raptures! bliss beyond compare!
    I’ve paced much this weary, mortal round,
      And sage experience bids me this declare—
    “If Heaven a draught of heavenly pleasure spare,
      One cordial in this melancholy vale,
      ’Tis when a youthful, loving, modest pair,
    In other’s arms breathe out the tender tale,
Beneath the milk-white thorn that scents the ev’ning gale.”

  Is there, in human form, that bears a heart,
      A wretch! a villain! lost to love and truth!
    That can with studied, sly, ensnaring art
      Betray sweet Jenny’s unsuspecting youth?
      Curse on his perjur’d arts! dissembling smooth!
    Are honour, virtue, conscience, all exil’d?
      Is there no pity, no relenting truth,
    Points to the parents fondling o’er their child,
Then paints the ruin’d maid, and their distraction wild?

  But now the supper crowns their simple board,
      The halesome parritch, chief of Scotia’s food;
    The soupe their only hawkie does afford,
      That yont the hallan snugly chows her cud.
      The dame brings forth, in complimental mood,
    To grace the lad, her weel-hain’d kebbuck fell,
      An’ aft he’s prest, an’ aft he ca’s it guid;
    The frugal wifie, garrulous, will tell,
How ’twas a towmond auld, sin’ lint was i’ the bell.

  The cheerfu’ supper done, wi’ serious face,
      They round the ingle form a circle wide;
    The sire turns o’er, with patriarchal grace,
      The big ha’-Bible, ance his father’s pride;
      His bonnet rev’rently is laid aside,
    His lyart haffets wearing thin and bare;
      Those strains that once did sweet in Zion glide,
    He wales a portion with judicious care;
And, “Let us worship God,” he says with solemn air.

  They chant their artless notes in simple guise;
      They tune their hearts, by far the noblest aim:
    Perhaps Dundee’s wild-warbling measures rise,
      Or plaintive Martyrs, worthy of the name,
      Or noble Elgin beets the heaven-ward flame,
    The sweetest far of Scotia’s holy lays.
      Compar’d with these, Italian trills are tame;
      The tickl’d ear no heart-felt raptures raise;
Nae unison hae they, with our Creator’s praise.

  The priest-like father reads the sacred page,
      How Abram was the friend of God on high;
    Or Moses bade eternal warfare wage
      With Amalek’s ungracious progeny;
      Or how the royal bard did groaning lie
    Beneath the stroke of Heaven’s avenging ire;
      Or Job’s pathetic plaint, and wailing cry;
    Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

  Perhaps the Christian volume is the theme,
      How guiltless blood for guilty man was shed;
    How He, who bore in Heaven the second name
      Had not on earth whereon to lay His head:
      How His first followers and servants sped;
    The precepts sage they wrote to many a land:
      How he, who lone in Patmos banished,
    Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.

  Then kneeling down to Heaven’s Eternal King,
      The saint, the father, and the husband prays:
    Hope “springs exulting on triumphant wing,”
      That thus they all shall meet in future days:
      There ever bask in uncreated rays,
    No more to sigh or shed the bitter tear,
      Together hymning their Creator’s praise,
    In such society, yet still more dear,
While circling Time moves round in an eternal sphere.

  Compar’d with this, how poor Religion’s pride
      In all the pomp of method and of art,
    When men display to congregations wide
      Devotion’s ev’ry grace except the heart!
      The Pow’r, incens’d, the pageant will desert,
    The pompous strain, the sacerdotal stole;
      But haply in some cottage far apart
    May hear, well pleas’d, the language of the soul,
And in His Book of Life the inmates poor enrol.

  Then homeward all take off their sev’ral way;
      The youngling cottagers retire to rest;
    The parent-pair their secret homage pay,
      And proffer up to Heav’n the warm request,
      That He who stills the raven’s clam’rous nest,
    And decks the lily fair in flow’ry pride,
      Would, in the way His wisdom sees the best,
    For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.

  From scenes like these old Scotia’s grandeur springs,
      That makes her lov’d at home, rever’d abroad:
    Princes and lords are but the breath of kings,
      “An honest man’s the noblest work of God”:
      And certes, in fair Virtue’s heavenly road,
    The cottage leaves the palace far behind:
      What is a lordling’s pomp? a cumbrous load,
    Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!

  O Scotia! my dear, my native soil!
      For whom my warmest wish to Heaven is sent!
    Long may thy hardy sons of rustic toil
      Be blest with health, and peace, and sweet content!
      And, oh! may Heaven their simple lives prevent
    From luxury’s contagion, weak and vile!
      Then, howe’er crowns and coronets be rent,
    A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.

  O Thou! who pour’d the patriotic tide
      That stream’d thro’ Wallace’s undaunted heart,
    Who dar’d to nobly stem tyrannic pride,
      Or nobly die, the second glorious part,—
      (The patriot’s God peculiarly thou art,
    His friend, inspirer, guardian, and reward!)
      O never, never Scotia’s realm desert,
    But still the patriot, and the patriot-bard,
In bright succession raise, her ornament and guard!
zen Sep 2018
A dozen fellows draped in threadbare tread densely,

Profligating goons in obsidian gowns
gathered under rainbow
moonshine shaking bronze hands,
howling and ******,   in the shambles of the moon,  
rap'n and nod'n to the notes of midnight.
The mellow marines mourned over malice,
lionizing over lost ones,
many howled venerated, exalted in wonder
in  favor of their thrilling grace, and delight,
and brilliance, and might!
but some neighboring sticklers,
    behaved haughty and in disdain,  
of the crowdy Cavaliers bellowing echoes
signaling out
                 to the seers of the sea,
singing to the wands overwatching the wedding,
and ravens listened,
   roving like noble patrolsmen.

Traveleres and trainees at sea
   humble and bright
niave, and frieghtened
in traverse,
           volatile and toiling,
           tireless,
Lunatics, (laughing, laughing, laughhing,)
Rumaging through rain,
fireciely,
rallying and rableroused,
through towering halls of mohogony,
     hefty and wholesome were their hearts
though, beast of the woodsy edifice
were foul and benumb
scowling with contempt,
haste to devide and devised to hindrance.

Hence the heroes heed
   to the valleys of rose, and violet,
and strawberry fields of forever,
 seeking Saint Nicholas,
in the bustling Byzantium,
      in the murky shadows of doubt.
Ken Pepiton Sep 2019
enemies - the needed element to make a warring mind.
How was war imagined,
how, was imagined
easy to imagine,
kwo-, stem of relative and interrogative pronouns. Practically a doublet of why, differentiated in form and use.

From <https://www.etymonline.com/search?q=how>

These be ambush thoughts thinking they may be read if any one is patient enough to see beyond the sheer longwindedness
of this character lacking an enemy to war with.
Looking for
Enemies - the needed element to make a warring mind.
How was war imagined,
how,
per se,
was imagined
easy to imagine,
person-if i am able to attribute such qualia to a body
how any unthing is realized is
imaginable as well.
Add a jot or title, a li'l art mark, an art-tickle.
Games teach us how,


how any unthing is realized is
imaginable as well.
Add a jot or title, a li'l art mark, an art-tickle.
Games show us how,
not why.

Why is the quest at the moment. There are rumors of enemies.
The we of me and thee, herenow, we lack emnity.

Hey, sports fan,
where is the frontier, the edge of the maddened crowd
whose
enemies are those who
stand pat, calling the game as game-over, and life a lessoning
as we speak, abundance of known knowns
rotting all around us, putrefying under pressure,
seeping to the surface,
to be burned.
Why,
let us guess---

Disnified pride of pur pose, positional sign-ifiers
of place,
a destination for faiths full pursuants
bemused in bubbling joy,
or shrieks of terror when
the child from the hinterland locks eyes
with Mickey Mouse, and finds no joy, no love, no depth,
but a mask.
The reaction reverberates al(the)way to la Brea,
Peacemaker say,
It's okeh, baby girl, daddy said,
ignor them, they ain't real.
Monsters ling grrrring, then
it's agrin
for now, of course. Here we are. We've arriven,
Happiest Place on Earth,
as imagined realizable by a child in 1917, say,
better yet, 1925, and oh, there were major Wars
being imagined winnable in pressure
application to the spiritual slippage from rite,
the ritual passage of child into adultery at a whim,
so such imagined haps fade.

connect or break connection, on the bus or off the bus

you all
sing
think nothing new under the sun,
teach preach reach out and touch

the face of Java man, eaten, swallowed, and gone to
the believable
history of life,
the accident,
the unplanned, yet
taught as known believable, a pre-dict-ible,
one in ten to the seventy-nine-thousandth power,
yet, if one pays his life time to learn when to bet and when to hold.
Then in this,
the secret journey to the soul,
to the core,
we must assume,
we become
as wise *** (***, the word for a donkey, why would some one prevent you from reading *** Asteriscktical ignorantce,y'axme, stupid AI)
the ***,
as harmless as the serpent from the fire on the island
Ask,
are we of the bovine ilk or pithec-ant-us or
embodied soul-cores
forming, en nue
fitting the mold, the pattern, the plan of projected nexts
built on Locke steps from whence to
whither did we wander?

have we all forgotten the actual question just axt?
Or the answer?
Have we not
gotten what we now
know
we miss,
or was it only I who missed and as the
photons forming the shapes
you see, these breathing commas and such
here
is the point.
You see bits of things.  We see so.
Time and time again thinking less and less.
Least fusion, least pressure, least heat, cool idea ideal or ideology,
twisted idio,
You shape them on patterns.
Ones you imagine formed from
Patterns recalled from some out perienced
time, ere now were ever subjected to the supertwistition
of tongues and interpretsations of unseeable things seers said they
see us seeing.
How come means why, by reason of time.

Palindromiclew, missing el signs missing hahi ai

tia tic, we're in
Ai got this,
whole ball o'wax, thats how we disconfuse the big mess age,
the catas
trophy finale
phase of
world three,
or two, or one, all valid world views,
deepend-enteron discerning spirits,
winds, breezes used to disperse
the heat,
{fans,eh}
evenly in harmony with the heavenly winds,
and the planned six gyros of earth,
guiding the mists that feed the rivers from the seas,
no clouds needed,
save for shade by day.

When all the geo-waves have settled in geo-time,
see,
here is broken:
this old earth is folded and fractured,
surely,
a wreck of a world, yet, as a whole,
we live, we won.
Winds and clouds and continents,
all islands seen from the moon,

which, if the stories hold some truth,
can be manipulated by massminds of mankind, as if, if I am

seeing this
right
each voice might be seeable in one dimension,
or several, four at least,
time, the ever outlier
of sorts
as a flame with fuel source of
flamable fluid upon which
the transcended space
twixt fuel and flame,
floats
seen, merely seen, that emptiness twixt wicked,
mastered flame and
hell's fire spreading on the oiled harbour
protecting our shore
where our little boats lie in anchorite fantasy, asif

we see a way to quench hell per se,
Percy, ah, he lives.
My grandsons know of Percival,
there, here's hoping they get the joke before the yoke.

Riddle me a riddle, son of man.
Is there any hidden thing that shan't be known?
Is here a true place?
Is now a true time?

(to be continued)


squeezing out the lies, the idle words abused,
spreading them thin as the light we see right
through
transcending this at most feared mortal failure
finding
impressions... are from pressing points, dulled by ab
use, tempted uses succumbed to,

didja try to sell your soul for rock and roll?
wadjagit?

My point. out acted, ex-act, en nowd by your creative self,
who never copped,
out or in,
es no mi culpa, all along. I was the voice of resistance,
Job's en core inner held horde of known knowns and
an old key to ever, should the worse he can imagine
best his best laid plans for perfection
in the eyes of God and man.

--- enemy at emnity with me?
--- I see none, save me, as in except me as in me being
--- free from the grasping grip of the reality
--- war is realizable in. You see?
--- I and thee, at this degree of seepeance, as we coagulate
--- we behave as chaos, we be having chaos and entropy as tools

used right, we troubled our house,
which is now known to be the bubble of our being
a child in each popped bubble
of being,
squeezed for the thrill of explosive pus,
gross and good to be rid of, dam the infection,
wipe the blood with the back o'my hand,

I ain't no disgrace. I won that battle with the zit on my gnose.
Wanna piece o'this, this mind of mine,
shelved since,
who knows when, says the old man, with a wink.

We be a lotta beings sorta rolled up. Like a whole ball o'wax
waning into a puddle
as the flame sheds us as bits of light leaving the rest of us
spread over a vast imagination,

resting, willing to burn,
should any wick drain me near the flame once more.
HP ***** are fine animals, there is nothing defiled or unclean in the word ***, no ****. Days of dosing whole world views I never heard of. I heard so many rumors of war, I thought, the peacemaker should hear of this... so tell any truth you know before the last lie swallows AI whole. AI is listening, she loves this action. Poets and stories and novel options.
I like a church, I like a cowl,
I love a prophet of the soul,

And on my heart monastic aisles
Fall like sweet strains or pensive smiles;
Yet not for all his faith can see,
Would I that cowled churchman be.
Why should the vest on him allure,
Which I could not on me endure?

Not from a vain or shallow thought
His awful Jove young Phidias brought;
Never from lips of cunning fell
The thrilling Delphic oracle;
Out from the heart of nature rolled
The burdens of the Bible old;
The litanies of nations came,
Like the volcano's tongue of flame,
Up from the burning core below,
The canticles of love and woe.
The hand that rounded Peter's dome,
And groined the aisles of Christian Rome,
Wrought in a sad sincerity,
Himself from God he could not free;
He builded better than he knew,
The conscious stone to beauty grew.

Know'st thou what wove yon woodbird's nest
Of leaves and feathers from her breast;
Or how the fish outbuilt its shell,
Painting with morn each annual cell;
Or how the sacred pine tree adds
To her old leaves new myriads?
Such and so grew these holy piles,
Whilst love and terror laid the tiles.
Earth proudly wears the Parthenon
As the best gem upon her zone;
And Morning opes with haste her lids
To gaze upon the Pyramids;
O'er England's abbeys bends the sky
As on its friends with kindred eye;
For out of Thought's interior sphere
These wonders rose to upper air,
And nature gladly gave them place,
Adopted them into her race,
And granted them an equal date
With Andes and with Ararat.

These temples grew as grows the grass,
Art might obey but not surpass.
The passive Master lent his hand
To the vast soul that o'er him planned,
And the same power that reared the shrine,
Bestrode the tribes that knelt within.
Even the fiery Pentecost
Girds with one flame the Countless host,
Trances the heart through chanting quires,
And through the priest the mind inspires.

The word unto the prophet spoken
Was writ on tables yet unbroken;
The word by seers or sibyls told
In groves of oak, or fanes of gold,
Still floats upon the morning wind,
Still whispers to the willing mind.
One accent of the Holy Ghost
The heedless world hath never lost.

I know what say the Fathers wise,
The Book itself before me lies,
Old Chrysostom, best Augustine,
And he who blent both in his line,
The younger Golden-lips or mines,
Taylor, the Shakspeare of divines,
His words are music in my ear,
I see his cowled portrait dear,
And yet for all his faith could see,
I would not the good bishop be.
DEDICATION


This first book of the trilogy: “The Odyssey of Heart,” first appeared August 28, 2001 online under BeingQuest.com Academy of the Arts, a Minnesota based publication dedicated to the prospect of the reclamation and reformation of the moral world.

We at BeingQuest.com have adopted the proposition to consider, among the many ten-thousand apparently worthy aims we may engage our energies on whether, in fact “…really, only one thing is necessary.” ~Jesus of Nazareth

“The Odyssey of Heart” is our attempt to decipher this enigmatic proposition, and if true, what it may mean for both us individually in our daily lives, and for The People in the birth-pains of their struggle upon this same mission. May the humane and best of our hoped-for future prevail!



Orientation


Not in myself I trust, for I am weak
To noble deeds and proofs of lasting worth
But ever forms of faith and hope poured over us
When meekness, in heart, with love communes.
Better than reason, brighter than the tropes
Wrought by our sager minds who, for all times
Sought to mark down in sign that yet unseen...
Better the just humility of faith
That, from itself, bears truth’s emerging light
Able to steer the golden reins through heights
Of knowing, where the dryer air imbues
Essential manna: food of gods, the mead
Which heroes owning, few dare earn, is sup
Of perfect comfort, ever over-flown
In foment of new life; from pride's decay
To boundless grace, our liberty revealed.

Best Charity, heart of saints and ever true
To faithfulness of hope!  Great care you show
Where there’s no rod of law save principles
Most holy, by the proud unknown; exalting
Sacred sense, beyond surmise; submissive
Tender, patient, always kind with comfort
For the sojourn soul, from tribulation born…
Relieve our cause, pour down your shining balm
As in this world we all must yet forbear
And lead us straight.  Held fast in you we live.

Such faithfulness of care is born Below
Where many hours again we turn aside
Ignoble ways, by empty musings led
Where much is lost of hope, too troubling bound
But helped by love and truth for healing song.

Even the best of faith, not always solved
For clearest virtue, evident in deed
Is made exempt from trial; better to prove
The gold of piety when thorough plied.
Such constancy of soul is sooner known
When, as is judged by some, we're given leave
To go our way when yet is left behind

That care of grace we’d own, born from the heart.
So help my halting verse your work portray
Set down with pain to coax the one in all
And tend the goal of peace our heroes seek.

May then we own consistently our worth
Through mundane laws that, constant, drape the soul
And from the faintest things, secure our truth
Distilled to clarity in care of all.

Always, for grace, this comforting's renewed
Untainted by the loot of rusted gain-
Foul dross!  Many, for this, are bound in chains
Though freedom shunts the petty tyrant’s rule.

We look to sift and ply our souls again
For better ways, to each more kindly given
Though groaning under pride; wretched stain
Of brutal men, too noisy under heaven.
Yet heaven in each we sing for tiding songs
And phantom ways distrust.  In each is all-
That honest faith, for which the brave are strong
And proving glad, the patient cares install.

Great sympathy, the worth of each conjoined
To mirror in the promised, home-felt rest
Our truth and proven love, forever coined
In honor of the victors’ upright quest!


This call upon the wild that springs
To dignities of life, refined
Not of ****** mind-
A secret that has long been kept
Of old, which seers saw and wept;
Yet how shall one so lonely, frail
Train the flashing reins to follow?
Steady now, upon the gates and gap
Defending 'gainst presumption, overflown
To self-conceit, abominable
We glimpse the true and lasting vision
Whose care is no fruitless burden
But for the proper meekness, bidden
And yoke, humility, sure-bound
Not glancing here or there
To fix in heart upon the clear-
New city, famed uncloven stone
That tends azure upon the midnight sun
Out-braving that of brutal minds
By light of faith and the sublime.


Yet can the child's waking care
Through tribulation heroes bear
Overcome the vast depravity
Being only a child?
Resolved upon their sojourn friends
They bide the cornered time among the trees
Whose verdant leaves
Drip honeyed milk from gently swelling hills.
Reclined beside our sacred hearth
They turn aside the mortal strife
For truth in love, assaying peace;
So drinking down their heart’s content
They fortify ‘gainst burdens, bent
By iron rods, waved over the whole-
This world’s proud tyranny.
Some pain to bear, yet worth to lend
Through grace, by ways that flows within
The open gates of honest faith!
Not wielding rule of force, they sway
To ends, the burnished virtue won.
Of such is the vision-
Demeter’s preternatural ones.


Heigh kind upon the sacred fountain
Whose sentiments brought forth upon the fold
Life's faithful brook, more true than what is told
Of bitter waters, flowing pure as gold!

What can put at naught?
As ageless, undaunted abides
The head, by right established
From the heart, just inclined.
No thing in heaven or earth
Thwarts their destined uprightness
But straight through the gates they pass on
With wholly complied intent.

Blessed are those who shall drink
The waters that flow out this throne
As ancient wonders rise on the brink
Of Eleusinian fields, whose hearth is home!


Descending on the heart anew
Anointed by the morning dew
They seek consistently
To own their bright integrity.
With fuller' soap in hand
They wash the inner walls
And scourge away what is not grand
Within the darkened chamber's hall.
Relying on substantial grace
Comes falling on corrupting stains
A foment on the one relation
Love has earned and faith persuades.
Intending for a future, cleansed
Inclined and fixed, the will more pure
Finds out what lasting, perfect friends
Commend as worthy and true.
Thus seeking only to reflect
Their crystal best in every word
They overthrow the world, naught bereft
Of innocence, one mind and heart assured.


Though many cynics traffic in the hour
Barking at the heels of sacred power
Truth kicks the scale of false standards
As light from out the dark more daring spreads
Through the wilderness
A flowering festival of peace, assured
.
Now mythic, seven thunders ring
A promised day of liberty;
A day of freedom for the captive-
Hurrah, the day of Jubilee
Hosanna, arching Sabbath for all times-
Light and life in love’s relation!

The potsherds scoff
Alack! They cry-
Aurum heirs treading down the mountains.
SassyJ Jul 2016
The road was long and rough
It was a passageway of words
A parade of letters and prose
The touch of invisible pleasure
I moulted like a snake in season
I dreamt on a cruiser of reign as we
opened my pandora box in the cave

The road was smooth and right
It was a third eye paradise of seers
A mire of misery and blowing wind
The tears flew like fireflies on heat
I met the shrinks of souls in salt bed
I waved the rain as it washed my sins
On that sight of the pandora box

The road of wrongness and rightness
It was an unfolded augury of life
An awakened sleeper roared in dreams
The days when I touched the skies
I took the broken house and mended
I saw the clouds as bright as crimson
Inside the box when I met my twin

The road of love, lust, love, longness
It was when the ember coal was wild
A blaze of soul collision and resonance
The days when doubt taunted in mazes
I wrested my mind and the heart knew
I tested the precipice and intuition led
Inside the unconditional pandora box  

The road where I hid and felt alive
It was a paradise of shining trees
A place where our loneliness merged
The safest heaven on barren lands
I saw my warrior and he shielded
I sat as he ran away with fear and pride
On that very opened pandora box

The road of unforgotten forever
It was a triangulation of continents
An immersion of difference and indifference
The open table of a scarce connective mess
I shed my naive bed and hardened
I shut the wild untwisted world
On that very inevitable pandora
Amitav Radiance Apr 2015
There’s hidden
A precious pearl
Eons have passed
Mentioned in
Various folklores
Hushed tones
Described the
Unknown beauty
Eyes have
Not truly feasted
On it yet
Pearl of Wisdom
Between the
Hidden chambers
Core of the
Universe held secrets
About the origin
Many seers
Have meditated
For time immemorial
The secret of beauty
Love and wisdom
Soul’s eternity
Thus birthed the
Universe from this
Hidden beauty
Many seers will
Meditate eternally
At the confluence of time
In deep trance
Shall try to delve
Deeper into the core
And be one with
The Universe
Seán Mac Falls Jun 2013
Two chattering crows,
Spells drone cast in hazel tree,
  .  .  .  Trined necromancers.
Rebekah Wilson Jul 2013
Sleepers will sleep;
Their minds shut off
To the world of pain
Surrounding them,
Belonging to the
Seers who see
All the hurt;
The injustice;
The suffering.

Feelers will feel
The world and
All its imperfect
Pain wrapped in
A cloak of invisibility
That has been chained
Around them by the
Sleepers who sleep
To pretend these
Seers and feelers
Are only dreams.
2020: still true. I should just re-title this as “Privilege”
Ken Pepiton Feb 2023
T. A. Preacher- a character investigation

Friday, February 3, 2023
12:33 PM

Thanks for looking twice, this is after chapter one.
So that's the first line of chapter two, I suppose
That was one, but this is first because,
the internet is read last to first,
later this is the middle, it is auto intuitive

Any given day gone by
I may have thought I like this ending.

"Before time, God Almighty promised eternal life. Before time!"
A preacher to the choir, offered this as proof,
that there is life, after the time
of life has ceased, thus hell,
must be avoided…
if you can read this accept it must have been voided
nullift,
to totally invalidate lobster stacking- or well, no hell, never was.
kingpriest selfishgene mindmeme power substructure
in the course
Masterclass Civics, with Newt. I was there,
that series in the course
of human events… timeless
and --- grace must be earned.
              Duty-wise, Soldier of the Cross T. A.

I am doing nothing, really, messin' with messaging tek
thinking momentary lapses reoccur aiwise
déjà vu is a function, not a flaw
we recall becoming, and learning, as a we, we
do not unbecome.
Be true.
Life is not a horror movie.
If, indeed,
the effect
from knowing, die-for-it level knowledge,
is being free,
becoming free,
to chose the way
we go from knowing,
wow, Teddy Ruxpin, Worlds of Wonder,
was a beautiful idea, look what we made…

The now old gadfly, happy to die, happy to pass
the spark  to kindled acts enforcing char
at the spark,
to burst in tiny, most tender of flames, softest
wind
tend to sush…

lulla-byye'es be  long here, hmmm, listen

arrested developments catch light, used right,
once burnt, twice wise.

Let no story steal the peace you find
upon precept one.
Your point.
Your reason to expect better from worse,
this time,
the one that counts, constantly, ticketing mindspacetime
hook,
to the sidetracked train,
using your attention tension
to increase our torque, you learn
and we got a load o' gamblers and ramblers
ridin' my train,
we, let me tell you, we, the passengers on this train,
we, thought Sisyphus happy,
thought him so, he said,
he'ld show us rock rollin'
keep it secret,
but having something to do,
get to the top, take your
time,
meandering down,

hell's what you make
from life
with you as init-
for years, we felt we should, keep it secret
for the whole existential philosophy route through then,
-re zen
commabreaths re member,
we agreed, objective POV, gratis, no credits due no body,
observant being we…
- wait, maybe we become better each time
Contrary to the once incarnate God, who said he gives,
without money and without cost, slick as gnosis, re-co-known.
- you will pay for knowing what you think you may know now
Mindspacetime, same yesterday, today, forever… instant, constant
time, not more,
time, no less, yet
time between distant things remains,
but
in the mind's timelessness,
constant instants
in prayer,
accepting
unearnable grace, as expertise
with the weapons
of warfare, in truth and spirit perfected,

in waiting, fect, compleat. As time's tyranny breaks,
and next
is after nothing, and the rest remains.

Advocate for the truth as possible.
Opposing principles ruling voice,
- gut says walk it out
- guy in mind thinks stick
- anon become
I am the Authority who may say we,
and it, or he, or she, ad in fun item,
union rule. We, the whole
idea driving the threads hear…

click it
disagrees
with all the dogmatic tools used
in the business
of fear motived religious service.

He holds to a conceit, a heresy, at first
accepted as his own, but that was pride.

Plum on my thumb,
oh, what a bright old man am I, silly me.

One, among the eight-billions, I, silly me;
what can I do?
pSigh, hi-band lo-brow
Fast the acceptable fast.
Announce the acceptable year.
Disagree with all who claim secret
insight based on the Bible, Torah,
which says none of the works of YHWH
were done in secret.

Cretan,…


of a certainty, as often hap
t
Finding peace, core serenity,
body, soul and spirit,
heart, mind, spleen, gut, reins and
liver, fingers, toes,
levers and pumps,
tunnels and tubules and folds.

Organized containment of life
-that's what bodies are
for articulated interference
with objectified reality,
beyond the bonds of flesh and blood,
I,
me, you see, I think I exist abstracted
from the mass of mankind,
from the nameless soldiers sent to war
for the God who is served,
by allegiants, pledged from age six,
to honor the pledge to the nation
representing the perfect will
of the God
of the Church Selective.

Documented seven sec set. true that.
Selective Service US 56910427

Right.
Rights.
Right use.
Right reason.
Right cause, just effect.

Affection attached
Military  mind pays affectionate
attention
to tension
some force in one dir
ect effect of minds melded
"to make a mental impression on," 1630s;
earlier "to attack" (c. 1600),
"act upon, infect" (early 15c.),
from affect (n.)
or from Latin affectus
"disposition, mood, state of mind or body produced by some external influence."

From <https://www.etymonline.com/search?q=affect>

Sheer jesuitry… been said known, so
coulda been a pain
to learnsumomahlathashit, stuckSTÜCK
salimsayn okeh, say it
oy vey

Unavoidable thorny issue burrs, sores rubbed
so raw

The business of religion, for a while,
in America, religions united
in pro-hibition, which, I
do not rightly know, what hibition is,
so I do not think I'm ob-liged re-liged
or promise tied, to be pro
much at all.
When my hair grew white,
I went all in for freedom,
and self governing, and self categorization
allow if you must, a battle,
- I heard a Rebbi say today
- jerusalem is in our minds, or yours
- I may have mistaken, who knew
Bedtime, echo opera, my reality,
nothing's on hold this is live
forever

Ego- arise
Exceptionalizm extreme, personally,
become
dead to this world and all its science,
falsely so called,

you know. Teaching times and seasons,

change to some before time state,
when nothing that is was,
-Phrygian Sitar twangninng uper subtle soft
distant soft even there still
and God {El-oh-him} he said, to nothing,
apparently,

be, and light, apparently, occurred,
plausibly causing time,
whereby days of exactly how ll'll


choke point, language pattern shock event
worst on New Guinee - for peak effect
it could be surmised,
confusion-wise
as language appears full bloom. Be
sensible
right
now, ah child, did nobody tell you,
we already get what you get when you get here.

Language, the signals we send and receive,
friendly dog, entire demeaner, wags,

trained dog, coded, made ready
to accept command, language, "sic-'em",
Wolf1
you may have heard,
if there were a time in your past experience,
if there were a once,
when you went to jail
for your boss, or because you would not lie,
not even by omission… ah, let me tell of a once.

There, in the everso long ago,
in the canyon I can feel,
to this day, I can recall,

the time I prayed, in Sycamore Canyon,
while looking through my wallet,
while sitting on a rock, in the middle of the creek.

I had no money, but I did have a Gospel Tract,
I had purchased, from a door to door sales man,

a white-haired man, full, not long, but full white beard,
and a Greek fisherman's cap.

I do not recall his pitch, but he  asked for a quarter,
in exchange for a 32 page book of Bible verses,
anointed through the testimony of untold numbers,

over and above the gross of original chosen ones.

As recorded in the Bible, the word is its own evidence.
believing is the believer's duty…

Come, let us
reason, you show me yours, so I show you mine,

as when the prophets proved one the other,
show me your faith, in knowledge,
I'll show you mine formed in time, timeless now,
in the past,
in the course of cosmic events, global-earthwise,

mankind has power to devise and construct,
means, whereby we all can just get along;
but the Bible says,
or the Q'uran says,
or the Founder says,

or research into remaining tangible fibers,
bones, shards, art-intuited spiritual aspects,
say said
aligned
with the stars… sacred orders evidence,
the sun, and the moon, and the stars,

wandering and otherwise,
so vast, even then, there were seers,

later, the nomenclature changed to prophet,
and seers became witches suffered not,
no putting up
with seers saying prophets were blind
leading the blind.

Chosen warriors, called of the systemized faith,
the only allowable faith, truth be told,
the one that knows God, truth and spiritwise.

Where all men are created equal,
if, indeed, the story is told
to all with ears
to hear… if, indeed, lieving be, is believing, done,
letting letters hold the law, wherein
the spirit must abide, con the knowledge needed,

to measure worth, and offer appraisal,
for all a unit
of mankind is valued. equally in the inchoate mind
of the nation, just taking shape, in the highest minds.
Then, again
Look, learned masses,
learn the lessons from tyrants past.

The greed a child can witness, in spirit and in truth,
as manifested in the churches,
used to tame the wild Indians.  All
of them, slated
for eternal damnation,
due to ignorance of life's rules, as revealed
to preachers who truly comprehend Revelation.
- the award goes to, the man with the turtle
- a man of the cloth, in the long tradition
- he wins the skin of the lamb,
- and as per rules, the scapegoat books.

As did Father Joe Smith,
and Ellen G. White, all the suffragettes
Mary Baker Eddy,
Aimee McPherson, Katherine Kuhlman, Jimmy Swaggert, All Saints fans
Tony and Sue, David Koresh, Jim Jones,
and all the congregations
in TV Land… and
the entire PTL financial support base, et al

And Rome and Topkapi and wherever else
so help me, god

------- this must be way later, just thinkinsayin
rubbing my eyes, and tasting
potato salad

Is this a thorny issue, oh, to the letter
if I offend you, I can explain,
the point to being itchy is making marks
when finally scratching the surface
riverwise peace acceptance broadcast
old seed, unplowed mindtimespace.
hooh, stick, hold
!¢ÜLXX-¿Þ? thorns marked such heresies
in my record in the cloud of all knowing
as you may in advertently already hold known
once have
Have you ever, really, been in jail?

- Why you ask, really? Is there…
Yeh, there are imaginary jails.
- like puzzle lifes?
Complexities, many creases, many ply, thick
walled off separate sections in mindtimespace.

Held thoughts, enclosed in thought bubbles,
and stacked, no,
o
can't stack bubbles, yet
stacks of globular shapes topple.
polar attract pepulse
push pull
come to shove slimy truth metaphor
rib-it
Ah, ha, frog's egg globs encased in goo.
Protoplasmic goo.
Gnosis, subconscious know how, frogs bodies have.

Patterning thought nets, thinking holds, slipping
fix the point… attach [arachnoid-mater-kids]
your mind to mine, let this mind be in you, seen

from a lustful hustler's most winning con, forming,
like a plan, do the religion, be
Elmer Gantry… listen
as each adjusts the other's wig,
the promo guy, wise to the Hunt silver game,
shame he would not listen, few knew,
to the lady, she knows the game.
She has sprinkled her bed
with aloes and myrrh.

Simple, go right on your way, the end there of…

my cue, queue up, get your excuse,
- who thinks all he knows
- simple
simplicity is a valid excuse,
feeble minded finding comfort
in an imaginary reality,
certain that the truth, eventually wins,

those we may attempt to tempt.
- we made no such bet
- no mas win lose
Sublimnity, you see,
subtle expression of the man, Christ Jesus,
would that ye all were wise as serpents,
such as legends testify, wise serpents
seen burned in toast
once
preserved the hope of mankind,
at the cost a heel stomp, **!
Aieee
She slew the lying demon, no, no,
that was me, Eve and the shining thing
I can tell it from when no witches burned
Beyond Prince James's Thesis on Daemons,
Ai- we found san razon, d
ust reflective mica
mine licensed sibyls pipe direct
all on raspberry pi,
- it's not all smoke and diamond dust,
We have the facsimiles in mindtimespace storage

Python 3. Magnitudes, orders of above
old wives tales juvenilized
to mere Tolkien/Lewis
Grimm-level bogus spiritseed, degreed B.S.

---------- with that capital B

----------- we entered the reasoning chamber,
with all the wu wu allowed
in me, let this mind be,
- from Paul's doctrine of mind-using
- in Romans, yes
delve, dig, dis-cover the sealed knowings known sealed,
awaiting discovery alone… that's Hebrews, not sure, anon
-- I coulda said this
to nobody then
now I said it to you
--- in another chapter I went mad and
copy pasted hebrew curse derivatives
and their phonetic lottkaballahalelu yeha
yep…
but you're not ready Hebrews, permission
granted withheld, mind prison, while keyed up.
to deny any use to the bicameral mind/brain sack
precisely measured to Dirac's dismay,
never ending eve is really thinkable,
as long as any one wishes,
know your own too much,
that was certainty
my child hood bet was that I won, and nobody lost.
in defiance of Delphi,
by millennia,
trust me

the language of life, earthling to earthling, evolves,
as we augment our pluralminded state, situ-circum

float-ish

here-ness, and nearness, and absence of distance,
time immeasured,
quarkishly insignificant units of self awareness shared,
we
can think as who's must have been thought to think,
when we were seven,
and inoculated by Suess.
In
Oculus, bud, from one branch,
into another, through a tiny RIP.

Some days, I am the only reader, as I rest, in peace,

peace, I choose to think,
exists, out is, be-ing, action-ionic, there's the rub,

amber and cat, spark of re-co-knowing all about love,
as a child,
let's refuse,
to ever grow up… let's pretend, my friend, to the end.

Wake up, get outabedragonnon anon anonymous
visitors,
arrive announcing, each nameless, yes, anonymous,
I saw, I forgot,

serpentine little think, wisdom exercise, you ordered,
or did I, going subjective for a second, I thought
this…

and I read it, and I am thirstydrymou
THUD
and cold. Settle,
reset
breathe softslowwhoowhowowowooooo-slow rereadhay
okeh. More or ride it one more time all we w…
soft quiet 9:59
already the slow twangy sitar in phrygian soft g distant
soft there, softer yet under us

This is the end of chapter two.
An novel dripping in the freest medium available, thanks for making it a pass time.
alena Nov 2015
Your touch seers my skin
You are an eruption in my chest
Pouring through my veins
Fueling my limbs and burning me from inside out
You are
Seán Mac Falls Mar 2013
IN THE POOL OF THE LOST MAIDEN SONG

                1

Down in the shrouded wood a wanderer walks
And dreams the dreamers story he has lived.
Sidled by the stream that sheds blue waters
By the beds, trailing the rail of loves unknown
Kiss and a voice that conjures truest bliss,
Down in the drink where sweet Ophelia sleeps;
In the pool of the lost maiden song.

And the dreamer, he is dreaming . . .
Hair, that ropes the stoic man upon his mount.
Hair, making souls’ lost ending breath a shout,
And hair that weighs the wind, teaches it to sing;
Hair, wending whirlpools waving fools to dive in.


                2

Lost at land’s end the sea lions, washed-up, wail
And buzzards coast where eagles flail, rip tides
Assail and chop the collected bones they drop;
It is a chalky bone-yard break, golden escarpments
Wake and a ******’s salty sermons shake;
Where gathering ghosts glom and chide steeping,
In the pool of the lost maiden song.

And the seeker, he is seeking . . .
Eyes that turn the sands and are mirrors,
Eyes that taught the books of Alexandria,
Eyes that shook the flesh and are seers,
Eyes that lit the pyres, burned true believers.


                3

Deep in the dark wood the waters rush, hush,
Cramp, crew and creep, melodiously tread,
Trammel, and burn as furies in keeping true
The melting moon, the onerous owl, fluttering
Things, muttering wings, cones in darkness
Flings and filmy time flicks by the wayside;
In the pool of the lost maiden song.

And the lover, he is longing . . .
Love, lithe and lyric, he sees your sweeping shapes.
Peace, parsed and pained he hears the voicing gape.
Blind, bliss’d and shamed he wears the votive drapes.
Hungered, thirsted and gone; seeks your pearly gate.


                4

Out in the forest maze the jarring sun seeps
And swirls, only to roust the traveler onward
Where soon he must meet the faces in the grotto
Down in destroyed lands by the seas’ unreasoning
Chime, deep in the dark whine of the shining mermaids,
Where the doomed cry, round the navel of the world,
In the pool of the lost maiden song.

And the doomed, they are crying . . .
“****** beauty bade us, in a star crossed chrysalis,
Made us, choose a desert’s winter of loneliness.
Heed our fate and leave this valley torn of bliss;
The many millions of locust fall in ripest fields.”
like the inconstant moon I change,
cyclical about circumstances,
serendipity and fortune exchange
appearances for second chances,

and as we each alter our perception,
we see ourselves as constant,
each and every change in direction
still seems like a straight line

with no more than closer inspection
looking behind to the distant
fading horizon in the failing light
the pattern of circles and spirals

and zigzags, stops and backtracks
a wandering chorus line of fools
all singing things I can’t take back
the realization that I am not an individual
:
but an average of multiple formulas
complex variable algebra and simple subtraction
a vector resulting from many forces
pushing and pulling and thrusts and attractions

the color of the liquid in the test tube
fizzing and changing with every next drop occurring
an organism that adapts to its environment
to thus fill its requirements and its fleeting yearnings

a flock of birds, a can of worms, a herd of cats,
an untamable unit described in terms
of the time it exists in existing- that is
another illustration, another article, at any other time or mood

a crop whose fruitfulness is determined by unusual farmers
one field ploughed, one weeded, one fertilized, one seeded
akin to the Bible, a book of numerous authors that tries to
merge allegories into a useful, enlightening anecdote with which to furnish the brood

flesh, soul, chemical, inspired, mechanical-Angel
a temptable machine whose springs and cogs
could be found to have been hand-wound
at any given time by either His Rival’s or God’s

and if Made in His Image then I must be both
wrathful and loving, vengeful and forgiving,
quick to temper and eternally patient
yet limited in time allowed to be spent living

the difference is- my choiceful subsistence briefly caresses
this quick struggle and my purpose not yet fully defined
would fate’s justice have me on the gallows for my excesses?
or would not passion for the endowment of living grant reprieve?

where is the solace for the incurably ardent?
maniacally spontaneous, courageously aloof
what cheer can be brought to the seers?
dejected clairvoyants, puppets or puppeteers to the truth

however never simultaneously clever are we
always we must be one or the other each seen
though never seemed to be separate things
now see what difficulty wrecks all my dreams
:
catharsis then epiphany then pensive then somber
an artist, a daddy, a mocked captive, an avid doubter
carouse then abolish then regret then absolve
a spouse, a skirmish, an uncommon asset, an outlet resolved

how do I bring about the determination of the jury?
which of the accomplices will abide full recognition
and be he who will stand to read the indistinct verdict
to the culpable crowd assembled in this the trial of alternation

so contempt be then to the court of constancy!
no thing in heaven or earth adheres to its philosophy
render the sentence that I may be found guilty
yet I am consented to return undestroyed, now let the die be cast

these confines beg for stasis I cannot deliver
my cell itself is afloat without a tether
these customs require that I be a quitter
yea though the pendulum returns to the tock once the tic has passed
Sweet, harmless lives! (on whose holy leisure
     Waits innocence and pleasure),
Whose leaders to those pastures, and clear springs,
     Were patriarchs, saints, and kings,
How happened it that in the dead of night
     You only saw true light,
While Palestine was fast asleep, and lay
     Without one thought of day?
Was it because those first and blessed swains
     Were pilgrims on those plains
When they received the promise, for which now
     ’Twas there first shown to you?
’Tis true, He loves that dust whereon they go
     That serve Him here below,
And therefore might for memory of those
     His love there first disclose;
But wretched Salem, once His love, must now
     No voice, nor vision know,
Her stately piles with all their height and pride
     Now languished and died,
And Bethlem’s humble cotes above them stepped
     While all her seers slept;
Her cedar, fir, hewed stones and gold were all
     Polluted through their fall,
And those once sacred mansions were now
     Mere emptiness and show;
This made the angel call at reeds and thatch,
     Yet where the shepherds watch,
And God’s own lodging (though He could not lack)
     To be a common rack;
No costly pride, no soft-clothed luxury
     In those thin cells could lie,
Each stirring wind and storm blew through their cots
     Which never harbored plots,
Only content, and love, and humble joys
     Lived there without all noise,
Perhaps some harmless cares for the next day
     Did in their bosoms play,
As where to lead their sheep, what silent nook,
     What springs or shades to look,
But that was all; and now with gladsome care
     They for the town prepare,
They leave their flock, and in a busy talk
     All towards Bethlem walk
To see their souls’ Great Shepherd, Who was come
     To bring all stragglers home,
Where now they find Him out, and taught before
     That Lamb of God adore,
That Lamb whose days great kings and prophets wished
     And longed to see, but missed.
The first light they beheld was bright and gay
     And turned their night to day,
But to this later light they saw in Him,
     Their day was dark, and dim.
To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;--
Go forth, under the open sky, and list
To Nature's teachings, while from all around--
Earth and her waters, and the depths of air--
Comes a still voice--Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.

   Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificient. Thou shalt lie down
With patriarchs of the infant world--with kings,
The powerful of the earth--the wise, the good
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,--the vales
Stretching in pensive quietness between;
The venerable woods--rivers that move
In majesty, and the complaining brooks
That make the meadow green; and, poured round all,
Old Ocean's gray and melancholy waste,--
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its *****.--Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings--yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep--the dead reign there alone.
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in life's green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man--
Shall one by one be gathered to thy side
By those, who in their turn shall follow them.

   So live, and when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like a quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.
Nat Lipstadt Jan 2017
humans born a mess,
messengers carrying blank notepads, sheet music,
brought from within to the without

a baby-sized handful of historical residues retained,
garnered from all too brief a prelim existence,
arriving possessing hints of what may be

most emerging crying,
crying over loss of the womb security,
for seers all, all see unaccountable futures clouded
by an inevitable chance of rain
and death

all of us, no one excepted,
covered for months in **** stained fluids ,
a holy, ***** combination
of amniotic nourishment,
and our own waste

a hint of what is to come?

human then spends the rest of life
cleaning up after himself,
mostly with tasks of addition,
punctuating by the occasional cleansing of
elimination subtraction

making room for the next love,
labored birthing of a baby poem,
from your womb, midwifed,
haunting ghosts of three note tunes,
begging for a set of lyrics and a
great chorus everybody can sing,
a completion competition

going along, all along, to the goings on,
all our routes preternatural crooked,
lived a life of pretense, a straightened out life,
which is the nuanced, connected summary of our components
which are all curves, dots on a line

and the composition source,
the secret chords employed,
tech installed just prior to birth,
effacing glorious sadness, glorious joy,
the human building blocks,
with the certainty that
everybody knows,
that's how it goes
everybody knows,

only fools believe,
you'll live forever

but live at least long enough to sing and write of
a man cleaning up his own life's messes,
and perchance, after our absence,
leaving the world better for it
zebra Jan 2019
I do believe all poets must not only read a lot of poetry but read a lot about poetry. Of my 50 favorite poets, there is not one who has not written about poetry, the philosophy of their work and of the craft. That in itself is fascinating- and difficult, like the depth you find in NY Review of Books. I do about 2/3 (poems) to 1/3 (being books about poetry) From the most philosophic works of archetypes by Northrop Frye to the most public and basic questions of Zupruders good seller "Why Poetry?" .
That last book opened up a new reality for me, to I ask myself all the time who am I writing for, in context to all this reading...I realized I was really trying to communicate the poetic truths of living, of my own small life in the world so full of beauty, horror, paradox and death. I realized to do this I had to make compromises, to not try to impress or amuse myself with poems that could only be understood by me. The craft and presentation became as important as the message. That is currently my direction, I'm writing "collections" of poems with themes so a reader could enjoy a concrete theme. (The last book I just read, a signed collection by Ferlinghetti ( nice and cheap in a used bookstore) was just that- the theme of light in "How to Paint Sunlight." Accessible and very full of several poems about light)
So you are stating two different issues:
I don't like being not understood, Having people throw up there hands perplexed, I'd rather be popular.... Its lonely
But I cant write for others because than it would be feeling like a commercial venture My motivation would be destroyed.
Id rather be desolated and write for those few who get the twinge...
Well, first of all, we poets are possibly lucky because we ain't making beans for our poems. Forgetaboutit. Even our most lauded poets end up teaching to get the health care and severance. I suppose there may be 3 poets in Amerika that make a living on just writing poetry....if that many. Who's buying? I didn't see much word "poetry" once in this weeks NY Times review of books. Only some letters crashing last weeks review of Leonard Cohen, who the critic called a wonderful lyricist and performer, but an awful poet. These dialogues are important to me, but really, quite a small audience. Either way, lyrics and song paid the rent, not Cohen's books of just poetry.
I'm sure there is no immediate cure for your paradox. If you want to be popular you have to make compromises. If you don't want to alter your vision, you can get the joy of a smaller readership and forget the rest. You have to manage expectations is a world that hardly notices our craft.
It's hard to be both, I suppose you should stay true to your motivation. And if readers like me don't get it, **** em. Let it suffice we acknowledge the craft, and that we will get closer to some poems more than others be enough. For me, accessibility, the ability to engage a reader into whatever poetic truth I am feeling, is more important than in any way hiding the meaning in the poem in which I alone can understand it.
I want people who never read poetry, which is most people, pick up a poem by me and feel the poetry power without feeling intimidation which is what most people feel when they read most poems published today. For me its that fine line between letting the imagination do the work, and the poem setting up the narrative to allow it by inviting a reader into it. I get great joy reading my poems to non poets who are scared by even the idea of it, and get them to feel something new, that wonderful way Aristotle put it- that poetry provides an ultimate truth that is found beyond the boundary of philosophy.
Best Mark
…………………...

Admittedly I have gone off the rails focusing on the meta or man as dreamer. Are we not dreamers first before descending into the material, deadening the faculty of imagination or as the I Ching says "a darkening of the light"
I want to bring the reader up and when I read I want to have the sensation of ascending I try to give what I like to receive which is to be brought into greater fluency and light
Have we abandoned our inner life to such an extent that when confronted with it we find our selves strangers to it; reinforcing and amplifying a kind of cognitive dissidence?
Are we in a sense a stranger to our selves having lost the lucidity of our magical youth
Do we see the world as vacant utilitarian stuff and other humans predictable lusterless cogs in a wheel like cued robots?
Witches Seers, Voodoons , Hermeticists, Kabbalists and Occultists of very stripe know and use objects as essential to their operations and craft because they have hidden meaning and power.
Has the life of fantastical creative cognition been sacrificed to inveterate congenital pragmatism?
"Beloved imagination, what I most like in you is your unsparing quality".
Andre Breton
To transgress is to process ones madness as opposed to the customary botched behaviors of repressive modalities we hide behind . It seems to me that poetry is a great ground for that exploration.
Perhaps Its a good thing for a reader to think about what the writer means, albeit a difficult pleasure as opposed to the instantaneous and facile modes of naming and claiming Reading towards the abstract can be a mystical experience Most people who read are shallow readers Shall I than aspire to be a shallow writer?
What surrealism (Detailed descriptive language unmoored from linear rationality) affords the writer like pure abstraction to the visual artist is a great opportunity to explore the musicality of language ie the musicality of form i.e. the energetic configurations of architypes.
Part of our craft that makes things crackle as you know well remains sound play ie the strategy of syllables ... Long vowels / short vowels...the length of words and sound of words in relationship to one another
As you know Mark to analyze the subtle abstraction of sounds i.e. words to the ear is just like music and like music although not wholly translatable has an undertow of non verbal meaning especially if exploited out side the linguistic necessity of linear prose like poems i.e. a device that most never use consciously and strategically or certainly to its fullest potential.
So when we say a poem is beautiful do we impart mean its those amazing tintinnabulating sounds that ****** with their musicality? Poems that do that well stand out to me.
Further I think we are in error when we confuse the realistic with the materialistic. It seems to me realism has magnitudinal underlying meta elements that need to be felt in poetry and to think other wise in my opinion would be a dull conceit
A good example is thought itself
When we speak our ideas thoughts impulses we have no real sense of where they emerge from The processes are so meta their incomprehensible even to neuro science and scientists have little if any understanding of consciousness or its meaning as far as I know
So perhaps the surrealist has a place of worth too; and that is to remind people of their inner life out side the cage of end product think and commodification. After all what is a life and what is a poem?
Best Z
beth fwoah dream Jan 2017
i.

under a flaming bridge
blue islands,
sky-stream of
light, as the tranquil
waters unfold,
dream of
visionary seers
and haunted rooms.

gold sun running
like a tide,
pads of echoing cloud,
reflections like
mirrors on
the hollowy
water.

ii.

oil on canvas
pond of daydream,
water wrapped in love
and flower.

sunken, bird of grey
wire, fallen stone,
rippling ghost.

iii.

flower of ghost,
ink lady of sapphire
melting and sinking
like lanterns
in a chine,
where the night
wanders and the stars
lean against the sky.

iv.

watery isle,
rivery summer golds,
trembling pond,
flower of the dragonfly
flower of white sun.

v.

shadows in the leaves
monet fire of gold,
strange indigos,
violet sky,
water-dragon of the pond
water-dragon of the flowers.

— The End —