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"sandaled" poems
I fell in love at a McDonald’s. I expected it to happen in an overpriced cafe or a fancy Italian restaurant, but it happened at a McDonald’s and it was love all the same. We were on our way back from the beach. We went whale watching but the ocean could have been empty for all the fish we saw. We paid good money for a caricature of the two of us. The graphite image of a happy couple with our faces sat in the back seat of your car. It would be framed and put up. We went into the sea as deeply as we dared and laughed and screamed as the waves came and came and came. We were driving home with bits of mountains and boulders stuck between our sandaled toes and that’s when you pulled into a McDonald’s. You ordered a sandwich, 100% real beef, never frozen, and asked me what I wanted. I said I would have the same. 100% real beef. Never frozen. I hate spending time and money on that which can only be consumed. We sat down with our food underneath the fluorescent lights next to a Happy Meal kiosk and I decided that I was in love with you and it was love all the same.
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Jun 11, 2014
Jun 11, 2014 at 12:58 AM UTC
Falling in Love at a McDonald's
Now, moving in, cartons on the floor, the radio playing to bare walls, picture hooks left stranded in the unsoiled squares where paintings were, and something reminding us this is like all other moving days; finding the ***** ends of someone else's life, hair fallen in the sink, a peach pit, and burned-out matches in the corner; things not preserved, yet never swept away like fragments of disturbing dreams we stumble on all day. . . in ordering our lives, we will discard them, scrub clean the floorboards of this our home lest refuse from the lives we did not lead become, in some strange, frightening way, our own. And we have plans that will not tolerate our fears-- a year laid out like rooms in a new house--the dusty wine glasses rinsed off, the vases filled, and bookshelves sagging with heavy winter books. Seeing the room always as it will be, we are content to dust and wait. We will return here from the dark and silent streets, arms full of books and food, anxious as we always are in winter, and looking for the Good Life we have made. I see myself then: tense, solemn, in high-heeled shoes that pinch, not basking in the light of goals fulfilled, but looking back to now and seeing a lazy, sunburned, sandaled girl in a bare room, full of promise and feeling envious. Now we plan, postponing, pushing our lives forward into the future--as if, when the room contains us and all our treasured junk we will have filled whatever gap it is that makes us wander, discontented from ourselves. The room will not change: a rug, or armchair, or new coat of paint won't make much difference; our eyes are fickle but we remain the same beneath our suntans, pale, frightened, dreaming ourselves backward and forward in time, dreaming our dreaming selves. I look forward and see myself looking back.
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3.8k
Autumn Perspective
Now, moving in, cartons on the floor, the radio playing to bare walls, picture hooks left stranded in the unsoiled squares where paintings were, and something reminding us this is like all other moving days; finding the ***** ends of someone else's life, hair fallen in the sink, a peach pit, and burned-out matches in the corner; things not preserved, yet never swept away like fragments of disturbing dreams we stumble on all day. . . in ordering our lives, we will discard them, scrub clean the floorboards of this our home lest refuse from the lives we did not lead become, in some strange, frightening way, our own. And we have plans that will not tolerate our fears-- a year laid out like rooms in a new house--the dusty wine glasses rinsed off, the vases filled, and bookshelves sagging with heavy winter books. Seeing the room always as it will be, we are content to dust and wait. We will return here from the dark and silent streets, arms full of books and food, anxious as we always are in winter, and looking for the Good Life we have made. I see myself then: tense, solemn, in high-heeled shoes that pinch, not basking in the light of goals fulfilled, but looking back to now and seeing a lazy, sunburned, sandaled girl in a bare room, full of promise and feeling envious. Now we plan, postponing, pushing our lives forward into the future--as if, when the room contains us and all our treasured junk we will have filled whatever gap it is that makes us wander, discontented from ourselves. The room will not change: a rug, or armchair, or new coat of paint won't make much difference; our eyes are fickle but we remain the same beneath our suntans, pale, frightened, dreaming ourselves backward and forward in time, dreaming our dreaming selves. I look forward and see myself looking back.
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49
I am wild, I will sing to the trees, I will sing to the stars in the sky, I love, I am loved, he is mine, Now at last I can die! I am sandaled with wind and with flame, I have heart-fire and singing to give, I can tread on the grass or the stars, Now at last I can live!
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2.3k
Joy
She strolled along the narrow pathway through the park. Her soft skirt flitting in the breeze, her long legs smooth and pampered, sandaled feet took mellow steps under the Springtime sun. She caught the eye of Fred, who from his book rose up bespectacled and drank the scene of one young beauty carried by the breeze, and thanked the Lord for all His wondrous things. She noticed that he noticed and she sneered, disdainfully and crushed him with the lids of scornful eyes that closed upon his face, and cursed the womb that birthed this pervert live. She caught the eye of Tom, whose magazine dropped to the bench from fingers preening hair, his lion's gaze devouring this gazelle, and she took notice of his notice there. She threw back hair and turned to meet his gaze with sideways glance, a wink, and half pursed lips, amazed a stroll from bench to bench could find a pervert and a stud so side by side. Both men came to the park to sit and read, and read indeed, then both, like men, did do what men so do, and neither differed there, yet one was deemed a pervert, one a stud. (C)2014, Christos Rigakos
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Apr 15, 2014
Apr 15, 2014 at 4:16 PM UTC
What is a pervert?
Sharon was picking at the scab over the mole on the back of her neck where the hairdresser had shaved too close to the skin: Water under the bridge, she thought, and licked at her salty fingertips. By focusing on the sound of her new high heels over the metal steps, she blocked out twisted traffic audio below; the wind whistled a tune through the rust over her painted toenails. She liked the way some of the pedestrians down there looked up at her. Sharon felt so elegant when the wind lifted her skirt, just like Marilyn Monroe in that picture, except that Sharon didn’t smile; her skirt had been lifted up more times than she could (or wanted to) remember. He always looked down at her. There. Below. Sharon flicked her new purse into the wind, and ripped off the matching blouse. The Samurai sword, tight between her ******* felt hot and cold at the same time, like the red of her peach blossom skirt glistening white against midday sun; memories of her only child freeze-burned the empty love caverns in her heart. A river of emotions rippled through her body but she didn’t utter a sound; that was reserved for the impact with the oncoming bus, and the tip of the sword that ripped through the driver’s leather-sandaled heart.
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May 9, 2011
May 9, 2011 at 3:15 AM UTC
Below (God is a Bus Driver)
Sandaled feet fleeing into darkness beneath the breached and burning walls of Troy. That is what I fear when you walk away from me.
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Apr 16, 2015
Apr 16, 2015 at 5:20 PM UTC
Classical Parting
Along the lane towards Diddling you stopped and looked at the church on the horizon between the hedgerows beneath the blue and white clouded sky Jane stood next to you her hand holding yours the softness of her skin against yours her dark hair tied by a green ribbon one of my favourite sights she said the church becoming more visible the closer you get her voice disturbed birdsong from the hedgerows a blue *** took flight the flutter of small wings we never had hedgerows in London you said no blue *** birds no wide fields or Downs just streets and houses and pavement and grass around our flats where pigeons or sparrows settled for thrown out bread from windows above Jane gazed at you her dark eyes focusing I’d hate that she said I love my countryside and fields and birds and open sky she sniffed the air and you walked on along the lane she pointed out wildflowers and hedgerow plants and talked of the farmhand who died when his tractor turned over in a field and the first time she remembered visiting the small church and her father holding her high above his head so she could see the expanse of the Downs and you listened to her words the language holding you and drawing you in her lips opening and closing her summer dress moving as she walked her sandaled feet treading the lane you wanted to captured it all to recall it years later all over again.
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Dec 18, 2012
Dec 18, 2012 at 9:31 AM UTC
TOWARDS THE CHURCH.
stolen verses blanket the floor space encircled by the inspiration of others tastelessly faceless pests controls fail as the numbers overwhelm everyone thinks there are special and the selfies are there to prove it zit faced miscreants misrepresent mankind in asexual fodder and anthropomorphic suburban camo turban wearing wash-outs hold court over newbies attempting to sew again hippy seeds their stench, deafening – sandaled dirt clods scamper seeking selfishly surrogates someone to birth their ideas raise and tend the dreams fund the movement all the while recognizing the futility feverishly fapping the frail phallus frequently finding foolish ********* flipped in their folly – ********* the finale freakish frogs filibuster night creeps in as the soft sound of mating toads fill the air stars dot the moonless night complete in its absence of clouds only the wash of the milky way holds hearts – pandering to the philanthropist looking longingly in giving eyes for a scrap of dignity and bread –
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Sep 2, 2014
Sep 2, 2014 at 4:07 PM UTC
f-bomb
In sandaled feet we stroll beside the hedgerow And Satan’s nettle bites with wicked teeth; But doctor leaf is growing in abundance: Open all hours to provide relief. For God created all things bright and wondrous And took his rest upon the seventh day; Then evil set to work with Mother Nature And led the birds and beasts and bugs astray. The owl and hawk prey upon helpless creatures: Vole, shrew and rabbit are their daily bread; While fox sneaks up and steals the farmer’s poultry And banquets when the farmer’s in his bed. Way up above our heads in lofty tree tops A greater crime’s committed than the rest: The infant cuckoo murders all his siblings, By pushing eggs and fledglings from the nest. Survival of the fittest is important In order for a species to survive; If only dodos had been more aggressive- Then those peculiar birds might be alive.
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Jun 25, 2010
Jun 25, 2010 at 11:44 PM UTC
Criminal Undergrowth
Painted a masterpiece In my dreams: A Chilean villa. Cactus streams. A flower composed, Wilted with time With muted colors, Tequila with lime. Fields of desert With tuxtla soaring. Winding paths of Wood and brick flooring. A cool wind blows Through the heat Over sweaty brows And sandaled feet. A moment trapped That’s never been. A life of others Never seen. Put away my brushes, Stood back to admire The deep ocean sky, The burnt orange fire. It lay on the table, Alive on the canvas When waking did cause My hard work to vanish. In memory only And never shown Forever discarded Once beautifully known. My studio of mind So often produces A wonderful concept With no practical uses. I’d like to live there And run those streets, Take shade under awnings Sampling savory meats. But I’ll never go there, Never see that place. Never plant in soil That’s been erased. That marvelous day Conceived at night Keeps the dreaming Forever alight.
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Aug 7, 2018
Aug 7, 2018 at 6:11 AM UTC
Dreams
Hers was a life of compliance. Fulfilment of another’s wishes, observance of another’s needs, conformity to the rules set down in stone. She was the rubber of beads through fingers, touched by thumbs; the beads of the rosary would be sealed by prayers. She was the self denier, who put herself last, one who sacrificed pleasures for a promised salvation, whose menstruations were reminders of babies that would never be, children which would never be hers, dugs that would never be sucked. She carried the cross through cloisters, sandaled feet trod the paved paths, heard birdsong, saw butterflies in flight, moths at night in the candle’s flame, she hidden away, unknown, no fame with a saint’s name. And each morning rising with the bell, kissed by the early dawn, touched by the chill of early frost, she lived and moved, all for love of Christ.
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Jul 20, 2012
Jul 20, 2012 at 1:27 AM UTC
HERS WAS.
Your words held all the weight, but not the wetness, of a mid-day sunshower. My sandaled feet not spared the puddle, nor my greasy hair the extra embarrassment. And outside the pavement babbles with impromptu brooks: Words rambled on, unaware of that mossy sewer At the heart of the city.
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Jul 2, 2014
Jul 2, 2014 at 11:02 AM UTC
Rain-check
Gethsemane Butterflies, fawns, the quiet trickle of a nearby stream. Apostles argue. Again Some want pizza Others teriyaki A few want pastrami from Moshe's Deli in Nazareth "Brothers. Time is short," said Jesus quietly, "Let us not argue. I have brought a potato. Let us share." The Apostles look at each other in dismay. A potato? What is this another f*cking parable? They were hungry and impatient. "Look JC," said Simon "You're the Messiah and all, but we were hoping for something a little more substantial." "I bid you peace, Brother," said Jesus, covering the potato with a plain cloth. He began the customary blessing for this type of food. The Apostles bowed their heads respectfully. One by one they closed their eyes in prayer Sanctifying the simple meal that was before them. Minutes passed Stomachs growled Apostles began to fidget. Without warning Jesus shouted, "Chabada Kedavra," and lifted the cloth, revealing a whole roasted chicken beneath. The Apostles clapped their hands in delight at Jesus' latest miracle. "Faith feeds us in many ways," said Jesus. "Amen," said the Apostles in unison.... Completely missing The KFC bag That Jesus was sliding under the table with his sandaled foot.
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Oct 30, 2015
Oct 30, 2015 at 1:19 PM UTC
The Second to Last Supper
Standing on the Santa Monica Pier Ocean swells like a fiery dragon Beneath rotting wood and sandaled feet Crab walks and beach *** sunrise Caught the devil in the blink of an eye Grown tangled in poison ivy lies The sun sets in the horizon And we talked pretty words of misery
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Sep 24, 2011
Sep 24, 2011 at 12:41 PM UTC
Talking **** About Sunsets
Nima splashed water from one of the fountains in Trafalgar Square over Baruch. Laughing she did it again, but he side-stepped, like one out of rain, hands wide as if to bless. He'd met her a few moments before; by Nelson's Column, she’d written from her hospital bed, drug taking recovering (so said), cold turkey or whatever she'd scribed. Finishing the ablutions, she walked on, he followed, stepping beside her, catching her in profile, taking in her cropped hair, brown, washed and washed. She talked of the nursing staff, who talked of her behind her back, some at least, she added, chat of the *** cupboard we used, that time you came, she said, laughing, walking out of the Square, along by the gallery, her voice too loud, he thought, but sounded out by the traffic passing. She was clothed in a blue dress, too short, he thought, seeing her thighs, sans stockings or tights, sandaled feet. They went into Leicester Square, she talking of one of the quacks she'd seen, head case, foreign, fancies himself, she added. Baruch, spied the billboards, new films, merchandise, drinks, cigarettes, lowering his eyes, watching her sway her hips and **** hands swinging, gesturing.  She stopped by a bench and sat down, he did likewise, ears catching her words, holding them in his mind, something about them being jealous of my sexuality she added, giving Baruch the eye, maybe thinking me a ***** a druggie slapper, she said laughing, her hand rubbing against the top of his, he sensing skin on skin, remembering, the quickie in the side room, cupboard size, just off the ward. He talked of his boring job, the mind numbing labours, the Coltrane jazz LP, played on and on, he said, eyes closed. She lay her head on his shoulder, he felt, smelt the combination of expensive scent and hospital smell (soaps or disinfectants), felt her fingers rubbing his. She took out a cigarette, offered him one, he took and she lit up with red plastic lighter. Inhaled, exhaled, inhaled, silence, her hand wrestled with his, watching smoke rise, upwards, twirling, in the hot summer spread skies.
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Aug 1, 2013
Aug 1, 2013 at 2:04 AM UTC
MEETING WITH NIMA.
Nima splashed water from one of the fountains in Trafalgar Square over Baruch. Laughing she did it again, but he side-stepped, like one out of rain, hands wide as if to bless. He'd met her a few moments before; by Nelson's Column, she’d written from her hospital bed, drug taking recovering (so said), cold turkey or whatever she'd scribed. Finishing the ablutions, she walked on, he followed, stepping beside her, catching her in profile, taking in her cropped hair, brown, washed and washed. She talked of the nursing staff, who talked of her behind her back, some at least, she added, chat of the *** cupboard we used, that time you came, she said, laughing, walking out of the Square, along by the gallery, her voice too loud, he thought, but sounded out by the traffic passing. She was clothed in a blue dress, too short, he thought, seeing her thighs, sans stockings or tights, sandaled feet. They went into Leicester Square, she talking of one of the quacks she'd seen, head case, foreign, fancies himself, she added. Baruch, spied the billboards, new films, merchandise, drinks, cigarettes, lowering his eyes, watching her sway her hips and **** hands swinging, gesturing.  She stopped by a bench and sat down, he did likewise, ears catching her words, holding them in his mind, something about them being jealous of my sexuality she added, giving Baruch the eye, maybe thinking me a ***** a druggie slapper, she said laughing, her hand rubbing against the top of his, he sensing skin on skin, remembering, the quickie in the side room, cupboard size, just off the ward. He talked of his boring job, the mind numbing labours, the Coltrane jazz LP, played on and on, he said, eyes closed. She lay her head on his shoulder, he felt, smelt the combination of expensive scent and hospital smell (soaps or disinfectants), felt her fingers rubbing his. She took out a cigarette, offered him one, he took and she lit up with red plastic lighter. Inhaled, exhaled, inhaled, silence, her hand wrestled with his, watching smoke rise, upwards, twirling, in the hot summer spread skies.
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56
i. there’s a girl. narrow-boned, wild hair like a lion’s mane, sprawled underneath the shade of a looming fig tree. her teeth are all that’s sharp about her. soft curves, soft lips, a soft paradox in the Garden. in this lost land, there she is, subtle and tinged with the same stardust you once believed could save us all. angelic, you’d call her, if she looked more grotesque. more like the cherubim of ol’, dressed in flames, impaled on swords, screeching the name “hosanna, hosanna” without mouths. but there are no wings, no heavenly trumpets, just the afterimage of divinity– something laced with hope, but already rotting. she spits out seven seeds and you don’t know if this is a land of God or gods anymore. ii. she smiles and it feels like death. you are unable to solve the riddle sprung from the lion’s ribcage– but the roof of your mouth tastes like honey and blood and you don’t mind. there’s no linearity, no familiar whine of a donkey, nor the sound of sand against gravel or sandaled feet marred by sunburns and blisters. there is simply you and her and an eternity of possibilities that whisper in a forked tongue, “adam, oh adam,” and your heart drops. is this the end? but it tastes so sweet and you are alright to die like this, cradled between what was once in your womb and a creature of scales. you do not expect the guilt that drips down your chin with each rivulet of juice. iii. they call it love. you call it divine absolution. she calls it the beginning of humanity.
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Jul 10, 2018
Jul 10, 2018 at 9:51 PM UTC
what was born that day?
i. there’s a girl. narrow-boned, wild hair like a lion’s mane, sprawled underneath the shade of a looming fig tree. her teeth are all that’s sharp about her. soft curves, soft lips, a soft paradox in the Garden. in this lost land, there she is, subtle and tinged with the same stardust you once believed could save us all. angelic, you’d call her, if she looked more grotesque. more like the cherubim of ol’, dressed in flames, impaled on swords, screeching the name “hosanna, hosanna” without mouths. but there are no wings, no heavenly trumpets, just the afterimage of divinity– something laced with hope, but already rotting. she spits out seven seeds and you don’t know if this is a land of God or gods anymore. ii. she smiles and it feels like death. you are unable to solve the riddle sprung from the lion’s ribcage– but the roof of your mouth tastes like honey and blood and you don’t mind. there’s no linearity, no familiar whine of a donkey, nor the sound of sand against gravel or sandaled feet marred by sunburns and blisters. there is simply you and her and an eternity of possibilities that whisper in a forked tongue, “adam, oh adam,” and your heart drops. is this the end? but it tastes so sweet and you are alright to die like this, cradled between what was once in your womb and a creature of scales. you do not expect the guilt that drips down your chin with each rivulet of juice. iii. they call it love. you call it divine absolution. she calls it the beginning of humanity.
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9
Hold me in place from the ocean nothing but a face with legs, small sandaled feet I am heavy with hopes and water and bones
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Jul 25, 2014
Jul 25, 2014 at 8:07 PM UTC
Currents
Blanket troupe called finally finalizing finances beseeched of asian seas and deformities begone of witch's seeds creeds, and further formalities. Controlled and sold away, disney ears and candied shmears of salmon serendipity and forlorn serenity collapse, perhaps? can't strap the wrap of boot soles and cannoned poles of butts and handles throwing sandaled barbarians in their foolish faith For Empire! the dire need of those to take and feed and be the god-men to tickle and bleed friends and foe alike, to nettle the fangs of the good hounds blindly following; scent dividing love and steeds to carry armies and lone conquerers to their final destinations, permutations of how so many flowers whittle at the broken touch of thunderous life; of hidden strifes that attack these patient sentinels their yelps yet signals of defeat so unburly pardoned
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Nov 18, 2013
Nov 18, 2013 at 3:10 PM UTC
A stream of her; and other things
Walking on stone pavement, rainy, swift some parts smooth, some parts eroded pebbles at the feet of sandaled soles umbrellas swipe the view, fogging you Cars, bikes, children, zooming against time, and the rush of voices, tones heard and I lose myself in this wave of foreign yet such familiar interference And I find, curled like newborn babes But wizened, people, like in prayer head down, on red, white, blue bags with hands dangling in peace, towards earth Their hands, aged like leaves in a distant land cracks down the back, underneath rough cotton and skin touches skin as I pry yours open only to find a single coin, crumpled with pressure My feet falls behind yours, slackened Your face is filled of golden sand, ready to burst, and I know that your veins know no mercy, as they course hopes through labor At the ground, pitter patter, are the sounds of your breath and gaze And I know we are alike, only difference, decision, the coordinates Pitter Patter Raindrops calling out your feelings, louder than the commotion around us, drenching the ground, drizzling the man-made louder and Louder
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Feb 14, 2013
Feb 14, 2013 at 2:44 AM UTC
A Day in GZ: On a rainy day I found You
It's coming. we can all feel it, that trembling somewhere in the backdrop, in your toes and the pit of your stomach. you hardly notice unless you stop to realize this is it It hits us all differently, i think. Some embrace it, run to it. they cannot wait a second longer Others shrug it off, going through the motions it's part of life, right? not to me, not to the rest. it's the equivalent of realizing that there are only so many more times that i can see your smile again that there is a limit to the amount of moments i can laugh so hard it aches with those that make me feel as if i can climb up the mountains that i will only be surrounded by for so much longer and there will be no more driving down the road at 7:32 am and admiring the way that the sun paints the clouds and the mountains on the other side pink and sometimes i can't help but remember the time he and i shared a love of sunsets and i dont know if i'll see him again but i hope so (i think) i know i'll miss it. the scent of leaves and the music and the sandaled spring days and best friends and accidental friends the people i have not known as long as i want, no; need to know them you can tell me it's going to be better; that this is just the start of it all (that there are new people and new laughs and new feelings) but right now it feels like the ending the whole world ending because really that's all it's ever been. between the stressful tears and the days you thought would never end, are speckles of laughter and holding on to each other tight arms on shoulders belting out a song about the mountain peaks meeting the starry skies. maybe it's talking about us, because sometimes the night sky can be terrifying. i don't think i can go on without you all by my side.
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Feb 24, 2015
Feb 24, 2015 at 2:06 AM UTC
Graduation is in 93 days
It's coming. we can all feel it, that trembling somewhere in the backdrop, in your toes and the pit of your stomach. you hardly notice unless you stop to realize this is it It hits us all differently, i think. Some embrace it, run to it. they cannot wait a second longer Others shrug it off, going through the motions it's part of life, right? not to me, not to the rest. it's the equivalent of realizing that there are only so many more times that i can see your smile again that there is a limit to the amount of moments i can laugh so hard it aches with those that make me feel as if i can climb up the mountains that i will only be surrounded by for so much longer and there will be no more driving down the road at 7:32 am and admiring the way that the sun paints the clouds and the mountains on the other side pink and sometimes i can't help but remember the time he and i shared a love of sunsets and i dont know if i'll see him again but i hope so (i think) i know i'll miss it. the scent of leaves and the music and the sandaled spring days and best friends and accidental friends the people i have not known as long as i want, no; need to know them you can tell me it's going to be better; that this is just the start of it all (that there are new people and new laughs and new feelings) but right now it feels like the ending the whole world ending because really that's all it's ever been. between the stressful tears and the days you thought would never end, are speckles of laughter and holding on to each other tight arms on shoulders belting out a song about the mountain peaks meeting the starry skies. maybe it's talking about us, because sometimes the night sky can be terrifying. i don't think i can go on without you all by my side.
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43
Wrapped in your wool with that will in your eye She's firm but she's gentle she loves you it hurts breakfast eight sharp then lunch at half-twelve you come down for your tea and the Angelus bells We ran in bare feet over stones and the thorns that was cross-country running in County Clare I look at them now sandaled and layered your walking-frame smiling in the glare I can't understand your need for the news news is at eight, nine, ten and eleven lunchtime news and more at seven News at nine before you sleep a paper a day and the radio beep I know, we grow and you can't remember if it's me or I'm her or we're seventeen You know that's it's raining and there's war over there so you hold on to that but how much do you care? It's not your fault. your papery hands clasped in your little lap It's too fast and it spins and it spins and we are spinning away I'm trying to hold on to hold you I help you up I sit you down I can't help with this I'm sorry gran.
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Sep 11, 2012
Sep 11, 2012 at 5:25 AM UTC
Una
The sun was out strong and there were ducks and swans on the water in the park and Julie was there with you clothed in her hippy dress and her hair let loose and unbrushed in sandaled feet beside you on the park bench she had her legs out straight in front of her as if she were making sure they were still there need a fix she said need it like hell you took in her eyes lightless as if someone had switched off the bulbs in the rooms of her head can’t they give you stuff back at the hospital? you asked they’ve no idea they’re stuff shirts and narrow heads she said that ward sister doesn’t no **** you sat and looked away some kid was feeding ducks at the fence enjoying the excitement of the feeding process lost on the less innocent it’s all if you do this such and such will result and if you take such and such this may go away she said bitterly how about an ice cream up there on the rise of the hill? you said she pushed her hands between her legs as if to push back the fix hunger as if that will solve the fix **** she said didn’t say it would but it sure tastes good you said gently seeing the kid clap her hands for more bread Julie got up and walked away and you followed watching her hips sway unsteadily like a ship buffeted by rough seas she spoke over her shoulder said words about her parents the rich middle class suckers about the do-gooders who came to the ward with their bright eyes and second hand faith you just listened walking beside her her hands going up and down by her sides as if out of control how about that ice cream? you said watching her eyes staring ahead I know what you’re after she bellowed either my soul to save or a quickie in bed an old woman on a park bench gazed at her passing by with that o dear me look in her ancient eye you asked about maybe take in the art gallery look at the Moderns you had neared the ice cream van and she stood there looking with her eyes on the menu on the side hands motionless and still what are you having? you asked a fix if I could but that ice cream with chocolate flakes and sauce will do for now she said and so you bought two from the Italian looking guy and gave her one and kept one yourself and walked on back by the water and bridge she quiet slow walking you eating and ******* no thought of *** or her fix or side room *******
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Jul 13, 2013
Jul 13, 2013 at 3:56 AM UTC
HER WITH NO FIX BUT AN ICE CREAM.
The sun was out strong and there were ducks and swans on the water in the park and Julie was there with you clothed in her hippy dress and her hair let loose and unbrushed in sandaled feet beside you on the park bench she had her legs out straight in front of her as if she were making sure they were still there need a fix she said need it like hell you took in her eyes lightless as if someone had switched off the bulbs in the rooms of her head can’t they give you stuff back at the hospital? you asked they’ve no idea they’re stuff shirts and narrow heads she said that ward sister doesn’t no **** you sat and looked away some kid was feeding ducks at the fence enjoying the excitement of the feeding process lost on the less innocent it’s all if you do this such and such will result and if you take such and such this may go away she said bitterly how about an ice cream up there on the rise of the hill? you said she pushed her hands between her legs as if to push back the fix hunger as if that will solve the fix **** she said didn’t say it would but it sure tastes good you said gently seeing the kid clap her hands for more bread Julie got up and walked away and you followed watching her hips sway unsteadily like a ship buffeted by rough seas she spoke over her shoulder said words about her parents the rich middle class suckers about the do-gooders who came to the ward with their bright eyes and second hand faith you just listened walking beside her her hands going up and down by her sides as if out of control how about that ice cream? you said watching her eyes staring ahead I know what you’re after she bellowed either my soul to save or a quickie in bed an old woman on a park bench gazed at her passing by with that o dear me look in her ancient eye you asked about maybe take in the art gallery look at the Moderns you had neared the ice cream van and she stood there looking with her eyes on the menu on the side hands motionless and still what are you having? you asked a fix if I could but that ice cream with chocolate flakes and sauce will do for now she said and so you bought two from the Italian looking guy and gave her one and kept one yourself and walked on back by the water and bridge she quiet slow walking you eating and ******* no thought of *** or her fix or side room *******
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VII This is my end surely this is the end of it all all I know is here and though I am young this is the end of life as I know it now and soon I will see my home no more for this is my end here where I shelter from all I cannot think beyond this ending surely the end of all I know is here and will be gone (after a cine still from 1930 of a St Kllda woman) XVIIIa house above the hut of shadows holds itself against the relentless wind on so open a shore islands and inlets beyond reasonable number stand before its policies its promontory land Up on the third floor light fills every corner expelling its shadows to the hut held within its sight XVIIIb slowly the darkness reveals less than a shadow thrown against a plastered wall inside silenced from the wind an image grows as the eyes succumb to less than light used to looking Suggestion and the memory of outside supply the rest (two poems connected by Chris Drury’s Hut of Shadows on North Uist) XIX following footsteps crisp in the sand hour-fresh from tide-fall now the shadows form in the weight of press the imprint mark different with every fall of limb and claw the 3-pronged bird-foot the sandaled human step singular one before another after another until perspective conceals and merges into distant sand ** silence suddenly the ringed plovers hold their breath then chorus a chirping as they wade together in their own reflections the water like glass at their feet mirroring movement that light hop for a few steps onto a slight but sturdy island tweet then terweet inflected upwards a questioning call terweet? XX1 the taste of salt sea in the mouth the touch of water thick sea-water on the legs between toes the sharp cold plunge immersion envelopment sunlight throws a cascade of bright steps across the sea gradually merging into a band of light ablaze on the horizon at the base of distant Monarchs a silhouette of massed rock rises from the sea crowned by static clouds decorating the sky gentle white ermine-soft
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Oct 3, 2016
Oct 3, 2016 at 3:40 AM UTC
Sketches of Summer XVII - XXI
VII This is my end surely this is the end of it all all I know is here and though I am young this is the end of life as I know it now and soon I will see my home no more for this is my end here where I shelter from all I cannot think beyond this ending surely the end of all I know is here and will be gone (after a cine still from 1930 of a St Kllda woman) XVIIIa house above the hut of shadows holds itself against the relentless wind on so open a shore islands and inlets beyond reasonable number stand before its policies its promontory land Up on the third floor light fills every corner expelling its shadows to the hut held within its sight XVIIIb slowly the darkness reveals less than a shadow thrown against a plastered wall inside silenced from the wind an image grows as the eyes succumb to less than light used to looking Suggestion and the memory of outside supply the rest (two poems connected by Chris Drury’s Hut of Shadows on North Uist) XIX following footsteps crisp in the sand hour-fresh from tide-fall now the shadows form in the weight of press the imprint mark different with every fall of limb and claw the 3-pronged bird-foot the sandaled human step singular one before another after another until perspective conceals and merges into distant sand ** silence suddenly the ringed plovers hold their breath then chorus a chirping as they wade together in their own reflections the water like glass at their feet mirroring movement that light hop for a few steps onto a slight but sturdy island tweet then terweet inflected upwards a questioning call terweet? XX1 the taste of salt sea in the mouth the touch of water thick sea-water on the legs between toes the sharp cold plunge immersion envelopment sunlight throws a cascade of bright steps across the sea gradually merging into a band of light ablaze on the horizon at the base of distant Monarchs a silhouette of massed rock rises from the sea crowned by static clouds decorating the sky gentle white ermine-soft
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95
These lanes are very narrow you said walking with Jane from the parsonage where she lived to where the farm road began Are they? she replied I’ve never thought about it just that the hedges are high and the birds chock full in them and their songs Yes you said They are and in London there are no hedges or narrow lanes and the only birds are sparrows and pigeons and you wanted to take hold of her hand and squeeze gently the flesh and sense her pulse but you didn’t you put your hands in your jean pockets and gazed sideways on at her and her dark hair and her profile and the scent of her like lavender as if she’d dived into a wide field of it and embraced the flowers and stalks What bird song is that? she asked No idea you replied moving closer to her the scent getting stronger the desire to be closer taking hold but still at bay It’s a blackbird she said You’ll learn them all the birdsongs and where and how they nest and in what months and you nodded and saw how the summery dress moved and swayed as she walked the flowered pattern like a field moved by a soft breeze and her sandaled feet touching the gravelled lane and you thinking how it would be for them to be held and kissed by you if she were beside you lying in a field or in one of those tall woods and you pursed your lips and she looked up at the sky her eyes gathering the blueness and whiteness of clouds and she said Monet would have captured that so well and You you muttered He would capture you well each aspect of your face and hair and eyes and she smiled and looked at you and said I’d want to be captured by Renoir have his arthritic fingers clutching brush and capture me and maybe secretly lust after me and she blushed and turned away and you thought   Oh yes yes yes but said nothing just gazed and breathed in her being her beauty all there for you to view the eyes the hair the profile the way her lips smiled and sway of walk and the tall hedges seemed to explode with the wild bird’s talk.
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Apr 17, 2012
Apr 17, 2012 at 2:03 AM UTC
AS YOU WALKED ONE SUMMER DAY
These lanes are very narrow you said walking with Jane from the parsonage where she lived to where the farm road began Are they? she replied I’ve never thought about it just that the hedges are high and the birds chock full in them and their songs Yes you said They are and in London there are no hedges or narrow lanes and the only birds are sparrows and pigeons and you wanted to take hold of her hand and squeeze gently the flesh and sense her pulse but you didn’t you put your hands in your jean pockets and gazed sideways on at her and her dark hair and her profile and the scent of her like lavender as if she’d dived into a wide field of it and embraced the flowers and stalks What bird song is that? she asked No idea you replied moving closer to her the scent getting stronger the desire to be closer taking hold but still at bay It’s a blackbird she said You’ll learn them all the birdsongs and where and how they nest and in what months and you nodded and saw how the summery dress moved and swayed as she walked the flowered pattern like a field moved by a soft breeze and her sandaled feet touching the gravelled lane and you thinking how it would be for them to be held and kissed by you if she were beside you lying in a field or in one of those tall woods and you pursed your lips and she looked up at the sky her eyes gathering the blueness and whiteness of clouds and she said Monet would have captured that so well and You you muttered He would capture you well each aspect of your face and hair and eyes and she smiled and looked at you and said I’d want to be captured by Renoir have his arthritic fingers clutching brush and capture me and maybe secretly lust after me and she blushed and turned away and you thought   Oh yes yes yes but said nothing just gazed and breathed in her being her beauty all there for you to view the eyes the hair the profile the way her lips smiled and sway of walk and the tall hedges seemed to explode with the wild bird’s talk.
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as if one summer night would    stop to kiss the cheek of winter         winter    my sandaled feet chill,        awash in starlight    the waves, like a slivered memory        pure and silver,        carry the faint heartbeat       of many things come and gone summered waters blow through    their courses of hair    in soft syllables to the ear    they touch stones of fire    alive in the eyes of the mind how many hearts or ripples    of moonlight have walked here?    here, where new clouds breach        ancient skies and stones        of rivers of many things            come and gone    smooth and silver are the drops        of time, which wash        slivered memories            of summer    by the light of a cool moon
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Nov 13, 2019
Nov 13, 2019 at 9:10 PM UTC
slivered memories of summer