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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Carlo C Gomez Jun 2021
~
Elegies
entering the lists,
in absentia,
the prayer of blood
broken at its spine.

Ah, how minding days
trampoline and joust,
like those days beyond recall
thrown into the fire.

The persistence of memory
is a series of F-stops,
the fountain of youth
a spring of well-being
and then forever nothingness.

We've reached the prophetic day,
I feel the coming wrath
in the whites of their eyes:

I dream of wires
and sleep by godless windows,
the sound of untamed rivers
chanting passions misplaced
and of the absence of belief

—the true ***** of man.

Take one last look
at the structure of morality
before it closes down.

One last look...

~
Dr Peter Lim Sep 2015
REQUIEMS

No, requiems are not for me
to the ranks of the great and celebrated I don’t belong
if you do remember me when I am gone
just sing me a simple and plain but heart-felt song
nil
ryn May 2016
My mirror hangs stoic,
as silently it absorbs all it could with unbiased eyes.
All it receives under the day's sun.
Yet it never stores...
Not memories recent...
Not images perceived from the distant past...

My mirror
exists in the now.
It gives me only the present.
It reveals unequivocally the ground
upon which I stand.
It divulges only in the brutal and honest truth.
The kind of truth photographs could never tell.

Today it showed me what I've been seeing
with eyes half shut.
It showed me that,
I am older now.
Older than I was yesterday.
Older than I was a second ago.

Every wrinkle told a silent tale.
Every tale left quiet scars.
Every scar sang requiems of past mistakes.
And every mistake costed me my youth.

My mirror showed me that...
I'm older now because I've learnt much.
And I'm learning much more
because I'm older now.
An old photograph of myself inspired this.
Crispin as hermit, pure and capable,
Dwelt in the land. Perhaps if discontent
Had kept him still the pricking realist,
Choosing his element from droll confect
Of was and is and shall or ought to be,
Beyond Bordeaux, beyond Havana, far
Beyond carked Yucatan, he might have come
To colonize his polar planterdom
And jig his chits upon a cloudy knee.
But his emprize to that idea soon sped.
Crispin dwelt in the land and dwelling there
Slid from his continent by slow recess
To things within his actual eye, alert
To the difficulty of rebellious thought
When the sky is blue. The blue infected will.
It may be that the yarrow in his fields
Sealed pensive purple under its concern.
But day by day, now this thing and now that
Confined him, while it cosseted, condoned,
Little by little, as if the suzerain soil
Abashed him by carouse to humble yet
Attach. It seemed haphazard denouement.
He first, as realist, admitted that
Whoever hunts a matinal continent
May, after all, stop short before a plum
And be content and still be realist.
The words of things entangle and confuse.
The plum survives its poems. It may hang
In the sunshine placidly, colored by ground
Obliquities of those who pass beneath,
Harlequined and mazily dewed and mauved
In bloom. Yet it survives in its own form,
Beyond these changes, good, fat, guzzly fruit.
So Crispin hasped on the surviving form,
For him, of shall or ought to be in is.

Was he to bray this in profoundest brass
Arointing his dreams with fugal requiems?
Was he to company vastest things defunct
With a blubber of tom-toms harrowing the sky?
Scrawl a tragedian's testament? Prolong
His active force in an inactive dirge,
Which, let the tall musicians call and call,
Should merely call him dead? Pronounce amen
Through choirs infolded to the outmost clouds?
Because he built a cabin who once planned
Loquacious columns by the ructive sea?
Because he turned to salad-beds again?
Jovial Crispin, in calamitous crape?
Should he lay by the personal and make
Of his own fate an instance of all fate?
What is one man among so many men?
What are so many men in such a world?
Can one man think one thing and think it long?
Can one man be one thing and be it long?
The very man despising honest quilts
Lies quilted to his poll in his despite.
For realists, what is is what should be.
And so it came, his cabin shuffled up,
His trees were planted, his duenna brought
Her prismy blonde and clapped her in his hands,
The curtains flittered and the door was closed.
Crispin, magister of a single room,
Latched up the night. So deep a sound fell down
It was as if the solitude concealed
And covered him and his congenial sleep.
So deep a sound fell down it grew to be
A long soothsaying silence down and down.
The crickets beat their tambours in the wind,
Marching a motionless march, custodians.

In the presto of the morning, Crispin trod,
Each day, still curious, but in a round
Less prickly and much more condign than that
He once thought necessary. Like Candide,
Yeoman and grub, but with a fig in sight,
And cream for the fig and silver for the cream,
A blonde to tip the silver and to taste
The ***** gouts. Good star, how that to be
Annealed them in their cabin ribaldries!
Yet the quotidian saps philosophers
And men like Crispin like them in intent,
If not in will, to track the knaves of thought.
But the quotidian composed as his,
Of breakfast ribands, fruits laid in their leaves,
The tomtit and the cassia and the rose,
Although the rose was not the noble thorn
Of crinoline spread, but of a pining sweet,
Composed of evenings like cracked shutters flung
Upon the rumpling bottomness, and nights
In which those frail custodians watched,
Indifferent to the tepid summer cold,
While he poured out upon the lips of her
That lay beside him, the quotidian
Like this, saps like the sun, true fortuner.
For all it takes it gives a ****** return
Exchequering from piebald fiscs unkeyed.
palladia Dec 2013
i cannot face a day without acknowledging a loss.
i cannot fathom such a wilderness grew so close to my place,
my society-free, impositionless place
a tepid forest inhabited
by the requiems of the agnostically murdered
and the cogged wheels of the deceased's clocks.
sometimes they stick and the clockmaster unsticks them,
but they stop up again ever so quickly.
there is nobody who has the time or effort to continually watch the clocks.
and they return to ticking an eldritch song
which may cause pain.
it has not abolished mine, nor shall forth be disseminated to do so.
i am an ascetic mastermind, abiding in my messy pool
of thought, without my womb, without my brood, without my broom
to tidy the mishmash of unruly cobwebs and such.
the fumes cause me to wonder “where is my world,
which i’ve fondled so dearly?”
i detox and recycle memories, it’s to no worth of you
a venomous whisper on a silver lining of a dream tells you everything:
a fanatic’s agenda degrading urbane,
a plummeting depth to deep impact,
i drift away on a molten lava lilypad, and fantasize that...
i am god
but i haven’t found time to juggle your sect
reissuing lessons to mind the sheriff
and i cannot bear to lead me, to my own cultural death.
i cannot receive your moral disease, a signal on my knees
con e preghiere sbiancante. can’t you understand it?
my life is spent with hope placed
on each pair of snake eyes i roll
chance is the meter for everything.
dare i dare go back to my fantasizing,
i am god
ashamed by the lack of hope, and regret
disgraced by the hate and intolerance of man
and i see now their perfect world, is everything i detest.
and the tears produced
form new embryos of emotions
crystalline structures of psychological proportions
which develop into mature,
sentient, and emotion-proof organisms.
which become i.
and i respond vehemently yet come to my senses in a diplomatic tone,
because i am a diplomat.
and i have learned to nail my destiny to an altar each night,
an altar which can sacrifice my pensive motives
and my self-incriminating philosophy
that i should be able to write my destiny, and not
have it planned and read aloud,
read out loud, out in the air, outside.
i try myself.
i tempt myself.
and i return to supplicated suffering about my own mortality
and the atoms i will never see
and the universe i will never span
and the people i will never meet
and the times i will never live.
what if i rivered thirty silver-coins:
◌◌◌◌◌◌◌◌◌◌
◌◌◌◌◌◌◌◌◌◌
◌◌◌◌◌◌◌◌◌◌
what if i
didn’t
?
i might be ****** for this: but i’ll still set fire to the catacombs.
i might be scourged for this: but i’ll still hold on,
hoping there’s skin on my bones.
ecclesia, – a common, a sanctuary, a vanguard from the darkness in the world.
i know what i should do but never ever get it done;
i know what i have been and what i will become.
not defined by a dimension nor reputed by a benchmark
but shaded by the passion and dissuaded by the lashes.
i’ll do anything you want me to,
if you **** the self-inflicted psalms i plead!
the ulcer grows
that sweet cologne
i ***** it into the unknown.
i won’t tax your soul, i won’t stick a price to it:
coins ◌◌◌◌◌ won’t fill the hole -in a business deal (assets corrode)
i won’t tax your soul (i won’t buy it with blood money ◌◌◌◌◌, no)
it’s yours alone (but in business deals,
deficit is prone)
and there’s an aspect {a static} of forever and the inescapable gap
between the conscious
and the desired.
i sit here, ever so comfy and lustrous,
and habitually wait the day
they merge.
my invitations stand clear.
if you cannot come, i’ll wait for you. hidden
in the grillework of my past. but if you cannot come,
i’ll be waiting. hidden in the warmth of our teepee haus,
i’ll wait for you.

if X Marx the spot then why Kant i Locke it up?
*could living hand-to-mouth so long make me so Jung?
There’s a complex relationship with the earth, Pleroma, God, and mortality. And none of it can be solved. We live in such a saddened state today.
I am so very broke, I can’t afford to pay it thought.
Fettered in a cage by poverty, left only to pray and rot.
The feathers of my soul have been tarred and stained by life.
So much so, I'm not sure if they'll ever again shine bright.
This Bird in my heart used to sing for my hopes and dreams;
Mourning every tragedy with requiems that gleamed.
A little Canary to be all mine until the very end of time,
Staving off this cold world and reminding me I'm fine.

This poverty starved her slow and deep, down to the very core.
Melodies that once remedied despair gone forevermore.
Nowadays, all I can ever do is reminisce about that yellow bird;
How she'd bring warmth to my life's cold hell of a blur.
The way our voices would harmonize on little notes;
Prophecies of a better future foretold from our nook.
That's why I still cling to the distant sound of their words,
Because they ramble on in me until nothing seems absurd.
I like to think she still sings sometimes, though no sound is heard.
That music of hope rings in my mind still, all thanks to Bird.
Scar Feb 2017
Glances in passing and nothingness,
I'll drop out and take up gardening.
And you are so cool, all German bred,
and sometimes braided. I see you, so
well-read and rather regal. ***** blonde
nuclear, alabaster, aluminum rods -
electricity dripping from the soles of
your shoes. This classroom, my own
ink blotted incubator, the radiator sits,
flatlining. Your jaw as two razor blades,
your shoulder blades, broad, gentle.

I wonder how you look in the morning,
How you look at yourself in the mirror.
Do you practice smiling, and
how often do you wash your hair? Oh,
you exist in glass, and I will not try to
know you. Leaving this poem limited,
and yet. Your jam drop mouth houses all
well-spoken soliloquies, radical requiems.

So, what would happen if we brushed
shoulders in passing? Your little accent.
Accident, we appeared in the same
huddled mass. Literary plugs in the
drain, and your new American. So,
why don't we just go walking on
airplane wings? Some transcontinental
affair. Frequent flyer *******, stranger.
【A Mosquito, Killer’s kisses】
By Angel. XJ  09/08/2019

Gentle, but deeply ...
Mosquito whispers to herself :
Will I have the last kiss with him tonight?
Shall I forget how much it hurt,
when he left from my sight?
Shall I ever speak to him agian  
I am not a killer, only I love to kiss,
gentle, but deeply...
Mosquito toned up her silky voice,
she was singing to herself,
in the spring a paradise,
in the summer a hell,
and in the autumn a heaven..
But is there another lonesome heart that I could kiss?
Dont keep reminding me about
The Valley of the Shadow of Death
I am no killer,
but addicted to kisses,
I am no killer,  but only like to kiss
Likewise, Mozart’s requiems where hidden the code,
A mosquito’s love and destiny.
Gently, but deeply...
Mosquito stops her whisper,
No more kisses and only shows teeth,
desperation in her eyes
it pierced her bones.
With sweet, painless,
a Mosquito, killer's kisses,
gentle, but deeply...
A lonesome Mosquito
Nat Lipstadt Sep 2013
The TSA won't let me fly
It seems when airplane-jailed,
My muse sneaks aboard
Without paying for a seat.

Another airplane poem like 30B,
From a long ago flight,
Found dusty, in the poetry sewing box


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

with every breathe he tithes
a packet of whispered wishes,
a blended osmosis of
past and future scenes,
reviewed, previewed,
moments in time,
actual and dreamed

some received,
airborne plucked,
in his chest stored,
prepared for future
takeoffs and landings,
for ultimate insertion
in both
your recesses
and
your abscesses

some native,
combobulated, containerized
packets of seconds,
of joyous moments,
bytes of historical
hugs n' kisses,
as a child
to a child
from a child

those are vanilla frosted,
residual payments for the
good done and given,  
forwarded with all clear signals,
to his loved ones,
now resent, to you,
fellow travelers and sojourners,
intersectors of our peculiar
coded dots and dashes

thirty five thousand feet high,
composure lost,
he swoons as
Bocelli's voce del silenzio
releases tears so sweet,
which are by nature,
gravitated and transformed
into snowflakes to decorate
the Sierra Nevada's
breasted peaks and valleys,
over which his physical notion
is at rest, yet in motion,
within a Delta flying ship

Yet his fevered chest
beats rough,
for every flight seems
a time warp interlude,
a forced reflecting rhyme,
not of his choosing,
a lawful, thoughtful, imprisonment

having donated to you
his best, the remainders,
the man tallies, recalls:

ancient slights, scaled heights,
requiems for his forefathers
scored by cantorial choirs,
liberation struggle weariness,
offers taken and refused,
aces in the hole that proved
insufficient to save his soul.

goal line stands made,
onslaughts refused,
true lies and false truths,
moist lips and monster tears,
occasional A's and calcu-hell-us,
hand me downs received,
help me ups got n' given,
buildings pricked by airplanes,
death wishes granted
and nothing thereby gained,
children, found and lost,
mine, yours, ours...

The sums, always the sums!

engine noises and pilfered winds
are dulled and semi-silenced,
yet the silvered chamber prison
resonates from end to end
as each ledgered memory,
each packet of the
hidden whispered poems
he does NOT choose to send,
dents the man,
leaving claw marks,
screaming pay attention to me,
as if they were the priorities
of a six year old child,
refusing to be ignored

he does,
attention, he does pay,  
allowing rocking guitar heroes
to overtake weeping violinists,
just as newer transgressions
surfeit even his
most really *****,
ancient sins

No matter how he counts,
unable to master the additions,
no matter how many times
counts are initiated,
taken and retaken,
the tally's net net is
concluded, numbered
"forsaken"

his life's W-2 is black n' blue,
deductions falsely enumerate
and thereby underestimate
dues he has paid summarily,
earnings, distorted,
taxes paid never enough,
to satisfy the justice scales,
so wearily he
cries and enunciates,

The sums, always the sums!

THEN COMES HIS SHOUT OUT,
at his most vulnerable,
when a thin veneer of alumina
separates him,
from a fall inglorious
to an end most gorious,
a rapping beat moderne
insists that he go all out,
disallowing no
airy fairy poetry
to disguise that:

If the integers are false,
the entries of a life lived,
are sucker lies
black eyed flies
toxic shockers
that bust open
stinko lockers
where the B.S.
mocking stories
are kept

don't look close
at his documents
they ain't exactly
heaven sent
and the government men
be back on his track
their aviator shades
protect them from
burning light of the
man's furnace
where he burns their liens,
and the agent's ear pieces
drown out his screams of

The sums, always the sums!

God bless you,
keep and recall those packets of
whispered wishes, good tithes,
that the man bequeaths,
gift baskets of
expresso essentials
with God's love delivered

Tho his words,
amateurish and unvarnished,
silly and pompous,
nonetheless, they are the
return on his investments,
his yearnings for your happiness
are the savings accumulated,
though meager jewels are they,
they are ad valorem,
mixed into his confused murmurings

here then,
are his summings up,
what he wills you,,
the tally finale
the best wisdom is
found on coffee cups
at 2:47am.

Dance
Love
Sing
Live

to which he respectfully amends with a
Write.
(See banner photo)
See Nat Lipstadt
Juggling Thoughts Re Proximity, in Seat 30B
Joseph Sinclair Sep 2014
My brain too long has had the sound
and shape and nerve
of breathless requiems.

I want to feel my own rebirth
in time and space come throbbing through
the tips of each finger,
flooding my dry veins with rich green sap
and giving me new sight
to every sense;
making me whole again.

I want to feel my spirit as before
rippling with joy
and dancing through my skull,
so that, merged in adoration with my soul,
I may once more have that power
to fill my cup of life and love
and find this consummation
in her arms.
This is one of the poems just published in my collection of verse with annotated social, personal, and political comment, entitled Uncultured Pearls, available on Amazon.
Robert C Howard Apr 2015
A bell tolled
through the fog at dusk
to summon passage
across the roiling waters.

Through the mist
a ferry appeared
but not the same as called -
afoul with death and sorrow.

With dread our forefathers
boarded ship and listened through
that storm filled crossing
to howling wind sung requiems
echoing from distant fields at
Manassus - Shiloh - Gettysburg.

When the gales had spent their fury
they disembarked in a new land
with both far less and more
than they left on the opposite shore.

*March, 2008
Included in Unity Tree - Collected poems
pub. CreateSpace - Amazon.com
Janette Sep 2012
Mozart fades into Monet,
you are the ivory keys,
piercing the silence,
tangled in echoes of an angel's voice,
awaiting to explode into the
mystery of my colours...


Hushed within a silence,
fading beyond something grey,
always meant to shimmer in sapphire.
Love is never bound to soft silhouette's,
though the fault line is so fragile,
the hush can rupture the ballast,
deteriorate the fingerprints
left, moistened, in an exploration of hands
christened in worship of the journey,
sliding between the hymnal of thighs
scarred in the numbness of quiet bruises,
aching for the press of your needs
to awaken the ache, and kiss the morning
held fresh in my eyes,
with a glance into hunger,
still fresh upon your tongue...



My soul rests within the ebony shadows,
straddling your fingers, as they
pound the song from your heartbeat
descending into a crescendo of requiems divertimento,
unraveling all of these unspoken words,
in soft whispers of your embrace

Curve the edge of my thirst
in that place where the heart stills,
that place, where the pulse quickens
so deep inside the quiet of your benediction
redeem me in the corners of your smile,
and I will paint my love in Monet,
so soft, upon the canvas of this
Mozarts serenade of us

The aftermath, a concerto,
a delicate stroke of crimson
smeared upon the ivory parchment of my skin,
"I love you" etched
beneath the wings of your song,

...I am the unspoken lyrics...

you are the music of my life
fading into the colours

...of love's last breath...
Straelyn Lousire Sep 2012
Arched across the balustrade,
Silently keening
A poignant, broken elegy
Unceasing refrains and requiems;

Touch of death unveiled
Ever so gentle,
Wicked in its false lies
And beguiling sweet façade.

Crimson, staining
Seeping through the depths,
Oh how savage,
Cruelly taunting, vicious.

And yet all that we saw,
Was a halo shining bright
A bringer of of life and death
In calming repose, an angel.
Eliot Greene Jun 2022
We celebrate Juneteenth as if the war was not still being fought
Across news stations and echoes of Jefferson's dreams
The last slaves freed, but this country was never
Reconstructed, just patched up just replaced
Chains with debt, a Theseus ship of spoils pulled
From the wreckage of ****. And I sit the echoes
of police sirens slung like clubs across the backs of the
Boys that sat in my classroom and wondered
Why every white person they met always had
To yell so much. As if there was nothing at all
to be exchanged besides recreating Hegel’s dialectic.
As if the only way to win was in blood. And perhaps
That is what Juneteenth really teaches us, that blood
Shed long enough will lead to ghosts, whispered
Warnings we ignore. As if a million bodies buried across
The South was not enough of a reminder that we needed
To **** to have the enslaved seen as people. We celebrate the
Day we no longer had to bury bayonets in bodies
To treat humans as humans. And they still can't see it.
Don’t realize that if you take away the last plate of food,
That if you turn off the power, that if the dollar can't fill the tank
What comes from desperation is a blood-born tsunami
full of the ghosts of dead racists and stolen children,
full of collateral damage and crackheads hooked on crystal
                    Sold to them by the CIA.

This country cannot swallow the blood needed to clear its cup.
But at least we gonna barbeque and vote, and Dream, and read.
At least we gonna explain to the children that this was the day
The last slaves were freed when there are still hungry mouths to feed.
At least we gonna sit with Baldwin, or Miles, or Kendrick, and unhinge
Our throats like snakes swallowing what the storms sing from suffering.
At least we can carry that truth. If only for a day. If only to free the last
Mind slaves still believing that the war is over, the dead silent,
The constitution holy, the senate fair, the president controls gas prices,
The bullet not already loaded, the school doors not already locked,
The rich earned it, the news aint propaganda, the children martyrs
The blood in our bodies not singing requiems to the pain of our ancestors,
At least we gonna pretend that this country actually free.
Dian Eka Oct 2010
Love is Poison
Brings such emotions

My dear, it's like drinking stronger spirits in pray
But We do know We are poisoned by

Are We fool creatures for let it in?
Are We thirsty enough to **** it in?

Roots of heart welcome it
Is it heart's pleasure?

My dear, it is growing to branches
Unseen liquid
Rushing to blood spiralling in veins
Pomping heart too often,,,
Pushing it harder,,,
Getting tired,,,,,,,
Dying,,,,,,,,,,and then
Dies,,,,,,,,,,,,,,,,,,,

What hymne or ode for Us?
What We have when our hearts die?

No requiems but another poison.
DEAB
P S Bravo Sep 2011
I wake up
No breakfast  today, life's much to fast.
A cup of coffee will do
So I set the coffee maker,
turn on the shower,
And lose myself in the mirror.
All the while watching,
Waiting.
Waiting for something
But finding nothing in the end
This morning is not my own
It belongs to someone else

I once read on a dollar bill a few years back that
“You can't sing the blues without blood on your hands,
And you've got blood on you hands.”
I spent that dollar but the blood staid on my hands.

We absolve our tender memories
Of what it was like to be children
To not have worry on our brows
To have an unstoppable imagination
which could build floating boats
and mega droids the size of skyscrapers.
An imagination that would make us all ninjas
and princesses and cow boys and girls
Each of us have saved the world with a cardboard swords
and index finger barrels and gun hammer thumbs

Now, we sing requiems of missed messages
All for a few lousy blood soaked dollars.
MBJ Pancras Jun 2020
There are six coffin bearers carrying a box,
It was a solemn procession with priests and pastors,
Rituals performed; requiems sung; lamentations heard,
Who is in the coffin? Who are the coffin bearers?
A flash of interrogations hit my heart and mind:
Where do they carry the body in the coffin?
Who are the priests and pastors to the one who is breathless?
Why are lamentations ‘sung’? Why are rituals?
Are they to please the breathless corpse?
Where is the breathless corpse taken to?
Beyond doubt, the destination of the corpse is the cemetery.

Mourners and pallbearers are hired not by the corpse,
Dance performed; refrains gusted out;
Garlands of melancholic florets thrashed out;
Beats of unpleasantness resounded.

A silent spell practiced on the last journey of the corpse;
Neither a pallbearer nor the folks raised any slogan;
But everyone’s prayer in silence realized.

I am a passerby walking with a lot of reflections,
The coffin bearers shall be carried too one day,
The priests and the pastors will be taken in processions,
Rituals, requiems and lamentations will be enacted.
Coffins are ready for all with mourners and pallbearers,
Dance, refrains, garlands and beats shall be added to glooms.

I ask myself: when is my day?
Who shall make my coffin?
I cannot hear requiems in my long sleep,
I am far from rituals; dumb to lamentations,
I must reach my destination, whether l like or not,
Folks will never come with me,
For I came with nothing and leave with nothing.
Where do I go? Where does everyone go?
I cannot be a passerby to my own last journey.

I long for my day; it may not be my will;
But the day to all is predestined,
And we are to leave this shadow of life.

So, when is my day?
Julian Mar 2019
Flippant polymaths exude the frippery of travail for lapsed inordinate surgical gains in temporal but temporary acclaim that owes its provenance to the gullarge accentuated by the guttural tempests of silent windfalls that wrestle with sharks and snarky cagamosis with pilfered fame without rulers for rules that own the profligacy of a cineaste game

We cannot surpass our talents with ease when the treecheese of inevitable distance between equipoise and insanity is a tantamount inanity of prolixity for the sake of freedom rather than servitude to the slow meandered steps of trudged verbigeration that needs to be exorcised from the seat of authority for the plodding inconvenience of time earned that shakes the listless yearning people who lie and spurn

Demagogues are trifles because they are anoegenetic and care not for the abligurition that consumes the energy of a dismal life lived on fringes rather than reaped with grimaces for binges that continue to absorb the painful pangs of twinges that hedonists are of interest

We cannot exorcise the demons that give stygian weight to exchequers beyond the gamut of money but rather the currency of velocity of thought that owes its weight to weightlessness of spaces between the spacious and the limited tract of isolative territory that many mendicants looking for sustenance travail in insolence and in perjury of their solemn duties for self-serious honesty they lack a vista to see their crimes as more than just a pettifoggery of disputatious wranglers that wrench and then contemn the objects of their moral scruples to contend with nothing but the vacant expanse of a limitless injury for a momentary slip of cultivation and countenance

Frippery is hard to cobble with lapidary wit because succinct grievances are fallow ground for the permanence of atrocity and the temperance of felicity to conform to the desiccated pathways of limpid but livid excoriations of willful ingenuity met with aleatory rambles that sprawl incalescence with words as a dying occupation that is resurrected from the abeyance of its pragmatic utility to distinguish class from crust.

The triadic fatuousness of snarky sharks recruiting the gullarge of paranoiacs to deputized alacrity lead many strident vocations astray as they pilfer the nullibiety of spectral ignorance and defy the gravitas of the primiparas of a swollen technocracy, an outrage that scarecrows with prevenance have adumbrated against with strident accelerations of sublime velocity

So we swim in perilous straits against the demiurge of inclemency in fated rittles for the turpitude of wraiths and engineer every aborning day a new foofaraw of unalloyed atrocity
Now more than never should be deployed to ensure that the castigation of scoundrels and guttersnipes that exert a rip tide to those stranded on the shores of littoral desiccation might find the pristine beachgoing public an amenable treat proffered by exorcised sheepishness in reiterative bleats that quarkswarm only the antinomy of sentient masteries by shoveled civilizations proctor to horological insistence in design

So we designated an abeyance of heydays to create a rippled nostalgia that creeps in the winter storms that singe even glabrous ignorance with the twinges in absentia of the regal crows that circle the sun as the sustenance of the alighted moon as we reach for the heaved Richter teeming with ablution for venial commination of prolix croons that exert a Palo Alto rhyme

Phenomenological fields distal to the cephalocaudal origination of limber and the ironic counterpoint to that strife in excess rather than dearth of the henchmen behind the exchequer showcase that fluid thoughts surpass the limits of the dentistry of cosmetic cosmology simultaneously a scientific boon but a coarse albatross

We are criminals in a world stranded by ****** apostasy because of the sincerity of minstrels meets plodding human ignorance as exemplars rather than the apotheosis of divine excoriation of wastrels and flattybouches who webdoodle their way into the extinction line in some computer file swiped from eccedentesiasts who often in uncouth barbarity forgetfully abide without the temperance of floss

So what are we to make of magisterial wits of wiseacres who pilot tenable objectives like Indiana Jones flexing his comical whip when the gunfire of cacophony inundates our ears with a lisp of cockalorum imposture rich in chewing tobacco and its ungainly gripes and tenacious grip

Should we seek salvation from the treecheese of arboreous terrain amenable to the newfangled windfall of agricultural whims that dare now with caprice but not quixotic disdain to reconfigure the parsimonious levered engagement of melliferous fungible transaction between sabbaticals and chief financiers dubbing the vociferous limn of the primeval fulgurant incandescent ethereal quips?

We strive for palaces issued with dimes, dozens and scores of retinues that retain the patina of sophistry as the gullarge makes the vangermytes cozy in their defensively mechanized citadel buffered against the unheralded malversations of mammon intersecting with primordial chemistry that give the philanderer a guise of philanthropy despite professed gainsay that perjures because hucksters are winsome with fiduciary risk

So we calumniate with lapsed puns and Potter’s Spells as we dredge the indemnity of bustling heydays that extend beyond the bailiwick stated because of the prolonged trace of nostalgia that frazzles our voluntary expeditions with misanthropy as each libertine instinct becomes subject to stop and frisk

How to balk at such a garrulous repartee as proffered by swanky intransigence that shakes it off in a quaky town that hates the Swift refrain that endangers the fatalism of recuperated foresight borrowed from the armamentarium of corrupted killjoys who swim in a dalliance with the itchy myths that drift from powerlessness to voguish debauchery of insouciant internecine fringes frayed by the tomes that decry Stygian drift

Shiftless and rooted in rintinole absolved by plackiques that enchant the voyeurism of repined squalor of industrious frippery deracinated from the aureate complicity of largesse calibrated to mobilize the skittish mercurial yuppies to a dance with divestiture, taxes and an earthen death, we sprint the evergreen mile toward the scrupulous invention of enthusiastic euphemisms arbitrated by the procrustean silt of the leaky faucet of enigmatic timelessness etched by chiselers to beat “Us and Them” and warn the vanguard of the front rank about the thespian rift

Exhaustive rescue squads prepared for the dearth of monetary heft in times of perilous drought denigrate the authors of famine to the indulgent parents of inordinate sabotage of narrative for riskless arbitrage that is the outrage of sciamachies between platonic indifference and the tantrums of the feckless in the dangerous hearth of the cavernous wilderness of limitless imaginations that stagger so far beyond orbit they become satellites to vagrancy and whittled paragons too distant to dissolve in the ethereal chemistry of incalescent uproar sadly flanged by the Dopplers of ephemeral fate

Squandered by the desuetude of a snarky intervention I issue invective at the proctors of deafferented limbs for barbarous swine meeting expediency in demise, bemoaning the placid distaste of rectified cries that issue candles for each acrimony beyond the permutation of the staid inflexible limit of 88’

Bashfully we careen through argosies of curiosity to fossick the stalactites of timeworn intuition and reckon with their converse ironies that drip faucets of mildew that remain hidden unless poked by plucky flashlights to inspect the paragon of erosive filigrees of a bewildering paradox of polarized design that one meets the ceiling at inception and the cousin strives to clamber empty space to know with faint certainty the bulldozed irony of superordinate coexistence

Now we return to the majesty of a spurned wiseacre that evades the snappy parlance of a wrenched friction between the physical and the metaphysical elements that constitute a commensurate reality so supernal that its ostentation creates lifetimes of reiterative growth that spawns crimson red and bloviated blues to find a fulcrum of balance between the malversation on one hand of criminal sinister machinations and on the other hand the execrable self-righteous ignorance of a hidden vehicles of dexterity that are subsumed by a subtlety of legislative graft that owes its forbearance to the sanctimony of perseveration without the laurels of persistence

Now we wed the concepts between the ambidexterity of a monolithic titan who wanes rather than waxes himself because his glabrous head already exposed requires nothing new because the empire that struck back is denuded by the thorny imbroglio of a sunken Rose

Timmynoggies are perfect for haberdasheries of saccharine and glib excellence as measured by the ****** cacophony of unmerited applause that strains the resourcefulness of the silent mastery of magistrates in mellifluous alcoves surrounded by the soundproofed rigors of an execrable dereliction wilt into the imaginations of the few that watch movies with errantry rather than pleasantries of gaudy nonsense enchanted by a striptease of the wanton zeitgeist that some balk at but everyone knows

Time earns the spangled banners of sloganeering because of the fastidious creations of pole folders that maneuver between quips borrowed from antique movies and swindled affectations of yearning of many of all fears inevitable with the malevolent passage of the technocracy from cheers to vehement inveighed jeers

We should fear the watershed because it necessitates the evaporation of winsome ambition and implores the subservience of a guiltless fascination with abominable regress concomitant to the acceleration of money preceding a whipsawed downfall ensured by the funereal spates of requiems to oneironauts who plunged to their deaths on headlong flickering whims past the craggy landscape of lunar concordance and through the abeyance of qualms to flabbergasted self-importance in the eradication of provident fears

Memorials exist encoded in the temporal twinges of agony that straddle the cardiovascular throbs of impermanence that sweat with each simple beat to blather about the repetitious nature of a livid nature scrambled in exodus of the emigration of senseless blather to the subroutines of regimented sleepless paragons of travail in every pedestrian feat accelerated with each passing foot traversed by vigilant and eager feet

Tempests crowd the cluttered hamartithia of dredged incompetence leading to the foreclosure that precedes the simple derelictions that amount to grievous uncertainties that squawk in the plumage of the frippery decay of an autumnal fall from gracile riches landlocked without room to sprawl rigged against every track that is a surefire gleeful keepsake to meet, greet and serenade the claques adorned with the monikers of the Greeks

Trembling beneath the weight of mellifluous sauntering dingy designs that exude the anguish of our provident but incidental remonstration against the plodding indifference of the artistic clerisy we sputter against intransigent annulments of the emotive human engine calibrated with creaky pistons that rumble with furor of abrasive protest in timely haphazard elemental designs for vanguard ears

Tridents shed the fossicked leaves that are divisible by two but not inevitably glue that solders the identities of people congregated around a situation of gleeful sprees rather than wistful regress into a temerity without regret that gets dangled in the purview of the spiteful wings of armies that drawl when they sing vapid songs for vaped bongs but not the soberly cheers because of the deafening din of conformity oblivious of the honorific crescendos that still peak after so many restless years

Confederates line the avenues of bustling caverns of cumulative human disdain so willfully flouted by the wrenched corrosive frictions of vibrant deformation of the cultural narrative that encapsulates the collective bubbles chewed and jettisoned like bandied candy and then defamed without justice because  hurricanes churn up the reclusive emergence of protective vanity chased down as a sunken cost for a siphoned glory of tribal pride despite the strictures of logic

Creeping with insistence is a subaudition of governing gravel that entombs many steadfast lies that embodied people living delusory lives under a paradigm that has been subverted by the feats of science into a morass of irrelevance and the chances are many of those so deluded still breathe the air now more polluted but balk at the memories of the fallen passengers on the convalescent train that accelerates sunblind but respectfully toward a systematic engrossment of swollen intellects whimpering about the tautologic

We finance our prescient rodomontade with rodeos equipped with zany clowns who spurn the tridents of Poseidon because of the iridescent gloss of sheepish and flippant zealots who churn against the wrestling match of televised irony with accentuated eccedentesiastic disdain amended by a tolerable diversion of ennobled gallantry zip-zagging among the many valid quodlibets and missing the mark entirely on purpose to vacate the possible raillery of those who balk at time’s chosen serpentine tracks because of limited pedagogical tracts

So lets solder a forceful brunt against the senseless regalia of modern omphalos and return to the plenipotentiary fields of resourceful human inquiry into the chagrins outmoded by convenience but amplified in vociferation by the prosthetic extension of a grangull humanity outfoxing itself into a zugzwang inevitable in the future with collateral losses because of senseless invidiousness orchestrated by the immiscible dermatology of divisive facts often about race and ineluctable tax

We conclude with the optimism that refineries become gentrified by the superlunary squadrons who bask in beatific beams of anonymity and that the pollution preceding our evolution is just adventitious rather than central to the amelioration of wavy screens ennobling so many upstarts to teach themselves the majesty of lucid dreams and to capitalize on ludic ideals divorced from the urchins of radical idealisms that ironically poach rarefied air with smug pollution of narrative scares

Without trepidation we can muster the largesse of civility to create a progeny that has a recursive progeny of heirs that defiantly imagine a world bereft of specters of the soporific imagination enforced by the lapidation of insight from termagants who stride with ursine acrimony naked bare and envision a global meliorism that is careful, picaresque, pragmatic and filled with meritocratic care

With those ornaments of an aureate measure in mind


We leap beyond the enumerated infinity in time's proper design
Brandon Sep 2011
in a sea of adolescent geeks and nerds grown to be adolescent college corruption
holding pistol shaped hands high above their nodding heads to form an endless ocean of "W"s
lip-synching every word to the sweater song in perfect drunken harmony
                           i'm stranded here where i don't belong
trapped in a  human cage of drunken fraternities and prudish sororities
pass the expiration date of such antiquated requiems
i stand shoulder to shoulder feeling nothing but the crushing desire to sleep
the crushing desire to escape out into the wild*

                                 Where are we going?
                                 We're going nowhere.
I was dragged to a Weezer concert by my wife and her parents.
The band wasn't too bad live (tho i will never admit this to them...) but the fans really irritated me...
Martin Narrod Sep 2017
Stolen warmth gone for now,  followed by melancholic uneventful sounds. When I walk, I walk away from seeing. Everything I thought I might've been. This skin trying to fly away from me, like a misplaced shadow searching for a body to shrug off its grief. Bending, arcing, aching thumbs that have too much memory to allow them any fun. The old time might have agreed, with the girl lost for at least three weeks. Sugar and a can of milk condensed, heated up over campfire coals in the woods near Libereć.

Twice I'm too scared to talk. After a boxing match with a raging bull. Staleness lingers over these sweating hips, where half a moon quaffs down Verdi's Requiems. I told you I'm hiding in the jungle now. Through these cufflinks I speak through a startled jowl. First that dying tone, the startling sound of a fading D Minor song. The mines of the forest grieve, until the hours born sell the rights to sleep. Taken and away from grief, where wiggling children's fingers are seen. Only to find the child was not a realty.
Let your hands make amends to me, whether you're here for the pistachio ice cream or vanilla almond dream. Princess pleas for a pauper's being.

Looks like the child bit off half it's tongue, to ignore all inquiries into where its gone. Minute games and clauses of flesh, I tie her up using her own belt.  Chasing The Rockies for a festive blue, then I gorge myself while she enrolled me too. Quiet bandits filled with starlight.
thymos Apr 2015
it's true that the more poems i wrote
the more women i made feel uncomfortable.
sometimes this made me cry: it's tragic, after all,
when people don't recognise greatness.
and i am privileged to have been witness
to my tears
and the algae their oceans bloom,
and the violence of understanding so luminous
that i keep my vision black
for fear of what might
come to light in the shadow of my eye.

i think someone once told me
that i'm a good listener.
i've never heard what i wanted said.
don't forget me,
i never follow my own advice.

i find myself in some of the empty rooms
of my soul, and shout:
what are you doing?! it's mysterious outside!

i couldn't keep a cool head
and now the ice caps are doomed
which means the rainforests are doomed
which means the ocean algae is doomed
which means the permafrosts will melt
which means we're all doom bound.
of course, given Man, we're on course to be early.

the echo full halls
of my historicity are painted
with disaster
and haunted by the light
of a collapsing star.

there's always a lot playing on my mind
and i never really want tomorrow to arrive.

these depressive episodes have been put on a playlist
and set to repeat. the screen has our attention hostage.
i leave my sleep to the genesis of sunlit dreams
and let it eat the majority of day.
already sick of my share of time;
force fed countless pointless hours
of whining, pining or hiding
by my own hand that i'm biting,
and platefuls of pressure and fake faces
that i ***** behind;
binging on escapes destined to forsake me,
guzzling my own requiems to the potential for strength;
but i'm getting ahead of myself.

we share the shelter
of my lonely head.
so much to do.

my body is a temple
desecrated.
sacrificing commitments
to addictions.
such a repugnantly reactive creature.

there's a child somewhere inside of me
and he's crying his eyes out.

he annoys me so much
that i locked him away alone in a dark room.
i didn't actually lock the door,
i just told him i'm locking it
and he's too timid to be defiant
and too weak to lift a body laden with freedom.
so i just told him he's staying in that room
and i told myself to set the structure on fire.

there's a child somewhere inside of me
and he's crying his eyes out.
his incessant tears have waterlogged the entire tomb
while outside lie monuments of drought.

in search of
blue mountains,
sun hidden.
Eliot Greene Jun 2013
Dressed in the night the women gather
Riding the wakes across the waves of the sea
Kiss the ghost lips of those who lie lovely
Running their hands along the scalps of their sons

They have come to break worry
Silence an orbiting fear
Seal up the sliver in the sky
Where the nights slips through

See the old men in their taverns still trying to name all the stars
After those who tread dirt in the stillness of a tombstone sea
Trading eulogies with the last ministers of light
In the funereal home of the sun we have come to call sky

And still the women whispers secrets to their sisters
Lay down lullabies on the heads of their sleeping sons
And hang hymns on the hopes that their boys might return
From their pilgrimage into the paths of bullets

Through the blooming fields of mortar shells
And down into the tunnel throat of the dead
To meet the waiting darkness, run their thumbs
Along such casket skin until they cannot tell the difference

Between hells heavy requiems and the faint symphonies
Of their wives across the sea, singing as if it could save them
Singing as if their songs could rewind the hoc spit seconds
Between the open door to heaven and the bullets kicking in back windows

Harmonizing as if it could resurrect these boys as men
And though some may be swallowed
Learned to lie lifeless in swift lessons of lead
Their brothers will one day name stars after them

They’ll sit in those taverns, learn to call creation by a better name
A bastion of light for their buried boys
A crucible into which lives are poured
That burns down to widows and heroes alike

As old men they will trade eulogies in the early hours of light
And cry when they think of their sons in the same fields
As red rose pestles bloom from bullets
As the caskets get delivered home

And the women the wives will continue wait for them
As sea foam along a shore longing for the lights of their ships
As if they shined brighter then the sun
As if they had held back the night

Counting their blessings as the children
Who cling to their skirts like a song to their lips
Too tired to stand but they are waiting, waiting still
Singing out over the water to bear their men home
featherfingers Nov 2013
The evenings cold enough to require a sweater
but still too warm for the biting winter wind,
to cut through our clothing
like hot knives through butter;
these are the not-quite nights,
the dusks of the almost-autumn
and the too-late summer,
with the drizzle dripping requiems
for sunshine longings and July dreams.

These are the nights that I am torn
between walking alone with the chill in my bones,
sedate with the cold but alive,
or begging for a body
to drift alongside,
radiating an unreciprocated warmth;
someone with hands stuffed
into night-bitten pockets,
too cool and stiff to really chatter
but hoping for the shared sympathy
of frozen, rain-speckled skin.

We are gliding across the fallen leaves--
the dying brethren of the trees--
that crackle slow beneath our feet
like summer candy wrappers, drifting.
But we’re still slowly freezing,
shrugging threadbare shoulders
under threadworn sweaters
that still reek of the past.
And we’re still gently waltzing,
disinterested fingers on uninteresting waists
trampling scarlets and golds under
careless heels in three-four beats.

As the twilight fades into ink,
a hollow, whispering breeze reminds
of the clouded distance between us
and the heavy, rain-laden sky.
Mohd Arshad Feb 2015
He, lived with me, white man,
Dancing, skimming, swinging,
And his body overstretched on primroses!

On the dandelions he climed,
On the walls he skidded,
On the grass he slumped,
On the boughs he slep,
In my orchard, my guest!

With stealthiness-footfalls
He peeped in through windows,
And my drowsy-drunk body caressed!

He welcomed butterflies,
He whispered to birds, passing by,
He made my Bulbul, the nightingale, his buddy,
And lost in her mellifluous lyrics!

He hugged the world,
He hugged my soul too,
He loved apples,
He kissed the lilies!

Ah! Things are bound to farewell,
As time scratches their beauty,
And they slide into nothingness!

Oh! His journey is over,
He is going to the house of the moon!

Only I, with sobs smearing,
Is in the lawn to see him off!
O butterflies, O birds, O Bulbul,
Play the requiems,
Winter is going, dying,
Our friend is going, dying!
Notes (optional)
Poetemkin Sep 2019
I.

Tнʏ functions are etherial,
As if within thee dwelt a glancing Mind,
***** of Vision! And a Spirit aerial
Informs the cell of hearing, dark and blind;
Intricate labyrinth, more dread for thought
To enter than oracular cave;
Strict passage, through which sighs are brought,
And whispers for the heart, their slave;
And shrieks, that revel in abuse
Of shivering flesh; and warbled air,
Whose piercing sweetness can unloose
The chains of frenzy, or entice a smile
Into the ambush of despair;
Hosannas pealing down the long-drawn aisle,
And requiems answered by the pulse that beats
Devoutly, in life's last retreats!

II.

The headlong Streams and Fountains
Serve Thee, Invisible Spirit, with untired powers;
Cheering the wakeful Tent on Syrian mountains,
They lull perchance ten thousand thousand Flowers.
That roar, the prowling Lion's Here I am,
How fearful to the desert wide!
That bleat, how tender! of the Dam
Calling a straggler to her side.
Shout, Cuckoo! let the vernal soul
Go with thee to the frozen zone;
Toll from thy loftiest perch, lone Bell-bird, toll!
At the still hour to Mercy dear,
Mercy from her twilight throne
Listening to Nun's faint sob of holy fear,
To Sailor's prayer breathed from a darkening sea,
Or Widow's cottage lullaby.

III.

Ye Voices, and ye Shadows
And Images of voice—to hound and horn
From rocky steep and rock-bestudded meadows
Flung back, and, in the sky's blue caves, reborn
On with your pastime! till the church-tower bells
A greeting give of measured glee;
And milder echoes from their cells
Repeat the bridal symphony.
Then, or far earlier, let us rove
Where mists are breaking up or gone,
And from aloft look down into a cove
Besprinkled with a careless quire,
Happy Milk-maids, one by one
Scattering a ditty each to her desire,
A liquid concert matchless by nice Art,
A stream as if from one full heart.

IV.

Blest be the song that brightens
The blind Man's gloom, exalts the Veteran's mirth.
Unscorned the Peasant's whistling breath, that lightens
His duteous toil of furrowing the green earth.
For the tired Slave, Song lifts the languid oar,
And bids it aptly fall, with chime
That beautifies the fairest shore,
And mitigates the harshest clime.
Yon Pilgrims see—in lagging file
They move; but soon the appointed way
A choral Ave Marie shall beguile,
And to their hope the distant shrine
Glisten with a livelier ray:
Nor friendless He, the Prisoner of the Mine,
Who from the well-spring of his own clear breast
Can draw, and sing his griefs to rest.

V.

When civic renovation
Dawns on a kingdom, and for needful haste
Best eloquence avails not, Inspiration
Mounts with a tune, that travels like a blast
Piping through cave and battlemented tower;
Then starts the Sluggard, pleased to meet
That voice of Freedom, in its power
Of promises, shrill, wild, and sweet!
Who, from a martial pageant, spreads
Incitements of a battle-day,
Thrilling the unweaponed crowd with plumeless heads,
Even She whose Lydian airs inspire
Peaceful striving, gentle play
Of timid hope and innocent desire
Shot from the dancing Graces, as they move
Fanned by the plausive wings of Love.

VI.

How oft along thy mazes,
Regent of Sound, have dangerous Passions trod!
O Thou, through whom the Temple rings with praises,
And blackening clouds in thunder speak of God,
Betray not by the cozenage of sense
Thy Votaries, wooingly resigned
To a voluptuous influence
That taints the purer, better mind;
But lead sick Fancy to a harp
That hath in noble tasks been tried;
And, if the virtuous feel a pang too sharp,
Soothe it into patience,—stay
The uplifted arm of Suicide;
And let some mood of thine in firm array
Knit every thought the impending issue needs,
Ere Martyr burns, or Patriot bleeds!

VII.

As Conscience, to the centre
Of Being, smites with irresistible pain,
So shall a solemn cadence, if it enter
The mouldy vaults of the dull Idiot's brain,
Transmute him to a wretch from quiet hurled—
Convulsed as by a jarring din;
And then aghast, as at the world
Of reason partially let in
By concords winding with a sway
Terrible for sense and soul!
Or, awed he weeps, struggling to quell dismay.
Point not these mysteries to an Art
Lodged above the starry pole;
Pure modulations flowing from the heart
Of divine Love, where Wisdom, Beauty, Truth
With Order dwell, in endless youth?

VIII.

Oblivion may not cover
All treasures hoarded by the miser, Time.
Orphean Insight! truth's undaunted Lover,
To the first leagues of tutored passion climb,
When Music deigned within this grosser sphere
Her subtle essence to enfold,
And Voice and Shell drew forth a tear
Softer than Nature's self could mould.
Yet strenuous was the infant Age:
Art, daring because souls could feel,
Stirred nowhere but an urgent equipage
Of rapt imagination sped her march
Through the realms of woe and weal:
Hell to the lyre bowed low; the upper arch
Rejoiced that clamorous spell and magic verse
Her wan disasters could disperse.

IX.

The Gɪꜰт to king Amphion
That walled a city with its melody
Was for belief no dream; thy skill, Arion!
Could humanise the creatures of the sea,
Where men were monsters. A last grace he craves,
Leave for one chant;—the dulcet sound
Steals from the deck o'er willing waves,
And listening Dolphins gather round.
Self-cast, as with a desperate course,
'Mid that strange audience, he bestrides
A proud One docile as a managed horse;
And singing, while the accordant hand
Sweeps his harp, the Master rides;
So shall he touch at length a friendly strand,
And he, with his Preserver, shine star-bright
In memory, through silent night.

X.

The pipe of Pan, to Shepherds
Couched in the shadow of Maenalian Pines,
Was passing sweet; the eyeballs of the leopards,
That in high triumph drew the Lord of vines,
How did they sparkle to the cymbal's clang!
While Fauns and Satyrs beat the ground
In cadence,—and Silenus swang
This way and that, with wild-flowers crowned.
To life, to life give back thine ear:
Ye who are longing to be rid
Of Fable, though to truth subservient, hear
The little sprinkling of cold earth that fell
Echoed from the coffin-lid;
The Convict's summons in the steeple's knell;
"The vain distress-gun," from a leeward shore,
Repeated—heard, and heard no more!

XI.

For terror, joy, or pity,
Vast is the compass and the swell of notes:
From the Babe's first cry to voice of regal City,
Rolling a solemn sea-like bass, that floats
Far as the woodlands—with the trill to blend
Of that shy Songstress, whose love-tale
Might tempt an Angel to descend,
While hovering o'er the moonlight vale.
O for some soul-affecting scheme
Of moral music, to unite
Wanderers whose portion is the faintest dream
Of memory!—O that they might stoop to bear
Chains, such precious chains of sight
As laboured minstrelsies through ages wear!
O for a balance fit the truth to tell
Of the Unsubstantial, pondered well!

XII.

By one pervading Spirit
Of tones and numbers all things are controlled,
As Sages taught, where faith was found to merit
Initiation in that mystery old
The Heavens, whose aspect makes our minds as still
As they themselves appear to be,
Innumerable voices fill
With everlasting harmony;
The towering Headlands, crowned with mist,
Their feet among the billows, know
That Ocean is a mighty harmonist;
Thy pinions, universal Air,
Ever waving to and fro,
Are delegates of harmony, and bear
Strains that support the Seasons in their round;
Stern Winter loves a dirge-like sound.

XIII.

Break forth into thanksgiving,
Ye banded Instruments of wind and chords
Unite, to magnify the Ever-living,
Your inarticulate notes with the voice of words!
Nor hushed be service from the lowing mead,
Nor mute the forest hum of noon;
Thou too be heard, lone Eagle! freed
From snowy peak and cloud, attune
Thy hungry barkings to the hymn
Of joy, that from her utmost walls
The six-days' Work, by flaming Seraphim,
Transmits to Heaven! As Deep to Deep
Shouting through one valley calls,
All worlds, all natures, mood and measure keep
For praise and ceaseless gratulation, poured
Into the ear of God, their Lord!

XIV.

A Voice to Light gave Being;
To Time, and Man, his earth-born Chronicler;
A Voice shall finish doubt and dim foreseeing,
And sweep away life's visionary stir;
The Trumpet (we, intoxicate with pride,
Arm at its blast for deadly wars)
To archangelic lips applied,
The grave shall open, quench the stars.
O Silence! are Man's noisy years
No more than moments of thy life?
Is Harmony, blest Queen of smiles and tears,
With her smooth tones and discords just,
Tempered into rapturous strife,
Thy destined Bond-slave? No! though Earth be dust
And vanish, though the Heavens dissolve, her stay
Is in the Wоʀᴅ, that shall not pass away.
Transcription presented without claim to accuracy. Original text, page 213: https://books.google.com/books?id=lpncWYjJneYC
Wk kortas Jun 2018
As he sat the trash can back down gingerly
He sighed Well, it’s a long story.
We were drinking beer in my backyard at four in the morning
On one of those sticky September nights
Where sleep was more rumor than reality,
And, as I noted the time on the clock for the umpteenth time,
I heard a song outside my window;
Not some drunken caterwauling of “Danny Boy”
As rendered by some stray tabby in a Dublin alley;
This was…singing, like you’d hear on a CD
Or, perhaps, Live From The Met,
And at first I thought some poor sot with an artistic streak
Had pulled off the main road to sleep it off,
But the singing was punctuated
With the clatter of can-lids and the occasional grunt,
Until I understood that baritone and trash barrel
Were part and parcel of the same man.  

As I handed him a second bottle,
He recounted how his lifelong dream of riches, glory,
And a glorious career on the world’s great stages
Came to a sudden halt after a Manhattan debut
(I sang my *** off that night, he recounted)
Was met with mild praise, the odd bit of outright scorn
And a healthy dose of apathy.  
I ‘spose, he said between sips, I could have done all right
Givin’ lessons, singin’ bit parts here and there.
You’re on the road a lot, but the money ain’t bad
,
But one day, just before an audition for a supporting role
In a regional production of Carmen
Up in Binghamton ******* New York,
He simply left the theatre, got into his car,
And drove some sixteen hours
Until he hit town here, and then he stayed.
But, I countered, why not go back?
The years of lessons and Julliard,
All for celebrating our refuse and squalor
With roadkill requiems, arias for rats?  
Well, some days it’s a hard way to make a living,
He said, stroking his chin thoughtfully,
But it does give me a venue to sing,
And, to date, I ain’t been panned by no **** cat
.
Mary Winslow Oct 2017
The red maple tree
was a chord you set down
planted at the edge of the lawn
when I was born

you said it was
for the butterfly catcher
who will grow up
to gather up the cosmos

I disappointed
by staying low, a shrub no taller than your irises
Your granddaughter
inherited your songs instead
understands tempo
that shapeless country
of time signatures that counts ideas in seeds
She rambles across sheet music
turns that scattering
into the glitter of song

You've crossed the bridge of night
now you are lost in the stars,

You add to the Milky Way
your off-beat insights
still singing poetry
with Kurt Weil, Lenya, and Lees

your words traveling through
the heavens with Mackie Messer
who knifes the mysteries

You give it all verse
counting inspiration in the deep
your genius out there
where the moon's white mask
appears on stage each night
with requiems and prayers
giving stage directions
to the earth below.
©marywinslow2016 all rights reserved. This is also a re-post. I've been going through my poems and re-posting some, deleting others. I miss my father every day. He was the quality and brilliance in life.
Francie Lynch Feb 2016
He held some Romantic notion
His years of love and devotion,
The exposition of emotion
Could overcome the troubles.

He tried to be meta-physical,
Raised his crucible to the celestial,
Prayed to move the unchangeable
To overcome the troubles.

For years he toiled in his realism,
The jobs, debts and persistent requiems,
The slugging burdens of their tediums,
To overcome the troubles.

He was Dada, then Grand-dada.
She was Mama, then Grand-mama.
Once an in-law, now an outlaw,
Yet always there was trouble.

Now he's lost his generation,
Learned the cost of retribution;
Still sourcing out his frustration,
Considering the final solution
For dealing with his troubles.
Arcassin B Jun 2015
By Arcassin Burnham

Told you my struggles of this nation that
I'm raised in,
And you just recented me,
Told you my alias,
But you just have no lucid frequent memory,
Pretend like you care,
Lowering my guard out of all measures,
I fell in love to marry,
You fell in love to plunder,
You had sunny weathers,
While it kept storming in my life,
Swear I could barely par,
I thought you understood me,
Wow ! Some Christian you are,
Your father hates me,
Coming down with a case of racism,
I have no remorse for him,
Whatsoever,
Up and coming requiems,
Life is bad enough with knowing who you once
Were,
Go and drown in your tears,
You don't match my worth.
I'm finally closing a chapter in my life , I thought she could have been the one but her lord and savior decieved me again.
fasi Nov 2016
one day
whey you're gone
in that void
out of you
i will write
laments, and
my dreams;
they'll sing you
like requiems
he never looked back. i never called out his name. we both knew, we were not meant to be ... except in dreams and thoughts.
Dylan Feb 17
Moonset slips beneath a steel sea;
crescent sailing on the starless deep.
I sketch the hallowed sky in my dream.

Sunrise lifts from under the hills,
music stirs as dawnlight spills.

Horizon bursting,
a choir rehearsing
requiems for fallen friends.

Moonchild in the lap of a pine
singing for the wordless divine.
She wanders on the waves of her mind.
you are slow like daggers or
        cancer.

this is what it feels like to travel
on a discourse:

something about you metastasizes
in my mind whenever the silences
are no longer beautiful;

and just like that, I thumb a prayer
to the fallen obsidian,
this harbinger of marvelous calm.

sometimes all the rooms are white
and I am immersed deep into pallor –
when both our eyes do not meet,
I wring out a cockeyed miracle:

dragging the blood of the trees with me,
these bushy polyps,
   these benign volcanoes skin,
ashen and dull like a heart – these agonized
appurtenances, I gleam like light
   cut from the mirror and fade out
as my visibilities hide.

something in me smiles when you
are flattened out – cross-legged, interconnected
  unloose a star fettered somewhere deep where
hands cannot reach for the inside of a tomb.
  
  this suchness that when I feel your sensations
press their threats against my skin,
      you are a salutary squelch
in this pure-iron condition, or a heavy-earth machinery
   moving inside my marrow, that deep

  into death like a morning waist-high
with tears, walled in by requiems.

— The End —