She stood up against the wooden bar lit by a stale football field that shined florescent green and highlighted polyester blue like a muse of Van Gogh or Galileo. Her hair ran down the nape of her neck like a ****** waterfall and the light of the bar highlighted her sphinx like eyes as she turned and caught his eye. He stood at a small table away from the main bar with a couple of friends who were telling stories of their old college days and he, half-listening, quickly looked away, faking to scratch his eye, for he knew he had been caught looking at the back of her and she, with her women's intuition of being observed and knowing this, kept looking and he knowing the only way not to show he had been caught was to look away quickly and very obviously; like a bad actor caught dumb and silent, clueless of their next line. They blushed and shared the heat of embarrassment in their cheeks with the sounds of worn dollar bills slapping hard against the smooth wood of the bar, the bar man eyeing it angrily as cigarette smoke surrounded them and slowly drifted up like a lost soul toward the ceiling and the piano man, eyes tight shut played for everyone there when no-one cared to listen, all underneath the dim light of the bar as they strained to look away from one another, trying to find something they could put their focus upon, but, at the same time, wanting very much to look back and have their eyes meet by mistake all over again.

He focused on the design of the bathroom placards that were in the right corner of the tiny bar where you had to turn sideways and touch shoulder's with every soul inside just to get a drink. He feigned interest in the bronze design of the men's bathroom: a tiny boy looking down at his pecker as he ****** a 1/2 inch thick stream into what the man gathered to be a sunflower ***. The boy was thrusting his hips forward, both of his hands on his side, and he showed no smile, no grin of satisfaction or victory, just a stark, blank face, as if he were thinking "I am peeing in this ***. That is all." The women's bathroom sign was of a young girl with the same kind of *** the boy had been ******* in, but it was missing the sunflower and was replaced by the *** of the girl. She stared up into the sky and into the ceiling lights and was dramatically reaching for a butterfly or bird - he couldn't make out which - something with wings and made him think of a basic metaphor that this poor little girl just wants to get off the *** and be free like the birds and butterflies and clouds in the wide blue sky.

She focused on the man's shoes. She looked at the black shine and the pristine black shoe laces, all looking like everything had just been purchased that day. "There is not a single scuff on them and the way this man cuffs his pants only a single turn," she thought to herself, "Tells me he has something of a style on him". Not so run of the mill. Something special. Something of interest.* But then, she was annoyed by the cuff of the pants because she remembered that was what all the schoolboys in her prep school would do when the day was rainy or the boys rode their bikes home from school or they were nerds. The memory immediately turned her off of the man all together, but luckily, she put her gaze back on the jet-black, seemingly un-touched leather that told her success, class, and security.

The man heard a loud Cheer's!" from his table, abruptly bringing him out of his distraction. He was forced to turn and as he did, he made sure not to look up. He kept his eyes on the table and looked for the half-full beer with the worn Budweiser coaster underneath it. He could see from the his top periphery that she was still facing him but she was looking down at something toward the floor. He fumbled with his large hands for his glass and panned his eyes up slightly. The woman, seeing the movement at the table, looked up. She stared back to where she had first caught him looking at her and waited. The man felt her looking at him and in the same instant, saw the faded Budweiser coaster and reached for his beer. He picked the glass up and as the second Cheer! was yelled, he clashed his glass against all the others, all the while keeping his head not toward his friend's faces, but turned in the direction of the bar toward the girl. He smiled at her as he lowered his glass, not taking a drink. His friend slapped him on the back and told him," You gotta' drink after the cheers or its bad luck," and so he did, still staring dumbly at her as he did. She nodded at him with a self-conscious and embarrassed grin, raised her nearly gone low-ball glass of gin and tonic and tipped it toward him and turned around to face the bar.

"I"ll stand here and wait for him to come up to me," she thought, "And if he doesn't the man is a coward and a louse and not worth my time. I have looked twice now and there is some rule in some magazine that I read somewhere, that if you look twice at a man that it is sign, not a coincidence. No, it has a purpose and though I barely know what reason I want this man to look at me other then to get a drink out of him and maybe some conversation, I am certain I have looked twice, maybe even three times. Yes. I have looked at him and I have made my interest known and now I must wait for him to either come or stay with his drunken friends. They look like frat boys cheering like that. They look like drunken, silly frat boys that wouldn't know the first thing about chivalry. Hell, they probably couldn't even spell the ****** word." She laughed under her breath and smiled maliciously to herself and caught her own reflection in the mirror and, for an moment, wanted to quickly look away. Her face did not frighten her, for she was a beautiful woman, not her skin, which was milky white with the faintest and gentlest dash of rouge on each cheek, nor her chocolate colored curls that bounded like boulder's down a hillside. She turned away from a look upon her eye she had not seen or had recognized in a very long time. Her eyes were frightened.

"Frightened?" she wondered.

The man put his beer glass on the table on top of the coaster. The foam rested at the bottom of the cup like the thin layer of ice that blows over a frozen lake, barely there at all passing with the wind. He stared at her back and liked how she leaned on her right hip and put the toe of her left high-heel to the ground, rocking the nose of the shoe back and forth like she was thinking about something playfully frivolous. Behind him, the noise of his friends became a hollow echo, drowned out by the draw of this woman. She swung her left heel back and forth like a pendulum trying to hypnotize him. Someone touched his shoulder but he shrugged the hand away as in this echo chamber he could only hear the music change tracks on the juke box. The song had changed to an old Ottis Redding song and there was nothing else in the world that he wanted to listen to in that moment. As he watched her, leaning into the bar seemingly all alone, no boyfriend or girlfriend in sight, he saw her raise her glass to the barman and knew she had something by the gentle nod of the back of her head. He then saw her point with her left finger and tap the rim of the glass. Her drink was empty. She wanted another drink. He would buy her another drink.

"There is nothing in this world that a man is more responsible for than getting a woman like this a drink," he nodded, thinking to himself and trying to pick up his courage,"One that plays with my heart like a kitten would a spool of yarn, and yet also like a vulture who would peck out the eyes of a dead man in the desert. This is nothing more then that obligation. A rule passed down from man to man, from age to age, where chivalry was not for the base reason to lay with the woman, but to honor them, praise them lightly as the rain from a heavy mist and show them to the pedestal every woman, whether they wish to admit it or not, do wish for, sincerely do at least once in there life." He readjusted his belt and realigned his shirt that had gotten crooked after the celebratory cheer and thought some more,"I'm not going to do that here, this pedestal stuff. This is more like a step toward that pedestal. Yes. A step toward the shrine she wants to trust she deserves and will one day end up on. And this shrine is all cast and painted in the blurry french film noir of dream, is it not? Aren't dreams the only thing we hope to one day come true? How often - when and if they do come true - they can sometimes disappoint and eventually turn sour like a bad orange. I hope she is drinking and that wasn't just a tonic water. If this woman doesn't drink I don't think any of this will be worth anything at all."

She stood there serene and angelic, the hand that held her drink now resting on the base of the bar. Behind the man, he heard the chatter of his friends and the drone of football scores and player updates coming from the ten or more televisions that hung from the ceiling. Someone reached out to touch his shoulder but missed him as he left the table. His name then echoed behind him but soon the sound evaporated as dew does that rests on blades of grass in a summer morning to a summer afternoon. There was only her and her smell that had drifted to his table and shrouded him with the scent of white chocolate and smoke and her delicate, porcelain hand that had held up the drink shyly but not weakly, in passing demand without that demanding quality drunk people can get like at bars sometimes. He approached her, hovered behind her, but she did not turn, and then came up to the bar to lean into. He did not turn to look at her, though he wanted to very badly, but looked down at her low-ball glass with two half-melted ice cubes and a used lime. The smell of gin came from the glass and the man smiled to himself and put his hand up to signal the bartender.

"If this man orders his drink first and walks back to that table with all of his drunken friends, I am giving up men all together," the woman thought to herself," * Tonight and forever! If he can put his hand up and not even turn to look at me, as I was doing, I thought, to be very flirtatious but gentle, then I see no reason at all to keep going with men. They are barbarians that only want to eat, drink, sleep, and fornicate with women that are easy and provide no real challenge at all in their life. If he wants it easy, he can have it as easy as he wants, but not with me. No sir. Not with me ever. Not with me for a night, an hour, a minute, or even a second."

The bartender, a stout slightly overweight man that was a little over forty with streaks of grey in his thin, short-cut hair, looking very much like he should be home reading with a nice cup of tea by his side rather than in the bar serving drinks to stranger's, approached the man and asked him what he would like.

"Two gin and tonics please," the man said, "With a slice of lime and four ice-cubes in each."

"And what kind of gin, sir?"

The man turned to the woman, "What label do you drink?" he asked.

"Pardon me?" she stuttered startled, her eyebrows raised.

"Your drinking gin, aren't you?" He nodded his head toward the woman's empty glass. The tiny lines of transparent lime skin floated on top of the water that had gathered from the melting ice-cubes.

"Yes, I am. I was just about to order."

"I'll get this round and you'll get the next one."

"Any gin is fine."

The man turned to the bartender," Tanqueray, please bartender."

He nodded and went to make the drinks.

"Your very perceptive," the woman said as she turned to face him.

"I try."

"I saw you from across the bar, but was afraid to walk up to your table for fear of getting ambushed by all of your friends. Those are your friends, right?"

"Yes," he nodded as he looked over his shoulder at them, "Old college friends all with old stories of college that, truthfully, bring me little or no joy to even hear."

"Then why come at all?" she asked, "You seem smart enough to know that if you meet up with old anything, you'll be hearing about the old times all night."

"I was forced to come."

"Someone getting divorced?"

"No," he laughed, "The opposite. Married."

"Well, I hope it's not you or this would look very bad if your fiance walked in."

"And why's that?"

She clicked her tongue and turned to look at the shelves stocked with every kind of liquor. The bottles reflected the soft orange glow of the lights that circled the bar and the colors of the television screens. The man continued to look at the woman who had turned her back on him and caught their reflection in a bottle of Jack Daniel's. He waited for a response, but she stood there silent, knowing she was playing with him. Behind him, his friends were growing louder and a tray of shots had found its way to their table. The waitress who had brought the drinks, polite and with a smile, asked them to try and keep it down. They shouted "YES'S and screamed "YEAH'S" with moronic smiles on their faces, their heads nodding up and down like a dog playing fetch. The waitress giggled a thank and walked away shaking her head with disgust when she was out of sight.

"Well," she said,"You did just order two gin and tonics and I think if your fiance walked in with you chatting with me with the same drink in both of our hands, I think she would be a little upset. I know I would be."

"Perhaps we could act like we are old grammar school friends and just happened to run into one another?"

"Well, that would be a lie."

"Yes, that would be a lie."

"Which would mean we were hiding something from said wife."

"And what would that be?"

"That you approached me after I looked at you, perhaps the look from me wasn't flirtatious, maybe I thought you looked familiar, like I had seen you somewhere, and you came up to me and ordered me a drink and started a conversation with me, much like we are doing right now."

"What's wrong with conversation?" The bartender approached them and placed the two drinks in front of the man. The man took out his wallet without losing his gaze on the woman, took out a twenty and slid it toward the bartender. The bartender took the twenty, paused for a moment to see if the man wanted any change, but left when he saw he didn't want any by not moving.

"Conversation can lead to very dangerous things," the woman said playfully and wise.

"Your here by yourself and your not stupid; someone is going to come up to talk to you."

"And your that somebody?"

"I'm sure I'm not the first one tonight."

"Your sweet."

"I try," he said as he slid the drink over to here,"Your drink."

"What should we drink too?" She asked and raised her glass, the light above them reflecting in the ice-cubes and thick glass of the high-ball.

"Conversation," he said proudly and with a smile, "And the danger that it brings."

They clinked their glasses together, their eyes never leaving one another, and they both took a long drink.

"I'm not here with anybody and I'm not expecting anybody tonight either," the woman said.

"What's your name?"

"Why?"

"I want to be able to tell my friends I met a very interesting woman, but they won't believe me if I don't give them a name."

"I'm standing right here, silly. Go and tell them you met the most interesting woman in your entire life, look over at me when they ask you what my name is, then point over to me and I'll wave."

"You'll be here?"

"I'll be here."

"Promise?"

"Go, go, go," she repeated, pushing him back toward his table, "You bought me a drink, didn't you? The least I can do is wave to your drunken college friends."

The man walked back to his table, glancing quickly over his shoulder, trying to hide it, before he reached the table. He arrived to all of them drunk, beer spilt on the table and an ashtray full of punched out cigarettes and ground up cigars. Every one of them were rocking back and forth with each other, their arms sloppily hung around their neighbor's shoulders, their eyes blood shot with their mouth half-cracked open barely breathing in the smoky, beer smelling air. The man struggled to wedge his way into the circle, and when he did, he tried to get the groups attention by screaming an

Indigo. A dream of the color, and the sound of soft rain. Bathing birds babbled among pines beyond her window, and morning light was warm on her closed face. An ache in the spine. Creaking knees. Shoulders cold cliff-rock. Complaining muscles knotted tight as wood. The wooden house around her also creaked in the wind. Smelled wet. And somewhere echoing through her fields Edgar barked three times, then once more in playful affirmation. Today maybe the last today. In her mind’s eye, falling almost back into dream, Nora surveyed the long acres surrounding her cold home: untended wheat, alfalfa, cattle-corn, all woven through untold ecosystems of weeds. Stray indigo flowers and violets. Scattered dust-filled barns. What the place might look like after all this time. With her right hand she sought the frame of the bed, found it, rough chips of paint flaking. Slowly exhaling at once Nora lifted her iron legs over the edge, thin-socked feet found the bedroom’s planks. Cold air. November hopelessness. With spider-sensitive fingers she plucked her way around the room, imagining violet dawn spilling through her screen window. Stood before the poker-faced mirror out of habit, ran her brush through hair that must now be silver. She felt the satisfying tug on her scalp and loudly past her ears. If her dresser was in front of her, to her right was the window and the pine-scented boxes where she kept his clothes, behind was her rumpled bed, and to her left then was the bathroom. She felt along the door-frame, the sink, the toilet, and sighingly she settled onto its seat. Relief.
Rain drops on her roof were like the “shh” breathed to an infant. Warm blanket of rain over the cold farm. The breathy wind was driving the rain towards her house, cranky knees told of a storm to come. The boisterous wind had the sound of laughter and strife, of voices: the twins arguing somewhere, Edgar probably with them over-enthusiasticly ******* their footsteps. The bellowing wind made the house creak more than usual, but there was something else. A distinctive groan from the foundation up the east wall to the roof-tiles. Someone was in the kitchen. Constance, just like it used to be. Connie was here and the twins were outside: they had arrived closer to dawn than Nora expected. Heavy truck’s tires in mud, headlights had pioneered dawn darkness. Smell of soil. Massaged her own back, kneaded the the flesh on either side of her spine, then wiped and stood from the seat letting her nightgown fall all down around her knotted ankles. Washed herself, and a short shower before the water turned cold. Dried her wrinkles feelingly, smelling soap, and pulled her soft nightgown back on. Socks.
Always a joy whenever Constance came to call — less frequently these days it seemed — always a joy to be with her grandchildren though little Bastian was still mistrustful of her. Always a joy to see her daughter’s family… but she never got to see Matt’s. An image of her son’s face, a red haired ghost of the past, flickered in Nora’s memory. He couldn’t stand this place since he was young, hated his full name “Matthias,” maybe hated Nora too. No reason to stay after his father died. He fled to the city. Must have a wife, several children by now. Well. At least Constance kept coming by. The rain grew heavier, played on the roof like the roll of a snare drum.
Out of the bathroom and bedroom, feeling the planks of floorboard with her soles, hand by hand and foot by foot she traced her steps down the rickety stairs. Uneven. Nora knew the chandelier she once hung here was red; she pictured the color as hard as she could to envision its reflection on each surface of the stairwell. Smell of pine. Like the smell of his clothes safely preserved in the boxes by the window. Jagged nostalgia. Nora had met dear Rowan back in another world: a world of whirling sights and colors and beautiful ugliness and ugliest beauty all. To America when she was nineteen, leaving behind all Germany and studying her new tongue. Had still devoured books then, was able to become a school teacher. When twenty-three, met in a chance cafe Rowan who worked the docks. Red hair. Scottish but of many American generations. Nora grabbed blindly at a face just out of memory’s reach. Her hold on the bannister revealed the places where varnish had been rubbed away by her wringing hands. From the kitchen, acrid cigarette stench and shuffling. Inflamed knees hating her meticulous descent, but better this ordeal each day than to abandon the bedroom they had shared. When the two met, Rowan still sent money to his agricultural folks in New York (“Upstate,” he protested more than once, “Not that awful city, but in the countryside!” and he’d pantomime a deep breath) because of the expenses of running their farm. Nora’s now. From the cafe he had bought her an almond pastry, triangular, smaller than a palm, its sweet crisp flakes made her think of Mediterranean forests, and when the two were married they worked this hereditary farm. Nora knew all the animals, when they still kept livestock. Now Nora’s farm, whose after? When her little Matthias was born they had praised him as the farm’s inheritor. Unwise.
Last step. Sound from the kitchen of Connie shifting in her seat, rustling papers. Smell of strong coffee. Strong cigarettes. Composed herself, quietly cleared throat. Sauntered down the hallway, monitoring expression and tone. Nora said, “Hello Constance. When did you three get here?”
“Hey ma,” said the woman’s voice when the elder crossed into the kitchen. “For christ’s sake don’t call me that.”
“For christ’s sake, don’t take his name,” Ma scolded, but then traced her way past the table to the countertop and felt about for utensils. “I’ll make you something Connie.” The counter was in front of her, bathroom to the left, stove to her right and along that same wall was the back door. ”How about some nice eggs and toast like how you like.”
“No ma, I handled it already.”
“And what color is that hair of yours this time?” Ma asked, carefully inserting slices of bread into the toaster. “Seems like months you haven’t been by.”
A patronising, sarcastic chuckle. “…it’s orange, ma.
Listen—”
“That is so nice. Your father’s hair was just that shade of orange.” Felt around inside the refrigerator. The styrofoam carton. Small and cold and round, her fingers seized four of them. “Do you remember?”
Pause. “I remember, ma.”
“What I don’t understand,” said Ma swallowing a cough, expertly igniting one gas burner as practiced and putting on hot water for tea, “is why you don’t fix to keep it natural. I love our nice fair hair, very blonde, very pretty.” Back home in Germany Nora had been the favorite of two men, but many years since engaging in the frivolous antics she in those days entertained. “Best to flaunt your natural hair color while it’s still there: orange like Matt and dear Rowan, or fair like you and Lorelai got.” Memories of her own face as she remembered it. Relatively young the last time she had seen. What wrinkles there must be. What a mask to wear. No wonder Bastian. Nora ignited another burner. Tick tick tick fwoosh. Smelled gas. Sound of the almost boiling water complaining against its kettle. Phantom taste of anticipated tea. Regret. The contents of the vial hidden on the top shelf. Today maybe the. Sound of heavy rain. “And how are your bundles of mischief?”
Connie sighed. “I told Lorelai to get her little **** inside the house, as if she hears a word. She’s playing with Ed somewhere in the fields I don’t wonder, rain be ******. That girl is such a little — well she’d better not be down by the creek anyhow. Could get flooded in a downpour like this. Bastian was out with her, but he’s playing in his room now. You know we don’t have time to stay long today, it’s just that you and I got to finally square this business away. No more deliberating, ok?”
Swallowed. “Course, Constance. Just nice to hear your voice. You’re taking care?”
“Care enough. Last time I was — oh! Jesus, ma!”
Ma’s egg missed the pan’s edge. She felt herself shatter the shell into the stove top, in her mind’s eye saw the bright orange yolk squeezed into the albumen. The burner hissed against liquid intrusion. Connie made a strained noise and scooped her mother into a seat at the table. Movement. Crisply, the sound of two fresh eggs being broken and sizzling on the pan. Scrambled as orange as Connie’s guarded temper. The table’s cool surface. Phantom smell of pine wood polish and recollections of Rowan at his woodworking tools building this table once. Other breakfasts. Young Constance, young Matthias. Young self. Her left hand massaged her aching right shoulder, then she switched. The sound of plates being readjusted with unnecessary force.
“You know,” said her daughter, “living in one of them places might even be fun. Might be good for you instead of moping about this place. But like I’ve been saying, we got to make our decision today: sell this place or pass it on. I know you don’t take no walk, cause where would you go? What’s the point in keeping all this **** land if you’re not gonna do nothing with it? You can’t even ******* see it!”
“Constance! Language!”
“Come on ma, just cut it out! This is great property, and you’ve let it get so it’s bleeding money.”
“…But Constance I can’t sell it, not like your brother wants me to do. He’s always trying to get rid of this place and turn a profit, but someone needs to take care of it! You know that this is the house that your f—“
“‘That your grandparents lived in where your father and I raised you…’ Yeah I know, ma. And I get it. Believe me. But what you’re doing is just plain impractical, why don’t you think about it? All you’re doing is haunting this place like a ghost. Wouldn’t you rather live somewhere where you can make friends? Things can’t go on like this.” A plate was placed softly on the table and it slid in front of Ma. Can’t go on like this. Egg smell. Salted. Toast, margarine. A cup of tea appeared nearby. “Anything else you want? Here’s a fork.”
“What will you eat, Constance?”
“I ate, ma, I ate already. Have your breakfast, then we can talking about this for real. Ok?” Then, the sound of her daughter’s body shifting in surprise, a pleasant unexpected, “Oh,” before Connie said low and matronly, “Hi baby, how you doing? Are you hungry?” But only the sound of the downpour. Orange eggs still softly sizzled. The wind pushed the creaking house. “Sweetie, you don’t have to hide behind the door, it’s ok. Come say hi to grandma… don’t you want some scrambled eggs?” Refrigerator’s hum. Barking echoed, coming over the hill. But not even the little boy’s breathing. Grandma had met the twins two years ago, following the **** of Constance’s rebellious years and independence. Nora was reminded of her german gentlemen and her own amply tumultuous adolescence. She could forgive. Two years ago Lorelai and Bastian had already been too big to cradle and fawn over, but they were discovered to be just starting school and already bright pupils. Grandma hung her head. Warm steam from where the uneaten eggs waited patiently. Edgar’s approaching yapping. And, fleeing from the doorway, a scampering of feet so light they might have been moth wings. Down the hallway back into his room. “Sorry ma,” said Constance.
Shrugged. A nerve flared in pain up her neck but she didn’t react. Only fork scrape. Ate eggs. On introduction, poor little Bastian had burst into tears and refused to go near her. Connie had consoled: “It’s ok baby, she’s just Grandma Nora! She’s my mother.” But poor little Bastian inconsolable: “No, no, no! She’s not!” What a wrinkled mask it must be. How hideous unkempt with silver hair. How horrible unflinching eyes. “She’s not,” would sob the quiet boy in earnest, “she’s a witch! Don’t you see?” And he never would let Grandma hold him. Lorelai was always polite, hugged warmly, looked after her pitiable brother, but her mind too was far elsewhere. Edgar alone loved them all unconditionally and was equally beloved. Barking. Yowling. Scratches at the door. Downpour. Door and screen door opened, wet dog happy dog entered, shook, and droplets on her cheek.
And there appeared Lorelai, a star out of sight. “Hey mom. Hi grandma!”
Grandma swiveled for cosmetic reasons to face where the door. Grinned, “Hello Lorelai. Wet?” Envisioned yellow sunlight entering with the excitable girl in spite of the deluge.
“Oh it’s so rainy out there grandma, I found little streams through your fields and big mud puddles and Edgar showed me where your secret treasure was, we found it!”
“Stop right there, missy!” commanded Constance. “For christ’s sake you look like you took a bath in the mud and the **** dog with you. Come on, your filthy coat needs to be on the rack, right? Now your boots.”
Warm nose found Nora’s palm, excited lapping. Slimy fur, smelly fur. A cold piece of egg dangled in her fingers, then dog breath came hot and licked it up. Satisfied, he trotted off elsewhere, collar jingling out of the kitchen and down the hall.
Little Lorelai lamented, “I couldn’t help it mom, the mud was all over the place! When we got past the motor barn and the one alfalfa field that looks like a big marsh frogs went ‘croak croak croak’ but Edgar growled and chased them and then we made it all the way in the rain to the creek and it’s so much—”
“Now you just hold on. Hold still!” Sounds of wrestling. Grunts of a struggle. “That creek must have been overflowing! Didn’t I tell you not to? You didn’t take your new phone out there did you, Lori?”
“No ma’am.”
“**** right you didn’t, cause I sure ain’t buying you a new one. Didn’t I tell you not to go all the way out there? Didn’t I? Now you get into that bathroom and wash your **** hands!”
“But I’m telling Grandma a story!” huffed little yellow haired Lorelai.
“Well wash your hands first and then we’ll hear it, Grandma don’t listen to misbehaving girls who are all muddy and gross. Not a squeak from you till you look like you come from heaven instead of that nasty creek.”
A profound sigh, a condescending, “Fine,” a door closing and a squeaky faucet running. Muffled hands splashed, dampened off-key ‘la la la’s.
“Who knows what the hell that one is ever talking about,” said Connie. “It’s everything I can do to get her to shut up for five ******* minutes. You done with your eggs?”
Ma fidgeted. The plate was scraped away, and a clunk by the sink. Licked her lips, mouthed a syllable, about to speak. But then her house creaked three strong along the east wall. From deeper within bubbled a suppressed sob: “Mom,” little Bastian wailed, “Mom, come quick!” Constance sighed, Constance cursed, and Constance swept off down the hallway struggling to refrain from stomping.
Sound of washing. Wind. Rain. Alone. Cold. Picking out the paint for this room, listed in gloss as ‘golden straw yellow.’ Rowan hadn’t liked it and chose himself the bedroom’s color in retaliation. The loss of the home they had built together. The contents of the vial hidden on the top shelf: do they see it? Bathroom sink stopped flowing, door wrenched open. Smell of soap, clean smell. Grandma said to her, “Your mother went to check on Bastian,” Taste of eggs still yellow on her tongue.
“What a *****!”
Stunned. “Lorelai!” she snapped. “Don’t you dare take that language!”
“But mom does it all the time.”
“Then Lorelai, it’s up to you to be better than your mother. When I’m not around any more, and your mother neither, you’ll be the one who keeps us alive.”
“But as long as you’re alive you’ll always be around, you’re not a ***** like mom. And remember? I got all the mud off so can I finally tell you can I what we found? Well actually it was Edgar found it. Oh and I’ll describe it real good for you grandma just like you could see it: when we pulled up we were just wandering in the blue rain, Bastian and me, and silly Edgar joined us but Mom tried to make us come back of course but I told Bastian to stay with us at first, but later I changed my mind on it. It was he and me and Edgar were hiding in the old motor barn where it smells like a gas station remember grandma and he was so excited to see the sun when it rose and made the morning violet sky he started clapping and Edgar got excited too and was barking ‘bark bark’ and howling so I told Bastian to go back even

oh right, she's the *** "slave" that gets kissed on the lips after being given oral ***, getting paid £110 AN HOUR... i'm i'm just a free-radical floating about on an income of £120 A WEEK waiting for charity of food and roof? well then... i hope that translates when i speak with a *******'s tongue stolen while having licked all the former ***** out of her **** and said: only i was in there... oh for ****'s sake! take the ****** out, i can feel the mouse tail on the tip of it! so who's the ***** now? the only oil i apply to my brain to ease the pressure after going 30 odd hours sober without sleep is alcohol, i imitate a axe action on my neck feeling my third tonsil turning into a throbbing muscle.

the split apart grapheme in greek!
θ                      and                        φ!
the lost grapheme!
thermometer                                           the
                                                             ­     v'eh or d'eh?
imagine saying     θarmacology
and imagine saying φermometer! imagine!
the english empire... shushed in a second in Dublin,
god knows why Yeats was read by
Clint Eastwood, and to my surprise,
a toothache or a broken nose readjusted is
more painful than what i managed to spot
in the greatest boxing movie: million dollar baby...
some pains are greater, the pains of the past
the past not rekindled are greater than
those of the present, the present can be overcome,
the indestructible element, what with
fire, water, earth, air, electricity, the seventh being
soul - all the others are preserved in continuum,
why can't the soul be kindred of the others,
is it to forever remain a ******* from the *****
bank of Louis XIV, huh?! the soul is equally elemental,
all modern science can tell me a that it's
worth walking in a library rather than a forest,
that all trees will eventually be treated as
toothpicks, matchsticks or pencils,
but i am not bound to exist in the mind
of another person, i am not to be the host eternal,
for all the science, we've become less
individualistic and more prone to parasites
of theory... personally i'd prefer the membrane
of phobias to keep me safe rather than
transcend these little millimetre irrationality
segments to be captured by a frigate of the grand
theorists...

please tell me it's just a horror case of aesthetics,
please! but no, you won't...
i know the overbearing particularity of English
due to missing diacritic,
i know the significance of significant syllable
cutting-up due to diacritical application -
the Greeks had a premature ******* starting
to use them... they shouldn't have...
THE ENTIRE WORLD WAS WAITING
FOR THE ENGLISH LANGUAGE TO BEGIN USING
DIACRITICAL MARKS! why did the Greeks
jump too early into the whirlpool? look at English
culture, they're gagging, rather than laughing,
we were all waiting for them to catch-up to the aesthetic,
they didn't, the Greeks made a falsetto on the 100m sprint,
they should have waited, and waited, until
the English applied diacritical distinction to the print,
in order that they might deal with programming,
encoding, computer language, no wonder
English once so eloquent disintegrated into emoticons
and acronyms! look at it! there's no point feeling
a nostalgia for only one man, there's no point
keeping Shakespeare when there's an entire
century to decipher, Marlowe et al. (i preferred
his Faust to Goethe's - one breath reading session
in Dover) - with nostalgia come the many merry men
of Southampton, not one, you can't do nostalgia
primum uno, you need a species, can we find the
required shrapnel in the Caribbean or in the
Venice of the Indian ocean, namely the Maldives?
you can't do nostalgia like that,
you need at least one other, otherwise future literature
extravagance will be as short-lived as
the Counter-Reformation given Martin Luther,
he isn't god, never was, but imagine the feeling
of disgrace that even poor Charles Dickens couldn't
match up to!

indeed the Greek created the consonant grapheme,
and many other twins separated at birth,
to fuel an orthographic aesthetic -
a bypass necessity of the opposites and lacking
colour - false stance of defeat written on white,
but geometrically written in the *******-out of colour,
therefore mutating, deliberate encoding due to
how to write like an Impressionist or how to write
like a Surrealist...

but as i remember, the riff to Black Sabbath's
black sabbath* written in tabulation:

e ||                                                  (boo tome)
b ||
g ||
d ||
a ||
E ||                                                   (top um)

opening riff sounds like this:

d ||                    3
a ||                                      2
E ||    1    

                 for the trembling effect, quickly
                 interchange with

a ||                                      2             /            3.

Your fingers traced the curve of my forearm like an atlas that mapped out the route that would lead you back to your heart, but you knew the journey was a labyrinth as complicated as the waterways of veins beneath my skin, so you removed your hand. Instead, your fingers found their familiar solace upon the sturdy neck and trembling strings of your guitar.
You plucked each one intently, running your hand down the edge of the fretboard and feeling each chord reverberating within the empty space of your every capillary.
I moved my gaze to your eyes, the black holes that have always swallowed me whole with the promise of never regurgitating me into bigger pieces than what I was originally.
I found myself reminiscing to a time whenever your eyes were identical to the ground we laid upon the afternoon we first decided to find versions of ourselves within the shapes of the clouds. But ever since, the innocence has slowly seeped from your expression and a stare as hard and cold as stone has taken resisidence in its place.
I allowed my eyes to slowly drift closed and suddenly I began to feel each strum of your fingers within my rib cage, the notes sketching portraits of a love never experienced upon my internal organs.
When you stopped playing, your hand immediately reached for the long-necked glass bottle resting upon the edge of your night stand. You brought it to your lips and tipped your head back, slowly drinking in every bad decision you have ever made and the after-taste that you had begun to crave. It burned your throat like acid, but each swallow was a reminder of just how hollow you had become.
Your fingers found their place once again and I readjusted beneath the weight of your expectations. I draped my legs over your bed like every profession of love that I have never said that hangs from the brim of my lips. My fingers danced across my thighs to the beat of your song, one not as familiar as the one of your unrequited love, but I still managed to dance the same.
And we seemed to lie like that for an eternity, you focused on every chord that never came out wrong like every word you ever said to me, and me basking in the sound of your unspoken promises and confessions just waiting for the day when they become reality.

It was getting dark when I exited the Port d’Orleans metro station. The cold air hit me instantaneously, seeping in between my clothes and skin. I tighten my long coat around me, readjusted my back pack, and pulled out my phone to confirm the address of Tango à Paris. It was only two blocks north of where I was standing.  

It was my first date with Séraphine. I had suggested dinner. She suggested something less formal, a bit more active, how about tango, explaining her studio gave a hour long introduction before the milonga. I agreed, as I had taken a year of tango, and felt confident I could keep up, maybe even impress her.

I’d wondered how she kept her 5 foot 8, 130 pound-ish physique, swimmer lean, and now I knew, she was a dancer.

I liked this part of Paris, the 14th arrondissement, L’Observatoire, clean, tidy, having the look and feel of a Nordic city like Olso or Stockholm. The sidewalks were full of interweaving professionals, eager to get out of the cold, the drizzle, and home to their loved ones.  

I walked up L’Avenue du Général Leclerc till I got to No 119. I pressed the buzzer and heard back, “oui.” “I am here for the milonga,” I said. The door buzzed, I pushed it open, entering a small foyer with sign pointing up a staircase to the first floor. I could hear the muffed sound of music and feel the movement of bodies dancing upstairs.

I climbed the curved wrought iron staircase, the old wooden stairs creaking softly with every step. I saw the studio immediately: two traditional French doors swung open, exposing a gymnasium like dance studio, with clean, golden yellow oak hardwood floor. Men and woman dancing, swinging and spinning about.

I entered the studio, paused, and looked around. At the far of the room was the DJ, sitting at table, with two loud speakers on stands pumping out music at just the right volume: loud enough to feel the music, low enough to talk your partner without having to scream in her ear.  

To my left, people gathered around a table. I walked over, they were writing their names with a felt tip pens on self adhesive name tags and placing it on their chest. A woman turned around and smiled at me. “Bienvenue,” she said, “I’m Jolene.” and extended her hand. “I am Damien”, I replied, shaking her hand politely. “Is this your first time here,” she asked. “Yes,” I replied, “I am waiting on a friend, Seraphine.”

“Mais oui,” she replied with a smile, “she is one of our best dancers, talented, if not gifted.” Her head turned slowly towards the doors, my eyes following.

In the door stood Seraphine, wearing a spaghetti strap, damask black on maroon tango midi dress, slit high up her right tigh. Her shoes, opened toe, black thin strap heels, showing off her matching blood red toe and finger nail polish and lipstick. Her eyelashes thick, black, eyelids smoked dark, giving her the stereotypical look of a femme fatale tango dancer.  She was gorgeous, seductive, awe inspiring, like Bouguereau's The Birth of Venus. How could a man resist such a siren. She was goddess among women.

She walked over to us, said, “Bonsoir Madame,” and kissed Jolene
twice on the cheeks (faire la bise) as is customary among Parisian friends, then  turned to me, touched her cheek to mine, making the mwah, kissing sound.

I was intrigued. The kiss implied no longer an acquaintance, but in her inner circle of intimacy. It had subtle implications that set my mind racing about the meaning; it was also maddening, like trying to see a completed jigsaw puzzle while only holding one of a thousand pieces.

“Ca va,” she asked, bypassing the formal “comment vas-tu” greeting. “Ca va bien,” I replied. “Your dress is stunning,” I said. “Thank you,” she replied, with confidence.

She sat down, ruffled through her bag, and pulled out ecru opened toe tango shoes. I couldn’t help notice her feet, delicate, feminine, absolutely exquisite. I also couldn’t help noticing her tigh, exposed through the slit of her dress.

Before she could get up from the chair, an older man approached, extended his hand, which she accepted. She stood up, looked me in the eyes, and said, “it is rude to refused a dance when asked.” They walked to middle of the floor and started to dance to a slow, sultry, Spanish guitar piece. I sat down and watched. She didn’t just dance, she pranced, shook, and swayed her hips as only an accomplished Latin dancer could. It was amazing to watch.

The music repeated, slowed, and concluded. They walked off the dance floor, to the beverage table, topped with a variety of multicolored bottles of wine. He poured two glasses, offered her one, as they talked, she smiled and occasionally laughed. He bowed his head slightly, touched her upper arm, and walked away, as a cortina started.

Seraphine poured more wine in her glass and poured another glass, walked to me, and offered it. I took it, deliberately touching her hand as I did. She sat down, crossed her legs, the dress sliding aside, exposing her tigh, and asked me, “do you dance monsieur.” “Yes, mademoiselle,” I replied, as a new tanda of spanish guitar played. She stood up, extended her hand. I took it, stood up, and lead her to the middle of the floor, dodging couples along the way.

“Tango”, I asked. “Yes,” she replied. I move in close, wrapped my right arm across her back, pressing her body tight against mine, extending my left arm out in position, palm open. She carefully placed her hand in mine, her forefinger on my thumb, her thumb on the radial artery on wrist, as if feeling my pulse. It struck me as odd and was curious as to why.  She’d done it in a such a methodical way.

Her hands were warm, soft, supple, dewy. She closed her grip and waited for me. I swayed gently to the beat of Tango D’Amor by Bellma Cesepedes, as she rhythmically matched my body. I stepped back on my right foot, holding her tight, bringing her with me, then left,  then forward. My chest pressing into hers. My leg brushed against her tigh as I moved, slow, slow, quick, quick, slow of the basic 8 count. I paused for a second, for her to cross then pushed forward, slowly turning to avoid couples.

I sensed her body heat, felt the wetness of perspiration on her back, smelled the earthiness of her scent. She radiated animal magnetism. I couldn’t, nor wanted to resist her. I knew I was a moth, she the flame.

New music started to play, Fuego Tango by Athos Bassissi, a traditional fast staccato accordion piece with a distinct beat for walking, turning, and swaying. I placed my my hand between her shoulders. I couldn’t feel a strap. She wasn’t wearing bra. It felt intimate, seductive, only a thin layer of cloth between us.

She pulled her head back, looked at me in the eyes, and said, “Tighter, I need to feel you, your body, your moves, so I can respond to your body.” I wrapped by arm completely around her, pulling her tight against my me. My primal urges welled up. I wanted her, to kiss her, to protect her,  to provide for her, have and raise kids with her. I felt stronger, more powerful, like a man. I wanted her in my life before she disappeared forever.

She placed her forehead on my temple. I rocked back and forth catching the beat, stepping backwards with my right, and we started to dance, slow, slow, quick, quick, slow, in a vertical expression of horizon desire.

Bending my knee, sliding forward, my chest pressing against hers, pushing, stopping, shifting, subtly twisting, I signaled a backward ocho. I waited for her, than slide to the left bring her with me, waited for her to pivot then slid right, bringing her with me, then waited for her to center. I walked forward, stopped, signalling for her to cross. I waited for the beat then finished my eight step basic.

I could feel her breath on my cheek, fast, hot; felt her breathing, her chest rising, falling sensuously. She felt good in my arms, as right as rain. I liked holding her, feeling her so close to me.

I started an eight step, stopping at the cross, signaling her to move right in preparation for a scada. As she moved, I stepped between her legs, pivoting her and me 180 degrees, repeating the step 3 times, bringing her back to cross, and finishing the step.

I heard her audibly exhale, relaxing in my arms. She was giving up control, learning to trust, surrendering to me. And I, was one with her, nothing else mattered, all else had disappeared. I was in a state of deep mediation. She was the now and forever.

The music stopped, I looked at her, noticed the glow in her cheeks, felt the warm moistness on her back. But most of all, I noticed her dilated pupils. The glowing sapphire blue of her eyes, replaced by a fathomless blackness, which I fell into.

She looked into my eyes with a gentleness, a knowing, and smiled. A new piece started, Rain, by Kantango, clean, crisp, staccato. I moved, walked, slid, in step with the beat, losing myself in the sensuality of the music and the movement of the dance.  I pressed her tight against my chest, sliding forward, rock stepping backward, holding her tighter as I did a single axis spin. I heard her sigh in my ear and felt her body relax. I slid forward to the staccato rhythm, dramatic, forceful, almost charging.

I stopped and lean to my left. She extended her right leg back, and planeo-ed as I walked her in a circle, side-by-side rock, then to neutral. She tighten her hold, pressing me into her chest, her touch telling me so much, screaming her arousal.

I slid forward, to the side, staring an 8 count to the cross, going into a backward ocho, I shifted my weight, taking her into a moulinette, twisting to the right then to the left, as she elegantly danced around me, back to 5 to complete our 8 count.

I was no longer thinking, just feeling, one with the music, lost in the sensuality, in a type of bliss. I walked forward then back, turning her to the right. To my surprise, she extended her left leg, whipping it across the floor, then back, wrapping it around my leg, slowly sliding her calf up my leg, then unwinding to neutral. I walked forward, she spun around, and slowed her walk. My body colliding, pressing into her’s as we slowly stopped. She turned her face towards mine, raising her hand, touching my face, my cheek, gently turning, bringing it towards her’s, towards her lips. Just as we were going to kiss, she turned her face, my face plunged into her hair, the back of her neck. I could smell, Poison by Dior. I kissed the back of her neck, squeezing her slightly, as she moaned ever so slightly.

When my ear first orbited your throat
to listen for a roaming balloon of nestled flesh
I heard trailer home hollowness
in copper vein pipes.
You draped a scarf over your superglued
neck, telling me it was normal to fistfight
death at 35.
On Dad’s desk, your weight breathed feebly
inside a sandwich bag. At night
its nuclear green cast Orions across our ceiling.
I never knew what real stars looked like,
while you had completely forgotten.

Years later,
in the dark of our 17-acre home,
you handed me your thyroid in its bag
swimming in opalescent fluid
and you looked at Polaris for the first time,
as that same glow painted the Big Dipper
on neighboring snowbanks.
I dropped the bag on the dry rot porch.
We heard your cancer flatten to a deflated bicycle tire,
sweating from death,
watched through squinted eyes as its glow turned
from hazardous neon to cinder.
It dried in the moonlight,
a forgotten, frostbitten raisin,
and our eyes readjusted to the perpetuating darkness.

I saw it then like a long constellation
line connecting star to forehead.
It had been a lie before,
but the North Star is truly the brightest
in the sky. We looked through its surface
underneath the star’s skin to its heart space,
and we realized that Polaris can only be seen
when thin plastic holds inside
damaged shadows of family
dinners bathed in deionized salt,
where I ponderously stared at the ****
in your esophagus, drawn with knife
like ruby crayon into office paper.

some girl muttered,
under her pretty breath,
through her bubblegum round lips-

that i was a train wreck-
a walking,
talking,
breathing,
train
wreck.

and i agreed.

because i'm not a beautiful suicide,
i didn't land on the top of a fancy limousine,
i didn't leap from the top of the empire state building,

i wreck full force and careless,
i wreck into others without braking,
i wreck in the middle of absolutely no where with no one to care
i wreck in small towns and i ruin lives.

i ruptured their organs
and i ripped their flesh-
i ruined their bones
and i ripped their ligaments-
i readjusted their joints
and i ravished their brains.

i slit their throats and
wrists
thighs
hips
just so i wouldn't feel alone
they were the same as me.

Existing is torture, a poisonous cry

Living a dream of beauty and colour

but Your dreams were cut short

I don't know why

yet You will never know laughter

Or stories with a happily ever after

no childhood dreams in your unopened eyes

your dreams were cut short

too soon for your time.

Such beauty ruined with horror

left me agony not bliss,

Without you can I even exist????

~O my sky
=============================
Inside winded rain I come

Dancing like a flame of sun.

Weep no more my eternal love

soon we shall fly like a dove.

Scrap all sorrow and your pain

Soulmates we are I do claim.

Release the loss and all regret

Joy is mine so don't you sweat.

Know I'm now safe and sound,

out of body I'm around.

I drift at thy side with pride,

please feel peace now deep inside.

Then in death we'll surely meet

life continues its so sweet.

It was cold, windless as we walked along the Seine towards Ile-de-la-Cite. The city had wound down, as people settled in for the weekend. The sky losing its light, turning navy, almost black, l’heure bleue, what the French called twilight, when one sneaks away to meet their lover.

The snow fell, slow, light, a delicate flurry, as the street lights flickered on, their orange yellow glow barely illuminating the ground below. We walked arm in arm, as she readjusted and tighten her hold so as not to slip. She felt good on my arm, in my arms, right as rain, as if made for each other, like interlocking jigsaw puzzles.

We walked in silence, our looks and smiles saying more than words. She radiated a beauty, a nubility like no other, match only by that of Aphrodites.    

The flurry thicken, as we cross le Petite Pont to Ile-de-la-Cite. I sensed a reluctance and heaviness in Seraphine’s step as we crossed over the slowly flowing waters of the Seine. It was late. She was tired, I assumed, from all the evening’s dancing, and now the walking to her flat at Place Dauphine.  

We walked past the square in front of Notre Dame. It was empty, and covered with a velvet blanket of white snow. It was surreal, the emptiness of the square, the majestic towers of the belfry contrasting against a gray white sky, the falling snow, the yellow of the sodium lights, softly illuminating the scene.

I walked us to the entrance of the square, and sat us down on a bench at the entrance of La Crypte Archéologique. We chatted about the dance, the evening, and how fun it had been. I told her I occasionally worked in the Crypte overseeing and helping the excavation the Lutèce layer, but spent most of my time at Musée Carnavalet doing administrative work or Bibliothèque Sainte-Geneviève doing historical research.

In silence, we looked in wonder and awe at Notre Dame. Seraphine snuggled tighter against me. I wrapped my arm around her, looking into he eyes. She was preternaturally beautiful, bewitching and lethally seductive. I felt as if I had no power to resist her, like a moth to a flame. I placed my hand on her cheek, and drew her in, kissing her, light and gentle as an 8 pm church bell rang in the distance. We kissed more intensely. Her breath getting harder and heavier. She put her hand behind my neck, pressing me into her, as she ****** my tongue into her mouth, harder and harder, till it hurt. Surprised by her lust, I pulled back, when I heard the 9 pm bell, the last of the evening, ringing.

I was confused, disoriented, as if I’d just woken up. I just heard the 8 pm bell as we started to kiss. Now it was 9. And my tongue, it was sore; my mouth had the metallic taste of blood. She’d gotten carried away and ****** hard, drawing blood. But I felt oddly calm. She said it was late and should get home. I stood up, took her hand and walked towards her flat. Her parent must be rich or noble, as Ile-de-la-Cite is too expensive for the masses.

At the door of the courtyard of Place Dauphine, she told me she had fun, looked deep into my eyes, gave me a light kiss on the lips, entered the code on the number pad, and disappeared into the darkness of the courtyard garden.

On the road
from Madrid to Malaga
you sat next to Miryam
in the coach

the scenery going by
the Spanish sun above
music from the radio
and she beside you

her head
against your shoulder
sleeping
her red hair

a mass of curls and waves
her eyes closed
her mouth slightly open
her hands crossed

in her lap
you sitting there
thinking of the base camp
in Madrid

the bar and *****
the music
in the small disco
and dancing

to the small hours
and she said
about her parents
and she being

for the first time
free to do
what she wanted
and she walked with you

back to her tent
and there she stood
and said
if I was alone

in this tent
I'd invite you in for ***
but I'm sharing
with another girl

and so did you share
with another guy
you said
wishing it otherwise

and so she kissed you
good night
and unzipped the tent
and went in

and off you walked
through the early morning dark
crossing the field of tents
trying to remember

where yours was
remembering it was by
the hedge with Bob's flag
on top waving silently

in the semi-dark
she stirred
against your shoulder
and readjusted her head

making that
I'm comfortable sound
and then she was off again
a Beatles's song

on the radio
someone sang along
you still sensing
that kiss of hers

her lips on yours
the night before
her hands
around your waist

her small ****
pressing against you
the smell of oranges
and ripe fruit

and her tongue invading
your mouth
touching yours
and your pecker stirring

from slumber
your hands on her ****
feeling the pockets
of her jeans

the smooth material
the studs
her near you
lips and tongues

and she stirred
and opened her eyes
and lifted her head
from your shoulder

and said
are we there yet?
no
you said

getting near
and she looked out
the window of the coach
and you studied

her profile
the blush of cheek
the nose
her neck

and the show
of naked shoulder
and she said
did I snore?

no  
you said
good
she said

because sometimes
I tend to go off
into snoring land
and she smiled

and touched your thighs  
and all you saw
was the blue world
of her cool blue eyes.

I'm not quite sure when I first realized this body didn't belong to me.
12 years old, just a child, running down the street,
I "recieved" my first catcall.
Middle school me, masked by insecuirty, appauled,
Confused by the meaning behind this "gift" given to me.
Now, everywhere I turn, still a child at 15,
My insecuirty masked by makeup that defines my beauty,
I'm faced with whistles and comments that "raise my self-esteem."
I walk into a store alone and assess the face of everyone who passes by,
Wonder if my shirt is cut too low, or my pants too tight,
Because when I wear something I like, I'm inviting guys to stare at my ***.
Right?

8th grade, I first discovered leggings,
Comfort classier than sweatpants but easier than jeans,
Barely 13, I turn around to "**** Alyssa, who knew you had a *****?"
Harassed daily in the halls by fist bumping boys who made no effort to hide the fact that I was the subject of their conversation.
But attention was attention,
I didn't know I was supposed to care my body was the only thing on display.
The year my best feature turned from my eyes, or my hair, or my smile,
To solely my body.
The year compliments were no longer for my new outfit, but instead my figure.
The year my leggings invited countless guys to add me on Snapchat just to start a conversation with,
"Your *** looked good today."
Classy.

The world is a camera and I'm stuck in the frame,
Hopelessly on show for others to watch,
Wondering if I look alright,
Hoping I didn't blink.

Even now, I find myself turning around,
Making sure I look good in my jeans.
But this body doesn't belong to me,
I never look good just for me to see,
Because I was taught at age 12 that boys will be boys and only care about the outside.
Boys are supposed to look at my backside.
Recently I came to this realization and questioned why I was ever flattered by a comment on my body in a certain garment.
Why I readjusted push up bras and high waisted jeans to impress the boy in my dreams.
When I asked this question outloud, I was faced with "I can't help the fact you have a nice body."
"It's a compliment. If you don't like it, don't wear tight things."
But now I realize it's society.
Society is the monster that teaches young girls they are toys.
Society teaches ***, catcalls, and harassment to the boys.
I scroll through my Instagram feed, and posts show me that I am supposed to look nice.
For a man.
Because what's the point in wearing a bikini if a man doesn't see?
Right?
Wrong.

Standing in front of me in my mirror is a body marked by society.
Makeup that makes my skin and eyes pretty, society put that brush in my hand and taught me to paint.
Hair frying under heat,
Clothes that show my best features, according to society.
Now its 6:33 in the morning, I've been up for two hours, I'm blow drying my hair and wondering why the hell I care.
A body on show for everyone else to see,
This body doesn't belong to me.

My mind woke up, and its first thought was you.
Then my heart rubbed the grogginess out of its eyes and readjusted itself to the newness of the morning.
The instant it realized what my mind was thinking, a pang shot out all through it and it started to ache.
It was reminding me of why I shouldn't.
My heart and head do this every morning, and every morning I make them stop.
It's too draining to deal with on a daily basis.
My mind should know better by itself now, but it’s willing to break every single last rule when it comes to you.
Have you no mercy upon me? Upon my heart? Upon my mind?
Have you no compassion for the pain that you put me through?
Most mornings I feel guilty, as though I should go back to sleep, but there’s no point seeing as you take over my dreams too.

It’s always you, and I’m convinced that it always will be.

I go to sleep, it’s you.

In my dreams? You.

When I wake up... It’s no other than you.

The cycle is vicious.
You’ve overstayed your visit.

Please… just pack your bags and be gone, my head no longer wants to be your home.

“If you had the chance to rename yourself, who would you say you were?”

“I’m not entirely sure what you mean,” the girl coughed. Her eyes were rimmed with the red of sleep-deprivation, wine and stimulants.

“Give yourself a title. A name. An alternative.” The pen was ready in her hand. What a fascinating case, she thought. This was the kind of thing she’d worked hard for, and all her efforts had been put into it. Sylvie Citron was a young psychologist who had struggled for a long time, uncertain what to make of her brilliance. Coming from a wealthy family, she never had any option besides success. Her passion for science was adopted from her father, who spent his life as a neurologist before his death; a result of an aneurism. Her mother, a former ballerina, committed suicide when she was nine. She always resented the arts, and suppressed her emotions, attributing the most valuable parts of life to reason and science. Art was for the fools, but she was fascinated by such jest. Having never gotten anything below an 85% in any subject, she prided herself on her academic competence. She was settled in her office on the corner of 15th and Patriot St., among other young professionals who were also prematurely successful and intellectually manufactured for success and nothing less.

Oftentimes, she’d see her fellow neighbors in the offices across the hall and on various floors in the elevators, in the city, and always in company. She never shared the likes of such company, but she was envious of those who effortlessly were successful and never alone. The young lawyer across the hall, Kaitlyn Stone, was an example of such. The two knew each other only in passing, but Sylvie’s ears were susceptible to all sounds of Kaitlyn’s seemingly ideal life dampening her own ion comparison, resulting in her inadequacy. Kaitlyn, the young, beautiful lawyer, hadn’t passed the necessary exams to enter the doctoral program she’d dreamed of, and therefore was stuck with no alternatives to taking the bar exam. Sylvie sneered at Kaitlyn in passing, but was greatly disturbed by the reminder that she would never be as charismatic. The girl sitting in front of her, however, was a golden opportunity.

The girl in front of her opened her mouth, only to close it. She swallowed. Her wavering eyes stared at the psychologist curiously, long enough to motivate the psychologist to inquire further but short enough to eliminate any progress.

“I can’t say.”

Sylvie readjusted her posture and leaned forward towards her client. “Hey,” she soothed. “This is a safe place. You can tell me anything.” The girl stared straight through. He brown eyes glimmered with thoughts until her sadness pushed through her dam of self-control, drowning her eyes in tears.

“You may think it depraved,” she wavered.

“You can tell me anything.” The eye-contact was impenetrable. Sylvie, while awkward in her own right, was **** good at her job, especially with her emotionally disturbed patients. It was her talent.

“I can’t say… I can’t access it in spoken word.”

Sylvie pressed her personal opinions down and focused. Sylvie, who was not exactly judgmental, found herself taking her job too seriously. She viewed the mentally ill as weak, and thought her intelligence should be used to restore the damaged human mind, to strengthen and rationalize the behavioral and cognitive components of the sick. This girl before her was hard to crack. She assessed the girl, scars on her arms from qualms causing harm, and decided to take a different approach.

“I would like you to pretend you’re standing across from someone. I want you to imagine this person as a neutral, compassionate person. Imagine you only have five minutes to speak to them. This person isn’t like anyone else, for this person possesses a trait which attracts you and compels you to trust them. You look in their eyes, you look past into their mind and see reassurance. They ask you your name. What would you say.”

The girl leaned forward on the couch, elbows on her thighs, propped so hands could support her head, holding her chin against her knuckles. Her bloodshot eyes said it before her mouth did.

“I would pull out poems. I always keep some in my purse. I have them on scratches of paper, napkins, impulsively writing as I felt it enter me. I wouldn’t need to say my name, because if you mean what you said when describing this person, they would know me. They would already know my name.”

“What would they call you?” Sylvie consciously monitored her tone, hoping to not sound too desperate. She knew girls of this kind had the ability to manipulate.

“Well, they would already know. And when knowledge is a shared thing, what point is there to say it? You can only address something so many times, but feeling it is the difference, That’s where the significance lies.”

Sylvie exhaled, trying not to sound too exasperated. It was nearing four o’ clock, and she already felt bored of the girl’s hesitation. “How does that person know who you are? How would they know what you’re called.”

Her eyes darkened, redder than ever. “They would know, because by having already known, they would feel it—not see it, and not hear it. It’s a force, not a title, not a name. It’s a being.”

“What is this being?”

“It’s my existence. It’s in my poetry.” She moved her hands and reached for the water glass on the table, took a gulp swallowed. She delicately smacked her lips, adding a seductive lick. Sylvie kept the same face, peering past the girl’s distracting gestures. “Maybe you can see it sometime.” Her voice was marked by set syllables of monotone and dull.

“Bring it next time.” Sylvie consciously tried not to rush her, but she couldn’t help but grow impatient.

The girl stood and collected her belongings. Sylvie stood also, guiding her to the door, the way she did with all patients at the end of all sessions. The girl was walking towards the doorway when she nonchalantly added “You’ll see it soon.” She left shortly thereafter, and Sylvie never saw her again.

I look.
I saw.
But you have all my attention.
You give.
I accept.
Because I still love you from the depth of my heart.

Others grows old and want younger.
Without realizing the discomfort.
With us.
We have adjusted and readjusted to connect.
So, why disrupt what we have between us?

I give.
You accept.
Because you know(truly do).
That I love you from the depth of my heart.

Jealousy isn't needed.
Because you're the one I like to flirt too.
Envy isn't warranted.
I'm firm in just loving you.

Because I love you from the depth of my heart.

Who couldn't?
Who wouldn't?
I do.
I will.
Untl I no longer can live.

Be obedient to your love and peace
Don’t pretend
Don’t deny
Don’t rush
sometimes
The process needs to be readjusted
And
That’s ok.
In the beginning it’s rough
We look forward to the ending but fear the
Loss of what could be

I’m casting my cares upon You,
while praying throughout the day.
I’m thankful for our relationship
and the Love of Your sacred sway

that permeates my entire being.
For I’ll keep on talking to You,
discussing the issues of my life,
since You will bring me through

safely by Your divine guidance.
In You alone, faith is entrusted,
as this analytical mindset of mine
had been vigorously readjusted.

Knowing that You’re everywhere,
I’ll remain… unceasing in prayer!
.
.
.
Author Notes

Loosely based on:
Psa 42; 1 Thes 5:16-18; 1 Pet 5:6-7;
John 16:13; Eph 3:16

Learn more about me and my poetry at:
http://amzn.to/1ffo9YZ

By Joseph J. Breunig 3rd, © 2014, All rights reserved.

I was at dinner once, and I really liked how my fork looked, so I wanted to take a picture of it.
I was so proud of myself trying to center that fork in camera’s frame, proud of my ability to recognize something that I wanted for myself, and proud of my ability to do something about it, to literally capture what I wanted in my hand.
Then my friend leaned over from her side of the table and asked if I was taking a picture of the meal, and I said I wasn’t. She told me you should, since what I ordered just looked so appetizing. I didn’t want to seem disagreeable, and she meant well by it, so I put down my fork and aimed at the plate.
Then my other friend beside me who happened to be in the frame leaned in to be featured in my picture, saying with a friendly voice that I should get him in it too. I just wanted a picture of the food, but I didn’t want to seem disagreeable, so I readjusted the camera to include my friend.
When I did that, my other friends sitting beside me must’ve thought that I was inviting them, because a few of them began to lean in towards my friend that was leaning towards the food, one of them laughing that I should tag them if I post this. By this point I was trying to capture more than what I had wanted, but I didn’t want to seem disagreeable, so to make room for everyone in the picture, I stood up and leaned back.
That movement on my part must’ve meant something important to the rest of the table, because soon they all agreed that I should take a group picture and began arranging themselves for it. Turning away from the plate now to an entirely new subject, one of my friends asked a waiter if he could take our picture, since I should be in it too. I didn’t want to bother the busy worker, and in all honesty I just wanted to go back to eating, but I didn’t want to seem disagreeable, so I handed my phone to the waiter and met my friends on the other side of the table.
Posing for my own picture, I caught a glimpse of that fork that I had first found so interesting, and looking back at it, I think I blinked when the flash blinded me.

A man stumbled over to Catherine’s car
and pounded on her window. She cracked it.
“W-welcome to New York. Want to buy a map?”
A cigarette filled in the large gap of missing teeth
in his smile, and the stench of alcohol ran over it.
The light changed, and Catherine sped off.
The man stepped backwards out of his sandals
and tripped on the curb. He landed in a pile
of garbage bags as Catherine readjusted
her mirror.
**Welcome to New York.

This year I'm set free
able to exhale once again
As far too long
I've delayed the inevitable
to move forward
bearing witness
to my ability to prosper
I RECLAIM back myself
new fruits blossom
and life continually cycles
I can breathe with
the piano lifted away
I can see with
my focus readjusted
I can love
as I am able to live.

This year I'm set free
as far too long
I've delayed the inevitable
to move forward
Bearing witness
to my ability to prosper
I claim back myself
New fruits blossom
and life continually cycles
I can breathe with
the piano lifted away
I can see with
my focus readjusted
I can love
as I am able to live.

She was finding it hard to not look at him. She was glad he was driving right now.
She noticed his hands for the first time. His face didn't betray his age. He was too colored, by experience or value, to have something so insignificant obviously displayed on his features.
He fiddled his hand over the steering wheel. She could see a few protruding veins. His forearms, still half-covered, showed skin that looked worn and weary, but heavily muscled. She wondered why she had ever looked to his face to find his age. It clearly was of less use to her than his hands.
He readjusted himself beside her, picking his left leg up and propping it up to his thigh in the drivers seat. The closed triangle lost her attention.
She looked to her own hand, wondering if the age was displayed in it, as well. Pale, fleshy, youthfulness; nothing marred by lines or dryness to meet her view. Perhaps, this was just a marker of work. She had done little with her time. He looked over at her for a moment, eyes grinning with what his mouth wouldn't dare speak. They lock eyes and when the contact breaks, continue to drift down the road.
"How old are you?" She asks him. The first words she had spoken to him since their physical encounter. He considers her for a moment.
"I'm 40."
"Oh."
"What?" He asks her.
"I don't know."

The distinct click-clack of rustic red leather cowboy boots were what first captured my attention. She had her nose in a well-worn book as she shuffled down the parkway to a bench. As she turned the page, I could see an indentation of her fingers on the cover. Although she must have poured through the pages numerous times, she was chewing on her slightly plump lips as if she wasn't sure what fate were to become of her favorite character. The frames of her glasses were not intentionally big, but appeared bulky due to her small stature. The black lenses would occasionally slide down her sun-kissed nose but would soon be readjusted without notice. Her skin was pale enough that her old and slightly frayed jeans must surely still stain her legs blue. As I was about to tear my eyes away from her innocent demeanor, a slight breeze rustled through her kinked long hair exposing a symbol of defiance inked in the form of an animal between her shoulder blades. Her presence was a foreign pleasantry.

It had been a long idyllic two-day ride from Taos to Jackson Hole.  The bike had been running well, in spite of the altitude, and the 1600 C.C. Yamaha Venture Royale handled with ease whatever the mountains had in store.

This was the second extended tour for Kurt and his twelve-year-old son, Trystan, who everyone called T.C. (Trystan Colin).  They had started in Long Beach, California, and were making a long semi-circular loop through Arizona, New Mexico, and then back to Wyoming.  After hiking and riding through Grand Teton National Park, they would head North through Yellowstone to Missoula Montana and ultimately reach their final northern destination — Glacier National Park.

This morning though, they would be traveling into an unknown world on the most proven and time-tested forms of transportation, horses and mules.

Teton Scenic Outfitters was the oldest guided tour company in Teton National Park.  Today’s route would take four tourists on a twenty-five-mile ride deep into the park.  At its highest point, the trail would be over 2000 feet above the Buffalo River. There would be two professional cowboys leading the tour.  The lead rider, and boss, was a 6’ 3’’, 200 lb., ex-college football player and rodeo bulldogger named Russ.  At the back was a diminutive, bow-legged, journeyman cowboy from Miles City Montana named Pete.  In between there was Kurt and his son T.C., both riding horses, and two nuns from the San Cristobal Convent in Cody Wyoming, riding mules.

There were two additional mules, between Russ and TC, that were loaded down with a week’s supplies for the Teton Art Camp at the end of the trail.  The Art Camp was a popular summer destination for both experienced and budding artists and depended on the supplies that Russ’s company delivered every Saturday.  At 8:30 a.m., four mules and four horses started the arduous and steep ascent up the narrow trail that was carved out of the east side of the mountain.

Before leaving, Russ had said: “In some places, the trail that’s cut into the rock is less than six feet wide. Don’t let this upset you.  The horses and mules do this almost every day, and they are more surefooted than any person walking.  Whatever you do, DON’T try to get off along the narrow trail.  We will come upon four open meadows, as we climb higher, and you can get off there, if need be, to walk a spell.”

Russ reminded everyone that they had signed a form acknowledging the risks of a mountain trail ride and that they were not afraid of heights. “Whatever you do, make sure to give the horse or mule its head.  Don’t try to guide it or change its direction, it will be following closely the animal in front of it and will become upset and disoriented if you try to change its forward motion.”

Pete, who was riding in the rear, had heard this speech a hundred times before.  He knew Russ would repeat it several more times as they continued their climb.  He also knew something that he hadn’t shared with anyone yet.  After feeling poorly for several weeks, he had traveled to the Medical Center in Idaho Falls for tests.  Two days later he had the results — Cystic Fibrosis.

Pete was only 26, but his doctor had told him that with treatment he had a very good chance of living into his fifties. “What can’t I do, Doc?” Pete had asked.  “Anything for right now,” the specialist advised. Just don’t get too far away from a good Medical Center, just in case. I wonder what he would think if he saw me today,” Pete mused.

The two nuns seemed to be enjoying themselves, but the one in the back, Sister Francis, directly in front of Pete, kept pulling on her right stirrup.  “I’ll have to adjust that when we stop,” Pete said to himself.
At 10:30 a.m., they came to the first clearing and Russ called everyone to gather around him. The meadow was a naturally formed pocket that carved into the mountain for about 100 yards.  There was tall spring grass growing as far as you could see.

“Hey T.C., whatta you think those two things are sticking above the grass about fifty yards ahead?” “I don’t know, Russ, they look like sticks.” “Well ... those sticks happen to be antlers that belong to a resting moose.”  Before Russ could say another word, T.C. had spurred his horse and was headed in the direction of the moose.  As T.C.’s father started to head after him, Russ grabbed his reins and said — “watch this.”

T.C. was still thirty yards from the antlers when an enormous moose stood up out of the grass. Seeing that, T.C.’s horse slammed on the brakes and T.C. went sliding off the right side of his mount.  Time seemed to be frozen in place until ... BAMM!

When Russ saw the moose stand up, he withdrew the Colt Peacemaker (45) from his holster and fired a shot into the air.  The horses and mules never moved, they were rifle trained, but the moose turned and ran into the woods at the far end of the meadow.

“Those things can get ornery when you take them by surprise.  I didn’t think your kid had the guts to charge a moose in the open field.  It’s one of the damnedest things I’ve seen in a long time.  With ‘try’ like that, he’ll make a good hand.

Both cowboys dismounted and went over to where T.C. was still sitting in the grass.  “Here, take this,” Russ said, as he gave T.C. a Snickers Bar from his vest pocket.  “The way you got off that horse would make any bronc rider proud.  Sister Marcella was filming you with her camera.  It you’re nice to her, I’ll bet she’ll send you a copy of the tape.”

Hearing Russ’s words were like his birthday and Christmas all rolled into one.  His rear end was a little sore, but his spirits had never been so high.  “Hey T.C., if your head hasn’t swelled too much, try this on,” said Pete.  Pete handed T.C. a baseball cap from his saddlebags.  It was a watershed moment for both father and son as T.C. took a giant step toward manhood.

Back on the trail, Russ repeated again: “Don’t try to guide your animal, they know where they’re going.”  In all the confusion, Pete had never gotten around to adjusting Sister Francis’ stirrup.  It was still bothering her, and her squirming was starting to affect her mule.

“Don’t mess with that stirrup anymore, Sister.  If you need to, just let your right leg hang down straight until we get to the next clearing.” Pete hadn’t finished speaking when Sister Francis pushed down again on the stirrup until it came loose and was dangling free.  The momentum of her pushing down with her right leg had pulled her body across the saddle, and she was now off the mule and standing — screaming — on the right side of her mule.

Less Than A Foot From The Edge ...

“Stop screaming, Sister, and I’ll try to get to you.”  Pete knew there wasn’t enough room on the trail for him to make it to the panicked nun, and he also knew he didn’t have enough strength in his upper body to pull her back if she started to fall.

Russ had heard the commotion and stopped the lead horse. He was too far in front to be of much help.  Pete’s best cowboy skill was that of a header in the team roping event.  The hat he had given T.C. was from the last rodeo he had won in Calgary, Alberta.  Pete instinctively took the rope from his saddle horn and formed a loop.  Just as he started to swing the rope, Sister Francis’ mule panicked and moved to the right pushing the nun toward the cliff.  As she started to fall, Pete managed to get a loop around her head and under one shoulder.  He pulled ******* the rope as she fell over the side.  He quickly took three turns around the saddle horn.  Pete knew he could hold it for a while without his horse moving, but if he tried to dismount, there’s no telling what the horse would do, and all three of them might go over the side.

It was just then that Pete saw something crawling between the legs of Sister Marcella’s mule.  T.C. had slid off the back of his horse and crawled between the legs of his dad’s horse, the two pack mules, and Sister Marcella’s now stationary mule.  When he got underneath Sister Francis’ mule, he started to talk in a gentle voice as he worked his way back to the rear.  Once under Pete’s horse, he reached over the side and grabbed the rope. Luckily, Sister Francis was only three feet below the rocky ledge. With T.C.’s help, and a lot of adrenalin, she was able to get her elbows up over the edge and slowly inch her way back onto the trail.  Pete held firm to the loop to make sure there was no backsliding.

T.C. and Sister Francis sat there for a long time until T.C. said: “Do you trust me, Sister?”  She said that she did as T.C. said: “Ok, follow me.” Together, they crawled underneath Pete’s horse to the very back of the train.  “How far is it to the next meadow, Pete?” T.C. asked.  “It’s only about a half-mile, “Pete called out.  “Ok, Sister Francis and I will walk the rest of the way, and we’ll meet up with you at the meadow.  Pete waved ahead to Russ, who was sitting there in a mild state of shock, to get going again.

It was a hero’s welcome when T.C. and Sister Francis arrived at the meadow.  “How did you know you could crawl underneath those horses and mule’s legs without getting trampled?” Russ asked.
“Well, it’s like this,” T.C. said.  “My dad was raised with horses and said that a horse would never step on a man.  I just figured it was the same with mules.”  “And where did you get the guts to try?” asked Pete.  “It wasn’t guts, I was just trying to finish what you had started.  If you hadn’t gotten that rope around her, nothing that I did would have mattered at all.”

“That rope was thrown from the hand of God,” said Sister Marcella, “and today, we were all blessed to see one of his miracles in action.”
The rest of the ride was uneventful.  Pete readjusted Sister Francis’ stirrup as Russ started to sing an old cowboy song.  “What’s the T stand for in T.C?” asked Russ.  “Trystan, my first name is Trystan, T.C.  answered back. With that, every Ian Tyson song they knew was being sung at high volume with the name ‘Trystan’ interjected into every one.

T.C.’s father had never been so proud.


Kurt Philip Behm: June, 2024

My anxiety and fear quelled
when you held my hand
How can something so simple
be so effective?

I looked down at our hands
tattooed together
Your thumb rubbed circles
across my own, slowly

Your tiny, soft fingers
readjusted our grip
as we stared out the window  
and saw the world pass by

Your hand was lighter
like the sand at a beach
And your skin free of scars
unlike my own

Our hands have lived
such different lives
But at that moment
They sat, entwined