He slowly assembles his rifle on the barren rooftop as the
     wind blows through his light blond hair.
His long overcoat ***** and wraps around his thin long
    legs.
He places his elbows upon the short wall in front of him,
     firmly kneeling on both knees.
Glancing into the rifle's sight, he focuses sharply through
     its cross hairs; he sees hundreds passing through the sight,
     men, women, children, and as he sees it, a maze
     of mass hysteria.
He thinks of his current desperate situation and with each
     passing thought, his heart pumps more hateful
     adrenaline through his expanding veins.
What am I?....He wonders.
"I am the orphan child too ugly to adopt!
I am the spit in the street you step in and curse!
I am the cockroach so many crush beneath their feet!
I wish to love and beloved, for I am ever so lonely,
     so empty.
I wish to give my whole self to someone to make them
     eternally happy!
To sacrifice all I possess, including my life, for the one
     I love,
but I am thoughtlessly branded a stalker!
I am the void in all broken hearts.
As a child, I only wished to be loved and appreciated,
but I was raised the invisible child.
There's a painful sore in my throbbing brain, the lethal
     virus of society'd disdain.
I'm insane!....I'm insane!...Give me peace, God if you exist
     Give me peace!
He glances once again through the sight's cross hairs,
catching sight of a young boy standing alone, mouth wide open
    with tears rolling down his cheeks.
He pauses.....envisioning himself, his blue eyes cloud
     with tears.
He pulls back back his loaded rifle placing it against the
     short wall,
realizing at the moment this wasn't the way to end his
     unbearable pain.
Reaching into his deep overcoat's pocket, his long fingers
     catch grasp of the cool surface of a 9 mm.
Pulling it slowly from his pocket, he raises it to his temple,
slipping his finger upon its tight trigger he whispers once
     again,
"God....if you exist,
Give me peace."

in my family conversation is seldom thoughtful questioning filled with wonder quiet pauses instead it is sociable banter teasing goading spontaneous gratuitous remarks clever embellishment excessive flattery it is an ancient system passed down patronage pecking order nepotism sycophancy near to impossible for me to be honest in presence of their overwhelming vanity when it comes to family gatherings my voice isn’t very strong my family’s joking squelches my chirp they are each and all more loud sarcastic faster wittier more crude outrageous more funny loud gregarious sanguine Mom embarrasses herself with uncalled for flirtations (her mental state rapidly deteriorating) everyone laughs boisterously they snap kid exaggerate amplify taunt i can hardly get word in i need to repeat myself several times or more to be heard my voice is minor i struggle to tell story they listen politely then rush back into their rowdy repartee i am way too sincere way too naked in my ineptitude my stomach ties in knots biting lip shivering from cold fear what’s going to happen pitch black in front of me voice inside screams please i need help so bad please make it easier i’m lost in all this commotion drama hunger lack of clarity

Chicago 1980 Odysseus always revered cousin Chris is taller tan-skinned handsomer stronger protective of Odysseus knowing he is frivolous liability tags along with Chris and his prosperous trader friends advantaged echelon inherited wealth educated white young men they float above everyone else their tastes in clothes furnishings run Brooks Brothers Burberry Giorgio Armani Ralph Lauren John-Paul Gautier Paul Smith Emile Zegna Salvatore Ferragamo their preference in women run typically blonde large ******* tight butts make-up painted nails they think Odysseus is a freak because he usually chooses females none of them want Odysseus likes skinny girls flat chests glasses he knows he is an extraneous art pet to Chris and his group

Chris joins newly built state of art fitness facility pricey membership accesses all of Chicago’s fast track shakers movers politicians lawyers pretty people Odysseus has his limits he does not have money to join also he dislikes snooty elitism several times Chris invites Odysseus as guest Odysseus feels insecure outsider Chris always includes Odysseus pays for dinners they begin with round of doubles then 2nd round of doubles before glancing at menu Chris drinks Canadian Club on the rocks Odysseus follows they raucously order extravagant meals with appetizers 3rd 4th 5th rounds of doubles after pricey dinner at chic restaurant Chris’s group rendezvous at bar or club they order round of drinks tip lavishly sip drink glare around room leave barely touched drinks walk out with look of disdain they scavenge more bars in search of females or some intangible attraction Odysseus is never certain what they are looking for or what is the source of their contempt each wears black leather jacket carries huge wads of cash $20s $50s $100s folded stuffed in front pockets no wallets or clips

the Red Meat palace or Chang’s Szechwan grill are their favorite restaurants as many as 8 men sit at table pack mentality prevails for dessert course they pull out small brown bottles filled with ******* if it is Friday night Chris’s pad is frequently elected females other arrangements settle bill depart restaurant one night Odysseus arrives early at Chang’s wanders downstairs into women’s boutique salesgirl named Fiona greets him they hit it off he invites her to join him and his hosts upstairs after her shift is done Fiona arrives as dessert is about to be served table of men look desirously at Fiona beams Odysseus and Fiona along with Chris Phil Tom go to Odysseus’s place Fiona is perhaps 22 petite lovely with deep blue eyes set wide apart long eyelashes brown thick hair cut to shoulders high ******* pink ******* fragrance of linden flowers delighted by male attention Fiona ***** fondles each men are quite intoxicated Odysseus and Phil are only capable to sustain erections Odysseus stares mesmerized at Fiona’s extraordinarily swollen ***** she notices his fixation grins blushing men shout commands but in actuality Fiona is in charge reducing each of them to little boys vying for her attention near conclusion she requests they form circle around her ******* on her chest she fondles them touches herself men laugh mockingly as if to compensate for their lack of performance Tom picks up plastic dart gun aims it at Fiona she laughs crawls on all fours Tom fires dart hitting her on **** Phil grabs gun from Tom reloads another dart suddenly it feels like fraternity stunt Odysseus goes along offended by his own complicity to him episode feels more like men having *** with each other than being with a woman telephone rings it is Odysseus’s latest love pursuit she tells him she is on her way over everyone rushes to put on clothes change bed sheets they depart within minutes she arrives finally ready after weeks of romancing to put out for him after that night when Chris and Odysseus get buzzed in bar Chris routinely speaks the line to women have you ever been done by 2 cousins one night at Green River tavern woman squeezes milk from her ****** into shot glass dares cousins to drink Chris laughing turns down her offer Odysseus shoots back shot of milk then takes swig of Irish whiskey cousins go see Billy Idol at Odysseus’s insistence they stand near front stage young girls screaming after show driving home in Chris’s Fiat Spider Chris complains his ears are ringing i don’t know how i’ll be able to work tomorrow Odysseus nods like he hears hollers out window hey little sister shotgun!

Mom and Dad want their son to enjoy fruits of burgeoning affluence they feel certain what they are doing is best for him they rent quarter seat at Chicago Mercantile Exchange they originally promised full seat but they are overextended Odysseus enrolls in trading course he learns to trade Certificates of Deposit and Eurodollars which are recently established markets suddenly Odysseus has lots of cash his parents are dishing out he does not know what he is doing newly launched markets lack investment and fleece young men of their parent’s money his friends surroundings change he loses sight of himself he is a thoroughly incompetent trader bleeding cash scatters money between harebrained panicked trades or ******* girls $1000. wristwatch when Mom and Dad see jewelry they become furious in a way he represents his parent’s design for how to build successful son yet their plan is going dreadfully wrong he wants to stand up speak out against Dad and Mom he is not courageous enough to counter their weight he wants to express with more assurance his passion to pursue painting and writing isn’t fact he graduated from art school evidence enough of his aspirations commodities exchange is last place in the world he belongs Odysseus is risk taker but he is not aggressive or entrepreneurial only lesson he has learned with respect to his parents is how to run away

by all appearances cousin Chris is brilliant trader in reality Chris is hooked up with powerful crooked brokers they use him as their bagman he covers losing trades and is compensated or offsets winning side of profitable trades subsequently dealt his share Chris is not a criminal he stumbles into profit-making situation when certain conditions are flexible to advantages Chris is diligent hard worker the vast sums of money he earns do not distort his personality he is always generous shielding of Odysseus gold trading pit becomes so shady S.E.C. intervenes relinquishing exchange’s contract Chris and his bosses walk away unscathed having made their bundles

Mom and Aunt Rita run social itinerary for family including birthdays holidays all other gatherings where family will meet changes by the minute depending on Mom and Aunt Rita’s caprice checking in by telephone at least an hour before is mandatory arriving at destination Mom and Aunt Rita insist on specific table location seating arrangement it is important they be seen viewed by others at restaurant they never sit near kitchen or washrooms or where there is too much noise light away from drafts who sits next to who is crucial round tables are their favorite preferring backs to wall looking out so they can nod wave Mom rules from proud pedestal Dad upholds chain of command sometimes he irritably gripes Aunt Rita immediately comes to Mom’s defense Dad points finger back off Rita you’re way out of line where do you come up with a remark like that Mom mediates Max that’s enough in a way the sisters are spoiled little girls over-indulged by their father they believe their opinions and tastes are the best most correct everyone in family are subordinate to their no and don’t Mom and Aunt Rita routinely criticize Odysseus’s semantics oppose his observations critical of his clothes conduct they handily misconstrue his comments to mean fodder for their amusement Mom and Aunt Rita’s efforts to keep prim proper decorum cause resentment Odysseus feels constricted by his subservient role in drama of family he fails to understand their care

Odysseus busts out of markets leaving behind alarming debts for family to pay off he feels humiliation disgrace plunges into bottomless sleepless despair hides in house door locked window shutters shut phone rings unanswered hates life willfully wants to destroy himself there is no way out after week Chris comes by to see if he is all right Odysseus is reluctant to let Chris in Chris commands be a man get a grip on yourself Odysseus replies maybe i’m not a man he feels failure shame realizes he has become traitor to himself he wants to look at existence head on embrace it but all he knows are dishonor regret deception he conceives his being has been stolen he wants his life back but knows not how to recover it he feels deep in obligation to Mom and Dad thinks to escape from Chicago but his parent’s control is crushing he wakes late drinks black coffee smokes cigarettes marijuana hangs out alone sky changes from light to dark to light phone rings he reads Nietzsche Sartre frequents ***** Hole punk rock dive several blocks from residence becomes orphan of night drinking drugging

January 5 2011 30 years have passed Chris marries fathers son becomes best father to his child he can be leaves markets in late 80’s Dad dies in ’91 Odysseus leaves Chicago in 1994 he manages to paint some paintings write some words stomach ties in knots biting lip shivering from cold fear what’s going to happen ***** pink gray skies behind pitch black in front sometimes you need to take a step back in order to move forward Mom says she worried enough about money when she was younger and isn’t going to worry about it anymore her entire life she boasted i’m saving for my children but in the end she saved solely for herself Odysseus never learned to stand on his own all he ever wanted is to love and be loved he wonders what will happen next

The black and white has lost its silhouette
The lines slip from the page
Who can say what reality remains?
Those who exist in three dimensions
Will decide where the truth of the matter lies
And if we're better off

The world pauses, a little more than eight
A man's lost his breath to another
It wasn’t theirs to take
Those who exist on the other side of the screen
Will decide where the truth of the matter lies
And if we're better off

A bounty is placed, a renegade is born
The long arm reaches for another soul,
Another soul is pawned
Those who exist for the law
Will decide where the truth of the matter lies
And if we're better off

A man is led to the edge of the world
He's pushed and plummets into the unknown
Everything in him breaks, but he survives the fall
Those who were standing behind him
Will decide where the truth of the matter lies
And if we're better off

Is any justice worth an injustice?
Can it still be called justice?
When the means don't justify the ends,
Is anybody really, truly, better off?

I was made for abandonment.
Like a sea turtle left in the sand to hatch on her own and bravely voyage into the ocean,
Escaping her idle life in a pure, white shell for a treacherous journey into a polluted, dark ocean.
She will encounter beasts who will attempt to postpone her self-actualization.
She's alone, but brave.
She knows what she must do
With the sound of the ocean and the light of the moon as her only guides.
She pauses at the shoreline,
The tide comes in,
Sweeps her off her feet and welcomes her in a beautiful embrace.
However...
I am still struggling with the beasts who promised me an easier life
Away from the mysterious ocean;
Idle in their arms.
They led me astray before I realized that while the ocean tides change, they follow the beautiful, definite pattern of the moon.

Jump on the boat and take is real slow
Throw the canvas and splash that oil
Squash the duck feathers and fill the mill
As the harmonica cruises craft the talk real slow

A touch of the knee and the spark shatters
A charter of recklessness heckled in two-tone composition  
Not a monochrome but a  jest of kaleidoscope cores
A fearless horizon of sirens and chaotic applause

A sate of pureness, meekness;widely see this woman words
The worth of how she works, the sweat in her sincerity
Spot the little life that she holds, clutch her lifetime ascensions
The silhouette that shows and fades away,chase her palm

Stroke her freedom, take her high to the clouds and show her
Ask her to sing her sweetest prescribed proscriptions
Be the operator that jerks her stringed rhythmic blues
Shine ohh diamond, Strike ohh as you expand…… touch the sentiment

What are fingertips but pulses and pauses?
A spinal sigh---a cradle to all existence?

The punchline of all sensory implications,
the culmination of our tangles and departures?

All flesh is ephemeral, soft to shards in hours;
Touch is but a ****** tendril in memoriam for desire.

vulnerable you touched me
vulnerable you touched me
vulnerable you touched me
vulnerable you touched me
vulnerable you touched me

im always so vulnerable with you

you told me you only let yourself be touched when you cant feel
when the alcohol
when the drugs
when the substance has mutilated your insides so that when they are inside they do not touch you vulnerable

but you touched me vulnerable
would you not let me kiss your neck because its outside?
because that intimacy is closer than all the men, all the women, that have been inside you
because you would feel the spasm of every one of my lips muscles contracting and convulsing against your skin.
because my kiss on your neck would demand to be felt,
like a knock, like a doorbell wanting to be inside, an echo that you can't ignore.
breaking the blood vessels just on the surface of a cavity holding your air to existence...
would i break your existence?

a bruise for you to feel on the surface
a bruise for you to feel the exposure
a bruise for you to feel what can be lost in memory with every heavy sigh you take in
a bruise reminding you that you took my breath away
that you took my innocence away
that you took my virginity away
that you touched me vulnerable...

you made me stop...
in your taunting saftey word phrases, in your pauses, in your avoided eye contact
i felt your vulnerability most

i confessed once that i love when youre vulnerable

you said youd walk around later hearing "let me let me let me" as i whispered at your throat
begging for you to let me into something more than your mouth, something more than your body
does it haunt you like the doorbell?
does it haunt you like the echo?
do my words stay at your throat like the kiss that never made it there...like an invisible threat or torment to your vulnerability?
do my words strangle you and suffocate your air?
are my words grasping prsion bars from the outside?
trying to touch something locked away...
would my kiss have broken your existence?

would my kiss on the outside awaken something inside you, that if i touched, would hurt you more than the bruise at your neck
because a kiss that hard is somewhere inbetween pleasure and pain
and we both know how both,when felt together, weaken your mind, your body, and soul to be stripped down, naked, VULNERABLE, shards of self not inside or outside
and that feeling of inbetween is more vulnerable than the definite evidence of a hickey left on your outside, or the definite reaction of your body to the sensations when fingers are inside
because the phsycial cannot touch your soul
because no matter how many ******* or hickeys penetrate your body,inside and out,they cannot touch your existence

i wanted to touch your existence

i didn't want to make love
i didn't want to have ***
i didn't want to have pleasure or pain
and thats why i also confessed that when you touched me vulnerable i felt nothing
because i was waiting

waiting like the doorbell that you never came to the door to answer
waiting like the knock that you never came to the door to answer
waiting like the echo i whispered that screamed for you to "let me" in
waiting to feel your existence

to exist with you inbetween;inside out outside in

i told you once before that you felt like a soul mate to me
and you touched me vulnerable
you touched me vulnerable
you touched me vulnerable
but you did not feel me

so now when i slip my fingers inside myself i feel to see if my innocence is still there
i feel to see if my virginity is still there
and this bruise that you left on my throat i press my fingers against to feel the throb of pain so i can feel if my vulnerability is still there
and they are...
they are because i kept those when i left my existence on a tongue thats tasted many souls but never swallowed
on the fingers of hands that touched many bodies but only felt the wet that washes away with the soap...clean of something permanent
a temporary high
would you let me touch you without being high? no.

you didnt care to be my first, said it was a weapon, that the only thing you wanted was for me not to regret
i dont regret. i dont regret at all.
but i hope my existence that i left to you is a weapon that you can't fight off with the drugs or the alcohol
i hope my existence that i left to you stained your hands and is holding onto your teeth like those prison bars
so that when we ****
**** because ******* has no love and is a pitiful attempt to be ***
when we **** again
i hope that if not my existence, you at least feel my presence
my presence that will be your echo, your knock, your doorbell for the ignored and dismissed love i feel in the depths of my soul for you...

the love that you will never desire to feel more than my body (outside)
that i, more than your body, desire to feel your love-not for me or for anybody else but the love you feel for yourself (inside)
and we will never be what's inbetween

we will never be more than you touching me vulnerable but not feeling my vulnerability

vulnerable you touched me
vulnerable you touched me
vulnerable you touched me
vulnerable you touched me
vulnerable you touched me...

The Woodpecker sings,
In a tune we don't follow.
Pecking endlessly,
Like there is no tomorrow.

Words drawn from the heart,
Lost in the long beak.
With piercing eyes,
A little attention it seeks.

Pauses a second to tell us,
The story of his mother's pain.
Forgets not the cragged branch,
Chisels hard, the Woodpecker again.

Oblivious about the emotions it brings,
Endlessly the Woodpecker sings.

316

The Wind didn’t come from the Orchard—today—
Further than that—
Nor stop to play with the Hay—
Nor joggle a Hat—
He’s a transitive fellow—very—
Rely on that—

If He leave a Bur at the door
We know He has climbed a Fir—
But the Fir is Where—Declare—
Were you ever there?

If He brings Odors of Clovers—
And that is His business—not Ours—
Then He has been with the Mowers—
Whetting away the Hours
To sweet pauses of Hay—
His Way—of a June Day—

If He fling Sand, and Pebble—
Little Boys Hats—and Stubble—
With an occasional Steeple—
And a hoarse “Get out of the way, I say,”
Who’d be the fool to stay?
Would you—Say—
Would you be the fool to stay?

Yiska wants to take Benny home with her after school and whisk him past her mother and up to her room but she knows her mother would watch her like a hawk especially if she had Benny in tow and would ask her all sorts of questions and where do you think you are going with him? but she can dream about it dream she has brought him home and as she passes her mother in the kitchen her mother in one of her dark moods preparing dinner she climbs the stairs slowly imagining Benny is behind her walking up the stairs probably watching her legs or her *** his eyes glued but she doesn't know so she imagines he is and when she gets to the top of the stairs she pauses on the landing and looks down the stairs and waits listening to the radio her mother has just turned on some classical stuff she pauses there pretending Benny has stopped her and has put his arms around her waist and has laid his hands on her *** and she believes she can feel it his hands his fingers moving but it's in the head in her imagination but no harm in pretending so she lingers there for a short duration looking along the landing wrapping her own arms about herself kissing her shoulder don't forget to change out of your school uniform her mother calls out from below stairs I won't she calls back hugging herself extra tight patting her own *** with a hand as she hoped he would do if he were there and they were standing where she is now and put your ***** blouse in the linen basket her mother calls up ok she calls back unhugging herself walking along the landing walking past her parent's room tempted to peek in wondering if she should just a quick glimpse she stops outside her parent's room and opens the door quietly and peers inside imagining she has Benny beside her and she's showing him inside at the big double bed the tallboy the dressing table where her mother has all her make up and perfumes and drugs for her depression and hairbrushes and the mirror facing her and she says to herself-and the imagined Benny- nice bed what you reckon? make a good bed to do it in? the room smells of perfume of all kinds and a scent of bodies and staleness she is tempted to go lay on the bed and feel it beneath her and makes out they are doing things him beside her touching her and she kisses him and he putting his hand along her thigh and make sure you fold up your school skirt and jumper I don't want it just thrown anywhere her mother calls up to her from downstairs she closes the door to her parent's room and says loudly down the stairs I will fold them up and walks to her own room taking Benny’s imagined hand in hers and enters her own room and closes the door behind her and looks around the room as if through his eyes her mother has been in here and tidied up put things away picked up stuff from the floor taken away the tea plate she'd left there the night before and the soiled linen she'd let drop by the bed she stands there and sighs a window is open to let in air-breath of fresh air her mother calls it-the curtains flap in the breeze sounds from neighbours in their gardens kids from down the street she goes to the window and closes it and looks out at the surrounding area making out Benny’s still behind her his arms around her waist his lips kissing her neck she closes the curtains and stares around the room focusing on her single bed with its pink flowery cover her mother bought her Teddy Bear  now ageing by her pillow not that big she says over her shoulder to the pretend Benny but we could still do it if we're careful she whispers to herself she sits on the bed and stares at her Teddy some nights he is Benny and she hugs him and kisses him and has him next to her as she settles down but Teddy's a lousy lover he does nothing and says nothing she sits the make believe Benny next to her on the bed imagines his hand is tapping the bed be ok Benny says using her voice she stands up and begins to take off her school jumper unbuttoning the green buttons and pulling off and dropping it on the bed then unties the green patterned tie and takes it off and tosses it over her shoulder she sighs closes her eyes you unbutton the blouse she tells the make believe Benny and her fingers unbutton the blouse one by one slowly and once it is unbuttoned she lets his fingers-hers really- take it off of her body and drop it onto the floor what do you think? she asks him shall l take off the skirt or you? her fingers unzip the zip and pulls it down and once loose the skirt falls to the floor and she kicks it across the room and stands there eyes closed pretending he is studying her in her small bra and ******* she waits for his words his comments what are you doing there? and why are the clothes scattered all over the place her mother says from the open door Yiska opens her eyes and stares at her mother standing sullen faced by her bedroom door day dreaming Yiska says about what? her mother asks picking up the school skirt from the floor and folding it neatly and gazing at her daughter stern eyed just day dreaming Yiska says watching her mother putting the clothes in a pile and picking the ***** blouse from the floor and holding the soiled linen in her hands this room was tidy why untidy it? her mother says sorry wasn't thinking Yiska says glad her mother couldn't read her thoughts or see the imagined Benny kissing her neck and whose right hand was fondling her right *** because if she could she'd have a fit.

‘This is a pleasure. A composer in our midst, and you’re seeing Plas Brondanw at its June best.’ Amabel strides across the lawn from house to the table Sally has laid for tea. Tea for three in the almost shade of the vast plain tree, and nearly the height of the house. Look up into its branches. It is convalescing after major surgery, ropes and bindings still in place.
 
Yes, I am certainly seeing this Welsh manor house, the home of the William-Ellis family for four hundred years, on a day of days. The mountains that ring this estate seem to take the sky blue into themselves. They look almost fragile in the heat.
 
‘Nigel, you’re here?’ Clough appears next. He sounds surprised, as though the journey across Snowdonia was trepidatious adventure. ‘Of course you are, and on this glorious day. Glorious, glorious. You’ve walked up from below perhaps? Of course, of course. Did you detour to the ruin? You must. We’ll walk down after tea.’
 
And he flicks the tails of his russet brown frock coat behind him and sits on the marble bench beside Amabel. She is a little frail at 85, but the twinkling eyes hardly leave my face. Clough is checking the garden for birds. A yellowhammer swoops up from the lower garden and is gone. He gestures as though miming its flight. There are curious bird-like calls from the house. Amabel turns house-ward.
 
‘Our parrots,’ she says with a girlish smile.
 
‘Your letter was so sweet you know.’ She continues. ‘Fancy composing a piece about our village. We’ve had a film, that TV series, so many books, and now music. So exciting. And when do we hear this?’
 
I explain that the BBC will be filming and recording next month, but tomorrow David will appear with his double bass, a cameraman and a sound recordist to ‘do’ the cadenzas in some of the more intriguing locations. And he will come here to see how it sounds in the ‘vale’.
 
‘Are we doing luncheon for the BBC men? They are all men I suppose? When we were on Gardeners’ World it was all gals with clipboards and dark glasses, and it was raining for heaven’s sake. They had no idea about the right shoes, except that Alys person who interviewed me and was so lovely about the topiary and the fireman’s room. Now she wore a sensible skirt and the kind of sandals I wear in the garden. Of course we had to go to Mary’s house to see the thing as you know Clough won’t have a television in the house.’
 
‘I loath the sound of it from a distance. There’s nothing worse that hearing disembodied voices and music. Why do they have to put music with everything? I won’t go near a shop if there’s that canned music about.’
 
‘But surely it was TV’s The Prisoner that put the place on the map,’ I venture to suggest.
 
‘Oh yes, yes, but the mess, and all those Japanese descending on us with questions we simply couldn’t answer. I have to this day no i------de-------a-------‘, he stretches this word like a piece of elastic as far as it might go before breaking in two, ‘ simply no I------de------a------ what the whole thing was about.’ He pauses to take a tea cup freshly poured by Amabel. ‘Patrick was a dear though, and stayed with us of course. He loved the light of the place and would get up before dawn to watch the sun rise over the mountains at the back of us.’
 
‘But I digress. Music, music, yes music . . . ‘ Amabel takes his lead
 
‘We’ve had concerts before at P. outside in the formal gardens by AJ’s studio.’ She has placed her hands on her green velvet skirt and leans forward purposefully. ‘He had musicians about all the time and used to play the piano himself vigorously in the early hours of the morning. Showing off to those models that used to appear. I remember walking past his studio early one morning and there he was asleep on the floor with two of them . . .’
 
Clough smiles and laughs, laughs and smiles at a memory from the late 1920s.
 
‘Everyone thought we were completely mad to do the village.’ He leans back against the gentle curve of the balustrade, and closes his eyes for a moment. ‘Completely mad.’
 
It’s cool under the tree, but where the sunlight strays through my hand seems to gather freckles by the minute. I am enjoying the second slice of Mary’s Bara Brith. ‘It’s the marmalade,’ says Amabel, realising my delight in the texture and taste, ‘Clough brought the recipe back from Ceylon and I’ve taught all my cooks to make it. Of course, Mary isn’t a cook, she’s everything. A wonder, but you’ll discover this later at dinner. You are staying? And you’re going to play too?’
 
I’m certainly going to play in the drawing room studio on the third floor. It’s distractingly full of paintings by ‘friends’ – Duncan Grant, Mondrian, Augustus John, Patrick Heron, Winifred Nicholson (she so loved the garden but would bring that awful Raine woman with her). There’s  Clough’s architectural watercolours (now collectors want these things I used to wiz off for clients – stupid prices – just wish I’d kept more behind before giving them to the AA – (The Architectural Association ed.) And so many books, first editions everywhere. Photographs of Amabel’s flying saucer investigations occupy a shelf along with her many books on fairy tales and four novels, a batch of biographies and pictures of the two girls Susan and Charlotte as teenagers. Susan’s pottery features prominently. There’s a Panda skin from Luchan under the piano.
 
These two eighty somethings have been working since 8.0am. ‘We don’t bother with lunch.’ Amabel is reviewing the latest Ursula le Guin. ‘I stayed with her in Oregon last May. A lovely little house by the sea. Such a darling, and what a gardener! She creates all the ideas for her books in her garden. I so wish I could, but there’s just too much to distract me. Gardening is a serious business because although Jane comes over from Corrieg and says no to this and no to that and I have to stand my corner,  I have to concentrate and go to my books. Did you know the RHS voted this one of the ten most significant gardens in the UK? But look, there’s no one here today except you!’
 
No one but me. And tea is over. ‘A little rest before your endeavours perhaps,’ says Clough, probably anxious to get back to letter to Kenzo Piano.
 
‘Now let’s go and say hello to the fireman,’ says Amabel who takes my arm. And so we walk through the topiary to her favourite ‘room’,  a water feature with the fireman on his column (mid pond). ‘In memory of the great fire, ‘ she says. ‘He keeps a keen eye on the building now.’ He is a two-foot cherub with a hose and wearing a fireman’s helmet.
 
The pond reflects the column and the fireman looks down on us as we gaze into the pool. ‘Health, ‘ she says, ‘We keep a keen eye on it.’
 
The parrots are singing wildly. I didn’t realise they sang. I thought they squawked.
 
‘Will they sing when I play?’ I ask.
 
‘Undoubtedly,’ Amabel says with her girlish smile and squeezes my arm.

Here Kid take this what is it? whats it look like? its a prayer book thing yes so take it and hide it under your jumper why? just hide the **** thing so Benedict hides the  black book with red ends under his jumper and follows Anne into the grounds out of the French windows Anne crutches herself across the grass and makes towards the round white table and chairs and plonks herself down in a chair tossing her crutches aside Benedict sits down in the next chair looking back towards the nursing home do you think we were seen? seen doing what Kid? walking across the grass no doubt liberating Sister Dumb-arses prayer book no Anne says Benedict turns around and stares at her dont keep looking around Kid or the penguins will guess youve been up to no good me been up to no good it was your idea to take the prayer book but youve got it Kid not me but you said take it and you did well done Kid Anne says smiling she rubs her leg stump and pulls the blue skirt down further what do we do now? Benedict asks looking at Anne tempted to turn around and look behind him sit tight Kid sit tight but I cant hide the book under my jumper all day he says pass it under the table to me so he passes the prayerbook to Anne under the white table and she opens it in her lap he looks at her his stomach tightening guess whose it is? Anne asks he shrugs dont know its only Sister Bridgets how do you know? has it got her name in it? no they dont own personal property its just that it has this prayer card in it with an image of St Bridget on one side and a prayer on the other and on the top shes scrawled Sr Bridget in her bird-**** hand writing God shell go ape he says looking round at the nursing home what do we do? shush Kid what do want them to know weve got it? he stares at the building imagines the nun galloping across the lawn towards them her black robes billowing behind her like Batman turn round Kid youll look suspicious he looks round and stares at her sitting in the chair as if butter wouldnt melt in her mouth on a hot day where are you going to put it? he asks out of the sight of their eyes she says where though? she pulls up her blue skirt and tucks the black prayer book in her navy blue underwear and pulls down the skirt and brushes out the any signs you cant keep it there he says why not my knickers she says are they going to search me there? she says now just go get my wheelchair and  we can go visit the sea out the back gate he sighs and wanders back towards the home trudging across the lawn leaving Anne sitting in the chair like some royal queen on her throne she lifts up her skirt and adjusts the book more securely just as well I wore the passion killers Mum bought me she says to herself and lets down the skirt again and sits staring towards the home as she sits a few of the kids come out and make their way to the swings and slide they know her and avoid her like a plague a nun comes out too Anne stares at her its Sister Lucy a young one green as grass more ****** that the Blessed ****** herself Anne says under breath the nun walks towards Anne her hands inside her black habit how are we today Anne? the nun asks smiling my ****** leg aches Anne says o dear the nun says looking at Annes leg visible under the table have you seen Sister Paul about some pain killers? no not yet Anne says anyway its not this leg its the one not there my stump leg o I see Sister Luke says staring at the unseen stump beneath the blue skirt I could pray for your leg if you would like me to the nun says might help Anne says putting on her pious pose its hurts so much I feel like crying she allows tears to dribble out of her eyes(shes an expert of conjuring tears out of her eyes) o my dear child the nun says coming around the table and placing a hand around Annes shoulders Ill ask Sister Paul about some tablets the nun says thank you Anne whimpers feeling the prayer book move slightly as she moves in the chair she tries to adjust it with her hand to a more secure position Benedict comes across the lawn pushing the wheelchair he sees the nun and his eyes enlarge and he senses danger have they suspected Anne already about the missing prayer book? he wheels the chair behind Anne the nun looks at him arent you a good boy she says yes hes my best friend Anne says smiling through the glassy eyes the nun smiles well I best get back Ill see Sister Paul about those pills the nun says and walks off towards the home that was close Benedict say she didnt mention the prayer book Anne says she just came about me and the ****** leg and offering prayers o I see he says gazing at the stump area thinking about the stump of her leg hes seen many times are you going gawk at my stump all day or are you going to help get in the ****** wheelchair? o right yes he says and helps her get from the chair and into the wheelchair holding it steady at the back make sure the prayer book doesnt slip out of my knickers Kid she says as she rises from the chair and plonks into the wheelchair she moves the book to a more comfortable position and pulls her skirt down pass her knee just as they were about to move away Sister Bridget comes across the lawn towards them like a rhino on heat hang on Kid here comes the penguin wait wait the nun says raising a hand Benedict pauses pushing the wheelchair and stares at the approaching nun keep cool Kid Anne says under her breath act innocent as the Pope at a nudist colony Benedict feels himself perspire the nun stands in front of Anne in the wheelchair a prayer book has gone missing the nun says gazing at Anne has it? Anne says in an innocent tone yes it was taken from the Common Room shall we help look for it? Anne asks have you seen it? the nun asks no not that I know of whats it look like? Anne asks as if butter wouldnt melt a prayer book is what it looks like the nun says eyeing Anne with her suspicious eyes black cover with red ends no cant say I have Anne says Benedict looks away at the trees behind of them at the avenue between them and you Benedict have you seen it? the nun asks staring at him her eyes over him like maggots he shudders no sister not seen it at all he hates lying to  a nun he feels as if she looks into his soul and at the minor sins lurking there like naughty children then the nun looks down in Annes lap gazes at the outline of the leg stump not hiding it are we? the nun says hiding what? Anne says my stump? no I tried hiding it but its always there each morning I wake up the nun screws up her eyes and peers at them both no I mean the book where is it? no idea Anne says Benedict looks down at Annes lap where have you hidden it? the nun says havent seen it Anne says one of the children says she saw you take it the nun says me? Anne says you cant take the word of child I believe what the child tells me Benedict looks at the outline of the leg stump the child says you have it about your person she saw you from the upper bedroom window the nun says sternly must be mistaken must have seen me rub my stump they always watch me rubbing it so nosey the nun sighs and gazes at Annes lap and at the stumps outline show me your leg stump? the nun says hands on her hips Anne pulls up her skirt to reveal the stump Benedict looks too wondering if the book outline could be seen under the knickers the nun looks away where have you put it? put what? the book the prayer book the nun says I havent seen it Anne says as innocent as she can muster innocence lies will get you to Hell the nun says and walks off across the grass like a bad tempered bear what now? Benedict says Anne takes the book out of her knickers and hands it to him warm and scented what do I do with it? he asks shove it on that other chair under the table and were off to the beach so he puts the book under the table and pushes Anne off in the chair off out of reach.

Hungered for a taste
  of your elixir's essence,
drunken inhalations
   of your poetry
a splendiferous whirl
 of time & space 'tween
darkly scented moons
    and sun's adoration,
blithe starry nights
amidst meditative new
dawn's effervesce,
 spirited of the heart,
gleaned in the soul,
yearnings of another
  chapter's paradise
universal experiences
etched of hourglass sand,
 written upon endlessly
    chimerical verses
wildflower gardens drenched
    of dandelion's plum wine
swooning under a
hypnotic scripted spell,
intoxicating power
of unchained symphonies
dancing amongst skies'
released euphoria
 resonating in a song's
   reprised melodies,
breathlessness of delirium's
  celestial pauses
  in vaporous breezes'
  unfurling undulation,
captivated by rhythmic
  destiny reverberating in
     *****' pleasurable calling
  quenched of sacred
     offering's quell
transcending earthly
   persuasions' rhyme,
let me lick the nectar from
   your  poesy's  insatiable  lips,
sweet mercy's healing
   captured in rapturous
   surrender's reawakening ~

Je veux que vous tous,

tu me manques*



Ce que vous manquez de moi?

to me? Real with a certified S.King filtered -ly mod,
by god,
as the oh myers say. On Writing sans Shining.
Needful fiction,
Liars prosper. Okeh. Thus,
the poor we have with us, always.

Truth t' tell.

Entshallah allathat, OMG samesame
good mastah willin' creeks don't rise

Do the work. Come Sunday, someday,
we, all us, say.

You ever finish your own work one day and jest

sit back lax - lacks a daisy, taken easy,
laxative action,
gut synapse
synch-up, cinch that saddle on my wildest
old Nightmare, beat my plow
back to a oil drum,

set some feats t'dancin' in some ol'lady minds.

old man's angels seen t'be jiggin' on
the head o' some pen
in the hand

worth two in the bush.

Who know what ever mean, okeh.

period. point made signal.
that was said and it's writ.

set it aside, let it dry

crumble to dust and be scattered to the five great gyres
to settle
as sands
ifiable quant, to mortal mind, weighable
any worth assigned as
sought or ought,
a grain,
a mote,
as seen with five gee augmented
lenses
prestandards beeing raised in the buzz
from Utah

as an erranded boy's sail bike lifts into if
from the saline shore.
Bike tires adhered to passive-ly

by molecular
memories of being
in truth, as if
once and ever,
salt of the earth, see in the distance,
Lot's wife

as tiny as can be

Na and CL, for ever,
deja wuwuish it were possible… dream… or die…

no don't. There is a reason. I for get it can not right now but these
keys can be

used right by the sober one in the batch.
God, I love this process. This is the work. Living.
You can do it as long as you can pay attention…

selah

then it, the algorithm, I'll go rhythm, pauses,
Spelchkovian spells masters seem sorry we ever agreed she'd
leave me leavened as dust
lying around
on white linen
in the streets of Laredo, as cold as the clay,

back in the day,
we sang that song in school. We sang
in movie theaters, along with a
bouncing ball and other people,

big bio jump here. My step-brother was murdered,
and it never seemed relative…

my father married a wombed man with one leg,
whose family sang along with Mitch,

and played Spit in the Ocean.

Such experiences ificate possibilities few knew
some survive.
There could be a contributory flow…

This ever lasting book of life.
See, a shore, sand bar
snag a thought rainbowing true to you

hang-ups from way back

Any boomer bubble popped too soon. Manifest at will.
P-pickup from scratch and
make a point
to infect the next pun unknoticing kid,

old -time slow hand-eye coordination special ed, Big Ern,
kicking chalk dust in far right field, noticing
patterns
in the leftmost vector straight home--

grand children, for the joy of knowing they happened,
caused,
to all outward appearance,
by my survival of several unbelievable

periences ex nihilo only
if "It don't mean nothing".

link link link something has broken, what do we con tribute tributary flow
too dammed salty, got to puddle around

waiting. waiting. waiting for one point
to be made
edged on all angles, to each mea culpa assured
quantifiability of reason,

inquizical sequence surpast
glistering

whetted and furbished for ever,

the keenness
the cut, precision decision

and how swiftly forms the scab,
a touch,

capillary seals, the grain, at HD,
one pixelish crystallin charge

change that,
by taking thought. It does nothing to your stature,

think allusive butterflies of lifenshit

it gets tiresome. A body wants some rest from ever
meaning ever and never was known
or heard
a dis cora zone age word, like

troglodyte or luddite Denisovan bracelet breaker,
ropemaker union with certain silky
threads
to which a little leaven always sticks
as would caterpillar spit.

Meandering, right, it's the play. My role.
I manifest the dance
as seen on the surface, from Jim's POV,

then my own POV,
then my own rivers of no return,
tribute

'ary a day goes by I don't re call that feeling,

flow is moving paster and paster the walls are
higher
shade deeper
colder'n'hell fersher, rapids.
Ah,

Kern River, I remember this.
Almond trees, Columbus clouds…
Hey, readerman, paperbackwriter wannabe,

we survived. What'sa-hell, right's right.

clap. there is a - an  STD joke there.
But those aren't funny

right,
standup guy says right's right, does a
Johnny Unitas stiff arm
and gets a case of
clap from the left, worse than meaningless

neo **** non clapping on the right.
Repent or perish.
****** if it don't feel good to say that.
It's true, once you know,

Gertrude Stein, I got it from her. Lesbian Jewish leaven
in passover brownies dipped in Mogen David,
she made me stand and say a rosary.

By any other name,

a rose is a rose and so on

There are periods that need to be put at the end of sentences that started with a thought, rambled onto paragraphs that branched into multiple ambitious topics that was then  left hanging in jumbled confusion half-way through time. In the endless strings of unecessary conjunctions, painful careless adjectives, and inappropriate prepositions, a simple period, used at the end of a completed, sensible sentence, one in which you put an effort to complete, regardless of the distracting pauses of time...a perfect period like that could go a long, long way. It ends THAT sentence so that another, more mature, wiser, more sensible one that could  bring forth beautiful thoughts in endless paragraphs, could then begin.

Such is the language of life.
Such is the power of a period.
It is called closure.
Sometimes, we should use more periods in our lives,
to make our sentences clear.
Yes.
Period.

Poor stone. You’ve wrapped it, hidden its serene and uncomplicated self. I can no longer feel its smoothness, its emptiness embodied in touch. You have brought it in from the beautiful silence of its solitary state and covered it around: a net, a bag, a coverlet, a coating of thread through which we can only see something of itself.

There is a consistency here: in this doing, a reflective doing as much as conscious making. You’ve moved from the mending of damaged acorns, splintered leaves, forlorn detritus gathered off the sea strand to making tiny homes, shelters, enclosures, that sometimes have no perceivable openings; so some stones are wholly netted, completely wound and threaded around so there is no escape. But some, it needs to be said, are like the lasts of the cobbler, there to provide a form to hold the stone shoe firm, in place, and around which the woven thread in your hand can ply and knit . . . and then it is sometimes cast away, this last of stone, having only provided a stone shape; so only its shape-memory persists for the viewer. And when touched - this garment, this cloak of thread is pliable, and moves with the fingers’ touch and press.

I should like to capture this stone in the process of its enclosing; what seems to be from a viewer’s stance a not wholly planned journey with the needle - around and about, in and out and under. So I imagine a stop-motion sequence of photographs, beginning with the lonely undressed stone in your hand. As time lapses we watch the intricate play of your hand, your deft fingers, that particular pinching and holding to place the thread here and here and here, the pulling through, the special holding in place while one thread knits together with another thread by going underneath and up and along, and all the time the hand turning, the fingers dancing in the hand.

Then will come moments of rest where the stone moves from the hand to a still surface. It regains its shadow - and rests. The hand moves away and we are left with the silent stone, the journey of its dressing interrupted by life’s necessities. The maker’s hand moves to other tasks; the preparation of food, the writing of notes, the tapping of virtual symbols on the mobile phone (now there’s a surface that shares with the stone a hardness and smoothness – once we held stones for comfort in the pocket – now we stroke the mobile to remind us that we’re safe in the dark street, not ever alone, connected to our thousands of followers, admirers, friends, our loved ones, and that repository of what is and where to go, and the whole world of music and photographs - of woven stones).

Let’s go back to this stop-motion. To lift the stone from its precious private place, usually alone (no other stones around), index finger and thumb come together to lift our stone from its shadow – a shadow that disappears, magically, into the surrounding light. Oh surely no more, the stone cries in its shadowless voice. No more of this twisting turning, upside downing, the sense of the stone recalling a time beyond time when in a storm-laden sea one dark winter’s night it, and countless companions, were lifted from the sea bed and rolled round, around, round, and swept, afloat in a turmoil of waves that break and break and break until finally onto the sloping beach - where the stone is left – alone, motionless – at rest - to dry in the morning sun.

Gradually the movement in her fingers becomes slower, even sporadic. She is looking at this stone with her grey-blue eyes, intently. There are pauses; moments of reflection where our stone is set down and viewed, picked up again and moved into a different light (its shadow returns momentarily, fitfully, knowing perhaps any stasis is only temporary). The camera keeps clicking; stop, a 300th of second motion, stop for a second. Already there are thousands of images collected in the camera’s silicon memory chip.

And so movement gradually becomes stillness. The light changes. The camera’s incessant stop-motion ceases. The stone is placed on a white surface for a final photo-call – a single click. Once naked; now clothed. There is no longer the possibility of return to its original stoniness. It becomes an ‘object’ to place on a surface for wonder and admiration – not the stone of course but its clothing, its covering, its embodied shape in thread, perhaps that thread soaked in mud that in itself holds a distance memory of water, even water that has moved from sea to the coastal strip, the estuary, the river’s bank.

Later, after being wrapped in tissue paper, perhaps boxed, and moved into a total darkness, the stone is brought again into the light. It finds itself placed among other stones, stones and shells, rusty objects even, and laid out variously on a pristine white surface. Its stoniness is now shadowed with words: a description, a title, its ‘found’ location, a date of finding – a date of making. That this stone, once beached, and picked from the sand, from amongst so many other stones, and thought unique and carrying potential as a last, a shoe-maker’s frame, a steady 3-dimensional surface for wrapping, now becomes something more that a solitary stone. It has been given a new life, a life of an object imbued with the thread of a maker’s curious mind; that in so threading has come to know this stone so intimately, and with so much love and care that its clothing, whilst having no pre-formed pattern, becomes something in its maker’s eyes that seems  - meaningful, poetic, ‘right’?

Through this stone-weaving with thread, this stone-covering and describing in thread, you have made a poem of the nature of stoniness. Your fingers now know this stone, and perhaps, if we can in our imagination follow that partly accidental / partly planned journey, we can read your poem – of touch, of turning, of minute viewing, of so careful observation of every millimetre of its surface. Yes, perhaps that’s it, what this is all about . . . only our stone has had its wonderful serenity and solitariness, its smoothness and surface taken from us. It will no longer lie in the pocket to comfort the hand. It will no longer lie on the desk to be a tangible remembrance of a place and time, treasured.

                                                       ------

‘And now I remember a poem, portraying a stone, a pebble placed in a child’s hand, picked up on a pebble ridge. A pebble to place in the pocket where we finger it until it becomes warm. Its shape and certain¬ty is firm and sure. It consoles us. And, as we change and decay, it remains lodged with us: *a thing that contains nothing save the mystery of life.’

0.  I was just trying to breathe

Every inch of my story line
I drank like coffee that you need so badly
You don't notice the taste of ash
it leaves in your throat
and when I breathed out smoke,
slowly gliding from my tongue,
you'll know, the words I can't choke
the ones I hung to dry,
but left them outside
through a crisp winter season
and returned just in time
to catch the lullaby as it dissolved into water.
I couldn't wait any longer.
I broke them into icy pieces
that fit back in my mouth.
I held them there long after I breathed
the blizzard that had formed in my stomach.
I couldn't swallow, I couldn't breathe
and I couldn't wait for you to leave.

So I locked my icy breath in my hands
and looked for silent corners between buildings
so I could begin to understand
how to squeezed out the blood from the words I've been spilling

I. White Moonlight

I went up the mountain side
listening to the canyon's song.
Dancing beneath the tree lines, I soaked
in the pines and cypresses.

I ran to the west, searching for a place to rest.
Fell asleep in the foothills
and had to run home to catch the light
Running in the dark, I would not beat the night.

[I was a villager traveling through
There came the White Knight with red hair in view
offered a space, a safe place for the night]

The white knight held out his hand to an aching soul.
Accepted.
Trusting the purity in a path lit by moonlight
Unknowingly, I would never trust white again.

II. Static

Deceived and seduced by the safety and warmth of white,
There was a subtle yellow tint in your light
that began to scream from its origin and fight against the walls
A cinderblock room colored in skin absorbed my calls

There was air trapped in my bones
that halted movement and created unfamiliar vocal tones
There were no cuts or bloodstains,
but all that was white drained to red
as he wrapped my limbs in reins
(to) make them dance, make them spread
Dance for the White Knight
make them move as you please, White Knight.

This body was a delicate ship that had been sunken
from a night spent in a dungeon
with a monster disguised as a man
whose touch would shave inches from my wingspan
Now these limbs do not belong,
the pressure outlines of your unwelcomed hands
Whimpers became the lyrics to my muted, morning song

I didn't know, how minutes can become tattooed in your veins
with each breath, a gentle push of blood through your body
you begin to taste the ***** again
the red clouds invade and bring me back to the monster's den

Now he holds these layers as the corners all peel
from a defeat long ago, a kidnapping, a delicious steal
The potency of your dominance
the power you must have felt
in watching a flower melt

III. Silence

The moon is now a cold light,
but nothing is wrong.
A response clean as white-
A secret
to be naked and unprotected for so long.

My youth cools the coffee
My stomach burns the atmosphere
encapsulating me
Teeth marks stains on my pillowcases
In the day, there is outward harmony
Like carefully crisscrossed shoelaces
Night falls with the sound of silent sobs.
My walls begin to melt.
They are turning yellow
Reliving how it felt
to be betrayed by something white.
I can't live through the day with anticipation of the night
when that white light floods in
I try to tear you out from beneath my skin

IV. Don't Try to Love Me

The luxury to be still.
Motions that were quiet
Set the music to your gaze
as you reopen the tears
When will you open the steel curtains,
you drape around your heart?
I run my fingertips and I can’t find
how you’ve cloaked the mistakes in your architecture
There is nothing poetic about solitude
Let me pinpoint the coordinates of your pain
Let me find the exact longitude
Let me be your constant latitude
I know you are alive

You live in some unknown torment,
I once saw you writhe in the night
and under the moonlight

He didn’t know
How I was preoccupied
I had to settle the background noise
the constant buzz between my ears
that fills my head so I could never hear
How much he could have loved me.

V. Patience

How sweet to be loved by you
You are warm weather in February
You are the reflection of a mountain in a reservoir
mais mon humeur est noire

We were in a large room lit
by one lamp in the far corner
when words poured from my jaw of glass,
I guess I could have asked
but it seems no one knows
the cadence and way words can flow
into our hearts and puncture the soul

How sweet it was, to think I could be loved by you
You are figurine of my fears
A January wedding in three years
A shadow mapping an escape plan
Yet I lace my fingers in your hand

You don't belong with me
but when the delicate words
trembled from your lips
and your voice stopped
with my stare
Both your hands in my hair
I wish I knew how to tell you,
but I couldn't remember why
you had to be someone to just pass the time.

VI. Deliberate Return

It should have felt like
a lifted weight
so I could move through
an unlocked gate

brush your teeth on my neck
and your cheeks across my chest
I thought last time was the last time
Tiny drops became the anthem
And the tears found a quiet path
To roll onto my belly
Between you and me

I could still taste the poetry you left in my mouth
the deception and interception
of my growth
and of my youth

My clothes hung off my back
darkness from all the sleep I lack
Trying to wash out the scent of you
after 6 years, I thought I'd be through
but you've kept me here and I've let you

I am a lost warrior in the meadow
Treading water every night
Trapped in an internal fight
You held me in the shadows
Grabbing at the wildflowers in my breath
But I just kept breathing in the echoes
Of a time I must let go

The mist of my trouble followed me in March
I’d sit with tea and say things like ‘I feel better, but maybe not tomorrow’
There was no promise
Just moderate disbelief
No security in my sleep
So when I shook your outline out of my sheets
Laid in bed where I once lost my youth
I wish that this was not my truth

VII. Shuddering While Healing

There is a section of the river where
the current sends it’s shivers
The wind dances with the tree branches in slow motion
(but) I was grown with my toes on the edge of the ocean
Leaning in with your hand and handsome love songs
about relentlessness and forgiveness
You sang a gold song
like a January river
flowing beneath the ice
You thought your love could break through
that shallow ceiling, but I couldn't hear the tapping
as you drowned beneath my feet
I was submerged in the cross currents
pulling me and hugging me caught in the center
how I heated up and bent you
then left to wade in the river
how you stayed next to me
and remained never bitter

I can't find the line
and I can't ask you to throw me one
because I'm dragging you in as I float through
tracing the fire I began on this river
with my fingertips
and remembering how I was grown on the shore
but how I can never be sure
if the breath in my ear
is someone to be trusted
or if the breath in my ear
is that monster crawling near
taking the color, once again, from my atmosphere.

VIII. Fragile

The sweet kisses he planted on my shoulders
and the moves he made were full of truth
The guilt he felt should have been mine
but the longer he stayed the more I felt fine

For the other’s love was simply beige
And outlined in black
I didn’t want excitement
I didn’t want lust
It was not enticement or boredom
It was from the buildup of rust
between my bones.
And I listened to your breath against my shoulder through the phone.
It hit me like an ensemble
predicating the concerto.
You were just an instrument.
And here I thought I was the conductor
just dreaming of ways to escape.
And I don’t sleep well when I’m next to him either.
Because I’m dreaming of ways to relate.
And I don’t sleep well when I’m alone.
Because there’s no one left to blame.
So now trying to be tame
Searching for an answer
in a small place like alone

IX. Releasing

What it means to be powerful
I saw it in shades of red
To find your feet still melt the snow
To find the only security is within
the confounds of your frozen bones
I was sure that diving meant drowning
but I've been drowning on the shore
Since you touched me and wanted more
Since you saw me raw
I evolved into a monster
scratching and clawing at your dungeon's door
You can't keep me here forever

You displaced my trust in balance
and turned something beautiful into something *******
But if I can see your belly button,
then you were born once too.

What does it mean to be powerful?
I can do it in soft baby blue
I can do it with the haunting memory of you,
but I don't want you with me anymore
So, good night white knight.
You don’t get to have this moonlight
and soon I will no longer be afraid of the color white.

X. Tenderness

Tenderness.
That was the name of my pain.
It was not the bitterness
that makes us take down photographs
or change the song.
It was not about bitterness.
It’s about tenderness
and distance

I learned that the silent pauses
between gusts of wind causes
more sound than running facets.

I learned when you’re ******* for feelings
You start to feel the weight of the ceilings
We just hold on our backs and call it 'dealing.'

Trying to achieve the humility of a willow tree
Turning yellow in the slow descent to winter
But I’m not going to wait to give you what you need
White knight, tonight, I leave
Because I know you’ve been living in me like a splinter
Strong enough to puncture
Weak enough to be removed
This glass castle is just a structure
That could be improved

But you already made a house
And now you’re trying to pick out decorations
Let me tell you, humans are not decorations
Another human should be a matched foundation
I think you almost saw that too
When you felt the vibration of the wind from me to you

Terrified because it’s never about growing
it’s about pride.
Too scared of showing
the days we cried
cried so hard it became
the anthem of our week.
No, we can never show we are weak

Terrified
The fragility of our pride
So we disconnect, in order to protect.

Let me tell you, no one describes this life as a glide
If they do, they lied
Everyone is terrified or uninteresting
Yet we are all putting up walls and distancing

Farther and farther
What would it feel like if I asked you about the sound of tenderness?
Or what it looks like to be repaired?
We are so afraid of being unprepared
we don’t hear how the wind
sounds like children growing
How healing feels like the roll of the river
and just because you shiver
does not mean you will be cold forever
and those silent pauses between gusts of terror
when we are just a step away from pulling that lever
are the moments we should reflect on
These are all those things that cause us
to be terrified
and learn to be tender

XI. Happiness Doesn’t Leave a Mark

How do I tell you
that every day used to be a battle?
One that I fought because I had to
so I could get up and fight the next day.
It was never about winning.

This is a Saturday night kind of pain.
The kind you feel that doesn't belong to you.
But at least you are no longer numb.

I want to show you where I'm from.
That childhood house that saw too many ways
to shatter plates on holidays
When I left, I grew back wings
and flew through the haze
You see, plates and whites are just things
but you can make anything a symbol
and when you see that this is no signal,
this is a sign. That I can be standing here with you
and still die
but this time, maybe I’ll let you inside
because
I've been too many people to start anew
I've loved the color blue
Loved a man with an amber hue
I was damaged in a yellow room
but I cannot match a color to you

My mother,
She said "the weakest point in a rope
is where it connects to another
and your insides are tangled"
You see, I can live with the knots
I want to look at you and know
You can trust this knot to hold
You know I'll pull through
You're not so scared
of a scar, or a few
Because I want to share where I've been with you
*and that includes the happiness too.

Why should I care you're there,
Or anywhere.
It was you who interrupted the night;
I watched you stare down the fire,
Scrape your initials in the ashes.
If it weren't for family,
The confusion and strained dialogue,
Like appearances,
I wouldn't see you at all.
Stay you do, everywhere.

So I tell a joke or two, one line quips,
And you were smiling,
While you're there,
Where I should no longer care.

What would be the aftermath of such a collision?
One wreck towed off.
It doesn't bother me in the least,
Our complimentary pauses
At the four way stops,
Or roadside memorials,
With faded yellow ribbons and thirsty flowers
Pinned to a styrofoam cross.
There is no rest, and little peace.

As whisker-twister pauses, tho’ journey lingers on,
Sniveling and sneaking as he darts in shadows long,

And the Gallic peace; tranquility.

No food, nor sleep, no drink and no refuge, found anywhere in France,
Nowhere to run save forests, upon which he’s forced to take a chance,

And the Gallic peace; tranquility.

Scampering in shadows, with the hunter’s distance being closed,
Rodent Ambiorix, -little mouse, is paused and panting in repose,

And the Gallic peace; tranquility.

Frightened little mouse, run, yes run away,
Frightened little mouse you’ve come to rue that day,
For frightened little mouse, -Caesar’s on his way!

And the Gallic peace; tranquility.

Tick hour, I'm not afraid of you.
The courtyard's grey and full of silence,
Maybe someone will cross in your time,
But I already made my way to my towerlet,
Perched inside the treasure holder, letter shelves,
Deep within the library.
Others have come, inmobile in you
Typing, eyes skitting, nestled feathers on sofas,
Just like me, but ignoring you.
Tick then! Who am I to care,
The morning's mine to flirt with
And you don't even know about the afternoon.
There are no clocks here except the ones
We choose to see, and no one makes that choice
Here, except accidental numbers on a computer screen.
So tick, fearless warrior,
I'm a vestige of speed in distance
- I'm scurrying away with thoughts
And you have no power here.

"What do you mean you've never seen Blade Runner? My GOD! I didn't think there was a single person on the planet that hasn't seen that. They showed it to us in elementary school as an example of a prophetic, foretelling, social commentary."
"Well, I never was a fan of fiction or science, even though somehow I've still managed to live my fair share of both."
" Do androids dream of electric sheep? What are your dreams?"
"Electric...sheep?"
"Yeah, that's the title of the book the movie is based on, but like, I'm honestly curious about the second part. It's a better ice-breaker than your deprived childhood".
"You wanna' know what I dream? I dream of a world soaked in gasoline, and a lone, shadowy, figure masked by deceit and decay, filling the air with a rotten sulfuric smell as he festers in his own filth. I can't see this guy clearly, but I know him. I know him in my head and my heart and he just stands there, idle, in a place where he can see the silhouetted skyline of the entire wretched city. Trapped between his forefinger and thumb is  a match donning a dancing flame for a hat, performing a flamenco routine for two wild eyes.  Eyes that indicate a sureness of what to do, but make no use of intentions. They seem to sort of flip between question and answer with each dimming and brightening of the match's beacon.  The question appears to already have been answered, but has yet to be acted upon. He's tinkering with the notion.  Is this due to hesitation in the man's mind, or is he simply toying with the already squirming city? The final act is inevitable, yet the ulterior option, to extinguish the trigger, still stands...". He pauses.
His new partner's face has lost most of its color and his mouth is propped open with a jack made of sheer horror and curiosity.
"Well JESUS man! Aren't you gonna tell me the rest of it?"
"The rest of it is: I wake up".
He languidly looks around, takes a pull from the bottle, and proceeds to pull his mask over his face. His partner isn't sure, but he thought he'd caught a smile crack before his mouth was covered,
  "...and not like a haha I'm yankin' your chain kinda grin. This ****** meant it", his partner would recall later to some buddies in a bar.
"I wake up and wonder whether I'm the man, or the match".
He slams the magazine into his weapon and rips the slide back to load up the first round of ammunition. He exits the vehicle, and heads towards the disheveled building that has more or less sunk into its foundation. His new partner shakes his head, wipes his face with his paws of hands, pulls on his mask, and flicks the *** end of his cigarette whose embers have already begun to eat away at the cotton filter out towards the woods. He catches the light from the buckshot of the cherry out of the corner of his eye and imagines that match spinning towards the city.
"What the **** have I gotten into..."

Where olive leaves were twinkling in every wind that blew,
There sat beneath the pleasant shade a damsel of Peru.
Betwixt the slender boughs, as they opened to the air,
Came glimpses of her ivory neck and of her glossy hair;
And sweetly rang her silver voice, within that shady nook,
As from the shrubby glen is heard the sound of hidden brook.

'Tis a song of love and valour, in the noble Spanish tongue,
That once upon the sunny plains of old Castile was sung;
When, from their mountain holds, on the Moorish rout below,
Had rushed the Christians like a flood, and swept away the foe.
A while that melody is still, and then breaks forth anew
A wilder rhyme, a livelier note, of freedom and Peru.

  For she has bound the sword to a youthful lover's side,
And sent him to the war the day she should have been his bride,
And bade him bear a faithful heart to battle for the right,
And held the fountains of her eyes till he was out of sight.
Since the parting kiss was given, six weary months are fled,
And yet the foe is in the land, and blood must yet be shed.

A white hand parts the branches, a lovely face looks forth,
And bright dark eyes gaze steadfastly and sadly toward the north
Thou look'st in vain, sweet maiden, the sharpest sight would fail.
To spy a sign of human life abroad in all the vale;
For the noon is coming on, and the sunbeams fiercely beat,
And the silent hills and forest-tops seem reeling in the heat.

That white hand is withdrawn, that fair sad face is gone,
But the music of that silver voice is flowing sweetly on,
Not as of late, in cheerful tones, but mournfully and low,--
A ballad of a tender maid heart-broken long ago,
Of him who died in battle, the youthful and the brave,
And her who died of sorrow, upon his early grave.

But see, along that mountain's *****, a fiery horseman ride;
Mark his torn plume, his tarnished belt, the sabre at his side.
His spurs are buried rowel-deep, he rides with loosened rein,
There's blood upon his charger's flank and foam upon the mane;
He speeds him toward the olive-grove, along that shaded hill:
God shield the helpless maiden there, if he should mean her ill!

And suddenly that song has ceased, and suddenly I hear
A shriek sent up amid the shade, a shriek--but not of fear.
For tender accents follow, and tenderer pauses speak
The overflow of gladness, when words are all too weak:
"I lay my good sword at thy feet, for now Peru is free,
And I am come to dwell beside the olive-grove with thee."

Was it love?
Was what we did last night really love,
or were we just *******?
Because your daddy is screaming
that we were just ******* to be *******
and that our little three minute excursion
couldn't amount to anything.
Something inside me, call it foolish pride,
wanted to say that it was actually closer 
to twenty-three minutes.
But if you take out all the pauses of
trepidation and uncertainty then you're
probably right.
Your mother's crying her baby is a *****
her baby is a ***** ***** *****.
But see I'm confused.
When I hear *******, i see two people
throwing caution and their clothes to the 
wind as they gorge themselves on carnal delicacies.
But what we had was different.
What we had wasn't a mad dash
to the sensual finish line.
What we had was more like a slow
stroll through the garden of ecstasy
as we sampled the fruits of sensation
our hormones whirling and singing
about us like nightingales in the pale pale
moonlight of your smile.
I still remember the soft cotton of your
comforter, a stark contrast to the 
hard facade I tried to hastily construct.
A boy trying to emulate the icons of
masculinity.
So I tried on Usher's bravado sitting
legs splayed wide. I even licked my
lips imitating LL Cool J. But they
didn't fit me. They hung around my
awkwardness like the boots you were
wearing hung around your slender legs
more suited for running scared into
your daddy's arms than trying
to walk into "womanhood".
Each step infantile and uncertain,
uncertain of yourself and the situation at hand.
And if you hadn't been so scared,
you would've noticed that my
walls, hastily constructed of sand,
began to fall with your shirt to the floor.
And you would've noticed my
eyes darting back and forth in the sockets
pacing like the scared animal I really was.
My mind weaving webs of confusion with
each tendril spinning off into the possibilities.
What if I'm done too soon?
What if she laughs at me?
What if I'm not big enough?
What if I get her pregnant?
Will I still love her?
Do I love her now?
What if I don't meet her standards?
Wait, she said she was a ****** she wouldn't have standards yet,
would she?
What if she isn't a ****** like she said?
How would I know?
What about STD's, we did get tested right?
Yeah, two weeks ago in a clinic on Panola Rd.
Were the test negative or positive?
OH ****.
Her bra is off and I've never been this close
to a naked breast before.
Well when I was a baby, but then I was more
concerned about what was coming out of them
and is that a freckle above the left
******?!
And in that cacophony of confusion
you placed one finger on my chest and
quieted my storm
like mother to child you calmed me down
like Jesus on Galilee you quieted my storm.
I placed one hand on your chest and discovered
the same staccato pulsing through you.
And as I penetrated your inner sanctum
we both inhaled
sharp
deep
invigorating
as we breached the surface of the sea of
infatuation and breathed the life giving air
of ****** awakening.
Our heart beats raced
like Sea Biscuit at the Kentucky Derby
with the intensity of one thousand
birds in flight
until they began to slow and find their pace.
Our bodies followed suit, mimicking the rhythm
of two hearts beating as one and rocking
back and forth
back and forth
back and forth
as we rowed through ecstasy having the
best ******* time of our lives.
But there goes that word again,
and I'm still confused so you tell me.
Was it love?
was what we had really love,
or were we just *******?

Be my siren.
Give me another chance.
Kiss me now,
My emotions will enhance.

I feel broken
Without your presence.
My heart is weighing more.
I need you, not silence.

You equals me.
Me equals you.
My soul pauses
Just to think of you.

This life is wasted,
Just like the others too.
Come, be my siren.
I will always, always be with you.

The sky is cloudy, yellowed by the smoke.
For view there are the houses opposite
Cutting the sky with one long line of wall
Like solid fog: far as the eye can stretch
Monotony of surface & of form
Without a break to hang a guess upon.
No bird can make a shadow as it flies,
For all is shadow, as in ways o'erhung
By thickest canvass, where the golden rays
Are clothed in hemp. No figure lingering
Pauses to feed the hunger of the eye
Or rest a little on the lap of life.
All hurry on & look upon the ground,
Or glance unmarking at the passers by
The wheels are hurrying too, cabs, carriages
All closed, in multiplied identity.
The world seems one huge prison-house & court
Where men are punished at the slightest cost,
With lowest rate of colour, warmth & joy.

A big transition happened one night that made the old man tear to pieces…

“Well, you’ve done it again Harry, except you’ve shocked both of us. Why do you do these things Harry? I assume you like to embarrass me a whole lot!” said Susan (wife of old man Harry)

“My dear Susan, please don’t get frustrated with me, for I have done no such crime to deserve this,” replied Harry.

Susan pauses for a second to calculate what her husband, Harry, had just said. When she does, she narrows her eyes and points her finger at him.

“You are a fool of a husband, wearing suits and tuxedos out to libraries, animal shelters, parks. What a coward you are! Just because money is our main priority in this household, doesn’t mean you should go around bragging about how wealthy we are!” yelled Susan.

“But getting dressed up is what I love to do. It’s not as exciting to wear just a plain sweater with a pair of jeans Susan,” said Harry trying to make a point.

“If that’s the way you would like to be, then I’m not a part of it anymore Harry… Goodbye Harry,” said Susan.

The foolish man’s sixty-year-old mouth dropped as the love of his life, Susan, slammed the front door and wasn’t coming back.

… The minutes later, the old man’s son walks into the house. He looks very bubbly and eager to say something. However, before the son could say a word, the old man talks right away.

“She’s gone Tom; your mother has moved out for good,” said Harry.

“Oh, no dad. You two got into another argument again?” said the son (Tom).

“Yes my son. Your mother always… seems to start bickering with me about something, and this time, it was based on my dressing in public,” said Harry.

“I can’t take this anymore dad! I’m not married, don’t even have a girlfriend, and now don’t even have a mother to live with,” said Tom.

The poor, lonely son starts looking very upset and begins to cry. The foolish man begins to tear a little as well.

“If mom really loved and supported us, she wouldn’t have left,” said the son.

“That’s enough Tom! You’re thirty-two years old now; that doesn’t give you the right to cry like a baby! It’s over son; life moves on,” said Harry

All of a sudden, the depressed son ran out of the house as fast as he could, being only in his shirt, pants and dress shoes. He was already on the third block when Harry called him.

“Get back here young man! Please Tom, please!” cried the poor man.

The sixty-year-old man ran as fast as he could to his son. He kept running for as long as he could, and when he reached his son, he followed him up to the nearest train station. The foolish man had no clue of where son might be headed to on a train.

“Don’t you use your head boy? Where are you headed to?” said Harry.

“I don’t know father; I just needed to get out of the house to be alone. I don’t need you in my life anymore dad,” said the son.

“Tom; Tom look at me! I don’t want to lose my son, for I’ve already lost my wife. I love you very much Tom, just remember that please.

“I love you too dad and I’ll try to show it much more often,” said the son.

Harry puts his arm around his sons shoulder and smiles warmly to him with tears of happiness in his eyes.

“Lets get off this train Tom; what do you say? Asked Harry

“Alright dad,” said Tom.

At that very moment, the train began to move; move rather quickly.

“Tom, you’re in big trouble… Nah, just joking. Would you like to tell me of where you are planning to go to though?” said Harry

“Manhattan,” said the son.

Tom smiled and his dad looked a little baffled.

“Tom, why don’t you tell me about the good news you had before,” said Harry, suddenly changing the topic.

“Sure. I got a new job working at the docks and am actually making higher profits now,” said Tom.

“I’m very proud of you son. How are the docks treating you?” asked Harry.

“I love the docks. I enjoy working on the docks and appreciate what God has to offer for me,” replied Tom.

“And what is the quantity of hours you’ll be working for?” asked Harry.

“Forty hours a week dad,” said Tom.

“Phenomenal,” said Harry. “That’ll keep you occupied.”

When the train moves around the waiting area outside a little bit, the prettiest girl walks on the train. She looks as if she’s in her late twenties with dark-brown curly hair and brown eyes to match. She takes a seat two rows in front of Harry and Tom.

“Dad, did you see that girl?” asked Tom.

“Yeah boy, she looks single to me,” said Harry.

Harry giggles and Tom elbows him right in the gut.

“Owww!” Harry managed to say through his non- stop laughing.

The girl was reading the newspaper from today while Tom tried to occupy himself by spinning a quarter several times.

The next hour had passed on the train and they had a long way to go until their stop. Tom looks at his watch as he sees that it is exactly five in the morning.

“Harry. Harry,” Tom whispers. “Harry,” he said a little bit louder.

Tom began to get a little frustrated that Harry wasn’t waking up. Mostly everyone was fast asleep on the train except for Tom.

“HARRY!” Tom yelled as loud as he could.

All of a sudden, all of the passengers on the train woke up startled and baffled.

“Tom, what the hell was that?” said Harry.

“I have a problem,” said Tom

“Tom, this is pure abuse that you’re giving me. Firstly, you knock the guts right out of my stomach, and then you yell as loud as a trumpet blown right in someone’s ear! Was it necessary to wake up the whole train?” said Harry.

“Yes because I really like this girl, you know the one you called single. What should I do?” asked Tom.

“Can you lower the volume a little? Okay; here’s my advice… propose to her,” said Harry as he went back to sleep.

“Great advice; I’ll take it,” said Tom sarcastically.

Before Harry and Tom got a chance to walk off the train, Tom stopped to introduce himself to the beautiful girl. As he was talking, she thought of him as rather funny than cool, but offered her cell phone number to him.

“What’s your name?” asked Tom.

“Victoria,” replied the girl.

The foolish man felt so insane as if to go on a train unexpectedly.  

“Well, here we are dad,” said Tom.

“Now we’re going to have to check into a hotel for three days; for that’s how long we have to stay here until the next train home.” Said Harry

When they arrived at the hotel, both Harry and Tom rented a small room that cost fifty dollars a night.

“This is a really old room, but it’ll have to do,” said Harry.

“There are cobwebs over here in the bedroom beside the lamp,” said Tom.

“Since we’re staying here for three nights Tom, we’re going to have to go shopping at some point, so why now?” said the foolish man.

“Father, why would you go and buy some more fancy clothes, when Susan already told you that you looked foolish in it?” said the son.

“I hate to break it to you son, but the coward is gone, and the new ***** has arrived!” said Harry.

Tom could not believe what his dad had just said. He formed the biggest smile on his face.

“That’s very impressive dad; I’m sure mom would really appreciate that,” said Tom.

“I bet she would’ve,” said Harry giving a small frown.

Harry and his son, Tom were out of the hotel within ten minutes. The store in which they were headed to was only a few blocks from where they were. The store in the mall in which Harry and Tom were walking to was called, “Sarah’s Sweaters.”

Harry was not at all tempted to walk in the store, but with the help of his son making him go in, he had no choice.

“What a grotesque place Tom,” said Harry

“Relax and try on something that suits you best here,” said Tom

“I don’t like anything here. Sorry, but I loathe these kinds of stores,” replied the foolish man.

Tom rolled his eyes and began trying on jeans and a couple of sweaters to wear over polo shirts.

Harry stared at Tom speechless as he came out of the fitting room. Tom brought the clothes up to the woman at the cash register while Harry started looking at clothes for himself.

“Your total is $62.49 sir,” said the woman.

“Thank you,” said Tom as he walked away with his clothes.

The foolish man went to go try on two pairs on jeans with two sweatshirts and three polo shirts. He opens the curtain.

“It fits you well,” said Tom.

“I’ll do whatever makes my wife happy,” said Harry.

“Oh, c’mon; change is good too.”

They walked out of the clothing store carrying two large white bags filled with casual clothes. As they were walking in the mall, Harry notices a Calvin Klein store with all different styles of ties, shirts, suits, and dress shoes through the glass window.

“Tom, I’ll just be a minute,” said Harry.

“You said that you weren’t going to buy anything fancy while we’re here dad,” said Tom.

“I’ll just get a suit; I’ll be in and out within five minutes.”

“Alright, I’ll be waiting on the bench outside the store,” said Tom”

“Okay Tom.”

An hour and a half later, Harry comes out of the store with a tired, yet warm smile on his face.

“You’re back so soon,” said Tom sarcastically.

“There was a long line Tom. Hey, I went in your store.” said Harry

“For a half hour.”

“Oh, well then I apologize,” said Harry.

“It’s fine.”

“Here, I’ll make it up to you; we’ll go pick up something to eat for dinner,” said Harry.

“Okay, thanks dad.”

We both smile simultaneously.

Harry and Tom exit the mall to go and walk to the deli to get some sandwiches, a snack and a drink. When they arrive home, they turn on the T.V. to watch some comedy shows while eating their sandwiches. Tim lies down and kicks his shoes off. The foolish man was sitting at the edge of the couch now with his son’s ***** feet on him. While Tom looked very relaxed and comfortable eating his chicken sandwich, Harry looked very tense as he was giving his son a cold look.

“Get your gigantic, filthy feet off of my upper thigh,” said Harry annoyed.

“Oh, sorry dad,” said Tom surprised.

Harry looked at the T.V. eating his sandwich while Tom smiled a little from his comment before.

Harry and Tom didn’t do much for the next two days. They walked around a little and saw many people walking their dogs. Both Harry and Tom ate two meals a day in their hotel and slept on the uncomfortable couch. Harry figured he’d wear his sweater and jeans with sneakers on the third day of his stay. He was going to the park this morning and he certainly didn’t want to look foolish.

“What a nice day out today Tom. Not too hot, not too cold, but perfect weather,” said Harry.

“Yes, I agree,” said Tom.

The man and his son walked along the walkway in the park, leading to a playground filled with little kids, elders and parents sitting on benches or walking around. As Harry and Tom sat down on a bench next to a water fountain, Harry couldn’t believe his eyes.

“Susan, is that you? Asked Harry shocked.

“Oh, hello Harry,” she said without looking up.

“Nice seeing you here Susan,” said Harry.

Susan looked up from reading her enormous book and saw something unexpected about the foolish man.

“Oh, Harry, you’ve changed; changed for me. You are the sweetest husband and you’re not at all foolish,” said Susan full of excitement.

Harry smiled and gave Susan a big hug.

“Tom, love you son,” said Susan.

“I love you very much as well mom,” replied Tom.

After Harry checked out of their room, they all were headed to the next train home.

As Harry, Susan and Tom walked into their mansion in Michigan, Susan asked what Harry was holding.

Harry blushed and said, “Just clothes.”

“Can I see them Harry? asked Susan.

“They’re not that clean.”

Susan took the bag from him and looked inside.

“Not again,” said Tom.

Susan laughed on account of her already knowing that her husband couldn’t keep his eyes off of nice and fancy clothes for a minute.

“Harry…you’re one fastidious gentleman.”

Blazing brightly in the night miles below on
Crete. Icarus plummeted. And puzzled.
The Phoenix shattered ablaze and battred

The phoenix Glances to the night sky.
As a bird of prey whizzes by.

Struck to ground.
Thundering sound.

Phoenix pauses beats his wings.
Flaming feathers burn and drift.

Rises slowly from the ashes.
Icarus crumbles in broken waxen wings.


Youthful tragedy. Never to rise.
No reclamation.

Silent hubris.
The dirge preceeds.
Then quietly

Receeds.

the full moon taunts me from above
like a frightened cop's flashlight
blinding, ready to pounce
"alone again, are you?" the moon scoffs
"yes," I reply
"by choice?"
"I'm a bit worn down, moon, to tell you the truth. I don't know if I'm capable of going out and pretending to be something I'm not anymore. I'd rather be by myself, honestly"
the moon pauses
and pauses some more
before it speaks
"then you shall become like me. viewed from another world, trapped in plain sight. although some find you beautiful, they'll never be able to touch you, to know you. I was once like you before I ended up here. it gets cold. enjoy being in the light of others. you don't need to be anything you're not. I sometimes wish I was the sun but there are things we can't become"

Walking through a field of kale
Jane in front and you following behind
brushing on your hands over

the dew damp leaves
breathing in the morning air
she looking around

in case the farmer
or one of his farmhands
sees you wander

through the tall kale
you notice she has a slight wiggle
as she walks ahead

not intentional
not like some of the girls at school
you put on the wiggling hips

to attract the boy’s searching eyes
it’s just a natural movement
and you watch and take in

the decisive tread she makes
maybe in fear of mouse
or just cautious of doing damage

to the kale’s green stems
then she pauses and turns around
facing you and says

I come here sometimes
and sit amongst the kale
just to be alone and away

from the pressures
and eyes of others
you nod and say

it gets like that sometimes
and as you speak
your eyes move over her face

and at her eyes
and the way her hair
is neatly brushed

and her lips parted slightly
as if about to speak
mother warmed me of boys

she says looking over your shoulder
at the farm beyond
she says they’re not to be trusted

then she pauses
and looks you in the eyes
and oh you mutter inwardly

the way she looks
the way her eyes
move over me like an artist’s brush

and you sense
a kiss waiting to happen
lips paused to press

tongues ready to explore
each other’s orifice
warm and wet

but nothing happens
and you both walk on
through the dew damp kale

hoping for another time
another fresh dawn
another sexier now.