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he snaps his barbed jaws made of thin sticks— you know
the kind that
SNAP and CRACK ominously underfoot when the woods have grown too
quiet, too calm, for all to be well
teeth gnashing— this the sound of dead leaves skittering against pavement and river rocks at dusk (that time when you need to settle down and get a fire started, but you’re not quite sure of where you are)
wandering the woods in search for something he will never find
hysterical, eternally lost his


are the dim, barely there glow of camp fires that go out too early
fingers the cold that creeps around the base of your sleeping bag and along your neck
cheek bones the sun-bleached sides of mountains
his voice is the unrecognizable call from some animal you cannot identify in the depths of the woods, but not so deep that you cannot imagine it coming towards you. not so deep that the sound doesn’t make your hair stand on end.

his feet are bound with the ghost skins of snakes that lurk under rocks, darting out only when you have one foot precariously balanced on its side.

he travels — howling and yowling like some hell cat out of deep
mountain lore— starved, half crazed, ravenous
fever hot and parched
his mouth a voracious, vacuous, vorpal cave
that leads down into his river stomach— that part of the river you thought was deep, but revealed its true nature with the electric sting of broken legs after jumping.
his howl is the pounding of the wind at your tent
angry hands running broken glass claws against your skin as you walk against it.

he is jealous of those who wonder the wood for he has no true home.
his ribs the skeletons of eerie, too thick mountain laurel trees and the hollow shells of long fallen oaks.
the light of the moon burns his moth-wing skin on nights when the forest is full of her radiance. so he yowls, furious and powerless
rattling and shaking his bones — the dead arms of trees that stretch out over too steep mountains, acid burnt and raw

his name could have been pestilence to the christians
but only the Natives know his name and only whisper it lowly
and on nights when the wind is calm and he cannot hear their summons—

his only purpose is that he has none.
his motivation is endless hunger
that is older than the mountain itself-
or maybe it was born with the mountain…
he in his rabid madness has long forgotten the origin of his emptiness.
he is hungry, and you are in his wood.
written at the Blue Ridge Parkway in North Carolina.
K Balachandran Sep 2014
Charming lass, the shark she did trust , was a nimble one,
softly nibbled the dead cells laid crusted on her heart
genial it was so she felt like closing her tired eyes a bit,
her bed, lukewarm water, ominously bobbed all the while.
A woeful clown, she dreamed, tried everything to make her laugh
with his pathetic pranks; a jellyfish wearing a  wedding dress
seeing this, smelled blood, tried to raise an  alarm.
The shark was the one responded, "Don't you wake her up"
the waves were lapping on the shore, then dense silence reigned,
as expected a sanguinary sunset it was,on water blood lay splattered.
Beyond your television
Lies vast hills,
along with many jumps and much thrill
Mario jumps
Zelda swings
As Kirby swallows
Donkey kong beats,
Star fox flies ever so high
While niko goes bowling
Roman started to cry
Meta knight stares ominously
As a goomba cautiously walks
A turtle shell turns blue
While the Mario kart racers get mad too....
We all know sleeping dogs don't lie
We joined a guild during an MMO war
Where we smashed every single one of our keyboards
Nigel Morgan Oct 2012
It was a cold night for a concert. There was frost on the windscreen as we got into the car for the short drive to this city church. We drove because we were going to be late, and it was cold, and would be likely to be colder still when the concert was over. I had wondered if part one would be enough. Could Bach and Rameau be enough? Might the musical appetite cope with Mozart and Beethoven too? Were we about to sit down to a large meal, possibly in the wrong order. Can the cheese course be a transcendental experience I wondered? Bach to begin certainly, a substantial starter with one of the mid period keyboard toccatas and two ‘distant’ preludes and fugues, but then a keyboard suite by Rameau?
When I listen to Beethoven though I want to hear a work on its own, unencumbered round about with other musics.  A recent experience of several hours driving to hear a single Beethoven symphony has remained close and vivid, and an experience that brought me close to tears. So I imagine that I might only hear Op.110 to make that opening sequence of chords so ominously special. The introduction seems to come from nowhere and does not connect with musical past, except perhaps the composer’s own past. It is as though the pianist puts on a pair of gloves imbued with the spirit of the composer, and these chords appear . . . and what is there that might possibly prepare the listener for the journey that pianist and listener embark upon?  Certainly not the soufflé of Mozart’s K.332.
The audience is hardly a smattering of coats, hats and grey hair. There is another piano recital in town tonight and this is but the artist’s preview of a forthcoming concert at a major venue. Our pianist is equipping herself for a prestigious engagement and sensibly recognizes the need to test out the way the programme flows in front of an audience, and in a provincial church where she is not entirely unknown. I admire this resolve and wonder a little at the long-term planning which makes this possible and viable.
Now a figure in black walks out from the shadows to stand by her piano. Coming from stage right she places left her hand firmly on the mirror-black case above the keyboard. She looks at her audience briefly, and makes a bow, almost a curtsey, an obeisance to her audience and possibly to those distant spirits who guard the music she is to play. We will not see her face again until the next time she will stand at the piano to acknowledge our applause after the Bach she is about to play. Her slightly more than shoulder-length hair is cut to flow forward as she holds herself to play; her face is often hidden from us, her expression curiously blank. Perhaps she has prepared herself to enter a deep state of concentration that admits no recognition of those sitting just in front of her. Her dress is long and black with a few sparking threads to catch the careful lighting. Without these occasional glimmers her ****** movement would be unnoticeable. As it is the way the light is caught is subtle and quietly playful, though not enough to distract, only remind us that though in black she is wearing the kind of starry sky such as you might perceive in crepuscular time.
Thus, we already sense so much before she has played a note there is a firm slightly dogged confidence and reverence here in her approach to instrument and audience. And in the opening bars of the Bach toccata that is manifest; and not just a confidence born out of some strategy against nervousness, but a ritual of welcoming to this music that now spills out into the partially darkened church. The sonorousness and balance of the piano’s tone surprises. It is not a fine piano, but it has qualities that she seems to understand. There is a degree of attentive listening to herself that enables her to control dynamics and act resolutely on the structure of the music. When the slow section of this four-part toccata appears there is a studied gentleness and restraint that belies any ****** led gesture or manner. Her stance and deliberation at the keyboard remain determined and in control, unaltered by the music’s message. She does not pull her body backwards as seems the custom with so many who feel they have to show us they are stroking and coaxing such gentleness and restraint out of the keyboard.
As the final fugato of the toccata flows at almost twice the speed I’ve ever heard it, my concentration begins to disengage. It is too fast for me to follow the voices, I miss the entries, and the smudged resonance of the texture hides those details I have grown over so many years to know and love. This is Glen Gould on speed, not the toccata that resides in my musical memory. I am aware of missing so much and my attention floats away into the sound of it all. It seems to be all sound and not the play of music.
In this stage of disengagement I sense the tense quality of her right leg pedalling with the tip of a reddish shoe just visible, deft, tiny flicks of movement. She turns her face away from the keyboard frequently, looking away from the keyboard through the choir to the high altar; and for a moment we see her upturned face, a blank face, possibly with little or no make up, no jewellery. A plain young woman, mid to late thirties perhaps, and not a face marked by children or a busy teaching life, but a face focused on knowing this music to a point at which there is almost a detachment, where it becomes independent of her control, flowing momentarily beyond herself.
Then she reins the toccata in, reoccupies it; she is seeking closure for herself and for her audience whose attention for a short while has been, as the Quakers say, gathered. Gathered into a degree of silence, when breathing and the body’s sense and presence of itself disappear, momentarily, and musical listening moves from a clock time to a virtual time. There is a slowing down, an opening out, even though in reality’s metronomic time-field there is none.
There is a hesitation. With more Bach to follow, should we applaud? With relief after holding the flight of time’s arrow in our consciousness, just for those concluding minutes and seconds we acknowledge and applaud - the beginning of the concert.
Marshal Gebbie May 2010
Burnt umber in the morning
As the planets do align,
Ominously holding
To the Zodiac design,
Reminding us that somewhere
In the Bible, it was said,
That by the twelfth year of this century
Whole populations would be dead.

They say it is upon us
Those children of the moon,
They say the fingers of our destiny
Shall fall upon us soon.
Calamitous catastrophe
To befall the western world
That fiscal debt implosion
Will result with fraud unfurled,

When abnormal plate subduction
Along the continent's divide
Will magnify the earthquake swarm  
Across the planet's hide.
When enormous ring tsunamis
Emanate from deep at sea
To cascade onto shorelines
To wreak extreme calamity.

Across the globe, Astrologist's,  
Say something huge is due.
Their whispers quietly amplified
To percolate to you.
What little can be done or said
It's very hard to say
Because authorities worldwide
Refuse to recognize this day,
They won't readily acknowledge
Those symptoms verily to hand,
The frequent natural disasters
Occurring in each land.

Contagion is  contagious
The whispers may be wrong,
Perhaps the future holds for us
A vastly different song,
But when the moon is full and white
And I look into her face,
I discern a bleak anxiety
Destined for the human race
I see mother nature poised
To take the heavy, upper hand
With an implacable demeanor
And un empathetic stand.

Burnt umber in the morning
As the planets do align,
Ominously holding
To the Zodiac design,
Reminding us that somewhere
In the Bible, it was said,
That by the twelfth year of this century
Whole populations would be dead.

In the cold moonlight
20 May 2010
Roland Oct 2018
‘Twas during inner turmoil that a certain yearning arose
Whispers of breakage reaching deeper as time goes
From the disillusionment of reality it was forged
Of seething rage the desires hunger gorged
In following certain conformities felt like being a prisoner
The will to resist the motions of many being aimed to muster
To not be like a tree that has to be cut or uprooted just to move
To be driven by reasons that to only ones viewpoint can behoove

Looking at another view of the coming uncertainty
As a pathway to many possibilities with regards to unpredictability
That stopping a tragedy is sometimes not the thing to do
Lest one forgets that the phoenix must burn down to rise anew
Or that Ragnarok is followed by a great rebirth
Who can know what revelations a raging flood might unearth?
Being lost might as well be the way to find an elusive longing
The remedy to the Anhedonia closely and ominously looming

When being chained to the rhythm just compares to an inner futile feeling
Knowing that a greater horizon is missed by the act of settling
A bet on the odds that epiphany might be found in whatever form
To behold serendipity actually being brought by the coming inner storm
In using the great idleness to plan the restoring of a balance
And to see clearly without the feeling of rushing pressure and turbulence
The path and pace may change to the deeper quest not yet ceased
In bringing forth the long sought betterment through a cataclysmic release.
Izshe Nov 2012
Go away little wisp.
I know what you are up to.
I pay the slightest notice,
you morph into an innocent, seductive puff
strutting to and fro
offering companionship,
yes, even love.
I admire you; you gust, fat and fluffy.
I compliment; you explode into a cumulous mass hovering ominously above.
I worry; ashen gray lithely overtakes beguiling white.
Rumbling belly fills with rage and swells with forboding.
There is no longer an escape.
My thoughts
are pulled into shadow
and slapped onto earth
in torrents of unrestrained rage.
Completely engulfed, I choke, and
swirl in great muddy vortexes down lost drains.
Who am I?
Who are my thoughts?
I only have you to grasp onto,
and that is no solace.
j carroll Jul 2013
i extract poetry from your facebook chats
and tenderness from your skype calls
this: the compromise of a romantic heart
in the face of modern ephemera
since i cannot scale your balcony
like i memorize your wall
(o sweet o lovely wall
thanks courteous wall)
nor can i woo you or ****** you
without google as my cyrano
i worry for the endurance
of a love without tree-carved initials
and sigh over perceived corruption
caused by emoticons over emotion
though i’m sure if mr wilde could text
or byron could bbm
they’d not forego their lovers’ notice
for the sake of pure romance
they’d embrace any fleeting mention
with disregard for rose colored glasses
not moon over the glare of history’s glance
they’d kiss them with x’s
and serenade them with youtube
and covet any moment not spent
with them on their mind
so my conflict is resolved
and my star-crossed thoughts soothed
when they caution most ominously
that anything on the internet
can never truly disappear.
A Mareship Sep 2013
Orchestrate a hook up with a
Ripped and curious hetero
Who dances like Prince.
Ever the idiot, I
Grabbed hold of his hand and
Instigated a kiss, whispering
“All is well with me, I’m a good bet…”
Not knowing just how much of a
Weird night it was going to be.
Ominously, he told me to leave straight afterwards. With
One eye on his sleeping form, I
Didn’t set fire to his flat, but I snapped every one of his cigarettes.
bad acrostic
raw with love Nov 2015
(Yes, better than Harry Potter, get your pitchforks ready)

My first encounter with THG was approximately four years ago, when I had barely turned fourteen, did not consider myself bilingual and was romantically frustrated. Naturally, I made several mistakes at the time. First off, I read the series in translation, since I'm not a native English speaker, and missed out a huge chunk of the significance of the story. Then, as I said, I was romantically frustrated and thus paid such a monstrous amount of attention to the romance aspect of the story that I want to bitchslap myself. Finally, at fourteen, I was still ignorant and uneducated about so many things that I read the series, got hyped for perhaps six months or so, then forgot all about it, save for the occasional rewatch of the movies. In retrospect, this is probably one of the biggest mistakes I've ever made. Now, at the ripe old age of eighteen, a significantly better-read person, waaay more woke, as well as socially aware, I decided to finally read the series in the original and am finally able to put my thoughts together in a coherent, educated review of the series.

The Hunger Games has continuously been compared to a number of other books and series, occasionally put down as inferior and forgettable. In those past few years I managed to read a great part of the newly established young adult dystopian genre and am able to argue that A. The Hunger Games is undoubtedly universal and unrestricted to young adult audiences and that B. it is, without the slightest shade of uncertainty, the best series written in our generation.

While many people draw parallels between The Hunger Games and, say, Battle Royale, the similarities end with the first book, which, while spectacular in execution, seems unoriginal in its very idea. As the series unrolls, however, it is hardly possible to compare it to anything, save for, perhaps, Orwell's 1984. The social depiction and the severe criticism laid down in the very basis of the story are so brutally honest that it fails my understanding how the series was ever allowed to become this popular. What starts out as a story about a nightmarish post-Apocalyptic world works up to be revealed as a cleverly veiled portrayal of our own morally degraded and dilapidated society (if you're looking for proof, seek no further: as the series was turned into several blockbuster movies, public interest was primarily concerned with the supposed love triangle rather than the bitter truths concealed in the narrative). Class segregation, media manipulation, dysfunctional governments are just the tip of the iceberg when it comes to the realities that The Hunger Games so adroitly mimics. If I were to dissect, chapter by chapter, all three books, I'd probably find myself stiff with terror at the accuracy of the societal portrait drawn by Collins. I strongly advise those of you who haven't read the series between the lines to immediately do so because no matter how many attempts I make to point it out to you, you simply have to read the series with an alert sense of social justice to realize that it doesn't simply ring true, it shakes the ground with rock concert amplifiers true.

Other than the plot that unfolds into a civil war by the third book (the series deals so amazingly with trauma survival and with depicting the atrocities of war that I am still haunted by certain images), the characters of the story are what makes it all the more realistic. Though Hollywood has done a stunningly good job in masking the shocking reality of the fact that these are children - aged twelve through eighteen, innocent casualties paying for the adults' mistakes; children forced into prostitution, fake relationships, children forced into maneuvering through a world of corruption, media brain-washing and propaganda.

Consider Katniss. She is a person of color (olive-skinned, black-haired, gray -eyed, fight me if you will but she is not a white person), disabled (partially deaf, PTSD-sufferer, malnourished), falling somewhere in the gray spectrum both sexually and romantically. As far as representation goes, Katniss is one of the most diverse characters in literature, period. Consider Peeta, his prosthetic leg (which, together with Katniss's deafness, has been conveniently left out of the movies) and his mental trauma in the third book. Consider Annie's mental disability. Consider Beetie in his wheelchair. Consider all the people of color, as well as the fact that people in the Capitol seem to have neglected all sorts of gender stereotypes (e.g. all the men are wearing makeup). There is absolutely no doubt that the series is the most diverse piece of literature out there. Consider this: the typical roles are reversed and Peeta is the damsel in distress whereas Katniss does all the saving.

Furthermore, the alarming lack of religion (in a brutal society reliant on the slaughter of children God serves no purpose), as well as several other factors, such as the undisputed position of authority of President Snow, is suspiciously reminiscent of the already familiar model of a totalitarian society.

The Hunger Games, in other words, is revolutionary in its message, in its diversity, in the execution of its idea, in its universality. I mentioned Harry Potter in the subtitle. While this other series has played a vital role in the shaping of my character, it has gradually receded to the back line for several reasons, one of which is how problematic it actually is. This, though, is a problem for another day. (The Hunger Games is virtually unproblematic and while it may be argued that the LGBTQ society is underrepresented, a momentary counterargument is that *** has a role too insignificant in the general picture of the story to be necessary to be delved into this supposed problem). Where I was going with this is that, at the end of the day, Harry Potter, while largely enjoyed by adults and children alike, is a children's book and contains a moral code for children, it was devised to serve as a moral compass for the generation it was to bring up. The Hunger Games, on the other hand, requires you to already have a moral compass installed in order to understand its message. It is, as I already said, a straightforward critique of a dysfunctional society, aimed at those aware and intelligent enough to pick on it.

As for its aesthetic qualities, the series is written, ominously, in the present tense, tersely and concisely, yet at the same time in a particularly detailed and eloquent manner. It lacks the pretentious prose to which I am usually drawn, yet captivates precisely with the simplicity of its wording, which I believe is a deliberate choice, made so as to anchor the story to the mundane reality of the actual world that surrounds us.

That being said, I would like to sum up that The Hunger Games is, to my mind, perhaps the most successful portrayal of the world nowadays, a book series that should be read with an open mind and a keen sense of social awareness.
Aaron LaLux Jul 2016
America’s Son

Dear America,
what have you become,
so busy worried about where you’re going,
that you’ve forgotten where you’re from,

I am your begotten son,

and I love you,

I love you,
more than these wonderful words can say,
I love you but I don’t know what to do,
because I fear that you’ve gone astray,

like an abusive drunken Trump father,
or a used up distracted Hilary mother,

you seem so drunkenly enraged by greed,
engaged in a lustful want that you falsely believe is a need,

Oh say can you see,
by the dawn’s early light,
we bomb people we’ve never even seen before,
something must be wrong because nothing feels right,

why am I scared of you,

maybe it’s your violent tendencies,
maybe it’s your egotistical ways,
maybe it’s how you’ve created all these enemies,
and now these enemies won’t just leave us alone and go away,

Oh say,
can you see,
by the dawn’s early light,
you are my parents and I look up to you,
I love to see the Statue of Liberty’s guiding light,

but honestly,
at this point I don’t know what to do,
I am your son,
and even after all you’ve put me through I still love you,

but I am absolutely terrified at what you’ve become,
what we’ve all become,
and even when I run far away to try and escape,
I realize we are family so no matter how far I run,

I am still an American,
because I am America’s Son,

back home,
back to the times of apple pies peace and butterflies,
the drones,
and satellites appeared ominously like shooting stars in the summer skies,

let’s talk about life over home cooked pie,

like why have we had to capitalize off destruction,
why do we still have war what is it’s real function,
why destroy when we can construct a constant connection,
a solid foundation with good intentions and clear instructions,

so we can finally heal and move forward as a family that properly functions,

be a good husband,
be a good wife,
be a good person,
have a good life,

it’s not that complicated,
see all us children would forgive all your mistakes,
if only you’d just admit that you made them,

he served two tours in Iraq gave his all and lost his life,
and all he got in return is the grave you gave him,

God please save him,

he was a good kid,
even though he killed,
he did it because his Uncle Sam told him to,
please don’t place him beneath us in Hell,

Uncle Sam didn’t know any better either,
and it seems his parents had raised him quite well,
but Uncle Sam’s not his brother’s keeper,
I am and I know my brothers well,
and when any of us lose any of our lives,
we only pray we leave with a story to tell,

because maybe we believe,
that when we leave this life we lead,
at least we leave the world a little bit better,
from sea to shining sea,

at least,
a little bit,

what more do you want me to say,
I love you I am your son,
but I’m scared and that feeling won’t go away,

Oh say,
can you see,
by the dawn’s early light,
I write by the light of the bright stars,
and through these words I’ve earned my stripes,

and honestly America,
as much as I distrust and despise you I still put no one above you,
even though I’m ashamed of you for invading our privacy like an enema,
I don’t even trust you anymore and I used to only trust you,
you’re like a blemish on otherwise perfect skin like eczema,
I’m embarrassed of the ways in which you’ve behaved and all you’ve put us through,

but I am still your begotten son,

and I still love you…

Oh say can you see,
by the dawn’s early light…

∆ Aaron La Lux ∆

Volume 1 of my new trilogy about Hollywood is now available worldwide.
I’ve decided to donate ALL of the profits of this new trilogy to three charities.
Volume 1 profits will go to a charity that prevents ****** abuse and assault on children.
Please support my new book and by doing so you’ll not only be helping prevent ****** assault, but you’ll also be helping set an important precedent in making a statement to other artist,
saying that we all need to start giving back and helping each other more than we have.
PLUS you’ll also be getting an epic book of poetry from an epic best selling poet.
Let’s make charity cool and change the perception of coolness for the better.
Who cares what car you drive or what clothes you wear anymore?
What now matters is what you’re doing to help those with less.
We all live in this world we together and we can all give more.

It took me six months and thousands of dollars to create this trilogy in it’s entirety,
and all I am asking is for is a few dollars and a few minutes of your time.
We made the last book I published #1 and we can do it again.
Purchase a copy for less than it cost for a cup of coffee,
and WRITE AN HONEST REVIEW about the book.
If you really don’t have 3 dollars to spend,
at least repost this message,
or respond to this message,
or something,

Here is the link for purchasing/reviewing the book:
God Bless America
st64 Mar 2014
step this side..
no, you.. that side!
in a line, in a line.. quiet now – get ready for fire.. no miss!
please line up the children in neat rows, get them ready…………………..

eyes are misted over – something happened in the gap
hooking-up strangely with estranged sons lost in custodial-wrangles
alienated values;
family-core defunct like a super-shiny apple with putrescent-flesh
long-beard wants a son after so many daughters, sits unwashed in the smoke
gender-penalty –  sorry, sister.. you chose the wrong straw
you remain in that cage till we say come out

bread-basket filled with stealth-grenades
rights and benefits squirm in slick-oil of rules
peasant skirting the limits of the city; even rats fare better
cloak of goat-skin, the shield hides serpents beneath
the hunter will aim for the head, land in the centre..
                           yet an inch or two too high
sentry, close the gates and bar the window-frames!

inadvertent greed and control; aggressive power
news-man dies for feed that’s untrue, anyway
picture-man twists an image to suit the viewer
all kinds of lines disappear so quick – ******, jokes, theatre, life, even poems
and if you’ve never had the sad combo of sick and homeless,
                                                                ­           famished and cold,
                                                                ­           tired with sores
oh, war will be courteous enough to bring you all these, *on a platter

and more..

there is no border when we all roam in hunger and in fear
like the orphans in crowded-camps
high-rankers sit far away.. ominously "well-off"
                                               chew on hard-cheese
                                               gulp down red wine
but the throat still feels parched, and that bayonet is too short
its fear will kick in.. on a day least anticipated
would you be shocked if it is a child who will drive that wedge-stick home?

st – 14 march 2014
oh, politrix, politrix….man, we're messing up this globe!

something amiss in the vision.. all so acquisitive -- my land, my car, my this, my that.. aahh, we miss the grand pic of all ---------- OUR Earth??
nay, friend.. we must leave here, in any case, one day.. what and how we do here, is the grand-query!

sub-entry: mess-up
always mess up things
with that big mouth - shudup!
Pandora dO Nov 2012
Leaves     rustling       in             the                 wind
rustling    makes        quiet        noise             ominously
in              quiet           motion    they're           moving
the            noise           they're    making's        everywhere
wind        ominously  movi­ng  everywhere   possible
© 2012
Rj Oct 2014
I need to try and stop saying discouraging words when I look in the mirror
I need to stop wincing at reflections in the buildings windows
I need to purposely not look at my reflections to spare the pain anymore
People can't believe I hate myself when it comes to physical appearance
But the small jokes I make are as serious as my outlook on myself
And walking down the hallways is an effort to mask my face and body
And I'm desperately trying to patch the holes in myself
The holes that allowed my self confidence to leak from me in the first place
The holes drilled over and over by the repeated words that weren't meant to hurt
But I knew the hidden meaning, I knew the real thoughts underneath
And as people constantly hammer in to me you are beautiful
It becomes a familiar sound, a phrase more cliché to me than yolo
And as the dark cloud of self hatred looms ominously overhead,
It is only visible to those who truly know me, those who see the thunderstorm
It's funny how the people who try and lift you up end up slamming you to the ground
And when you hit rock bottom you stop trying to disguise the rocks that are ugly
You stop trying to cover them with make up, you stop trying
Because a rock is a rock no matter the cover up, and it'll be ugly no matter what
And if I'm a rock someone hand me a chisel so I can carve myself down
And shape myself into the girl in the ******* magazine,
Because who could ever be a attracted to a girl who wouldn't date herself
Who would love someone trying to make up for their lack of love for themselves
By loving everyone else, and patching their holes leaving myself empty
It's funny how the people who say I'm beautiful would never date me
It's funny how my mother will not utter the words that would save her drowning child
Yes honey, you  are  beautiful
But instead I have sunk to the pit of the ocean, who cares about trying to hold my breath
Erin Cate Oct 2011
There's this scintillating glow
Behind a sheer veil that falls ominously before my eyes
If only I might just...
sweep it aside
But nay
I am a moth drawn to the piercing flame of epitomical libido
So close am I
Yet here I sit in my straightjacket
Woven by the unwavering hands of Father Time
It takes a strength to find that patience is key
I'm promised freedom from my unyielding restraint
Patience is key
And so shines a new glow
Restivo Jun 2010

          Clouds gather ominously. The creak of a decrepit windmill cuts through the howling wind. Still, crickets are chirping, until the rain starts. I stand at the screen door, watching the clouds swirl and the windmill turn slowly, listening to the light patter of rain changing into a pounding downpour, feeling the angry wind lashing me with spray, thinking that this could only be better with your chin on my shoulder and your arms around my waist, keeping me warm through the storm.

Linda Pahl May 2014
fiery cumulonimbus of emotion
gather ominously on your horizon
fierce silence of a righteous rage
electrifies the very air you breathe
bursts of lightening pierce the darkness
chased by thunder that shocks the heart
shattering the silence with a deafening fury
To see the image that inspired this:
The demons dance,
ominously disguised
as Monsoon clouds,
hovering above the
slick, crimsoned altar.

One more heart,
one more soul,
one more sacrifice
might make the toll.

Life-blood River
deposits iron
on the pyramid's
sculpted stone
cascading, absorbing deep, flooding the gates of hell.  

On a canoe of bone
the King embarked
to negotiate peace
with the underworld rule.

"No more blood,
no more skulls
no more souls",
said the Lord . ...
"your time has come.
No more bargaining fool"
Poem to complement a recently completed blow-torch, pencil and watercolor painting on raw edge wood.  See profile background pic.
Andrew Rueter Aug 2018
There are two kinds of lives
Examined and unexamined
So we see two kinds of drives
One of grace the other famine

Two lives
In the line
We call time
In a bind
Of the blind
Versus kind

We needed an example
Of how to be nice
Though those were ample
We found Jesus Christ
To lead the way
Through the fray
Until the day
He was slain
And died for our sins
Because the bad guy wins

Now when
Holy men
Goal tend
We bend
To their end
As they send
Us to mend
A devil's den
That is of their apocryphal creation
Of which they deny any relation

There are no angels and demons
Only people who are the reason
For this devilish season
And those who are not
Are caught
In the empire crossfire
Until they retire

Floating through life peacefully
Treating everyone equally
The people at the steeple see
Ways to help through deep beliefs
But others pervert it
To divert it
And insert it
Into hateful ideology
That falls onto me

The imposition of their will
Is how they get their fill
Becoming jaded predators
Not caring who must be killed
Our pain doesn't register
Once we're billed
Cash in till
Their heart goes still

Pain lingers
From bane stingers
Of shame singers
And grave bringers
Using slave fingers
As blame flingers

The righteous save brothers
The wicked blame others
The two became lovers
To hide pain under covers
Because the righteous
Want to be like Jesus
Once the wicked fight us
The righteous leave us
To turn the other cheek
Until we're up **** creek

Plenty of people act like Jesus unintentionally
And live life exceptionally
Others study religion fervently
Yet continue hurting me
This dichotomy
Is odd to me
Do we need God to see
A way to be?

The real dichotomy is net negatives versus net positives
Though we may never conceive
A measurement I still believe
This battle exists
Our actions persist
But the only judgement we'll receive
Is in the way we're perceived
Yet society's goals aren't the same as humanity's
I know it sounds like insanity
But we act counterintuitively
Like the lawyers suing me
So they can get theirs
While saying life isn't fair
Which may be true
But only because of them
So my frustration grew
Once I saw the problem's stem

I wanted to be a good person
But then I got headaches
And bad breaks
From high stake
Growing jaded
After society graded
My endeavors slated
As failures awaited
I became one of them
A broken gem
Can someone please save me
From remaining the same me?
Or will I spend my time
As part of the grime
Not reading the signs
Until the day I die?
Can be found in my self published poetry book “Icy”.
Daniello Mar 2012
The music of life, at times, is a raucously *** concert
of ominously monotonous melodies sung sirenically
by voluptuously ugly monsters.

Curvaceous enough to flaunt the fact they’re actually ****.
Which makes you feel like an *** but that’s just the way
it was meant to be.

Then the chorus bombs in, and the song starts to get sweeter
since the tune becomes a lot like Bob’s album: Street-Legal.
But as quick as you can nictitate, the ****** you anticipate

flicks away like a spark that was never gonna be lit-to-flame.
And so revert the monsters, their obnoxiously off-key verse,
somehow being, paradoxically, still acceptably heard.

And I almost forgot to mention how horrifyingly awkward
the gawking audience dances! Watching it is honestly
the most awful part of this non-senseness.
just having fun with words, part II
AJ James Oct 2012
When we were little
you held my hair back
from my ear as you
gently breathed:
"I will always be here
to catch you when you fall."

But here I am,
Falling so fast
my insides swell and
ooze from my
ears, nose and mouth.
So fast my heart
becomes lodged tight
in my throat.

I'm waiting for you
to pluck me from the air,
hold my hand in yours
and stand me back up
to teach me to walk again.

But you left me
here alone
and the concrete
begins to loom
ominously below,
and I fall to the
impending smack
and splatter of
my brains.

The cold ground
greets my face,
crushes my skull,
snaps my neck
in two.
My teeth shatter.

My brains pile in a
pillow under my head.
Then, every bone in
my body snaps.
Jagged pieces of these
bones poke through
my pallid and paper thin
and yet..

my heart still pumps
hard in my throat.
I start to fall unconscious
when I see your feet
approach my broken body.

You pick me up,
slide my brains into place,
force me to swallow
down my intestines
and you glue my
bones back together.

Then you reach down
my throat,
grab my heart,
and place it back into
the center of my chest.
Next, you walk away.

You leave me
but this time I am
not void of your presence.
This time, when you leave,
I'll see you again.
All I have to do,
Ria Nagpal Jun 2013
"Attention! Attention!"
"This is the final call for Space World Airlines flight SW406 direct to Earth. Could all passengers for this flight proceed immediately to Martian Lounge 3. Thank you for your kind attention and we hope you have a safe flight. You will be missed!"

Seven months later...

So I inhabit the quaint hamlet of Earth,
Whose streets I have wandered,
Breathed their oxygen,
Felt their dirt and grime in my skin.

**** sapiens are pitiful organisms
Which are plagued by deficiencies in bottle green pigment.
They are just plain nonsensical and silly
With a passion for rather outlandish hairstyles.
All of us have zero wild hair from where I originate from..
Possessing formidable odours,
Mysterious in their temperaments,
Endless bickering and ticked-off outbursts,
Endeavours to implement their godly theories,
404 Not Found Error.

The females bear a gadget
Identified as a handbag
It ought to be alive
Since it is secured around their necks
And is clutched solidly.
In the event that others investigate
I presume these others desire to set it free.

They must absolutely have deplorable eyesight
As when a number of them are
Stepping down and up a street,
They have a tendency to head straight for each other.
Some of these humans occasionally bump
Into one another and they surprisingly
Accuse themselves and each of them apologises.
Mind-boggling, isn't it?

The majority of them seem to have one hand
Attached to the right or left side of their skull
And chatter to it..
How bizarrely ridiculous!

It really is crazy just how this planet is indeed so gigantic,
And features such an abundance of land,
But yet most of these pathetic creatures,
Will never grant you any without money.
Of course, this is obviously a bit of paper!
You will discover an awful lot food everywhere,
But nevertheless countless **** sapiens go hungry;
Thanks to the worship of this outrageous paper..
They don't permit these flying feathered beings
To ascend the heavens,
Shooting them down nutty humans,
To make shoes and boots and mittens!
They cut down all the big trees,
To construct infinitely more dwellings.

Tick tock, Tick tock..
Where is that mystical melody emanating from?
I felt so faint and dizzy..
That sound..
Then, I spotted a crystal face
With a pair of hands and eye ***** moving right and left
It seemed similar to a bomb and gazed ominously at me,
Did the inexplicable humans plan to eradicate the entire alien population?
Have you no mercy?
O, when shall my spaceship arrive,
And take me away from this perilous planet?

I'm merely a martian exploring this space,
So absurd, so preposterous
Do visit us one day, we will greet you hopeless humans,
And reveal to you the splendid planet we reside in.
Chad Katz Mar 2011

Fanciful and then the first notice of
suspended mouth corners,
fleeing gravity with invisible strings,
sloppily synchronize in giggles.


A glance at the shore horizon,
widening into chasm,
Erebus leaking
oh but the raft
is far too small!
oh and flimsy!
surely the shadows
will ravage
the branches
and pull this
euphoric contraption


glazed malfunction
blurred and hazed
for lack of clarity
billowing surges
mold as magnets inandout
and in andoutandinandout again

fades in before
melting again to
disjointed gestures
in a multicolored backdrop


Skeletal architectures
return from a hysterical
awareness of ****** intricacy—
And discussion is,
of course,
forever precluded
for fear of relapse
and embarrassment.
NitaAnn Oct 2013
The storm clouds have been hovering all day and now the darkness has closed in. The dark portentous clouds that have been looming ominously overhead have finally rolled in with the force of a category 4 hurricane. My body no longer feels like it belongs to me. Even little things are such an effort. I feel ravaged by the torrential rain and devastating winds of the hurricane.

The burly winds have destroyed lawn furniture and sent backyard grills reeling from decks and porches – they have scattered tumbleweeds across the plains…the ability to keep your eyes open in the midst of the flying dirt and dust has diminished. I am blowing in the wind…tossed like the tumbleweeds. I am constantly fighting the winds of depression, fear, sadness, hopelessness and tonight my overwhelming feelings are a force to be reckoned with!

Sleep fails to bring relief…the darkness invades my sleep, my dreams….I fight sleep – fear it, even. And when I do sleep, I talk and moan, thrash around and whimper frequently. I wake up multiple times a night from a nightmare only to find a broken compass and an inability to navigate myself from the past back to the present.

So much of it is irrational – and the small, logical voice inside of me tells me that – but the logical part of me cannot overpower, or balance, the other irrational, illogical voices of the terrified children trapped inside my mind and my body. I know I'm not in control. All the drive and spirit and determination that made me ME has been drained from me and most of the time I just feel like a rag doll….just do with me what you will…I'll just wait here.

And I have these horrible thoughts…what if I took a few extra sleeping pills, anxiety med…maybe chase them down with the ***** in the freezer…..

It's not about suicide….although I'll admit I have fleeting thoughts that death would be easier on everyone around me who suffer with me, despite my trying to keep it all inside of me. But it isn't about suicide – it's about making it stop! And I know that sounds sick…

I have always been strong, a fighter! Always! And certainly I've been through worse than this…… But I hate this! I hate the panicky feeling when I wake up from a nightmare and I'm in a state of half-consciousness. I hate the overwhelming feelings of rage that make me lash out at those undeserving and sometimes unsuspecting souls. I hate the external scars I've inflicted upon myself. I hate that I have these overwhelming urges to hurt myself and I sometimes act on those urges and then suffer the feelings of guilt and shame that come afterward. I hate that I've given them my joy and that means they win! I hate feeling and acting like a child! I hate the memories, and the crying and all of the feelings, feelings, feelings!!!!!!! I hate it! All of it!

I feel like I'm going crazy. I'm in such a state of darkness tonight and I need something to renew my courage, to get back my determination and drive. Now I feel like my body and mind have been taken over by a poltergeist! It’s all fear & darkness now.

There is thunder, and wind and lightening and hail raging in my head and I'm caught in this storm with no protection, no umbrella, no coat or boots.
I'm not writing this as some ****** irrational woman getting ready to climb to the top of the empire state building and jump off – so please don't think I need to be committed to some psych ward. I'm writing because this is how I feel right now. This is my struggle, my journey through the rocky terrain.

There are no valleys without hills, and I've hit a landslide. I can't talk to my friends about this, or dear husband, I can't face the looks of fear, or pity, or concern, or maybe even anger and rage. I just can't. I just need to figure out how to find my way back to the land of the living. I want to feel the warmth of the sun again, see the brightness – feel the heat. I want to sleep 8 hours without fear and panic. I want to feel safe again. I want to get through a weekend without completely losing my mind. And I'm not sure how to do that, or if I even have the strength.
Vidya Jul 2012
Last someday I told him you know soldier you gotta stop saying please. You gotta pull the punches like get off your knees and onto your head and roll away laughing in cartwheels. Get your shoes shined your collar pressed your dogs walked, your **** ****** by women who will tell you they think you’re a riot sort of. Gotta stop counting the ghosts in the hall and the pills every week and the calories burned and the blessings. Eventually you will learn to tie your own **** tie but you’re proud of rolling your own cigars, you’re proud of remembering to water the calla lily on the windowsill. You’ve forgotten most of what you’ve read. You can’t remember the news from yesterday or was it the day before did one of the neighborhood kids get shot or did we go to war again, maybe it doesn’t really matter. Haven’t had a fruit juicy enough in six years and you gotta find a tropical country where the papayas and the sunshine make you melt into puddles and you are the rainy season, you roll ominously overhead. You think you’ll stop staying at the Ritz-Carlton on business trips, you think you’ll check into the Super 8 at three forty-two a.m. and when you open the door the ashtray’s full and there’s *** caked on the wall. When you go to the bar you keep forgetting you want a shot of bourbon or maybe a double of Scotch and you order a g&t; instead. The clouds stay grey and the sky stays tearstained. You remember playing tennis and skinning your knee when you were seven, you remember grinning the widest when you had lost your front teeth. You don’t own a single photo album. In spring when the flowers start to bloom you think you ought to have a daughter so you can read her Maurice Sendak. You’ll get shampoo in her eyes and she’ll be cross, and she’ll only forgive you when you tell her that story your college friends are all tired of by now. You have those thoughts and then you remember to wash your hands. But I said yes gotta stop being a yes-man because that turns into I do and then where are you, on the altar with the sacrificial lamb and a woman and when you slip the ring onto her finger and say this isn’t funny she says you’re a riot sort of. You wanna make it here, then you better learn to eat the locusts and ride a camel and not get angry with the scorpion in your underpants. You don’t get angry, you gotta squish his head between thumb and forefinger before he manages to jab your pecker. You are fifty-two. You don’t feel fifty-two. You don’t feel anything other than maybe an intense dislike for carob bean. You were told to be on the lookout so I said to him I said.
poeticalamity Jul 2014
you used to make me feel like i was in flight;
above the clouds, with the breeze in my hair,
and no one around so i could actually be myself for once
nowadays, when i see you,
it make me feel like i’ve fallen down a flight of stairs;
all tangled up inside
and broken in all the wrong places

sometimes, i wish i could forget you
but then i remember i’ve avoided a lot of train wrecks
because of our atom bomb

we were the first of mine, you know,
the first to make me commit as big a mistake
as the ******* manhattan project

you ******* me up more than you can imagine
i lay waste for months, with no sign of human life,
or, life of my own, at least

i threw myself into the care of plants and cats
and writing love songs with terrible lyrics
telling tales of people who weren’t us;
of people who never fought.
of people would never leave the stove on
because something more exciting
was going on in life outside

i used to feel like i was always close to you,
to the world, to a bigger idea,
but now, when i think of you, i feel like
the bigger things are ominously closing in on me
closer, closer, too close, crushingly,
and you were always so physical
Alexander Martyr Jan 2014
I know little of rhyme
Nothing of meter
My writings, barbaric
Don't express either
Part of poetry
As well as another
Someone more well-versed
In giving poems color
I use alliteration on occasion
Pauses to be dramatic
These little lacking lines I craft
Probably come off as erratic
Syllables be ******
Imagery imagined
Rhymes forced
One of the only poems I know
Is about a hearse
One that ominously rides by
Intimidating some unfortunate guy
Reminding him that he'll eventually die
Or those under the pen of Poe
Whose tales of distortion and woe
Are firmly engraved in my memory
As empty as blank verse
I sit here vexed and cursed
Trying to express my thoughts
My more artistic passion
Which just so happens
To be in a more archaic fashion
Than the others I admire and read
But I've never taken the time
To put poetry under a microscope to see
The framework that could lead the blind
Guiding and inspiring those who write poetry
And so I'm inclined, but don't really mind
Remaining forever in obscurity
Sally A Bayan Jul 2013
I was swimming in a stream of sounds:
Voices, motors, cars honking, whistles,
But all faded as soon as the trip was over.
Alighting from the back,
I followed with hurried steps.

While walking,
A kaleidoscope of your daily activities
Played through my mind, over and over...
Today, I didn't hear the sound of your yawning,
Also, you missed your garden visit
This early morning..... couldn't, because.............
You lay there, snoring,
So calm in your sleep.
The small bed, in a room
With that familiar smell of disinfectants....
The crumpled sheets that wrapped your body,
No fresh flowers on your bedside..
You wouldn’t have approved of all these....
But you were seemingly uncaring.
There was only the deep sound of your breathing.
I saw your chest rise and fall rhythmically.
It was cold in the room......
Your feet were getting cold, too...
I held my beads tighter.

The deafening silence was disrupted.
Words I could hardly understand
Were softly uttered, the voices unrecognizable.
I rushed out of the room, down to the garden.....
But the whispers became more audible,
Blown towards my face by a gentle breeze.
Even as I sat on a secluded bench,
I heard the same things over and over,
Like a broken record.

I fled back to the room and covered my ears,
To shut out the voices.
Then I noticed, you were ominously still,
Snoring no more...............
………......breathing no more.

**** these murmurs of death!
Like a swarm of bees, they followed me,
Buzzing monotonously what  I refused to hear.
They were in their highest note....
In unison, they were
Celebrating victory......
In  cacophony...

Copyright 2013
Rosalia Rosario A. Bayan
Fish The Pig Nov 2013
The steeple's bell
ringing ominously in the distance.
So far yet so close,
resounding inside of my throbbing head.
bare feet brushed in earth crust and moss
dragging themselves over the wet grass,
body stuck in a mechanical forward motion,
having given up
on breaking through the thick ice now encasing her rotting bones.
Onward and onward,
toward the never ending bell.
Eyes pale and absent from vision,
she stomps on and on.
A wicked attraction
to that Godforsaken bell,
forcing itself from side to side
atop a burning prison of religion.
She opens her frosty,
melting mouth,
unable to speak truth
or reach her own thoughts-
she brays out quietly,
like that of a sheep.
Mindlessly her numb body
continues to follow the clanging of the bell.
Hearing only a glorious sound
to guide her in a world of dark,
foolishly braying her heart out to what she cannot see,
too frozen and numb to feel
the scorching flames
licking at her feet,
engulfing her,
enjoying her,
kindly leaving,
only her crisp ears
to hear the bell's final toll.
Daniel Handschuh Oct 2015
A bird glides gracefully whilst the discolored leaves are aflutter
   In the wind that rocks the cold rotted wood of the window's shutter;
   All while the obstructive trees cause the wind’s speech to stutter.
   Yet she still howls with an intense pressure on me chest; I can barely utter
   My feelings toward this heavy air of eeriness about me—
   Nearly as heavy as the insignificance in the noose of the tree—
   A decomposed mutilation of all that is good, hung for all to see—
   A shriveled neck and half-dissolved eyes that still long to be free—
   The blood long lost, the body now pale—why does it stress?
   Why is life in its eyes, why does it shrug off Death’s caress?
   And as the sun is fully blotted by the black clouds, unfatigued,
   A hot stench like the enhancement of rotten fruit—yet I am intrigued—
   Descends upon me with the force of a vise equipped with knives—
   ‘Tis the horror of what only the spirits of the dead can contrive.
   And visions—horrible visions!—overwhelm me and present terrors:—!
   Rain steadily falls and patters incessantly upon an accursed Earth;
   Surrounding the hanging man are graves—and so begins the second birth:—!
   The tombstones crack and crumble into hundreds of jagged stones;
   An earthquake manifests quickly, and violently rattled my bones
   And remorselessly disembowels the Earth of the trees’ roots;
   Suddenly far more prominent is the awful stench of the fruits;
   An unsettling revelation is brought to my undivided attention:
   The tombstones’ collapse and the earthquake are not in relation,
   But the earthquake is a result of monsters unleashing their power.
   And the tombstones—but what of the tombstones’ fall?
   Startled, I see that replacing the hanging man is a voodoo doll,
   Dancing with its tiny limbs and smiling nonstop, locking its black eyes
   On my horrified self; I cringe and tremble in this demonic guise.
   A screeching note erupts from its unmoving mouth; it hovers in the air
   While I am frightfully dehumanized by the doll’s inexorable stare.
   While the screech lingers, the wet soil of the graves shifts quietly,
   The noise of splitting, wet dirt drowned out by the screech of cruelty.
   As it becomes clear the voodoo doll’s dance is one of conjuring,
   ’Tis revealed to me that the tombstones fell because of remembering:
   The dead do not believe they should be remembered, reflected upon...
   The second birth’s process is agonizingly long as I become wan.
   But before I nearly faint—and leave the visions—I receive an unwanted help:
   The doll’s gesticulations are directed toward me; even so, she raises Hell.
   My mind is frightfully clear to see all before me, and the dizziness has left.
   Oh, why these visions? Why with this horrible curse I am blessed?
   I am met with the most terrifying sight of all; my heart quickens.
   As the rain falls harder and begins to puddle, my blood thickens
   And very nearly ceases to flow as I watch the dead come to life.
   Gnarled fingers, some broken and some missing, ignore Death’s inflicted strife.
   Fingers—disjointed, protruding in random directions, treelike;
   Grime under the fingernails—fingernails, chipped or long spikes;
   Hardly any flesh on the old, ***** bones; muscles dripping off.
   Bodies, mutilated by natural decomposition, burst with raging coughs
   From the eviscerated Earth, black with age, red with dried blood.
   The dead, limping and holding what organs they still have, slip in the mud,
   Fall, fill their empty ribcages with it, and scream as limbs are torn away;
   Scream, as they are free from the grave, the path that led them astray.
   Oh, the feelings of dread that are eroding my scarred mind!
   What awful horrors have I stumbled upon, what did I find?
   One undead woman is staring at me with unfortunately soulless eyes;
   A few long hairs messily fall from her shriveled head, infested with flies,
   And her eyes—oh, her eyes!—are as small as raisins, wrinkly and white;
   They hover in her sockets, the skull only half-covered—pure fright!—
   With dead skin. Why is her toothless skull grinning mischievously?
   Is she enjoying my terror that leaves my trembling grievously?
   Abruptly, the still, deformed grotesquerie releases a sickening gurgle
   And violently shakes, as if under some overwhelming mental struggle.
   Her jaw falls open, unattended from the necessary muscles’ absence,
   And screaming laughter flows out of her agape mouth; malevolence
   Seeps from it in the form of pitchy black smoke and tightens the air.
   And all the while is still her unfailing, gut-wrenching stare!
   Her chest, dilapidated from the Earth's engulfment of her, explodes—
   A black skeletal hand, emerging from the body that was its abode—
   A demon, a black skeleton, blood gushing from its mouth, fire in its eyes—
   And tattered wings spread as the screamer takes to the hellish skies.
   It hovers around the dancing voodoo doll, circling her,
   Worshipping the smiling thing that was sewn with maleficence and fear.
   “But what are these things?” I ask as the undead congregate.
   “Is this how horrible life will be beyond Hell’s gates?”
   But it is made revealed to me that the people are eternal
   Inhabitants of Hell—Hell inside me; the spiritual realm is internal.
   “Why do they gather around the doll and bow in submission?”
   But, to my dismay, there is no answer to this deathly war of attrition.
   “Vultures!” I hear, a thunderous, wicked voice from up above.
   “You do not know what you are to believe, or what to love!”
   The dead dance in slow, uncoordinated movements, circling
   The doll. Even the shadows ominously flicker, no longer lurking.
   The black demon floats and gestures to the moaning dead,
   Beckoning them to rise from their permanent deathbeds
   To chant and flail their measly arms in worship of the voodoo.
   What have I done to be cast into this dangerous world askew?
   “You are a vulture, searching helplessly for something to feast
   “When the desperate hunger is turning you into the demons’ beast.
   “And when the food is gone, you search for your next dying idol.
   “For you, the inevitable conquest for falsities will never be final.”
   The room of a once peaceful dwelling is a victim of an apocalypse:—
   ‘Tis as if it has mutated into the imagery of a drug’s dangerous trip:—
   The walls are bent in, threatening to collapse under the pressure;
   Books are shredded, shelves are upturned, and obliterated is the dresser;
   Blood drips from numerous cracks in the ceiling and paints the walls.
   ‘Tis many moments of being awestruck before I realize the mirror calls.
   Vision is blurry, a hollow ringing sings, and my surroundings fade.
   My legs of jelly drag my heavy body into the dark hall’s shade.
   I yell at the sight in the cracked mirror, but my voice is painfully missing.
   It appears as if my entire face is losing its grip and is slowly slipping.
   Gravity’s grappling hooks have taken a strong hold and are pulling.
   The entirety of my eyes is almost visible from the disturbing lack of coverage.
   My jaw refuses to rise back up, as if the muscles have lost their leverage.
   It adds to the terror—how unsightly I am! How revolting!
   I am no longer human but an otherworldly, disgusting being!
   A scream that is not my own bursts from my agape mouth and shatters the mirror.
   It deafens my ears like a knife; I feel the fiery tearing of my vocal cords.
   “Vulture,” I vaguely hear but clearly curl my dry, thin lips to.
   “Go, find your food, find your idol, bathe in what you think is true.”
   Violently, desperately, crashing into walls with wild, uncontrollable limbs,
   I purposelessly search for the spirit that will welcome my immovable sins.
Yes, it's gory and has some disturbing elements in it, but I use these to instill certain emotions into the readers. On other forums, I'm known for how frankly I put my words, so if you enjoyed this, expect me to post more without being afraid to say anything.
[December 30, 2016]

A brilliant statue of golden illuminated scales dances effortlessly in the sky
Twisting and turning like a bird changing air currents as if it were alive
Enormous in it's stature it blocks out the sun with powerful wings of luminosity
Flames of a dozen colors lick the air, sizzling with a hint of animosity

An evil shadow shrouds the village as the gemstone serpent soars overhead
Roaring with a thousand echoing voices, the world turns silent with dread
With a sudden shift in posture, it dives like a freshly loosed flaming arrow
The people scatter like ants beneath its hungry gaze, calling for their hero

Like a meteor, the serpent crashes into the earth with an explosion of dirt
Tendrils of fire stream from the crater as the houses erupt in bursts
Unseen mangled screams of anguish fill the scene from covered smoke
With a flap, a gust and a roar of fury, it separates air from choking cloak

Villagers stare in awe at the legendary creature standing ominously before them
Scales of crimson ruby glisten behind a furious glare of murderous intent
One brave villager steps forward, adorned in polished silver mail
The hero draws a sword, raises his shield and prepares to fail

The dragon charges forward, lashing out with tooth and claw
The knight lunges back, narrowly missing a bite from its maw
It spits fire of molten lava, melting the armor to his skin
Burning alive inside his armor, his flesh sizzles beneath his grin

Defeated and broken, he places his sword into the earth
Stumbling and shaking, he limps to the burning church
He returns with a large ruby stone in his trembling arms
He places the egg at it's mother's feet, safely unharmed

The crimson dragon solidified into a glimmering golden statue
Caressing her ruby egg against her breast, love forever true
The legends tell not a tale of a ferocious and unstoppable creature
But of a gemstone serpent, who wanted to protect her piece of nature
Author Note: The first of my "Gemstone" Series.
Gemstone Serpent [December 30, 2016]
Category: Fiction/Fantasy/Gemstone Series I.
A story about a dragon whom destroys a village in an attempt to save her child.
Ziggy Zibrowski May 2010
High above the teetering mast
A shout long awaited is heard at last
"Land **! Land **! Straight ahead"
Across the sea, the mariners sped

The mass of land, close in range
Ominously, the winds have changed
The ship drops anchor a hundred yards out
Rowing in without a doubt

Making landfall, the ****** cheered
A great appraisal to Brown Beard
Gallivanting, their songs sung loud
Roused, the sea soughed

Ripping from the strenuous tides
The monster emerges, the sea divides
Crashing down upon the ship
Fearful men tighten their grip

Threshing about as the beast descends
Into the depths where the mirk never ends
Duped, the mariners take their last breath
Inhaling, the seas grant them their death

Bloated corpses resurfacing
The dubious island repositioning
Full, the gulls await
For the next to take the bate
copyrighted October 2008.
Brendan Holland Aug 2015
Beckoning forth
The     Lighthouse
ominously       glows

Like                   a fire
Through      fog

Like sirens
So beautiful
Such consequences

So why
So   light
So     dark?
Cunning Linguist Feb 2014
Ominously spindling thread
Tempestuous, voluptuous
Contemptuous and gluttonous
Stitch me a heavy heart
Now rip it to shreds

Rewarding impetuousness
How I long for your torture
Tortuous contortionist
The pleasure is without measure

Your posh silk,
Treasure of my endeavor
Enveloping like the web of a spider
My heartstrings twine;
then are severed
What a twist
Never have I ever
Liam Jul 2015
when one door closes...
then it can also be locked
an unintentional specialty of mine

some close of their own volition
others require a little nudging
leaving those that need be kicked

i've walked through them all
beneath their porticos of promise
over their thresholds of dreams

spaces beyond so warm and inviting
or ominously dark and foreboding
but entry is inevitably mandatory

a lament in keyhole retrospective
reduced in scope and visibility
incomprehensibly limiting foresight

begrudgingly resigned to redesign
wishes trapped beyond mortal reach
accessible only with a skeleton key
Sarah Treaster Jun 2012
Courtney’s old subaru stuttered and stalled as she sat at the red light. The large blue duffle bag sat ominously on the leather seat beside her. She couldn’t look at it.
God, Luci. Why did you get yourself into trouble? Courtney’s mind was racing. Ridiculous. This is ridiculous. She ****** her head to look at the bag. It was bulging.
The bag was stained and dusty, ripped along the seams in some places. Courtney’s phone rang loudly. She jumped, and held onto the steering wheel with one hand and answered.
“Hello?”She was silent as the voice on the other end talked quickly. “No, I’m not there yet... yes, I’ve got it.. No, I haven’t touched it... Yes, sir. She’s very sorry... I know, sir. Yes I’’ll tell her.” She hung up. Her face was ghost white, her palms and forehead sweaty.
Many voices argued in her head. I shouldn’t be doing this for her. She broke the law. But Luci’s your sister! That doesn’t matter. She caused the whole family a lot of pain and money. And now I’M breaking the law. What the hell?!
She looked back over at the duffle bag. It sat staring at her accusingly. She turned away. Her car was getting awfully hot, so she rolled down the windows, letting air flow through. Checking her watch, she hiccuped with surprise. Her foot slammed down on the gas, her head pressed against her seat from the quick acceleration. Her car’s enging groaned with the speed, but she couldn’t slow down.
*******, Luci. I really hate you right now.
Suddenly, she saw flashing lights and heard a sharp wailing sound behind her. A police car pulled right up behind her, speeding along, signaling for her to pull over to the shoulder of the road. Courtney’s eyes were wide with fright, and her palms were sweating profusely, leaving stains on her steering wheel. Oh god oh god oh god oh god...Ohhhh my goddddd.
Courtney slammed on her breaks, pulling over. A man in uniform knocked on her window, and she rolled it down slowly. There was a loud noise from the passenger seat and Coutney’s world slowed as she saw the duffle bag fall to the floor of the car, the zipper breaking and the contents spilling onto the carpeted floor.
The policeman’s face was horrorstruck.
“Ma’am...” He stuttered. “I’m going to have to ask you to...step out of the car and put..put your hands on your head.”
Gigi Tiji Dec 2014
toasted snippets of crispy information
lie on white plates rapidly cooling
while lips dry into deserts
of steel-toe apathy

stale bread waits, uneaten
growing fuzzy colonies of mold
that scream in delight at your
dipper-dapper disinterest

breadcrumbs blaze new trails through
forests of great-grandfather clocks,
looming ominously as they sing
tick-tock with woodpeckers where

a manic imp bakes loaves for
several forevers in an attempt
to escape its inevitable

grasping at salvation and
fumbling for words that slip
from buttered fingertips

better luck next time
Don't remember
The last December
I had
That was ominously pleasant
Some people
Never had a pleasent
Some just had
Heartache and misery
As their wrapped up present
Nowhere near as bright as the waning crescent
Technically the exact opposite
The wrong side of the fence
Watching pain commence
Is not what we wanted
Ever in this unexpected life.
Silver Wolf Feb 2015
Wispy angel Children embedded with
Sparkling fibers of light
Danseuses blanched
Paper doll trails honeycomb drippings
Shedding casings
Hollow cast offs coiled gaunt carapace loom
Ominously floating in sea of shadows
Byproducts of incessant motion
growing thin
Fading away with the glow of dawning
until moon wakes from its perpetual sleep
Awash in an ocean of night
and luminous constellations of
Twilight gloaming

— The End —